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Over the years, several of my middle school students have gotten turned on to reading and writing poetry through reading novels in verse. The spare lines of a good verse novel offer “pure energy horizontally contained between the mind of the poet and the ear of the reader,” as poet Nikki Giovanni says in her poem “Poetry,” and young readers respond to that energy. Such popular verse novels as Sonya Sones’ What My Mother Doesn’t Know, Kelly Bingham’s Shark Girl and Paul Janeczko’s Worlds Afire have that kind of power, and I have used Karen Hesse’s Witness and Angela Johnson’s The Other Side to teach poetry writing in a way that connects well with middle school students.

A RIBBON OF VOICES

Helen Frost is a master of the novel in verse, and her new novel Salt is a fine example of how one writer in the genre goes about her work. Set in the Indiana Territory on the eve of the War of 1812, the novel features a friendship between two 12-year-old boys—Anikwa, of the Miami nation, and James Gray, who lives in a fort called Fort Wayne. Their friendship is tested by events beyond their control: British forces are moving in from the north, Americans from the east, and the impending war over land threatens to change the Miami culture—and the boys’ friendship—forever. 

All three novels demonstrate how the lines of a well-crafted poem can be a direct line into the minds and hearts of readers.

Frost lets the boys tell the story, each in a first-person narrative. Since how poems look on the page is a concern in Frost’s books, she chooses here to represent Anikwa’s voice in hourglass shapes like Miami ribbon work, a traditional art form she explains in the notes at the end of the volume. James’s voice on each page is in seven sets of double lines, like the stripes on the American flag. A third voice is interspersed, the voice of salt, a commodity important to both the Miami people and the American settlers and a player in the unfolding story. As with any excellent novel in verse, the voices and themes of individual poems accumulate and weave into each other like the ribbon work of Anikwa’s poems, and it is one of the pleasures of the reading experience to settle into the quiet, reflective state of mind where we can hear those voices speaking quietly to us.

BATTLING THE PAST

Margarita Engle’s Mountain Dog, like Salt, has alternating voices—11-year-old Tony, from Los Angeles, and Gabe, a search-and-rescue dog. Tony’s mother is in prison for “turning meanness into money” by raising pit bulls for fighting, so Tony has come to live in a cabin in the Sierra Nevadas with his great-uncle, a forest ranger. Engle’s simple and poetic lines effectively delineate the two characters—Tony, who says, “My only battle / is against / my own past,” and Gabe, who lives only in the present: “I can’t imagine ever needing / to do anything but play, right here / right now, together.” Rescue is a theme here, as is healing and finding a future. Engle’s writing demonstrates the power and elegance of simple words finely crafted: “With a silvery bell on his collar / and Halloween light sticks / fitted into tabs on his bright / orange vest, Gabe sounds / like Christmas and looks / like a shooting star / as he streaks / through the darkness / of night / making light / seem like something alive / and growing.” Like many of the best novels in verse, Mountain Dog would be a great read-aloud novel in the classroom or perfect for readers’ theater, when students bring to life the voices of the characters.

HOPE AND HAPPINESS

Finally, Sarah Crossan’s The Weight of Water humanizes the immigrant experience by creating in 12-year-old Kasienka an earnest and memorable immigrant from Poland. She’s now in England with her mother, searching for the father who walked out on them. Kasienka is the narrator in these free verse poems, reflecting on the difficulties of surviving in a school where she’s different, a victim of mean girls’ constant torments. But a neighbor from Kenya, once a doctor and now a janitor, helps her to have a perspective on her life: “Happiness should be your revenge, Kasienka. / Happiness.” Hope and happiness arrive in William, a first love and a first kiss, a boy who likes her, who corrects her English and finds her mispronunciations cute. Kasienka says, “And for the first time / Ever / I can be wrong / And it’s okay. / Better than that— / It’s cute.”

All three novels in verse demonstrate how poetry has energy and how the lines of a well-crafted poem can be a direct line into the minds and hearts of readers, their voices speaking with power and a spare elegance.

Dean Schneider teaches seventh- and eighth-grade English at the Ensworth School in Nashville.

Over the years, several of my middle school students have gotten turned on to reading and writing poetry through reading novels in verse. The spare lines of a good verse novel offer “pure energy horizontally contained between the mind of the poet and the ear…

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Belief in a higher power has been part of the human experience across time and cultures, and it can permeate fiction as well. In a small town or during a world war, within both romantic attachments and friendships, Christian faith forms the framework and the core of these inspirational stories.

Set in Holland during World War II, Snow on the Tulips finds Cornelia de Vries and her 20-year-old brother, Johan, swept up in the action as Dutch Resistance fighters push back against Nazi occupation.

Cornelia has sworn to keep Johan from being rounded up to fight for Hitler, but protecting him becomes more difficult when the conflict enters her home in the form of a half-dead Resistance fighter named Gerrit. He’s a threat to their carefully constructed neutrality—and to her heart, long shuttered since her husband’s death on their wedding night.

In an adventurous tale that reads like a movie script, Liz Tolsma weaves faith in seamlessly, moving the reader with her characters’ convictions to create a captivating debut novel. Their heartfelt prayers show that faith can grow even in times of unspeakable hardship and fear.

GOTHIC CHARM

The first in a planned trilogy, Jessica Dotta’s Born of Persuasion blends all things Gothic and romantic into a winding tale of intrigue in early 19th-century England.

The fortunes of young Julia Elliston, orphaned after her mother’s suicide, depend upon the charity of men. Some may be villains and others saints—but the novel is slow to reveal who is which.

