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Romance

Simple gifts

Feature by Trisha Ping

Glance at any inspirational fiction shelf these days, and you're sure to run across at least one Amish-themed book. Series from authors like Beverly Lewis, Wanda E. Brunstetter and Lauraine Snelling are all regulars on Christian fiction bestseller lists. The books are easily recognizable: series titles include the words "sister" or "daughter"; covers almost always bear the image of a woman in an old-fashioned white bonnet, staring wistfully into the distance. Every Christian publisher has at least one Amish series to its credit. Thomas Nelson chimed in last month with Plain Perfect from debut novelist Beth Wiseman. Her editor, Natalie Hanemann, says the genre "provides an environment that is centered on God, making it a perfect landscape for Christian fiction."

Other aspects of the Amish lifestyle make it intriguing to readers. "Everyone loves a good romance story, but the perceived simplicity of the Amish community moves it away from the common stresses of our everyday life," says Shannon Marchese, an editor at WaterBrook who works with Cindy Woodsmall on the Sisters of the Quilt series, including her recent release When the Soul Mends. "We can imagine a 'loftier' romantic story for these people who still travel by buggy."

Both editors say the future of the genre is bright, and see it diversifying (secular publishers like MIRA Books have also had success with Amish stories). "Amish is beginning to mix with other genres—suspense and mystery, for example," says Hanemann. "I personally love these books and would be thrilled to bring on more authors who write well . . . the competition is stiff, but the readers' appetites seem to be insatiable!"

Glance at any inspirational fiction shelf these days, and you're sure to run across at least one Amish-themed book. Series from authors like Beverly Lewis, Wanda E. Brunstetter and Lauraine Snelling are all regulars on Christian fiction bestseller lists. The books are easily recognizable: series…

FictionClassics

A curious quartet for the spooky season

Feature by Michael Alec Rose

Beneath all the fun, Halloween upholds its spooky essence. On a single October night, we celebrate the darkest side of ourselves: our fundamental desire to transcend our natures, to exceed mortal limits, to claim unwarranted power. We let our children don horrific masks and gather loot from neighbors whom they barely see for the rest of the year. As a community, we gleefully become monsters.

Deeper and more durable than trick-or-treating are the delights of ghost stories and horror tales. So many of the classic works in the genre, Frankenstein and Dracula above all, set into high gear the unbridled Halloween impulse to break through the bonds of mortality and assume mastery over life and death. Under the sway of Mary Shelley or Bram Stoker, we seize for real the power to which Victor Frankenstein and Count Dracula fictitiously pretend. Inert matter (ink on a page) comes to shocking life, and that which is dead (the author, for one thing) is summoned from the grave to haunt us and feed upon the lifeblood of our imaginations.

Year in and year out, the horrors are told and retold, retuned, rediscovered and revamped (or re-vampired). The books recommended here offer a splendid quartet of such variations.

A monster collaboration
Most diehard fans of Mary Shelley’s Frankenstein come to it in its third edition of 1831. Now, English professor Charles Robinson rips away the veil of the novel’s origins and takes us back to the thrilling night in 1816 when two of the greatest living poets—Lord Byron and Percy Shelley—joined in contest with Shelley’s wife Mary and their friend Dr. Polidori to devise the scariest ghost story. Without any doubt, Mary took the laurel with her story of a “Modern Prometheus” and went on to expand the terrifying premise into her famous novel, first published in 1818.

So far, this history is common knowledge. But Professor Robinson digs yet deeper in The Original Frankenstein. Through close examination of the manuscripts, he has been able to determine that the novel came into being as a sustained and extraordinarily intimate collaboration between Mary and Percy, with Percy’s hand literally evident on almost every page. Feminists need not be concerned: Robinson’s research is not another patriarchal theft of a woman’s achievement. Indeed, the professor gives us Mary all on her own in the second half of his volume—two Frankensteins for the price of one—and it is clear that the wife’s raw, “unhusbanded” text is the more forceful one. But in the other text, Robinson allows us to bear witness to a marriage of true minds. The inspiring collaboration between Mary and Percy is the greatest possible antidote to Victor Frankenstein’s solitary and overweening ambition.

Rewriting history—and fiction
Peter Ackroyd seeks no such remission from Dr. Frankenstein’s colossal error. On the contrary, the acclaimed British novelist and biographer swings the monstrous electrical lever of his fiction to its maximum position, committing every conceivable historical outrage in the process. Leave it to this most distinguished living biographer of British poets to fabricate such a delectable conflation of history and imaginative literature. In Ackroyd’s The Casebook of Victor Frankenstein, the infamous narrator becomes the inseparable chum of (who else?) Percy Shelley at Oxford, and Mary comes to love Victor as a trusted friend. The Shelleys inadvertently abet Victor’s unholy investigations into the founding principle of life, and in the end—ha! Did you think I would tell you? However inured you may think you are to the shocks of horror fiction, Ackroyd will violate your defenses with his diabolical intelligence and his uncanny empathy for both real-life and imaginary characters.

The vampire authority
Anyone who has had the good fortune to visit Otto Penzler’s Mysterious Bookshop in Manhattan knows what a paradoxically overpopulated and uncluttered paradise he has created for book lovers. The very same qualities inform Penzler’s work as an editor. His latest collection, The Vampire Archives, presents an unprecedented cornucopia of stories, ranging from pure pulp (Stephen King) to high art (D.H. Lawrence). Even so, the experience of reading the anthology feels like a walk in a beautifully landscaped cemetery, perfectly laid out with varying tactile delights and far vistas. The gigantic bulk of this book is counterbalanced by its lucid editorial touches, including a 110-page bibliography of vampire literature.

Sibling love gone awry
Douglas Clegg has been busy building his own 21st-century empire of supernatural fiction (check out his state-of-the-art website). His latest novel, Isis, is a feat of old-fashioned storytelling. When 16-year-old Iris Villiers loses her beloved older brother in a tragic accident, she will do almost anything to get him back. But, as any wise reader knows, summoning the dead back to Earth against their will often has grave consequences. This brief chiller should be read aloud, in a happy company ready to be distressed, while a surplus of Halloween candy sweetens Clegg’s bitter little masterpiece.

Michael Alec Rose is a composer who teaches at Vanderbilt University’s Blair School of Music.

Beneath all the fun, Halloween upholds its spooky essence. On a single October night, we celebrate the darkest side of ourselves: our fundamental desire to transcend our natures, to exceed mortal limits, to claim unwarranted power. We let our children don horrific masks and gather…

Children's & YAPicture Book

Mummies and monsters and scarecrows, oh my!

Feature by Ellen Trachtenberg

Something is lurking out there. Scarecrows are stirring, black cats are making mischief, and innocent young girls are taking to their broomsticks. It must be, it must be . . . this season’s bumper crop of fabulous Halloween picture books. By the time everyone’s favorite dress-up day arrives, there will be candy to fill young bellies and literary treats to feed imaginations. You’ll recognize many of the authors and artists—including Jane Yolen, Ed Emberley and Lois Ehlert—and a few newer storytellers have been added to the brew. This particular blend of spooky stuff will draw so much deserved attention, Frankenstein’s monster will be positively green with envy.

