Allie Therin’s instantly intriguing Liar City is set in an alternate Seattle where some people are empaths, able to read others’ emotions just by touching them. The story begins when Reece, an empath and part-time police consultant, receives a mysterious phone call telling him that Reece’s detective sister, Jamey, needs his help. When Reece arrives at Jamey’s latest murder investigation, he also encounters the caller: empath hunter Evan Grayson, also known as the Dead Man. Enigmatic and relentless, Evan is on a mission to stop the killings, which may have something to do with the imminent passage of an anti-empath law. Reece is a very appealing viewpoint character, and chapters from Jamey’s perspective are equally engaging. Evan and Reece’s chemistry crackles throughout Liar City’s nonstop action, but be warned that they do not exchange even one intimate touch. However, as this fantastic paranormal is the first installment in Therin’s Sugar & Vice series, hopes abound for the future.
The Portrait of a Duchess
An aristocratic title reunites an estranged couple in The Portrait of a Duchess, Scarlett Peckham’s hotly anticipated second book in her Society of Sirens series. When she was young, Cornelia Ludgate secretly married horse breeder Rafe Goodwood, which freed her from the strictures of high society and allowed her to pursue painting. Twenty years later, Cornelia is an established artist and an activist for women’s rights. But when her long-estranged husband unexpectedly inherits a dukedom, he proposes that they go public with their marriage. Doing so would provide Cordelia with extra income to devote to her cause and would grant Rafe instant notoriety, which he intends to parlay into governmental reform. Though the iconoclastic pair deny their feelings, their attraction sizzles and they enjoy a mutual understanding when it comes to their desire to take lovers of all genders, both together and apart. Scorching love scenes make this white-hot read a standout.
Cold-Blooded Liar
Karen Rose begins an exciting new romantic suspense series with Cold-Blooded Liar. An anonymous tip leads San Diego detective Kit McKittrick to a body wearing a pair of pink handcuffs, echoing a murder spree 15 years earlier. To solve this latest killing, Kit must first uncover the identity of the tipper. It turns out to be do-gooder psychologist Dr. Sam Reeves, whom Kit instantly likes but must consider a suspect all the same. Kit is not a trusting woman, but as more deaths occur and the murderer hits closer to home, she must turn to Sam to help her nab the killer. The crimes are brutal, but Rose balances the story with a heroic team, lovable dogs and Kit’s warmhearted foster parents. It’s a gripping and satisfying tale, even if Kit has yet to kiss the good doctor by story’s end—which readers will surely be rooting for in the next installment.
Scarlett Peckham’s long-awaited sequel to The Rakess is here! Plus, two suspenseful series get off to a thrilling start.
Buckle up for another wild ride with Florida ne’er-do-well Serge A. Storms and his stoner sidekick, Coleman, in their 26th adventure, The Maltese Iguana by Tim Dorsey. The title, a nod to Dashiell Hammett’s The Maltese Falcon, refers not to a precious statue but instead to its modern-day Florida counterpart—an iguana-shaped bong. The basic premise of the book is that Serge Storms, now fully vaccinated after a long COVID-19 lockdown, decides a celebration is in order, upon which mayhem ensues, both figuratively and literally. Meanwhile, a CIA operation goes off the rails in Honduras, and after barely escaping with his life, the agency’s local contact makes his way to Florida, putting both him and the agents the CIA sends after him directly in Hurricane Serge’s path. There are murders, explosions, drugs, mercenaries, Florida history and folklore, wild parties, an exotic dancer, an appearance by Captain Kangaroo, a boxing rabbit and enough pingpong balls to fill the trunk of an old Ford LTD. Imagine one of those newspaper articles in which the headline begins with “Florida man” and then imagine the article extending to 336 pages. That will give you a pretty good idea of what to expect in The Maltese Iguana.
★ Storm Watch
C.J. Box’s Joe Pickett mysteries have been excellent since the Wyoming game warden’s very first case, 2001’s Open Season. But Box’s latest novel, Storm Watch, is perhaps the most intricately plotted and fully realized of the bunch so far. Joe is on the trail of a wounded elk as an immense winter storm closes in, but he soon stumbles across something totally unexpected: a semi-decapitated body in a mysterious shed far off the beaten track. Joe only has time to take some photos before beating a hasty retreat in hopes of outrunning the snow. When he returns after the storm, the body has disappeared. What initially seems to be a lack of interest on the part of the sheriff soon morphs into a full-blown, high-level warning that Joe keep his nose out of matters that don’t concern him. (As if that could ever happen.) Conspiracies abound, reaching up to the highest levels of state government and involving uber-wealthy absentee ranchers, bitcoin miners and underground militias. There is a lot going on, but Box keeps all the balls in the air, culminating in an ending sequence that’s pure gold and extremely satisfying on multiple levels.
Murder at Haven’s Rock
Canadian author Kelley Armstrong is perhaps best known for her Rockton mysteries, a series of seven books set in the titular village, which is hidden in Canada’s Yukon wilderness and serves as a refuge for those who cannot be effectively protected by the authorities. The Rockton series’ protagonist, detective Casey Duncan, is breaking ground on a similar endeavor with her husband, Sheriff Eric Dalton. Their new village, Haven’s Rock, will differ from Rockton in only one major way: Casey and Eric plan to handpick the residents in hopes of eliminating some of the shortcomings of the Rockton project. But things do not get off to a good start. Murder at Haven’s Rock, the title of the new book, says it all. It starts when a couple of construction crew members break the cardinal rule—Do Not Venture Out Into The Forest—and never return. Casey and Eric launch a search for the missing workers but instead find the body of an unknown woman who has been stabbed to death. Just like Armstrong’s Rockton series, Murder at Haven’s Rock is an immediately intriguing mystery populated by well-drawn characters. It’s certainly accessible as a standalone read, but I wouldn’t be surprised if readers new to Armstrong immediately seek out her previous books after finishing this superb series starter.
