Two picture books explore the art and craft of writing and storytelling, offering advice and encouragement for budding young writers.
In How to Make a Book (About My Dog), Chris Barton answers a question that children often ask him when he visits schools as a children’s author: “How do you make your books?”
Barton guides readers through the process from start to finish in great detail, using his dog, Ernie, as a hypothetical subject for a nonfiction picture book. He begins by discussing the research he must do even when he’s working on a familiar topic. He describes drafting and revision, explains how illustrators come on board and contribute, and then ends with the nitty-gritty of copyediting, printing and shipping books. Along the way, he introduces the team of people who help to transform ideas into books that readers can hold in their hands, including literary agents, editors, art directors, typesetters, proofreaders, publicists, warehouse employees and more.
How to Make a Book (About My Dog) perfectly addresses the intense curiosity many children have about the mechanics of writing and publishing a book while shining a light on many stages in the process to which readers are not often privy. Barton’s narration is engaging and full of personality, and Ernie becomes a fun character in his own right. The book’s extensive back matter provides a detailed timeline that reveals exactly how long it took to create this very book, beginning when Barton and his family adopted Ernie from a rescue organization and touching on an early concept for a different book that ultimately didn’t work out.
Illustrator Sarah Horne dramatizes each step with bright, cartoonlike scenes and characters. Infographics, panels and charts; arrows, stars and other visual icons; and a wide variety of hand-lettered fonts transform what could be a dry nonfiction text into a friendly and appealing journey. This guide showcases the challenging but rewarding work of bookmaking with humor and optimism.
Author (and BookPage contributor) Deborah Hopkinson and illustrator Hadley Hooper’s The Story of a Story takes a poetic approach to the question of where inspiration comes from. In rhythmic free verse, Hopkinson addresses a child with “endless curiosity, / and a deep longing / to create, to write, / to say something about the world—to tell a story.”
Hooper’s illustrations show the child coming inside on a snowy day, taking off their coat, hat and boots, and sitting down at a table in front of a big window. Everything the child needs is at hand: paper, pencils, a snack and even a faithful dog at their feet, but “the words won’t come.” Darkness falls and crumpled papers pile up around the table. While taking a break to eat a cookie, the child notices a chickadee outside the window who is also eating. Inspiration doesn’t so much strike as emerge slowly, and the child returns to the blank page, picks up their pencil and begins again, writing “just one word. And then another.”
Hopkinson’s use of the second person gives the text an intimate feel, and her short sentences draw readers into the push and pull of the blank page, capturing the way that inspiration is so often a series of starts and stops. Hooper uses a spare color palette dominated by blues and whites, with occasional pops of yellow, brown and red, conveying both the wintry setting and suggesting the calm stillness of mind required for creativity to flow.
As much about perseverance as it is about creativity and storytelling, The Story of a Story has a wonderful focus on process over product. It offers lovely encouragement to young writers, urging them to push beyond obstacles in their paths and discover the stories that only they can tell.
Two picture books explore the art and craft of writing and storytelling, offering advice and encouragement for budding young writers.
Some poets have the power to illuminate and articulate the most secluded parts of a reader’s heart and mind. In these new books, three renowned poets offer compassion and fresh perspectives on the human experience.
Such Color
Such Color: New and Selected Poems provides a welcome overview of the career of former U.S. Poet Laureate Tracy K. Smith. The cumulative effects of history and identity are central to much of the work in this magisterial book. In poems such as “A Hunger So Honed,” Smith probes human motivation and the nature of desire: “perhaps we live best / In the spaces between loves, / That unconscious roving, / The heart its own rough animal.”
Smith also explores Blackness as a communal experience, one that connects her with past generations and those to come. In “Photo of Sugarcane Plantation Workers, Jamaica, 1891,” she sees herself in the figures captured on camera: “I would be standing there, too. / Standing, then made to leap up / into the air. Made to curl / and heave and cringe. . . .” These are poems of possibility, as Smith considers the past while looking for a way forward.
Goldenrod
Communication in all its varying modes is a recurring theme, from social media posts and handwritten notes to the unexpected autocorrections of text messages. “In the Grand Scheme of Things” explores the limits of language: “We say the naked eye / as if the eye could be clothed. . . . We say that’s not how / the world works as if the world works.” Throughout this wise, lucid collection, Smith captures the wonder and bewilderment that come with being human. She’s excellent company for readers in need of connection.
In Maggie Smith’s wonderfully companionable collection of poems, Goldenrod, she takes on timeless topics such as nature, history, family and memory. In “Ohio Cento,” she writes, “What we know of ourselves / gets compressed, layered. Remembering / is an anniversary; every minute a commemoration / of being.”
Poet Warrior
In her beautifully executed memoir Poet Warrior, Joy Harjo recalls her upbringing as a member of the Muscogee tribe in Oklahoma and reflects upon her development as a writer. Harjo, who is serving her third term as U.S. Poet Laureate, grew up with an abusive stepfather and a creative, hardworking mother. She learned early on that literature could provide solace and escape, and she takes stock of her poetic influences in the book, counting Audre Lorde and N. Scott Momaday as key figures in her development.
Harjo mixes poetry and prose, history and memory, Native lore and family stories to create a collagelike account of her experiences. “As I near the last doorway of my present life, I am trying to understand the restless path on which I have traveled,” she writes. Fans of nonfiction and poetry alike will savor this sublime memoir.
Times being what they are, an uptick in conversation around self-care and coping with grief feels appropriate. We’re all, it seems, looking for ways to make sense of, or at least soften, our experience of the everyday, and in this climate, interest in the ancient practice of tarot is resurgent. I’m among the curious dabblers who are digging deeper, and I’m glad to learn from Jessica Dore’s Tarot for Change: Using the Cards for Self-Care, Acceptance, and Growth. Dore, a licensed social worker, roots her study of tarot in psychology, but she also pulls from folk traditions, personal anecdotes, mythology, literature and much more for a depth-charged exploration of the major and minor arcana. Tarot, her book suggests, deserves to be seen as a therapeutic modality like any other. “Efforts to boil the study of the soul down to a science have led to great strides in the treatment of mental illness,” she writes, “but have relegated mystery and magic to the edges.”
Edible Flowers
I knew one could make jelly from violets and sprinkle nasturtiums into salad, but I had no idea just how many flowers were safe to consume until I cracked open Edible Flowers: How, Why, and When We Eat Flowers, which showcases more than 100 nourishing blossoms—and that’s counting only specimens from North America and Europe. But let’s not get hung up on stats. The key word for this gorgeous book is, as author Monica Nelson puts it, immersive. Color photographs by Adrianna Glaviano capture the striking presence and ephemerality of each bloom, and along with enticing recipes and historical and cultural context (“In Ancient Egypt, [calendula] was considered the ‘poor man’s saffron,’” for example), there are short essays by contemporary writers, summoning the reader deeper into the flower-eating experience. Even the petite trim size is by design, “allowing the book itself to also be lived with.” This one is a true sensual experience between two covers.
