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Love stories never get old, and one couple’s romance is always different from the next. With Valentine’s Day on the horizon, a number of authors are sharing their own tales of dating, mating and trying again. Learn from others’ trials and successes with four of this year’s best relationship memoirs.

Dating disasters
Julie Klausner still hasn’t found what she’s looking for, but as the lengthy subtitle of her dating memoir suggests, she’s spent time with a lot of the wrong guys. In I Don’t Care About Your Band: What I Learned from Indie Rockers, Trust Funders, Pornographers, Faux Sensitive Hipsters, Felons and Other Guys I’ve Dated, Klausner recounts years of dating the wrong guys. She never went through a boys-are-icky phase, instead openly chasing her crush of the moment since childhood. In fact, in the book’s opening pages she boldly declares, “I love men like it is my job.”

Klausner refuses to pussyfoot around her recollections of past lovers, indiscriminately flaunting her dirty laundry and theirs. (This is the kind of memoir an author hopes her parents won’t read.) But what could be an airing of grievances from the pen of another author is, in Klausner’s hands, an entertaining romp through a series of comic sketches. As a writer for VH1’s “Best Week Ever,” Klausner regularly transformed a week’s minutiae into pithy television, and she applies the same droll tone to her own missteps and willful mistakes.

And through failure after dismal failure, Klausner clings to one hope: The right man is out there, somewhere. If she’s got to date all the wrong ones to find him, she’ll do it, enthusiastically.

Matching wits
Boy meets girl. Boy falls for girl. Girl doesn’t give boy the time of day for five years. And then boy’s wildest dreams are fulfilled when girl suddenly decides he is all she wants.

Annabelle Gurwitch and Jeff Kahn’s relationship is far from a fairytale romance, but it’s a story filled with all the excitement and drama you’d hope for from a couple of writers and actors. They’ve had a lot of experience in telling other stories, after all: For years Gurwitch hosted “Dinner and a Movie” on TBS, and she has written for NPR and The Nation. Kahn wrote for “The Ben Stiller Show” and appeared in The 40-Year-Old Virgin and other films.

In You Say Tomato, I Say Shut Up, Gurwitch and Kahn bicker as they recount their sometimes-conflicting tales of meeting, courtship, marriage and the journey toward “till death do us part.” And even as their lives turn gravely serious when their son Ezra is born with multiple birth defects, the couple injects humor into their otherwise terrified mindset.

This is definitely not a sweet tale, but couples who love and argue with equal intensity will find solace—and more than a few laughs—in Gurwitch and Kahn’s frank depiction of their relationship.

Something’s cooking
Elizabeth Bard spotted the classic tall, dark and handsome stranger at a conference in London. She was an American beginning a master’s program in art history. He was a Frenchman wrapping up a Ph.D. in computer science. When the opportunity arose, she made a point of meeting him. The bevy of emails that followed led to lunch—and then love—in Paris.

Lunch in Paris: A Love Story, with Recipes doesn’t stop with happily ever after. In fact, Bard’s wedding to the exotic Gwendal takes place halfway through the book. But the challenges of a life in a foreign country are just beginning. On the surface Bard’s life seems like a fairy tale: living in Paris, married to a Frenchman and dining on any number of delicacies. But what’s simple in America is a challenge for an American in Paris. A task as easy as buying curtains can become an all-day event.

A memoir with recipes isn’t a new concept. Amanda Hesser covered that territory well in Cooking for Mr. Latte, and in recent years there’s been an avalanche of relationship-and-recipe books. But if there’s anything that doesn’t get old, it’s a good love story and a good meal—all the better if they are crafted by someone who can both write and cook!

In Lunch in Paris, Bard shares not only her love story but her journey to finding a sense of self in a foreign land with a foreign man. Whether you read it with the love of your life at your side or while dreaming of meeting your own exotic other half, this story and its accompanying recipes will warm your soul.

A new dance
Maria Finn met her husband while salsa dancing. The couple danced their way into a relationship, then marriage. But after she discovers that he’s been cheating on her, salsa dancing has little place in her life.

Finn instead turns to tango, also a seductive Latin dance, but one that allows space for sorrow and loss. She quickly becomes addicted to tango, attending private lessons and dance classes and clearing space on her calendar for frequent milongas (social dances). While dancing, Finn learns to give herself over to a man, to allow herself to be pulled off balance and follow his lead, even while carrying her own weight. The dance carries her from her home in New York City to the dance floors of Argentina, but more importantly, it helps Finn rewrite her understanding of men and her own life.

In Hold Me Tight and Tango Me Home, Finn incorporates her deep understanding of tango into the story, revealing its history even as she explores her own relationship with the dance. Unlike many life-after-heartbreak memoirs, this one doesn’t end with the author tangoing into the sunset with a new beau. Instead, Finn repairs her outlook on life and men in general, while finding comfort, challenges and encouragement in the arms of strangers.

Carla Jean Whitley lives, writes and dates in Birmingham, Alabama.

 

RELATED CONTENT
Review of the audio version of Cooking with Mr. Latte

Love stories never get old, and one couple’s romance is always different from the next. With Valentine’s Day on the horizon, a number of authors are sharing their own tales of dating, mating and trying again. Learn from others’ trials and successes with four of…

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Critics who decry Black History Month celebrations often claim they focus too much on well-known figures and personalities and don’t reaffirm the importance of recognizing African-American accomplishments on a regular basis. But a series of new books by noted scholars and authors refute those contentions. While they certainly cover familiar names and major events, they also demonstrate why these people and places have not only affected the lives of black people, but changed the course of history in a manner that affects all Americans.

The political passions of youth
Wesleyan University history professor Andrew B. Lewis’ The Shadows of Youth: The Remarkable Journey of the Civil Rights Generation spotlights the Student Nonviolent Coordinating Committee (SNCC), established in 1960, whose members were younger and more radical than their counterparts in the NAACP and other black organizations. Through interviews with key members Marion Barry, Julian Bond, Bob Moses, Diane Nash and Bob Zellner, he examines the sit-ins, voter registration drives and protest marches that led to the dismantling of state-sanctioned segregation throughout the South.

But the book also shows the split within SNCC between those who felt America could be changed politically (Bond, Barry and John Lewis) and others who were convinced that black America’s only hope was a philosophy of self-determination that ultimately became known as “Black Power” (Stokely Carmichael, H. “Rap” Brown). Unfortunately, this conflict splintered SNCC, as did the Democratic Party’s decision to withdraw federal support, largely due to fears about the group’s direction. Still, The Shadows of Youth shows that SNCC had a large, mostly positive impact on the Civil Rights movement, and that its major goals weren’t nearly as radical as many claimed.

Building a landmark case
Attorney and author Rawn James Jr.’s Root and Branch: Charles Hamilton Houston, Thurgood Marshall, and the Struggle To End Segregation examines the celebrated 1954 Brown v. Board of Education case by profiling the lives of its two principal architects. Charles Hamilton Houston, the first black man on the Harvard Law Review, was a brilliant lawyer and teacher, and Thurgood Marshall was one of his students at Howard University. This pair opened the NAACP’s legal office and spent years devising the legal campaign against educational disparity that culminated in the Brown case. Sadly, Hamilton died before the case was fully developed, but Marshall would victoriously argue it, and ultimately end up on the Supreme Court himself after breaking the back of the “separate but equal” philosophy of education.

