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Our top 10 books of May 2023

Must-reads for May include the latest from bestselling historian David Grann and romance superstar Emily Henry, plus the long-awaited second novel from Abraham Verghese.

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Book jacket image for Our Migrant Souls by Hector Tobar
Nonfiction

Our Migrant Souls is one of the most important pieces of Latino nonfiction in several decades. Turning the last page, you will feel the weight of history on your shoulders.

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Book jacket image for Happy Place by Emily Henry
Contemporary Romance

Emily Henry’s effervescent and tender Happy Place is as expertly crafted as a perfect summer playlist.

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Fantasy

Gareth Hanrahan’s gritty and rousing fantasy novel The Sword Defiant explores what happens after the good guys win.

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Book jacket image for The Covenant of Water by Abraham Verghese
Family Saga

Abraham Verghese, probably the best doctor-writer since Anton Chekhov, upends all of our expectations again and again in his long awaited follow-up to Cutting for Stone.

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Book jacket image for Warrior Girl Unearthed by Angeline Boulley
Children's & YA

Firekeeper’s Daughter author Angeline Boulley returns to Sugar Island with a thriller that urges readers to consider: Who owns the past?

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Book jacket image for The Wager by David Grann
History

David Grann’s narrative nonfiction masterpiece about an 18th-century man-of-war that ran aground in South America reveals humanity at its best and worst, from heroism to cannibalism.

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Memoir

Julia Lee’s piercing discussions of Asian American identity are likely to challenge readers across the ideological spectrum. In fact, she even challenges her own views.

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Fiction

The Weeds requests the reader to observe and look for connections, to question structures and patterns, and to discover new ways of seeing.

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Orlagh Cassidy, Tove Jansson

Listeners will be immersed in this meditative exploration of time spent in nature—the story of Moomin creator Tove Jansson and her partner Tooti Pietila’s life together on an island off the Gulf of Finland.
Must-reads for May include the latest from bestselling historian David Grann and romance superstar Emily Henry, plus the long-awaited second novel from Abraham Verghese.
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The Magistrate

Police procedural novels set in China often have a decidedly different feel from their European and American counterparts. As public servants are paid so poorly in the Middle Kingdom, there is a thriving shadow economy of grift and clandestine deal-making. The rule book is scarcely more than a fairy tale, broadly ignored by law enforcement and the criminal element alike. Case in point: Brian Klingborg’s The Magistrate. His protagonist, Deputy Chief Inspector Lu Fei, is one of only a handful of honest cops, and thus he is roundly despised by most of the higher-ups. However, on the rare occasion when a fact-driven investigation is required, Lu is the go-to guy. As The Magistrate begins, someone is targeting corrupt officials and subjecting them to excruciating torture and/or death. It soon becomes evident that a series of medieval interrogation methods are being utilized, all on the orders of someone calling themself the Magistrate. When his longtime nemesis, Mr. Xu, a corrupt fellow cop, succeeds in sidelining Lu with a trumped-up murder charge, it will take some clever planning and more than a little assistance from some supposed bad guys for the canny policeman to prevail. With its nonstop action, suspense galore, fascinating locale and compelling characters (even/especially the nefarious ones), The Magistrate ticks all the boxes.  

Viviana Valentine Goes Up the River

Since last we checked in on plucky Viviana Valentine, she’s been promoted from girl Friday to full-time sleuthing partner in the private investigation agency of Tommy Fortuna, allegedly the Big Apple’s number one gumshoe. Oh, Tommy is still the boss, but Viviana proved her mettle in her first outing (Viviana Valentine Gets Her Man), and Tommy is practically a sensitive, New Age guy as 1950s male bosses go. Emily J. Edwards’ follow-up, Viviana Valentine Goes Up the River, is clever and witty, and it features some of the snappiest narration and dialogue in modern whodunits. This time out, Viviana and Tommy investigate some mysterious happenings in and around the home laboratory of Buster Beacon, a wealthy socialite/inventor. Their stay at Buster’s estate in upstate New York is punctuated by an evening gathering of neighbors and investors, all blissfully unaware of the impending snowstorm that will keep them imprisoned for some time in their gilded cage. This would not be so bad, were it not for the inconvenience of a locked-room murder in their midst, which will bring their jolly gathering to a screeching halt. The mystery has a pleasingly convoluted Knives Out vibe, Agatha Christie-esque but with a modern overlay of dry humor, much of it provided by Viviana’s narration. It’s good fun from beginning to end, with a surprise or two for even the most jaded suspense-o-phile.

The Eden Test

An upstate New York setting also figures prominently in Adam Sternbergh’s cinematic psychological thriller The Eden Test, even though it’s set seven-odd decades later. Daisy and Craig’s marriage seems, if not on the rocks, at least headed firmly in that direction. One of them has taken a lover, and there are more secrets bubbling not far beneath the surface. So Daisy takes matters into her own hands and books a week at a couples therapy retreat built on the concept of seeking seven answers to seven relationship questions in seven days. Phones are forbidden, and sometimes it appears that honesty has been proscribed as well. It doesn’t take long for things to go slightly off the rails, and then more than slightly. The counselors are a bit weird, as are the staff and the townspeople, and the whole scenario is filled with the sort of unease that you might find in “Twin Peaks” or at the Overlook Hotel in Stephen King’s The Shining, minus the supernatural component. And just when you think you have anticipated the big reveal, author Sternbergh delivers “the big nope,” forcing you to reconsider your so-called aha! moment.


Read our review of The Eden Test audiobook, narrated by Carlotta Brentan.


