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National Poetry Month is the perfect time to introduce young readers to the joys of verse and rhyme. These three new picture books—from treatises on treats to a collection of kid-friendly masterworks—are filled with reflection, adventure and just plain silliness.  

TASTY TURNS OF PHRASE
Readers take caution: You might not want to open Deborah Ruddell's The Popcorn Astronauts: And Other Biteable Rhymes without a snack at the ready. This collection of 21 food-themed poems is the perfect treat for pint-size readers. Organized by seasons alongside whimsical watercolor illustrations by Joan Rankin, this collection is brimming with rhyming odes to summer peaches (“the summery sweetness within" and their "flannelpajamaty skin") or ripe fall apples ("Peel it / Slice it / Cinnamon-spice it"). But Ruddell knows her audience, and there’s plenty of playfulness mixed right in, like the mystery ingredients of “A Smoothie Supreme”  ("A whisper of pickle / is what I detect, / with glimmers of turnip / I didn't expect!"). This is an expressive and delectable picture book that begs to be read aloud—it may even help inspire some picky or reluctant eaters.

RHYMES HEARD ROUND THE WORLD
Elizabeth Hammill, a children's bookseller and critic, became intrigued by the influence of nursery rhymes when she became a mother. But during a time when the need and desire for diverse books is strong, it has been almost impossible to find "a wide-ranging collection that sits alongside these Mother Goose favorites and injects fresh life into them," Hammill writes. There’s more to nursery rhymes than “Hickory, dickory dock,” and in Over the Hills and Far Away, she rounds up the most popular and enduring rhymes from around the globe and matches them with brilliant art and illustrations from Eric CarleMo Willems and 70-plus equally talented illustrators. From America’s popular playground cry of, “I scream, / you scream, / we all scream / for ice cream” to South African counting-out rhymes, Latino riddles and Trinidadian clapping rhymes, this beautiful book celebrates diverse voices and the importance of laughter and imagination in every child’s life.  

OBJECTS THROUGH THE AGES
For Poetry Month, it doesn't get much better than The Death of the Hat: A Brief History of Poetry in 50 Objects. Paul B. Janeczko takes readers on a journey from the Middle Ages to the present with 50 of the world's greatest poems. Simple objects anchor Janeczko’s selected poems, but readers will revel in the power of poetic language as a candle, sword, wheelbarrow and even a birthday card are taken to otherworldly heights. Top-notch watercolors from two-time Caldecott winner Chris Raschka buoy masterpieces by the likes of William Wordsworth, Carl Sandberg, Sylvia Plath and Mary Oliver. And of course, Billy Collins’ titular piece makes an appearance. A rare picture book, The Death of the Hat is a rich but accessible collection that children and adults alike will treasure.

National Poetry Month is the perfect time to introduce young readers to the joys of verse and rhyme. These three new picture books—from treatises on treats to a collection of kid-friendly masterworks—are filled with reflection, adventure and just plain silliness.
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Who better than authors and booksellers to follow every story to its conclusion, no matter how unexpected? Mystery writers and bookshop owners star in these stories featuring amateur—but determined—sleuths. These intrepid ladies aren’t afraid to poke their noses into remote farmhouses, secluded island communities and the long-held secrets of their own small towns, and they won’t stop until they reach The End.

FAR FROM THE TREE
The mother-daughter writing and sleuthing team in Antiques Swap may share genes, but their methods are poles apart. Fans of the Trash'n'Treasures Mystery series will recognize the entertaining way level-headed narrator Brandy Borne’s sensible tone clashes with her mother's cheerful disregard for the rules. When an old flame’s vindictive wife is found dead, Brandy rushes to clear her own name, while mother Vivian gathers material for their next book. And she’s really hoping for a reality TV series. The little town of Serenity, Iowa, turns out to have plenty to work with, as Brandy and Vivian uncover the most surprising games played by the town’s elite, with the highest of stakes.

BETWEEN THE LINES
Semi-retired bookstore owner Claire Malloy is back with her signature snark in this witty 20th installment of Joan Hess’ series. Though the distractible Claire can’t be bothered to address the alarming rate at which her bookstore inventory walks out the door on its own, she is more than willing to throw herself into a murder investigation when the prosecutor makes a grievous error: He humiliates Claire in public. That’s all it takes to put her firmly on suspect Sarah Swift’s side, though the evidence paints Sarah guilty of killing her husband. Throw in a surly teenage daughter, a husband who happens to be the Deputy Police Chief and the impending visit of her mother-in-law, and you’re caught up in the chaos that is Claire Malloy’s life. None of this stops her, of course, from sneaking down back roads, climbing into dusty attics or taking seriously a 4-year-old boy’s zombie sighting. Her willingness to consider all sides of the story ultimately solves the complex case.

BEST LEFT UNWRITTEN
Best-selling author Alex Griffith has mined his childhood home, Broward’s Rock, for all it’s worth, fictionalizing the island’s secret affairs, dirty deals and suspicious deaths in his novel Don’t Go Home. The golden boy is out of ideas, though, which is how he lands in the hands of bookstore owner Annie Darling. The Death on Demand proprietress is happy to help, until she learns what he has in mind: a nonfiction book that will reveal the real names of his characters. His plan leaves Alex with plenty of enemies, and when he is murdered on the eve of his planned press conference, the list of suspects is long. Annie, however, has a native’s knowledge of the island, and she’s read Alex’s book; she can find out who had the most to lose from his tell-all. Author Carolyn Hart sets Annie on a winding path into the past, carefully curating the intricate plot twists that ultimately lead to the truth.

Who better than authors and booksellers to follow every story to its conclusion, no matter how unexpected? Mystery writers and bookshop owners star in these stories featuring amateur—but determined—sleuths. These intrepid ladies aren’t afraid to poke their noses into remote farmhouses, secluded island communities and the long-held secrets of their own small towns, and they won’t stop until they reach The End.

