Alice Cary

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With plenty of observations on success, love and health, The Algebra of Happiness offers concise, invaluable lessons on how to create a joy-filled life. Author and NYU professor Scott Galloway gives glimpses into his own experiences, like how he was initially rejected from UCLA but later wrote the admissions office, got accepted and then ended up founding nine firms and being named one of the “World’s 50 Best Business School Professors.” But that kind of success isn’t everything: “In the end,” Galloway concludes, “relationships are all that matter.”

For more on living well, you can’t go wrong with The Atlas of Happiness. Expanding on the hygge craze, happiness researcher Helen Russell takes readers on a world tour, presenting “a catalog of cultural customs” on living well. This attractive, intriguing book—chock-full of colorful illustrations and breezy, informative essays—will be enjoyed by all, young or old. 

Those who are college-bound may want to put How to College at the top of their summer reading list. This no-nonsense, comprehensive guide covers everything from term papers to roommates and on-campus health care. Author and professor Andrea Malkin Brenner knows the nitty-gritty, having created American University’s first-year experience course. This book is well-organized and packed with tips, illustrated charts and useful exercises.

The way to a college student’s heart is often through their stomach, and at some point cafeteria food is bound to get tiresome. Katie Sullivan Morford’s Prep is the perfect antidote, filled with plenty of basics and crystal-clear instructions. Recipes include dishes like Spicy Sweet Potato Rounds and Mix-in-the-Pan Applesauce Cake (with frosting!), while other chapters cover topics like “Fix a Killer Plate of Pasta” and “Turn a Pot of Beans Into a Meal.” This is a wonderful crash course in Cooking 101.

Got a graduate in your life? Give the priceless gift of wisdom with one of these four books.
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Whether you’re headed to the beach for a sun-soaked vacation, working a summer job or just stuck at your house, these stories are guaranteed to provide thrills, swoon-worthy romance and pure entertainment. 


In the first pages of Happily and Madly, we learn that a fortuneteller once gave 17-year-old Maris Brown good and bad news: She will fall “happily and madly in love,” but she will probably be dead before her 18th birthday. As she approaches that fateful day, Maris loves “living fast, taking risks, and playing the odds for love,” but her risk-taking is finally catching up with her. After her second arrest, Maris is shipped across the country to spend the summer at the beach with her estranged father and his new family. After she rescues a mysterious, alluring boy who’s running for his life, Maris becomes entangled in an increasingly dangerous, complicated web involving lavish wealth, pharmaceutical deaths, undercover agents and sexy secret romance. In addition to superbly capturing the myriad difficulties facing teens in blended families, author Alexis Bass’ snappy writing will keep you turning pages until the bullet-riddled, jaw-dropping end.

When an act of violence by her mother’s live-in boyfriend results in the death of her beloved kitten, Selina Kyle drops out of school and takes to the streets of Gotham City in this graphic novel retelling of Catwoman’s backstory, Under the Moon: A Catwoman Tale. Bestselling author Lauren Myracle brings a fresh vibe to the iconic tale with an adroitly crafted blend of emotional depth and superhero action. After a homeless kid welcomes Selina into his small gang and teaches her parkour, she transforms herself into Catgirl. Issac Goodhart’s moody black and blue illustrations make every moment count, capturing Selina’s journey from vulnerability and despair (which includes cutting) to self-reliance and empowerment. As Selina wrestles with decisions about whom to trust, readers will welcome the fact that there’s more to come. “After all, cats have nine lives. I’ve only just begun,” she teases.

A spring break trip to Kyoto, Japan, to meet her estranged grandparents turns into a romantic adventure for high school senior Kimi Nakamura in I Love You So Mochi, a sweet, fun novel that also features absorbing details about Japanese culture. The timing is perfect when Kimi’s grandfather unexpectedly sends her a plane ticket to Kyoto, as Kimi is at a crossroads. She’s been accepted into a prestigious art school, but her heart is in fashion design. But once she arrives in Kyoto, she meets a dreamy boy named Akira who is also torn between two worlds. He dreams of becoming a doctor, but he’s feeling pressured to help his uncle with his mochi stand. Together, the two teens tour the city as they fall in love and try to navigate the difficulties that arise when one’s dream doesn’t align with family expectations and needs. This easygoing romance goes down sweet.