Migration and culture
University of Maryland Distinguished Professor of History Ira Berlin’s The Making of African America: The Four Great Migrations studies four centuries of black relocation to and within America. Berlin begins with the first two migrations—the forced relocation of Africans to America in the 17th and 18th centuries and the movement of slaves to the interior of the South during the 19th century. Berlin also presents what he deems an updated approach to African-American culture, one that doesn’t just cover progress from slavery to civil rights, but also incorporates the struggles of more recent black immigrants to the U.S. He draws comparisons, for example, between the two most recent migrations—the movement of thousands of African Americans from the rural South to the industrial North and Midwest between 1915 and 1970 and the growth of the foreign-born black population in the U.S. that mushroomed during the last part of the 20th century. Berlin believes that the cultural and social contributions to both black life and America in general by recent immigrants from Africa, Europe, the Caribbean and other areas have been sizable and often overlooked. The Making of African America contains its share of controversial views about black culture, but it is thoroughly researched and well-documented.

Nina Simone: a life divided
Award-winning journalist Nadine Cohodas has previously penned definitive books on Dinah Washington and Chess Records, and her latest biography covers a beloved, misunderstood icon. Princess Noire: The Tumultuous Reign of Nina Simone profiles a complex, immensely gifted performer whose frequently acerbic personality and willingness to openly confront injustice often obscured her instrumental and vocal brilliance.

Classically trained as a youngster, then denied a chance to attend the Curtis Institute of Music due to racism, Simone (born Eunice Waymon) divided her professional life between forging a brilliant sound that blended jazz, classical and pop influences and political activism. Cohodas illuminates Simone’s close friendships with playwright Lorraine Hansberry and author James Baldwin, her clashes with promoters, record labels, ex-husbands and audiences, and her remarkable musical achievements.

As with all the books mentioned here, Princess Noire has special meaning for black Americans, but tells a story that’s important for everyone to know.

Ron Wynn writes for the Nashville City Paper and other publications.

Critics who decry Black History Month celebrations often claim they focus too much on well-known figures and personalities and don’t reaffirm the importance of recognizing African-American accomplishments on a regular basis. But a series of new books by noted scholars and authors refute those contentions.…

Since the first Harry Potter book burst onto the literary scene more than a decade ago, there’s been an explosion of fantasy literature for young people. Many of today’s teens grew up with Harry Potter and, along the way, have become avid fans of the genre. These discriminating fantasy readers have a lot to choose from these days, and this season brings some wonderful new titles from around the world.

Unlocking a mystery
First published in England, Catherine Fisher’s Incarceron is a thought-provoking, original tale about a secret prison unlike any other: Not only is the gate sealed, but the prison itself is alive. The world inside the prison is dark, violent and terrifying, especially for Finn, who cannot remember how he came to be there. From time to time Finn has shadowy memories of a time before he was inside Incarceron, yet he can never quite piece his past together. All he knows is that he has to try to escape, even though legend has it that only one man has ever reached the outside world.

And in that outside world lives Claudia, the daughter of the Warden of Incarceron. While she lives Outside, Claudia is trapped in other ways: by an arranged marriage to a prince she despises, by her tense relationship with her harsh father and by her entire society, which has been virtually frozen in a past era. When Claudia and Finn both find a crystal key, they discover the ability to communicate. Claudia suspects that she has uncovered something else as well: the secret of Finn’s true identity. With Incarceron, Fisher creates a world of danger and suspense that will keep readers ensnared.

Faeries, vampires and lunatics
Holly Black, the talented and best-selling author of Tithe and Valiant, is releasing her first collection of short stories, The Poison Eaters and Other Stories. Some of the stories have been anthologized in other collections or echo the author’s other works. There is an amazing range here, in both the stories and the settings, which take readers from castles to cities to a boarding school. “The Coldest Girl in Coldtown” is a chilling tale about vampires, while “In Vodka Veritas” tells the story of a boy at a boarding school coming to terms with his sexuality.

Black has a gift for creating the kind of edgy, original stories teens love. She describes this collection as “rather like a lunatic cocktail party: a poisonous girl, who spends most of her undeath arguing with her ghostly sisters, a costume designer still mourning a childhood lover stolen by faeries, a wolf who might also be a prince, and a teenager who needs to drink herself into oblivion to keep from craving human blood.”

A classic quest story
Australian author Melina Marchetta, winner of the 2009 Michael L. Printz Award for Jellicoe Road, now tackles fantasy in Finnikin of the Rock, which won the Aurealis Award for Best Young Adult Novel in Australia. Finnikin was just a boy when the kingdom of Lumatere was overthrown and its royal family murdered. Some citizens of Lumatere, including Finnikin, were sentenced to exile, while others have been confined in horrible conditions in refugee camps where fever reigns. Without a true heir to the throne, it seems impossible to break through the curse that binds all those who remain inside the walls of Lumatere and overturn the imposter king.

But then, 10 years after these terrible events, Finnikin and his mentor Sir Topher are summoned to escort a young novice named Evanjalin, who claims she can walk in her sleep through the dreams of the people of Lumatere. Has she seen the lost prince, who may yet live? Can the curse be broken and justice restored? Finnikin is not sure, and moreover, he finds Evanjalin’s often unpredictable behavior challenging—and sometimes just plain annoying. Yet together with Sir Topher, they set out on a quest through the Land of Skuldenore with the hope of restoring justice and healing the suffering of the people of Lumatere.

This is a wonderful, engrossing reading experience with strong characterizations and a rich, fully realized setting. Marchetta is a marvelous storyteller, and the many fans of Suzanne Collins’ Hunger Games trilogy will find this to be not only a book with echoes in our contemporary world, but an engrossing page-turner that begs to be read in one sitting—and then read again. Finnikin of the Rock has all the makings of a classic.

Deborah Hopkinson’s newest book for young readers is The Humblebee Hunter.
 

Since the first Harry Potter book burst onto the literary scene more than a decade ago, there’s been an explosion of fantasy literature for young people. Many of today’s teens grew up with Harry Potter and, along the way, have become avid fans of the…

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This month, our selections illustrate the triumph in overcoming our prejudices. We meet wizards with learning disabilities, heroes with human weaknesses and fantasy that refuses to be confined and limited to a single genre.