Mummy dearest
When you first glance at the cover of The Runaway Mummy, you may be overcome with a spooky sort of déjà-vu. In case you missed the thread that began with last year’s best-selling Goodnight Goon, Michael Rex’s latest parody is a ghoulishly gleeful take on Margaret Wise Brown’s classic, The Runaway Bunny. And while the cast of characters may not be as warm and fuzzy as in the original story, the mummy love is ever abundant. While her son morphs into a series of crazy creatures, mom is hot on his trail. “If you try to get me,” said the little mummy, “I will turn into a serpent that lurks at the bottom of the sea.” But Mother Mummy has him covered, delivering a squeeze worthy of a giant squid. Little mummy finds that independence is elusive until a surprise ending turns the story on its tail, leaving readers wondering what sort of mischief Michael Rex might make with The Big Red Barn.

Garden of delights
Sure to be another monster hit for author and artist Lois Ehlert, Boo to You! lends her impressive trademark multimedia collage style to an autumn feast for the eyes, set to rhythmic verse. A harvest party is being planned by the garden mice but a pesky cat is determined to spoil the fun. It’s really a dilemma, because “A raccoon or a squirrel might bite a veggie, but a cat loves meat, and that makes us edgy.” The crafty mice devise a plan to scare the kitty, and it unfolds with a satisfying surprise. You know Ehlert from Eating the Alphabet, Fish Eyes: A Book You Can Count On, Chicka Chicka Boom Boom and many others. Her latest effort will bring jack-o-lantern grins to the faces of a whole new generation of admirers.

Monsters afoot
The Monsterologist: A Memoir in Rhyme is an exuberant collection of poems about monsters of every stripe—in the engaging form of letters, notes and secret files—that gives readers a rare and comical glimpse at their private lives and predilections. There’s a personal invitation from Count Dracula, a warning about werewolves, an exclusive interview with the Loch Ness Monster and a classified email about zombie research. Appropriately, this is Bobbi Katz’s 13th poetry collection. Her others include We the People: Poems and Once around the Sun. Adam McCauley’s mixed media design is great fun and likely to convince children that they are indeed holding a rare collection of monster memorabilia.

It’s time for a sing-along. “There was an old monster who swallowed a tick. I don’t know why he swallowed the tick ‘cause it made him feel sick.” The creepy critters being ingested by our gluttonous friend in There Was An Old Monster! range from ants and bats to lizards and a lone jackal. It culminates with a lion and, well, it’s not necessarily a happy ending. The Emberley family—Rebecca, Adrian and Ed, a Caldecott Medal winner for Drummer Hoff—has joined together to give us a twisted take on an already twisted tune that will be a memorable addition to Halloween pageants everywhere. Readers who can’t seem to get the catchy refrain out of their heads will be happy to find it available for download on Scholastic’s website.

Vampires next door
The new neighbors are a vexing bunch to young Bram Pire. In Dear Vampa Bram dashes off a letter to his Vampa in Transylvania to blow off a bit of steam. For starters, the Wolfson family stays up all day long and seems overly fond of sunshine (“Mom says it’s disgusting”). They lock their windows at night (“It’s so inconsiderate”), and call the cops when the Pires engage in a bit of rooftop revelry at midnight. When the Wolfsons take up slingshots to shoot the Pires out of the sky during their “evening flutter,” it’s the last straw for Mom and Dad. But are the Wolfsons keeping a dark secret of their own? Ross Collins, the author and illustrator of Medusa Jones and Germs, introduces irony into his story at a level that won’t fly over the heads of young readers and his mod-goth style will appeal to graphic novel devotees in the making. This is Halloween hilarity at its hippest.

As the (scare)crow flies
Scarecrows aren’t normally known for their fancy footwork, but in the hands of Jane Yolen and illustrator Bagram Ibatoulline, one comes alive with wild abandon in The Scarecrow’s Dance. When the wind began to blow “He shrugged his shoulders / And a grin / Just like a corn row, / And as thin, / Broke out along / His painted face. / He gave a leap— / And left the place.” The scarecrow dances past the barn and peers in the window of the farmhouse where he glimpses a young boy reciting his prayers. As he leans in to listen to the child’s appeal for a healthy corn crop, the scarecrow knows he must return to his post to do his part. Ibatoulline’s gouache and watercolor illustrations are breathtaking and readers of all ages will appreciate Yolen’s refined verse and the book’s final message about responsibility.

Ellen Trachtenberg is the author of A Parent’s Guide to the Best Children’s Literature.

Something is lurking out there. Scarecrows are stirring, black cats are making mischief, and innocent young girls are taking to their broomsticks. It must be, it must be . . . this season’s bumper crop of fabulous Halloween picture books. By the time everyone’s favorite…

Science Fiction & FantasyYA FictionYA

Sense of Wonder: Harnessing the power within

Feature by Sean Melican

This month our fantasy triptych includes the story of a young woman who is too beautiful and powerful for even the most powerful men, a machine too powerful for the Wild West and a former slave whose power may destroy him.

In the world of Kristin Cashore’s Fire, every living creature has a monster analogue, distinguishable by unnatural colors and a lust for blood—particularly monster blood. Though she does not lust for blood, Fire is a human monster. Her beauty causes uncontrollable lust in weak-willed men, and through a form of telepathy she can force men to do her will—though she is understandably reluctant to do so. Her father and his puppet king destroyed their kingdom through excess and cruelty, and Fire quickly finds herself embroiled in court politics, assaulted by the king and used as a tool to interrogate spies. She faces internal conflict as she sees the manipulation of human will too similar to her father’s amoral and casual brutality, but also necessary to the defense of the kingdom. To make matters worse, she falls in love with the prince—and his daughter. Aside from sharp writing, the strength of Fire lies in Cashore’s depiction of womanhood. The author plays with traditional gender fantasy roles, giving us a strong but feminine character whose physiology generates her strengths and weaknesses, and male characters who are aggressive chauvinists and misogynists—not the asexual ideal heroes of Tolkien’s pale imitators. The enchanting prequel to Cashore’s beloved young adult novel Graceling, Fire is an excellent book for all ages—particularly young women.

Steampunk in Seattle
There are plenty of alternate Civil War novels, but none quite like Cherie Priest’s Boneshaker. In the 1860s, Leviticus Blue builds a gold-mining machine in response to a Russian contest. But something goes terribly wrong—either intentionally or by accident, we don’t quite know—and the Boneshaker destroys the banking district of Seattle and unleashes a gas that turns the living into the living dead. A wall is built around Seattle to contain the gas and the zombies. Sixteen years later, Leviticus’ widow attempts to rescue their son, Ezekiel, who has braved the wall to vindicate his universally hated father. Behind the wall, a man who may or may not be Leviticus—and who may or may not have robbed the banks—has built a kingdom of the living, and he has other plans for Ezekiel and his mother. What follows is a fantastic whirlwind tour of an alternate history and a steampunk version of The Lord of the Flies. While slightly marred by a few too many similar chase scenes, Boneshaker offers fans of both steampunk and the New Weird much to enjoy.

Fantasy pick of the month
Flesh and Fire gives us another unlikely hero. Jerzy is a slave plucked from the vineyards because he shows a talent for creating spellwines. The reader learns (as Jerzy does) that these magic wines were omnipotent until the vines were split into types by a semi-deity who ordered that vintners and governing entities be entirely independent from one another. This Command has been kept and vigorously enforced, but has led to a stagnation in the development of government and particularly the evolution of spellwines. Peace has been held for centuries, but a new malevolent and destructive power appears which no one can identify. The narrative develops slowly, but the patient reader is rewarded with the skillful unfolding of a richly developed world heavily dependent on religious interpretation—a delightful discovery especially as the novel eschews slavish imitation of Grecian mythology or thinly veiled criticism of Christianity, instead presenting a history and mythology which informs and guides the powerless and the powerful. Laura Anne Gilman also approaches the issue of slavery from an alternate viewpoint; Jerzy sees slavery as a natural and moral behavior, is unable to recognize any other option, and questions the meaning of “freedom” through an examination of what it means to be guided by a dead deity’s Commandments. Moral questions are deeply embedded in the novel, with a brilliantly limited authorial intervention, and presented through well-developed characters and first-class world-building. Since this is subtitled “Book One of The Vineart War,” we can only look forward to the sequel(s).