Julia’s position in society is fragile, and her naiveté and vulnerability contrast sharply with the novel’s foreboding setting and the hazy motives of those she meets, including her mysterious guardian and the brooding, charismatic Mr. Macy, who seems to know all but shares little. Julia has been betrothed since childhood to Edward, who complicates matters further when he takes orders to become a vicar—Julia’s father was a well-known and ardent atheist who passed his beliefs on to his daughter.

Though verbose at times, Dotta’s style is clearly influenced by the Brontës, and manages to keep the reader engaged through every twist and turn.

A SOUTHERN JOURNEY

Competition for oil-drilling rights collides with an eclectic artists colony’s vow to hold onto their land in Sweet Olive, a Southern tale by Louisiana author Judy Christie.

Camille Gardner finds herself exiled (in a manner of speaking) to Sweet Olive, Louisiana, after botching a previous job for the oil company owned by her uncle. It’s painfully near the town where her father left her and her mother behind years before, never to return—a fact that brings this old hurt to the surface.

Christie writes in an inviting, colloquial style, full of great turns of phrase that make her characters’ speech feel true to life. It’s Camille’s job to get these artists to sign over the rights to drill on their land, but once she meets them and sees their work, she’s drawn in. As Camille falls for the beauty around her—and the lawyer who opposes her at every turn—the journey leads her somewhere surprising.

A LOVE THAT LASTS

A sweet story of enduring love and faithfulness, Forever Friday by Timothy Lewis shares the unique romance of Pearl “Huck” Huckabee and Gabe Alexander. For decades, Gabe sent his beloved a weekly postcard inscribed with a simple poem extolling his devotion.

Lewis, a playwright, paints a convincing portrait of the couple, and their voices are spot-on and beautiful. Seeing their relationship evolve on paper is almost like watching it unfold in real life. Hope and faith are the hinges of all their plans, from the night they meet and fall instantly in love in 1926 and through the years as they grow old together.

The narrative moves between Huck and Gabe’s relationship at different stages and 2006, when Adam Colby discovers the postcards while handling their estate sale. Colby studies the archive, hoping to find healing after his divorce. As he immerses himself in their story, he begins to find his way.

While the religious thread of the story is kept in the background, the love between Huck and Gabe is the heart of Forever Friday, and their steadfastness, though fictional, will inspire.

Belief in a higher power has been part of the human experience across time and cultures, and it can permeate fiction as well. In a small town or during a world war, within both romantic attachments and friendships, Christian faith forms the framework and the…

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School is back in session. After the homeroom bell rings, grab one (or both) of these novels and enjoy a quick, humorous tutorial on how not to act while educating the next generation. Debut authors Gill Hornby and Lacy Crawford deliver a welcome dose of playground escapism.

British author Gill Hornby got the idea for her first novel, The Hive, while reading Rosalind Wiseman’s Queen Bees and Wannabes, a nonfiction book that Tina Fey used as the basis for her hit movie Mean Girls. In The Hive, Hornby observes that teenage girls aren’t the only catty females at school: Their mothers can be worse.

The children who attend the upscale British academy of St. Ambrose have started another school year, and their mothers are busy creating their schoolyard cliques and dramas to rival those of their children. Top mum Beatrice rules her minions with daily text invites for her famous workouts, which take place after the school drop-off. Will you be invited to Bea’s group run, her Pilates session or maybe, just maybe, the elusive power walk?

Then actual catastrophe strikes at St. Ambrose. The headmaster informs the parents that they do not have funds to complete construction of the new library. Here, the plot gets a bit cliché: Moms mobilize with Bundt cakes, lunch ladders and other fundraising events, but are too preoccupied to be bothered with their children.

Still, Hornby, the sister of author Nick Hornby, is a perceptive writer, using her comedic talents to investigate the minds of these women even as she exploits their ridiculousness. The Hive does just that—with a healthy serving of British humor thrown in for our reading pleasure. This is a book that might make any mother of school-age children just a little bit nervous.

A GATEKEEPER'S STORY

Lacy Crawford’s Early Decision is the story of five Chicago high school seniors, their college essay-writing process and their well-paid essay consultant, Anne. What makes this novel so fascinating is that Crawford has dramatized her personal experience in the college admissions world. For 15 years, she helped teenagers perfect their essays, gaining access to a network of mega-rich parents who relied on her to help their children earn acceptance to some of the best schools in the country.

Crawford expertly fictionalizes some of the crazy and vicious behavior exhibited by parents who claim they only want what is best for their child. Readers will be rooting for all five young adults—four wealthy, one from a working-class background, all relatable—to find their own voices and their own paths.

This is a winner of a novel. Part comedy, part exposé, it can open the door to debate about the intensity of the college application process. Early Decision should be required reading for every parent of a child who is embarking on the college admissions journey.

School is back in session. After the homeroom bell rings, grab one (or both) of these novels and enjoy a quick, humorous tutorial on how not to act while educating the next generation. Debut authors Gill Hornby and Lacy Crawford deliver a welcome dose of…

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Writing well takes a lot of practice—and a little guidance from professionals can go a long way. Here are three new books brimming with insights and instructions for writers of all kinds.

Memoirs are as popular as ever, but for those who aspire to tell their stories, starting off with a blank computer screen can be quite daunting. Enter Beth Kep­hart, author of five memoirs and a teacher of creative nonfiction at the University of Pennsylvania. If you can’t enroll in her class, at least you can read her new book, Handling the Truth. Kephart describes a memoir as “a strut and a confession, a whisper in the ear, a scream,” with a creative process that is different from writing fiction. She presents the countless questions that memoirists must ponder: Who are you? Where have you been? What do you believe in? What is the sound of your voice? An extensive appendix featuring more than 75 recommended memoirs makes this a must-read for anyone seeking their own truth, written or not.