Most readers (myself included) have probably taken for granted that sorcerers are fluent in whichever magical language they speak. Thankfully, there are readers—and writers—like Blake Charleton, who might not have the same assumptions. Charleton is dyslexic, and his debut novel Spellwright features frustrated hero Nicodemus Weal, whose own dyslexia is a serious setback—even dangerous—when performing magic, which is literally bound by the written word. Even the simplest of spells are corrupted by his touch. As if things weren’t tough enough for Nicodemus, a keloid on his back possibly marks him as the Halcyon, a prophesied hero—but then again, its imperfect shape suggests he may be the Storm Petrel, destroyer of language and magic. Believing himself to be neither, and protected by his mentor Agwu Shannon, Nicodemus struggles to earn the right to be a lesser, more ordinary wizard. But when another wizard is murdered by a misspell, Nicodemus and Shannon top the suspect list and find themselves embroiled in banal politics and religious fervor and facing down true evil. Following a fairly traditional plot, the novel is well worth reading for its thorough imagining of the effect of language on magic, as well as its insight into the nature of dyslexia.

A hero’s greatest enemy
Robert McCammon’s Mister Slaughter, the third book in the well-researched Matthew Corbett series set 70 years prior to the American Revolution, finds our hero and his mentor hired to transfer a vicious prisoner named Slaughter from an asylum to a ship bound for England, where Slaughter will be tried for murder. But when a lapse in Matthew’s judgment allows Slaughter to escape, it is up to Matthew to track down the killer. Soon he finds help in the form of a tortured, outcast Indian, but time is running short before Slaughter escapes for good—and continues his violent crimes of rape and murder. In previous novels, Matthew found himself a hero, but in Mister Slaughter, he discovers that he is weak and fallible, allowing him to humbly come into his own as both character and hero. There’s an added bonus for fans of the series: Although this initially appears to be an isolated assignment, by the novel’s end, McCammon has reintroduced the series’ supervillain, Professor Fell. Combining the best elements of detective, historical, horror and conspiracy fiction, this is a book and a series that deserves a wide readership.

Fantasy pick of the month
When you first open Real Unreal: Best American Fantasy, Volume 3, the first thing you need to do is abandon your preconceived notions of fantasy. These stories feature nary a dragon, wizard or orphan-savior found in an obscure inn, but instead insert the fantastic into the ordinary, examining with wild creativity both the mundane world and the very assumptions that define it. Standout story “The Pentecostal Home for Flying Children” takes the wry and amusing concept of a promiscuous superhero, but then turns a very dark corner to question the Christian underpinnings of our society. “Is” examines the psychological explanations for the escapist fantasies of Narnia and its brethren, but when the questioning voice is cynical, can we trust the conclusion? “Couple of Lovers On a Red Background” takes the common notion of an icon transplanted to the present (Bach, in this case) but infuses it with sexuality and love. The brilliant “Pride and Prometheus” posits that Jane Austen’s Mary Bennett will assume the pseudonym Mary Shelley and write Frankenstein after meeting the eponymous doctor. This is not typical fantasy; instead it is full-bodied storytelling, making up a collection of writing that repeatedly demonstrates that fantasy and reality are not strictly separate. If that is not enough to convince a reader to pick up the book, then consider that half the stories are from sources not typically associated with the genre. This is fantasy, yes, but more importantly, this is literature.

In alphabetical order, Sean Melican is a chemist, father, husband and writer.

 

This month, our selections illustrate the triumph in overcoming our prejudices. We meet wizards with learning disabilities, heroes with human weaknesses and fantasy that refuses to be confined and limited to a single genre.

Most readers (myself included) have probably taken for granted that sorcerers are…

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Women’s History Month gives us the opportunity to re-examine what we thought we knew about women’s participation in historical events. What is apparent in these selections is the constant battle for women to make meaningful, acknowledged contributions in the face of hostility, ridicule and neglect. What is also sadly obvious is that women’s accomplishments have often been minimized or hidden from the pages of the “official” historical accounts. But the books here show us that there is much to learn about the contributions of women throughout history—and much to be thankful for, too.

In the line of fire
Women have served in the military in a myriad of roles—from the factory and office workers who freed men to fight in WWI to pilots in WWII to active combat soldiers in Afghanistan and Iraq. They faced dangers as they nursed soldiers near the front lines in all wars. Yet often their worst enemy was not the official one, but their own country, hesitating to grant them the status and benefits they deserved.

Evelyn M. Monahan and Rosemary Neidel-Greenlee provide a number of examples of this discrimination in A Few Good Women. In 1942, three members of the Women’s Auxiliary Army Corps survived the sinking of their ship by a German torpedo. Having lost all their belongings, they suffered a further blow when they were told that since the WAAC had no official standing, the U.S. government would not pay for their losses. Women were “with the military but not in it.” They received none of the benefits that men received, such as insurance or even protection under the Geneva Convention if they were captured. Some barriers just seem strange now: Female ferry pilots could not fly past the age of 35 “to avoid the irrationality of women when they enter and go through the menopause.” Other issues, such as sexual harassment and rape, still haunt our military today.

It is clear that women were willing to endure their lack of status and societal distrust to join the military. But why? For many, it was both basic patriotism and the hope for excitement and adventure. As one WWII pilot said: “[I learned I] could fly with the men and still remain a lady. I gained much confidence in myself that has served me well all this time.” These stories can serve as inspiration for young women today, and Monahan and Neidel-Greenlee deserve credit for telling them.

Lab partners
Like military women, female scientists are often missing in the pages of the history books. They are so absent, in fact, that one might be forgiven for thinking that until recent times, there simply weren’t women scientists—Madame Curie being the singular exception. In The Madame Curie Complex, Julie Des Jardins examines the careers of women scientists from Curie to Jane Goodall. Most of them probably won’t be familiar to readers, but they should be, not only for their scientific contributions, but for the ways in which their work was marginalized and made more difficult than it had to be.

Female scientists faced innumerable institutional and societal barriers. For women in the early 20th century, even finding a college that would allow them to study at an advanced level was not an easy option. Nepotistic rules at many universities meant that, for scientific couples, the husband received the tenured position while the wife toiled as a lab assistant or an untenured, temporary instructor. Married women scientists were also expected to keep house and raise children. These barriers put them behind on the career path when compared to many male scientists. For example, “Nobel Prize-winning biochemist Gerty Cori was fifty-one when she was finally promoted to full professor; physics laureate Maria Goeppert Mayer wasn’t hired with pay and tenure until she was fifty-three.” Despite these obstacles, some women persevered and succeeded. But as Des Jardins makes clear, this is only a partial victory, for there are many lost and forgotten women whose contributions to science will never be known.

Warrior queens
Talk about being written out of history: According to Jack Weatherford and The Secret History of the Mongol Queens, in the 13th century, an unknown person cut out a section of The Secret History of the Mongols, the record of Genghis Khan, leaving only a hint of what had been there regarding the contributions of women: “Let us reward our female offspring.” However, if a censor chose to omit the deeds of these women, Weatherford, through careful scholarship and lively narrative, has filled in many of the details.

One such descendant, Queen Manduhai, refused all her suitors. Instead, she rescued the male child with the best link to Genghis Khan and raised him to be a ruler. She led battles, but she also learned from the mistakes of her predecessors, realizing how difficult it was to conquer a wide territory. Instead, she sought to trade with China when she could, but raid the country when she couldn’t. The Great Wall is a testament to how much the Chinese both respected and feared her.

