All Reviews

Children's & YAYA FictionYA

Visitations

Review by Tami Orendain

Corey Egbert grew up believing his mother wanted the best for him and his sister, Sarah. After suspecting their father of molesting Sarah, she divorced him immediately and moved their family to Lehi, a small town in Utah with Mormon roots. There, Corey dutifully attends seminary and protects his sister, while his mother urges him not to speak to his father, even during visitations. 

In his new home, Corey encounters a variety of responses to his Mormon faith, from people who ridicule him, to those who are themselves devout followers. As a preteen in a school where other students are openly curious about sex, smoking and other taboos, Corey comes across thoughts and ideas beyond his sheltered upbringing. It’s hard not to sympathize: Corey is a young boy who wants new friends, is curious about romance and isn’t exactly sure how faith works. 

At the beginning of the story, Corey is anchored by his unwavering trust in his mother. When his father reveals during one visitation that Corey’s maternal grandmother—whose letters Corey’s mother has been throwing away for years—has died, Corey struggles with understanding the loss, while his mother begins to further isolate the children. Is Corey’s mother faithfully protective, or is she oppressive and self-righteous? Is his father wrongfully accused of crimes he didn’t commit, or is he a deceitful predator? As Corey learns more about his family and compares their beliefs with his own expanding worldview, he must ultimately decide what he believes himself. 

Visitations is a haunting, complex memoir about religion, mental illness and broken families, told through the eyes of a young boy as he sorts through what’s true and what isn’t—a task that’s incredibly difficult for a child. The book’s illustrations are beautifully simple, highlighting the vastness and complexity of the questions the story asks readers to consider. How do we know who to trust? Why do bad things happen? And what does it really mean to do the right thing?

Visitations is a haunting, complex memoir about religion, mental illness and broken families, told through the eyes of a young boy.
FictionShort StoriesDebut Fiction

The World With Its Mouth Open

Review by Eric A. Ponce

The everyday lives of people are filled with drama, no matter where they live. But in a place like the Kashmir region, wedged between the conflicting political and cultural influences of India, China and Pakistan, that everyday drama plays out under a different, more intense spotlight. In his debut short story collection, The World With Its Mouth Open, Zahid Rafiq peers into the inner lives of 11 people illuminated by that spotlight. Readers will find these characters at various points of crisis, confronted with grief or gratitude, hope or hopelessness, and always the paralyzing freedom of choice.

Writing about drama doesn’t necessitate confessions of undying love or explosions. Rafiq chooses instead to tease out tension from brief, intimate interactions. In the opening story, the protagonist, Nusrat, runs into the brother of an old friend. She engages him in small talk and, as they walk the city streets, she is reminded of the life she lived as a young girl, a life filled with possibility and without the demands of womanhood and marriage. This brief exchange cracks Nusrat open, revealing a vast and paradoxical inner world. Meanwhile, in other stories, the narrators bare their hearts in unrelenting and unashamed grief: In “Flowers From a Dog,” the narrator visits the grave of an ex-lover who left to be with a wealthier man. Over the course of the visit, we experience the speaker’s loss in a poetic, existential lament.

Though politics is never directly discussed, the history and culture of Kashmir set the stage for these poignant tales. “Crows,” finds a young boy who hates studying being beaten by a tyrannical teacher. Knowing the poverty experienced by this boy and his family, and seeing their desperate hope for a better life for him, one can’t help but feel torn: Why should the boy suffer, being abused for not wanting to learn things he doesn’t care for? His naivete and pure longing for joy are heartbreaking. All these stories are, because people are.

Zahid Rafiq peers into the inner lives of 11 people living in Kashmir in his debut short story collection, The World With Its Mouth Open.
RomanceHistorical Romance

The Wrong Lady Meets Lord Right

Review by Elizabeth Mazer

What’s in a name? A rose by another name might smell as sweet, but a Belle by another name would likely not be as rich. While cousins Arabella and Isabelle Grant are the closest and dearest of friends, they’re far from equals. Lady Isabelle, daughter of a marquis, has money, position . . . and debilitating social anxiety. Miss Arabella has beauty, charm . . . and barely a penny to her name. Arabella is treated as a charity case by Isabelle’s cruel, snobbish mother, yet everything changes when said mother dies and Isabelle’s great-aunt resolves to give her a London season, whether she wants it or not. Just the thought of balls and crowds terrifies Issie into palpitations. But Bella would shine in that setting. And since their nearsighted new guardian can’t tell which cousin is which, Issie concocts a plan for a little switch. It only has to last for the season, and then they can go home to their quiet lives and correct stations. No fuss, no muss, no harm done—as long as Bella keeps from falling in love, a task that’s easier said than done when she meets Lord Brooke. The attraction between them is palpable, but does he love her, or a Lady Isabelle who doesn’t exist?