LESS IS MORE

Although short-form writing has been around for millennia (think haiku), it’s no longer just for poets and ad writers. With attention spans waning and Tweets limited to a mere 140 characters, writing efficiently has become an essential skill. Lucky for us, Roy Peter Clark has written How to Write Short. Clark’s succinct (naturally), snappy chapters feature writing exercises to get unwieldy writers practicing what he’s preaching. The first section introduces the concept of short writing, with examples and tips galore. For instance: Start paying attention to short writing that is typically overlooked, like the predictions contained within fortune cookies. The second section concentrates on writing short “with a purpose.” In other words, once you know how to write short, you need to know why—which often involves getting a point across, so Clark’s tips on how to sell an idea or craft the perfect headline will come in handy. This engaging tome is packed with sage advice for communicating in the digital age.

HOW NOT TO WRITE

You know bad writing when you see it—dangling modifiers, mixed metaphors, affected dialogue and seemingly ubiquitous clichés, the ineradicable cockroach-like pests of the written word. Wretched Writing isn’t your typical writing guide in that it dishes up examples of what you shouldn’t do, whether you’re posting a status update or tapping out the next Great American Novel. This compendium of “crimes against the English language” highlights several felonies committed by Irish writer Amanda McKittrick Ros—often considered one of the worst published novelists of all time—but right alongside hers are the missteps of Jane Austen, Jonathan Franzen and other literary greats. The types of atrocities include alliteration, obsessive; romance, unromantic; and simply words, wrong. Featured under anatomy, problematic is this head-scratcher: “She sat huddled in a chair, covering her ears with crossed legs.” Though perfect for quick reference, this writing guide is also a thoroughly amusing page-turner, a statement I once would have filed under impossibilities.

Writing well takes a lot of practice—and a little guidance from professionals can go a long way. Here are three new books brimming with insights and instructions for writers of all kinds.

Memoirs are as popular as ever, but for those who aspire to tell their…

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Move over dukes and vampires. These days, more and more novels are featuring cowboys (and cowgirls) as they mosey—or gallop!—along the trail to romance. What better setting is there for falling in love than under a star-filled sky, out in the expansive wide open? Here are three new city-meets-country romances that prove the old saying that opposites really do attract.

LOVE ON THE TEST RUN
In Cowboy Seeks Bride, Dallas businesswoman Haley B. Mckay is excited about the idea of filming a modern-day version of an infamous Old West cattle drive for a reality show. When her boss insists she ride along on a test run, she’s annoyed but determined to make it through the ordeal. Rancher Dewar O’Donnell is convinced city-girl Haley won’t last longer than a day or two. Sparks fly the moment Haley and Dewar meet, and as the long days and nights roll by, their attraction becomes harder and harder to ignore. With marauding coyotes, a “guard” donkey named Eeyore and the occasional thunderstorm, life is certainly never dull on the trail, but will Haley and Dewar have a future when the 30-day test run is over? 

Carolyn Brown delivers a Texas-size romance between two endearing characters.

Author Carolyn Brown must have drawn upon her time spent living in Texas and Oklahoma, because the novel’s setting certainly feels rich and authentic. The characters are charming and endearing, and readers will no doubt be cheering for Haley and Dewar to conquer the roadblocks (or trailblocks) they encounter so that they can begin their lives together and settle into their happy-ever-after. 

COWGIRL ROPES A HEART
New York financial adviser Evan Kincaid shook the dust of Caribou Crossing from his boots after high school and never planned to return. In Home on the Range by Susan Fox, it’s 10 years later, and Evan’s biggest client insists that he check out a potential investment in a Caribou resort ranch. Much to Evan’s shock, the head wrangler at that ranch is his childhood sweetheart, Jessica Bly. Jess is stunned to see Evan, particularly since she’s been keeping a big secret from him since he left town all those years ago. Before long, the two discover that their friendship and love never died. Both are wary and have hidden wounds, but their second chance just might enable them to face a bright future together. 

Prolific author Susan Fox paints a vivid picture of life on a guest ranch and in a small western town. Fox’s strong storytelling skills deliver a warm tale with heart that’s sure to please readers.

HOME ON THE RANCH
Florida realtor Madeline Pruett barely remembers her absentee father, so it comes as a shock when she learns he has died and left her a one-third share—the other shares belonging to two half-sisters she didn’t even know existed—in a Colorado ranch. In Julia London’s Homecoming Ranch, Madeline travels to Pine River, assuming that they’ll all agree to sell the ranch and that she’ll quickly return to Florida. But the situation is far more complicated, and it becomes evident that a swift resolution isn’t going to happen. Now, Madeline must cope with two new sisters and living on a beautiful but remote ranch. Adding to the confusing mix is hunky Luke Kendrick, whose family has ties to the ranch whom Madeline can’t ignore. 

Bestselling author Julia London has created a complicated heroine, secondary characters that are intriguing, a charming setting of small town and beautiful ranch country, and a plot that will surely delight readers.
 

Lois Faye Dyer writes from her home in Port Orchard, Washington.

Move over dukes and vampires. These days, more and more novels are featuring cowboys (and cowgirls) as they mosey—or gallop!—along the trail to romance. What better setting is there for falling in love than under a star-filled sky, out in the expansive wide open?…

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It’s never too early for kids to get acquainted with history—to have aha! moments as they identify role models and make important connections. The picture books featured here serve up factual information in story form and provide great introductions to significant figures from America’s past.