In alphabetical order, Sean Melican is a chemist, father, husband and writer.

This month our fantasy triptych includes the story of a young woman who is too beautiful and powerful for even the most powerful men, a machine too powerful for the Wild West and a former slave whose power may destroy him.

In the world of Kristin…

Cozy Mystery

Two winning mysteries

Feature by Joanne Collings

It is fascinating how two mysteries with first-person narrators, similar settings (small towns) and heroines (women struggling over whether to divorce their husbands) can be so different. Working Stiff goes for laughs, while For Better, For Murder tugs at the heartstrings.

In Working Stiff, set in Wisconsin, Mattie, a former nurse, has just started working as a coroner after finding her surgeon husband in a compromising position with another nurse. Since the house she shared with her husband is right next door to her new place, Mattie can’t help spying on him, and one night she witnesses him arguing with the other woman. Shortly afterward, Mattie is called to a murder scene: the victim is the other woman, making her husband the primary suspect.

Mattie has earthy sensibilities and big appetites; despite her unresolved marital situation, she finds herself very attracted to the detective investigating the case. Unable to contain her own curiosity, fueled by her need to know if her husband is guilty of more than infidelity, Mattie, in her new role as deputy coroner, starts her own investigation. Since she knows everyone in the victim’s world, she can do this with some ease. Both Nancy Drew and Agatha Christie are invoked, and several funny episodes occur on the way to Mattie solving the crime and coming to a decision about her marriage.

Here’s hoping Annelise Ryan will give us more of Mattie’s mother (“a modern day Nostradamus” and “many-times honored member of the Disease of the Month club”) in the next installment.

Meanwhile, in Lisa Bork’s For Better, For Murder, set in New York’s Finger Lakes, Jolene Asdale is struggling to keep her car business alive when a dead body falls out of the Ferrari she is showing to a customer. That’s bad enough, but the victim is a man she briefly dated and recently had a widely witnessed (and wrong interpreted) discussion with about business zoning. The man who is investigating the murder is the husband she hasn’t been able to bring herself to divorce even though she left him three years before. And then Jolene’s bipolar sister, who has been overhearing threats to Jolene (or are they just more of her voices?), disappears from the state psychiatric facility. Is she now part of a team robbing local convenience stores? Jolene’s husband Ray is convinced Jolene knows more about everything than she is admitting. Meanwhile, she’s trying “not to notice that Ray still carries a picture of [her] in his wallet.”

Jolene turns detective to save herself and her sister, giving Bork a chance to explore what’s it’s like to own a small business in a small town where everyone knows your business. Like Ryan, she includes gay characters while taking care to point out that there are still difficulties with being gay in a small town. Jolene, whose family history of mental illness haunts her, is a touching character. The plot is a little complicated, but the series has promise and the book ends with a happy twist.

Joanne Collings cozies up with a good book or two in Washington, D.C.

It is fascinating how two mysteries with first-person narrators, similar settings (small towns) and heroines (women struggling over whether to divorce their husbands) can be so different. Working Stiff goes for laughs, while For Better, For Murder tugs at the heartstrings.

In Working Stiff, set in…

Science Fiction & Fantasy

Sense of Wonder: A linguist to save the day

Feature by Sean Melican

Obsession with work, the economy and plain old love take center stage in this month’s science fiction and fantasy selections.

While preparing for a documentary about his life in The Atlantis Code, linguist Thomas Lourds is shown a strange artifact featuring a language that even he, the foremost authority on ancient languages, cannot identify. Almost immediately, he is attacked and were it not for the fact that Leslie, the producer of the documentary, is a crack shot, Lourds’ life might have reached its untimely conclusion. Now, the race is on! Lourds and Leslie must outrace and outwit the psychopathic mercenaries hired by one Cardinal Murani, a member of a secret society dedicated to preserving the true history of Eden and Atlantis as well as resurrecting the power of the papacy. The characters rarely move beyond stereotypes—impossibly attractive, impossibly gifted at their chosen vocations, impossibly good or evil—and the scenes often feel reminiscent of other novels and movies; but the linguistics aspect of the novel is new and well-researched and has the potential to do for the field what Indiana Jones did for archeology. A captivating and fun read with a plethora of literary and cinematic antecedents, The Atlantis Code is best read with a big bowl of popcorn and enormous soda close at hand.

The price of success

The embers of the U.S. economy, the evils of giant corporations and the absurd notion of a fat-curing pill are just three of the targets in Cory Doctorow’s Makers. Oddballs Perry and Lester are two down-and-out, on-the-edge and off-the-grid inventors/hackers who create novel products, such as a robotic car driven by Tickle Me Elmos, as well as revolutionary economic systems such as the “New Work.” Slavishly following its basic tenets of capitalism, the New Work explodes, only to implode much as the dot-com bubble did. Rather than admitting defeat, Lester and Perry exploit the New Work bust by developing user-altered theme park rides (built in abandoned Wal-Marts) that revel in the boom of the New Work. But when the rides infringe on trademark law, lawsuits abound and things spiral woefully out of control (including Lester’s weight). Makers is the essence of good science fiction: extrapolating from today to tomorrow, though there is an inherent awareness in the book of the fragility of predicting the future, as evidenced by Disney’s Tomorrowland, which is laughably dated. That said, Makers is a wild ride through capitalism and American obsessions. Even if its praise of individual productivity and creativity while simultaneously condemning corporate America appears contradictory, the book does offer a possible, if not probable, escape from this dilemma. This is Cory Doctorow and science fiction at its purest and its best.

Fantasy pick of the month

In a field known for padding, A.M. Dellamonica’s debut novel Indigo Springs features exceptionally tight and evocative prose, without a wasted word or scene. It is a demanding novel, expecting readers to extrapolate important information regarding the past merely from textual clues, but it is well worth the effort. Like the reader, Dellamonica’s heroine, Astrid, cannot recall the past and must assemble it from the present. Returning home after her father’s death, she realizes that her father had discovered magic and was enchanting items for those most in need. Naturally, Astrid also has this ability. Her best friend Sahara wants to use the power for greater purposes despite the inherent risks, and this desire ultimately leads to a dark future for the young women. With rare subtlety, Indigo Springs explores gender and sexuality and power; Astrid is bisexual and in love with Sahara, while Sahara uses sexuality (and later magic) as a means of achieving power and control. Astrid’s mother’s sexual identity is perhaps the clearest indicator of the novel’s strengths, for it is only through careful reading that her identity becomes clear, and while not critical to the story, it is a playful take on the standard reader’s guide question of ‘Who do you identify with and why?’ This is a gentle and sharp novel for any serious, thoughtful reader.

In alphabetical order, Sean Melican is a chemist, father, husband and writer.

Obsession with work, the economy and plain old love take center stage in this month’s science fiction and fantasy selections.