The Wrong Lady Meets Lord Right has a plot Shakespeare himself might’ve used, and author Suzanne Allain fills it with playfulness, humor and a delightful cast of side characters. (My particular favorite is a maid who gives up altogether on figuring out which cousin to call “miss” and which to call “milady,” and calls them both “mislady.”) While Bella comes into her own as the toast of London and the woman who has wholly—and very truly—captured Lord Brooke’s heart, it’s just as captivating to see Issie emerge from her shell and form a romance with a handsome young doctor who stirs in her palpitations of a different sort. Love is in the air . . . along with confusion, misunderstandings and a whole lot of false assumptions. But where’s the fun in the course of love running smooth? All’s well that ends well—and all ends very well, indeed.

In The Wrong Lady Meets Lord Right, Suzanne Allain’s playful Regency romance, delightful chaos ensues when an heiress and her impoverished cousin switch places.
NonfictionSocial ScienceNature

The Serviceberry

Review by mónica teresa ortiz

The Serviceberry: Abundance and Reciprocity in the Natural World is the latest offering from botanist Robin Wall Kimmerer, an enrolled member of the Citizen Potawatomi Nation, one of the great Anishinaabe peoples of the Great Lakes. This slim but powerful volume continues the work of her previous books, including Gathering Moss and the New York Times bestseller Braiding Sweetgrass. Here, she draws from the traditional Anishinaabe economy for her understanding of reciprocity and gift economies, ones where, she writes, “a system of redistribution of wealth [is] based on abundance and the pleasure of sharing.”

Through vivid descriptions of the heartbeats around her—cedar waxwings, bluebirds, neighbors sharing garden-grown zucchini—Kimmerer immerses readers in her kinship and connection to the land. Moving between Western science and her own Potawatomi knowledge, she illustrates an accessible model for building reciprocal relationships with both nonhuman and human life around us through the harvesting and sharing of a fruit known as Amelanchier—or serviceberry, “Saskatoon, Juneberry, Shadbush, Shadblow, Sugarplum, Sarvis.” Kimmerer writes that “ethnobotanists know that the more names a plant has, the greater its cultural importance” and informs us that serviceberries are medicinal fruits that also synchronize “the seasonal rounds of traditional Indigenous people, who move in an annual cycle through their homelands to where the foods are ready.”

Kimmerer breaks down how an extractive economic system like capitalism, which focuses on individualism, competition and exploitation of resources, impacts our spirits; she does so in a language and tone that is generous, even toward the violence of such a system. Indigenous people, she explains, change themselves to suit the land’s changes of harvest, whereas Western methods of farming attempt to make the land suit a population’s desires and consumptions. “We force the food to come to us, at considerable financial and ecological costs,” Kimmerer notes, “rather than following the practice of taking what has been given to us, each in its own time.”

“The land is the source of all goods and services, which are distributed in a kind of gift exchange: one life is given in support of another. The focus is on supporting the good of the people, not only an individual.” The Serviceberry is a kind reminder that we would do well to restore the sovereignty and practices of Indigenous peoples for the present and future of our world.

Botanist Robin Wall Kimmerer, author of Braiding Sweetgrass, returns with a powerful meditation on economics rooted in abundance and sharing.
Children's & YAPicture BookChildren's

The Smell of Wet Dog

Review by Alice Cary

With nearly 50 books under his belt, beloved author and illustrator Barney Saltzberg turns his attention to canines in his latest zany offering, The Smell of Wet Dog: And Other Dog Poems and Drawings. He proclaims his love in the first poem, “I Love Dogs,” followed by the title verse, which describes their odor as “Imagine moose and skunk perfume. / An odiferous stench, a paint-peeling plume.”