The Body by the Sea

When I reviewed Jean-Luc Bannalec’s The Granite Coast Murders a couple of years back, I opined that the author’s portrayal of Brittany, France, was mesmerizing, noting that “it has been elevated into my top 10 places I need to visit, all thanks to Bannalec.” I would hope, however, that when I do finally visit Brittany, I can sidestep the murders that seem to bedevil Commissaire Georges Dupin. Bannalec’s latest Brittany novel, The Body by the Sea, opens in the seaside town of Concarneau, where Dr. Chaboseau, a noted cardiologist, has just taken a header from a balcony above Dupin’s favorite restaurant, the Amiral. Chaboseau had reportedly been involved in some contentious business relationships in the town, although perhaps nothing that should have risen to the level of homicide. Still, somebody was responsible; moreover, it will not be the last murder in this chain of events. Short-staffed thanks to a holiday weekend, Commissaire Dupin is the only on-duty cop save for a couple of very green recruits, so the case is rife with obstacles from the get-go. There is, however, a novel twist, so to speak: Some facets of Dupin’s current case echo plot points from a pre-World War II novel, which was in turn based on a real crime. Curiouser and curiouser, and it all leads to just the sort of surprise ending that readers long for. And as before, they are treated to fun facts about the food, landscape and denizens of Brittany along the way.

Start your summer early with two tales of vacations gone murderously wrong—plus a snappy 1950s mystery and an eerie marriage-centric thriller.
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William Alexander delivers a tasty culinary chronicle with Ten Tomatoes That Changed the World: A History. With authority, humor and an instinct for flavorful anecdotes, Alexander tracks the evolution of the tomato from its first cultivations in the Americas to its first encounter with Europe via the Spanish in the 1500s to its current widespread popularity. Along the way, he considers tomato-related innovations such as the creation of ketchup and the rise of hybrid tomato specimens. Alexander touches on themes of contemporary farming practices and food production that will provide great talking points for book clubs.

Joshua Specht’s Red Meat Republic: A Hoof-to-Table History of How Beef Changed America is a surprisingly dramatic account of the rise of the beef industry and how the meat came to be an American favorite. Focusing on the 19th century, Specht explores the cattle ranches of the American West and the Chicago meatpacking industry and looks at how urban expansion affected production. His shrewd analysis of meatpacking practices, factory conditions for workers and labor developments underscores the impact of beef on American business. Specht’s nuanced account sheds new light on a mealtime mainstay.

In Milk!: A 10,000-Year Food Fracas, Mark Kurlansky traces the science, history and mythology behind the life-giving liquid. Fans of the author (who has also dedicated books to salt and cod) will welcome this study of a beverage that, as Kurlansky demonstrates, transcends cultures and eras. From milk production and dairy farming to the role of milk in economics and its significance in countries across the globe, Kurlanksy presents a multifaceted look at the vital beverage. Ever attuned to the offbeat factoid, he writes with typical crispness in a book that’s sure to intrigue readers.

Uncommon Grounds: The History of Coffee and How It Transformed Our World by Mark Pendergrast delves into the fascinating past of a controversial crop. Millions of people around the world rely on the coffee industry for their livelihoods, and Pendergrast takes stock of how the little bean has shaped international commerce and politics over the centuries. He brews up plenty of tantalizing coffee lore, assesses the dominance of Starbucks and explores the worlds of coffee snobs and fair-trade advocates. Global economics and the centrality of coffee to our daily lives make for rich discussion topics.

Psst . . . pair them with thematic snacks and/or drinks!
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In a great book, building complexity into characters and evoking places both near and far is the job of the author. But in an audiobook, an impeccable performance can make these elements shine, so choosing the right narrator—or narrators—is of the highest importance. The narrators of these four audiobooks imbue their stories with real magic, allowing us to appreciate the commonality of our emotions even across a diversity of experiences.

Hijab Butch Blues

In her memoir in essays, Hijab Butch Blues (7.5 hours), author Lamya H shares her incredible story of growing up a queer person with a devout Muslim faith. Each chapter of the book is titled after a surah of the Quran and explores a key figure in Islamic scripture alongside moments in the author’s own life. Her story begins at 14 years old, when she found kinship in the Quranic story of Maryam, a virgin mother who very well may have been a lesbian. 

Narrator Ashraf Shirazi brings palpable sincerity and youthful energy to sections set in college and after the author’s immigration to the United States. Both author and narrator have used pseudonyms; for Lamya H, the reasons are obviously privacy and safety. The reasons may be similar for Shirazi, or perhaps her anonymity is a nod of respect to the author’s choice—bittersweet as it is, for a memoir about the perseverance to discover your identity.


Lamya H reflects on what was gained and what was lost by writing her debut memoir under a pseudonym.


The Faraway World

Patricia Engel, author of Infinite Country, sets the 10 short stories in her collection, The Faraway World (7 hours), in the not-so-faraway worlds of New York City, Cuba and Colombia. The stories and their multifarious characters are voiced by a cast composed primarily of bilingual Latinx narrators, including the author. Their performances project glimmers of light, irony and warmth into haunting stories that tread into such dark topics as kidnapping, sexual assault and bizarre familial relationships. Due to the nature of some stories, there are scenes that listeners may find disturbing. The grit of these realities will get in your eyes—and ears.

The World and All That It Holds

Bosnian American novelist Aleksandar Hemon’s The World and All That It Holds (11.5 hours) conjures up the personal odyssey of a Jewish man, Rafael Pinto, beginning with the shot that started World War I and led to his relationship with Osman, a Muslim soldier in his unit. The audiobook is performed in epic fashion by Bosnian actor Aleksandar Mikic, whose accents and syntax embody the many people Rafael meets as he journeys from Sarajevo to Shanghai in his quest to escape war and persecution. Quiet, poetic descriptions of his relationship with Osman are particularly striking. When the two men steal kisses from each other, Mikic’s timing and tone bring out the paradoxical balance of bleakness and brightness in life’s little moments.


Read our starred review of the print edition of The World and All That It Holds.