While preparing for a documentary about his life in The Atlantis Code, linguist Thomas Lourds is shown a strange artifact featuring a language that even he,…

Children's & YAPicture Book

Stepping out: Little ones (and parents) find the courage to break away

Feature by Robin Smith

When is the best time for a youngster to strike out on his or her own? Every family faces this crucial moment, whether it’s a toddler taking her first wobbly steps across the living room, a kindergartner nervously meeting the teacher or an older child biking down the street for the first time. These moments of poignancy follow weeks and years of experimenting with independence. Three new picture books can help young families encourage and celebrate the exploration that make a child truly independent.

Hop to it
David Ezra Stein returns with the delightful Pouch!, which is something of a sequel to his marvelous 2007 book, Leaves. While Leaves celebrated a bear’s first encounter with autumn, Pouch! explores the exhilaration of discovering the world. Baby kangaroo Joey has spent a long time in his mother’s pouch when one day he exclaims, “Mama, I want to hop!” Two hops away from Mama, Joey finds a bee, who surprises the little kangaroo so much that he turns back toward Mama with a wide-eyed cry: “Pouch!” Mama is always there, welcoming Joey back to the pouch. But Joey cannot be kept in, and he hops three times to see a rabbit and four times to meet a bird. Each encounter ends the same way, with Joey safe in the pouch. Still, the call to independence is strong and, after hopping five times, Joey meets another kangaroo . . . and makes his first friend. Stein’s expressive watercolor and crayon illustrations are full of movement and humor, especially the repeated “Pouch!” scenes. Youngsters who are just learning their boundaries will enjoy watching Joey and his new friends explore the inviting world beyond their mothers’ protective care.

Leaving the nest
Australians Margaret Wild and Julie Vivas team up again in Puffling, the gentle tale of a baby Puffin and his attentive, loving parents, Big Stripy Beak and Long Black Feather. These parents bring back food for Puffling because “There are scary gulls out there, watching and waiting.” Puffling wonders when he will be allowed to leave the burrow. His parents tell him exciting tales of the time when he will be “strong enough and tall enough and brave enough” not only to leave the burrow, but to sleep in the sea and find friends. Little by little, Puffling grows up and is ready to go. His parents are ready to let him go, too, comforting him (and themselves, too?) by telling him, “You’ll be our dear Puffling—even when you’re grown up and have a chick of your own.” Illustrated in the rich browns of the burrow and dark blues of the ocean, Puffling beautifully tells the universal story of growth and maturity. Modern parents might learn a thing or two about raising children to be brave and strong so they will be ready for their own scary world. Puffling is a book to read over and over—shelve it next to Stellaluna.

Taking charge
Amy Hest’s latest offering, When You Meet a Bear On Broadway, is a whimsical look at a little girl who—internalizing the strong, reasonable voice of her mother—helps reunite a little lost bear with his mother. Sporting orange-and-red-striped tights, a sensible blue coat and a jaunty beret, the girl is wise beyond her years and ready for anything. Told in the second person, the story reads very much like children often speak. “When you meet a bear on Broadway, this is what to do. Suck in your breath. Stick out your hand.” Our heroine might be young, but her mother and father have taught her well and she knows just what to do—ask what the mother looks like, calm down, take his hand, look around and wait for the mama to find him. Lightly outlined watercolors, sometimes in many colors and occasionally in retro greens and yellows, highlight the girl and bear as they search for the missing mother. Young readers will enjoy the short sentences, the generic city scenes and the comfort of seeing a little person take charge—just like her mama taught her.

Robin Smith encourages her second-grade students in Nashville to take risks.

When is the best time for a youngster to strike out on his or her own? Every family faces this crucial moment, whether it’s a toddler taking her first wobbly steps across the living room, a kindergartner nervously meeting the teacher or an older child…

Military History

Military histories honor veterans of American conflicts

Feature by Howard Shirley

Veterans Day, November 11, began as Armistice Day—the day on which World War I, or The Great War as it was then known, came to a messy, awkward close. But as later wars became more significant to America, Armistice Day changed to Veterans Day as a way to celebrate all veterans of conflicts past and present. In keeping with that goal, five excellent new books offer fresh perspectives on the American military experience.

A grandfather’s legacy
James Carl Nelson’s The Remains of Company D: A Story of the Great War began as a quest to uncover the past of one American veteran of that war—Nelson’s grandfather, a taciturn Swedish immigrant named Jon Nilsson. He came to America only to be drafted by his newfound nation and sent back across the ocean to fight on the very continent he had left behind. Knowing only that his grandfather had been wounded by a German machine gun in the battle of Soisson, Nelson was inspired to discover his story, as well as the story of the other men who found themselves running into the German lines on that fateful July day. The result is a moving account of young men swept into a war few truly understood, who nevertheless found exceptional courage amid horrors they never imagined. Using personal accounts derived from journals and letters of the men and their families—many who never knew their sons’ and husbands’ final fates—Nelson recreates their experiences in vivid detail. The Remains of Company D immerses the reader in the world of the doughboys, helping us see a war of dwindling memory through the eyes of those who lived—and died—while waging it.

From Pusan to Inchon
Another war even less well-known to modern readers is nevertheless considerably closer in time—the Korean War, with origins almost as muddled as that of World War I. The Darkest Summer: Pusan and Inchon 1950: The Battles that Saved Korea—and the Marines—From Extinction, by Bill Sloan, recounts the origins and first year of what almost became America’s greatest military disaster. As might be expected from the subtitle, Sloan focuses heavily on the contribution of the Marine Corps, which prior to the Korean conflict was in danger of being reduced to little more than a ceremonial guard. In Korea, the Marine Corps proved itself to be America’s only truly battle-ready force in the wake of drastic post-WWII military cuts. Sloan deftly combines a thorough explanation of the causes and politics behind the Korean War with riveting descriptions of the battles, from the near rout as North Korean forces pushed the woefully ill-equipped and under-trained U.S. Eighth Army almost into the sea at Pusan, to the stunning reversal at Inchon that handed the U.S. its greatest military triumph since D-Day—only to be reversed yet again when China poured human wave attacks across the Yalu River. Sloan’s account ends there—but one hopes he will pick up the story once more. In era when the world is once again facing strategic challenges in Korea, The Darkest Summer is a compelling read and a timely reminder of a “forgotten war.”

New appraisals
Like the veterans of World War I, the men and women of World War II are slowly leaving us behind, and with them goes the living memory of their deeds. Antony Beevor’s D-Day: The Battle for Normandy is a powerful reminder of just how great their accomplishments were. Beginning with the build-up to invasion, Beevor follows the Allied forces through the greatest amphibious landing in history, across the hedgerows of France and through the glorious entry into Paris. From the upper-level planning of generals to the desperate fights of the men themselves, Beevor skillfully covers the full scope of the summer offensive that liberated France and signaled the inevitable end of Hitler and the Third Reich. Whether you’re familiar with the names and events of 1944 or curious to learn more, Beevor’s D-Day is a comprehensive and thoroughly engaging journey back through time.

Equally engaging is John Keegan’s The American Civil War: A Military History. The master of military history sets his pen to what may be the most seminal war of the American experience, the war that remains the bloodiest conflict and the most indelible in the American historical consciousness. Whereas many books share the story and causes of the war, or discuss the personalities, politics and battles, Keegan examines how and why the war unfolded as it did—both the deliberate strategy-making and the almost accidental developments brought about by such disparate concerns as geography and social politics. The result is a highly readable overview of the war that goes far beyond merely describing who fought where. Through Keegan’s book, one gains an understanding of why the battles happened as they did, where they did, and how they fit into the whole story of the war and its resulting influence on our nation. Both the casual reader and the Civil War buff will find much to appreciate in this excellent work.