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My first thought when seeing the titles of these books was, “I love books about airplanes!”  Well . . . now I love books about flies . . . as in insects. These three books for very young readers will open their eyes to the joys and challenges of being a reviled critter in a butterfly world.

MAKING MOVES
Karl Newsom Edwards' Fly! is just the thing for the youngest nature lover. With one word repeated on each spread, we see a young fly trying to figure just how to get around. At first, a pink worm encourages, “Wiggle!” and the big-eyed fly tries, but can’t quite figure out the moves. The page turn reveals a grasshopper (“Jump!”) and then a pill bug ("Roll!") until a butterfly and bumblebee finally give the fly good advice: “Flutter! Flutter! Flit! Flit!” Soon, our hero is flying! The humorous illustrations are sure to bring a smile, but clever readers will enjoy discovering one subtle touch: Each new critter is foreshadowed on the page before. My favorite is the spider’s legs flying off the right side page, with the ants marching after them.

SWATTER VS. FLY
Petr Horáček’s The Fly is sure to engage readers right from the endpages. Dozens of flies, ready for flight, grace the inside cover, making experienced adults instinctively reach for the fly swatter. Heavyweight paper, bright colors and one well-spoken fly all add up to a funny and surprising book. The opening spread has the fly addressing the reader with an enormous speech bubble. The page turn is a shocker: An enormous blue fly swatter flaps from the top, nearly hitting the quick-moving narrator. The next page turn is equally unnerving: Now the world is upside down, with the clever fly hanging from the ceiling and the boy, flyswatter in hand, looking up. (Except that for the human reader, everything is tosy-turvy!) The fly escapes the house, finds some cows (who have tails for swatting) and faces the real world of hungry flies and birds. Cleverly cut-out swatters make this an interactive book of a different sort. In the end, the reader has a moral decision of her own—to close the book and squash the fly or to carefully read it again. I would read it again.

A CREATURE GREAT AND GROSS
The fly-as-narrator trope goes one step further in I, Fly: The Buzz About Flies and How Awesome They Are by Bridget Heos. This pop-eyed fly is tired of all the attention that schools give to butterflies, when, what with flies’ metamorphosis and wings and flight, they are just insects like flies. Our fly wonders, what's the big deal? After reading this informational book, not only will young readers have new respect for poop and garbage-eating flies, they will know lots more about these less glamorous insects. Like the students shown in illustrator Jennifer Plecas’ marvelous cartoon illustrations, readers will recoil at the discussion of maggots at first, but will warm up to Fly’s arguments and tales of amazing procreation and scientific wonder. As he compares himself to butterflies, it’s impossible not to admire the fly’s halters (little spinning appendages to help with balance) and astounding wing speed (200 times/sec versus a butterfly’s paltry 5 to 12). The glossary and bibliography at the end reminds us that even though this is a light and very, very funny book, it’s chock full of information!

All three of these books will make readers of all ages think differently about flies. But adults will still feel the urge to grab the swatter.

My first thought when seeing the titles of these books was, “I love books about airplanes!”  Well . . . now I love books about flies . . . as in insects. These three books for very young readers will open their eyes to the joys and challenges of being a reviled critter in a butterfly world.

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Graduation: a special time when feelings of joy and celebration collide with a healthy dose of sheer terror. All of those hours of hard work have finally paid off in the form of a high school diploma or a university degree . . . but what’s next? How to make it in the real world is a big question with no easy answers. Whether your grad needs some level-headed advice on living well from some of our greatest authors, a few first-job stories or a collection of essays from much-admired leaders, four new books offer plenty of calming wisdom.

Nerves and plenty of other things usually ensure that a graduate will retain little to none of the commencement speech on their big day. Cue Way More than Luck, a collection of 14 of the most inspiring (yet practical!) commencement speeches ever delivered, from influential thinkers and best-selling writers such as Ira Glass, Barbara Kingsolver and David Foster Wallace. Instead of a bunch of feel-good platitudes, these speeches plainly address those creeping fears new grads can’t help but harbor, while championing bravery, empathy and other “existential skills” that have become increasingly crucial for Millennials in our still-unstable professional sphere.

FINDING YOUR FIELD
All of the exams, the hours spent sitting (or sleeping) during class lectures, and the ink and tears spilled over term papers can only prepare a young graduate so much for the lurking inevitable: their first job. Thankfully, journalist Merritt Watts has collected 50 real stories in First Jobs to brace any grad for their dive into the workforce. From pet gravediggers to bar-backs to carnies, these stories are often hilarious enough to drive the jitters away. A short note on the story’s narrator closes each story, and spoiler alert: All of those profiled here are doing just fine.

Ever wonder about Warren Buffett’s early jobs and setbacks? How about Anderson Cooper’s or Hans Zimmer’s? Gillian Zoe Segal has collected 30 essays from a diverse group of today’s leaders and innovators in Getting There: A Book of Mentors, and they don’t shy away from the gritty truths. Buffett would “literally throw up” if he had to speak in front of a group of people until he forced himself through a public-speaking course; fashion maven Rachel Zoe was the scapegoat for her sticky-fingered boss; and Matthew Weiner (the Emmy Award-winning creator of “Mad Men”) waded through seven years of brutal rejection before his script made it onto the screen. Capping off each essay are bulleted lists of “Pearls,” and these bits of wisdom beg to be taken to heart. 

A BIT OF MAGIC
If there’s any writer who has served as an influence on today’s graduating Millennials, it’s J.K. Rowling. And with more than 450 million copies of her Harry Potter books sold worldwide, it’s safe to say Rowling knows a bit about success. But in Very Good Lives, her Harvard commencement speech from 2008, she chooses to address the subjects of failure and imagination. Rowling’s experience at rock bottom as “the biggest failure [she] knew” pushed her to pour all of her energy into her biggest passion—writing. But imagination is just as important for living well, and not only for creative professionals, as it allows us “to empathize with humans whose experiences we have never shared.”

