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Our society may adore celebrities, but we can’t know what really goes on in their hearts and minds unless they choose to tell us. These standout new entries in the crowded celebrity-memoir field are fascinating chronicles of lives spent answering Hollywood’s siren call.

Ellie Kemper’s biographical essay collection My Squirrel Days traces her path from suburban St. Louis, Missouri, to the titular lead in the acclaimed TV show “Unbreakable Kimmy Schmidt.” Kemper loved performing from an early age, whether she was writing dramatic pieces for a beloved second-grade teacher or creating elaborate, often grueling, holiday shows with her siblings. “These shows took years off my life,” she writes. Kemper jokes about her neuroses and obsessions, but she doesn’t apologize—after all, her relentless perfectionism served her well when she used that drive to create a one-woman show that caught the eye of “Saturday Night Live.” She didn’t get the gig, but she did get a call from the creator of “The Office,” and her career blossomed from there. Kemper is open about her missteps, too, whether embarking on an unfortunate attempt at method acting (“Squirrel”) or falling on historian Doris Kearns Goodwin. My Squirrel Days takes readers up to the present, in which Kemper is a wife, new mom, show-lead and SoulCycle devotee. It’s a great read for comedy fans, thanks to a deft balance of life lessons and madcap goings-on, and it’s proof that hard work and optimism really can pay off.

AN EXAMINED LIFE
With roles like Gidget, Sybil, the Flying Nun and myriad others under her belt, Sally Field has been a household name since the 1960s, yet for the most part, she has lived a private life. But in her affecting and compelling memoir, In Pieces, Field shares with fans the truths, many of them painful, of her life. The book is framed by her relationship with her late mother, Margaret. “I wait for my mother to haunt me as she promised she would,” she writes. “This isn’t new, this longing I have for her.” In fact, she felt distant from her mother her whole life, the consequence of a painful secret Field held onto for decades. Field writes movingly about the loneliness she felt even while surrounded by family and colleagues. In Pieces also includes plenty of period details about how studios were run, auditions conducted and money paid (not to mention the perils of typecasting and endemic sexism). Readers will feel nervous—and then triumphant—right along with her. By book’s end, Field answers important questions for herself, gaining clarity from how the pieces fit together.

FEMINIST, FUNNY, FABULOUS
In her second essay collection, Everything’s Trash, But It’s Okay, fans will be happy to see that Phoebe Robinson is, to borrow an Oprah catchphrase, living her best life. She’s been in a movie (Netflix’s Ibiza), launched another podcast (WNYC’s “Sooo Many White Guys”), turned her “2 Dope Queens” podcast with Jessica Williams into HBO specials and hung out with the likes of Julia Roberts and Bono. That last one’s especially notable, because Robinson’s been carrying a torch for him (as devotedly noted in her first book, You Can’t Touch My Hair) for some time. Once they met, he was charmed, and now they’re doing charity projects together. Speaking of social activism, Robinson offers incisive and insightful cultural criticism in essays like, “Feminism, I Was Rooting for You,” which explains her frustration with today’s feminism (which, she notes, is mainly about “protecting the institution of white feminism”) and makes an unassailable case for allyship and inclusion. Whether sharing tales of misadventure or dating tips, Robinson is a top-notch storyteller who takes readers on a funny, memorable ride.

DEEP IS THEIR LOVE
Megan Mullally and Nick Offerman have been an adored celebrity couple for many years. With humor and delightful vulgarity, the two let readers eavesdrop on their conversations in The Greatest Love Story Ever Told: An Oral History. Although the book is composed mostly of transcripts, essays by Offerman and Mullally add variety, and there are photos, too, including cute baby pictures and stylish shots of the duo in various costumes. They dish on how they met and reflect on 18 years together through the lens of family, religion, music, art and the vagaries of fame, offering an earnest, insightful window into their relationship, past and present (though readers who don’t like transcripts may prefer an audio version). As a way to turn off work and reconnect, Mullally and Offerman recommend doing jigsaws together, and the book ends with a collection of triumphant photos of completed puzzles. From the looks of it, their beloved dogs get a kick out of it, too.

FAR FROM IDLE
In Always Look on the Bright Side of Life: A Sortabiography, writer/comedian/musician Eric Idle offers fans an excellent way to gear up for Monty Python’s 50th anniversary in 2019 via immersion in his own life story, along with his take on the members and memories of the comedy troupe. Idle starts at the beginning: “By coincidence, I was born on my birthday.” Specifically, in 1943 England. When he was a child, Idle’s widowed mother put him in an austere charitable boarding school for boys, where he lived until age 19. Despite the grimness of the place, Idle found comedy in dark moments. “Humor is a good defense against bullying,” after all, and “unhappiness is never forever.” That attitude—and his unflagging drive to create—has stayed with him (he’s 75 now) and informed his work in all its guises, and he’s certainly found lots to be happy about. He shares stories about fellow famous folk like George Harrison, Robin Williams, the Rolling Stones and the cast of Star Wars (all sometimes at the same parties). There are lots of concrete lessons for aspiring creators, too. It’s a fascinating, warmly told, often zany memoir of a life fully lived so far—with more fun sure to come.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Our society may adore celebrities, but we can’t know what really goes on in their hearts and minds unless they choose to tell us. These standout new entries in the crowded celebrity-memoir field are fascinating chronicles of lives spent answering Hollywood’s siren call.

It’s officially the month to be spooky, and you can only watch so many classic horror reruns each year, so why not try a fresh, new story? From spine-tingling tales for the hard-to-scare to books with just a touch of terror, we’ve got the Halloween read for you.


Anthony Bourdain’s Hungry Ghosts
By Anthony Bourdain and Joel Rose

The guts of the tale: Before his death in June 2018, beloved bad-boy chef and comic lover Anthony Bourdain had wrapped up work on this comic anthology of tales of haunted chefs and bedeviled diners with his Get Jiro! collaborator and friend, Joel Rose. Filled with gruesome art from some of the comic world’s top horror artists and inspired by Japanese folklore, the collection is centered on a group of chefs who take turns telling increasingly horrifying tales of spirits like Hidarugami, the ravenous souls of those who starved to death, or Jikininki, ghouls who feast on the dead.

Bone-chilling quote: “There’s just something about horseflesh. I crave it.”

For fans of: The Tales from the Crypt and Haunt of Fear comic series or anyone interested in the legacy of Bourdain, whom Rose lovingly calls “the hungriest ghost of them all” in a dedication penned after the chef’s death.

Costume inspiration: Check out the glossary filled with legendary Japanese spirits like Yuki-Onna, a beautiful spirit with a deadly kiss.