Young readers will relish these often rip-roaringly funny short poems, with lines like “A long stretchy / drizzle of slobbery ooze / dribbles and splats / on my favorite shoes.” Kids will readily identify with lines like “It’s hard to sit. / It’s hard to stay. / Who makes these rules up, anyway?”

This is a celebration of all things dog—the good, the bad and the smelly—that adult dog lovers will enjoy as well. Saltzberg’s endearing spot illustrations complete the package, with big-eyed dogs of all shapes and sizes cavorting, rolling around in messes, leaping into the air and staring pleadingly at each other and the reader. How can you not fall in love? There are poignant moments as well, with poems about a lost dog, an aging pet and the undying adoration that dogs have for their owners—and vice versa. (Cat lovers: a sequel is likely in store, as the last page features a cat saying, “You forgot . . . / the cat!”)

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.

The Smell of Wet Dog is chock-full of luscious light verse designed to draw in even the most reluctant of poetry readers.
NonfictionArtLifestylesArt

The Work of Art

Review by Laura Hutson Hunter

If you’ve ever been curious about how an idea turns into a piece of art, you’ll love The Work of Art: How Something Comes From Nothing. This visionary book’s first two pages lay out its thesis in surprisingly simple terms. First, there’s a sketch that looks like little more than a physician’s signature at the bottom of a prescription pad. Turn the page and you’ll see what that doodle became: the famous Guggenheim Museum in Bilbao, Spain. But how exactly did Frank Gehry’s messy sketch become the architectural masterpiece? That’s the process writer Adam Moss is concerned with; the “work” in his book’s title is a verb. Moss has been the editor of New York magazine and the New York Times Magazine, and his love for conversational, witty storytelling is clear here. The Work of Art collects conversations with some of the most lauded, interesting artists working—from Kara Walker, who takes readers through the creation of her 2014 public sculpture “A Subtlety,” to Gay Talese, who pores over the copious notes he took to write “Frank Sinatra Has a Cold” in 1966. No minutia is too small to examine. In fact, it seems like the smaller the detail, the more information Moss is able to extract. Alongside each story, Moss includes images of the works in various stages of completion. You see Twyla Tharp’s massive choreographic sketches, and the first stages of a Will Shortz crossword. The images elevate the book to a compendium of precious ephemera. It’s possible that Moss has invented a new literary genre that merges self-help, art history and journalism. However it’s classified, you’ll read it cover to cover.

The Work of Art is a visionary compendium of ephemera that makes visible the bridge between idea and artwork.
Mystery & SuspenseMystery

The Rivals

Review by Linda M. Castellitto

Fans of Jane Pek’s 2022 debut, The Verifiers, starring irrepressible, clever, bike-riding Brooklynite Claudia Lin, will be delighted to learn of Claudia’s return in The Rivals. 

While she’s still reeling from the dramatic events—including murder, alas—depicted in The Verifiers, Claudia’s also proud to be a new partner in Veracity, a Tribeca-based private investigation agency that discerns whether clients’ prospective partners are being truthful on dating apps. But Claudia’s also nervous about her new role, thanks to her ongoing internal conflict about the ethics of Veracity’s work (are they background-checking, or stalking and hacking?) and her conviction that, despite her hard-won career advancement, her mother will nonetheless stick to her favorite “look at my lousy Chinese daughter topic of conversation.” 

There’s the matter of her own love life, too: Sure, she’ll dutifully tail Amalia, the intelligent and gorgeous date of obnoxious new client Mason Perry (“His opinion of himself is so high, you can see it from outer space.”), but things get complicated when Claudia accidentally-on-purpose befriends her and starts wishing Amalia were her girlfriend instead. She’s also attracted to her mercurial co-worker Becks, but Claudia’s not sure if her feelings are reciprocated. Pek does an excellent job exploring the particular humor and suspense inherent in the mysteries of the human heart.

The author also delves into the gritty mysteries of the tech world as Veracity discovers a corporate conspiracy centered around dating apps, complete with manipulation via AI and the untimely demise of anyone who raises suspicions about the apps’ overlords. Even worse, Claudia’s brother, Charles, works for one of the “Big Three” matchmaking platforms, and she fears he’ll be harmed by their machinations: “He can’t even imagine how deep the deception actually goes, like a tunnel right to the molten center of the earth.”