Re-readability and engaging illustrations from Joel Holland make this a perfect gift, and as a feel-good bonus, proceeds from the sale of Very Good Lives will be donated to Rowling’s international children’s charity.

 

This article was originally published in the May 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Graduation: a special time when feelings of joy and celebration collide with a healthy dose of sheer terror. All of those hours of hard work have finally paid off in the form of a high school diploma or a university degree . . . but what’s next? How to make it in the real world is a big question with no easy answers. Whether your grad needs some level-headed advice on living well from some of our greatest authors, a few first-job stories or a collection of essays from much-admired leaders, four new books offer plenty of calming wisdom.
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The lessons we learn from our mothers shape who we are, even the lessons we don’t particularly appreciate. Those lessons keep coming year after year,  and their most valuable messages stay with us forever.

NPR journalist Scott Simon’s mother was a character in every way, a funny, gorgeous, gracious woman whose last days inspired her son to write Unforgettable: A Son, a Mother, and the Lessons of a Lifetime. Simon’s memoir expands upon tweets he sent to his 1.25 million Twitter followers as his mother lay dying of lung cancer in a Chicago hospital in the summer of 2013.

Her devoted son found his mother so funny and interesting that he decided to share her final moments with the world. As he explains, “She was an old showgirl who gave a great last performance.” And tweets such as this one helped him process what his family was going through: “I just realized: she once had to let me go into the big wide world. Now I have to let her go the same way.”

Patricia Lyons Simon Newman married three times, and over the years, her many jobs included being a model, secretary, typist and an ad agency receptionist. She had worked in nightclubs and dated mobsters, and Simon’s father was an alcoholic comedian.

Simon interweaves memories of their colorful life together with descriptions of their time in the ICU. He recalls frustrating moments when needed medicine was delayed and moments of supreme grace as his mom rallies for a final visit with Simon’s wife. No doubt Patricia Newman would be proud of her son and his extraordinarily compelling, heartfelt tribute.

THERE IN SPIRIT
Alice Eve Cohen certainly has a complicated relationship with motherhood, and it smacked her in the face during a daunting period she chronicles vividly in The Year My Mother Came Back. Strangely, the ghost of her mother suddenly appeared, 31 years after her death, just when Cohen faced seemingly overwhelming personal challenges.

In a previous book, What I Thought I Knew, the divorced mother of an adopted daughter wrote about finding out at age 44 that she was six months pregnant, after years of infertility and months of strange symptoms.

In her latest book, her beloved surprise daughter, Eliana, is an active fourth-grader in need of painful surgery. At the same time, Cohen (now happily married) is diagnosed with breast cancer, just as her mother was years ago. Meanwhile, as Cohen’s older daughter, Julia, is about to leave for college, she gets in touch with her birth mother.

This collision of events results in a maelstrom of emotional upheaval for Cohen, who finds much-needed comfort in the presence of her mother’s spirit: “We revisit events from our past together. Sometimes we just talk. Always, my mother is there and she is not there.”

This thoughtful memoir shows how our past and present remain constantly intertwined, and how being a mother is a complex journey that’s often full of stunning surprises.

THE FAMILY TABLE
Cookbook author Pam Anderson and daughters Maggy Keet and Sharon Damelio, the trio behind the food blog Three Many Cooks, have always centered their lives on food, family and faith. When they began to collaborate on a cookbook, they realized they had much more to share than recipes. The result is a delectable biography of their family’s food history, Three Many Cooks.

They chronicle their “incredible, messy, hilarious, powerful, screwed-up, delicious, and life-changing love affair with food, with one another, and with the people we have come to cherish.” The book is told in alternating chapters by each of the three, with every reflection accompanied by a relevant recipe.

Anderson begins with memories of learning to cook comfort food like chicken and dumplings in the Southern kitchens of her mother, aunt and grandmother. In subsequent chapters she tells how as a young mother and wife of an Episcopal minister, she mastered the styles of Child, Beard and Claiborne.

These well-written, captivating accounts describe such things as Keet’s most memorable meal (at the home of a colleague in Malawi, Africa); the three women’s weight struggles; and an unforgettable dinner to celebrate Anderson’s mother’s 89th birthday.

This book will make readers hungry, not only for the wonderful meals, but for the camaraderie that accompanies each feast. As Pam says of a lunch shared with a dying friend: “I didn’t know it at the time, but this was the moment I started caring less about perfection and more about connection.”

MANY TYPES OF MOMS
Want to broaden your Mother’s Day experience beyond the greeting-card-and-box-of-candy routine? Dip into the wildly varied essays in Listen to Your Mother: What She Said Then, What We’re Saying Now.

In 2010, blogger Ann Imig (Ann Rants) organized a live reading called “Listen to Your Mother” to celebrate the holiday. It was such a success that more readings have been staged. This collection of the readings is refreshingly diverse, touching and funny. It’s a book that’s easy to dip into and likely to bring immediate rewards.

In “More Than an Aunt, Less Than a Mom,” Jerry Mahoney writes about his husband’s sister’s decision to become an egg donor for their unborn child. This was tricky business for everyone involved, he acknowledges, adding: “But that didn’t mean we shouldn’t proceed. It just meant we’d have to educate people, to show them what a functional family we had and demonstrate that our family, like any other, was built on love.”

No matter what the makeup of a family might be, isn’t that what Mother’s Day is all about?

 

This article was originally published in the May 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

The lessons we learn from our mothers shape who we are, even the lessons we don’t particularly appreciate. Those lessons keep coming year after year, and their most valuable messages stay with us forever.
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There is something irresistible about a talented American woman in Paris. She feels sexy and alive while strolling the city’s streets, confident the world will unfurl in her hand like a blossoming flower. 

Such young women are featured in new books by Kate Betts and Christine Sneed, and both tell wonderful stories—one true, one fictional—about taking risks and pursuing dreams abroad.