Spook-o-meter: 


Dracul
By Dacre Stoker and J.D. Barker

The guts of the tale: Dacre Stoker, the great-grandnephew of Bram Stoker, and established horror author J.D. Barker (The Fourth Monkey) have teamed up to pen this prequel of sorts to Dracula, the 1897 vampire novel that kicked off the still-fervent fascination with the Count. In keeping with the classic’s epistolary style, Dracul is written as journal entries and features Bram himself as the protagonist. This delightfully gothic tale is packed with gore and atmosphere.

Bone-chilling quote: “He smiled at me and tapped on the glass again with his fingernails. His nails were long and yellow, hideously so. Oh, and his teeth! . . . His lips were curled back like those of a snarling dog, and his teeth were like fangs. He licked at his lips and said my name. He said it so quietly, as if mouthing it, yet I heard him perfectly, as if he were right next to me.”

For fans of: Dracula by Bram Stoker (duh), The Historian by Elizabeth Kostova or Bellman & Black by Diane Setterfield.

Costume inspiration: This one’s obvious: Grab a cape and some plastic fangs!

Spook-o-meter: 


The Witch of Willow Hall
By Hester Fox

The guts of the tale: Equal parts romantic and supernaturally chilling, Hester Fox’s sweeping tale is set in 1821 New England, two centuries after the infamous Salem witch trials. But it looks like the witches were real after all, and young Lydia Montrose has the lineage and burgeoning power to prove it. A creepy estate, juicy scandal, family secrets, ghosts and a handsome yet mysterious suitor make this a satisfying and quietly foreboding tale that never gets too dark.

Bone-chilling quote: “It’s a slow moan, a keening wail. The sound is so wretched that it’s the culmination of every lost soul and groan of cold wind that has ever swept the earth.”

For fans of: Deborah Harkness, Practical Magic by Alice Hoffman, Jane Eyre and “Charmed.”

Costume inspiration: A witch from the era of your choosing.

Spook-o-meter: 


Llewellyn’s Little Book of Halloween
By Mickie Mueller

The guts of the tale: This little book is a history of Halloween, a party-planning inspiration and a book of charms all rolled into one. Mickie Mueller provides insight into Halloween’s origins, along with simple spells (sprinkle thyme in your shoes for courage), recipes and decor ideas that are perfect for your own gathering of spirits.

Bone-chilling quote: “Bats have been a longtime symbol of Halloween, and it’s not because they’re scary; I’ve met a few, and they’re really not.” (Which sounds exactly like something a bat disguised as a human would say!)

For fans of: All things Halloween!

Costume inspiration: Something classic, like a sheet-clad ghost.

Spook-o-meter: 

Devil’s Day
By Andrew Michael Hurley

The guts of the tale: John thought he had escaped the superstitious ways of the wild English countryside. Yet when his grandfather dies, he is pulled back into his family’s tiny farming community, where strange things have been occurring. Has the devil slipped in among the flocks of sheep? Or has the devil always been among them? This atmospheric, eerie novel is perfect for a rainy night in.

Bone-chilling quote: “Days were late to lighten and quick to end and people began to die. The older folk first, coughing up their lungs in shreds like tomato skins, and then the children, burning with fever.”

For fans of: Wolf Winter by Cecilia Ekbäck, Burial Rites by Hannah Kent or Hurley’s previous book, The Loney.

Costume inspiration: A wolf in sheep’s clothing.

Spook-o-meter: 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s officially the month to be spooky, and you can only watch so many classic horror reruns each year, so why not try a fresh, new story? From spine-tingling tales for the hard-to-scare to books with just a touch of terror, we’ve got the Halloween read for you.

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You know it’s going to be a bad day when you wake up amid a team of disgraced Abu Ghraib prison guards who have kidnapped you and are becoming significantly fed up with your unwillingness to answer their questions. The victim is Isaiah Quintabe, known in his California neighborhood by his initials, IQ. Wrecked is Joe Ide’s third novel featuring IQ, and it’s the first time IQ has a chance of expanding his business into a full-fledged private investigation agency. At any given time, IQ fields a number of cases, but the one that becomes central to Wrecked has to do with the machinations of a Blackwater- esque mercenary, a man with little in the way of scruples and lots in the way of sadistic behavior. Wrecked takes Ide’s unlikely hero into new territory, with foes that test his mettle in ways his previous adversaries could not even fathom, and with a possible love interest that exposes an entirely new facet of IQ’s character.

ALL FOR JUSTICE
V.I. Warshawski, like all of us, is not getting any younger. She is well past the age of dangling upside down in search of clues or doing fishtail burnouts in her V-8 Mustang to avoid getting shot, and certainly past the years when she should be treading across thin ice floes to keep a priceless artifact out of the hands of a ruthless billionaire. But in Sara Paretsky’s latest thriller, Shell Game, age seems a nonissue, as V.I.’s latest crusade leads her to engage in all these dangerous activities and more. Two cases weave in and out of the narrative: the first, a murder charge hanging over the beloved nephew of V.I.’s godmother, surgeon Lotty Herschel, involving a Syrian archaeological dig and a dissident immigrant poet on the lam from ICE; the second, the mysterious disappearance of V.I.’s niece following a Caribbean junket that turned sinister in ways that no travel brochure would suggest. As is usually the case with Paretsky’s novels, there is considerable social and political commentary, so if you are a capital-C Conservative, you might want to give some thought to how much you are willing to have your convictions challenged. Everyone else can revel in the superb pacing, the well-developed characters and the crisp dialogue from one of the most consistently excellent writers in the genre.

KIDNAPPING IN TAIWAN
Readers don’t have to wait long—not even to the end of page one—to get to the setup for Ed Lin’s latest Taipei Night Market mystery, 99 Ways to Die. There has been an abduction of a prominent businessman, who happens to be the father of protagonist Chen Jing-nan’s erstwhile classmate Peggy Lee (not the husky-voiced jazz singer Peggy Lee of “Fever” fame, but rather the youngest daughter in a family of Taiwanese aristocrats). The kidnappers’ ransom demands are not for money; instead, they want access to a computer chip, which Peggy Lee claims to know nothing about. But chances are good that Peggy Lee is playing for time and saving face in a society where face is everything. Jing-nan, for his part, is not someone you’d think of as a PI—he runs a popular food shop in a Taipei night market—but Peggy Lee is headstrong, and if she wants Jing-nan on the case, he has little choice but to assent. 99 Ways to Die is the third in the series and is the most fleshed out of the three. Ultimately, Lin’s books are most appealing for the insider’s look at Taiwanese culture, the motley crew of supporting cast and the multiple laughs per page.