The Cocktail Workshop
Many boozy-beverage books have come this column’s way in recent years, but the clarity and spiffy organization of The Cocktail Workshop caught my attention and didn’t let it go. I’m an amateur when it comes to mixology, so the “first, the basics” approach holds appeal. Yes, please do give me the how-to (and nerdy details!) of classics like the Manhattan, margarita and Negroni. Not that connoisseurs won’t also find much to love here: The recipes grow far more complex with spirit-swapping, homemade tinctures and flaming garnishes. For each of 20 stable “banger” drinks, you’ll learn three spinoffs, plus a “workshop” recipe for the extra-ambitious. Mix a perfect martini, say, then try a vesper or a bijou before graduating to brewing your own vermouth. Or just, you know, splash some bubbly, seltzer and Aperol in a glass and call it a spritz.
Tarot cards, check. Flower-garnished salad, check. Negronis, check. This month’s lifestyles column has all the ingredients for a lavish night in.
History fans have big treats in store this year, including groundbreaking books on American history and baseball, plus visual extravaganzas devoted to legendary women and design innovations. There are even lessons in how to survive a sea monster attack—because you just never know.
Relics
Relics: A History of the World Told in 133 Objects is my idea of the perfect coffee-table gift book. Billed as “four billion years in the palm of your hand,” it’s small enough not to be cumbersome, weighty enough to be substantial and full of colorful photos and intriguing text. Open it to any random page and get lost in the images of tiny relics and their histories, ranging from a 4.5-billion-year-old asteroid fragment to a tiny piece of Winston Churchill’s faux leopard-skin hand muff. (Poor circulation in his later years caused Churchill’s hands to get cold.) The book is part of the Mini Museum project, intended to share a collection of hand-held bits of wonders from around the world—a whole exhibition, Polly Pocket-style.
Young and old will be enticed by the variety of natural, historical and cultural tidbits, including a specimen of petrified lightning from the Sahara, a piece of a Martian meteorite, coal from the Titanic and a morsel of Prince Charles and Princess Diana’s wedding cake. Enjoy at your leisure, with no museum crowds invading your space.
★ Original Sisters
Award-winning artist Anita Kunz certainly made the most of her COVID-19 lockdown: She began researching and painting portraits of more than 150 extraordinary women from ancient times to the present, many whose stories have been lost to history or whose glory has been stolen by men. The result, Original Sisters: Portraits of Tenacity and Courage, brings these heroines to life in wonderfully bold portraits, each accompanied by a paragraphsummarizing her notable life. These portraits are so vivid that readers will feel as though they are meeting these women face-to-face—and believe me, you will feel their power.
You’ll recognize many women’s names, like Temple Grandin, Nina Simone and Ruth Bader Ginsburg, but others may be new, such as Amanirenas, the partially blind African warrior queen who defeated Augustus Caesar. Patricia Bath, the first Black female ophthalmologist, invented a medical device to remove cataracts. Mabel Ping-Hua Lee was a Chinese American suffragist who led a parade on horseback in New York City to advocate for voting rights. A wonderful gift for friends, family or yourself, Original Sisters is an inspiring springboard for further study of these noteworthy souls.
★ The 1619 Project
For any lover of American history or letters, The 1619 Project: A New Origin Story is a visionary work that casts a sweeping, introspective gaze over what many have aptly termed the country’s original sin: the moment in 1619, one year before the Mayflower arrived, when a ship docked at the colony of Virginia to deliver 20 to 30 enslaved people from Africa. While many books have addressed enslavement and its repercussions, few, if any, have done so in such an imaginative, all-encompassing way, incorporating history, journalism, fiction, poetry and photography to show the cataclysmic repercussions of that pivotal moment.
A superb expansion of the New York Times Magazine’s “1619 Project” issue, this book contains 18 essays as well as 36 poems and stories that examine how slavery and its legacy of racial injustice have shaped the U.S. over the last 400 years. Each piece was curated by MacArthur “genius grant” winner Nikole Hannah-Jones, who pitched the original “1619 Project” to the Times and won the Pulitzer Prize for her contribution to it. The book’s many talented contributors include Ibram X. Kendi, Terry McMillan, Khalil Gibran Muhammad, ZZ Packer, Darryl Pinckney, Claudia Rankine, Jason Reynolds, Bryan Stevenson and Jesmyn Ward. Seven essays are new, and existing essays have been substantially revised and expanded to include additional details. Black-and-white portraits have also been added—both historical and present-day images—as another way of allowing readers to look history in the eye.
A new concluding essay from Hannah-Jones explores economic justice, and her wonderful preface is a special standout. It’s a powerful, personal essay in which she notes that she is “the daughter and granddaughter of people born onto a repurposed slave-labor camp in the deepest South, people who could not have imagined their progeny would one day rise to a position to bring forth such a project.”
The sheer breadth of this book is refreshing and illuminating, challenging each and every reader to confront America’s past, present and future.
As Hannah-Jones writes in The 1619 Project, “Slavery was mentioned briefly in the chapter on this nation’s most deadly war, and then Black people disappeared again for a full century, until magically reappearing as Dr. Martin Luther King, Jr., gave a speech about a dream.” What happened in between? Make Good the Promises: Reclaiming Reconstruction and Its Legacies, edited by Kinshasha Holman Conwill and Paul Gardullo, attempts to fill in those gaps, leading readers through Black history from 1865 to today.
Presented by the Smithsonian’s National Museum of African American History and Culture, the book has a beautifully rendered and highly accessible narrative that’s also methodically organized, with helpful timelines, colorful illustrations and photographs. The book does a particularly good job of laying out the long view of events and their consequences while shining a light on more recent incidents, such as #SayHerName, George Floyd’s murder and the deadly riot at the U.S. Capitol on January 6, 2021. Make Good the Promises is a distressing yet essential, enlightening read.
How to Slay a Dragon
Medieval historian Cait Stevenson admits that she has sometimes “trampled over scholarly conventions in ways that will leave other medievalists curled up in agony.” But armed with her passion for the Middle Ages, she has carved out a unique niche for herself, straddling the worlds of scholarly and popular history. Her fervor is contagious in How to Slay a Dragon: A Fantasy Hero’s Guide to the Real Middle Ages.
In a tongue-in-cheek but firmly historical way, Stevenson addresses the stereotypical events that happen in popular media set in and inspired by the Middle Ages, like saving a princess, digging for treasure, slaying a dragon and defeating barbarian hordes. Her writing is informative yet humorous (there’s a chapter titled “How to Not Get Eaten”), so even if you’re not a gamer or “Game of Thrones” fan, you’ll find yourself riveted. In a section on bathing, she notes, “Twelfth-century abbess and prophet Hildegard of Bingen went so far as to suggest that natural hot springs were heated by the underground fires of purgatory, cleansing bathers’ souls as well as their bodies.” Stevenson may not be able to tell you where to find real dragons, but readers will have a blast getting ready for their quests.
★ The Baseball 100
Major League Baseball fans, you just won the lottery. In The Baseball 100, noted sports writer Joe Posnanski presents 880 pages of sheer baseball bliss, discussing the history of the game by examining the lives, obstacles and achievements of his nominations for the 100 greatest players of all time, including MLB stars and players from the Negro Leagues. It’s a true masterwork, and his writing is so good that it’s likely to engross even those who know nothing about the sport.