 Vera Wong’s Unsolicited Advice for Murderers

Chinese Indonesian author Jesse Q. Sutanto (Dial A for Aunties) serves up a sleuthing Chinese mother and her suspects in Vera Wong’s Unsolicited Advice for Murderers (10.5 hours), a thoroughly charming murder mystery set in San Francisco’s Chinatown. Vera Wong Zhuzhu is struggling to maintain a relationship with her uninvolved son and keep her teahouse afloat. She may be lonely, but she likes to watch the TV show “CSI” and—internet savvy as she is—frequently looks things up on “the Google.” All this comes in handy when she discovers a dead body in her teahouse, along with four murder suspects.

Eunice Wong, a Juilliard-trained Chinese Canadian voice actor, delivers a repertoire of delicious voices to celebrate the patchwork of cultures and personalities in this thoroughly moving, heartwarming story about finding friendship and creating family.


Read our starred review of the print edition of Vera Wong’s Unsolicited Advice for Murderers.

Four audiobooks reveal how the right narrator can transform an excellent book into an even more absorbing listening experience.
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This Is the First Book I Will Read to You

Start off on the proverbial right foot with This Is the First Book I Will Read to You, in which a father celebrates the joys of reading with his newborn child. “I’ll be nervous,” he admits, “to share this moment that only you and I will be a part of.” As the father speaks, he gets the child ready for bed, walking through a house filled with loving family photographs. “You might not want to listen at first,” he continues. “But then we’ll find our way together.” Author Francesco Sedita’s sedate, pitch-perfect prose conveys the father’s jitters, but it’s dad’s quiet determination that rules the day.

Magenta Fox’s sweet digital illustrations are bathed in soft pinks and blues. As parent and child walk into the nursery and begin to read, Fox depicts the imaginative transformation that follows as wallpaper with a forest motif becomes an actual forest. Suddenly, father and baby are right there in a wooded clearing as an inquisitive squirrel looks on. It’s the perfect visual representation of the transportive power of books. As they keep reading, the pair ascend a hill, reach the sea and gaze up at the moon. “We have stories to discover and magical places to visit, you and I,” the father shares. “But tonight, this is the first book I’ll read to you.”

Sedita and Fox offer a gentle tribute to the strength of the parental bond and to all of the adventures, hopes and dreams that lie ahead.

★ The World and Everything in It

Kevin Henkes is widely known for his charming mouse characters, led by spunky Lilly of Lilly’s Purple Plastic Purse, as well as numerous children’s novels, including the Newbery Honor books Olive’s Ocean and The Year of Billy Miller. However, Henkes’ less rambunctious picture books, such as Old Bear, Waiting and The World and Everything in It are treasures that shouldn’t be missed. They sparkle like little gems as they impart a deep sense of understanding and appreciation of our world.

Henkes begins with a simple idea. “There are big things and little things in the world,” he writes. On the page opposite this text, we see an illustration of a large tree trunk with a small green sprout beside it. In subsequent pages, he explores this idea systematically through spot illustrations of “little animals,” “tiny flowers” and “pebbles.” There’s even an empty space captioned “things so small you can’t see them.” Henkes next turns to big things, such as the sun, moon and sea.

After that, he helps young readers begin to grasp where they fit in among all these big and small things. For instance, he notes that “the sea is big, but you can hold some of it in your hands.” And just like that, this talented literary magician seamlessly moves from straightforward statements of fact to a series of sentences that capture sublime wonders. “Most of the things are in-between,” he explains. “Like you. And me. And just about anything you can think of.”

Henkes’ illustrations are tightly focused, economical and free of distractions—just right for the very young. He closes by repeating “Everything is in the world,” and the phrase feels like a benediction that reminds readers of the endless delights, both big and small, awaiting them.

★ The Moon Remembers

Stories about the moon are a staple for the very young, from perennial favorites like Margaret Wise Brown and Clement Hurd’s Goodnight Moon and Eric Carle’s Papa, Please Get the Moon for Me to new classics such as Jane Yolen and John Schoenherr’s Owl Moon and Floyd Cooper’s Max and the Tag-Along Moon. E.B. Goodale’s exceptional The Moon Remembers deserves a place among them.

The book’s endpapers show the black-and-white phases of a friendly-faced moon, adding a nice touch of reality to this anthropomorphic fantasy. As a round, almost full, smiling moon gazes lovingly down on a nude roly-poly brown-skinned baby, we read that “when a baby is born, the moon is there. The moon remembers.” In fact, the moon remembers all babies, including your parents, and not just human babies: It shines its light down on baby crickets, rabbits, owls, flowers and trees. In a spread sure to find great favor, we learn that “even every DINOSAUR was a baby once!”

Goodale’s spare text offers comfort and reassurance as it describes how the moon “remembers where you came from . . . even when you’ve forgotten.” Her artwork is fittingly suffused with the soft glow of moonlight, which appears especially luminous in spreads that depict a dark green forest filled with ferns and undergrowth. Against this moody, arboreal backdrop, pops of pink, purple, white and yellow wildflowers feel perfectly placed. And of course the moon is omnipresent, whether it’s gleaming in the sky or reflected in a stream.

The Moon Remembers pays quiet but powerful homage to families and the promise of new life. After all, the moon remembers “every life . . . every sweet moment. And the moon will remember you, perfect you, as you go and wherever you grow.”

Awake, Asleep

Awake, Asleep chronicles a day in the lives of three young children in clever rhymes, following three families in the same neighborhood from dawn until bedtime. We meet a single-parent family, a multigenerational family with same-sex parents and a family who will soon welcome a new baby as we enjoy the beauty of an ordinary day that’s filled with rhythms—including ups and downs—that all families share.

Author Kyle Lukoff won a 2022 Newbery Honor (along with a number of other awards) for his middle grade novel Too Bright to See. Here he employs far fewer words but with just as much impact, creating strings of short noun phrases to describe the ongoing action of the day. In an early spread, for instance, we read, “A yawn, a peep, a stretch, awake!” as we watch a cat, a child and their parent wake up and get out of bed. Later, Lukoff neatly summarizes a child’s evening meltdown over putting away a train set with “a take, a pry, a scream, a cry.” The book’s genius is that because the scenes and situations are so readily identifiable, readers need no additional explanation.