TOP PICK IN MYSTERY
Imagine, for a moment, a Nancy Drew mystery told partially in flashback by Nancy herself, a girl grown up into the Best Detective in the World—her own rather immodest appellation—and now facing Her Most Perplexing Case. Then you will begin to have an idea of Sara Gran’s strange yet wildly entertaining novel The Infinite Blacktop. Somewhere along the way, our Nancy (whose name is actually Claire DeWitt) has evolved into a modern-day Sam(antha) Spade, with an overlay of street smarts and Zen calm counterbalancing one another in strangely effective ways. As the book opens, Claire comes very close to getting taken off the board permanently when her rented Kia is deliberately broadsided by a 1982 Lincoln, an event on par with a wooden rowboat getting rammed by the USS Nimitz. As she looks into who is trying to punch her ticket, she is drawn into a rethinking of the one case the Best Detective in the World has never been able to solve: the disappearance of her partner-in-crime-solving back when they were teenagers. As the narrative proceeds, another cold case gets woven in, and Gran deftly jumps back and forth between them, bringing the reader along for a wild ride across the decades.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

You know it’s going to be a bad day when you wake up amid a team of disgraced Abu Ghraib prison guards who have kidnapped you and are becoming significantly fed up with your unwillingness to answer their questions.
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Lots of cookbooks tell you which wine to pair with your pork ragout or pot-au-feu de poisson, but with Wine Food: New Adventures in Drinking and Cooking, sommelier Dana Frank and cookbook author Andrea Slonecker have turned that standard upside down. Here, the wine inspires the recipe: Each of these 75 recipes was chosen to go with a specific wine or wine style, and each wine is introduced with information on where it comes from, its recommended producers and why it works so well with the flavors of the food. Some of the wines are old friends: Zinfandel goes with Roots Tagine and Cauliflower “Couscous,” while barbera wine is paired with ruby-red Borscht Risotto. Some are welcome oeno-revelations: rosé of pinot noir with creamy Burrata and Strawberry Salad, a carignan red wine with an herb-perfumed, Parmesan-topped Ratatouille. Frank and Slonecker are a perfect pairing themselves, providing a savvy wine seminar partnered with inventive dishes that invite you to pop a cork and cook something wonderful every day.

FOOD IN A FLASH
As made clear by the title of his latest cookbook, Milk Street: Tuesday Nights, Christopher Kimball and his test-cook minions have been thinking about weeknight dinners that are quick, easy and vibrantly flavored. Kimball, one of the most trusted names in home cooking, shares that the secret to culinary success is combining familiar ingredients with spices, herbs, chiles, sauces, salsas and pungent pastes from around the world. Pork tenderloin combines with kimchi, fresh shiitake mushrooms and scallions for an umami- rich stir-fry; avocado puree and fresh tomato-cilantro salsa create a speedy, no-cook topping for seared salmon. Super sides include bright salads, pizzas and roasts, and there are also recipes for sweets to top off your dinner delights. Detailed instructions, with Kimball’s all-important “Don’ts,” and full-page color photos for each recipe make the making foolproof.

TOP PICK IN COOKBOOKS
“Simple” is not an adjective you’d ever think of when describing award-winning cookbook author and chef Yotam Ottolenghi’s cooking. But the latest addition to his growing list of gastro bestsellers is titled Ottolenghi Simple, and it’s definitely not an oxymoron. Here, the brilliant chef who has lured us into new realms of flavor and spicing is determined to give us dishes from brunch through dessert that are streamlined yet “still distinctly Ottolenghi.” Home cooks have very different ideas about what constitutes simple, so each of the 130 recipes is plainly marked with a degree of simplicity. I’m a make-ahead maven, big on long-simmering stews and one-dish wonders; you might be short on time and looking for recipes with fewer than 10 ingredients or a dinner that can be put together with pantry items. Now you can pick and choose according to your needs and the occasion, knowing that for Ottolenghi, simple equals sensational. His latest is guaranteed to excite and delight.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Lots of cookbooks tell you which wine to pair with your pork ragout or pot-au-feu de poisson, but with Wine Food: New Adventures in Drinking and Cooking, sommelier Dana Frank and cookbook author Andrea Slonecker have turned that standard upside down.

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Matthew Horace doesn’t pull punches, and as a black man and a cop, he’s seen it all. A career law enforcement officer, he spent 28 years at the federal and local levels, ultimately becoming a senior executive at the Bureau of Alcohol, Firearms and Explosives and later a CNN contributor. In The Black and the Blue, his powerful, probing, unvarnished assessment of racial injustice in law enforcement today, he comes out as a “champion of wholesale police reform in the United States,” unafraid to offer prescriptive advice on how to address the racism, prejudices, biases and the lethal “cops don’t tell on cops” tradition ingrained in police culture. Using in-depth interviews and his own experiences, Horace presents the vivid on-the-ground actuality of police brutality, misconduct, malfeasance and the needless, heedless shootings that capture headlines and snuff out lives all over America. Horace narrates like a pro with both passion and control.

HOME JOURNEY
Adjoa Andoh performs much of Housegirl, Michael Donkor’s accomplished, affecting debut novel, in sparkling Ghanaian English, immersing listeners in the world of Ghana and the Ghanaian diaspora. At 17, Belinda leaves her village and her mother behind to work as a housegirl for a wealthy couple who returned to their native Ghana to retire in luxury after making their fortune in London. Belinda finds solace in the daily domestic grind and in Mary, the charming, irrepressible 11-year-old housegirl-in-training who becomes like a little sister to her. But Belinda is uprooted again when close Ghanaian friends of her employers take Belinda to London, where she is tasked with befriending and providing a positive influence on their sullen teenage daughter, a student at an exclusive, mostly white private school. Surprisingly, their friendship blossoms after a few bumps, just as tragedy takes Belinda back to her homeland. At its core, Housegirl is a warmly perceptive look at female friendship as well as the angst, melodrama and confusion of coming of age in two clashing cultures.

TOP PICK IN AUDIO
Nelson Mandela, one of the great moral heroes of our time and an icon of human resilience, spent 27 years in jail, 18 of them in an 8-by-7 cell on grim Robben Island in South Africa. In all that time he never faltered, never gave up hope for the future and an end to apartheid, never stopped fighting for his own dignity and that of his fellow prisoners, never stopped yearning for his wife, family and friends. How he endured and persevered is made clearer in the many letters he wrote during that time. The 255 published in The Prison Letters of Nelson Mandela, edited by Sahm Venter, are now available on audio, perfectly rendered by Atandwa Kani, whose flawless pronunciation of Xhosa names and phrases makes listening a totally engaging experience. There is lawyerly composure in Mandela’s letters describing his unrelenting quest for the rights of political prisoners. Yet also evident in these powerful and inspiring letters is the raw emotion and deep love of a man determined, against all odds, to remain a strong father and husband.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Matthew Horace doesn’t pull punches, and as a black man and a cop, he’s seen it all.