★ The Cliff’s Edge
The mother-and-son writing team known in the publishing world as Charles Todd (the mother of which, Caroline Todd, died in 2021) boasts two hit series, each set in the years immediately following World War I. The first features Inspector Ian Rutledge, a cop haunted by the ghost of a wartime casualty, and Todd began the second in 2009, a spinoff series centered on Bess Crawford, a former combat nurse marked by her own war experience. As the 13th installment, The Cliff’s Edge, opens, Bess accepts a temporary nursing position to care for a wealthy woman after a surgery. While she is on duty, a tragic accident takes place nearby: Two men, Gordon Neville and Frederick Caldwell, fall from a rocky outcropping, with Frederick dying from his injuries. But things take an ominous turn when it is revealed that the two men shared a contentious past and that Frederick’s injuries seem inconsistent with his fall. It falls to Bess to care for Gordon, who has a dislocated shoulder and a badly broken arm, and she finds herself drawn into the mystery of what actually transpired at the cliff’s edge. Both men’s grieving and angry family members complicate the situation, as does a local cop bent on pinning a murder on Gordon. As is always the case with the Bess Crawford books, the writing is perfectly evocative of the period; the conversational style, relationships and manners are all very “Downton Abbey”-esque, making for an exceptionally pleasurable ride to the ultimate reveal.
Batten down the hatches—Serge Storms is back. Read our review of Tim Dorsey’s absolutely wild Florida-set caper in this month’s Whodunit column.
BookPage is excited to host a first look at the new print edition of Kennedy Ryan’s gorgeous and pulse-quickening romance The Kingmaker.
The first part of an addictive duology, The Kingmaker is a suspenseful, intrigue-filled ride that generated internet buzz before BookTok and Bookstagram ruled the bestseller lists. The beautiful new edition from Bloom will allow even more readers to discover what makes this star-crossed love story so unforgettable.
The titular kingmaker, Lennix Hunter, is a powerful political advocate for Native American people. Maxim Cade is both an environmental scientist and capitalist crusader; he wants to “save the world and make lots of money.” Lennix and Maxim meet at an oil pipeline protest and, despite their stark differences, find that their values are mostly in sync. It’s just the timing they can’t seem to make work as their high-powered careers, their politics and Maxim’s family create seemingly insurmountable barriers. Lennix and Max’s epic love story spans two decades, four continents and two books, but it always feels intimate due to Ryan’s lyrical and sexy prose.
The new edition of The Kingmaker will be available on shelves at libraries and bookstores everywhere on May 23, 2023. In the meantime, we’re thrilled to reveal its beautiful cover, which was designed by Stephanie Gafron at Sourcebooks. And read on for a Q&A with Kennedy Ryan!
Tell me about The Kingmaker. How did you first conceive of this story? Activism is a common theme in a lot of my books. I saw footage of a pipeline protest, and it stirred my outrage but also my imagination. I started envisioning two best friends, one Indigenous and one Black, who start a political consulting firm to elect leaders who will champion their causes. The Kingmaker is the story of Lennix, who is Yavapi-Apache, and Maxim, who is the heir to an oil empire.
You’ve explored sports and entertainment in other books, but the All the King’s Men series examines the intersection of politics and business. What was appealing about that context for you? I wanted to write about people of deep conviction who dedicate their lives to making the world a better place. Lennix and Maxim start out as idealists, and over the course of their lives, over the course of the story, they become more jaded, but they never lose their fire for making a difference. Maxim is an environmentalist who focuses on sustainable products, which makes him a billionaire. He’s the only billionaire I’ve ever written, and I had to have him sign the Giving Pledge to justify it to myself, LOL. I enjoyed playing with how these dreamers become more pragmatic over time while trying to hold onto what initially drove them. And I wanted to examine what would happen when people who are this passionate for their causes turn that passion on each other.
While creating this suspenseful series and its hard-charging, powerful heroine, where did you turn for inspiration? I definitely was inspired by Olivia Pope from “Scandal”: a strong woman of color who has conviction and works toward the greater good (even if her white hat does get a little sullied in later seasons!).
I’m not Indigenous, so I had to really interrogate if this was a story I should tell. And if I did tell it, was I prepared to meet my own standard for writing outside your lived ethnic experience? It’s a high bar. It should be a high bar. I interviewed several Indigenous women, making sure some of them were from the same tribe as my heroine. During some of those conversations, the ladies recommended books I should read, which enriched our conversations and deepened my understanding of what I was writing. There was an aspect of the story that I consulted a medicine man for, in addition to the sensitivity readers I compensated, to ensure there would be no harmful representation. We took our time to get it as right as we could. They all inspired me, educated me, guided me. I’m so incredibly grateful and proud of the story that came out of that process. And when it was all said and done, I made sure to amplify #ownvoices writers of Indigenous romance.
How have things changed since you wrote The Kingmaker? Is there any issue or situation in the novel that you might handle differently today? Throughout the story, Lennix is fighting for legislation addressing Missing and Murdered Indigenous Women. Almost every woman I interviewed brought up this subject because it’s such a prevalent and complex problem, and at the time, there were no laws to help. Since the book was published, there has been some legislation passed. We still have a long way to go, though, to ensure Indigenous women’s safety is taken seriously.
For readers who know you mainly from Instagram and BookTok, what are the similarities between the All The King’s Men series and books like Reel and Before I Let Go? It’s all women of color, mostly Black women. They are often powerful, yet also vulnerable. I usually build the woman’s character first and then determine what kind of man she needs. I always joke that whether he’s an alpha male or has golden retriever energy, all my heroes are feminists, meaning they believe in the fundamental equality between women and men in all things. They will adore her, respect her and acknowledge her full agency.
I don’t really write escapism. It’s romance and it’s a guaranteed happily ever after, but I don’t necessarily want to provide readers passage away from the real world. I want them to think about it deeply. Feel about it deeply. Encounter characters who are navigating the same challenges as many of them. Chronic illness, social injustice, domestic abuse, family dysfunction, mental health—whatever it is, it’s an opportunity to show strength and love. It’s an opportunity to inspire hope.
You are one of only two competitive RWA RITA Award-winning Black writers, and you’ve had success in both traditional publishing and self-publishing. You could go to any imprint you wanted for this reissue (or release it on your own). What was special about Bloom? I see Bloom thinking outside the box in ways that can really work for indie authors. They have the infrastructure and resources of a traditional publisher, but they are a lot more agile and flexible than many in the industry. They aren’t afraid to try new things or to take risks.
What was appealing to me, too, especially for this story, was that they understood where it came from: a place of uncompromising honesty about colonization, about racism, about the history of this country. None of that scares me, and it doesn’t scare them either.