Nadia Alam’s illustrations present a series of curated moments depicting, for example, a father and child putting on their pink sneakers together in the morning, and later, another child helping an older relative who uses a cane stand up from a park bench. Alam showcases myriad emotions along with the love that pours over these children no matter their mood. Young readers will identify with all of these inquisitive, happy, grumpy and, finally, sleepy faces. The book concludes with a bedtime story (“A hold, a keep, a voice, a book.”), which makes Awake, Asleep feel like a loving review of the day gone by as well as a comforting way to prepare for all the many days to come.

It’s never too early to begin raising the next generation of readers. Whether you’re off to a baby shower or building a library for your own little bundle of joy, these four picture books are perfect choices.
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The True Love Experiment

Romance blooms on reality TV in Christina Lauren’s The True Love Experiment. Celebrated romance author Felicity “Fizzy” Chen is struggling with writer’s block, worrying about whether she’ll ever find love and going through a sexual drought. When she receives an offer to star on the titular dating show, she agrees, hoping to use the program as a way to present her work in a positive light. Producer Connor Prince usually makes short nature docuseries but bows to pressure from his boss to make something more profitable. Cue Fizzy and Connor trying to ignore their immediate attraction; he’s cast eight other guys for her to date, after all. Fizzy is funny, fast-talking and brash, while Connor is a half-Brit single dad whose staid side is overcome by Fizzy’s insistence that they prioritize joy. A delicious, drawn-out happy ending caps this delightful, heartwarming and sex-positive story.

The Duchess Takes a Husband

A bargain for bedsport lessons takes center stage in Harper St. George’s The Duchess Takes a Husband, in which a Gilded Age widow seizes control of her life. Camille, an American heiress who married into the British aristocracy, suffered during her marriage to her abusive husband and was never fully accepted in London society. But now that her husband has died, she’s free to pursue her attraction to Jacob Thorne, co-owner of the infamous Montague Club. He needs a fake fiancée for business reasons, and Camille will play the part if he helps her figure out whether she can enjoy sex. Soon, Jacob discovers he wants to please Camille in all things, encouraging her to assert herself in the bedroom and to explore her burgeoning interest in the women’s suffrage movement. This swoonworthy romance is filled with yearning, tender sensuality and heated love scenes that set fire to the page. The glimpses of the suffrage movement are fascinating, and Camille’s growth is especially gratifying.

The Viscount Who Vexed Me

Julia London tugs at the heart with her new Victorian romance, The Viscount Who Vexed Me. Harriet “Hattie” Woodchurch may have friends among the ton, but she doesn’t have a fortune of her own. She takes a position as secretary to the new Viscount Abbott, Mateo Vincente, who is also the duke of the fictional country of Santiava. Hattie knows he’s above her, but she can’t stifle her attraction to the reserved, quiet gentleman. For his part, Mateo finds himself most comfortable with his down-to-earth scribe, even as pressure grows for him to choose an aristocratic wife. Hattie’s resolve to earn her independence and Mateo’s unconventional interests (he bakes!) make the pair easy to root for as their mutual longing grows. A colorful cast of characters, including frenemies, wicked little brothers and a determined matchmaker, adds to the pleasures of this entertaining tale.

Christina Lauren returns! Plus, catch two heartwarming historical romances that will utterly charm you in this month’s romance column.
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The Lock-Up

John Banville’s latest Quirke/Strafford mystery, The Lock-Up, stretches the boundaries of the genre. Ostensibly a police procedural set in 1958 Dublin, The Lock-Up is far more interested in its protagonists’ inner lives than it is in their detective work, and rather than celebrate its sleuths as bringers of order and righters of wrongs, it shows how their efforts toward justice can be, ultimately, meaningless. That said, it is well worth the read, because Banville’s characters fairly leap off the page. Pathologist Quirke is irascible as ever, but also lonely and grieving: “The thing about grief was that you could press upon it at its sharpest points and blunt them, only for the bluntness to spread throughout the system and make it ache like one vast bruise.” Detective Inspector St. John Strafford is a Protestant in a Catholic country, and a cop to boot—something for everyone to loathe. Together they investigate the death of Rosa Jacobs, a young Jewish woman with possible links to Wolfgang Kessler, a German refugee who made good in postwar Ireland and now appears to be involved with some shady dealings in the newly established country of Israel. The Lock-Up is beautifully written, the sort of book that makes you pause, reread a line and chew on it for a bit before continuing. Oh, and the ending? Good luck figuring that out before the precise reveal ordained by Banville.

Beware the Woman

Megan Abbott is one of the most skilled architects of suspense alive and has won or been a finalist for just about every major crime fiction award. Her latest thriller, Beware the Woman, finds her in top form once again. As the book opens, Jed and Jacy have just discovered that they are soon to become parents. They plan a holiday in Michigan’s Upper Peninsula to visit Jed’s father, Dr. Ash, who lives in a luxurious “cabin” deep in the woods. As experienced readers will know, going to visit reclusive relatives in remote forests is like opening the attic door in a horror movie: guaranteed drama. As a retired physician, Dr. Ash is solicitous to a fault about Jacy’s pregnancy. When minor complications arise, he becomes rather heavy-handed about directing her care, never mind that he has not been a practicing physician for decades. Understandably, Jacy takes some exception to this but finds, to her dismay, that her husband has aligned with his father, and she soon becomes a virtual prisoner, held incommunicado. For sheer escalating tension, Beware the Woman rates right up there with Stephen King’s Misery; it just shouts to be read in one sitting.