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Irish author Roddy Doyle delivers a daring narrative about the power of the past with his 11th novel, Smile. After a breakup with his wife, Victor Forde leads a solitary life as a writer, and he begins frequenting a local pub, where he meets a man named Ed Fitzpatrick. Fitzpatrick claims to remember Victor from school and is familiar with his personal history. After this strange encounter, Victor goes home to his apartment, where he’s soon lost in the maze of memory, recalling his student years at Christian Brothers school. In the days to come, as Victor continues to encounter Fitzpatrick and to recall his youth, an alarming discovery regarding his past brings about the book’s unforgettable finish. Doyle, the Booker Prize-winning author of Paddy Clarke Ha Ha Ha, has written an electrifying novel that explores the importance—and imprecision—of memory. With its surprising conclusion, this haunting book will spur fascinating conversations.

RECIPE FOR SUCCESS
With the entrepreneurial culture of San Francisco as a backdrop, Robin Sloan’s second novel, Sourdough: or, Lois and Her Adventures in the Underground Market, tells the story of Lois Clary, a young woman whose existence is transformed by (believe it or not) bread. Two immigrant brothers cook up a special type of sourdough that proves irresistible to their restaurant’s patrons, including Lois. When the brothers are deported, they leave her their sourdough starter, and Lois begins baking in earnest. A colleague at the robotics factory where Lois works suggests that she sell the bread at a farmers market, and—one thing leading to another—she is soon invited to participate in Marrow Fair, a clandestine market involved in food experimentation. Lois makes for a witty, intelligent commentator in this skillfully constructed novel. Sloan, author of the bestselling Mr. Penumbra’s 24-Hour Bookstore, reinforces his reputation as a writer to watch with this rewarding read.

TOP PICK FOR BOOK CLUBS
Set in the early 2000s as the Iraq War amps up, Asymmetry, Lisa Halliday’s impressive debut novel, explores the complexities of relationships and the quest for creative fulfillment through three very different characters. In New York, Alice, an aspiring writer, gets involved with Ezra, an older, celebrated novelist. Living in the shadow of his literary fame proves difficult for Alice, and when health problems put Ezra in the hospital, she’s forced to come to terms with their relationship. The book’s second section focuses on Amar, an Iraqi-American economist who’s being interrogated at Heathrow Airport. Told in part through flashbacks, Amar’s narrative is dramatic and bleak. The novel’s third section unites the three characters, bringing their stories into penetrating focus. Halliday is a deft storyteller who provides remarkable insights into the human heart, and this book marks her arrival as an important new author.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Our October picks for book clubs—a fiendish literary thriller, a deeply impressive debut and a look at how bread can change your life.
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The work of Greek-born Swedish writer Theodor Kallifatides is not widely known in the United States. But based on the merits of his charming, late-life memoir, Another Life, that shameful wrong needs to be righted. Slender in size, yet anything but slight in scope, this inviting meditation on age, writing and sense of place, beautifully translated into English by Marlaine Delargy, is witty, profound and thoroughly captivating.

When Kallifatides turned 77 a few years ago, totally spent after producing more than 40 books, he decided it was time to retire as a writer. That decision would prove troublesome for a man whose identity and purpose were inextricably tied to the act of writing. What transpired was a kind of spiritual journey that took Kallifatides both mentally into the past and physically to the central places of his life as he sought a new objective.

The first of these places is his longtime studio in the heart of Stockholm, where he continued to go each day even after making the decision not to write. When he ultimately gives up the office and stays home each day, it proves a jarring experience—not only because of the routines he must abandon, but also because he suddenly finds himself negotiating for space with his wife. Worst of all, he feels he is losing touch with the people and the rhythms of the city in which he was formerly and quite naturally immersed.

He and his wife then head to their summer cottage in a lovely coastal town that has lost population over the 40-some years they have stayed there. Despite the beauty and memories of the place—or perhaps because of them—Kallifatides feels the emptiness within himself growing.

Finally, he travels to Athens, Greece, and to the village where he grew up, where the local school is to be renamed in his honor. He encounters a country that has changed greatly since his departure 50 years before, not least of all because of Greece’s financial crisis and the widening gap between rich and poor.

This inviting meditation on age, writing and sense of place is thoroughly captivating.

Despite the aging writer’s ennui, Another Life is far from somber. Kallifatides is a companionable and funny guide (his 13-year-old grandson states that at Kallifatides’ funeral he will remember his grandfather not as a great writer but as the funniest person he knows—a declaration that brings tears to the old man’s eyes). So while Kallifatides ponders the dilemmas that plague Sweden and Greece and beyond—intolerance toward migrants, materialism, the growing propensity to offend others in the name of free speech—his manner is rueful, but not pessimistic. His friendly encounters with others—on the streets, in cafes—speak to our shared humanity and concurrent desires for a better life.

In the end, as he witnesses Greek high school students performing Aeschylus in his honor, his life as an expat comes full circle, and he reconnects with his native tongue after years of speaking and writing in Swedish. The floodgates open, and he begins to write again—for the first time in many years—in Greek. These writings eventually become Another Life. “You can say what is to be said in every language of the world,” Kallifatides writes in the final pages of this exquisite book, but some things are best expressed in your mother tongue.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

The work of Greek-born Swedish writer Theodor Kallifatides is not widely known in the United States. But based on the merits of his charming, late-life memoir, Another Life, that shameful wrong needs to be righted. Slender in size, yet anything but slight in scope, this inviting meditation on age, writing and sense of place, beautifully translated into English by Marlaine Delargy, is witty, profound and thoroughly captivating.

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I tell people all the time that it’s a dream of mine to build a tiny house in our backyard to use as a combo writing studio and guesthouse. Will it ever be a reality? Who knows, but Derek “Deek” Diedricksen’s new book, Micro Living: 40 Innovative Tiny Houses Equipped for Full-Time Living, in 400 Square Feet or Less, might help me get there. Building on the success of his first book, Microshelters, Diedricksen profiles 40 tiny homes in this volume, from houses under 150 square feet to “big tinies” that max out at 400 square feet. In addition to floor plans and color photos for each house, readers also get a little bit of each owner’s story along with reflections from Diedricksen. My favorite part: a quote from each homeowner about what they wish they had (or hadn’t) done now that their vision is complete.