I hear from a lot of people that I’m not “romance” enough, that I’m too close to women’s fiction. And the WF crowd sometimes thinks my books are too spicy. In a lot of ways, my stories don’t look like anything else in the romance space. Bloom’s really embraced that. I’m really fortunate to have a lot of choice at this stage of my career, and if I choose to work with someone, it’s because I believe I have something that benefits them and they have something that benefits me. I’m excited to see how this story finds a new wave of readers and wider visibility with Bloom behind it.
Did you have a hand in the look and feel of the cover? Some, yes! It was a collaborative effort with lots of meetings and mock-ups. We wanted an aesthetic that appealed to both readers looking for romance and those looking for romance and more, which is definitely what The Kingmaker is.
What else can Kennedy Ryan fans look forward to in the coming months? A lot! The Rebel King, which is book two of the All the King’s Men series, will rerelease right after The Kingmaker. Bloom is also rereleasing Hoops, my most popular series, this October. This summer, I’ll release the next book in my Hollywood Renaissance series, Score, which is the follow-up to Reel. Different couple, same universe. And you never know what else I have up my sleeve! 🙂
We’re delighted to reveal the stunning new cover for Kennedy Ryan’s The Kingmaker, which will be rereleased by Bloom this May.
A self-published phenomenon and longtime fan favorite, romance author KJ Charles returned to traditional publishing this spring with The Secret Lives of Country Gentlemen. The first installment in her Doomsday Books duology, Secret Lives introduced readers to the dangerous and exciting world of Romney Marsh, a stretch of Kentish coastline that’s home to a family of bold smugglers. A Nobleman’s Guide to Seducing a Scoundrel is set 13 years later, and follows Luke Doomsday, a scion of the smuggling clan who unexpectedly partners with Rufus d’Aumesty, the new local lord.
A Nobleman’s Guide to Seducing a Scoundrel will be available on shelves at libraries and bookstores everywhere on September 19, 2023. In the meantime, we’re thrilled to reveal its marvelous cover, which was illustrated by Jyotirmayee Patra. And read on for a Q&A with KJ Charles!
What input did you have on the individual details and the overall design for the covers of this series? What are your favorite aspects of the Nobleman’s Guide to Seducing a Scoundrel‘s jacket, specifically? The publisher was great with consultation. They produced the terrific concept and then we talked about the various elements at sketch stage (appropriate plants and creatures for book one, house details for book two) to make sure they fitted with the book and mood and era, and I sent photo references where necessary. For both books, we paid a lot of attention to the pose of the main characters: It was really important to me to have a sense of romantic interaction so it absolutely looked like a queer romance. I love the way that Scoundrel matches Country Gentlemen, and how it somehow has an indoor, claustrophobic, nighttime feel where Country Gentlemen is very clearly outside.
There is a 13-year time jump between The Secret Lives of Country Gentlemen and A Nobleman’s Guide to Seducing a Scoundrel. Was that always the plan for the duology, or did you realize this was the direction the series was taking while writing Secret Lives? As a writer, what was intriguing and exciting about the time jump? It was always the plan! I really wanted to dig into the knock-on effects of the events of book one on Luke, who is only 13 in the first book and has a pretty rough time with some substantial physical and mental trauma to handle. A lot of book two is about the consequences of book one—how those events affected not just Luke, but Gareth and the Doomsdays, the family dynamics and the resolution of the suspense plot. Also, of course, we’re going from a time of war and quite a high level of lawlessness and smuggling, to one of peace in which everything seems to be a lot more civilized. The Marsh has a different mood in book two; it’s calmed down a great deal.
Why did you pick the 1820s for the setting of A Nobleman’s Guide? Honestly it was picked for me: I needed to place book one around 1810 for reasons to do with the plot, and I needed Luke to be mid-20s in book two to give him time to acquire the work and life experience he needed, while still being young enough to be stupid. I also wanted enough time to have passed that the economy was in a slightly better place than immediately post-war. I’ve already done a few books set around this time so the reading/research/feel were at my fingertips, and Scoundrel deliberately has quite a restricted setting as it takes place mostly within Stone Manor (it’s the classic gothic “big old house with horrendous family”), which does make things easier.
Both of the romances in the Doomsday Books feature a character that unexpectedly inherits an aristocratic title. What’s compelling about that dynamic for you? Why do you think it’s such a perennial plot in historical romance? Well, it’s a great way of giving your character a ton of privilege without the tiresome personality side effects of them being brought up in that privilege! Which is to say, you can have a character who’s a lot more appealing to the modern reader without having to explain why he isn’t a spoiled entitled jerk.
I chose to have them both be inheritance books because I wanted to make a direct comparison of the situations. In book one, Gareth’s title is pretty meaningless: He’s a baronet, the least important and most numerous of inherited titles, his family is tiny and distant, and he’s not a big landowner or particularly well-off. Mostly, the title makes him rather more obvious to other people than he’d like to be, when he just wants to potter round the Marsh with Joss looking for beetles. Whereas in book two, Rufus inherits a very old earldom that does in fact give him a lot of power, but which also comes with a huge responsibility he can’t manage at first, and a massive burden of family pride he doesn’t share. Gareth has to make things work despite his title; Rufus has to make them work with his title.
Where do Rufus and Luke rank on the KJ Charles Character Scale, with 1 being “Cozy Cinnamon Roll Who Has Never Hurt a Fly” and 10 being “The Literal Devil—But Sexy”? Rufus is a 3. He’s loud and shouty with a temper, and can be ruthless when he has to, but he’s got a very kind heart, he forgives quickly and he thinks hard about doing the right thing. Luke is . . . Luke is a Doomsday. He holds grudges forever, he’s manipulative and a shameless liar and frankly a git, and I don’t know how much he actually changes, rather than deciding to use his powers for good (and by “good,” I mean “Rufus”). He is also badly damaged by the events of book one, so deserves a bit more understanding than some other main characters of mine that I could mention, but I’d give him a solid 8: Natural Disaster. (I am really looking forward to seeing how people react to some of his more extreme decisions, ahaha.)
We’re thrilled to reveal the delightful cover of KJ Charles’ new historical romance—plus read a Q&A with the author!