AVID READER, GREAT LEADER

Barb Rosenstock’s Thomas Jefferson Builds a Library (ages 8 to 11) is a lighthearted profile of our third president—a statesman with a serious book fixation. Born in Shadwell, Virginia, in 1743, Tom Jefferson grows up with a love for books, a passion that serves him well as he enters politics. Through the years, he collects thousands of titles on all sorts of subjects. His wife, Martha, is a kindred spirit, and together, they instill a love of reading in their children. John O’Brien’s jolly, rollicking pen-and-ink illustrations show the great man reading in the unlikeliest of places (while balancing on the bowsprit of a ship, for instance). Teeming shelves and precariously stacked piles deliver a sense of the density of Tom’s personal collection, the vast size of which enables him to resupply the Library of Congress after the British burn it in 1814. Rosenstock, who knows how to make facts fun, has written a spirited story that stands as testament to the impact of books. This is a biography that young readers will learn from and enjoy—at the same time!

A PIONEERING SCIENTIST

With The Tree Lady: The True Story of How One Tree-Loving Woman Changed a City Forever (ages 5 to 10), H. Joseph Hopkins offers an appealing, easy-to-understand profile of one of America’s greatest gardeners. Kate Sessions spends her childhood exploring Northern California’s lush forests, and their beauty ignites her imagination and her intellect. In 1881, she earns a degree in science from the University of California, becoming the first woman to do so. When a job lands Kate in San Diego, she sets her mind on transforming the dry, barren town into a site of tree-filled splendor. The story of how she makes her vision a reality is a remarkable one. Artist Jill McElmurry contributes the book’s delicate yet vivid gouache illustrations. Her colorful renderings of trees, leaves and bright blossoms (and ginger-haired Kate, of course) are the perfect vehicle for Hopkins’s intriguing bit of horticultural history.

THE STORY OF A POWERFUL PARTNERSHIP

The latest title from acclaimed husband-and-wife collaborators Andrea Davis Pinkney and Brian Pinkney, Martin and Mahalia: His Words, Her Song (ages 6 and up) is a great way to introduce the Civil Rights era to children. This inspiring book pairs the stories of Martin Luther King Jr. (a “master minister”) and gospel vocalist Mahalia Jackson (a singer with a “voice like brass and butter”), who worked side by side to break down racial barriers. He comes from a distinguished line of preachers in Atlanta. She grows up in New Orleans and sings in the church choir. Both use their gifts to deliver messages of freedom. Their partnership reaches a high point in 1963 at the March on Washington, where Mahalia sings and Martin delivers his “I Have a Dream” speech. Brian Pinkney’s swirling, impressionistic watercolor illustrations add to the narrative’s sense of uplift and victory. Andrea Davis Pinkney, who contributed the book’s accessible text, writes in a style that’s plainspoken yet poetic. Together, they’ve created a moving tribute to two history-making figures.

It’s never too early for kids to get acquainted with history—to have aha! moments as they identify role models and make important connections. The picture books featured here serve up factual information in story form and provide great introductions to significant figures from America’s past.

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Whether exploring the unknown through unforgettable adventures or telling tales of the heart, these four choices for Teen Read Week (October 13-19) encourage reading just for the fun of it.

Whether exploring the unknown through unforgettable adventures or telling tales of the heart, these four choices for Teen Read Week (October 13-19) encourage reading just for the fun of it.

A survey of a few recent horror movies (The Conjuring, Insidious 2, etc.) suggests that hauntings OF the children, BY the children and FOR the children are in. And why not? There’s really nothing creepier than a threat coming either from a ghostly child or toward a living child from some post-mortem parental entity. Three books investigate this disturbing psychological terrain, with shifting degrees of subtlety and terror. All three authors are wise enough to know that they are on shaky spiritual ground putting helpless children at risk, whichever side of the grave the little ones happen to inhabit. The pleasure of reading these books is how such risks are managed . . . and how they inevitably become unmanageable.

John Boyne already has a track record placing his fictional children into grotesquely horrible circumstances. He scored his biggest success in 2004 with the novel The Boy in the Striped Pajamas (made into a successful film), about two children living literally on the opposite sides of the fence at Auschwitz. This House Is Haunted retreats to the safer haven of Victorian gaslight, where Boyne’s blithe attitude toward historical accuracy can have freer rein. Boyne seems to have as little reverence for literary models as he does for Holocaust scholarship. Stroke by stroke, scare by scare, this latest novel deliberately sets out to beat Henry James at the diabolical game he played in the best ghost story of all time, The Turn of the Screw. Boyne’s mimicry and mischievous corruption of both the form and the content of James’s tale are surely the book’s most uncanny elements. All the Jamesian paraphernalia is there: the clueless governess at the remote country estate who narrates the story; her predecessors who meet violent ends; the nervous bystanders who infuriate both the heroine and the reader with their stupendous reserve. Then there are the governess’ two charges: the sister, mature beyond her years, who is in close touch with the malevolent spirit of the house, and the brother who cannot understand what the hell is going on, so angelic a soul is he. Boyne has not “done his homework” on James so much as chewed on it like a dog. Literate horror fans will take wicked delight in the unpretty sight that ensues—especially the fact that the ghost of Boyne’s house is none other than . . . no, I won’t say it. It’s too horrible to report in this review (take that, Henry James!).

Susan Hill is a more elegant fashioner of Victorian-style ghost stories than Boyne (this is merely an observation, not necessarily a judgment in her favor). Her allure—whether in these two latest novellas or in her famous 1987 novel, The Woman in Black, adapted for the London stage in 1989 and playing there ever since—springs from the serene decorum of her prose, which remains mellifluous even at the most catastrophic turn of events. This set of novellas provides another “safe haven” for those fans who prefer to take their horror with a smooth pint of bitter. As both The Small Hand and Dolly unfold, one well-wrought paragraph after another provides a placid cupboard for hanging up the very fears the stories are meant to summon.  Susan Hill has the gift at once to spook and to lull to sleep. Fine bedtime reading, just before turning out the light.  