Betts’ memoir, My Paris Dream, recalls her years in the city of light after graduating from Princeton in the 1980s. Her Paris was a ladder whose climb began with freelance writing assignments for travel magazines and culminated with a position as a fashion editor and associate bureau chief of Women’s Wear Daily. Betts, who later became the editor of Vogue and Harper’s Bazaar, is an instantly likable storyteller. She takes you to the Parisian boulevards and describes in terrific detail what people were wearing. Perhaps occasionally too much detail. “Only the French could invent seamless stockings that stay up with a rubber sticky band that grips the upper thigh,” she writes. As a young woman looking to make a good impression, she bought several pairs. “Fashion is tribal,” she explains. “It’s not about who you are but where you belong.” This is a story of how one American woman came to belong in the fashion capital of Europe, and how she wrote about that world for an American audience. Along the way, Betts made some terrific friends, fell in love and witnessed the world of style up close during a time of major transition. Full of slangy French, delectable food and swoon-worthy fashion, Betts’ memoir is well worth the read.

If Betts’ Paris is a ladder, then Sneed’s is an escape hatch. Jayne Marks, the protagonist of Sneed’s novel, Paris, He Said, is an aspiring artist in New York who can’t find time to paint. Then she meets gallery owner Laurent Moller. Decades older and maybe a little too suave, Laurent sweeps Jayne away to Paris to be his girlfriend and to live in his luxurious apartment. In her new life, Jayne has hours each day to paint, cook and work in Laurent’s French gallery, which is located on the same street as the Louvre. “I am closer to my twenty-year-old self here,” she thinks, “closer than I am at home.” Yet she finds it hard to settle into such a decadent existence. Can she maneuver the complexities of Laurent’s social world? Will her paintings ultimately be any good? Is Laurent being totally faithful to her? And why can’t she stop thinking about her ex-boyfriend in New York? Sneed, whose previous novel, Little Known Facts, drew considerable acclaim, expertly keeps the pages turning in this delightful novel. Paris, He Said offers readers, too, an entertaining escape from the mundanities of daily life. With clever and graceful prose, Sneed deftly guides a story that explores whether satisfaction follows when all one’s deepest wishes come true.

 

This article was originally published in the May 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

There is something irresistible about a talented American woman in Paris. She feels sexy and alive while strolling the city’s streets, confident the world will unfurl in her hand like a blossoming flower.
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What comes to mind when you think of women’s fiction? If the word is “predictable,” think again: Two fearless first-time novelists are turning tropes upside down.

In their first novels, authors Eliza Kennedy and Sarai Walker are pushing the boundaries of popular fiction with female-centered stories that blend dark twists and searing social commentary in ways that draw from literary fiction (Notes on a Scandal to Anna Karenina) and suspense (insert obligatory Gone Girl reference).

Lily Wilder, the charismatic narrator of Kennedy’s I Take You, is doubting her decision to marry—but not for the reasons you’d expect. Lily, a successful lawyer, isn’t worried that the ceremony won’t be picture-perfect or that her fiancé will run out on her: She’s afraid that marriage will cramp her not-exactly-monogamous lifestyle. 

As for Plum Kettle, the overweight protagonist of Sarai Walker’s Dietland, the person who changes her life isn’t a man. It’s a mysterious young woman, who initiates the virtually housebound Plum (who is planning on having bariatric surgery) into a secret society of guerrilla fighters who are committing terrorist acts against the patriarchy. Targets range from gang rapists to a “Girls Gone Wild”-type filmmaker.

Lily and Plum are heroines who lie outside the social norms, both those of real life and those of women’s fiction. Lily loves her fiancé, Will, but she also loves sex—lots of it. She isn’t sure if she can change that about herself, or if she even wants to, although by accepting his proposal she’s signed on to try.

For her part, at more than 300 pounds, Plum is not conventionally beautiful, although it’s hard to say for sure since she is usually described through her own very critical eyes. Plum defines herself by her weight, hiding her body in shapeless, colorless clothes and spending years on thankless diets waiting for her skinny self—whom she calls Alicia—to emerge so she can finally start living.

Still, it’s not entirely unusual for stories to start out with women who are a little bit different. After all, that’s why their lives aren’t perfect, right? As the pages turn, you’re waiting for the moment when Lily and Plum transform, become what society expects—which makes you realize just how well-trodden the tropes of popular fiction can be. But as Dietland and I Take You approach their very different but equally satisfying conclusions, it becomes clear that this isn’t the point. Plum and Lily don't need to change—the world does. 

Readers will find themselves cheering on these two truly unconventional heroines all the way to the last page—and be thinking about their choices long afterward.

 

RELATED CONTENT: Read our online Q&As with Kennedy (I Take You) and Walker (Dietland)
 

This article was originally published in the May 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

What comes to mind when you think of women’s fiction? If the word is “predictable,” think again: Two fearless first-time novelists are turning tropes upside down.
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At the heart of every small town is a community—neighbors who have watered each other’s plants for years, friends who have grown up together and family businesses that have proudly hung signs on Main Street. These three romance novels capture the homespun charm of creaky porch swings, bake sales and softball games, as well as the sweet thrill of falling in love with the whole town watching—and usually cheering.

SWEET SUMMER NIGHTS 
Moonlight on Butternut Lake by Mary McNear is the next entry in the best-selling and emotionally rich Butternut Lake series, and it’s a nuanced story of healing and second chances. Badly injured in a car accident, Reid Ford retreats to his brother’s cabin at the lake, still confined to a wheelchair and struggling to recover physically and mentally. Mila Jones is the home health aide hired to care for Reid, but Mila is fighting her own battle—on the run from her abusive husband, moving to Butternut Lake is just the first step in her plan to make a new life for herself.

As the story opens, Reid is gruff and resentful but proud, and Mila is skittish and fragile but determined to make a better life for herself. From the beginning, they’re wary of each other—Mila is intimidated by Reid’s stubborn temper, and Reid is startled to find that the pretty aide has a surprisingly strong spine. But as the summer blooms around them, the walls they’ve built start to come down—and the tight-knit community serves to rehabilitate them both in different ways.  