CUT AND PASTE
Every so often, a lifestyle book comes along that makes me feel less alone. In the introduction to Lotta Jansdotter Paper, Pattern, Play, author and designer Jansdotter mentions that for her, the process of looking at patterns and working with paper triggers an Autonomous Sensory Meridian Response (ASMR): a soothing, pleasurable feeling. I never thought of paper and patterns as one of my own ASMR triggers—but yes! Most of the book’s pages are meant to be removed and used in the projects included, and each features one of Jansdotter’s own patterns, ranging from geometric to floral. How wonderful to have your main materials provided. Projects run from simple, such as paper leaves that can be affixed to bare branches, to more complex, including party favors. I love the way Jansdotter livens up something as simple as a binder clip with a small rectangle of red-and-white paper. “Paper is such a great medium for experimentation,” she writes. “It is low risk . . . and not too precious.” Pass the scissors.

TOP PICK IN LIFESTYLES
“Natural ink is a whole landscape condensed into a little bottle,” writes Jason Logan, author of Make Ink: A Forager’s Guide to Natural Inkmaking, a visually rich guide to making ink from foraged materials. We first encounter Logan, founder of the Toronto Ink Company, as he combs the wilds of Red Hook, Brooklyn, for source materials both plant-based and man-made: wild grapes, acorn caps, paint chips, rusted nails. Turning these things into ink is little more complicated than “waiting and stirring and waiting some more,” and his basic recipe for natural ink is indeed quite simple. Logan includes recipe variations for attaining specific colors such as Vine Charcoal, Pokeberry and Silvery Acorn Cap. The final third of the book relaxes into art with examples of Logan’s own ink tests as well as work from others who have experimented with his inks, such as Dave Eggers and Margaret Atwood. (“At least one bottle of wild grape ink almost exploded on its way to Stephen King,” he writes.) A conversation with author Michael Ondaatje rounds out this exquisite volume.

 

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

I tell people all the time that it’s a dream of mine to build a tiny house in our backyard to use as a combo writing studio and guesthouse. Will it ever be a reality? Who knows, but Derek “Deek” Diedricksen’s new book, Micro Living: 40 Innovative Tiny Houses Equipped for Full-Time Living, in 400 Square Feet or Less (Storey, $18.95, 256 pages, ISBN 9781612128764), might help me get there.

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Susan Mallery hits all the romance sweet notes in Why Not Tonight. Part-time gallery manager Natalie Kaleta braves an epic storm to check up on reclusive artist Ronan Mitchell and ends up stranded at his mountainside home. The circumstances allow them to become better acquainted—and to acknowledge their simmering desire. A relationship wouldn’t be a bad thing, they decide, as long as it remains casual. But that’s not as easy as it sounds, even though Ronan has good reasons to resist getting serious. Returning to the charming community of Happily Inc. is like dropping in on old friends for coffee and cookies. Mallery’s breezy narrative and knack for penning good-humored dialogue pair well with a story in which the stakes are no more dire than healing hearts. Why Not Tonight arrives blissfully at the kind of happy-ever-after that every romance reader treasures.

LOVE UNDERCOVER
The suspense is chilling and the romance is hot in Rebecca Zanetti’s Hidden. Former undercover cop Malcolm West needs to recuperate from the mental and physical pain caused by his last assignment, so he moves to a small rural community where the most exciting part of his day is catching a glimpse of his shy, pretty neighbor Pippa. But almost immediately, a secretive government team recruits him to investigate a dangerous cult that the woman next door used to belong to. It’s not clear whether Pippa is in danger or is a danger, but Mal can’t control the attraction he feels for her. It’s mutual, and even though they are slow to trust, Pippa and Mal quickly find themselves in a passionate relationship. The start of a new series, Hidden stars flawed, freshly wounded characters. The ticking-clock plot stretches the nerves, but Zanetti balances this with touches of humor—a dog in high heels!—and the burgeoning bond between lovers in her engrossing, entertaining read.

TOP PICK IN ROMANCE
A most intriguing romance is found in the pages of Lady of a Thousand Treasures by Sandra Byrd. In Victorian England, Eleanor Sheffield continues the family business of appraising art and antiquities. But times are hard—her father has died, her uncle is ailing, an employee seems deceptive, and the man she thought she loved, Harry Lydney, has been in Italy far longer than expected. But Eleanor is determined to earn the trust of her clients and to repair her relationship with Harry when he finally returns from Europe. Told in first person, this standout romance is spiced with fascinating descriptions of treasures and the details of how such items are evaluated. Cameos by real historical characters add another layer of interest. Eleanor is a stalwart heroine who works through the steadily compounding tension as she wrestles with her Christian faith. Readers will root for Eleanor to overcome her difficulties and for Harry and her to find their ultimate reward in each other.

 

ALSO IN BOOKPAGE: Read our Q&A with Sandra Byrd about Lady of a Thousand Treasures.

This article was originally published in the October 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Susan Mallery hits all the romance sweet notes in Why Not Tonight. Plus, exhilarating suspense and a brainy, gothic historical.

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One of the charms particular to the romance genre is the gorgeous sense of escape offered by good love stories. This especially applies to historical romances with a dash or two of danger, like Once a Scoundrel by Mary Jo Putney and For the Duke’s Eyes Only by Lenora Bell. These two fast-paced titles offer searing romance alongside dangerous plots in times gone by and faraway places. If you like your romance novels to leave you breathless in more ways than one, give these two a try.

STAKE YOUR CLAIM
Who doesn’t love a romance with an extra layer or two? Stories you have to excavate—pun intended—are the ones that keep you on the edge on your seat till the last page, or up late into the night. For lovers of these stories, I recommend For the Duke’s Eyes Only.

Lady India Rochester is a woman who knows what she wants. Her career as an archeologist means everything to her, and she is hell-bent on advancing that career, no matter what the Duke of Rochester, her childhood best friend and present mortal enemy, has to say about it. But when the Rosetta Stone itself is stolen, India may just have to square with the fact that two heads, and perhaps two hearts, are better than one.

The duke, on the other hand, may not be the monster India thinks he is. Daniel has spent his entire adult life carefully cultivating his public image as a womanizer and a rogue, all to cover up his relentless pursuit of a traitor to the Crown. This pursuit has cost him everything, even India. Although he still craves her, body and soul, he must put aside his feelings to solve a mystery with worldwide consequences.