A lady traveler
Louisa Catherine Adams moved to St. Petersburg with her husband, John Quincy Adams, when he received a diplomatic appointment to the royal court and managed her household alone for more than a year when he was called away to Paris to help negotiate the end of the War of 1812. Then in 1815, she received a letter instructing her to meet him in Paris. She and her young son undertook the 2,000-mile journey through a Europe that had been devastated by war and the reappearance of Napoleon.

In Mrs. Adams in Winter, Michael O’Brien uses this journey to present a biography of a woman who was always in the process of crossing borders. Born an American in London and raised for a time in Paris, she would never quite fit in with her home country, where she was accused of not being American enough to be First Lady and was never quite understood by her husband and her in-laws, the famous John and Abigail Adams. O’Brien also tells a fascinating tale of what it was like to travel in that time period, an account that will lead readers to admire Adams’ determination and strength.

Faye Jones is dean of learning resources at Nashville State Community College.

Women’s History Month gives us the opportunity to re-examine what we thought we knew about women’s participation in historical events. What is apparent in these selections is the constant battle for women to make meaningful, acknowledged contributions in the face of hostility, ridicule and neglect.…

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What is it about movies? Well, just about everything. They are popular entertainment, a universal vehicle for storytelling, a reflection of society, a window into the past, a source of iconic imagery and, finally, lastingly accessible documents of our times. Books about movies and movie stars only extend and inform our fascination, and just in time for Oscar season, a new crop offers both challenging and lighter reading guaranteed to engage film fans.

Star power
Originally published in Great Britain, the Faber & Faber Great Stars series presents mini-biographies of some of Hollywood’s greatest stars. Noted film historian and lexicographer David Thomson is the author of the first four entries in the series. Each paperback is named for its subject—Gary Cooper, Humphrey Bogart, Bette Davis and Ingrid Bergman. Each is priced at $14, with the compact coverage tapping out at 130 pages. In this case, brevity might be the soul of wit, presuming that Thomson’s somewhat affected insider’s tone and penchant for titillating sidebars—Davis’ abortions, the size of Cooper’s manhood, Bergman’s affairs and failures as a mother, Bogart’s harridan of a third wife—don’t distract the reader too much from the coverage of his subjects’ early lives, career development and greatest on-screen efforts. As to the latter, Thomson is solid in his assessments, and each key film is well placed into its unavoidably gossipy but often very eventful production context. Each volume features the star’s filmography, plus a smattering of black-and-white archival photos researched by Lucy Gray.

The director’s chair
Actors and actresses may draw the public’s obsessive attention, but the great guiding genius in filmmaking is the director, and two new coffee-table books offer riveting rundowns—in both bounteous pictures and incisive text—of the lives and careers of essential masters. Federico Fellini: The Films offers a keenly detailed narrative by Italian film critic, screenwriter, playwright, actor and Fellini biographer Tullio Kezich. With its rich selection of photos, mainly from the archives of the Fondazione Federico Fellini, this volume soars in its analysis of the man, his movies (often autobiographical in inspiration, focused on societal extremes and, in his later period, politically aware) and the vibrancy of his personalized filmmaking culture.

Coincidentally—or maybe not so—Fellini shared many traits with legendary Japanese director Akira Kurosawa: Both fortuitously avoided service in World War II, both were accomplished graphic artists (a skill that factored directly into their cinematic visions), both worked extensively and very consciously with a veritable family of performers and technical talents, and both, quite ironically, spent their later years making TV commercials. Furthermore, and perhaps most amazingly, both stayed married to one woman their entire adult lives. Akira Kurosawa: Master of Cinema shares with its sister volume the same reverent regard for its subject: his dogged devotion to his craft, his unique position as an important postwar commentator and his huge influence on later filmmakers. Film historian Peter Cowie’s thorough, erudite coverage accompanies some 200 photographs, mostly black-and-white (Kurosawa’s predominant milieu), though striking color shots from the auteur’s later films are well represented. Introductory essays by Martin Scorsese and Kurosawa expert Donald Richie help set the stage for the book’s pictorial and verbal one-two punch, exposing and explaining the director’s thematic approach to the human condition, Japanese society in particular and the traditions of the ancient samurai that infuse his best-known works. Both books argue forcefully for the rediscovery by younger generations of the vast scope and power of these artists’ great achievements.

Up in lights
Finally, for the more determined movie fan, we have Ira M. Resnick’s Starstruck: Vintage Movie Posters from Classic Hollywood. Long an aficionado of movie posters and other ephemera, Resnick followed up a Tinseltown stint as a photographer by founding the Motion Picture Arts Gallery in Manhattan and launching his more lasting career as a collector and dealer. This volume features nearly 300 glorious examples of promotional movie artwork and stills from Resnick’s impressive personal collection, with the items spanning from 1912 to 1962. Resnick’s text incorporates his personal story along with profiles of marquee film stars, important directors and history-making movies. The ubiquitous Scorsese, who many years before was Resnick’s instructor at NYU’s film school, contributes the introduction.

What is it about movies? Well, just about everything. They are popular entertainment, a universal vehicle for storytelling, a reflection of society, a window into the past, a source of iconic imagery and, finally, lastingly accessible documents of our times. Books about movies and movie…

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In this feature exclusive to BookPage.com, each month, four authors are asked a question about the craft of writing to give readers an insight into how their favorite writers think and work. For February's author forum, BookPage brought together Ken Bruen, John Hart, Lisa Patton and Hank Phillippi Ryan to ask: What literary character do you find most memorable, and why?

KEN BRUEN
Tom Piccirilli’s The Fever Kill has my favourite character in mystery today. Crease has been beaten, jailed and thrown out of the wonderful named town of Hangtree. His father was the sheriff, ending his career in disgrace.

Crease has gone undercover and been under the radar for so long, he’s not sure if he’s a cop or mobbed up guy. This leads to some amazing pieces of writing as he struggles with the conflict. And Crease doesn’t have to go looking for trouble. He’s no sooner back in town than he impregnates his wild psychos boss’s girlfriend.

Crease is a continually fascinating character, his search for the killer of a little girl, who might well be his own father, his having to stay one step ahead of the insane boss and just about every inhabitant of the town who seem to want him dead. I’ve never quite read a character who literally burns with the fever that Crease does.

Piccirilli has a wicked sense of humour and the absurd and Crease reflects it at every turn. That the novel is beautifully written makes you yearn for more of Crease.

Ken Bruen’s hard-boiled crime fiction has made him well known among mystery novelists and a favorite of our Whodunit columnist Bruce Tierney, who has reviewed many of Bruen’s books. Find out more on his website.

JOHN HART
I can't possibly answer that question as it regards all books I've ever read, but in recent novels, I'm going to go with Ignatius Perrish, the protagonist in Joe Hill's new novel, Horns. Ignatius, "Ig" as he is known, wakes one day to find that he can't remember what happened the night before, only that whatever it was, it was bad. To complicate matters, he seems to have sprouted horns while he slept, horns and the ability to hear people's deepest, darkest secrets. I love conflicted characters, and how Ig chooses to use his new power makes him one of the most intriguing people I've ever met. Will he run from his new reality or embrace it? What happened the night before, and just what has he become? Trust me, the devil is in the details.