The Last Drop of Hemlock

Katharine Schellman’s second Vivian Kelly mystery, The Last Drop of Hemlock, is set in Prohibition-era New York City. Vivian is a seamstress and delivery girl by day but a waitress at a speak-easy by night, doing the Charleston with lonely men in return for drinks. Said speak-easy, the Nightingale, is decidedly illegal and only exists as a result of liberally greased palms. Thus, an element of criminal activity is never far from the forefront. This time out, Vivian uses her connections to take a second look at a death that was initially ruled a suicide. The victim was Uncle Pearlie, a bouncer at the Nightingale who had purportedly just made a fortune via mysterious means. But when Vivian and her band of ne’er-do-wells go to his home, they find that his secret cache of cash has been emptied. Any lingering doubts that he was murdered are erased when his pregnant girlfriend comes forward and reveals that Pearlie’s windfall involved some particularly unpleasant gangsters. In the first book in the series, Last Call at the Nightingale, Schellman introduced a large and interesting cast of characters while also spinning a consistently suspenseful yarn. That is certainly still the case in book two, as Schellman tops herself in nearly every category.

The Pigeon

Joe Brody, aka Joe the Bouncer, returns in David Gordon’s The Pigeon, the latest entertaining entry in the popular series. It should be noted that bouncer does not begin to encompass Joe’s duties. He serves as a sheriff of sorts for the criminal underworld of New York City, a mediator for organizations not exactly noted for solving disputes within the confines of the legal system. His longtime pal Gio sets him up with what should be an easy gig, and one that pays well too: recover a gangster’s stolen racing pigeon. The bird’s worth is in the neighborhood of $1 million, and Joe will collect a 5% reward upon recovery. Under normal circumstances, it would be a simple B & E—stuff the bird into a paper bag and exit stage left. But it turns out that the pricey Central Park-adjacent apartment building the bird is being kept in features one of the most sophisticated security systems this side of Fort Knox. Before Joe can snatch the pigeon, a squad of hit men is hot on his trail. He makes good his escape through a long-unused dumbwaiter, but his troubles are far from over. His FBI agent girlfriend is questioning her judgment in being associated with the criminal element, the gangster is still clamoring for his missing pigeon and the hit men know where Joe lives, works and plays. There is plenty of humor in the mix, as in an Ed McBain or Elmore Leonard novel, and plenty of action, too, realistically delivered without being egregiously graphic.

Quirke and Strafford team up again, plus Megan Abbott returns with a terrifying pregnancy thriller in this month’s Whodunit column.
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In Linda Holmes’ delightful Flying Solo, Laurie Sassalyn goes to her hometown of Calcasset, Maine, in the wake of her canceled wedding to sort out the affairs of her late great-aunt, Dot. There, she discovers romantic letters and a curious wooden duck among Dot’s possessions. After the duck vanishes, Laurie becomes embroiled in an adventure that reunites her with her first love, Nick. Along the way, she makes surprising discoveries about Dot and herself. The nature of independence and family connections are two of the novel’s many rich discussion topics. 

Angela Appiah, the spirited Ghanaian American protagonist of Shirlene Obuobi’s On Rotation, has everything going for her. Enrolled in a prestigious medical school, she’s on the road to success—until she flunks an important exam and gets jilted by her boyfriend. Angela’s life takes another unexpected turn when she meets smart, sensitive Ricky Gutierrez, who really seems to get her. But is he worth pursuing? During a time of transformation, Angela is faced with tough questions. Obuobi’s winning tale of modern romance makes for transportive summer reading. 

In Abbi Waxman’s Adult Assembly Required, Laura Costello relocates to Los Angeles in an effort to leave her past behind. All manner of adventures ensue as she connects with book-loving Nina and vivacious Polly, moves into a boarding house and contends with a still-hopeful ex-boyfriend. Easing into adulthood has its challenges, but Laura comes to understand that she can handle anything with help from her friends. Readers will lose themselves in this brisk, charming chronicle of millennials in LA.

Pestered about her lukewarm love life by relatives and friends, Yinka, a successful Nigerian woman living in London, sets out to find the right man in Yinka, Where Is Your Huzband? by Lizzie Damilola Blackburn. In need of an escort for her cousin’s wedding, Yinka cooks up a strategic plan for landing a date. But she learns that there’s more to the quest for Mr. Right than she imagined as she’s forced to come to terms with herself. With poignant themes of identity and independence, Blackburn’s buoyant look at contemporary courtship is a sure conversation-starter for book clubs.

These breezy reads are also thought-provoking and intellectually satisfying.
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A Lady’s Guide to Scandal

A young widow gets a second chance at happiness in A Lady’s Guide to Scandal by Sophie Irwin. After a miserable 10-year marriage, Eliza, Lady Somerset, is finally free—and rich, if she can keep the Somerset name scandal-free. That seems easy enough for the timid and soft-spoken Eliza, but when latent desires arise, she travels to Bath to take up a paintbrush and take in some of what society has to offer . . . including the attentions of the wicked Lord Melville. The plot thickens with the return of Eliza’s first love, who has never forgotten her. With two such attractive yet different men vying for her heart, can Eliza break old habits, be her own person and reach for what she truly wants? This kisses-only tale is a delight, and readers will be guessing just who Eliza finds her happy ever after with until the very end.

A Rulebook for Restless Rogues

Two old friends become more in Jess Everlee’s Victorian romance A Rulebook for Restless Rogues. David Forester and Noah Clarke have been friends ever since David appointed himself Noah’s protector in boarding school. David now runs The Curious Fox, a queer club in London, and he still looks after Noah, a talented tailor who spends some nights as his alter ego, Miss Penelope Primrose. David cares for all the patrons of his club and tries to keep them safe in a time when they could be jailed or worse. When The Curious Fox’s owner threatens to shut it down, David’s life is thrown off balance just as he realizes his feelings for Noah might go beyond friendship. Readers will sympathize with the difficulties David and Noah face dealing with the law, their families and the risk of changing their long-standing relationship in this sweet and satisfying romance.