Avid baseball fans will easily become absorbed in these pages, and when they reemerge, they’ll be all too ready to debate Posnanski’s rankings. He’s prepared for this, writing, “I stand firmly behind them, and I expect you to come hard at me with vigorous disagreements. What fun would it be otherwise?” In fact, the author even teases, “I have a list of more than 100 players who could have made this list. I think I’ll save them in case the Baseball 100 ever needs a volume 2.” Perhaps he’d better start writing now.
Patented
At over 1,000 pages, Patented: 1,000 Design Patents is thicker than an old phone book but much more fun to thumb through. Architectural designer Thomas Rinaldi frequently found himself getting lost in “odd internet searches” of design patents, eventually realizing that he was uncovering “a design historian’s El Dorado, a proverbial rabbit hole of unfathomable depth.” He sifted through more than 750,000 patents issued from 1900 to the present to come up with this collection of visual treats.
The patents are presented chronologically, with line drawings and key information such as the date and designer’s name. It’s an interesting mix of many universally owned, everyday objects—ranging from teapots to barbecue grills, from salt and pepper shakers to the Fitbit—along with patents for much larger things, such as Pizza Huts and Boeing airplanes, unusual entries like the Mars Rover and famous designs like Eames chairs.
For some, this will become a trusted reference, but Patented will also appeal to historians, engineers and kids interested in how things used to look, plus anyone passionate about design, innovation and technology. One could even turn the pages and play a “name that item” game. Some are a cinch to guess, while others, like a 1930 “ozonizing apparatus,” will likely leave you stumped. Once you start browsing, however, you may find yourself hooked.
History fans have big treats in store this year, including groundbreaking gift books on American history and baseball, plus visual extravaganzas devoted to legendary women and design innovations.
Pull up a chair and dig into a four-course feast of picture books! These books offer innovative depictions of what it means to express gratitude, to share a meal and to be both welcoming and welcomed.
Thankful
“Every year when the first snow falls, we make thankful chains to last us through December,” explains the narrator of Thankful. She is stretched out on her bedroom floor, surrounded by a halo of colorful construction paper, hard at work transforming it into a paper chain. As she lists the things for which she is thankful, readers glimpse scenes of her life with her parents, new sibling and pet dog, at her school and with her friends.
Author Elaine Vickers’ text is wonderfully evocative. The girl’s list includes concrete and sensory observations, such as gratitude for “the spot under the covers where someone has just been sleeping” and “a cloth on my forehead when I feel sick.” In a humorous beach scene, the girl reflects that she is thankful “for wind and sand—but not at the same time.”
Readers will be entranced by Samantha Cotterill’s outstanding and unique art. To create her illustrations, Cotterill creates miniature 3D interiors, populates them with cutout characters, then photographs each diorama. She includes charming details, including real lights in various rooms and shining car headlights, along with construction paper chains so realistic in appearance that you’ll feel you could almost touch them. Colorful and original, Thankful will spark young readers to create their own thankful chains—and may inspire them to try their hand at making diorama art, too.
★ Let Me Fix You a Plate
The excitement of family gatherings is at the heart of Let Me Fix You a Plate: A Tale of Two Kitchens, inspired by author-illustrator Elizabeth Lilly’s annual childhood trips to see her grandparents. The book follows a girl, her two sisters and their parents as they pile into a car and drive first to West Virginia to their Mamaw and Papaw, then continue to Florida to visit their Abuela and Abuelo, before they finally return to their own home.
Lilly’s energetic illustrations capture these comings and goings, as well as the abundant details the narrator observes in her grandparents’ homes. At Mamaw and Papaw’s house, she sees a shelf of decorative plates and coffee mugs with tractors on them, eats sausage and toast with blackberry jam and helps make banana pudding. Abuela and Abuelo’s house is filled with aunts, uncles and cousins and the sounds of Spanish and salsa music. The girl picks oranges from a tree in the yard and helps make arepas.
Throughout, Lilly’s precise prose contributes to a strong sense of place. “Morning mountain fog wrinkles and rolls,” observes the girl on her first morning in West Virginia, while in Florida, “the hot sticky air hugs us close.” Lilly’s line drawings initially seem simple, almost sketchlike, but they expertly convey the actions and emotions of every character, whether it’s Mamaw bending down to offer her granddaughter a bite of breakfast or a roomful of aunts and uncles dancing while Abuelo plays guitar. Like a warm hug from a beloved family member, Let Me Fix You a Plate is a cozy squeeze that leaves you grinning and a little bit breathless.
Saturday at the Food Pantry
“Everybody needs help sometimes” is the message at the heart of Saturday at the Food Pantry, which depicts a girl named Molly’s first trip to a food pantry with her mom.
Molly and her mom have been eating chili for two weeks; when Molly’s mom opens the refrigerator, we see that it’s nearly empty. In bed that night, Molly’s stomach growls with hunger. Molly is excited to visit a food pantry for the first time, but she isn’t sure what to expect. As she and her mom wait in line, Molly is happy to see that Caitlin, a classmate, is also waiting with her grandmother. Molly greets her enthusiastically, but Caitlin ignores her. “I don’t want anyone to know Gran and I need help,” Caitlin explains later.
Molly’s cheerfulness saves the day, and the girls’ interactions contribute to a normalizing and destigmatizing representation of their experience. Molly asks her mom questions that reveal how the food pantry differs from a grocery store. Mom must check in before she begins shopping, for instance, and there are limits on how many items customers can have. “Take one bundle” reads a sign in the banana basket.
Author Diane O’Neil captures her characters’ trepidations head-on. Mom smiles “just a little, not like when they played at the park” at the volunteer who signs her in, and Molly is confused and sad when her mom tells her to put a box of cookies back because “the people in charge … want us to take sensible stuff.” Gradually, however, the occasion transforms into a positive experience for all.
Food insecurity can be a sensitive topic, and O’Neil—who went to a food pantry when she was a child—handles the issue in a reassuring, informative way. A helpful end note from the CEO of the Greater Chicago Food Depository explains that millions of people in the United States need help just like Molly and her mom, and provides readers resources to find it.
Illustrator Brizida Magro is a wizard of texture, whether depicting Molly’s wavy hair or the wonderful array of patterns in coats, sweaters and pants. Her ability to capture facial expressions and convey complex emotions is also noteworthy; it adds to the book’s emotional depth and makes the eventual smiles all the more impactful. The pantry shoppers’ diversity of skin tone, age and ability underscores how food insecurity can affect anyone. Saturday at the Food Pantry brims with sincerity and a helpful and hopeful spirit.
A Hundred Thousand Welcomes
“In one place or another, at one time or another, in one way or another, every single one of us will find ourselves in search of acceptance, help, protection, welcome,” writes Mary Lee Donovan in her introduction to A Hundred Thousand Welcomes, illustrated by Lian Cho.
With poetic text that reads like an invocation, the book is a fascinating around-the-world tour that explores the concept of welcome. On each page, a household from a different culture entertains guests. Many pages include the corresponding word for “welcome” in that culture’s language, including words and phrases in Indonesian, Arabic, Mandarin Chinese and Lakota Sioux. Back matter from Cho and Donovan explains the inspiration that sparked their collaboration and offers more information about the many languages spoken throughout the world and a detailed pronunciation guide to all of the words in the book.