Final rest
Lastly, we come to a book about a place that is unquestionably the most sacred military site in the national psyche. No battle was ever fought there. It saw no triumph of arms, no treaty, no surrender, no speech of resounding note—but its importance to the nation and the nation’s military is unequaled, because it is the final resting place of our most honored dead. Robert M. Poole’s On Hallowed Ground: The Story of Arlington National Cemetery explores the history of the vaunted cemetery across the Potomac from Washington, D.C., and the uniquely American approach to honoring our military heroes. What began as a way to punish Robert E. Lee by seizing his Arlington, Virginia estate and rendering it “inhospitable” for his return, turned into one of the greatest sources of healing for a grieving, divided nation. It also inspired an unparalleled commitment by the country to find, identify (if possible) and, if requested by the family, bring home with honor the body of every American service person who died in battle, regardless of where or when. Poole’s book is both sobering and inspiring as it explores the history of this remarkable tradition and the quietly majestic site to which many of those men and women have returned. As we celebrate the living on Veterans Day, On Hallowed Ground is a beautiful portrait of the place where we honor their fallen comrades.

Howard Shirley is a writer in Franklin, Tennessee.

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YouTube trailer of On Hallowed Ground:

Veterans Day, November 11, began as Armistice Day—the day on which World War I, or The Great War as it was then known, came to a messy, awkward close. But as later wars became more significant to America, Armistice Day changed to Veterans Day as…

Biography

Bright lights, big names

Feature by Pat H. Broeske

The star names shine particularly bright on the bookshelves this holiday season. Where to begin? How about age before beauty . . .

The good ol’ boys
The life, times and works of an iconoclast filmmaker are examined in Robert Altman: The Oral Biography. Author Mitchell Zuckoff rounded up family members (including exes), associates and countless actors who assess the director known for ensemble casts, overlapping sound, a dense and naturalistic style and disdain for the Hollywood system. To Altman, the great films were inexplicable; a moviegoer might not be able to recount the plot, but they knew they’d experienced something. Little wonder Altman’s Nashville is so revered.

A former documentary filmmaker (see 1957’s compelling The James Dean Story) who directed episodic TV in the late ’50s and early ’60s, Altman became a counterculture force with the 1970 film M*A*S*H. (He had nothing to do with the TV series, which he hated.) Critical successes followed, as did flops. But the rollercoaster career was never boring. Neither was the hard-living Altman, who died in 2006 at the age of 81. As confounding as his films, he was alternately gregarious, self-absorbed and bitter. He demanded loyalty from the troops; sensing otherwise, he held a grudge. “His eyes were fantastic instruments of reprimand and reproach,” recalled composer John Williams. But as careers go, Altman gave it his all, and he did it the hard way—by remaining true to himself.

Another famous maverick is the subject of the unauthorized American Rebel: The Life of Clint Eastwood. But this is no “gotcha” tome; author Marc Eliot is reverential as he links Eastwood’s personal life with his professional choices. Based largely on previously published works, the book moves along quickly, fueled by Eliot’s astute knowledge of the Eastwood filmography, including the performer’s three essential screen personae: The Man With No Name (the spaghetti Westerns); nihilistic “Dirty” Harry Callahan; and the good-natured redneck. All “are viscerally connected to the real-life Clint,” Eliot argues. Eastwood’s Army days were a conduit to Hollywood—and beyond. As a base lifeguard and projectionist, he met young actors like David Janssen and Martin Milner, who served in the Special Services. (Like Janssen and Milner, Eastwood became a contract player at Universal.) Being stationed at Fort Ord allowed him to explore the fabulous Northern California coastline—and the quaint city of Carmel, where he would ultimately become mayor.
Like the men he has portrayed, Eastwood goes his own way, and is not to be crossed. Though he had a long first marriage, he was never the faithful type. Over the years and under the radar, he fathered four illegitimate children, in addition to two with his first wife and one with the current Mrs. Eastwood (who is much younger than Eastwood’s 79 years). A palimony suit involving his former lover, actress Sondra Locke, put his unorthodox personal life in the spotlight. But his cinematic artistry on the big screen has remained unspoiled over the years—a testament to hard work, resourcefulness and a deft understanding of moviegoer’s tastes. As for Eastwood’s special allure, the Italian director Sergio Leone once said, “It seemed to me Clint closely resembled a cat.” He’s moved like one, too—pouncing to the top of the Hollywood fence.

Glamour girls
Though Liz Taylor long ago lost her perch as a leading lady, her name continues to evoke fame like few others. William J. Mann dissects the crafty machinations of her stardom in the biographical How to Be a Movie Star: Elizabeth Taylor in Hollywood. The author, who last wrote about Katharine Hepburn, interviewed Taylor sources and exhaustively examined the publicity that has accompanied the life and career of a woman who once casually observed that she couldn’t recall when she wasn’t famous. Mann concentrates on what he calls the “chocolate sundae” years—those of the great films and great romances. That period encompasses her carefully staged illnesses and botched suicide attempt, the Liz-Eddie-Debbie drama, the scandalous Liz-Dick Cleopatra hookup, her friendships with gay icons Monty Clift and Rock Hudson . . . which all played out publicly, with Liz working the media. Say what you will about her, the woman knew how to be a star.

Grace Kelly knew how to evoke style, class and an on-screen cool. Celebrity biographer Donald Spoto met her in her incarnation as Princess Grace of Monaco, while writing one of his many books on Alfred Hitchcock, director of three films in which she starred. At her request, he waited 25 years after her death to write High Society: The Life of Grace Kelly, a respectful take on a woman whose impassive calm hid great passion (there were many lovers) and whose serenity masked her melancholy.

Another screen icon is profiled in Doris Day: The Illustrated Biography, by frequent BBC broadcaster and prolific celebrity biographer Michael Freedland.The book hits the career highlights and personal benchmarks of a complex woman whose life is at odds with her sunny image. First published in the U.K. in 2000, the book doesn’t include recent events in Day’s life, such as the death in 2004 of her only son, record producer Terry Melcher. But the slender volume succeeds as a stocking stuffer-sized introduction to the vivacious actress-singer-animal rights activist.

All about Paul
Ending on a musical note, Paul McCartney: A Life, is a page-turner that depicts McCartney as an ambitious, intuitive musical innovator, ever in competition with the rougher-edged John Lennon. Peter Ames Carlin, author of an acclaimed bio of the Beach Boys’ Brian Wilson, is a journalist-fan who’s dug deep and written authoritatively. It’s all here: the genesis of the Beatles; McCartney’s relationship with the sophisticated and cultured Jane Asher—and her family (with whom he lived); his romances and marriages; the contractual battles with John and Yoko. And of course, there’s the music, with Carlin arguing that it was the “cute” Beatle who was the real force behind the Fab Four. Be prepared to be convinced.

Author-journalist Pat H. Broeske has written about Hollywood for publications including the New York Times, the Los Angeles Times and Entertainment Weekly.

The star names shine particularly bright on the bookshelves this holiday season. Where to begin? How about age before beauty . . .