What makes this novel exceptional is its masterful mix of red-hot seduction and earnest, respectful, good-hearted love with a strong foundation. My first thought after finishing this book was, “This couple really is the complete package.” Daniel and Indy share a past, a strong teamwork dynamic and a real friendship alongside their insane chemistry, making For the Duke’s Eyes Only a rare and essential title for any romance lover’s library.

SEDUCTION ON THE HIGH SEAS
Romance novels with a pirate theme have a delicate line to walk: They must be better than the offensive bodice-rippers of the past, but still provide readers with a high-stakes story. Once a Scoundrel manages both beautifully.

Lady Aurora “Rory” Lawrence is the very definition of a free spirit. She bucks her parents’ ideas of an advantageous marriage and spends most of her time gallivanting across the globe with her cousin. Her escapades land her in hot water (literally) when she is captured by Barbary pirates and held for ransom. Even though a young, dashing captain comes to her rescue, moving forward with her feelings for that captain may put her heart in a tougher situation than the one her life is in.

Gabriel Hawkins has hit a low point. Although he hails from a proud Naval legacy, he has very effectively managed to get himself cut off and disgraced. With nothing left to lose, he accepts the mission to rescue Rory. But if rescuing a headstrong lady is a feat, bringing their budding romance back to England will be the mission of a lifetime.

The third title in the Rogues Redeemed series, Once a Scoundrel is yet another product of Putney’s prolific romance career. Her books have graced numerous national bestseller lists and are known for their complexity and unflinching willingness to confront serious topics like substance abuse and domestic violence. Once a Scoundrel is no less bold of a story. Taking on human trafficking (or the threat thereof) is no easy task, but it makes the love story that blossoms from such a horrid situation that much more endearing. Gabriel is an ideal romantic protagonist. At one point, Rory praises him, saying, “You listen. A lot of men don’t listen much to women.” It’s commendation enough for any reader weary of big, strong, overly assertive fictional men.

Come for the adventure, stay for the romance. It’s a winning formula for both Once a Scoundrel and For the Duke’s Eyes Only.

One of the charms particular to the romance genre is the gorgeous sense of escape offered by good love stories. This especially applies to historical romances with a dash or two of danger, like Once a Scoundrel by Mary Jo Putney and For the Duke’s Eyes Only by Lenora Bell. These two fast-paced titles offer searing romance alongside dangerous plots in times gone by and faraway places. If you like your romance novels to leave you breathless in more ways than one, give these two a try.

30 years of author interviews

For 30 years, BookPage has had the great pleasure of interviewing incredible authors about their work. To celebrate our third decade, we’re letting the authors speak for themselves. These are some of our favorite quotes from some of our favorite authors we’ve spoken to over the years. 

 

Writers on reading

“I think it’s a function of the human mind to reach out toward some kind of memorable language. . . . Poetry in some form or other is part of everything I do. There will never be any other orientation. . . . I come from the back pages of obscure poetry magazines. That’s where I came from and that’s where I’ll go back to.” — James Dickey, 1989

“The book is a perfect form, a physical thing that you can carry with you, that survives power outages and doesn’t need batteries.”— Annie Proulx, 1996

“I can’t explain the sense of relief and salvation I experienced when I discovered what existed in books.”—Anne Lamott, 1997

“I would no sooner fall in love with a humorless book than with a humorless woman.” —Jonathan Franzen, 2001

“I’ve always had this attraction to Graham Greene characters, failed romantics shambling around the world in a dirty seersucker suit. I guess I’m not afraid to make myself look silly.” —Anthony Bourdain, 2001

“Literature has the power, the ability to move men’s and women’s souls.” —Maya Angelou, 2002

“Books mean a lot to me. I love them. I like to handle them. I can look up from my desk and see walls and walls and walls of books. It’s an extraordinary beauty for me.”—Pat Conroy, 2010

“Books also remind me of the enormous culture to which I owe most of what I know and understand.”—Ken Follett, 2010

“Everything I’ve learned, I’ve learned from fiction.”—Jojo Moyes, 2015

“I think good poetry gives you the impression that it’s being written just for you.”—Billy Collins, 2016

“Most of us have forgotten that we love poetry, but it’s how we learn to communicate as children, in rhythm and rhyme and verse.”—Kwame Alexander, 2017

“It’s an interesting concept, I think, that one sees more of the world when you read than you do with your eyes. That’s just extraordinary.”—Avi, 2017

Writers on writing

“To write a novel is itself such a remarkably hopeful act.”—Richard Ford, 1991

“It’s the most fun I’ve ever had.”— John Grisham on leaving his career in law to become a writer, 1992

“It makes me really happy to get letters from young women who say that a book I wrote in the ’60s applies to them today.”—Madeleine L’Engle on A Wrinkle in Time in 1993

“I don’t write to investigate my own life or sensibility. I write more to investigate the world.”—Jane Smiley , 1998

“Everything I have today is because of my readers.”—Judy Blume, 1998

“Writing is an enterprise that demands unabated discipline and concentration—but by God, it sure beats working.”—Tom Robbins, 2000

“I have to find the story within the story, to write my way to what is most true.”—Mary Karr, 2000

“I want to retrace a journey into wonder.” —Oliver Sacks, 2001

“Being beat up as much as I was during my childhood is a great preparation for being a writer. To be a writer in America is a contact sport. You’ve got to be tough.” —Pat Conroy, 2002

“If you write clearly and cleanly enough then the reader will get what you want him or her to get. Beyond that I want people to think that they have been in the presence of real people.” —Kent Haruf, 2004

“[T]o conjure up things out of your head and turn them into black marks on paper is a great privilege and remains very exciting to me.”—John Updike, 2006

“Writing a novel is a great excuse to think as deeply as you can about a particular plot of existence, of the world and of being alive.”—David Mitchell, 2006

“My standard line is that writing is like taking a car trip. If I don’t know where I’m going and I don’t have a map, I don’t get there.”—Ann Patchett, 2007

“Wherever I go, I always write in bed.”—Gary Shteyngart, 2010

“Sometimes I write in third person just to prove I can.” — Richard Ford, 2010

“I don’t think you can be a good writer and a bad listener.”—Amy Bloom, 2014

“I learned from Twain that if you’re going to go to dark places, you’d best go armed with humor.”—Richard Russo, 2016

“I know some writers who can tell you what their next three books will be, but I can’t tell you what my next three paragraphs will be.”—Carl Hiaasen, 2016

“Novels are not about showing how people are wrong or right—novels are about trying to swim in a certain mental climate and depict and understand it.”—Zadie Smith, 2016

“In writing, the use of humor at its highest level is trying to mimic the comic nature of the universe.”—George Saunders, 2017

“That’s my aspiration, always—to try and convey a truthful emotion.”—Elizabeth Strout, 2017