Cho’s art is a multicultural feast of families and friends enjoying each other’s company. There’s a German chalet where kids play in the snow, a Bengali family greeting visitors who arrive in a small, colorful vehicle and more. The disparate scenes culminate in two shining spreads. In the first, people of all ages and nationalities share a meal at a table that’s so long, it can only fit on the page thanks to a breathtaking gatefold. In the next, an equally long line of kids sit atop a brick wall, chatting with each other and gazing up at a night sky full of stars as one child turns around and waves at the reader.
Although many picture books celebrate the fellowship of friendship and the love that flows during family gatherings, A Hundred Thousand Welcomes encourages readers to go one step further, to ready their own welcome mats and invite neighbors and strangers alike into their homes and hearts.
Four picture books offer innovative depictions of what it means to express gratitude, to share a meal and to be both welcoming and welcomed.
Nalini Singh pens an enthralling read in Archangel’s Light. Young warrior angels Illium and Aodhan are committed to putting the world to rights after a devastating supernatural war. Their archangel, Raphael, directs Aodhan to help rebuild the territory of China, which separates him from Illium, his oldest and dearest friend. But when Illium is sent to support the venture as well, the friends have an opportunity to confront new evil as well as old hurts. There’s a chilling mystery at the center of the story—a hamlet of 50 people seems to have vanished into thin air—but it’s the depiction of the relationship between Aodhan and Illium that drives the narrative. Singh depicts the angels’ history from infancy to their burgeoning adulthood. As she explores the strain that mars their connection, it’s impossible not to root for the pair to find their way back to each other’s hearts and souls—and into a new intimacy. This 14th romance in Singh’s Guild Hunter series is engrossing, entertaining and filled with tender emotion.
Never Fall for Your Fiancée
An earl’s attempts to appease his mother end up unleashing mayhem in Virginia Heath’s Never Fall for Your Fiancée. Hugh Standish, Earl of Fareham, will have an especially unwelcome guest for Christmas this year: his mother. For two years, he’s written to her about his pretend fiancée, and now she expects to meet this paragon. In a panic, Hugh propositions Minerva Merriwell, a woman he meets on the street. He offers to pay her to play the part of the lady he supposedly intends to marry, and desperate financial straits propel Minerva to agree. It’s all madcap fun from there with drunken actresses, sniping best friends and Minerva’s attempts to live up to Hugh’s florid descriptions of her accomplishments. Amid the chaos, Hugh and Minerva find time to get to know each other and fall in love, even though both believe forever is not in the cards. Heath’s fast-paced scenes and likable characters will leave fans of Regency romps smiling.
Pretty Little Lion
A racially, supernaturally and sexually diverse cast of characters springs from the pages of Pretty Little Lion, Suleikha Snyder’s follow-up to her bold, take-no-prisoners series starter Big Bad Wolf. Elijah Richter, co-founder of the Third Shift black ops group, is a lion shifter on a mission. He’s tasked with seducing Meghna Saxena-Saunders and discovering what her criminal boyfriend is planning. But Elijah soon learns that Meghna is more than a pretty face. She’s an apsara, a supernaturally gifted assassin and spy who uses her powers of seduction and persuasion to take down evil men. The plot moves at the speed of light, and the four point-of-view characters are as interesting as they are lethal. Snyder’s assured, contemporary voice doesn’t shy away from the political parallels between our reality and her dystopian America, making the otherwise fantastical, cinematic story feel very topical indeed. Readers will root for the good guys, even the ones who have only recently joined their ranks, in this steamy, thrilling paranormal romance with a heart of gold.
Think all paranormal love stories are the same? Two of the books in this month’s romance column will change your mind.
Calcutta, 1923: Then, as now, the state of Muslim-Hindu relations evoked an image of a short-fused powder keg, awaiting only the striking of a convenient match. The murder of a prominent Hindu theologian provides said spark, setting the stage for Abir Mukherjee’s fifth novel, The Shadows of Men. Police Captain Sam Wyndham and Sergeant Surendranath Banerjee are tasked with unraveling the circumstances of the homicide before holy war breaks out in the streets and alleyways of West Bengal’s most populous city, Calcutta. Things take a complicated turn almost immediately, as Banerjee finds himself framed for the aforementioned murder and thus removed from the state of play, at least in any official capacity. But he and Wyndham have never been what you’d call sticklers for the rules, and this time will prove to be no exception. Their investigation, at times in tandem but more often in parallel, will carry them to Bombay, which is unfamiliar turf to both of them. There they will discover that there is more afoot than just age-old cultural and religious enmity, and that certain third parties may harbor a keen—albeit covert—interest in fanning the flames of mutual intolerance. The narrative is first-person throughout, switching from Wyndham’s perspective to Banerjee’s in alternating chapters, an unusual and clever approach that keeps readers dead center in the melee, while at the same time poised on the edges of their seats.
All Her Little Secrets
Wanda M. Morris’ debut novel, All Her Little Secrets, is a multilayered, atmospheric thriller with subplot atop subplot. In a 200-odd-word review, I can barely scratch the surface. The main characters are Atlanta corporate attorney Ellice Littlejohn, a Black woman who is the lead counsel for a thriving transport company; her brother Sam, a ne’er-do-well who skates very close to the edge of legality, and sometimes over the edge; her auntie Vera, once a ball of fire, now laid low by advancing episodes of dementia; and CEO Nate Ashe, a Southern gentleman who might be looking out for Ellice’s interests but who also might be a corrupt businessman attuned to the optics of displaying a minority woman in a position of power. Then there is a murder, and another, and it becomes next to impossible for Ellice to determine who is in her corner. Examinations of racism, sexism, ageism and classism (and probably other -isms I have forgotten about) abound, making All Her Little Secrets a very timely read, in addition to being one heck of a debut.
Psycho by the Sea
A handful of pages into Lynne Truss’ hilarious new installment in her Constable Twitten series, Psycho by the Sea, I found myself imagining it as a BBC TV series with an eccentric “Fawlty Towers” sort of vibe, perhaps with a screenplay penned by Graham Greene. The characters are delightfully overblown, the storyline whimsical (well, if a cop killer who boils his victims’ severed heads fits your notion of whimsy).The novel is set in 1957 in the English seaside town of Brighton, which is not the sort of place that jumps to mind as crime central. Still, a number of locals make a good living pushing the boundaries of the law, including Mrs. Groynes, the lady who makes the tea at the Brighton police station. Privy as she is to the daily departmental goings-on, she ensures that the constables will be conveniently far from wherever her crimes are set to take place. When the severed-head-boiling killer escapes from the psychiatric detention facility he has called home for several years, perhaps aided in that getaway by a staff psychotherapist, all manner of ghoulish things begin to take place in the otherwise somnolent resort. While Psycho by the Sea is not the most suspenseful story on offer this month, it is easily the funniest, the quirkiest and the most entertaining read of the bunch.
★ Silverview
When John le Carré passed away in December 2020, he left a gift behind for his readers: Silverview, one last novel from the master of espionage. The story goes that le Carré began work on the book nearly a decade ago, but it was held for publication as the author “tinkered” with it (a sly nod to his 1974 book Tinker, Tailor, Soldier, Spy?). The tinkering paid off. Silverview is one of his best works, an intricate cat-and-mouse tale in which just who is the feline and who is the rodent is up in the air until the final pages. When bookshop owner Julian Lawndsley meets Edward Avon, he is virtually bowled over by the larger-than-life demeanor of the elderly white-haired gentleman. Together they hatch a plan to expand Julian’s bookstore. Meanwhile, British intelligence has launched an investigation into a long-ago incident in Edward’s life, one that suggests he may still be in the spy game. If this is true, it’s anybody’s guess who his employer might be, for it is certainly not the home team. Not that the home team could even remotely be considered the good guys, mind you. But I suppose treason is treason, irrespective of the morality of the players. Perhaps even more world-weary in tone than the le Carré books that preceded it, Silverview will make readers look askance at the sort of things their countries do on the world stage.