The good ol’ boys
The life, times and works of an iconoclast filmmaker are examined in Robert Altman: The Oral Biography. Author…

Food & Drink

Vintage selections to please any wine lover

Feature by Eve Zibart

For several years now, the holiday batch of wine books has become increasingly divided between the “elitists” and the “populists.” The former are the critics, who toss out bushel baskets of flavors (tar, black fruit, chocolate, licorice and old leather) and anthropomorphize wines. The others are the proud wine amateurs (aka “wine lovers”), whose diatribes against the “Parkerization” of wines—the reliance on numerical scores for wines and the trend toward bigger, fruitier, mine-is-bigger wines preferred by Wine Advocate founder Robert Parker—can be as stringent as their own self-promotion.
This polemical tug of war can easily bewilder those looking to give a wine book as a gift (which side are your friends on?), but there are some new volumes that can safely be delivered to any wine lover. Along with a bottle, of course.

Many guides to appreciating wine veer from cutesy to condescending, but food mag columnist Dara Moskowitz Grumdahl’s Drink This: Wine Made Simple, finds a happy medium, keeping the catchphrases to a minimum while gently prodding wine newbies through the nine varietals that dominate American shelves and restaurant lists. Each chapter winds through the pros and cons (what’s to love, what’s to hate) of each varietal, a brief history, major taste markers and a comparison of bottom-shelf and top-shelf styles. Each chapter ends with a quick cheat sheet and suggestions for gifts, from inexpensive to “knock-their-socks-off” labels.

Entertaining sidebars (what really causes the famous “cat pee” smell in Sauvignon Blanc?) and interviews with respected winemakers, along with sensibly straightforward tips on hosting low-key wine tastings (example: put a tablespoon of peppercorns or some shaved chocolate in a wine glass and sniff before tasting a Zinfandel or Pinot Noir), make this a solid primer. And, unlike most guides, Drink This occasionally includes pronunciations of wines (rhyming Shiraz with pizzazz, for instance).

Can’t-miss bargains
It’s a serious sign of the economic times that Robert Parker and his Wine Advocate team have produced Parker’s Wine Bargains: The World’s Best Wine Values Under $25. It’s a paperback, described as Zagat guide-sized, though in fact it’s a little hefty for the pocket. It reveals a little about the magazine’s biases—France is divided into eight regions, while all the regions of Italy are lumped together; and only California, Oregon and Washington wines are covered in the United States. Nevertheless, this might be a great book for someone looking to acquire collectable wines without breaking the bank. Wines are marked by price ($ for under $10, etc.) and relative dryness.

The guide’s other concession to more modern wine culture is its emphasis on the fact that less expensive wines need much less aging than the big names, so that most whites and rosés listed should be consumed within a year or so and the reds within three to five years. In other words, you can stop fretting about laying it down and start drinking it up.

A browser’s delight
The third sort of wine book—after the how-tos and the must-haves—might be called the bedside wine book: collections of anecdotes or literary references or ruminations on wine, generally short enough to be consumed a few at a time (presumably over a nightcap). Is This Bottle Corked? The Secret Life of Wine by Kathleen Burk and Michael Bywater is one of those, a combination of fact (what is corkage?) and fiction. What color “wine-dark sea” did Homer really see? Could the Duke of Clarence really have been drowned in a butt of Malmsey? And what is Malmsey, anyway? The Bible, Beaujolais Nouveau, Omar Khayyam, Napoleon, Jane Austen, Pliny and (of course) Robert Parker; phylloxera, absinthe, unami, foot-stomping, silver wine goblets and the dreaded “winespeak”—these and scores of other characters and controversies cohabitate comfortably in this chatty little collection.

A classic returns
Grumdahl’s guide notwithstanding, it would be ungenerous not to toast one notable perennial on these lists: Kevin Zraly, onetime wine director at New York’s Windows on the World, who turned his master classes for the staff into a course that eventually graduated 19,000 people. (When the World Trade Center was destroyed on 9/11, it had nearly 100,000 bottles in the cellar; Zraly himself had taken the day off to celebrate his son’s birthday.) Zraly has been updating his eminently sensible and accessible Windows on the World Complete Wine Course on a pretty regular basis, but he’s just released the 25th anniversary edition. For someone who’s already a little more at ease ordering wine and wanting to expand his palate, or for a sentimental New Yorker, this might be the perfect choice.

Eve Zibart is a former restaurant critic for the Washington Post.

For several years now, the holiday batch of wine books has become increasingly divided between the “elitists” and the “populists.” The former are the critics, who toss out bushel baskets of flavors (tar, black fruit, chocolate, licorice and old leather) and anthropomorphize wines. The others…

Children's & YAPicture Book

Holiday read-alouds for making spirits bright

Feature by Joanna Brichetto

A Santa’s sack of winning picture books awaits choosy buyers this holiday season. Some are overtly religious, some are secular and some are a bit of both. Magic is a common thread throughout the books: the magic of the original Christmas story, of Mother Nature, anticipation, gratitude and most especially the miracle of new life.

All are in the same basic age range, which is limitless if you admit that reading aloud (and being read to) is a magic we never really outgrow.

Christmas all year long
Who Would Like a Christmas Tree?, written by Ellen Bryan Obed and illustrated by Anne Hunter, is a refreshingly different holiday picture book: an exploration of the flora and fauna of the Christmas tree. “Who would like a Christmas tree in January?” it begins, and the surprising answer is a black-capped chickadee, which eats “moth eggs and little spiders hidden under the bark,” and also roosts in the dense branches. Month by month, animal by animal, from aphids to wild turkeys, the whole year of a Christmas tree’s prolific usefulness is revealed. The book remains story-like enough for the very young and meaty enough for the older reader (and for the adult reader, who will learn much).

A baby on the way
Kids too excited to sleep as Christmas approaches will enjoy the lovely lullaby book Nighty Night, Baby Jesus by Molly Schaar Idle. The combination of gentle, rhyming text; soft, curvy illustrations; and the always welcome opportunity to make animal noises should please readers and listeners. The author/artist is a former illustrator at DreamWorks, and the influence is evident in her stylized forms (think Prince of Egypt) and cinematic treatment of light, as it originates from or above the baby and filters down and around the stable scenes. Each animal greets the newborn babe in turn and in character, until they are hushed by the mother’s gentle cooing. “Sweet dreams,” she murmurs to her son, and sweet dreams may well be likely for all who read it.

What’s Coming for Christmas? is another charmer from author Kate Banks and illustrator Georg Hallensleben, a duo known for conjuring intimate little worlds of word and image. “Something was coming,” the story begins, and the unnamed something heralds itself in marvelous ways: the way the snow whirls or the way icicles drip, or in the “flutter of paper snowflakes” or the “hiss of scissors cutting ribbon.” Centered on one cozy house and farmyard, the story is a survey of sounds, smells, sights and flavors that quietly builds into a gentle but insistent urgency, alerting even the smallest mouse. Happily, neither text nor picture comes right out and tells us what every tree, critter and kid is anticipating, even after it arrives. By paying us the compliment of letting us use our intuition and senses, the book sustains its spell even beyond the last page.

The fun begins
When Sam McGuffin sneaks onto Santa’s sleigh, it’s the North Pole workshop he’s after. What he finds instead is The Secret of Santa’s Island, a tropical paradise where the elves, reindeer and Mr. and Mrs. Claus unwind after the Christmas rush. “Unwind” may be the wrong word: they party hearty at a custom amusement park wilder than the dreams of most folks, but well within the extraordinary range of author Steve Breen, two-time winner of the Pulitzer Prize for editorial cartooning (and creator of the picture book Violet the Pilot). The secret island boasts life-size chocolate Christmas trees, an elvish rollercoaster and dodgeball games on flying reindeer. The best secret is revealed on the last page, deftly ratcheting the take-home message from just fun to just fabulous. Sam turns out to be the “McGuffin” (the name of a plot-enabling device in filmmaking) that puts us right where the author intends. Never didactic, the book slyly promotes the rare virtue of gratitude.