Play to Win

Play to Win by Jodie Slaughter offers up a delicious premise: Stuck-in-a-rut nail tech Miriam Butler wins millions in the lottery—but for legal reasons, she has to alert her estranged husband, construction worker Leo Vaughn. Miriam offers Leo a generous lump sum to sign divorce papers. But this new opportunity gives Leo a chance to rethink his life, and he realizes his love for Miriam never died. Can they make a second chance work? Of course it’s delightful to imagine an end to financial problems, but Slaughter shows that Miriam and Leo still have to overcome the identity issues and expectations that once broke them apart. Told in their no-holds-barred voices, this romance is sexually frank, starkly intimate and often sizzling.

Sophie Irwin’s Regency-set novel boasts an impressively unpredictable love triangle, plus standouts from Jess Everlee and Jodie Slaughter in this month’s romance column.
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The Devil’s Playground

I am a huge fan of noir mystery novels set in the early heyday of Hollywood, back when the iconic hillside sign still read “Hollywoodland.” This love likely started via books by Raymond Chandler and Nathanael West, and it carries through to the latest Tinseltown tome I have happened upon: The Devil’s Playground by Craig Russell. The year is 1927, and our leading lady is studio fixer Mary Rourke, who operates on the shady side of the law when necessary to cover up scandals that could threaten one (or more) of Hollywood’s Golden Age stars. Mary is summoned in the dead of night (a portentous phrase, to be sure) to the home of actress Norma Carlton, star of the supposedly “cursed” production The Devil’s Playground. Mary is stunned to find Norma dead, apparently by her own hand. This could tank the film, so a quick fix must be enacted to ensure that the public never suspects suicide. It all becomes more complicated post-fix, when the studio’s doctor discovers that Norma was strangled. Fast-forward to 1967, and journalist Paul Conway has been hired to find the one remaining copy of The Devil’s Playground, which is supposedly at a remote location in the California desert—if it even exists. If the search succeeds, Paul will be rewarded handsomely for his efforts. However, he will find more than he bargained for, including one of the most creative twist endings I have experienced in ages. The Devil’s Playground is definitely on my shortlist for best mystery of the year.

Dead Man’s Wake

You don’t have to wait long for the action to begin in Paul Doiron’s 14th novel featuring Maine Game Warden Investigator Mike Bowditch, Dead Man’s Wake. It starts with a literal bang in Act I, Scene 1: Mike and his fiancée, Stacey Stevens, are celebrating their engagement, but the festivities are interrupted by a speedboat crash on the adjacent lake. When they arrive at the scene, there is no wrecked boat in sight. But what is in sight is rather more gruesome: a recently severed human arm. The next day, the search team uncovers not one but two dead bodies, those of a local developer and his married girlfriend, and the whole situation begins to seem less like a tragic accident and more like a pair of premeditated murders. Homicide investigations don’t really fall under Mike’s purview, but as one of the local cops ruefully notes, Mike seems to insinuate himself into more such investigations than is usual for a game warden. There is no shortage of suspects: the cuckolded biker husband of the female victim; a pair of frat boys who had been racing around the lake; a female tourist who claimed to have witnessed the whole shebang but whose story seems less credible as the investigation wears on. Doiron packs in lots of twists and turns, and enough suspense to keep you reading well past bedtime.

The Guest Room

Tasha Sylva’s debut novel, The Guest Room, is a creepy psychodrama in which all the major characters have deeply disturbing weird streaks. Let’s start with Tess. Some time back, her sister, Rosie, was killed, and the murder was never solved. Still in a malaise of grief, Tess has taken to renting out Rosie’s room for Airbnb-style stays. Tess has a bad habit, though. When her guests are out, she gleefully rummages through their stuff. Tess’ latest lodger is Arran, who requests a one-month lease while looking for permanent lodgings. And naturally, the first time Arran leaves, Tess surreptitiously paws through his meager belongings and finds a diary. The diary reveals Arran to be a rather obsessive man—by many people’s definition, a stalker. He is affable, though, and quite handsome, which has not gone unnoticed by Tess. This brings us to Nalika, Tess’ beautiful friend. After Nalika and Arran meet, Tess reads the newest entry in his diary and realizes the latest object of his obsession might be Nalika. And maybe Tess is a bit jealous about that. Or more than a bit. The Guest Room is much more character-driven than plot-driven, but there are a couple of excellent plot surprises along the way. I will eagerly await Sylva’s next novel, and I bet you will too. 

A Stolen Child

A Stolen Child is Sarah Stewart Taylor’s fourth entry in her excellent series featuring American police detective Maggie D’arcy, who has relocated to Ireland and joined the Garda, the national police force of the island nation. Despite years of experience as a police detective in Long Island, Maggie is relegated to beat cop status upon passing the Garda entrance exam. But when a well-known fashion model is murdered and her toddler daughter is kidnapped, the force is stretched so thin that Maggie’s commanding officer decides to make use of her detecting talents. As Maggie takes charge of the two-pronged investigation into the murder/abduction, she quickly finds out that witnesses are few and far between and often reluctant to the point of intransigence. A Stolen Child is a nicely done, step-by-step police procedural, but it also offers much more than that: well-drawn characters; an insightful look at a rapidly gentrifying urban hub and its denizens; and off-duty relationships that lend notes of warts-and-all humanity to the players.

 

Craig Russell’s suspenseful look at the dark side of Old Hollywood blows our mystery columnist away, plus two perfect police procedurals and a deeply creepy debut thriller.
The Fraud book cover

The Fraud by Zadie Smith

Penguin Press | September 5

We haven’t had a novel from Zadie Smith since her 2016 bestseller, Swing Time, which was long-listed for the Booker Prize. In the interim, she’s been busy with plays and arguably the only good COVID-19-related literature to be published during the pandemic’s first year, Intimations. With The Fraud, Smith takes us to 1873 for the story of a Scottish housekeeper, a formerly enslaved man from Jamaica and the ways their lives intersect via the real-life “Tichborne Trial,” in which an Australian butcher claims he’s the heir of a sizable estate.