“I enjoy the public part of being an author. I’m not some monastic introvert. I love doing events. I love meeting readers.”—Julia Glass, 2017

“Ultimately, the long battle for the heart and soul of fiction may depend less on an author’s willingness to explore a prescriptive moral position than on that author’s willingness to break out of merely human stories into a celebration of wonder and astonishment and humility and awe.”—Richard Powers, 2018

Writers on living well

“Follow your inner voice, never listen to anyone. I’ve done it all my life, sometimes as a clown or a fool, but I follow anyway, whether I am right or wrong.”—Norman Mailer, 1991

“I think pure intellect is impossible. It’s always going to be tainted by these odd, primitive impulses that we have. One cannot repress the irrational.”—Donna Tartt, 1992

“[E]ating is one of those things that you have to do every day, so you might as well do it as enjoyably as possible.” —Peter Mayle, 1992

“As we reveal different worlds to each other, we move forward into being more compassionate people.” —Alice Walker, 1996

“I’m just always seeking to find something new.”—T.C. Boyle, 2009

“I’m always looking for that connective tissue that binds one piece of humanity to the next.”—James McBride, 2009

“The simpler life, the better. An hour of conversation with my wife or a walk with my dog is more interesting than a lifetime on Twitter.”—Dean Koontz, 2017

“I would like readers to realize that at the heart, we are all human beings. We all love and grieve and struggle and hunger and yearn, regardless of our race.”—Jesmyn Ward, 2017

 

 

For 30 years, BookPage has had the great pleasure of interviewing incredible authors about their work. To celebrate our third decade, we’re letting the authors speak for themselves. These are some of our favorite quotes from some of our favorite authors we’ve spoken to over the years. 
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Two new fantasy series place women with magical powers in the world of gladiatorial combat.

In Kill the Queen, the first installment of Jennifer Estep’s Crown of Shards series, Lady Everleigh Safira Winter Blair—equipped with a “mouthful of fancy names” and a nose full of mundane magic—is 17th in line for the throne of Bellona, a kingdom that keeps its combat close and its courtly mannerisms closer. Orphaned by assassins at a young age, Evie has been playing the dull game of palace diplomacy for most of her life, careful to stay on the safe side of her cruel cousin Vasilia, a gifted magic user and the daughter of the queen. This condition of peace is doomed from the first sentence, and Evie quickly finds herself on the run after Vasilia massacres the rest of the royal court. Tracking down a former palace guard who now runs a gladiatorial troupe, the untrained Evie slips into the ranks of the professional fighters, hiding her royal identity while secretly carrying evidence of her cousin’s deed.

Although “Game of Thrones” comparisons are inevitable, and an emphasis on combat fashion assures that The Hunger Games references won’t be far behind (Evie, costumed as a black swan for a death match: “Midnight-black makeup ringed my eyes in thick, heavy circles before fanning out into thin, delicate streaks that resembled shard-like feathers”), several memorable sections seem more indebted to the humbler fantasies of Gail Carson Levine. The opening scene, in which palace cook Isobel instructs Evie in the finer points of pie-making, calls to mind Ella’s friendship with the kitchen fairy Mandy in Ella Enchanted. While the action moves as swiftly as Vasilia’s magical lightning, the story benefits from the author’s decision to endow Evie with a less pyrotechnic skill set: a supernatural sense of smell (initially useful in the kitchen, it proves nothing to sneeze at in a world where so many goblets are poisoned) and a kind of antimagic which serves to defuse opponents rather than overpower them. Introducing a world where magical capacity is inherent and warrior skill is learned, Kill the Queen is a shiny, rapid-fire read for those who like their revenge served in two sittings.

While Kill the Queen embraces the dazzle of the knife’s edge as it builds to a climactic clash, Grace Draven’s earthier Phoenix Unbound proves immune to gladiatorial glam and more susceptible to romance. This first book in Draven’s The Fallen Empire series introduces Gilene, who uses her fire magic to serve as her village’s sacrificial victim in the Kraelian Empire’s ritual burning. Her ability to survive the ordeal, year after year, saves her peers from death but fails to protect her from the painful side effects of her powers or from routine violence at the hands of the Empire’s enslaved gladiators.

When the sympathetic gladiator Azarion sees through the magical illusion that Gilene uses to pull the deception, he harnesses her power as a means of escape and afterward takes her to his clan, where “fire witches” are revered, to bolster his claim to leadership. Rather than romanticize the power struggle between captor and captive, the story strikes an immediate balance between its male and female leads by making them equal victims of the larger power that places them at odds.

In Draven’s setting—more ancient and bleak than that of Kill the Queen—magic is a comparative rarity, which necessitates a stronger reliance on tactile skills. Gilene’s ability to summon fire is treated as a literal craft, an “ebb and flow of magic” that she “spool[s] . . . out slowly.” Both books keep the action coming and promise more to follow, but while Kill the Queen finds its fulfillment in arming an unimposing protagonist for battle, Phoenix Unbound seeks the softer side of characters who have been fighting all their lives. Despite its shorter page count, Phoenix Unbound feels longer than Kill the Queen, but its gradual quality is by design, and students of the slow-burn romance will likely wish for still more time in its campfire glow.

Two new fantasy series place women with magical powers in the world of gladiatorial combat.

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As the daughter of a nurse, I understood from a young age that twice a month my Mama stayed at the hospital all night taking care of sick patients. One Saturday afternoon, a friend came over for a playdate and my dad reminded us to, “Play quietly, Mama’s sleeping.” I clearly remember attempting to explain why my mom was sleeping during the day. Unless a child has a parent who works the night shift, working all night is often a foreign concept for them. Using gentle nighttime narratives, the following three picture books illustrate the various aspects of working the night shift and help children understand the necessity and role of night-shift workers in the workforce and community.

Night Job by Karen Hesse and G. Brian Karas

“On Friday nights, when the sun goes down, I snap the clips shut on Dad’s lunch box and climb onto the back of his bike.” Lyrical prose and muted evocative illustrations tell the story of a young boy helping his dad during his job as a school’s night custodian in Karen Hesse’s Night Job. Though the work is hard (“We scrub the cafeteria, then sweep the stage”), it’s clear the boy cherishes this special time with his father. They shoot hoops in the gym, listen to baseball games on the portable radio and eat egg salad sandwiches in the courtyard. Eventually, the boy falls asleep on the library couch until 4 in the morning when his dad wakes him up. They ride home, and as the sky lightens, they fall asleep together in the big recliner. In addition to offering insight into a night-shift routine, Night Job reminds students of the dedication and daily duties of those who work to keep their schools clean.