Stick Man might seem a random title in this lot, but note the best-selling team behind it: Julia Donaldson and Axel Scheffler, whose works include The Gruffalo and one of my favorite read-aloud Halloween books, No Room on the Broom. Stick Man is, well, a stick, but quite an appealing one, and he’s on an odyssey to boot. Separated from his family tree (wherein dwell “his Stick Lady Love and their stick children three”), he faces peril after peril in romping rhyme: a game of fetch, a sand castle in need of a flagpole, a snowman in need of an arm, many inventive children and finally, worst of all: a fireplace. Can he make it past these sticky dangers to get home for Christmas? Will there be a tender or tinder ending? Stick around and see.

Cozy Christmas chores
The Christmas Magic by Lauren Thompson, illustrated by Jon J. Muth, is nothing less than magical. “Far, far north, where the reindeer are, there is a snug little house with a bright red door,” begins a tale so perfectly phrased anyone can sound like a proper storyteller reading it aloud. In only three or four cozy lines per gorgeous page, we watch Santa readying his reindeer, his sleigh, his boots, his list of children and his sack of toys, our senses vicariously alive to the textures and sounds. The sequence of the perfectly ordinary chores of this perfectly extraordinary character builds our anticipation: “Is the magic here?” the music of the reindeer bells seems to ask as Santa carefully polishes each jingle. Muth’s pastel and watercolor images of Santa’s spare, Shaker-like house and the endless horizons of snow seem to slow the story: Santa is in no hurry and neither should we be. This is a book to savor. When the magic finally arrives, making the night “thrum,” it feels just right: more shivery and intimate than ho-ho-ho, and far more satisfying.

Have you heard the news?
A welcome twist on the traditional nativity storybook, The Christmas Baby demands to be read aloud to a group of enthralled children—or just to a single, special one. Written by Marion Dane Bauer and illustrated by Richard Cowdrey, the story is set in a “tiny town” in a “faraway country” on the night of Jesus’ birth. “Have you heard?” is asked again and again—by the father-to-be looking for room in an inn and by the stable animals—“have you heard a baby is coming?” The question is used like a refrain in a carol, building anticipation with each repetition, and then changing key when the baby arrives. “Have you heard? He is here!” cry the beasts and the angels, at once answered by the shepherds and kings. The excitement feels genuine. What could easily be cloying simply isn’t, even the surprise ending correlating the birth of the Christmas baby and the miraculous birth of every baby: “Now . . . every time a baby is born, stars and angels sing . . . ‘Have you heard?’ ” Only a grumpy innkeeper could miss the joy in this sweet tale.

Joanna Brichetto is grateful that part of her job involves reading aloud to children.

A Santa’s sack of winning picture books awaits choosy buyers this holiday season. Some are overtly religious, some are secular and some are a bit of both. Magic is a common thread throughout the books: the magic of the original Christmas story, of Mother Nature,…

Children's & YAPicture Book

Our favorite gifts for the littlest readers on your list

Feature by Alice Cary

Books are my favorite gifts to give and receive. It’s always been that way and will no doubt remain that way (despite my continued love affair with my Kindle, a holiday gift last year). Here are some great new books to give to the children in your life.

Old favorites
I’ll start with a holiday classic that’s good for all ages: Jan Brett’s delightful Snowy Treasury. Here in one handy edition is a collection of four of Brett’s wonderful picture books: Gingerbread Baby, The Mitten, The Hat and The Three Snow Bears. Brett’s meticulous illustrations have long been a favorite in our house, and the stories in this volume transport readers to the snowy kingdoms of a Swiss forest, a Ukrainian woodland, Denmark and the Arctic. Put Snowy Treasury out within easy reach and you’ll see everyone from adults to preschoolers snuggle in for a warm, cozy read—preferably next to a crackling fire.

Yet another treasure—literally—is a new, unabridged edition of Robert Louis Stevenson’s Treasure Island, featuring woodcuts by John Lawrence, acclaimed author and illustrator of books such as This Little Chick. This large-format edition with large print makes Stevenson’s swashbuckling story easily accessible for a new generation of readers. With a yo-ho-ho to Long John Silver, Lawrence’s many woodcuts and their soft pastel hues are a fine accompaniment to Stevenson’s exciting tale.

Special treats
Such excitement may well work up an appetite, so consider giving your favorite little chef a copy of Paula Deen’s Cookbook for the Lunch-Box Set with Martha Nesbit, illustrated by Susan Mitchell. My 10-year-old daughters and I will definitely be trying this out soon. The colorful, spiral-bound book is well written with clear, numbered directions for young cooks. It’s also attractively laid out, with labeled illustrations at the beginning of each recipe showing not only what ingredients are needed, but also what kitchen tools are required. The varied chapters include such themes as bake sales, sleepovers, family cooking night and a Christmas cooking party. My girls and I will soon be trying Stained Glass Cookies, Oreo Truffles and Cheese Bread. The recipes are kid-friendly, yet packed with Deen’s down-home style.

How about treating someone special to a few of Julie Andrews’ favorite things? She and her daughter, Emma Walton Hamilton, have collaborated on Julie Andrews’ Collection of Poems, Songs, and Lullabies. This collection would make a great present for everyone from newborns to elementary school children, the latter of which will enjoy the wide variety here, as well as the lovely watercolors throughout by award-winning artist James McCullen.

You’ll find classics from the likes of Kenneth Grahame and Robert Frost, along with lyrics by Stephen Sondheim and Ira Gershwin. As Andrews explains: “I feel that many lyrics are poems in themselves. For me, it’s so hard to separate the two that I chose to make this collection embrace both.”

A pair of pop-ups
Leave it to Mo Willems to do something different. This award-winning author/illustrator has created a “Pop-Out” book called Big Frog Can’t Fit In with paper engineering by Bruce Foster. Though there are few words, this story about an oversized frog who needs the help of her friends is funny, ingenious and guaranteed to be loved by the seven-and-under set—all typical of Willems’ work. (Be sure to note the book’s odd shape when you see it.) It’s hard to beat Mo Willems when it comes to creating laughs with simple illustrations and text.

Matthew Reinhart’s A Pop-Up Book of Nursery Rhymes is another small book that packs a lot of pop-up punch. Each spread has one big pop-up, such as the cow jumping over a grinning moon, along with two smaller pop-ups, much like little books that unfold on each page. This beautifully executed little gem is perfect for a short bedtime treat.

Interactive adventures
Where was My Little Red Fire Truck when my son was a preschooler? Oh, how he would have adored this book! Stephen T. Johnson, the creator of My Little Red Toolbox, has produced another delight in which children can fill up the fire truck’s gas tank, check the tire pressure, drive and more. The book has built-in, removable tools (made of sturdy cardboard) so that all of these tasks can be taken care of by your busy young firefighter. He or she will love being on the job!

Preschoolers will also revel in Dinosaur Park, with illustrations by Steve Weston. This Jurassic play set includes nine press-out dinosaurs, four different play scenes, plus a field guide perfect for young dino fans. Open it if you dare!
On a more graceful note, elementary-age dancers will enjoy Kate Castle’s The Ballerina’s Handbook. This compact volume contains letters, postcards, flaps and an insightful tour through the ballet world, from a beginning class through a professional company on tour. There are many clever sidebars, too, on such topics as healthy food and makeup tips for dancers, a glossary of terms and a short list of legendary dancers.