Barbara Chase-Riboud’s The Great Mrs. Elias is based on the life of Hannah Elias, a Black woman who made a name for herself in early 20th-century New York City real estate, accruing enormous wealth along the way. But in 1903, a murder takes place at Hannah’s opulent home, and her carefully constructed existence changes forever. The narrative flashes back to recount her difficult childhood in Philadelphia and her decision to take on a new identity—a choice that has grave repercussions. Atmospheric and richly detailed, Chase-Riboud’s novel provides a compelling portrait of a remarkable woman.
Famed sniper Mila Pavlichenko is the heroine of Kate Quinn’s The Diamond Eye. A librarian and single mother, Mila serves as a sniper for the Soviet Union during World War II and becomes well known thanks to her exploits, including a body count of more than 300 soldiers. When she’s wounded and sent to America to bolster support for the war, Mila finds a kindred spirit in Eleanor Roosevelt and makes new connections, but she also faces danger from a former adversary. Quinn’s use of historical sources and the role of women in war are among the novel’s rich discussion topics.
The Last Confessions of Sylvia P. by Lee Kravetz examines poet Sylvia Plath and the writing of her 1963 novel, The Bell Jar, through three narrators: Ruth Barnhouse, Plath’s real-life psychiatrist; Boston Rhodes, a jealous, competitive poet who serves as a stand-in for Anne Sexton; and the fictional Estee, a curator who comes across what might be the original manuscript of The Bell Jar in 2019. Each narrator offers a deeply personal perspective on Plath, womanhood and the creative process, with Estee’s quest to find out the truth about the manuscript serving as the suspenseful centerpiece of this mesmerizing novel.
In Take My Hand, author Dolen Perkins-Valdez takes inspiration from an infamous 1973 lawsuit to create the fictional story of Civil Townsend, a Black nurse in Alabama in the 1970s. Civil becomes involved in the lives of India and Erica Williams, sisters who Civil discovers have been surgically sterilized by the clinic where she works. The girls, ages 11 and 13, come from an underprivileged Black family, and their circumstances haunt Civil as the years go by. This electrifying novel’s powerful exploration of racism, family and civil rights make it a rewarding choice for book groups.
Your book club will love these fascinating fictional takes on real figures and events.
Like the psalmists, authors Kate Bowler and Jessica Richie (Good Enough) examine and affirm the multifaceted human experience in The Lives We Actually Have. In 100 entries written in verse, Bowler and Richie celebrate the beautiful, lament the ugly and recognize the mundane alongside the blindsiding. This book is not the shallow expression of prayer most of us are used to. Instead, these pages hold blessings that make every human experience, even a “garbage day,” worthy of noting and appreciating.
The authors include blessings for every kind of day, including ordinary life, tired life, lovely life, grief-stricken life, overwhelming life, painful life and holy life. Along the way, they do an incredible job of reclaiming blessings from social media’s “#blessed” culture, speaking truthfully about the range of experiences inherent to being human instead of offering blessings for the pristine, uncomplicated lives we wish we had.
Bowler and Richie go where most Christian authors won’t: right to all the messy truths of being alive. Their willingness to meet us where we are makes life feel a little more manageable and a little more worthy of love. Through their words of blessing, readers will find courage, rest, hope to carry on—and maybe even a laugh.
The Book of Nature
Born out of author Barbara Mahany’s curiosity, The Book of Nature: The Astonishing Beauty of God’s First Sacred Text weaves together theology, nature, science, liturgy and poetry. Instead of losing readers in so many captivating details, she brings all these seemingly different mediums together to create a compelling argument that the natural world is the key to understanding God. To Mahany, and the countless theologians, authors and scientists she references, nature is what makes sense of scripture.
Mahany opens her book by sharing how she came to write about the Book of Nature, which is an ancient name for the practice of “reading” nature like a sacred text, “the text of all of creation, inscribed and unfurled by a God present always and everywhere.” Her initial spark of interest led her down a rabbit hole, finding references to the Book of Nature throughout Christian history. She then explains how the separation of religion and nature—that is, science—came about during the Enlightenment and reminds readers that it doesn’t have to be that way now. Through her essays on the earthly, the liminal and the heavenly, Mahany reveals the divine’s presence in our world.
For those in the Christian faith who grew up learning about God only from Bible lessons, The Book of Nature provides permission to wonder, get curious and find God in the tiny details of a sprouting garden, a forest glade, birds in flight or the moon. By showing readers how many respected theologians, seminarians, desert mothers and fathers, tribal leaders and saints found God in nature, Mahany reminds us that there are different ways to encounter God all around us, beyond just in scripture.
★Dancing in the Darkness
Rev. Otis Moss III is the senior pastor of Trinity United Church of Christ in Chicago, and his ministry is steeped in a theological tradition of liberation, love and justice. Dancing in the Darkness: Spiritual Lessons for Thriving in Turbulent Times, his latest collection of essay-sermons, lays out the need for Americans to use the tools of “Just Love” (love linked to justice) to overcome despair and denial. Because of our country’s racialized history, Moss writes that we are doomed to stay in a state of “political midnight” if we don’t reckon with injustice while holding onto agape love.
Moss weaves personal stories, history and prophecy together in a fast-paced, faith-filled way. Readers will breeze through these essays and feel energized to hold onto hope despite the challenges we face as a society. With practical calls to prayer, meditation and authenticity, Moss leads readers into Dr. Martin Luther King Jr.’s vision for a “beloved community.”
Dancing in the Darkness is a wonderful soul-reviver. Readers will come away feeling spiritually buoyed, just like they might if they attended worship at Moss’ church. The effect is empowering without giving into unrealistic visions of utopia. It’s like a spoonful of sugar that will help us fight for the world our children deserve to inherit.
All My Knotted-Up Life
Many readers have been anticipating the release of All My Knotted-Up Life, author and minister Beth Moore’s memoir. After decades as a women’s Bible study teacher in the Southern Baptist Church, a denomination that only allows men in leadership roles, Moore finally shares her story. She reveals a few surprising secrets here, but her trademark belief in the goodness of Jesus is the memoir’s main draw.