The Shadows of Men
Calcutta, 1923: Then, as now, the state of Muslim-Hindu relations evoked an image of a short-fused powder keg, awaiting only the striking of a convenient match. The murder of a prominent Hindu…
There’s nothing more exciting than standing among a throng of strangers listening to live music or watching the lights go down in a movie theater when the show is about to begin. But these six books certainly come close.
The Art of Bob Mackie
Bob Mackie is a member of a very small club: Hollywood costume designers whom regular folks (meaning, not ex-theater kids) know by name. Throughout his storied career, Mackie has designed gowns for Marilyn Monroe, Carol Burnett, Cher, Barbra Streisand, Diana Ross, Madonna and, well, anybody who was anybody on TV, the silver screen or Broadway. The Art of Bob Mackie by Frank Vlastnik and Laura Ross is an authorized trip down memory lane, featuring brightly colored sketches and photos of over-the-top creations from Mackie’s 60 years in fashion, from his big break designing for Broadway star Mitzi Gaynor in 1966 to his costumes for The Cher Show, the 2018 jukebox musical based on the actress and singer’s career. Fans of “lewks,”divasand Hollywood gossip will have lots to enjoy.
The Motherlode
Hip-hop has never been a man’s game, but male rappers have gotten more attention, money and respect since the beginning. Former Vibe and Jezebel editor Clover Hope sets things straight with The Motherlode, an encyclopedia dedicated to the women of hip-hop. Going all the way back to the 1980s, Hope leaves no woman out, from MC Sha-Rock (hip-hop’s first prominent female emcee) to Cardi B. Each rapper is honored with an essay, a minibio and funky artwork by Rachelle Baker, meaning your giftee has no excuse not to kill at a Women in Hip-Hop category on “Jeopardy!” Present this book with your own playlist of hip-hop’s fiercest ladies, and it’ll be a gift to remember.
Colorization
Journalist Wil Haygood’s Colorization traces the experience of Black artists on and behind the screen through 100 years of film history, demonstrating that racism hasn’t always been this bad in Hollywood. It’s actually been a lot worse. This meaty analysis of Black film history spans everything from The Birth of a Nation (1915), which glorified the Ku Klux Klan, to Gone With the Wind (1939) and its infamous whitewashing of slavery, to Get Out (2017) and its memorable portrayal of “post-racial” liberalism. Haygood has been nominated for a Pulitzer Prize, and his research skills are as impeccable as that honor implies. He is also such a descriptive writer that you need not have seen every single movie he writes about in order to understand his analysis. Don’t be surprised if Colorization ends up on film studies syllabi for years to come.
Art Boozel
We could all stand to freshen up our cocktail repertoire, and that’s where Art Boozel comes in. The book pairs dozens of artists with cocktails based on their work and/or personalities. For example, the Keith Haring is made with pear cider, lemon juice and a brandied cherry (among other ingredients), so it’s as bright and colorful as Haring’s art. Author Jennifer Croll has an endlessly creative mind for unique cocktails (her previous book, Free the Tipple, is also a compendium of cocktail recipes), and each artist and their drink is delightfully illustrated by Kelly Shami. Come for the recipes, stay for the contemporary art history lesson you never got in school.
Mental Floss: The Curious Viewer
Mental Floss:The Curious Viewer, “a miscellany of bingeable streaming TV shows from the past 20 years,” is a reminder of just how many hours of prestige TV there is to watch. (There’s a lot.) Jennifer M. Wood, an editor at the pop culture blog Mental Floss, unearths everything you ever wanted to know about beloved shows like “Friends,” “Sex and the City,” “Downton Abbey,” “Friday Night Lights” and other shows worthy of a binge-watch. She shares fun facts and behind-the-scenes gossip from each show but somehow doesn’t make you feel like you’ve read them all in a Buzzfeed article. The Curious Viewer might just be the book that pulls the couch potato in your life away from the TV (and helps them dominate at trivia night).
Fun City Cinema
At a certain point, everyone who lives in New York City stops seeing movie sets as exciting and instead sees them as a nuisance. That’s because the streets of Gotham have graced so many films. In Fun City Cinema, film critic and former film editor of Flavorwire Jason Bailey revisits the films that tell the story of NYC’s history and, in some cases, America’s history. The city changes so frequently that many films are “fascinating artifacts of cinematic archeology,” he writes in his introduction. It may be jarring to see photos of the 9/11 terrorist attacks and controversial ex-mayors such as Rudy Giuliani and Michael Bloomberg in the same book as, say, The Muppets Take Manhattan. Alas, these are contradictions New Yorkers live with every day.
Got a film fanatic or art aficionado in your life? Give them one of these books and watch their eyes light up.
Freya Marske’s A Marvellous Light takes us to Edwardian England, where manners are surface-level, magic is real and mysteries abound around every cobbled street corner. Robin Blyth takes a mysterious job in the government’s Special Domestic Affairs and Complaints division. In his rather baffling first 15 minutes on the job, Robin meets the somewhat awkward and brisk Edwin Courcey, who informs Robin that magic is real and that his predecessor was murdered by magical means. Though Robin and Edwin would each prefer working with someone else, it’s up to the two of them to find out what happened to the man Robin replaced, revealing a conspiracy that threatens all magical people in England. Come for the incredibly rich setting, stay for the romance: Robin and Edwin’s relationship anchors the narrative, and the way that they challenge and then question and then accept each other is captivating. Marske deftly contrasts the couple’s affection with the stuffiness of the world that surrounds them, making their love all the more resonant.
Noor
If you haven’t yet had a chance to experience Nnedi Okorafor’s singular voice, take the plunge now. In her sci-fi thriller Noor, Okorafor’s unique perspective is on full display. Anwuli Okwudili is a Nigerian girl who was born with deformities in her legs and one of her arms, intestinal malrotation and only one lung. After a car accident further limits the use of her legs and gives her debilitating headaches and memory issues, Anwuli gets a whole raft of biomechanical body enhancements. Viewed as half human and half machine, she flees her village after killing several men who attacked her. While on the run, she meets a shepherd called DNA (short for Dangote Nuhu Adamu), who is also on the run from the law. In a world where cameras track your every move, Anwuli and DNA try to stay ahead of a reckoning they know is coming. A leading voice in the subgenre of African futurism, Okorafor’s power on the page is confident, vivid and uniquely her own. This story is tight, violent, uplifting, damning and thoughtful all at once. Okorafor’s examination of technology’s influence on health, nature, local communities and so many other parts of life is as precise as it is disturbing. Noor is a cautionary thriller, told with exuberance and conviction.