Since his debut in 2006, John Hart has become known for his compelling legal thrillers. Find out more on his website  or read BookPage reviews of Hart’s work. Don't miss our Meet the Author feature with Joe Hill, coming in March.

LISA PATTON
I’m not sure that’s she’s the most intriguing but Lily Owens, the protagonist from The Secret Life of Bees, certainly comes close. She’s feisty. She’s strong-willed and above all determined. With a dauntlessness remarkable for a 14-year-old, Lily resolves to escape her abusive father. Tracking down any link at all about her deceased mother is Lily’s motivation to leave her hostile home life behind. Lily gains strength by watching Rosaleen, her black nanny, confront a group of racist white men. After landing in jail, Rosaleen escapes with the help of young Lily! I loved Lily from the first chapter when we learn that she can’t bring herself to call her opprobrious father “daddy” and instead calls him by his first name, T. Ray.  With sheer determination to take care of herself, and at such a young age, Lily Owens has my fondest admiration.

Lisa Patton’s debut, Whistlin’ Dixie in a Nor’easter, hit shelves in September. Read the BookPage review here. For more information, see her website.

HANK PHILLIPPI RYAN
Most intriguing character? Well. I’ll confess. In college, while other girls were mooning over rock stars, I was in love with Henry V. I met him in Shakespeare’s Henry IV pt 1, and followed him, swooning, through his own play. Thinking back on that—turns out he had all of  the characteristics of the classic compelling hero: Flawed at the beginning, dashing and impetuous. But brilliant, and clearly destined for gory. Romantic? Sensitive? Oh yes, remember the scene where he first meets Katherine of Aragon—the King of England is almost shy. And when the time came for him to prove his mettle in the glorious battle to save his nation—outnumbered five to one!–who doesn’t still well up at bit at the depth and soul and of his St. Crispin’s Day speech?

Thriller writer and award-winning investigative reporter Hank Phillippi Ryan is on the air at Boston's NBC affiliate. Along with her 26 EMMYs, she has won dozens of other journalism honors. She's been a radio reporter, a legislative aide in the United States Senate and an editorial assistant at Rolling Stone Magazine working with Hunter S. Thompson. Visit her website.

Tom Robinson is an author publicist and media consultant working with authors across the country. Visit his website.

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June 2009 Author Forum

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In this feature exclusive to BookPage.com, each month, four authors are asked a question about the craft of writing to give readers an insight into how their favorite writers think and work. For February's author forum, BookPage brought together Ken Bruen, John Hart, Lisa Patton and Hank…

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Why do so many inveterate readers shy away from poetry? If you count yourself as a member of this group, here’s your chance to break away from the book-club clusters whose participants have their noses buried in the latest novel or memoir—for it’s National Poetry Month, a time to celebrate a different genre.

Works in progress
This year we’re lucky enough to have an entirely fresh and fearless exemplar, the largely unknown Pearl London, who made poetry—or, to be more specific, poets—accessible to her students at the New School in Greenwich Village over the course of 25 years. The invited poets were required to bring not completed works but unfinished drafts, even jottings on envelopes, scribbled phrases or anything else that contributed to “works in progress as process.” The astonishing humility of poets who accepted the increasingly coveted summons included Nobel and U.S. poets laureate, as well as National Book Award and Pulitzer Prize winners. Equally astonishing is the genesis of Poetry in Person: Twenty-Five Years of Conversations with America’s Poets: some 100 cassette tapes, a complete catalog and, as editor and transcriber Alexander Neubauer tells us, “file upon file stuffed with copies of the [poets’] manuscripts and drafts” were found in a closet of London’s home after her death in 2003. Winnowing the tapes and papers of 100 poets to the 23 represented in this book was only the beginning of Neubauer’s task; each chapter also includes an introduction that locates the poets’ visits at a specific point in time: “who they were when they arrived at London’s doorstep, what they had written, what was later to come.” If you protest that you don’t live close to a doorstep through which someone like Maxine Kumin or Seamus Heaney is likely to pass, check out the rapidly growing numbers of special events and readings devoted to poetry in your hometown this month. Also take note of Robert Polito, author of the book’s postscript. As the director of the New School’s Writing Program, Polito was London’s boss as well as a participant in Works in Progress, as the seminar came to be known. Polito’s most recent addition to his string of much-lauded titles, a collection of poems called Hollywood and God, has been featured on the web in a variety of forms, including interviews, personal statements and archived audiovisual material. For a sample, go Googling.

New thinking
One of the most amusing chapters in Poetry in Person represents Robert Hass. His newest publication, The Apple Trees at Olema: New and Selected Poems, has as its anchor “Meditation at Lagunitas,” the poem whose opening lines became, almost overnight, a cultural mantra: “All the new thinking is about thinking / Hence it resembles all the old thinking.” Hass came to London’s class with his thoughts somewhat awry, having mistakenly brought the very first draft of the poem, forgetting its three-line second page and thus having to quote it from memory. In addition to adding to his own canon—see “My Mother’s Nipples” for a jolt—during the past 30-odd years, Hass has worked tirelessly as a translator; and during his tenure in our nation’s capitol, he inaugurated “The Poet’s Choice” series for the Washington Post Book World. Hass’ aesthetic functions like Neubauer’s introductions in Poetry in Person, and perhaps it functions best in triplicate fashion: Whether writing about the maternal body, rendering into the American idiom a piece originally in Polish or turning our attention to a contemporary from our own country, Hass aims, sometimes mercilessly, to give the subject at hand such a real, palpable nature that we sense a new living presence, one demanding our acquaintance, on our doorstep.

A master wordsmith
Easily the best-known and most acclaimed poet with a new book available on shelves today is Derek Walcott, one of those Nobel winners Neubauer mentions as a visitor to London’s classroom. Perhaps coincidentally, White Egrets flows—or beats its wings and flies—more naturally out of Midsummer, the 1984 collection upon which Walcott was laboring at the time of his visit to Works in Progress, than any of his books since then. Nature collides with history, history with nature, with humankind and language acting as go-betweens, and no grander verbal or intellectual magnificence has been seen in our time. Not only does White Egrets convey the masterful wordsmith’s ability to combine near- Elizabethan diction with Caribbean patois and even American slang (“What? You’re going to be Superman at seventy-seven?”), but the collection also serves as a reminder of his dramatic achievements. Among these is The Haitian Trilogy, which resonates all the more tragically in the aftershocks of that country’s horrific earthquake, the effects of which will be felt for at least as long as the slave rebellion and the savage corruption of the Duvalier regimes.