Love is the last thing on Reid and Mila’s mind when the book begins, which makes their tentatively growing friendship sweetly satisfying. Workaholic Reid is surprised to find himself thinking about a relationship rather than a quick fling, and Mila is stunned to learn than she can still trust—both herself and others—at all. Suffused with all the magic of firefly-lit summer nights, this entry in the series is especially heartwarming.

A NOVEL LOVE
Emma Cane’s Ever After at Sweetheart Ranch is the next book in her popular Valentine Valley series, and it’s as warm and welcoming as spring itself. Cane writes extended family well, and the novel includes many characters readers have already met while it explores the story of a writer and a rancher who make an unlikely but wonderful couple.

Lyndsay De Luca is a dedicated schoolteacher who plays trumpet in a jazz band and writes fiction in her spare time—a true geek, in Lyndsay’s own words. Will Sweet is her polar opposite, a cowboy who thrives on Colorado’s wealth of outdoor activity and has never met a woman he couldn’t charm, at least briefly. More than their temperaments stand between them, though. Will was in love with Lyndsay’s best friend, until an accident took her far too early. And Lyndsay’s mortified to realize shortly before her first book is due to come out that her hero bears an overwhelming resemblance to Will.

For Lyndsay, it’s going to be hard enough to publically own up to the steamy book simply because of her job, and she can’t imagine what will happen if Will finds out he was the inspiration for the swaggering, sexy hero of her book. In Cane’s hands, the story plays out with humor and compassion as Lyndsay learns the real thing might be better than the fantasy, and Will discovers that love is a risk worth taking more than once. 

LISTEN TO YOUR HEART
An ex-con and a waitress find everything they didn’t know they were looking for in The Closer You Come, by longtime paranormal romance favorite Gena Showalter. This novel is the second in her first-ever contemporary series and follows the Original Heartbreakers, three men raised as foster brothers who settle in quiet Strawberry Valley, Oklahoma, for a fresh start.

Showalter hits the mark with this series. Newly out of prison, Jase Hollister is a deliciously hot bad boy with the kind of emotional wounds that will melt even the hardest heart. Brook Lynn is scrappy, stubborn and struggling not only to make ends meet but to keep her wild sister, Jessie Kay, in check. Jase and Brook Lynn meet when she finds her reckless sister in Jase’s bedroom, and the sparks never stop flying.

Showalter takes a refreshingly straightforward approach to Jase’s history and Brook Lynn’s struggles, including the implants she needs to modulate her hearing. Showalter’s gift for snappy, realistic dialogue and electric sexual tension are on full display here, and the community spirit that helps to bring the couple together makes this book everything a small-town romance should be. The next book in the series promises to be just as satisfying—and sexy.

Amy Garvey is a freelance editor and the author of several romances and two novels for young adults. 

At the heart of every small town is a community—neighbors who have watered each other’s plants for years, friends who have grown up together and family businesses that have proudly hung signs on Main Street. These three romance novels capture the homespun charm of creaky porch swings, bake sales and softball games, as well as the sweet thrill of falling in love with the whole town watching—and usually cheering.
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More than 100 years have passed since the Autumn of the Knife, when the serial killer known as Jack the Ripper terrorized the streets of London. Amy Carol Reeves, author of the YA Ripper trilogy, says, “writers and readers are drawn to this story because it’s a case that will never be solved,” leaving plenty of space for imagination. Such is the case with two new Ripper-themed books by celebrated historical crime novelists Stephen Hunter (Hot Springs) and Alex Grecian (The Yard).

Both, of course, begin with blood. Stephen Hunter’s brisk, gory epistolary novel, I, Ripper, combines the memoirs of an ambitious journalist with the Ripper’s secret diary. The journalist, an Irishman who goes by “Jeb” to protect his identity, warns readers straight away:

“Make peace now with descriptions of a horrific nature or pass elsewhere. If you persevere, I promise you shall know all that is to be known about Jack. Who he was, how he selected, operated, and escaped. . . . Finally, I shall illuminate the most mysterious element of the entire affair, that of motive.”

Hunter’s version of Jack the Ripper is a cold, verbose intellectual. Beginning with the first canonical Ripper murder of Mary Ann Nichols in 1888, it’s a well-researched retelling of history full of surprising revelations. Hunter’s 19th-century London is full of striking and authentic period details—including racism, class warfare and the treatment of Jews in Victorian England—but women are relegated to the alcoholic prostitutes at the other end of a knife. “I needed to puncture her more,” the Ripper says. “Why? God in heaven knows.”

In Alex Grecian’s fourth Scotland Yard Murder Club book, The Harvest Man, the Ripper returns to London after last wreaking havoc in The Devil’s Workshop. But in this installment, Jack plays second fiddle to a villain even more horrifying: the Harvest Man, who wears a medieval plague mask and slices the faces off his victims, continuously mistaking them for his parents.

“He stared intently at the mother and father, tried to gauge the shapes of their skulls beneath the masks they wore. . . . Those were features they couldn’t hope to hide from him. He had chosen the right people this time, his own parents, spotted among the teeming masses. He was nearly sure of it.”

The Murder Club regulars are back: Detective Inspector Walter Day, his old partner Sergeant Nevil Hammersmith, the forensic pathologist Dr. Bernard Kingsley and even their favorite criminal informant, Blackleg. More pulpy and hardboiled than I, Ripper, Grecian's newest trades Hunter’s intricate prose for snappy dialogue in another gripping Victorian team-up. Where Hunter excels at a carefully constructed, suspense-driven plot with clear ties to history, Grecian supplies a strong cast of beloved characters and great one-liners. Although, for the record, Hunter packs a few jokes in, too (“‘Can I say ‘belly?'’’ I asked. ‘It seems rather graphic.’”).

Unfortunately, female characters in both books are largely either victims or hero’s wives. “A surface reading of the case shows only Jack the Ripper, the all-male Scotland Yard investigators, and the female victims,” says Reeves. “But we have so many cases of extraordinary women like Aphra Behn who are under-recognized in history.” Regardless, both I, Ripper and The Harvest Man are frightening, well paced, effortless reads.