Sistersong
If British history (and the mythology that surrounds it) sets your heart ablaze, then Lucy Holland’s mystical Sistersong is the book for you. A story of family, magic, romance and betrayal, Sistersong lingers long after its final page. Britain in A.D. 535, recently relieved of Roman rule, is full of many independent kingdoms. One of these, Dumonia, is home to three sisters. Each sister yearns for something: Riva for a body healed from the fire that disfigured her, Keyne for a place at her father’s side in battle, and Sinne for her true love. But it’s a tumultuous time for Dumonia. A Christian priest seeks to rid the kingdom of the old gods, the Saxons begin their invasion of Britain and new, unfamiliar faces appear at court. The sisters have to choose whether to take matters (and magic) into their own hands or let their kingdom fade into the past as a new Britain rises. Holland nails an early Middle Ages aesthetic, using it as the backdrop for some intensely personal storytelling. Be prepared for triumph and tragedy, fantasy and folklore, might and magic.
Think “Downton Abbey” would have been better with magic? Then this month’s SFF column is for you!
In How to Hold a Grudge: From Resentment to Contentment―The Power of Grudges to Transform Your Life, mystery and thriller author Sophie Hannah looks at the positive aspects of grudge-holding and how they can lead to personal growth. Drawing on her own experience and the input of psychotherapists, Hannah urges readers to stop trying to suppress negative feelings and offers advice on how to use grudges to strengthen relationships. She discusses forgiveness and the importance of letting go in a dryly funny, refreshingly down-to-earth tone in this guaranteed conversation-starter.
Shannon Lee passes on the philosophies of her famous father, action movie legend and cultural icon Bruce Lee, in Be Water, My Friend: The Teachings of Bruce Lee. Grounded in martial arts, a practice that Lee faithfully followed from an early age, the teachings shared in this inspiring book are geared toward self-realization and inner growth. The author emphasizes her father’s “be water” mantra and explains how it can help us be more flexible, adaptable and at ease in our daily lives. Highly relevant subjects such as living with change and defining yourself and your identity will get book clubs talking.
In You’re Not Listening: What You’re Missing and Why It Matters, New York Times contributor Kate Murphy delivers tips on how we can improve our listening skills, stop getting sidetracked and focus on the present. In a brisk and lively narrative, she talks with professional listeners (including a CIA agent) and checks in with psychologists and sociologists for insights into the process of listening. A rewarding selection for reading groups, Murphy’s book offers numerous discussion topics, including technology’s impact upon communication and the human need for connection.
Readers who are seeking a sense of purpose will find a helpful guide in Casper ter Kuile’s The Power of Ritual: Turning Everyday Activities Into Soulful Practices. Ter Kuile feels that even as traditional notions of community change, we can still find meaning, connection and (yes!) joy in our daily routines with pastimes like yoga, journaling and reading. Through these simple pursuits, ter Kuile believes we can cultivate contentment. His hopeful book will guide readers on their individual journeys, and his thoughts on the meanings of community and personal fulfillment will trigger lively dialogue within reading groups.
These truly inspiring self-help books will energize and refresh your reading group.
There are few things more iconic in the subgenre of historical romance than a wallflower, especially one who brings a rake or otherwise scandalous personage to their knees. Two new historical romances showcase the allure and adaptability of this beloved storyline.
Erica Ridley’s The Perks of Loving a Wallflower is a sapphic Regency romp that radiates all the good, fuzzy feelings readers want in a romance.
Bookish bluestocking Philippa York is sick of her meddling mother’s constant insistence that Philippa find a titled, wealthy man to wed. She doesn’t really believe in love, and she is content to remain a wallflower; despite the many suitors thrown her way, her heart refuses to beat faster. Her attention lies with her reading club, and with her quest to help one of her fellow members, Damaris, get credit for a cipher she created that was then stolen by her uncle.
Damaris has also enlisted the aid of the wealthy, eccentric Wynchester family, as they have something of a reputation for vigilante justice. Thomasina “Tommy” Wynchester is a master of disguise. She and her siblings aren’t often welcomed by the more particular and upper-crust members of society, but that hasn’t stopped her from developing a crush on Philippa, whom she views as entirely out of her league. When Tommy and her family accept Damaris’ case, Tommy takes the opportunity to act on her feelings and help Damaris at the same time by posing as a charming baron named Horace Wynchester, a ruse that is quickly revealed to Philippa. The adorable interactions between “Horace” and Philippa soon give way to a delightful friendship between Tommy and Philippa, and then to a sweet romance.
In a sea of recent feminist historical romances, The Perks of Loving a Wallflower stands out due to its incisive examination of gender and sexuality. Philippa discovers that she’s not incapable of love; she simply has no interest in exploring it with men. Tommy uses disguises and cross-dressing to explore gender fluidity. When Tommy gets involved in Philippa’s quest, various hijinks ensue, and the interactions between the two winsome leads are what readers will remember most. There’s not a scene with Tommy and Philippa in it that doesn’t produce cheek-aching smiles.
Joanna Shupe’s sexy new Gilded Age romance, The Lady Gets Lucky, pairs an ambitious scoundrel who dreams of opening a supper club with a shy heiress looking to escape her horrible mother and marry for love.
Handsome rake Christopher “Kit” Ward and desperate heiress Alice Lusk first meet at a house party in Newport, Rhode Island, where they come up with a mutually beneficial arrangement. Kit will teach Alice, who wants to escape her overbearing mother and marry for love, how to be desirable for more than just her dowry. In return, Alice will help Kit launch his supper club by passing along recipes from a famed chef who used to work in her household.
Shupe excels at bringing to life the glamour and social climbing of the Gilded Age, which is especially refreshing given how the Regency and Victorian eras dominate historical romance. Alice is a trademark Shupe heroine who longs to pursue her goals and ambitions on her own terms. Not only does she want a full, loving marriage, but she has dreams of becoming a chef, something that Kit carefully facilitates for her at his club in scenes that will delight readers who have been enjoying the recent surge of foodie romances. And despite his bad reputation, Kit wants to be known and appreciated for more than just his rakish ways. It’s a joy watching the two of them support each other in their endeavors.
The Lady Gets Lucky,the second in Shupe’s Fifth Avenue Rebels series, is another well-balanced romance from this talented author, who weaves emotion, personal growth and some truly sizzling sex scenes together with effortless period detail.
Two historical romances showcase the allure and adaptability of the wallflower.
No one does an art thriller quite like B.A. Shapiro, and with such as novels The Art Forger and The Muralist, she’s carved out quite the niche by blinding literary thrills with questions of authenticity, value, museum politics and the inner workings of various historical art scenes.
Shapiro’s next novel, Metropolis, arrives this spring from Algonquin Books, and BookPage is delighted to reveal its cover and an exclusive excerpt!
First, read a bit about Metropolis in the official synopsis from Algonquin:
This masterful novel of psychological suspense from the New York Times bestselling author of The Art Forger follows a cast of unforgettable characters whose lives intersect when a harrowing accident occurs at the Metropolis Storage Warehouse in Cambridge, Massachusetts.
But was it really an accident? Was it suicide? A murder? Six mysterious characters who rent units in, or are connected to, the self-storage facility must now reevaluate their lives. We meet Serge, an unstable but brilliant street photographer who lives in his unit, which overflows with thousands of undeveloped pictures; Zach, the building’s owner, who develops Serge’s photos as he searches for clues to the accident; Marta, an undocumented immigrant who is finishing her dissertation and hiding from ICE; Liddy, an abused wife and mother, who re-creates her children’s bedroom in her unit; Jason, who has left his corporate firm and now practices law from his storage unit; and Rose, the office manager, who takes kickbacks to let renters live in the building and has her own complicated family history.