Finally, older elementary students can explore the world with Philip Steele’s A Mariner’s Tale. The highly interesting and illustrated text discusses the early days of exploration and includes 3-D artwork, pull-out flaps, a model caravel ship and a secret mariner’s chest with a compass and telescope to construct. Readers can sail along with the world’s most famous explorers, from the Phoenician sea traders to the Vikings and Columbus. This fun package is perfect for whetting the appetites of young Marco Polos!

A book that truly stands out (and up!)
Is someone on your holiday wish list begging for a pet? Try the next best thing. Eye-Popping 3-D Pets: Phantogram Animals You Can Practically Pet, by Barry Rothstein and Betsy Rothstein, is a gift guaranteed to have tremendous appeal. Who can resist popping on a pair of 3-D glasses? (And thoughtfully, the book comes with not one but two pairs.)

The book’s subtitle is absolutely correct—these glasses really do make viewers feel as though they are petting the animals. Rothstein uses a special process known as phantogram 3-D, which makes the images appear to stand up. What’s more, the book is large, so some of the animals are actually life-size. Eye-Popping 3-D Pets begins with a two-page guide to how the phenomenon works and ends with an interesting spread about another type of 3-D (stereo).

The 28 pets covered include cats, dogs, guinea pigs, rabbits, potbellied pigs, fish, frogs, rosy boas, corn snakes, tarantulas and more. Each spread also contains basic information on taking care of these pets, so the book is not only fun, but a helpful guide should your family ever get the real thing. Just be forewarned: the three hairy tarantulas contained in these pages will look like they’re crawling in your living room. No screams allowed!

Alice Cary explores the world of children’s books from her home in Groton, Massachusetts.

Books are my favorite gifts to give and receive. It’s always been that way and will no doubt remain that way (despite my continued love affair with my Kindle, a holiday gift last year). Here are some great new books to give to the children…

YA FictionYA

Capture the imagination of your book-loving teen

Feature by Kate Pritchard

For those trying to select a gift for a teenager, the choice can be fraught with uncertainties. Trends among teens change quickly, and what was the must-have possession last year is now hopelessly out-of-date. But books are a timeless gift, and if chosen carefully, they will be cherished for many years to come. That’s where we come in. From vampires to sports to historical adventure, we’ve selected the best books for every teen on your list.

Creatures of the night
If you know someone who’s caught the Twilight fever, you’re in luck: nothing is hotter in teen fiction right now than vampires, werewolves, zombies and other strange and spooky creatures. Assuming your giftee already owns all four books in Stephenie Meyer’s hit series, another set of teen paranormals could be just what you’re looking for. In The Van Alen Legacy, fourth in the Blue Bloods series by Melissa de la Cruz, our heroine is a wealthy Manhattan teen at an elite private school—who just happens to be the latest in a long line of vampires. Schuyler Van Alen has money, privilege and power, yet all the glamour of her life may not be enough to protect her from a rival group of vampires, the Silver Bloods.

Worlds of wonder
There’s no shortage of well-written and engaging fantasy and science fiction books for teens; in recent months, BookPage has reviewed such excellent titles as Suzanne Collins’ edge-of-your-seat Catching Fire (sequel to The Hunger Games, this reviewer’s pick for the best book of 2008), Scott Westerfeld’s steampunk adventure Leviathan and Kristin Cashore’s gripping Fire (prequel to Graceling). Another series not to be missed is the Chaos Walking books by Patrick Ness. Last year’s The Knife of Never Letting Go introduced Ness’ truly imaginative setting, a world in which something called the “Noise germ” has killed all the women and caused the thoughts of both men and dogs to be broadcast aloud ceaselessly—and where 12-year-old Todd Hewitt may have discovered a very dangerous secret. Now, in the recently released The Ask and the Answer, Todd must face a new set of challenges and decide where his loyalties lie.

Danger on the high seas
If your teen likes swashbuckling adventure, narrow escapes and sea monsters, these two books will be a surefire hit. In Roland Smith’s Tentacles, the sequel to Cryptid Hunters, Marty and Grace O’Hara go along for the ride when their uncle rents a freighter and sets off for New Zealand in search of a giant squid. But will a mysterious saboteur end their journey before they can find the creature? The fascinating science of cryptids (animals thought to exist only in myth) and Smith’s fast-paced story will capture the imagination of any action-loving reader.

Seventh in the Bloody Jack series, L.A. Meyer’s Rapture of the Deep continues the story of Jacky Faber, a young woman who was once a homeless orphan on the streets of late-18th-century London, but has since been a sailor, a pirate and a spy, among other occupations. Now Jacky is about to marry her true love, Jaimy—but her plans are foiled when the two are kidnapped by the British Navy and packed off to Florida to search for sunken treasure. Jacky’s many adventures may strain credulity, but readers will be too engrossed in the story to mind.

The best-laid plans
Of course, there are plenty of teens who don’t care for vampires and want to read a story set in the real world. In Peter Lerangis’ wtf, six teens make plans for a wild night, but it soon gets much wilder than any of them expected. On the back roads of Westchester County and in the pulse-pounding clubs of Manhattan, they follow one another through a complex and twisting plot. From the shocking beginning to an ending that still manages to surprise, this is one book readers won’t be able to put down.

Cat Locke, heroine of Robin Brande’s Fat Cat, makes herself the subject of an experiment that will be sure to win top honors at the science fair, and show up her rival (and former best friend) Matt McKinney in the process. Her project—she resolves to  live like Homo erectus, giving up everything from driving to hair products to artificial sweeteners—is brilliant, but will Cat manage to pull it off? And how will her friends and family, not to mention Matt, respond to the new Cat she is becoming? Sharp writing and fully realized characters propel the story and make the resolution both sweet and
satisfying.

On and off the court
Sports play a major part in the lives of many teens, and this pair of sports-themed novels will surely find many fans among not just basketball and football stars, but anyone who enjoys a heartwarming story. In Front and Center, third in the Dairy Queen trilogy by Catherine Gilbert Murdock, D.J. Schwenk has spent the past five months as the center of attention, first when she went out for the boys’ football team, and then when her brother was seriously injured. Now that Win is home from the hospital and basketball season has started, D.J. is happy to be in the background again. But between a budding romance, college recruiters and the expectations of her basketball coach, she won’t be able to stay out of the spotlight for long. Murdock’s sense of humor and pitch-perfect ear for dialogue make D.J.’s story as compelling as any Big Ten showdown.

Thirteen-year-old Nate Brodie, hero of Mike Lupica’s Million-Dollar Throw, has the best throwing arm his football coach has ever seen. When he wins the chance to throw a pass through a target on live television—even better, at a Patriots game, Nate’s favorite team—for a million-dollar prize, it could be exactly what his family needs to get them through some tough financial times. But Nate worries that he’ll let his family down if he fails to make the pass. And if that’s not enough, his best friend Abby is going blind, and he doesn’t know how to help her. Nate is a wholly likeable character, and the support he receives from his parents and friends helps him to make the right choices when it really counts.

For those trying to select a gift for a teenager, the choice can be fraught with uncertainties. Trends among teens change quickly, and what was the must-have possession last year is now hopelessly out-of-date. But books are a timeless gift, and if chosen carefully, they…

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