The human element
Andrew Hudgins—who, like Polito and Deborah Digges (see box), represents the younger generation here—has garnered nominations in his prolific career for both the Pulitzer and the National Book Award. American Rendering: New and Selected Poems gives ample proof for the critical esteem in which his work is widely held. Hudgins’ poems are often funny, hinging on a joke or wisecrack or malapropism, but human nature red in tooth and claw has always been his greatest theme, whether writing about the pain, fear and trauma that are an inevitable part of childhood, or the female victims of a serial killer (“It’s raining women here in Cincinnati”), or the three young men murdered by the Ku Klux Klan during Mississippi’s “Freedom Summer,” repeating and repeating their names, “Goodman, Cheney, Schwerner,” in the difficult litany required by the villanelle.

A light extinguished too soon
The poetry world reeled out of its accustomed orbit last spring when the news traveled that Deborah Digges had committed suicide at the age of 59. Fewer poets have, throughout their careers, been seemingly more life-affirming. We’re lucky to have been left, as part of Digges’ legacy, The Wind Blows Through the Doors of My Heart, a final collection of her work that will be published next month. In beautiful and multilayered poems such as “The Birthing,” we experience, through the poet’s words, not only a calf ’s fraught entrance into the world but also one of the means by which humans seek renewal—“[we] made love toward eternity, / without a word drove slowly home. And loved some more.”

How lucky too that Digges’ work is so readily, personally and manifestly available through audio and video archives—including YouTube, where Digges can be seen and heard reading the aforementioned poem. She also bequeathed to the world two memoirs full of the flora and fauna she loved: Fugitive Spring (1992), focusing on her Missouri childhood, spent largely in the apple orchard outside her house; and The Stardust Lounge (2001), recounting her travels and travails as a mother seeking to give a new life to a troubled son through empathetic immersion in the animal world. For those seeking a personal invitation into Digges’ life, and thus into her poems, these memoirs are doors that will always remain open.
Poet Diann Blakely’s most recent book is Cities of Flesh and the Dead (Elixir Press).

Why do so many inveterate readers shy away from poetry? If you count yourself as a member of this group, here’s your chance to break away from the book-club clusters whose participants have their noses buried in the latest novel or memoir—for it’s National Poetry…

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Here are three things to buy that will help you either redeem or get rid of a hundred others. This trio of spirited, pragmatic books exemplify the deceptively simple principle that less is more. What’s more (and therefore less!), they offer a sound set of tools to help you take back your living space, whether you’re clearing out your clutter, becoming more thrifty with your resources or reusing what you’ve already got.

62 Projects To Make With a Dead Computer is filled with fun and surprises, and an almost puritanical zeal for the redemption of “lost souls”—otherwise known as discarded electronics. Digital cameras, keyboards, PDAs, MP3 players, earbuds and drives are, to author Randy Sarafan, raw material ripe for creative repurposing. Most of us have at least a few obsolete bits lying about—a bundle of mystery cords and a cell phone or two—as well as the basic skills to transform them into something else entirely: a mouse pencil-sharpener, a scanner side table, a cable coaster. Some projects call for tricky work involving voltage and solder, but even if you don’t “do” electricity beyond changing a bulb and you can’t begin to pronounce solder (sod’- er), many creations can be managed with a glue gun and basic hand tools. The Floppy Disk Wall Frame, for example, is super easy and really quite spectacular. The circuit panel memo board with keyboard key magnets is simple, too, and just as gorgeous. Projects range from fun to practical, with category-defying wonders like the flat-screen ant farm and the iMac terrarium. Whether weird or wonderful (or both), each aims at nothing less than the intersection of art, technology and ecology.

A penny saved
Anxious to distinguish thrifty from cheap, Be Thrifty: How to Live Better with Less, edited by Pia Catton and Califia Suntree, begins with the lesson that “thrift” and “to thrive” are cognates. Thus, thrift should radiate positive associations, not miserly ones. To be thrifty is to thrive, to flourish. The editors present seven categories in which to flourish: home, garden/pet, food, family, personal care, leisure and financial stability. Each offers more than enough information to tweak or outright overhaul even the most profligate of habits. In the first chapter, we learn to clean and maintain our home and car more greenly, reducing utility and repair bills and generating less waste. Need to know about furnace filters, clogged toilets, tire inflation or gutters? You’ll find the big picture and the little details. The same goes for every other facet of everyday life—even the faucets. This jam-packed omnibus encourages an old-fashioned, no, timeless self-sufficiency, while keeping an eye on how our choices affect not just our ability to thrive, but the planet’s as well.

Clean and clear
What’s a Disorganized Person To Do? by Stacey Platt answers its titular question with its subtitle: “317 Ideas, Tips, Projects, and Lists to Unclutter Your Home and Streamline Your Life.” As if to underline my own need for such a guide, when I type the word “unclutter,” my word processor underlines it in red: The term is unknown to it and to me. But if all I have to do is consult this fat little book full of numbered, logically sequenced bits of clarity, packed with smart photos and arranged with color-coded tabs printed on the fore-edge, I am set. Clarity is a key term: The author, a successful professional organizer, says “clarity is the foundation for a joyous and accomplished life.” (I’ll have what she’s having, please.) The message couldn’t be clearer: Reducing clutter—not just finding cute ways to store it—sets us free. Even the most overwhelmed among us can jump right in, thanks to quick tips taming every room in the house. Learn what papers to save for taxes and for how long, where to put the newspapers, when to throw away cosmetics, how to organize a closet and why you should defragment your hard drive—plus 312 other things. The format is a pleasure to browse, but it is also wisely designed to answer targeted questions on demand. Pare down, wise up. Less, again, proves to be much more.

Here are three things to buy that will help you either redeem or get rid of a hundred others. This trio of spirited, pragmatic books exemplify the deceptively simple principle that less is more. What’s more (and therefore less!), they offer a sound set of…

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Clever and delightful—those are the best words to describe Mirror Mirror, a new collection by noted poet Marilyn Singer. In her latest book, Singer has created her own new form of poetry, which she calls a “reverso,” a poem that reads the same backward and forward. “When you read a reverso down, it is one poem,” Singer explains. “When you read it up, with changes allowed only in punctuation, capitalization, and line breaks, it is a different poem.” She focuses on fairy tales, such as “In the Hood,” which first gives Little Red Riding Hood’s perspective, and then, when read the other way, tells the wolf’s side of the story. “Cinderella’s Double Life” tells her tale before and after the ball, while “Mirror Mirror” is a poem by both Snow White and her Wicked Stepmother.

Josée Masse’s accompanying art continues the double view in striking fashion, by dividing each scene in two. Older preschoolers will enjoy these poems, as well as elementary students, who are likely to want to write their own reversos.

For the fun of it
The theme of different points of view continues in Our Farm: By the Animals of Farm Sanctuary. Maya Gottfried wrote these poems in the voices of various animals, such as “It’s Good to Be a Kid,” by baby goats Ari and Alicia. These are humorous, short poems—good for preschoolers and young elementary students. The farm animals from the sanctuary in Watkins Glen, New York, come to life with the soft, up-close artwork of artist Robert Rahway Zakanitch. His pleasing style brings to mind the artwork of children’s illustrator Jane Dyer.