It’s a lot for Claudia to juggle, especially on a bicycle. Anyone who appreciates a witty contemporary whodunit with a tech-y twist will enjoy the entertaining, thought-provoking goings-on in The Rivals as it explores the insidiousness of technology, the dark side of dating algorithms and the often amusingly complicated life of a dedicated amateur sleuth.

Amateur sleuth Claudia Lin delves into a dating app conspiracy in Jane Pek’s entertaining, thought-provoking The Rivals.
Science Fiction & FantasyFantasy

The Last Hour Between Worlds

Review by Jessica Peng

I’ll be honest—it took me a moment to understand this book. We are immediately thrown into an opulent “year-turning” party: buffets of food, swirling gowns, a mysterious grandfather clock slowly ticking down the hours until the new year. Our protagonist, Kembral Thorne, is at the party while on maternity leave from her job as a Hound, a police officer-esque position that specializes in retrieving people or objects from other dimensions known as Echoes. In rapid succession, author Melissa Caruso introduces Kembral and the rest of the guests at the year-turning party (including Kembral’s nemesis and obsession, professional thief Rika Nonesuch), the framework of Echoes and a series of specialized terms for the world and its sociopolitical system. If reading this paragraph was overwhelming, you can expect a similar reaction when you begin The Last Hour Between Worlds. 

But—but! If you’re a fantasy romance fan who’s been craving originality from the genre, this book is truly a breath of fresh air. Once you’ve gotten the gist of Echoes and more or less familiarized yourself with the characters, the storyline is a heady, bizarre rush of murder mystery meets Alice in Wonderland. Kembral discovers quite quickly that the year-turning party is being used as a chessboard of sorts, that a game is being played out between powerful interdimensional beings. Every hour, the party falls into a weirder, deadlier Echo, and it is up to Kembral and Rika to figure out how to stop the game before they’re trapped in an Echo they can’t escape from—if they don’t, everyone will die. 

Caruso has created a compelling heroine in Kembral, who is equal parts tough, resourceful and vulnerable. A full-blown adult and mother, there’s an element of maturity and caution to her perspective that is refreshing in a genre that is often full of young protagonists who dive headlong into peril. The heart of the novel is Kembral’s relationship with Rika: their history and their secrets, how they’ve leaned on each other and how they’ve hurt each other. Caruso’s writing is stunning as well, with lines like “trying to figure her out was like trying to hold the shape of fire in your mind.” Although I was skeptical when I started, by the middle, I was completely on board with Kembral and Rika as they tried to save their sinking ship—or, in this case, their dimension-bending party. The Last Hour Between Worlds isn’t a breezy read, but it will stretch your imagination and leave you thinking.

A heady, bizarre rush of murder mystery meets Alice’s in Wonderland, The Last Hour Between Worlds is an interdimensional fantasy adventure.
NonfictionEssays

The Memory Palace

Review by Deborah Mason

A memory palace is a memorization technique used by figures as diverse as Cicero, international memory champions and the late, great Sherlock Holmes. Practitioners visualize placing images representing information they want to recollect in a familiar setting that they can revisit whenever their memory needs a nudge. The Memory Palace: True Stories of the Past, by award-winning podcaster and screenwriter Nate DiMeo, however, is a more intimate and complex edifice than any mnemonic device. Instead of facts and figures, DiMeo’s memory palace is inhabited by the moving true stories that illustrate how human beings throughout history, whether famous, infamous or unknown, felt the same emotions and had the same imperfections that we have and humans will always have.

Like DiMeo’s podcast of the same name, The Memory Palace’s stories—numbering nearly 50 in this volume—are briskly told, varied, unexpected and often paradoxical, giving us a sideways view of human nature. William Mumler, a 19th-century con artist photographer who stumbled upon a technique to make “ghosts” appear behind his subjects, gave genuine comfort to spiritualist Mary Todd Lincoln as she grieved the death of her child. William James Sidis, a boy genius who, at age 11, gave a Harvard lecture on the implications of the fourth dimension, could have been an academic celebrity, but instead sought seclusion to pursue his passion: collecting streetcar transfers. Carla Wallenda, the last surviving child of the founders of the Flying Wallendas high wire troupe, witnessed over several decades the gruesome deaths of her father, husband, cousins, aunt and uncle—but until her death at the age of 85, never felt so alive as when she was on the tightrope.  