In Jennifer Dugan’s sparkling summer romance, Hot Dog Girl, bisexual teen Elouise Parker wants the summer before her senior year of high school to be epic, but instead it “just feels like everything is changing all at once, in a bad way.” Elouise’s mother abandoned the family years ago, and Elouise and her supportive father are still finding their way without her. Elouise is thrilled to be working once again at Magic Castle Playland, the amusement park she loves, but she’s devastated to learn that it will soon be closing for good. As Elouise does her daily rounds dressed as a giant hot dog, she plots to keep the park open and schemes to win the heart of Nick, a pirate diver, without realizing that her best friend, Seeley, is in love with her. Dugan’s amusement-park setting is entertaining, as is her likable cast of characters.

“Being dumped feels like food poisoning,” says 17-year-old Frederica “Freddy” Riley, who has an on-again, off-again relationship with her captivating but cheating girlfriend, Laura Dean. Freddy’s best friend, Doodle, drags her to a psychic, who urges Freddy to get out of the relationship once and for all. Freddy struggles to follow this advice in Laura Dean Keeps Breaking Up With Me, award-winning author Mariko Tamaki’s emotionally swirling graphic novel set in Berkeley, California. Freddy is so caught up in Laura Dean’s vortex that she nearly loses Doodle, who’s facing a terrible crisis of her own. Thankfully, Freddy writes to an advice columnist, who responds with wise words that will resonate with anyone stuck in a toxic relationship. Rosemary Valero-O’Connell’s illustrations perfectly pair with this story of a diverse group of teens struggling with a wide range of issues, including pregnancy and sexual identity.

Whether you’re headed to the beach for a sun-soaked vacation, working a summer job or just stuck at your house, these stories are guaranteed to provide thrills, swoon-worthy romance and pure entertainment. 

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With deadly friends, spooky lights and literary clues, four new YA thrillers get twisted.


Reminiscent of Big Little Lies, The Best Lies starts off with a bang. A police detective is interrogating 17-year-old Remy Tsai about the murder of her boyfriend, Jack, who’s been shot by her best friend, Elise. Through alternating timelines, debut author Sarah Lyu compellingly builds a gripping slow burn of a psychological thriller.

When Remy meets Elise in her suburban Atlanta town, Remy rejoices that she’s met her “soulmate” because both girls feel like “misfit toys who don’t belong anywhere.” Remy’s highly successful but constantly feuding Chinese–American parents are unable to escape their toxic marriage, while Remy’s older brother, Christian, is their golden child as well as the senior class president. Elise’s mother abandoned her years ago and later died, and her father, who’s rarely around, physically abuses her. Believing that revenge is power, Elise starts a gang called the Deadly Vipers and dreams up a series of increasingly destructive, illegal pranks to play on students, teachers and, eventually, her father. As Remy finds herself drawn to Jack, she slowly realizes that her friendship with Elise is as poisonous as her parents’ long-dead marriage. Remy begins to understand that Elise’s “secrets were unmapped mines that exploded when discovered,” and tensions rapidly escalate once she tries to extricate herself from Elise’s clawlike grip. Lyu, who suffered physical and emotional abuse as a child, has created a powerful spiderweb of toxic relationships in this intricate, page-turning thriller.

Araceli Flores Harper is the globe–trotting daughter of two journalists reporting from perilous parts of the world. When they head to Venezuela, they send Araceli to her great-aunt Ottilie’s Victorian home, where they trust she’ll be safe. But the New York town at the center of Heartwood Box has a “Stranger Things” vibe, with weird “ghost lights” shining in the woods, people disappearing (including Ottilie’s husband, 20 years ago) and ultrasecretive work carried out in a heavily guarded laboratory. Inexplicably, after discovering a decorative wooden box in a room full of junk, Araceli finds herself corresponding—and falling in love—with a World War I soldier named Oliver. Meanwhile, she befriends Logan, the boy across the street whose sheriff father physically abuses him. As friendships deepen, so do the mysteries, and several of Araceli’s new friends disappear. Author Ann Aguirre skillfully weaves a multitude of plot threads into a taut thriller of time travel, history and heroic teens. As likable, capable Araceli notes: “Never underrate the power of determined teenagers.” 

Fear Him. Those two words painted on an underpass greet Clara Morrison soon after she arrives in a fictional New England town in The Missing Season, Edgar Award finalist Gillian French’s tensely seductive novel of friendship, love and unexplained teen disappearances.