Allan Ahlberg and his late wife Janet are beloved for their Jolly Postman series, and Allan has a new title that will be immediately captivating to young poetry readers: Everybody Was a Baby Once. The humorous artwork of Bruce Ingman seals the deal, making this a book that will make children laugh out loud. Ingman’s art is simple, yet funny and full of action and expression. The poems include such hilarious selections as “Dirty Bill” (“I’m Dirty Bill from Vinegar Hill, / Never had a bath and never will”). These short verses are full of old-fashioned fun and reflect the British heritage of their author, but children from around the world will enjoy poems like “Soccer Sonnet,” which includes the line “Little Jack Horner / Scored straight from a corner.”

The fun continues in Name That Dog! Puppy Poems from A to Z. Peggy Archer has named each poem after a dog, such as a long-haired cocker spaniel named “Elvis,” who “wiggles and jiggles and dances around. He swings to the music with a rock ’n’ roll sound.” You’ll also meet “Houdini,” a mini-pinscher who escapes from his collars; “Melody,” a basset hound who sings; and a giant Saint Bernard named “Rex” (first initial: T). Stephanie Buscema’s artwork aptly defines the shining personality of each puppy. Buscema has worked for Marvel Comics, DC Comics and Disney, and her background is reflected in her lively, colorful illustrations, which are vibrant and sure to draw children in. Name That Dog! is a crowd-pleasing canine chorus.

Digging deep
Don’t be fooled by the cover of Can You Dig It?. With its big purple dinosaur, this volume looks like it might be yet another dinosaur book. Rest assured that it is not. Robert Weinstock has done a brilliant job of both writing and illustrating this clever book of verse. His wordsmithing is extraordinarily fun, with lines like these:

My great aunt was LuAnn Abrue,
The pal-e-on-tol-o-gist who,
Was famed for finding fossil poo,
Like giant T.rex number two.

With these poems about dinosaurs, archaeologists, Neanderthals and more, kids will be smiling, but adults may chuckle even more. Weinstock’s cartoon-style illustrations are eye-catchingly fun.

Over the years I’ve seen many poetry books by Douglas Florian, and I always find his gift of language and sense of nature to be particularly sensitive. That’s certainly the case with Poetrees, which is filled with odes to trees. Students will enjoy and learn from Florian’s short poems about trees like banyans, sequoias, Japanese cedars and dragon trees. There’s a glossary in the back, explaining, for instance, that monkey trees are originally from South America, and how they got their name. Florian’s evocative illustrations are made with gouache, colored pencils, watercolors, rubber stamps, oil pastels and collage on primed paper bags. This paper bag background gives the illustrations a unique textured look and added depth.

Nature’s wonders
Lee Bennett Hopkins has been creating anthologies of poetry for years, and I particularly like his latest collaboration with Caldecott Award-winning illustrator David Diaz, Sharing the Seasons: A Book of Poems. Diaz’s bold, bright colors and stylized, luminescent mixed media illustrations give this anthology a contemporary, edgy feel.

The poems are arranged by season, with an opening quote introducing each section, such as Longfellow’s “Spring in all the world! /And all things are made new!” Poets include Carl Sandburg, Marilyn Singer, Rebecca Kai Dotlich and more. The poetry is easily accessible, but not always predictable, such as Beverly McLoughland’s fun “Don’t You Dare,” which begins:

Stop! cried Robin,
Don’t you dare begin it!
Another tweety rhyme
With a redbreast in it!

One of my very favorites of this season’s poetry books is the beautifully illustrated and organized Ubiquitous: Celebrating Nature’s Survivors. It’s a unique book that includes poetry, biology and ecology lessons, along with spectacular artwork. Author Joyce Sidman notes that 99 percent of all species that have ever existed are now extinct, and in this book she pays tribute to a variety of species that continue to thrive, such as bacteria, mollusks, lichen, sharks, beetles, ants, diatoms and humans. Each spread contains a short but comprehensive biological discussion of the species, a gorgeous illustration and a poetic tribute.

Sidman’s poems are fun and innovative. For instance, the text of the shark poem is laid out in the shape of a shark. Some are traditional, while “Tail Tale” is a free verse monologue humorously told by a squirrel. Becky Prange’s illustrations are arresting, informative and gorgeously filled with color. The book’s end­papers are a timeline showing when various forms of life appeared on Earth. Ubiquitous is a brilliant book that mixes art, poetry and science in imaginative ways, and is an excellent choice for home, schools and libraries.

A colossal poem
Emma’s Poem: The Voice of the Statue of Liberty is not a book of poetry; instead, it’s a picture book about one of the most famous poems in America. Writer Linda Glaser has created a lovely biography of Emma Lazarus, who in 1883 wrote a poem called “The New Colossus” that is engraved on a plaque at the base of the Statue of Liberty. Her poem has become immortal, as though the Statue of Liberty itself were speaking, saying: “Give me your tired, your poor, your huddled masses yearning to breathe free.”

Glaser’s text is interesting and informative, making history come alive in storybook fashion. Claire A. Nivola’s watercolor and gouache illustrations are rich in color and historical detail, propelling the story forward while showing the lifestyles of the day.

Lazarus was born in 1849 to a wealthy Jewish family in New York City. This book explains how she began helping immigrants at Ward’s Island in New York Harbor, and how she began writing about immigrants for newspapers and in poems. Lazarus wrote “The New Colossus” when she was 34 years old. She died four years later of Hodgkin’s Disease, before the Statue of Liberty was erected—although she wrote her poem to help raise money for its pedestal. Emma’s Poem is a superb book for elementary-age children interested in our nation’s history and values.

Alice Cary writes from her home in Groton, Massachusetts.

Clever and delightful—those are the best words to describe Mirror Mirror, a new collection by noted poet Marilyn Singer. In her latest book, Singer has created her own new form of poetry, which she calls a “reverso,” a poem that reads the same backward and…

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This month’s picks take us from the exciting world of artificial intelligence to that of a criminal genius to the very best best-of-the-year collection.

One of the most wildly anticipated technological feats possible in our lifetime is the development of genuine artificial intelligence. Luckily for us, Robert J. Sawyer has written a series covering a wide range of the issues and obstacles surrounding AI, including perception, tactility, beauty, language, game theory, neurophysiology and morality. In WWW: Watch, the second book in a trilogy, teenager Caitlin Decter continues to discover the visible world after receiving her eyePod implant. Webmind, the emergent AI she has awakened, grows into a full being of its own, but is discovered by American spook agencies and the military—who, ironically, are determined to destroy any entity with the potential for evil, regardless of actual intent or action. As the agencies close in, Webmind announces its existence and demonstrates its beneficence. Sawyer covers an astonishing breadth of concepts, but perhaps does so at the expense of depth; for instance, Webmind’s massive social engineering comes with surprisingly little cost. If Sawyer is a bit overly optimistic about the future of AI, his writing is still a welcome breath of fresh air after decades of machine intelligences portrayed as necessarily inimical to human existence. Webmind may never exist or may arise under vastly different circumstances, but Sawyer has given us a wonderful primer for our potential future.