The characters have a variety of backgrounds: They are different races; they practice different religions; they’re young and they’re not so young; they are rich, poor, and somewhere in the middle. As they dip in and out of one another’s lives, fight circumstances that are within and also beyond their control, and try to discover the details of the accident, Shapiro both dismantles the myth of the American dream and builds tension to an exciting climax.
Metropolis hits bookstores and libraries on May 17, 2022. While you wait, we’re delighted to reveal the cover from designer Sara Wood and art director Christopher Moisan. Plus, an exclusive excerpt after the jump!
BOSTONGLOBE.COM, JANUARY 7, 2018. Cambridge, MA—Rescue workers were dispatched to the Metropolis Storage Warehouse at Massachusetts Avenue and Vassar Street in response to a 911 call at 11:15 this evening. At least one person was taken to Massachusetts General Hospital with critical injuries after a fall down an elevator shaft. Details are limited, and neither police nor hospital officials identified the victim. Questions were raised about what people were doing at the self-storage facility at that hour, and police are investigating other violations concerning the building. This is a developing story. It will be updated.
ONE
Zach
May 2018
It’s Rose’s fault. It’s Aetna’s fault. It’s Otis Elevator’s fault. All of the above and none of the above. Zach Davidson hovers at the edge of the crowd, but at six two it’s tough to blend into the background. The auctioneer doesn’t know Zach is the recipient of the money from the forthcoming sales, and he wants to keep it that way, although he doesn’t know why this matters. He isn’t even sure why he’s come, unless as some perverse form of self-flagellation.
“Most of you know the rules,” the auctioneer begins in her booming voice, “but I’m going to go over them quickly. Due to foreclosure of the building, the contents of twenty-two abandoned storage units are up for sale. The minimum bid is one hundred dollars. Cash only. I’ll open the door to each unit, and you’ll have five minutes to see what’s inside, and then I’ll start the auction. You may not cross the threshold. You may not touch anything. You may not ask me any questions, because I don’t have any answers. You take it all or you leave it all. Then we move on to the next unit. Is this clear?”
There’s a murmur of acceptance, which echoes off the concrete walls and floor, the steel-reinforced ceiling. They’re standing outside Rose’s old office, the woman Zach shouldn’t have relied on. Every direction he looks pisses him off. Rose’s empty desk, the dim bulbs, the peeling paint. He turns his back on the yellow police tape stretched across the elevator.
It’s been almost four months since it happened, and still no one knows for sure if it was an accident, a suicide attempt, or a murder attempt. Could be any of them, but it doesn’t make all that much difference. He’s screwed any which way. Damn elevator. Damn Rose. Damn hard luck.
He follows the auctioneer as she marches down a corridor lined with heavy metal doors, each imprinted with a round medallion containing a large M intertwined with a smaller S and W. Metropolis Storage Warehouse. One hundred and twenty-three years old. Six stories high. Ninety feet wide. Four hundred and eighty feet long. Almost four hundred storage units of various sizes and shapes; some even have windows. Zach knows it well.
Author B.A. Shapiro
The potential bidders are a mixed bunch. Two men in ratty clothes smell as if they’ve been sleeping on the street, which they probably have. Another three look like lawyers or real estate developers, and there’s a foursome of gray-hairs who appear to have just stepped off the golf course. A gaggle of middle-aged women in running shoes sends stern glances at a girl clutching a pen and a pad of paper, who seems far too young to be the mother of the children she’s yelling at. Male, female, tall, short, fat, slim, white, Black, brown, rich, poor, clever, or not so clever. Like the inner recesses of Metropolis itself, a diverse assemblage that stands in contrast to the archipelago of cultural and economic neighborhoods Boston has become.
Zach has owned Metropolis for ten years, bought at a ridiculously low price in a quasi-legal deal that looked to be the way out of the consequences of his bad choices. Although it still belongs to him, however temporarily, he has no idea what’s behind any of the doors. The building had a well-deserved shady reputation when he purchased it, and he concluded he was better off not knowing what people were storing in their units. In retrospect, a little prying might have averted this mess.
The auctioneer, a beefy woman with biceps twice the size of Zach’s, takes a key from her backpack and dramatically twists it into the lock. Then she slides the ten-foot-wide fireproof door along its track on the floor to reveal a murky room, lumpy with shadowy objects. She reaches inside and flips on the light.
“Take it all! Leave it all!” she cries. “Five minutes!”
Revealed by naked light bulbs hanging from the eleven-foot ceiling, #114 is decidedly dull. An old refrigerator, an electric stove, a bunch of mismatched chairs, a couple of mattresses, clothes overflowing from open cartons scattered all over the floor. There are at least two dozen sealed boxes lined up against the far wall and a four-foot pile of empty picture frames ready to topple. Everything is coated with what appears to be decades of dust. Zach groans inwardly. He needs every cent he can squeeze out of this auction, and no one’s going to bid on any of this junk.
But he’s wrong. After the auctioneer starts rippling her tongue in an impenetrable torrent of words, people start raising their hands. When the contents go for $850, Zach is flabbergasted. The other units surely contain more impressive stuff than this and should generate even higher bids.
Some do, some don’t, and two are completely empty.
“Take it all! Leave it all! Five minutes!”
When the auctioneer unlocks the door of #357, there’s a collective gasp. The interior looks like a stage waiting for the evening performance to commence: a complete upscale office suite, including a desk, bookshelves, and a small conference table surrounded by four chairs. Bizarre. It goes for $3,500.
On the fifth floor is a tiny and perfectly immaculate unit: a neatly made single bed, an intricately carved rolltop desk, a chair, a small bureau. Nothing else. One thousand dollars. In #454, there’s another bizarre tableau. Creepy, actually. It appears to belong to a couple of teenagers. Two desks piled with books and trophies, walls covered with movie posters, and corkboards adorned with invitations and photos and newspaper clippings. Did they come here to study? To hide? Zach stretches his neck in as far as he can without the auctioneer cutting it off.
She almost does. “Step back, sir!” she yells, her voice stiletto-sharp. “This minute!” Everyone looks at him as if he’s committed a heinous crime. “Take it all! Leave it all! Five minutes!”
Annoyed, he does as she orders, but he wants to see more, surprised to find himself interested in the lives lived here. This is something he’d never considered before, or to be more correct, he had thought about it, but only as a means to get the bad guys out of the building and clean up his own act. Now the questions surge. Who were these people? Why these particular items? And, most intriguing of all, why did they leave so much behind?
Unit 421 is another stage, but this one is freakish in its attention to detail. It’s a double unit with two round windows, and it looks like an upscale studio apartment, perhaps a pied-à-terre. Against one wall, a queen-size bed is covered by a rumpled silk bedspread and an unreasonable number of pillows. A nightstand holding a lamp and a clock sits to its right side; a large abstract painting is centered over the headboard. At the other end of the unit is an overstuffed reading chair, a writing desk, and a sectional couch, also with too many pillows, facing a large-screen television. In the corner, there’s a small table, two chairs, and a compact kitchen featuring cabinets, a refrigerator, a microwave, and a fancy hot plate.