Beginning with her childhood, Moore tells her story of living in a home fraught with mental illness and sexual abuse and the safety she felt going to the Baptist church in Arkadelphia, Arkansas. As Moore moves chronologically through her life, we see her family fall apart and come back together, and we see Moore get married and have children all while feeling called to ministry. Moore struggled to figure out what that would look like in the Southern Baptist Church, but she found a way—first by working around the Southern Baptist Convention’s gendered leadership rules and then by leaving the organization completely—and became one of the most well-known leaders in evangelical Christianity.
All My Knotted-Up Life will leave some readers wishing they knew more of Moore’s story. Because of her ability to see the humanity in all people, including her abusers, I was personally left wanting to see more of her process of forgiveness. But for Moore, true forgiveness is up to Jesus, who is at the heart of this tender memoir.
These Christian nonfiction books will make readers feel a little bit better about being human.
When we think about how life will look in 10, 50 or 100 years, we might not consider the poetry that those societies will produce. But if we think about how those societies will look back at us, here in 2023, I would argue that these poetry collections are the perfect snapshots of our world. Ranging from joyous odes to lamentations, the poems in these five collections speak to us and challenge us. They provide answers to our most pressing questions when the future seems uncertain. They remind us that poetry is the only refuge from life that, upon closer examination, is actually just life itself.
★ Promises of Gold
What is love? José Olivarez has the answer in Promises of Gold. In both English and Spanish, these poems explore the facets of love that pop songs rarely do—the gritty, painful parts that everyone sweeps under the rug. In these verses, Olivarez primarily explores the presence and absence of love in Chicano and Mexican communities, creating sparkling, nostalgic portraits of family and friends. Many of the poems also have a political angle, tackling religion or masculinity and ensuring that the forces that continue to shape Mexican culture are thoroughly critiqued. This is not to say the collection is overly analytical, as it is often in Olivarez’s most earnest moments that he is able to pierce the culture, arriving straight at its heart.
Poetry has always existed in a state of tension: What does poetry have to look like? What should it look like? Should it rhyme? Can it be prose? In Couplets, Maggie Millner replies with a sweeping “Why does it matter?” By employing two forms, the couplet and the prose poem, Millner suggests that these questions don’t need answers and that, within uncertainty, there is room for personal complexity. A love story through and through, this collection uses poetry to document the personal struggles inherent in falling in and out of love. Sometimes love can be uplifting, giving you butterflies; other times it can be obsessive and neurotic, leading you down rabbit holes of insecurity. Millner’s words occupy both forms and feelings, giving the collection a back-and-forth, will-they-won’t-they quality. It’s in this liminal space that Millner settles, showing how writing is transformational, both for the self and the world around us.
★ Above Ground
In Above Ground, Clint Smith proves that, in the words of William Wordsworth, “The Child is father of the Man,” as his poems explore the beauty, fear and sacredness of being a child and then raising his own. Written to and for his kids, Smith’s verses build a nonlinear narrative of his journey into fatherhood, including health difficulties and his attempts to teach his children how to exist in a troubled world. Wonder and joy are prevalent throughout the book, with Smith writing many odes to his children’s quirks and the idiosyncrasies of child rearing, including first smiles and hiccups. In a time when the future is increasingly uncertain, such a touching and profound statement on parenthood is desperately needed. Smith provides the shot in the arm, reinvigorating our ability to love and nurture.
Trace Evidence
For a second it seemed like American culture was approaching a racial reckoning. Though that moment has passed with few tangible results, Charif Shanahan takes advantage of the still-burning embers in Trace Evidence, speaking to the country in sharp, unifying language. Despite perpetual division, or perhaps because of it, Shanahan is able to produce answers to racialized questions of belonging through these poems, emphasizing how humanity goes beyond such constructions. His words are moving and muscular, with each line pulsating with wisely crafted feeling and thought. Poems like “Talking With My Boss About Diversity and Inclusion” allow Shanahan to really shine, showing not just how a person is impacted by race but also how race is shaped by all of us, individually, in every moment.
a “Working Life”
It is important to stay happy, to maintain daily reminders of goodness and wonder, and in a “Working Life”, Eileen Myles helps us do just that. With their streamlined style and singular devotion to mundane wonder, they show how life can still be surprising despite the inevitability we may feel each day. Contradictions and coincidences, joy and despair, the intricacies of life and death are all captured in these brief, fleeting poems, told in tight verse and with some lines only a word long. They reflect how quickly time goes by and how each second provides something deep and new, creating an infinite loop of meaning—a message that is helpful and frustrating, uplifting and perplexing. Really, it’s life.
New poetry collections show the truths of our world—right here, right now.
In Hotel of Secrets, Diana Biller whisks readers away to 1878 Vienna. Hotel Wallner is Maria Wallner’s somewhat tarnished family legacy, thanks to her unmarried parents’ decadeslong affair. She’s determined to help the place regain its former glory during Vienna’s traditional ball season. American Secret Service agent Eli Whittaker arrives at the hotel to investigate the theft of secret codes but is soon beguiled by the beautiful, sophisticated Maria and her glittering city. This delightful, highly recommended romance is chock full of fascinating history as it enchantingly depicts late 19th-century Austria, and its secondary characters are just as three-dimensional and as appealing as the leads.
Ana Maria and the Fox
Three Mexican heiresses make a splash in British high society in Liana De la Rosa’s endearing Victorian romance, Ana Maria and the Fox. When France invades Mexico, Ana Maria Luna Valdés and her sisters are sent to London for their safety. Once there, Ana Maria makes the acquaintance of Gideon Fox, an ambitious member of Parliament. The grandson of a formerly enslaved woman, Gideon is passionate about ending the slave trade and finds a sympathetic ear in Ana Maria. Sparks fly between the pair, even though Ana Maria’s already engaged to a man her powerful father approves of. But then political machinations put Ana Maria in danger, and she must turn to Gideon for help. The Lunas are a welcome addition to historical romance, and as series starring sisters are always fan favorites, readers will surely anticipate more happily ever afters from De la Rosa.