The Vaster Wilds by Lauren Groff

Riverhead | September 12

Calling all admirers of moss, devotees of fungus and fans of wilderness fiction: The next novel from Lauren Groff (Fates and Furies, Matrix) is a Colonial-era adventure story following a girl who leaves behind her village in Jamestown, Virginia, to live in the woods. Groff is a three-time finalist for the National Book Award, so all we’re saying is, it’s about time she won it.


Land of Milk and Honey book cover

Land of Milk and Honey by C Pam Zhang

Riverhead | September 26

The strength of the reimagined Westerns trend can, in part, be attributed to the originality and unforgettable voice of C Pam Zhang’s first novel, How Much of These Hills Is Gold. With her second novel, Zhang dips into another popular arena: the realm of climate change fiction and “eat the rich” narratives. Land of Milk and Honey is the story of a young chef living in a world where food is rapidly disappearing whose life changes dramatically when she takes a job atop an elite mountaintop colony. We’d love a place at Zhang’s table, please.


The Unsettled by Ayana Mathis

Knopf | September 26

Ayana Mathis kicked in the door with her bestselling first novel, The Twelve Tribes of Hattie (2012), which earned her comparisons to Toni Morrison. We’re finally getting her follow-up, a multigenerational family saga that’s divided between small-town Alabama and Philadelphia caught amid racial turmoil. Bonds between mothers and daughters are at the heart of The Unsettled, but part of the story is inspired by real history involving a group that split off from the Black Panthers and the 1985 bombing of Philadelphia’s Cobbs Creek neighborhood.


Let Us Descend book cover

Let Us Descend by Jesmyn Ward

Scribner | October 24

Jesmyn Ward is a two-time National Book Award winner, the youngest winner of the Library of Congress Prize for Fiction and a MacArthur Fellow, but before now, she’s never published a work of historical fiction. Let Us Descend draws on Dante’s Inferno for the story of an enslaved teenage girl who, after being sold by her white father, journeys from a rice plantation in the Carolinas to a New Orleans slave market and finally to a Louisiana sugar plantation. It also opens with an absolute knockout of a first line: “The first weapon I ever held was my mother’s hand.”


The Maniac by Benjamín Labatut

Penguin Press | October 3

Chilean author Benjamín Labatut’s novel When We Cease to Understand the World was a Booker Prize and National Book Award finalist. With The Maniac, the first book that Labatut has written in English, he continues to explore questions of genius, physics and mathematics through the tale of real-life Hungarian American polymath John von Neumann, inventor of game theory and the first programmable computer. A chorus of friends, family and rivals traces von Neumann’s story and how he paved the way for AI.


Blackouts book cover

Blackouts by Justin Torres

FSG | October 10

Twelve years after his bestselling debut, We the Animals (which was adapted for film in 2018), Justin Torres is back with a second novel, in which a young man cares for an important figure who, from their deathbed, has much to share. Torres was inspired by the musical Kiss of the Spider Woman, the first all-Black production of Macbeth (known as “Voodoo Macbeth”), the film Pedro Páramo and the 20th-century book Sex Variants: A Study in Homosexual Patterns, the latter of which factors into the novel in a major way.


America Fantastica by Tim O’Brien

Mariner | October 24

The author of The Things They Carried (a finalist for the Pulitzer Prize) hasn’t published a new novel in 20 years, though he’s dabbled in nonfiction in the interim. Tim O’Brien’s grand return to fiction sounds like a classic dark-descent road trip novel, with a disgraced journalist’s bank robbery leading to a cross-country saga that explores an American landscape amid the Trump administration of 2019.


The Future book cover

The Future by Naomi Alderman

Simon & Schuster | November 7

Naomi Alderman’s speculative 2017 novel, The Power, was a bestseller, won the Baileys Women’s Prize for Fiction and was adapted for an Amazon Prime original series. With that novel, Alderman imagined a sudden female superpower that could reverse the patriarchal world order, and with The Future, she envisions another tale of radical disruption. This time, a group of friends conspire to take down the tech billionaires who are destroying our world.


The Liberators by E.J. Koh

Tin House | November 7

E.J. Koh is a poet, memoirist (her debut, The Magical Language of Others, won the Washington State Book Award), MacDowell Fellow and a writer on the Apple TV+ adaptation of Pachinko. This fall, she publishes her first novel, an epic saga that moves among two families, four generations and two continents. Newlyweds Insuk and Sungho leave South Korea for a new home in San Jose, California, along with their son, Henry, and Sungho’s mother-in-law. Their dramatic experiences unfold alongside flashbacks to key moments in recent South Korean history, from the 1980 Gwangju Uprising to the 2014 Sewol ferry disaster, and eventually, all of their lives are changed when Henry falls in love with a North Korean defector.


Discover all of BookPage’s most anticipated books of fall 2023.


We may say some version of this every year, but we promise: This fall’s lineup really is one of the most exciting we’ve seen in a while. These are the 10 works of fiction we’re most dying to read this season.
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Lynn Melnick’s I’ve Had to Think Up a Way to Survive: On Trauma, Persistence, and Dolly Parton is an extraordinary homage to one of country music’s leading ladies. Melnick’s early life was marked by abuse and trauma, and she fell in love with Parton’s music at age 14. Mixing her personal history with reflections on the singer’s significance as a cultural figure, Melnick creates a moving narrative of female endurance. Parton’s popular tunes, including “Jolene” and “Islands in the Stream,” serve as springboards for the chapters of this inspiring book.

In Unlikeable Female Characters: The Women Pop Culture Wants You to Hate, Anna Bogutskaya explores how our perception of what makes a “likable” woman has changed as more complex female characters have become prevalent in media. Bogutskaya uses tropes such as “the mean girl” and “the shrew” as reference points and celebrates how those misogynist terms have been, in some cases, reclaimed. Bogutskaya’s analysis of gender, sexuality and the power of the media will get book clubs talking as she explores famous figures such as Cardi B and Hillary Clinton.