Now, dear reader, turn it back on. I mean, right now. You’re going to need it. The perilous pleasures and imperiled children that await you in John Lindqvist’s magnificent collection of stories, Let the Old Dreams Die, require constant illumination. The darkness of this writer’s imagination is profound, the terrors manifold and the writing merciless in its reckoning of every human being’s worst fears, groundless hopes and bizarre capacity to love against all mortal odds. It would be tempting to call Lindqvist a philosopher, so relentless are the questions his characters ask about the meaning and the meaninglessness of our existence. He’s more than that, though, for the philosophical component of each story is beautifully harnassed to a narrative force which impels events forward at terrific speed, always homing onto to the intersection where goodness is assaulted by death, where both goodness and love must make a choice whether to prevail or succumb. There are worse things than death in Lindqvist’s world: emptiness of heart, to name one. In this collection, the Vampire and the Zombie—and the children who heroically attend them—return from his two most famous novels (Let the Right One In and Handling the Undead). What a gift from Lindqvist to his millions of fans! Here are his most famous deathless creatures, back again from the dead, this time authorized by love to let the right death in, either for themselves or for those whom they have tormented. Having trouble handling the dead? This Halloween, you’ll have no better ally than John Ajvide Lindqvist.

A survey of a few recent horror movies (The Conjuring, Insidious 2, etc.) suggests that hauntings OF the children, BY the children and FOR the children are in. And why not? There’s really nothing creepier than a threat coming either from a ghostly child or…

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Caldecott. Sendak. Mo. They’re giants in the field of children’s literature, and they are the subjects of three 2013 releases, two at the hands of noted historian and scholar Leonard Marcus—Randolph Caldecott: The Man Who Could Not Stop Drawingand Maurice Sendak: A Celebration of the Artist and His Work—and one introduced by the legendary Eric Carle, Don’t Pigeonhole Me!, a Mo Willems collection. Anyone who follows children’s book illustration with interest could spend many happy hours exploring these entertaining books, each one appealingly designed and providing fresh insight into the celebrated illustrators featured therein.

THE LIFE OF A PICTURE-BOOK LEGEND

Both the late Maurice Sendak and author-illustrator Mo Willems have been recognized multiple times by the American Library Association with either Caldecott Honors or the big award itself, the Caldecott Medal. That award wouldn’t be possible without British illustrator Randolph Caldecott, the subject of Leonard Marcus’ new biography for young readers, Randolph Caldecott: The Man Who Could Not Stop Drawing.

As a young man in England, where he was born in 1846, Caldecott made a living as a bank clerk, doodling while on the job; Marcus even treats readers to several of those sketches in this art-filled biography, as well as previously unpublished drawings from the illustrator’s last sketchbook. After he landed his first editorial illustration assignment for a London monthly in 1872, his career accelerated and he became known for his lively illustrations, eventually finding success with picture books in England and the United States. It was in the States that he died while traveling, one month shy of his 40th birthday, and was buried in Florida.

Caldecott is remembered today for his innovative work in merging text and art to tell one seamless story. It’s for this reason that the American Library Association named the award in his honor in 1938. Prior to his time, children’s books included illustrations that made no effort to extend the story told by the words. Caldecott put page-turns to work to add drama, increase tension and establish unique rhythms, and he introduced story elements in his illustrations that were not mentioned in the text, further expanding a book’s storytelling possibilities. This, at the time of Walter Crane and John Tenniel, was revolutionary.

Marcus’ exploration of Caldecott’s pivotal contributions to picture books make this juvenile biography an essential read for picture book lovers of all ages. He tells the story of Caldecott’s life with great reverence (and thorough research), and those who appreciate good design may linger over such things as the thick, cream-colored pages and the endpapers filled with Caldecott’s picture book illustrations.

THE WORK OF A WILD THING

One of numerous illustrators inspired by Caldecott was Maurice Sendak. He often spoke during his lifetime about his deep respect for Caldecott’s work, even naming his 1989 anthology of essays on writing and illustrating for children Caldecott & Co. Recently, Abrams published Maurice Sendak: A Celebration of the Artist and His Work, a lavish volume edited by Leonard Marcus and released in conjunction with a June 2013 Society of Illustrators exhibition of Sendak’s work.

This one is a must-have for Sendak fans, a compelling tribute to the famed illustrator. It includes 12 essays from art collectors, librarians, editors, fellow illustrators and more. Featuring the private collection of art curators Justin G. Schiller and Dennis M.V. David, the book treats fans to rare drawings, posters, lithographs, sketches, commercial art and design work of all types. Some previously unpublished photos are also on display; Sendak mimicking a Wild Thing doll, circa 1970, captures an impish joy.

The essays in this in-depth volume, many giving us compelling peeks into Sendak’s personality, are not to be outdone by all the rare artwork on display. Author-illustrator Paul O. Zelinsky, whom Sendak taught at Yale, contributes an outstanding essay, writing about Sendak’s energy and conviction as a lecturer and teacher, as well as his disdain for those who condescended to children’s books: “He believed that art can be for children,” Zelinsky writes, “that it mustn’t be treacly or pandering, and that it should be as rich and good as the art that adults want for themselves.”

SKETCHES FROM ONE OF TODAY'S BIGGEST STARS

Like this Sendak tribute, Don’t Pigeonhole Me!—a look at two decades of Mo Willems’ sketches—is aimed squarely at adults. “Mo Willems is a master of the doodle, sketch, cartoon, and scribble,” writes Eric Carle in the book’s foreword. In the introduction, Mo explains that the book—which even shows the birth of the Pigeon, his most famous protagonist—is a culmination of decades of making art that is “purely mine, free from any restrictions, without regard for those who will eventually see it.”