Romantic Comedy
A sketch comedy writer finds love in the time of COVID-19 in Romantic Comedy by Curtis Sittenfeld. Sally Milz writes for a weekly late-night comedy show—think “Saturday Night Live.” During the frantic pace of production, she finds herself crushing on the show’s latest guest host, popular singer-songwriter Noah Brewster. Sally’s convinced she’s too average to keep his attention, and she smothers the smoldering attraction. But two years later, an email from Noah shows up in Sally’s inbox, and they become pandemic pen pals. Might they make a go of it after all? Sittenfeld does a stellar job making the reader feel not just the hectic excitement of comedy show life and Sally’s surges of adrenaline as she interacts with Noah, but also the wistful, heartfelt hope of two people sharing their pasts and their dreams via email. Noah and Sally are a charming and, of course, funny pair who are easy to root for all throughout this delightful read.
Eligible author Curtis Sittenfeld’s new book takes inspiration from “Saturday Night Live”—plus, two unabashedly glamorous historical romances.
I’m Glad My Mom Died is a celebrity memoir, but even if you (like me) have never heard of actor Jennette McCurdy or seen a single second of “iCarly” on Nickelodeon, getting sucked into this frankly told and deeply nuanced story of a troubled mother-daughter relationship is almost inevitable. McCurdy’s story kicks off when her mother, Debra, pins her own dashed dreams of Hollywood stardom onto her shy 6-year-old daughter. The pressure’s on, and things get worse from there. McCurdy writes from the perspective she had in the moment, creating tension for the reader, who can see the unhealthy dynamic between McCurdy and Debra long before McCurdy can name or understand it herself. After reading I’m Glad My Mom Died, it’s impossible to see Debra as a good mother, but McCurdy’s commitment to portraying her mother as she truly was still somehow feels like a tribute.
—Trisha, Publisher
Tuesdays With Morrie
I first read Tuesdays With Morrie in my high school English class. Much like Mitch Albom’s teacher Morrie Schwartz, my teacher Mr. Baker longed for his students to understand what makes life worth living. As the book begins, Albom, a successful young columnist in Detroit, walks through life dead-alive, driven by the pursuit of fame and personal gain. He paints the plague of the modern world so poignantly—the slow and silent indoctrination of society, its swift corrosion of the soul. During his Tuesday visits with his old professor, Albom begins to realize that the dying man is more alive than he is. Tuesdays With Morrie is a book full of convincing triteness and truth. We all need Morrie’s reminders to dance with our eyes closed and reach down into the darkness for the sake of pulling up another. I still find myself in need of Morrie’s teachings—that love is all that stands at the end of time. For readers who share my appreciation of this book, be aware that Rob Schwartz, Morrie’s son, will publish his father’s writing posthumously in The Wisdom of Morrie later this month.
Humor must be just about the toughest thing to get right in fiction. It’s so subjective, first of all, and it’s tricky to balance lightheartedness with the serious bits. And then to be funny without being mean? Practically impossible. Bonnie Garmus’ delight of a debut novel made me laugh—often and loudly—while still honoring the hard road of its heroine. Elizabeth Zott is a female chemist and single mom in the 1960s, so obviously the world has it in for her, and this includes an assault early in the novel. But in the face of such cruelties, she is pragmatic and determined and wry, like a grown-up version of Roald Dahl’s indomitable Matilda. She ends up starring on her own cooking show and finds herself surrounded by a supporting cast that’s as endearing as can be. She also has a dog (named Six-Thirty) who’s enough of a lead character to tip the story into the fantastical. Like so many other readers, I absolutely loved it.
Naomi Novik’s Uprooted is the type of fantasy novel that seems tailor-made for the exact type of crossover success it has achieved. It’s a seemingly simple story of a young peasant girl trying to save her friend from dark magic, and with its fairy tale-inspired setting, engaging characters and just the right amount of romance, it appeals to fantasy readers and nonfantasy readers alike. I am as intrigued by these types of books as I am leery of them. It’s easy for a story to rest on folklore references and well-known character types within an aesthetically pleasing world and and still never quite step out of the shadows of other works. But Novik didn’t set out to just retell a fairy tale: She wrote her own, and it’s so enthralling that it gave me the type of stay-up-all-night, can’t-put-it-down reading experience I had when I was a 13-year-old first discovering fantasy. I read it within days, its impossibly perfect ending made me cry, and I still think about it more than a year later.
One of the perks of working at BookPage is getting to read books before they are published, but occasionally a high-profile title gets embargoed, meaning advance copies aren’t sent to the press. If members of the media do receive a copy, they’re forbidden to share the review before the publication date. I’ll always remember the day I was opening mail at the office and unwrapped a finished copy of The Testaments, the long-awaited and heavily embargoed sequel to Margaret Atwood’s groundbreaking 1985 bestseller, The Handmaid’s Tale. Set 15 years after the events of the dystopian classic, the suspenseful plot is driven by the narratives of three women whose fates converge just when their world’s authoritarian regime, Gilead, begins to crumble. The Testaments is the work of a writer at the top of her game; Atwood sticks the landing in a thrilling conclusion to an all too culturally significant tale.
—Katherine, Subscriptions
Every once in a while, it feels like everyone in the world is reading the same book—and we can all admit that sometimes, that book isn’t very good. This month, we’re celebrating books that are extremely popular and are actually (believe it or not) as excellent as everyone says.
Meagan Jennett’s You Know Her is a crackerjack debut thriller. A book about a serial killer is not necessarily notable; there are many of those on the racks at bookstores. Books about female serial killers are in somewhat shorter supply, and a book in which said female serial killer is a narrator is fairly unusual. But here’s the kicker: You kinda want her to get away with it. Our soon-to-be-murderer Sophie Braam is a bartender when You Know Her begins. She has seen it all, and most of what she has seen has not been pretty. And then one day, a minor grievance becomes the proverbial backbreaking straw. A stolen glass of wine should not be a death sentence, you might argue, but if you had that argument with Sophie, there’s a good chance she would bring you around to her way of thinking. Sophie’s new best friend (although it is a somewhat guarded friendship) is police officer Nora Martin, one of the investigators of the first of Sophie’s murders. Nora has also seen it all, or so she thinks, but nothing can really prepare her for Sophie. Which brings us to kicker number two: You also kinda want the skillful, hardworking Nora to solve the murders. She deserves a big win to help her rise to the rank of detective, which would be a reward to be savored in her toxic, good-ol’-boy, small-town police department. Only one can win—let the games begin.