City Daily Photo—Hesse was inspired to write Night Job after seeing a photograph on City Daily Photo. Each day, photographers from around the world post photographs of the city in which they live. As a class, look at some of the daily photographs and choose one to discuss. Using that photograph, model a creative writing task with prompts about the scene it depicts.

Figurative Language—Alliteration, similes, metaphors, personification, onomatopoeia and imagery: Though not long in length, Night Job is filled with figurative language. If students are familiar with figurative language, reread the book and take time to identify and name the figurative language devices that are used and discuss how they enhance the story. Type out basic sentences on strips of paper. Invite students to take one of the sentences and make it richer through the use of figurative language. Afterward, students can copy their new “rich” sentences to cardstock and choose a way to illustrate it (collage, watercolor, colored pencils, digital illustration, etc).

Inferencing—Inferencing is an essential skill and one that students will use throughout their entire lives. Before even mentioning the word, ask students the following questions: Do you think the dad and boy in this story are wealthy? What makes you say that? How does the boy feel about his dad? How do you know this? Tell me about the last sentence of the book. Be sure to remind students to refer to the text and illustrations to support and further explain their answers. After the discussion, introduce the word inference. During the next few days, read aloud other books that require inferencing. Boats For Papa (Jessixa Bagley) and Little Fox in the Forest (Stephanie Graegin) are my favorite books to use when teaching inferencing skills.

Kitten and the Night Watchman by John Sullivan and Taeeun Yoo

As the sun is setting, a man hugs his family and heads a construction site where he works as the night watchman. Under the light of a full moon, he checks the doors and workshops and walks past the abandoned vehicles. Then out from under a garbage truck wanders a small gray kitten. The night watchman shares his sandwich with the kitten and a friendship is formed. But after another inspection around the site, the kitten “is nowhere to be seen,” and the man “is too worried to read.” A tender reunion occurs on the following spread, and when his shift is over, the night watchman takes the kitten home to his family. Author John Sullivan’s spare text and illustrator Taeeun Yoo’s rich and textured artwork keep the story from being saccharine. As a class read-aloud, Kitten and the Night Watchman is a pure delight.

Nonfiction Research—The first time I read this book aloud to students it became clear that my knowledge of construction sites was about at my students’ level. My first-graders had a myriad of questions about the different machines, vehicles and the construction site itself, and I could not answer any of them with confidence. After we finished the story, I jotted down the questions. The next day, the same group of students and I read some nonfiction books about construction vehicles and sites and found answers to most of our questions. This was the perfect opportunity to show students the need and purpose for both fiction and nonfiction books.

Shadows—The text and illustrations explain that, “An excavator bows like a strange giraffe,” and “A backhoe rises like a giant insect.” It’s the shadows cast by the vehicles that make these similes ring true. Read a nonfiction book about shadows. (I used What Makes a Shadow? by Clyde Robert Bulla.) Provide a variety of oddly shaped objects. In pairs, students will use these objects to make piles. Then, using flashlights, students will look at the shadow cast by their combination of objects. After experimenting with different object combination and placement, students will trace one of them onto oversize white paper and decide what their shadow drawing looks like. Encourage them to write similes for their art similar to the ones found in Kitten and the Night Watchman.

Onomatopoeia—The “ki-DEE, ki-DEE, ki-DEE” of a killdeer, the “Shhhheeeeerrrrroooooommmm,” of an overhead jet, the “peent, peent, peent” of a nighthawk, the “rumble-clack-clack, rumble-clack-clack” of a freight train—onomatopoeia is used to help readers understand the different night sounds at a construction site. Write down all of the examples used in the book (there are six) and then create some onomatopoeias that can be heard at a neighborhood park. Afterward, let students choose a setting (beach, ice cream parlor, amusement park, etc.) and write their own onomatopoeias. Encourage them to read them aloud to the class so that everyone can hear how words reflect sound.

Night Workers—As a class, discuss why we need night workers. Give students time to brainstorm other jobs that require a night shift. Encourage critical thinking by asking students to explain why these jobs require a night shift. Write down the children’s thoughts on chart paper. If one of their parents works a night shift, invite them into the classroom as a guest speaker.

Good Morning, Harry—Good Night, Daddy by Katy Beebe and Valeri Gorbachev

I absolutely love this understated read-aloud gem. The front endpapers show Harry and Gran headed toward their seaside cottage as a big red sun sets over the ocean. While Gran and Harry’s mother help their sons begin their nighttime routines, Daddy is just beginning his workday. He is a conductor on the London-Penzance sleeper train. With simple rhythmic prose and warm watercolor illustrations, this story goes back and forth between Daddy’s duties on the train and the cozy nighttime activities of Harry and his family. When morning arrives, “Harry hears the front door open . . .” and Daddy is home! Together they enjoy their breakfast/supper of porridge, and as Daddy heads to bed, Gran and Harry begin their day with a walk along the sunny seashore.

City Comparison—Show students a map of England and locate both London and Penzance. Ask students to share where they think Harry’s family lives (hopefully, they use illustration clues and know that it’s along the coast). Explore the cities of London and Penzance on Google Earth or watch short videos about the cities. Make a chart with descriptive details about each city. (London is a bustling big city and Penzance is a quiet seaside town.) Harry’s family lives in the small coastal town of Sennen Cove. Look up the area on Google Earth. My students loved “walking” along the beach just like Harry and Gran.

Train Math—My students were unfamiliar with trains and the concept of sleeper trains. Use the U.K.’s Trainline website to look up the timetable of the London to Penzance train. Ask them if they notice anything different about the times (24-hour time instead of 12-hour time) and then convert standard to 24-hour time. For example, 6:00 pm is 18:00. Encourage critical thinking by inquiring, “Why are some of the trips are eight hours while others are only five hours?” Trainline’s Journey Information from London to Penzance has detailed information that lends itself to mathematical word problems. Convert times and mileage to figure out how fast trains travel or discuss why the journey takes longer on weekends and holidays.

• Train Travel—Watch a short video showing the inside of the London to Penzance sleeper train. Many of my students were very unfamiliar with trains and train travel. Make a list of the jobs that Harry’s dad does during his shift as night conductor. (He yells, “All Aboard,” helps passengers find their cabins, collects tickets, serves meals, welcomes them to Cornwall and reminds them to “Mind the gap.”) Pose the question, “Why are there sleeper trains?”

As the daughter of a nurse, I understood from a young age that twice a month my Mama stayed at the hospital all night taking care of sick patients. One Saturday afternoon, a friend came over for a playdate and my dad reminded us to,…

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