Twin trouble
Gene Wolfe has always written eloquently about the plasticity of identity and the subjectivity of the narrator—indeed, his last name is now an adjective describing such stories—but never has he so thoroughly entwined these two things as in The Sorcerer’s House. In a series of letters, the book’s narrator, Bax, tells us he is a recently released, exceptionally well-educated convict who has been given a house haunted by, among other creatures, a Japanese shape-shifter, a werewolf and twin brothers. But Wolfe being Wolfe, the story is not as obvious as it first appears. Bax is himself a twin whose brother George is the ‘good’ one—though with a short and violent temper—while Bax has always been the ‘bad seed.’ Such duality also exists in the brothers who haunt Bax’s house, but at one point the mysterious brothers’ behaviors make us wonder if George and Bax’s roles are perhaps reversed. Bax writes of the fantastic events only to his brother and his brother’s wife, while he mentions nothing of these odd occurrences to a friend from prison; the pedestrian tone in these letters is in sharp contrast to those written to George. Since everything Bax tells us must be viewed with suspicion, his apologetic and contrite narrative is almost certainly a fabulous invention intended to cover up real-estate fraud. Or is it? While The Sorcerer’s House is not the best of Wolfe’s stories, it is nevertheless an important addition to a giant’s oeuvre.

Pick of the month
An anthology of the best of the year is more a reflection of its editor’s vision of which stories are important than it is an objective collection. While there are a few traditional stories in Jonathan Strahan’s The Best Science Fiction and Fantasy of the Year: Volume Four involving first contact, time travel and so forth, it is the stories that directly address sexuality and gender that make this a must-have volume. The science fictional and fantastical aspects of Nicola Griffith’s “It Takes Two,” Andy Duncan’s “The Night Cache” and Ellen Klages’ “Echoes of Aurora” are less important than the three stunningly beautiful love stories between women that are depicted within. Besides a powerful exploration of identity, Kij Johnson’s graphically sexual story “Spar” is unlike any other first-contact story. Sara Genge’s “As Women Fight” extrapolates sex roles in a dichogamous species, while Kelly Link’s “The Cinderella Game” examines gender type in fairy tales. And Rachel Swirsky’s “Eros, Philia, Agape” combines parental roles, robotic free will, identity, sex and love into a bittersweet broken romance tale. It is a rare feat for one story to use genre tropes to radically rewrite Western assumptions; to have multiple such stories in one volume is a singular, priceless accomplishment. Quite frankly, this is a book that should top every science fiction and fantasy fan’s need-to-read list.

In alphabetical order, Sean Melican is a chemist, father, husband and writer.

This month’s picks take us from the exciting world of artificial intelligence to that of a criminal genius to the very best best-of-the-year collection.

One of the most wildly anticipated technological feats possible in our lifetime is the development of genuine artificial intelligence. Luckily for us,…

From January 1 until March 31, 2010, the following titles were the most-viewed new books on BookPage.com. How many have you read? Which book will be the top pick of 2010? Weigh in on The Book Case.

1. Saving CeeCee Honeycutt by Beth Hoffman
2. This Book is Overdue by Marilyn Johnson
3. The Postmistress by Sarah Blake
4. Secrets of Eden by Chris Bohjalian
5. Crazy Like Us by Ethan Watters
6. The Next Best Thing by Kristan Higgins
7. The Poker Bride by Christopher Corbett
8. Safe from the Neighbors by Steve Yarbrough
9. Woods Runner by Gary Paulsen
10. House Rules by Jodi Picoult
11. Committed by Elizabeth Gilbert
12. The Book of Fires by Jane Borodale
13. A Mountain of Crumbs by Elena Gorokhova
14. The Girl Who Fell from the Sky by Heidi Durrow
15. Shades of Grey by Jasper Fforde
16. Mr. Darcy Broke My Heart by Beth Pattillo
17. The Three Weissmanns of Westport by Cathleen Schine
18. The Privileges by Jonathan Dee
19. Noah’s Compass by Anne Tyler
20. Roses by Leila Meacham

From January 1 until March 31, 2010, the following titles were the most-viewed new books on BookPage.com. How many have you read? Which book will be the top pick of 2010? Weigh in on The Book Case.

1. Saving CeeCee Honeycutt by Beth…

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Cap, gown, diploma: now what? Having many options can be as difficult as having none, but the risk-taking and wisdom in these books will help any new grad make the important decisions.

A YEAR OF CAREERS
After graduating from college, Sean Aiken was overcome with pressure to live up to his potential. Still living in his parents’ basement at 25, searching job boards and newspaper ads, he thought: Wouldn’t it be great to know exactly what these jobs were like before committing to them? The One-Week Job Project documents Aiken’s brazen, funny and often fascinating search for the job that will make him happy (and pay the bills). Aiken starts by accepting an offer to be a bungee “jump master,” a fit symbol for his plunge into uncertainty. Then, using connections and media buzz to find work, he travels more than 46,000 miles in a year-long journey, taking on 52 jobs from snowshoe guide, florist and dairy farmer to NHL mascot, Air Force recruit and firefighter. Along the way, he notes the salary of each position and what he took away from the experience. In the end, he concludes that a career is “merely a vehicle to fulfill our passion”—and that happiness depends greatly on your co-workers, and the chance to do meaningful work.

SEARCHING FOR SATISFACTION
What do you do with your life when you’re the offspring of a billionaire, expected to use Dad’s money to zoom to the top? If you’re Peter Buffett, son of renowned investor Warren Buffett, you ditch the silver spoon and forge your own path. Buffett, now an Emmy Award-winning producer and composer, details his road to personal and professional accomplishments in Life Is What You Make It. When he reached adulthood, Buffett received a relatively small inheritance (under six figures), along with fatherly advice to find what made him happy and try to help others. The modest sum allowed him to discover a passion for music and spend a few frugal years getting established without worrying about the bills. Buffett shares what he learned working his way up in the competitive world of TV and film composing in thoughtful, inspiring sections including “No One Deserves Anything” and “The Gentle Art of Giving Back.” He believes that anyone can have the “advantages” of discipline, integrity and vision that produce the best careers—and the best lives.

LOST AND FOUND
Like most of us, Jennifer Baggett, Holly Corbett and Amanda Pressner talked about quitting their jobs (in their case, high-powered New York media jobs) to backpack around the world. The difference: They actually did it. The Lost Girls is the story of their 60,000-mile journey, told from their perspectives as newbie world travelers and searchers. The book places the reader smack-dab in the moment as the three friends hike up for sunrise over Machu Picchu, try to design a volunteer project for orphaned girls in Kenya (their solution is heartwarming) and discover a mystical $4 day spa near a forest temple in Laos. There are amusing and sometimes frightening culture clashes aplenty, but the real appeal of the story is the long road they take together, each supporting the others on a soul-searching quest to create a life that matters.
 

Cap, gown, diploma: now what? Having many options can be as difficult as having none, but the risk-taking and wisdom in these books will help any new grad make the important decisions.

A YEAR OF CAREERS
After graduating from college, Sean Aiken was overcome with…

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