The Last Heir to Blackwood Library
Hester Fox’s The Last Heir to Blackwood Library contains romance, fantasy, the occult and religious zealotry gone off the rails; in short, it’s not your standard whodunit. However, fans of supernaturally tinged mysteries from authors such as T. Jefferson Parker and John Connolly will be intrigued by this historical spin on the subgenre, and other readers will be enticed by Fox’s first-rate writing, which is engrossing from page one. In 1927 London, the fortunes of one Ivy Radcliffe have radically changed. One day, she is sharing a drafty bed-sit apartment with her best friend and living hand to mouth. The next day, she is anointed Lady Hayworth, complete with manor house, staff, motorcar, income and a couple of handsome potential suitors. However, the solicitor who informed Ivy of her windfall neglected to tell her about the previous title holders, all of whom met with a premature and mysterious death. The Last Heir to Blackwood Library hews more closely to the mystery and suspense genre than to any other, I would say. And even though it’s more of a “whatdunit” than a whodunit, mystery readers of all types will enjoy it.
So Shall You Reap
There are series that readers return to again and again for nonstop action or a “ripped from the headlines” vibe. And then there are series that readers devour because the protagonist is a person of evident strength of character. Martin Walker’s Chief of Police Benoit “Bruno” Courreges, for example, or Louise Penny’s Chief Inspector Armand Gamache. Donna Leon’s Commissario Guido Brunetti would emerge close to the top of any such list as well. As So Shall You Reap opens, Leon’s Venetian sleuth visits a lovely, albeit somewhat neglected, old palazzo to inquire for a friend as to whether the property is for sale. A Sri Lankan man answers the door and informs him that the house is not on the market. It will not be their last interaction: The following evening, Brunetti will identify the man’s body after it is pulled from a canal. The subsequent investigation unearths inflammatory political screeds both from Sri Lanka and Italy in the man’s personal effects, which seem to be at odds with his devout Buddhism and calm demeanor during his interaction with Brunetti. It tosses Brunetti’s thoughts back to his time at university, when he was somewhat more radical in his politics than he is now as a world-weary policeman approaching retirement age. Italy in Brunetti’s younger days was plagued with bombings, kidnappings and murders, some of which are still unsolved. But one of them is about to be solved, in part by the dogged persistence of Brunetti, and in part by the almost humanlike persistence of a dog. This is the 32nd book in the series, and if it is your first Commissario Brunetti mystery, you will most likely turn immediately to the other 31.
Heart of the Nile
Although many readers regard Will Thomas’ Barker & Llewelyn mysteries as an homage to those starring Sherlock Holmes and Dr. Watson, I would suggest that they more closely resemble Rex Stout’s Nero Wolfe and Archie Goodwin mysteries. In both cases, the main sleuth’s assistant is the narrator, with both Goodwin and Llewelyn taking a decidedly tongue-in-cheek tone, especially in regard to the vicissitudes of their curmudgeonly senior partners. Both teams regularly run circles around the cops, be it NYPD or Scotland Yard, engendering awe (occasionally) and annoyance (much more regularly). Thomas’ latest mystery, Heart of the Nile, is the 14th installment in the series. It deals with the discovery of a mummy in the British Museum’s collection of ancient artifacts, the treasure trove of looted antiquities fondly known as “England’s Attic.” This particular mummy, however, may be the remains of Egypt’s most famous queen, Cleopatra. Supporting that notion is an immense uncut ruby laid in the chest cavity once occupied by her heart. The ruby disappears, people start to meet untimely and violent deaths, and Cyrus Barker and Thomas Llewelyn are summoned to unravel the mystery. This is an exceptionally entertaining series, jampacked with Victorian arcana and 19th-century London history, anchored by the quick wit and pithy observations of narrator Llewelyn.
In this month’s Whodunit column, Meagan Jennett’s crackerjack debut thriller tracks that doomed friendship. Plus, read all about the latest Commissario Brunetti mystery.
Blood Will Tell by Heather Chavez zeroes in on the complicated relationship between Frankie Barrera and her younger sister, Izzy. Frankie always stands by her sister, even when Izzy makes questionable decisions, but things change when Frankie is wrongfully implicated in a child abduction case—a crime that may involve Izzy. When a dark incident from the past resurfaces, Frankie is forced to face difficult truths and the sisters’ bond is tested to its breaking point. Enriched by themes of family, duty and commitment, this captivating thriller will spark lively dialogue among readers.
Rita Todacheene, the protagonist of Ramona Emerson’s Shutter, is a crackerjack forensic photographer with the Albuquerque, New Mexico, police. Brought up on the Navajo Nation Reservation by her grandmother, Rita has become disconnected from her past, in part because the ghosts of crime victims torment her. While Rita is photographing a suicide case, the victim’s ghost reveals that she was murdered and urges Rita to find the culprits. Things take a dangerous turn when Rita is targeted by a violent cartel. A multilayered work of crime fiction, Shutter will electrify readers.
In Dervla McTiernan’s The Murder Rule, Hannah, a law student at the University of Virginia, lives with her troubled mother, Laura. Hannah works for the university’s chapter of the Innocence Project, researching cases in which people were convicted of a crime but maintained their innocence. As the novel unfolds, McTiernan incorporates entries from Laura’s diary that describe the death of her lover years ago, with a connection between that incident and a case Hannah researches adding a chilling twist to the narrative. Book clubs will find plenty to discuss in this complex novel, such as the difficulties of true justice and the nature of memory.
Chris Pavone turns up the tension in the compelling Two Nights in Lisbon. During a trip to Lisbon, Portugal, Ariel’s younger husband, John, vanishes without a trace, leaving her alone in a strange country. John can’t be reached by phone, and the authorities are unable to find him. Frantic and frightened, Ariel comes to realize that John himself is a mystery, and his disappearance draws her into a web of danger. A consistently suspenseful tale, Two Nights in Lisbon explores the secrets that can separate husband and wife
Bring some suspense to your reading group with these impossible-to-put-down titles.