More than 100 years have passed since the Autumn of the Knife, when the serial killer known as Jack the Ripper terrorized the streets of London. Amy Carol Reeves, author of the YA Ripper trilogy, says, “writers and readers are drawn to this story because it’s a case that will never be solved,” leaving plenty of space for imagination. Such is the case with two new Ripper-themed books by celebrated historical crime novelists Stephen Hunter (Hot Springs) and Alex Grecian (The Yard).

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Inspect Europe today, and you would struggle to believe that its greatest scuffles were once about anything other than bailouts and shared currency, or Eurovision and football. Yet 2015 marks the bicentennial of a battle that stands as a summation of that continent's centuries of bloody wars, particularly those of the 20th: Waterloo, which took place on June 18, 1815. Two new books take different approaches to remembering this conflict.

In his history, Waterloo, novelist Bernard Cornwell asks, why another book? Waterloo is among the most chronicled battles of all time. Paraphrasing the British general Wellington, Cornwell also concedes that describing a battle is like describing a dance. Yet it is describing this already well-chronicled dance in exacting detail that Waterloo attempts to achieve.

Still reeling from Napoleon's wars of conquest, Europe is appalled to learn that he has returned triumphantly from exile, retaken Paris and set his sights on Belgium. It falls to Wellington ("the unbeatable") to stop Napoleon ("the unbeaten"). Spoiler alert: He does! But the outcome is never certain in Cornwell's telling. He even points to Frenchmen like Victor Hugo, who tried to snatch a literary victory from the jaws of putative defeat.

Waterloo is wonkish as military history goes. Much attention is paid to the arithmetical and geometrical difference between columns and lines, for example. It therefore suffers from a lack of historical context, but compensates by quoting liberally from the battle's participants. Cornwell refers to a massive model of the battlefield residing today in a British museum. His book is largely the play-by-play of that model in motion.

Waterloo may be the first modern battle, both in its intensive use of artillery and its appalling rate of casualties. The dead bodies becoming mud themselves suggests the First World War. Bodies forming great fatty pyres, or being ground up for fertilizer, or their teeth extracted—or Napoleon's loose talk about exterminating barbarians and the Parisian woman's capacity for replenishing the war dead—are a reminder of the inhumanity of the Second.

Like Ken Burns, Cornwell clearly prefers to focus on the more dulce et decorum est aspects of pre-modern conflict, the gallantry and bravery, the tear-jerking letters home. He's written an elegy for war before the machines took over—poignant and inspiring but ultimately nostalgic.

PHILOSOPHY OF WAR
If the battle appears now to us as an exercise in romantic futility, imagine what it must have seemed to the hordes of rabbits near the battlefield. This thought experiment motivates Leona Francombe's The Sage of Waterloo, an unusual but effective "tale" weaving philosophical history with animal story, as if the last chapter of 1984 had been recounted by the fauna of Animal Farm.

The tale is told by William, a rabbit named after the allied commander William of Orange. It's mainly a dialogue between William and his sagacious grandmother, Old Lavender, concerning the baffling behavior of their superiors in the food chain. They conclude that rabbits would never engage in wholesale killing and that humans are only irrational for doing so. 

Francombe later posits that women don't care much for war either, suggesting that she is using her rabbits as symbols for women. Indeed, Francombe leans rather heavily on the testimony of one actual English woman, Charlotte Eaton, who witnessed the battle's aftermath. Francombe praises the "female sensitivity" Eaton brings to her account, a sensitivity she finds lacking in accounts by male writers, among whom she might include Cornwell.

This may be true, but otiose. If Waterloo proves anything, it is that men, and not just armchair warriors, tend to delight in violence. Old Lavender is right when she says that "war desperately needs a female perspective," but Francombe might be discouraged to dwell much on the female capacity for aggression, from Queen Elizabeth to today's pro-military "security moms.” In Cornwell's Waterloo, one dead soldier is a woman in disguise.

As the sage herself repeats, too much comfort "dampens the brain.” Nietzsche couldn't have said it better. But despite these inconsistencies, the novel is an exquisite and amusing meditation on a battle whose meaning clearly invites debate, by humans or otherwise. 

Inspect Europe today, and you would struggle to believe that its greatest scuffles were once about anything other than bailouts and shared currency, or Eurovision and football. Yet 2015 marks the bicentennial of a battle that stands as a summation of that continent's centuries of bloody wars, particularly those of the 20th: Waterloo. Two new books take different approaches to remembering this conflict.

If you’re searching for a gift for dear ol’ dad, two celebrity memoirs and two accounts of unusual personal quests are among our recommendations for a Father’s Day reading list.

It’s especially poignant to read Stuart Scott’s memoir, Every Day I Fight, knowing that not long after the book was finished, the ESPN anchor succumbed to appendiceal cancer at age 49. Writing in a conversational tone, his prose sprinkled with colloquialisms like “dude” and “brotha,” Scott never wavers in his candid account of the struggle with disease that dogged the final seven years of his life, describing how he “refused to curl up and just be a cancer patient,” when he’d head straight from chemotherapy treatments to the gym for a mixed martial arts workout. 

Famous for trademark phrases like “boo-yah” and for bringing hip-hop culture to ESPN in the age of the “raplete,” Scott recounts the highlights of a career that saw him make his meteoric rise from a reporting job in Florence, South Carolina, to ESPN in a mere six years. In the two decades he spent at the network, he shed the perception that he was nothing more than a “catchphrase guy” and established himself as a dedicated, hard-working professional. What makes this memoir most appropriate for Father’s Day is Scott’s account of his fierce love for his two daughters. Even when he was honored with the Jimmy V Perseverance Award in 2014, Scott steadfastly avoided referring to his seven-year fight against cancer as “brave.” But after reading this revealing and courageous memoir, we can.