Emily Nussbaum delivers a shrewd overview of the modern TV landscape with her dazzling collection of essays, I Like to Watch: Arguing My Way Through the TV Revolution. Over the course of the collection, Nussbaum—an unabashed fan of the tube—provides engaging analyses of audience viewing habits and storytelling trends and traditions. She also interviews showrunners and considers the significance of watershed series like “Buffy the Vampire Slayer.” Nussbaum’s lively writing style and gifts as a critic are on full display in this eye-opening collection.

Nerd: Adventures in Fandom From This Universe to the Multiverse, Maya Phillips’ smart, incisive essay collection, investigates the growth of nerd culture and its influence on modern media. Reading groups will appreciate Phillips’ personal yet wide-reaching critiques of cultural touchstones such as Harry Potter, Star Wars and Marvel comics and how they inspire feelings of belonging among fans. Phillips also delves into the complications of her own experiences as a Black woman engaging in fandoms without many Black characters. The evolution of pop culture, hero worship and the impact of fan bases are but a few of the rich themes in this intriguing book.

These great picks come with ready-made playlists and watchlists!
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Cruel Seduction

Think you know your Greek myths? Think again, and keep thinking, because Katee Robert’s Dark Olympus series is a twisted web that keeps getting twistier. Cruel Seduction, the fifth entry in the series, starts with a wedding, a shaky alliance . . . and a rabid populace that has just learned that they could potentially become powerful beyond measure if they’re willing to get their hands a little bloody.

The gods are here, but not quite in the way you might expect them: The modern city of Olympus is ruled by the Thirteen, who are headed by Zeus, but that’s not actually his name; it’s his title. All of the Thirteen are titles, and some of them were won fairly recently. The new Aphrodite, Eris Kasios, has only been in the position for about a year, but she’s been heavily involved in politics all her life as the daughter of the former Zeus and the sister of the current one. And the new Hephaestus, Theseus Vitalis, is an even more recent arrival who won the title by taking advantage of an obscure rule and killing his predecessor. The rest of the Thirteen have agreed not to end his life in retaliation, but only if he marries Aphrodite so they can gain some control over him.

Longtime fans of the series will appreciate the way Robert keeps raising the stakes. Tensions are cresting, and multiple assassination attempts, complex plots to undermine the city’s stability and hints of a dangerous new adversary lurking in the shadows create a palpable sense of impending doom. Mixed in with all of that is a heady, barbed romance full of lush encounters and sharp edges. Hephaestus and Aphrodite try to use sex to one-up and control each other, and things get heated in a hurry, especially when extra players join the game. Aphrodite seduces Hephaestus’ foster sister, Pandora, a calculated move that leads to a startlingly genuine connection. Meanwhile, Hephaestus is stunned to find himself bonding with—and falling for—Aphrodite’s ex, Adonis. The four characters come together in sensual detail in many permutations, and Robert contrasts the growing tenderness between them with the building chaos outside the bedroom.

If you like easy, escapist romances, this series may not be for you. In just about every way, Dark Olympus is a lot: a lot of varied, explicit sex, often with light BDSM elements; a lot of tense, violent conflict; and a whole lot of story to keep up with. Readers who haven’t read the first four books in the series will come in feeling like they’ve transferred schools as a high school senior, with three previous years of relationship sagas, messy in-group fighting, complex hookups and breakups, and gnarled family trees to sort through. But for those looking to experience something heated and dangerous, Cruel Seduction will be just right.

Marry Me by Midnight

The Cinderella story has been tackled from dozens of different angles. The Brothers Grimm took a crack at it, Rossini based an opera on it, the first film version dates back to 1899 and various remakes include multiple Disney versions, Jerry Lewis’ Cinderfella and plenty more besides. It’s a testament to the enduring strength of the story that there always seems to be another way to put a fresh spin on it. The latest is Felicia Grossman’s Marry Me by Midnight, a Jewish, genderswapped Cinderella set in 1832 London.

Grossman’s “prince” is Isabelle Lira, a Jewish heiress with marriage on her mind. Her father has recently died, and she aspires to honor his legacy by taking his position in his surety company. The problem is that the Berabs, her father’s partners, are threatening to upend the business if she does not agree to marry one of them. To get a better position at the bargaining table, she needs a husband who’s a force to be reckoned with. So Isabelle goes all out to find him, holding a series of three festivals and inviting all the eligible Jewish men in the community. To stack the deck in her favor, she decides to dig up some dirt on her potential suitors and hires Aaron Ellenberg to assist. This Cinderfella’s plight isn’t due to an evil stepmother, but rather a lack of family and resources. A poor orphan, Aaron works as a custodian at the synagogue, leading a quiet life until Isabelle sweeps in and changes everything.

It’s remarkable how genderswapping a story can totally shift the balance of power. Isabelle is as elite as any fairy-tale prince, and yet simply because she’s a woman, her husband hunt takes on a new and far more urgent tone. Likewise, Aaron, as a man, has much more agency than your typical Cinderella. He’s able to live independently, chart his own course, even contemplate the idea of starting over in America. But he faces a different kind of judgment, too, with his low social status treated as a personal failure rather than a result of his circumstances. Meanwhile, Grossman’s choice to set Aaron and Isabelle’s romance at a particularly delicate time for the Jewish community in the U.K.—when legislation was being debated that would eventually guarantee Jewish men the same rights as all English men—adds a special poignancy. For all the wealth and privilege that most of these characters possess, there’s still a sense of otherness, of striving for acceptance that might be coming . . . or might be delayed yet again. In this troubled atmosphere, Aaron and Isabelle’s decision to choose love, courage and kindness over everything else resonates that much louder and feels that much sweeter.

The messy relationships of Greek mythology get messier and the fairy-tale love story of Cinderella gets genderswapped in these two books.

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