Well, his fans can see it now, and it’s worth their time. It opens with sketches from the early ‘90s and takes readers all the way up to recent sketches made on the butcher paper laid out on the kitchen table in his home, where visitors are encouraged to sketch. Readers see Mo’s personality from just about every angle in this collection of his minimalist cartoon sketches. Some are particularly clever and funny; others, obscure and mildly to moderately amusing. “I was so tired,” Willems writes about the sketches in the “Wise Things” chapter, the most refreshing of them all, “of rendering jolly round-headed scamps that my subconscious just wanted to kill them.” This was the phase, he explains, where an Edward Gorey influence snuck up. The youngest of Pigeon fans need not apply, but for adults, it’s a trip.

The holiday season draws nigh. Consider any—or all, if your pocketbook allows—of these books great gift choices for the picture book fans in your life.

Julie Danielson conducts interviews and features of authors and illustrators at Seven Impossible Things Before Breakfast, a children's literature blog primarily focused on illustration and picture books.

Caldecott. Sendak. Mo. They’re giants in the field of children’s literature, and they are the subjects of three 2013 releases, two at the hands of noted historian and scholar Leonard Marcus—Randolph Caldecott: The Man Who Could Not Stop Drawingand Maurice Sendak: A Celebration of the…

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Fifty years after gunshots rang out in Dallas’ Dealey Plaza, the collective memory continues to celebrate the life and achievements of John F. Kennedy, and to ponder his death. Authors and publishers are also remembering the November 22nd anniversary with dozens of new books on Kennedy’s assassination and legacy. We’ve pored through the stacks to point readers toward some of the best.

James Swanson, author of the riveting 2006 bestseller Manhunt: The 12-Day Chase for Lincoln’s Killer, brings his storytelling acumen and research skills to the event he calls “the great American tragedy.” Swanson’s End of Days begins with Lee Harvey Oswald meticulously planning a killing. He has maps, surveillance photos, a planned escape route and more. His intended target: General Edwin A. Walker, a Dallas-based ultra-conservative who considered JFK a political foe. But Oswald’s assassination attempt fails; his bullet comes within an inch of Walker’s head.

Oswald isn’t a suspect in the Walker incident. It’s only after he succeeds at his next assassination attempt—on the life of JFK—that investigators make the connection. Swanson’s linear narrative positions all this as it happens. He does the same in detailing the forces that bring Kennedy and his wife Jacqueline to Texas, ultimately putting them in the crosshairs of Oswald’s rifle, and the reader in a “you are there” edge-of-the-seat thriller.

Dallas 1963 masterfully describes the sociological and political forces that made the city a hotbed of reactionary activism. Bill Minutaglio—whose Texas-themed books include biographies of George W. Bush and Molly Ivins—and Texas scholar Steven L. Davis vividly describe the collision of the colorful characters who gave Dallas its foreboding renown. Among them: Gen. Walker, the once-celebrated military leader who went rogue; oil baron H.L. Hunt; Dallas Morning News publisher Ted Dealey; and incendiary congressman Bruce Alger. At odds with JFK’s foreign policies, they also resented the president’s domestic agenda, notably on civil rights. Into this toxic atmosphere came Oswald, an avowed Marxist who had resentments of his own.

As authoritative as it is readable, Dallas 1963 is a significant addition to the JFK canon.

A RESTLESS ASSASSIN

Peter Savodnik, who once reported from Moscow, is no conspiracy theorist. He believes Oswald did it—and acted alone. The nagging question is, why? To find the answer, Savodnik traces Oswald’s time in the Soviet Union from 1959 to 1962. The Interloper gets its title from Oswald’s lifelong efforts to escape his old life and insert himself into a new one.

Oswald’s youth was chaotic, in large part because of his hectoring mother, Marguerite. After dropping out of high school, he joined the Marines. He also discovered Marxism. Seeking a more fulfilling life, he journeyed to the Soviet Union where he perplexed the KGB (as a defector, he had little to offer), enjoyed success with women (who found him exotic) and ultimately married.

But as Savodnik details, the lifelong outsider didn’t fit in; returning to America with his Russian bride, his anger and frustrations festered. Over the next 17 months, Oswald moved nine times, eventually making his way to Dallas. Ever the interloper, his disconnectedness led to his actions on November 22, 1963. In a sense, says Savodnik, it was as much a suicide attempt as it was a murder.

EYEWITNESS TO HISTORY

In Five Days in November, Clint Hill and co-author Lisa McCubbin, who previously teamed up for Mrs. Kennedy and Me, focus on a timeframe that begins just before the trip to Texas and ends with a nation in mourning.

As the Secret Service agent in charge of the first lady’s detail, Hill is known for leaping onto the back of the car that carried the injured JFK, pushing Jackie back into the seat.

Five Days in November includes a reproduction of the trip agenda, a plan of Air Force One and a chart of the Dallas motorcade—as well as seldom-seen photos. But the highlights are Hill’s personal remembrances, like hearing the first lady practicing her Spanish while en route to San Antonio, in anticipation of a speech to Latino constituents.

The text is straightforward; the embellishments come from the heart, as when Hill relates the backstory of John-John’s famed salute at his father’s funeral. Or when the first lady takes Hill’s hand, during the somber flight carrying the president’s body from Dallas to D.C., and asks, “What’s going to happen to you now, Mr. Hill?”

Other first-hand observers of the events in Dallas include the medical professionals who have been quoted in a spate of books over the years about what took place at Parkland Memorial Hospital, where the mortally wounded president was rushed. At long last, there is a single volume of remembrances, compiled by Dr. Allen Childs, who was on the scene. We Were There includes accounts of more than 40 Parkland staff members.  Some are tearful, some insightful, some strictly by the book; all underscore the sense of urgency—and the craziness—that resonated throughout the hospital. 