MOCKING MIDDLE AGE 
If you’re offended by explicit language or jokes from a comedian who admits he’s “not very politically correct, nor do I have a very useful filter,” you may want to pass on Brad Garrett’s When the Balls Drop: How I Learned to Get Real and Embrace Life’s Second Half. But the many fans who enjoyed Garrett’s Emmy Award-winning nine-year role as the big brother on the hit series “Everybody Loves Raymond” will relish a book that blends memoir with pointed and often hilarious musings on the perilous passage through the shoals of middle age.

Garrett shares entertaining stories of his early days in comedy, as he moved from small-town clubs to opening in Las Vegas for performers like Frank Sinatra and Sammy Davis Jr. He frankly acknowledges his debt to comedian Don Rickles, something that’s evident in the book’s blunt humor.

When it comes to what might loosely be called the self-help portion of the book, Garrett takes dead aim at targets that include vegetarianism, plastic surgery and exercise. He confesses his aversion to monogamy, though at 55 he’s quite content with his 31-year-old girlfriend. “Ultimately, you have to live right for you,” is Garrett’s theme, and from the evidence he presents here, he seems to have done quite well in that regard. 

REACHING FOR THE TOP
Austin newspaper reporter Asher Price’s decision, on the eve of his 34th birthday, to spend a year endeavoring to propel his 6-foot-2-inch, 203-pound frame high enough to dunk a basketball might seem to some a trivial pursuit. But in Price’s capable hands, Year of the Dunk: A Modest Defiance of Gravity, an exploration of what he calls the “limits of human talent,” is an informative, inspiring and often moving story of how life’s tough challenges can motivate us.

Price’s project takes him from a Texas gym, where he’s tutored by 1996 Olympic high jump gold medalist Charles Austin, to the Performance Lab of the Hospital for Special Surgery in New York to the office of British zoologist Malcolm Burrows, an expert on the jumping characteristics of an insect known as the froghopper. While crisply explicating arcana like the difference between fast- and slow-twitch muscles, he documents a punishing exercise regimen that helped him shed pounds and gain vertical lift as he strained to reach his goal. He also describes unobtrusively his experience with an aggressive form of testicular cancer six years earlier.

Readers eager to learn whether Price’s project succeeded will have to look to the book for the answer. As is always the case, the outcome is far less interesting than the journey he recounts in this warmhearted story.

TRAVEL FOR THE DARING
Albert Podell’s Around the World in 50 Years: My Adventure to Every Country on Earth is the extraordinary account of a much different personal journey, or rather a series of them: his successful quest to visit each of the world’s 196 countries (plus seven that no longer exist). Podell, who achieved his goal in December 2012, is an engaging and colorful storyteller, and the momentum of this memoir rarely flags.

If you’re looking for a guide to the best all-inclusive resorts of the Caribbean or Europe’s finest five-star restaurants, look elsewhere. Instead, Podell offers tips for eating monkey brains, advice on how to bribe your way past corrupt government officials and a system for comfort-ranking countries based on the quality of their toilet tissue. At heart, this is an adventure story, one that nearly came to a premature end at the hands of a lynch mob on his visit to East Pakistan (now Bangladesh) in the middle of the 1965 war between India and Pakistan. That’s only one of the brushes with death or serious injury that enlivened Podell’s travels.

Through all these occasionally nightmarish experiences and the daunting logistical challenges he surmounted, Podell never loses his sense of wonder or his dry, punning wit. What’s most impressive is that he logged nearly one-third of his country visits after reaching age 70, including perilous trips to countries like Somalia and North Korea. 

Even if your desire for exotic travel never takes you out of your reading chair, you’ll find Podell a fascinating companion. 

 

This article was originally published in the June 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

If you’re searching for a gift for dear ol’ dad, two celebrity memoirs and two accounts of unusual personal quests are among our recommendations for a Father’s Day reading list.

I was never a big fan of audiobooks until I heard Bill Bryson read A Walk in the Woods. Oh, I had enjoyed audios as a kind of archive of authors’ voices, but it seemed like cheating, somehow.

I was a paper man all the way—give me pages, or give me death. Until Bryson’s hilarious complaining stopped me in my tracks and made me laugh out loud. I started bugging others to listen to it. I was like a kid with a new Led Zeppelin album. I bought cassettes of the book for people. I played passages of it in my lit classes to illustrate the Monty Pythonesque delights of awkwardness, discomfort and kvetching.

And then I had kids. And with kids came long car trips. Very long car trips. Trips during which, to arrive at Yellowstone or the Grand Canyon, one had to traverse Nebraska. Or Oklahoma. Lovely places all, but somewhat lacking in teen and tween thrills. To avoid losing the kids to handheld devices and Game Boys, we discovered a miraculous combination of the past and the future.

Both my wife and I were and are Tim Curry fans. Who could ever recover from the shock of encountering Dr. Frank N. Furter in Rocky Horror? “Oh, Rocky,” indeed. And our kids were Lemony Snicket fans. And here came that sweet transvestite, with that arch and deliciously deranged voice, narrating Lemony Snicket! Everyone in the car was riveted. We all loved these audiobooks, becoming for hundreds of miles a family in the 1930s gathered around a great radio to travel into unexpected worlds. Perhaps my wife and I were seeing Curry in fishnets in our minds, while the kids were seeing what Lemony wanted them to. But never mind—it worked. And it worked so well, we often hurtled past the various Stuckeys on the road, passing up corn nuts and pecan logs to hear more story.

I have a slight bone to pick with Tim Curry, though—his nefarious influence on our literary habits inspired our daughter to force us to listen to all 9,000 hours of his rendering of Journey to the Center of the Earth. Not knocking Jules Verne, mind you. But, really. The upshot, however, was our daughter announcing that she loved science. Poor girl—she thought all science teachers would sound like Curry. 

Never mind the corsets.

Then, it was my turn.