At a reading in 2022, I heard poet Jane Wong describe her obsession with time-lapse videos of rotting fruit. Her poetry collection, How to Not Be Afraid of Everything, is full of the physicality of food, informed by Wong’s research into the Great Leap Forward, which was a stage of Mao Zedong’s reforms that led to the starvation of 36 million Chinese people. Wong’s great-grandparents died during the Great Leap Forward, and several poems ring with their voices. In others, the speaker reckons with the contrast between the relative abundance in her life—the apples “rotting on the ground,” an egg thrown onto pavement just to hear the “sumptuous splat”—and the false promises of the American dream for herself and her parents. Lucky for me, and you, Wong has a memoir coming out this month, so you can pick up Meet Me Tonight in Atlantic City when you finish her breathtaking book of poetry.
Megha Majumdar’s debut was one of the most important social novels of 2020—highly political, furiously propulsive and ruthlessly unsparing—but if you, like so many readers, spent that year sticking to lighter fare, now is the time to go back and see what you missed, because A Burning still hits hard. In contemporary India, a young woman named Jivan unthinkingly voices criticism of the government in a Facebook post, and she is immediately labeled a terrorist and sent to prison, where she awaits her trial. Two other main characters provide additional perspectives on these events: the luminous wannabe Bollywood star Lovely, a transgender woman who was learning English from Jivan; and PT Sir, Jivan’s resentful former gym teacher who gets involved in nationalist politics. Each character is ambitious in their own way, but within this world marked by the tyrannies of rampant corruption, racism, poverty and inequality, their fates are often outside their control, and the few choices available to them are murky at best. This novel is a short shock that leaves a lasting burn.
Author Joanna Ho and illustrator Dung Ho each made their publishing debut in the first week of 2021 with Eyes That Kiss in the Corners,a radiant picture book that became an instant bestseller and launched both creators’ successful careers. To read it is to immediately understand why. Its first-person narrator is a girl who explores, via gorgeous, lyrical prose, how her eyes connect her to her mother, grandmother and little sister and to their shared heritage. Meanwhile, the book’s digital illustrations positively glow as every spread seems suffused with sunshine. Read this aloud to savor similes such as “my lashes curve like the swords of warriors”; then read it again and pay special attention to how the characters in every spread look at one another. You’ll see one of the most moving renderings of love made visible on the page that I’ve ever encountered.
Elizabeth Miki Brina’s form-bending memoir starts with her personal history—contending with her mother’s alcoholism as a child, feeling ashamed of her Japanese heritage in her predominately white hometown, expanding her horizons on the West Coast as a young adult—and spirals out to engulf not only her parents’ story bu also the history of Okinawa, the island in Japan where her mother grew up before meeting Brina’s father, a white American stationed there during the Vietnam War. After years of conflict with her mother, Brina found compassion as an adult for the trauma her mother experienced when she left her homeland for a culturally and linguistically isolated life in a hostile new country. As Brina spells out Okinawa’s past, from an independent land to a pawn in Chinese-Japanese-American relations, readers get a sense of the generational trauma that has shaped her and her mother’s lives as well. It’s a story that encompasses both the broad horrors of colonialism and racism and the deeply personal details of forgiveness and familial love.
Heartfelt and emotional, Samuel Park’s moving debut novel is a must-read for fans of Min Jin Lee’s Pachinko or the K-drama “Crash Landing on You.” Set in 1960s Korea, This Burns My Heart features a resourceful heroine torn between love and duty in the wake of partition. Soo-Ja meets Yul and immediately feels a connection to him—a confusing development, since she has just decided to marry another man. Unwilling to disgrace her family by going back on her promise, Soo-Ja rejects Yul to marry Min, a decision she will revisit and regret for the next 20 years. Yul and Soo-Ja see each other only periodically and usually by chance, but their fraught encounters are tense with the passion of unconsummated love. Full of poetic observations and memorable lines, This Burns My Heart will leave you pondering the “what ifs” in your own life.
—Trisha, Publisher
May is Asian American and Pacific Islander Heritage Month! To celebrate, we’re shining a spotlight on some of our favorite stellar reads by Asian American authors.
Fans of the fake-dating trope will love The Boyfriend Candidate, Ashley Winstead’s charming rom-com. When her cheating boyfriend dumps her, librarian Alexis Stone dons a red dress and heads to a swank bar to find a one-night stand. All goes well, until a fire alarm leads to her being caught on camera with the man she’s about to bed: Logan Arthur, a politician who’s running to be the governor of Texas. Logan and his team persuade Alexis to pretend she’s his longtime, previously secret girlfriend until the election. Luckily, Logan is extremely attractive and his progressive policies match her own. Cue shy Alexis finding her voice and the brash Logan continually getting distracted by the enchanting librarian. Told in Alexis’ fresh first-person voice, this heartwarming romance has both poignant introspection and a hero who sacrifices his dignity when faced with kittens and gerbils.
The Secret Service of Tea and Treason
The Secret Service of Tea and Treason, India Holton’s delightful third installment in her Dangerous Damsels series, takes place in a fantasy version of Victorian England populated by pirates, witches and spies. Alice Dearlove is a top operative with a dangerous new assignment: Find a secret weapon and stop the assassination of Queen Victoria. But to do this, she must pretend to be the wife of her professional rival, Daniel Bixby. The highly entertaining adventure that follows includes flying houses, cutthroat pirates, scary witches, farcical fun, whimsical wordplay and a castle with secret passages and professional ghosts. Daniel and Alice race around England to try and solve the case, all while putting out (literal) fires, falling in love and engaging in tender scenes of sensual awakening.
Sugar, Spice, and Can’t Play Nice
Family pressures and personal ambition clash in Sugar, Spice, and Can’t Play Nice by Annika Sharma. Fashion designer Payal Mehra has a spectacular no-strings-attached night with Ayaan Malhotra, the son of family friends and someone who is as commitment-averse as she. Unfortunately, the morning after is such a disaster that both assume they’ll never see each other again. Then their families put forth a business proposition to the couple—one that will be sealed with an arranged marriage. While both initially loathe the idea, Ayaan and Payal realize how beneficial their union could be. She’ll get funding for her clothing line and save her family’s business, while he’ll get 50% of his family’s company. They decide to go ahead with the engagement, believing they can break things off before they get dire. Readers will root for Payal and Ayaan, both of whom are buffeted by family expectations and disappointment yet persevere. Their slow journey to confidence in themselves and contentment in each other is layered with lush descriptions of South Asian fashion and food.
The pining, the will-they-won’t-they, the “Oh no, guess we have to kiss now”: Nothing beats a good fake-dating romance.
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