There’s Jackie, silently circling the emergency room, holding something in her cupped hands. Nudging a doctor, she hands him “a large chunk of her husband’s brain tissue.” In the halls, angry Secret Service agents brandish machine guns. Outside, a medical student watches as an ornate casket is carried in.

It’s at Parkland that the seeds of conspiracy theories take root, beginning with professional differences over where the bullets entered the president’s body. In one startling recollection, a doctor says a Warren Commission representative admitted to him that witnesses were prepared to testify that “they saw somebody shoot the president from the front,” but the commission didn’t want to interview them.

No wonder Skyhorse, the publisher of We Were There, has a number of conspiracy titles among the 26 JFK assassination books it is publishing this year, including The Man Who Killed Kennedy: The Case Against LBJ and They Killed Our President: 63 Reasons to Believe There Was a Conspiracy to Assassinate JFK.

Another probe of conspiracy theories is History Decoded: The 10 Greatest Conspiracies of All Time, a lively and cleverly packaged exploration. Adapted from the History Channel program “Brad Meltzer’s Decoded,” the book presents conspiracies in countdown format: 10, 9, 8 . . . with Kennedy’s assassination in the number-one spot.

Authors Meltzer and Keith Ferrell review the top 10 theories pointing to a conspiracy in JFK’s death. Among them (at #9): the fact that the findings of the U.S. House of Representatives’ Select Committee on Assassinations, released in 1979, differed from those of the Warren Commission. 

The book comes with envelopes of removable facsimile documents for each conspiracy; for JFK, the envelope contains the order form for Oswald’s $19.95 rifle that may—or may not—have changed history.

Weighing in at more than five pounds, the striking commemorative LIFE The Day Kennedy Died: 50 Years Later recalls the iconic magazine’s illustrious relationship with the Kennedys, as well as the dark days in Dallas. 

A foreword by historian David McCullough assesses JFK’s significance. (It was JFK’s passion for history that triggered McCullough’s professional calling.) There are biographical pages, family portraits—including Cecil Stoughton’s wonderful shots of Caroline and John-John cavorting in the Oval Office—and sections on the murder and its aftermath. ?It was LIFE that first published images from Abraham Zapruder’s legendary 26-second 8mm home movie. Here, all 486 frames are reproduced in an eight-page fold-out. The book also includes a removable reprint of the original LIFE issue that followed the assassination.

REASSESSING KENNEDY

Historian Thurston Clarke delves into the final chapter of Kennedy’s presidency in JFK’s Last Hundred Days. This compelling page-turner follows JFK from August 1963—just after the death of his two-day-old son, Patrick Bouvier Kennedy—to that fateful day in Dallas. The mystery Clarke sets out to solve is not who killed JFK, but rather, who the president was and where he might have led us.

Clarke makes a convincing argument that, had he lived, JFK would have opted for a 1964 running mate other than Lyndon Johnson—dubbed Uncle Cornpone by Kennedy and his crowd—and that, following his re-election, he would have gotten the U.S. out of Southeast Asia. Domestically, Clarke contends, Kennedy would have pursued a strong civil rights agenda. (One anecdote finds JFK watching Martin Luther King Jr.’s “I Have a Dream” speech on the White House’s only TV, a 13-inch black and white with rabbit ears—on which Caroline regularly watched “Lassie.”)

Detailed in both political and personal revelations, JFK’s Last Hundred Days does not delve into the assassination, though the stage is set. The morning they left for Dallas, JFK warned Jackie, “We’re heading into nut country today.” 

After the assassination, Jackie and some Kennedy cabinet members promoted a romanticized vision of the late president. It started with Jackie’s interview with LIFE magazine, in which she compared the Kennedy White House to King Arthur’s Court. A spate of glowing biographies followed.

Myths are one thing; facts are another. Camelot’s Court is an unvarnished account of JFK’s inner circle (nicknamed the “Ministry of Talent”). Robert Dallek, author of An Unfinished Life: John F. Kennedy, 1917-1963, goes behind closed doors as JFK deals with the communist advance and the foreboding possibility of nuclear war. Cuba and Vietnam dominate Kennedy’s agenda, as well as this book—especially as the conflict in Southeast Asia grows. But Dallek has cleverly spiced up his scholarly reporting. In doing so, he humanizes the sometimes brittle politician who—when facing the Cuban missile crisis—confided to a lover, “I’d rather my children be red than dead.”

Dallek takes a measured view of what might have happened had JFK not been killed. Perhaps he’d have been re-elected; it’s “plausible” he would have gotten the U.S. out of Vietnam.

Today, what’s certain is Kennedy’s hold on the American psyche. No assassin’s bullet could snuff that out.

ALSO IN BOOKPAGE:
Speculative takes on Camelot.

Fifty years after gunshots rang out in Dallas’ Dealey Plaza, the collective memory continues to celebrate the life and achievements of John F. Kennedy, and to ponder his death. Authors and publishers are also remembering the November 22nd anniversary with dozens of new books on…

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The assassination has inspired fiction by writers from Don DeLillo (Libra) to Stephen King (11/22/63). Now, two journalists take their turns.

Jim Lehrer, former anchor of PBS’s “NewsHour,” was a reporter at the Dallas Times Herald when JFK was killed. His questioning of a Secret Service agent about the use of the “bubble top” on the presidential limousine was the impetus for the novel Top Down. This slender volume begins like a detective story but becomes a character study of the emotional toll on individuals involved in a national tragedy. The characters include a guilt-ridden Secret Service agent who gave the order to remove the bubble top for the Dallas motorcade, his plucky daughter and a reporter clearly modeled on Lehrer (right down to the crew cut).