I had published this whopping novel called The Hummingbird’s Daughter. It was my life’s work in a real sense—it took me 20 years to write and research it. When the offer came to record the audio, I thought I had to do it. Who was going to do it justice? Not me, perhaps, but at least I would understand all the jokes and get the Mexican cussing right. I have learned that my readers are very particular about their Spanish obscenities.

So. Nobody told me that a 600-page book would be a pain to record. Literally a pain—in the posterior. Because you sit on this stool the whole time, maintaining a six-inch distance from the mike. Yoga for non-yoga people. And 600 pages, even at a good clip, means about 40 hours in the studio. Perching. With an engineer endlessly stopping you for “stomach noises,” or “weird clicking in your throat” or “gross mouth sounds.” And a producer listening in via Skype to correct any deviation—even one word—from your own text. NO IMPROVISING. Plus, these shadowy characters stun you by pointing out that words you think you’ve always known are actually pronounced another way and you’ve been saying them wrong. What? Thank God I have tenure, you think, because my colleagues from rhetoric have been snickering at me this whole time!

My first producer was a lovely former Broadway musical dancer. “I’m a dancer!” she’d tell me from wherever her fortress of solitude was. “Do you have any idea what we go though? I don’t care if your butt hurts!” But she liked my reading. Except when I used a French word. My accent was appalling, apparently.

The studio was an awesome experience, however. One day, my engineer took me to a small toilet and said, “Look at this.” I looked. “So?” I said. “Dude—Madonna peed there.” I said, “Uh. Bronze the toilet seat?” And back to work.

If you want to feel insane, by the way, spend 40 hours speaking in the voices of different people all day. Especially when they argue. But you know one thing: Long after you’re gone, your voice will remain. To tell your children a bedtime story. And later still, their children. Me and Tim Curry. Forever.

 

Luis Alberto Urrea is a novelist, poet and short story writer and the author of The Devil’s Highway, a Pulitzer Prize finalist in nonfiction.

 

This article was originally published in the June 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

I was never a big fan of audiobooks until I heard Bill Bryson read A Walk in the Woods. Oh, I had enjoyed audios as a kind of archive of authors’ voices, but it seemed like cheating, somehow.
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A relatively recent entry to the romance field, New Adult stories feature heroes and heroines negotiating the tricky transition to independence after high school. These four recent releases perfectly capture the feeling of first love—and first heartbreak—that can define the early 20s.

THE BUCKET LIST
In Cora Carmack’s All Played Out, Antonella “Nell” DeLuca has reached her senior year of college with near-perfect grades. Unfortunately, she’s been so focused on studying that her social life is non-existent. Determined to remedy the situation, she makes a bucket list of things she wants to do before graduation. First on the list: Hook up with a jock.

Football wide receiver Mateo Torres has a reputation for playing hard, both on and off the field. When he meets Nell and discovers her list, he’s determined to help her check off every item. But he didn’t expect to fall in love with her. When the list is completed, will Nell choose to stay?

This is the third novel in Carmack’s Rusk University series, and it’s a winner. The hero and heroine are both intelligent, endearing and funny, and they have enough past heartache to keep readers wondering if they will find a way to stay together.

LOVE HEALS ALL WOUNDS
Tiffany King launches her Fractured Lives series with A Shattered Moment. College sophomore Mackenzie Wilson is still struggling to cope with her broken heart a year after a car accident killed her friends and left her leg badly damaged. It’s all she can do to hobble to classes and focus on studying.

Bentley James sees Mackenzie on campus and immediately recognizes the pretty girl he pulled from the wrecked SUV a year before. She’s emotionally locked down and barely speaks, however, and it takes concentrated effort to slowly draw her out of her shell. Bentley knows he’s falling in love with her, but he also knows she may break his heart. Unless Mackenzie can face her past and come to terms with everything that happened that terrible night, she may never be able to love him in return.

King has given her fans a deeply emotional novel that addresses personal and family issues. Readers will root for Mackenzie and Bentley as they fall in love and make hard choices.

WHAT HAPPENS IN VEGAS
Trusting Liam continues best-selling author Molly McAdams Taking Chances and Forgiving Lies series. College senior Kennedy Ryan breaks every personal rule and spends an unforgettable night with a stranger. Tiptoeing out without waking him, she quietly leaves the Las Vegas hotel and goes home to Florida, but she can’t forget him. A year later, a threat against her detective father has her family insisting Kennedy and her younger sister spend several months in California. Much to her shock, her new boss’ son is the man from Las Vegas.

Liam Taylor is just as stunned as Kennedy. Like her, he’s never been able to forget their night together. He’s determined to keep her close, and this time, he won’t let her slip away. But Kennedy has a complicated history, and unless both she and Liam can come to terms with the past, they may never find a way to be together.

McAdams has created thoroughly likeable characters in Liam and Kennedy and surrounded them with a cast of interesting people. The plot has enough surprises to keep readers eagerly turning pages and fans will be delighted with this latest novel in the series.

STAR-CROSSED LOVERS
Broken Juliet by Australian author Leisa Rayven is set in the world of the theater. Actress Cassie Taylor fell in love with fellow student Ethan Holt in college. Unfortunately, Ethan had deep-seated issues that compelled him to break up with her. He broke her heart and his own, as well. Several years later, they’re forced together once again when they land the lead roles in a Broadway play.

Cassie has never really recovered from losing Ethan, and much to her shock, he tells her that he’s never gotten over her either. But there is so much emotional trauma in their collective past—is it possible for them to look past it and move forward together.

The chemistry between Cassie and Ethan is steamy, their emotions raw and real. Rayven deftly juggles the lovers’ present-day relationship with their failed affair in college. Fans of the author’s debut novel, Bad Romeo, will be delighted with this sophomore offering.

Lois Dyer writes from Washington State.

 

Within the relatively new romance genre of New Adult, the heroes and heroines are focused on negotiating the tricky, independent years after high school. We’ve selected four New Adult romance novels that perfectly capture the feeling of first love—and first heartbreak—that is so definitive of one’s early 20s.

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