“Take it all! Leave it all! Five minutes!”
This time there’s no doubt in Zach’s mind to whom the unit belongs, or rather, to whom it had belonged. Liddy Haines. He closes his eyes and presses his forefinger to the bridge of his nose in an attempt to make the horrific image go away, which it does not. Six thousand dollars.
Unit 514 was apparently used as a darkroom, and from the looks of it, also as a bedroom. He stares at the sheets pooling at the edge of a cot, at the dirty clothes heaped on the floor. He’s seen three beds in three different units over the last hour, and he clenches his fists to contain his anger. If Rose didn’t know people were living here, she should have. It was a lawsuit waiting to happen—even if it wasn’t the lawsuit now upending his life. An irony he’d appreciate more if he weren’t so damn furious.
In contrast to Liddy Haines’s unit, there’s no expensive furniture here, but there is a lot of high-quality photographic equipment. A long table edges the south side of the room, overflowing with trays, chemicals, jugs, paper, an enlarger, and an assortment of spools, filters, thermometers, and timers. A clothesline with pins attached stretches over the jumble, and there are at least a dozen five-gallon Poland Spring containers, most of them full, along with another dozen warehouse-size cartons of energy bars.
A Rolleiflex camera is perched atop a stack of cartons, its well-worn leather strap dangling. Zach recognizes it because of the nature photography he’s been doing lately, his current obsession. Highpointing, climbing the highest peak in every state, was his last one, and that’s what got him into taking landscape pictures in the first place. But his interest in mountaineering has been waning—thirty-two states is more than enough—as his new interest in photography has waxed. He’s usually only good for one obsession at a time, dropping the previous one when another grabs his fancy. He’s an all-in or all-out kind of guy.
The Rolleiflex is a twin-lens reflex, medium format, which hardly anyone uses anymore. But if you know what you’re doing, it takes remarkable photos. Zach rented one when he was at Bryce last year, and the first time he looked down into the viewfinder—which is at waist, rather than eye, level—he was blown away.
The vastness of the mountains and the big sky in front of him were perfectly reflected through the lens, without the tunnel vision effect of a standard camera. When he returned to Boston, he kept it a few extra days and experimented with street photography. The cool part is that because you’re looking down rather than directly at your subject, no one is aware they’re being photographed. Vivian Maier, arguably one of the greatest street photographers ever, used a Rolleiflex.
Zach leans into the unit as far as the Nazi will allow, searching for pictures. There are a few lying about, but it’s difficult to see them from the hallway. The ones he can see are all square rather than rectangular, a feature of the Rolleiflex. He tilts his head and squints at a photo on the end of the table closest to him: a striking black-and-white with afternoon sunlight cutting a diagonal across the image.
A man is standing in front of an open door with an arched top; the word “Office” can be clearly read behind his head. His shoulder leans against the doorframe, one knee slightly bent. His eyes stare off into the distance. Before Zach understands what he’s seeing, his stomach twists. It’s a photograph of him.
Educator Tiffany Jewell’s book for teen readers, This Book Is Anti-Racist, became a #1 New York Times and indie bestseller in 2020. In her next book, The Antiracist Kid, Jewell brings her expertise as an antiracism and anti-bias facilitator to middle grade readers eager to discover how they can learn about and take action against racism. The book also includes illustrations by Eisner Award-nominated artist Nicole Miles.
Here’s the official description from Versify, Jewell’s publisher:
What is racism? What is antiracism? Why are both important to learn about? In this book, systemic racism and the antiracist tools to fight it are easily accessible to the youngest readers.
In three sections, this must-have guide explains:
Identity: What it is and how it applies to you
Justice: What it is, what racism has to do with it and how to address injustice
Activism: A how-to with resources to be the best antiracist kid you can be
This book teaches younger children the words, language and methods to recognize racism and injustice—and what to do when they encounter it at home, at school and in the media they watch, play and read.
The Antiracist Kid hits shelves at libraries and bookstores everywhere on August 16, 2022, and BookPage is thrilled to reveal its amazing cover below! The cover was illustrated by Nicole Miles and designed by Samira Iravani. Be sure to check out our Q&A with Jewell after the reveal. Just scroll down!
How did you feel the first time you saw the finished cover for The Antiracist Kid? I was totally excited to see this beautiful and fun cover! I immediately showed my children, who were equally as excited. Nicole Miles is brilliant and I’m so excited she’s illustrating the book! I can’t wait for everyone to see it!
After the success of This Book Is Anti-Racist, what drew you to create a book for younger readers? What excited you about the idea and was rewarding as you worked on it? I’ve been wanting to write a book for younger readers since I first started working on This Book Is Anti-Racist! I love working with young learners and honestly, it’s the group I feel most comfortable teaching, working and collaborating with.
One of the things I love most about this new book is that it’s a series of questions that kids have asked me, their caregivers, teachers, librarians, other adults in their lives and each other. Questions like: Why do people have different skin colors? Where did race come from? Is it OK to talk about differences? Why do some people have more power than others? And so, so, so many more! This book is like a conversation between me and the reader where we get to do some big work around understanding what racism is and how to actively work toward a just community and world! I’m so excited there will be a book like this for younger kids, because you are never too young to learn about racism and to start the lifelong work of antiracism!
One of the things you bring to both of these books is years of experience in the classroom, working with young people. Can you talk a little bit about that experience and how it shaped The Antiracist Kid? The Antiracist Kid grew out of the work I’ve done with kids for over almost two decades. Young children are curious. They want to know who they are, who the people around them are, what is happening in their lives (and beyond) and why things happen the way they do. They are so creative and such amazing problem solvers. They’re great observers, but they don’t always have the vocabulary and language to fully understand what it is they are witnessing and experiencing.
In my classroom, we spent our time learning about our own identities and those of our classmates and peers, and building community. We did this alongside learning how to read and write, building our mathematics skills, exploring science and diving into history, and it was so exciting and purposeful and necessary! My students always shared with me what they wanted to know and it is because of them—and ALL the young people with big questions—that I continue to do this work. All of my years of teaching and working with children and their families have led me to the work I am doing now, and I’m so grateful I get to do this.
Can you talk a little bit about your hopes for this book? How do you hope a young reader who reads it feels when they turn that last page and finish reading it? What do you hope they do next? I hope this book becomes a go-to book for all young readers and their caregivers! I hope they’ll see themselves in this book and know that they are not too young to talk about, learn about, understand and stand up against racism. I hope The Antiracist Kid becomes a well-loved book and is in every home and classroom and library around the country. I hope all readers will pick it up without fear. I hope this book will inspire everyone who reads it to share it, to work collectively and to work together to eradicate systemic racism and injustice!
The Antiracist Kid will be published in August 2023. That’s a long time from now! Can you recommend some books for kids to read in the meantime? Yes! There are so many amazing books! I’ll share some of our family favorites and the ones students I’ve been working with are enjoying right now too!
Educator Tiffany Jewell’s book for teen readers, This Book Is Anti-Racist, became a #1 New York Times and indie bestseller in 2020. In her next book, The Antiracist Kid, Jewell brings her expertise as an antiracism and anti-bias facilitator to middle grade…
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