If Kennedy Lived, by political commentator Jeff Greenfield, has a cheeky tone and a scenario that begins with JFK recovering from the assassin’s bullet. He goes on to serve a second term; Lyndon Johnson resigns the vice presidency to curtail an investigation into his finances; both Bobby and Jackie seem to stand by their man. But increasingly, the media takes shots and the public is losing faith. Ah, politics.

ALSO IN BOOKPAGE:
On a tragic anniversary, remembering the life and death of JFK.

The assassination has inspired fiction by writers from Don DeLillo (Libra) to Stephen King (11/22/63). Now, two journalists take their turns.

Jim Lehrer, former anchor of PBS’s “NewsHour,” was a reporter at the Dallas Times Herald when JFK was killed. His questioning of a Secret…

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Whether written by an iconic Southern author in 1947 or compiled from emails written by a young pastor to the president in 2010, these gift books explore the enduring themes of spirituality and faith, reminding us that contemplating the divine can confirm our very humanity.

Spiritual thinking has been with us from the beginning, as The Religions Book: Big Ideas Simply Explained reminds readers in its opening sentences. While it may be difficult to come up with a definition for the concept of religion, “cave paintings and elaborate burial customs of our distant ancestors and the continuing quest for a spiritual goal in life” indicate its timelessness. This book offers a remarkable overview of major world religions through recorded time. Though the introduction acknowledges the difficulty of covering such an unwieldy topic, the subsequent pages are easily comprehensible, and even feel nearly comprehensive. Organized chronologically, the book opens with prehistory, moves through the ancient and classical beliefs (devoting the longest sections to Hinduism, Buddhism, Judaism, Christianity and Islam), and closes with a selection of modern religions (such as Mormonism and Scientology). The material is both dense and broad, yet the book’s reader-friendly layout and clever graphics invite lingering. An impressive board of contributors (mostly academics) shaped this content. The result is a book at once egalitarian and open-minded, ideal for a visually oriented student of religion or anyone interested in scrambling up the mountainside of human spirituality and taking in the panoramic views.

GRACE AND ART

We move from the lushly panoramic to the intensely personal with Flannery O’Connor’s A Prayer Journal. Penned by the Southern Gothic legend when she was just 22 years old and a student at the University of Iowa, these pages reveal O’Connor at the very beginning of her professional writing career. She prays to get something published, to understand God better and to be free of an ever-present concern that she is simply mediocre. Anyone interested in creative writing or literature will be thoroughly charmed by lines like this: “I am too lazy to despair. Please don’t visit me with it Lord, I would be so miserable.” Though O’Connor is delightfully glib, she worries about some of the big questions of faith and finds few answers. The journal illustrates her complexity of feeling. She criticizes certain sentences because they sound “too literary” and strikes out others altogether. A facsimile of the original diary in O’Connor’s own hand lets readers in on her process and makes the book feel very intimate. The volume is quite short, but that isn’t a drawback. The material that is here is well worth reading. I especially loved the last lines, written in September of 1947: “Today I have proved myself a glutton—for Scotch oatmeal cookies and erotic thought. There is nothing left to say of me.”

AN ECLECTIC REIMAGINING

During a 2011 retreat in Utah, a group of Jewish artists and writers found themselves hotly discussing Abraham’s binding of Isaac. Several admitted, though, that it had been a long time since they had really read a biblical text. Dialogue ensued and, luckily for us, so did Unscrolled: 54 Writers and Artists Wrestle with the Torah, edited by Roger Bennett. After the Torah was divided into 54 sections—which reflects the annual reading pattern of many synagogues—each contributor created his or her own Dvar Torah (“word of the Torah”) for an individual slice. Their creations range from short stories to poems, from personal essays to imaginary recipes for “bloody guilt offerings.” There’s even a drawing detailing how the Tabernacle could fit in modern-day Manhattan. (Spoiler alert: It would have to be tilted on its side.) I especially like when contributors cleverly juxtapose the Torah and their response, as in Aimee Bender’s piece on the Tower of Babel. She celebrates how language defines individuality rather than lamenting the loss of shared consciousness. Brief biblical summaries preceding each Dvar Torah feel contemporary and edgy, and unify the collection. In short, these artists and writers can certainly now say that they’ve read—yes, even wrestled—with a biblical text recently, and readers can be counted among the lucky beneficiaries.

DAILY DOSE OF INSPIRATION

The President’s Devotional began as correspondence between a White House staffer and President Obama, and has since become a public daily devotional. Obama appointed author Joshua DuBois to be the executive director of the White House Office of Faith-Based and Neighborhood Partnership in 2008. Since then, DuBois has emailed Obama a spiritual reflection every morning. The book pulls content from the best of these, providing readers one for every day of the year. DuBois opens each month with a personal essay. Some of these tell heartrending stories about our nation’s leader, as in DuBois’ account of Obama’s interaction with families of the victims of the Sandy Hook shootings. Other essays are more personal, as when the president encouraged DuBois to propose to the nice girl he’d been dating (he did). The devotions themselves are a diverse bunch. Some feature national heroes like Jackie Robinson and Johnny Cash, while others take inspiration from theological texts. The reader cannot help but wonder what was going on in the nation when certain devotions were emailed—like the one that extols the value of having a well-prepared army. Whatever the initial context, faith-filled fans of the president will want to add The President’s Devotional to their nightstands.

Whether written by an iconic Southern author in 1947 or compiled from emails written by a young pastor to the president in 2010, these gift books explore the enduring themes of spirituality and faith, reminding us that contemplating the divine can confirm our very humanity.

Spiritual…

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