DiMeo ordered the stories in no particular way, and he suggests that The Memory Palace could be a “dipping book.” But there’s a benefit to reading it in order: In his final seven stories, he seamlessly interweaves episodes from his family’s lives in a way that illuminates both the individuals chronicled in his “cabinet of curiosities” and the project of the book and podcast as a whole. Readers will feel a shiver of recognition and understanding—making a second or third visit to DiMeo’s memory palace both irresistible and gratifying.

The Memory Palace collects stories from Nate DiMeo’s award-winning podcast about historical people—famous and unknown alike, all breathtakingly human.
NonfictionWomen's HistoryHistory

The Cure for Women

Review by Anna Christensen

When Charlotte Perkins Gilman published “The Yellow Wallpaper” in 1892, it was a resounding hit among Victorian readers. What many did not know was that the story was a fictionalized account of Gilman’s own experience with the madness-inducing “rest cure” popular among doctors at the time, used to subdue any sort of mental or emotional complaint brought to their attention by women—or by their husbands. Gilman, in the throes of postpartum depression after the birth of her daughter, had undergone the treatment, which unsurprisingly offered her no relief, while in the care of Dr. Silas Weir Mitchell. She did eventually find relief, however—not at the hands of the male doctors who brushed off her symptoms, but with the help of one of the first eminent female physicians in America, Dr. Mary Putnam Jacobi.

Lydia Reeder’s monumental The Cure for Women: Dr. Mary Putnam Jacobi and the Challenge to Victorian Medicine That Changed Women’s Lives Forever recounts the incredible life and achievements of her subject. Somewhere between Jacobi’s adventures in wartime Paris during her medical school days, her unrelenting efforts to open the doors of first-class medical schools to women, and her dogged work for women’s suffrage, she conducted research into women’s menstrual cycles by collecting data from women themselves—the first time any doctor or scientist had done so. As demonstrated by Gilman’s case, Jacobi treated her patients by listening to them and accepting them as fellow partners in their own health.

Jacobi’s research compelled other women to follow; Reeder notes that today, 60% of practicing physicians under the age of 35 are women. Yet it is possible to draw a direct line from the now obviously absurd and cruel “cures” Victorian doctors prescribed for women and the many ways that women’s health care remains lacking 150 years later. Neuroscientists are still confronting research effected by biological determinism and gender essentialism that echo the Victorian belief that women’s abilities are limited by their biology. By restoring Jacobi’s fascinating story to the forefront of the historical imagination, Reeder returns to us a much-needed, inspiring voice that is equally suited to our current moment in time.

 

Lydia Reeder celebrates the female physician who debunked sexist Victorian-era medicine in The Cure for Women.
NonfictionWomen's HistoryHistory

The Icon and the Idealist

Review by Anne Bartlett

It’s not as if birth control methods weren’t used in the olden days. Condoms, pessaries and douches didn’t magically appear in the late 19th century. But something did change significantly at that time in the United States: The Comstock Act of 1873 effectively criminalized the distribution of contraceptive devices and information about their use. The result was several generations of vituperative battles over a practice that had previously been routine for many, though seldom discussed in public.

At the vanguard of the fight for safe, effective and accessible birth control in the early 20th century were two dedicated activists, Margaret Sanger and Mary Ware Dennett. Author Stephanie Gorton tells the story of their interconnected lives in The Icon and the Idealist: Margaret Sanger, Mary Ware Dennett, and the Rivalry That Brought Birth Control to America, a compelling dual biography that has striking parallels to the contemporary abortion debate.

Despite a common goal, the two women loathed each other. Sanger, the “icon” now remembered as the mother of Planned Parenthood, spearheaded a mass movement that broke laws and made questionable compromises. Dennett, the “idealist,” played a more genteel inside game, lobbying Congress for a permanent change to the Comstock Act.

Obviously, they should have coordinated their efforts. But Dennett made a foolish mistake about Sanger early on, and Sanger never forgave her. Gorton adeptly shows how their contrasting backgrounds and personalities fed a grudge that helped shape our current world. The fact that you’ve probably heard of Sanger but not of Dennett tells you who prevailed at the time. But, as Gorton notes, the debate about whether court challenges or statutory change is the wiser long-term strategy has been renewed after the Supreme Court’s overturning of Roe v. Wade in 2022.

Gorton doesn’t shy away from the fact that both women allied themselves with the racist and xenophobic eugenics movement, which put “a scientific sheen on white supremacy and ableism.” Dennett and Sanger, she writes, “were intent on disrupting a specific form of oppression and yet were active in perpetuating another.” Wherever readers fall on the impact and morality of the two reformers, after reading Gorton’s fair-minded biography, it’s indisputable that their efforts helped an increasing number of ordinary Americans use birth control more safely and effectively. As Gorton writes, “Dennett and Sanger were instrumental in forcing lawmakers to recognize the kind of world Americans actually lived in, one where fertility control was nearly universally practiced.”

 

The Icon and the Idealist is a compelling, warts-and-all dual biography of the warring leaders of the early 20th-century birth control movement: Margaret Sanger and Mary Ware Dennett.
Children's & YAPicture BookChildren's

The City Sings Green

Review by Alice Cary

The City Sings Green & Other Poems About Welcoming Wildlife is an inspirational treasure trove that introduces young readers to the concept of rewilding, showing how cities and communities around the world are repairing some of the environmental damage caused by human habitation. Focusing on 11 intriguing examples, Erica Silverman has created a unique blend of poetry, science, civics and activism. 

Each story is compelling: a honeybee highway in Oslo, Norway; a Los Angeles school that tore up their asphalt playground to create a natural oasis; and cities in Australia that built rope bridges over highways so that western ringtail possums might safely cross. Silverman introduces each short lesson with a poem celebrating an ecological achievement, accompanied by a prose explanation of the specific details. It’s a winning combination that succinctly informs and delights, while helpful back matter provides additional resources. Both the poetry and prose of The City Sings Green are widely accessible.

Ginnie Hsu’s cheery illustrations are an ecological feast, filled with bright colors that readily convey the benefits of each endeavor. Her art is particularly immersive, leaving readers feeling as though they’ve practically taken a walk through many of the places described, often seen from an animal’s point of view.  

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature. 

The City Sings Green is inspiring, and likely to encourage budding environmentalists to more closely consider the intersection between humans and nature.
Mystery & SuspenseThriller

The Close-Up

Review by Lauren Emily Whalen

A hotly anticipated debut novel, complete with a princely advance and a dreamy move to Los Angeles, equals lifelong success, right? Not quite. Books flop, money dries up and the city’s bright lights conceal both its dark underbelly and what those in the limelight will do to stay famous. Pip Drysdale’s marvel of a thriller, The Close-Up, follows Zoe Ann Weiss, a writer as witty as she is messy, as she gets entangled in a high-profile, high-stakes relationship that could lead to a bestselling second book—if no one kills her first.

Zoe always dreamed of being a writer, and that dream came true . . . for a while, until her debut failed and her advance funds ran out. Now, Zoe works in a flower shop to make ends meet while her agent rejects pitches for her still-under-contract follow-up and her dad frequently begs her to move home to London. Just before Zoe’s 30th birthday, she has a chance reunion with Zach, a sexy bartender she spent three breathless days with years ago, who is now an action star with a to-die-for LA bachelor pad. Zoe finds inspiration for her second book in their rekindled romance (there’s just the little problem of the NDA she signed). But when she’s stalked by someone reenacting the events of her debut novel—in which the heroine dies at the end—Zoe finds herself fighting, and writing, for her life.

Drysdale’s four previous novels have been bestsellers in Australia, and the author grew up on three continents (per her bio, she “became an adult in New York and London”). Her protagonist, Zoe, has a believably world-weary air and a distinctively jaded voice, with nascent hope swimming just under the surface. The decisions she makes are often rash, heavily influenced by ambition, love, lust and all the other intense emotions endemic to those who move to Hollywood with stars in their eyes. You may not agree with Zoe Ann Weiss, but you will love watching her navigate Drysdale’s deceptively glamorous LA. With its colorful supporting characters (especially Daisy, an aspiring actor who manages Zoe’s flower shop) and spectacularly twisty plot, The Close-Up is a fantastic addition to the neo-noir subgenre.

World-weary and distinctively jaded, The Close-Up is a fantastic, Los Angeles-set neo-noir.

Sign Up

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Sign up now

Trending Reviews

All Reviews