Clara has moved yet again, this time to the dying town of Pender, Maine, where her father is helping to demolish the town’s mill. As Halloween approaches, townies caution her to beware, because that’s when the legendary Mumbler rises out of the marsh to grab unsuspecting teens. The warnings make Clara uneasy, but she tries to focus on making new friends. When she cuts class with two of them, Bree and Sage, she realizes “how badly I want to be in on this, part of them, the third weird sister.” She also falls for Kincaid, a kindhearted but increasingly enigmatic skateboarder. When another girl goes missing, Clara and her new crew are led into danger as they search for her body. As Kincaid explains, “When you’re scared so much, it gets to be part of you.” Readers will find themselves quickly drawn into French’s evocative mystery.

Poor Lucinda Leavitt. She’s bored out of her mind in her numbing role of being ladylike in 1861 England in The Last Word, Samantha Hastings’ refreshing, intriguing debut historical mystery. Lucinda has just graduated from Miss Holley’s Finishing School for Young Ladies and is supposed to be attracting a suitor, but what she’d rather be doing is working in her father’s accounting firm, putting her mathematical skills to use. Her only salvation is reading each installment of a romance called She Knew She Was Right. When she eagerly sits down to read the last chapter, Lucinda is in for a shock: The author, Mrs. Smith, has died, leaving her work unfinished. Lucinda decides to investigate, and knowing that she’s unlikely to get far in her world without the help of a man, she enlists her father’s young partner, handsome David Randall, once her childhood friend. Their explorations are full of fascinating historical details and literary allusions, and interestingly, an author’s note explains that Hastings was inspired by a real-life Victorian serial, Elizabeth Gaskell’s Wives and Daughters, which was left unfinished.

Lucinda, a young Victorian woman with a modern sensibility well ahead of her time, has plenty of pluck and determination. Hastings’ breezy prose and crafty plotting will leave readers racing to uncover her own last installment.

With deadly friends, spooky lights and literary clues, four new YA thrillers get twisted.

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What’s the magic formula for positive parenting? Plenty of humor mixed with a few choice curse words, as these three books show.


Got kids? Then no doubt you’ve had a parental meltdown. Or two. Or more likely, two million. Whatever the number, it’s obviously higher than you want to admit. This means you should grab a copy of How to Stop Losing Your Sh*t With Your Kids: A Practical Guide to Becoming a Calmer, Happier Parent, Dr. Carla Naumburg’s hilarious but truly helpful guide.

This woman knows her stuff: She’s a clinical social worker, a speaker and the author of two other books on the subject of peaceful parenting (Ready, Set, Breathe and Parenting in the Present Moment). She’s candid as well, admitting to her own less-than-proud moments, such as “one particularly awful evening a few years ago when I plunked my tiny tyrants down” in front of the TV and Googled “how to stop yelling at my kids.”

Weaving in her own experiences, Naumburg shows parents how to recognize triggers and avoid the resulting explosions. In highly readable, entertaining prose, she boils down her approach to “Notice, Pause, and Do Literally Anything Else,” from simply breathing or stepping away to singing or being silly. Naumburg’s voice is empathetic and real; she doles out plenty of helpful examples and suggestions, then summarizes them all in constructive lists at the end of the book. What’s more, realizing that all parents are human, she offers a chapter on what to do after you’ve lost it with your kids—how to realistically calm yourself down and reconnect. As Naumburg wisely notes, “You don’t have to be the Dalai Mama in order to be more intentional and less insane with your kids.”

I’ve got to admit that as a seasoned mother of three, I was highly dubious of the title Oh Crap! I Have a Toddler: Tackling These Crazy Awesome Years—No Time-outs Needed—especially that part about no time-outs, once a mainstay in our household. But Jamie Glowacki definitely has cred. Calling herself the “Poo Whisperer,” this author of Oh Crap! Potty Training has worked with thousands of families to rein in tiny tempers. Her book offers plenty of sage advice in often amusing prose, backed up by examples of toddler dilemmas she’s helped solve. Her recommendations may challenge your instincts or long-held beliefs, but she offers solid evidence for encouraging risky play, allowing kids to sometimes work out their own rules and issues, and making space for physicality and something she calls “Big Play,” which includes things like climbing, doorway gyms, wrestling and slacklines.

So what about those time-outs? Glowacki says, “I’m calling bullshit on it. I think time-outs are, at best, wildly ineffective. And they are, at worst, potentially damaging to your relationship with your child.” She goes on to say, “There is no way in hell that your little one is sitting there thinking about the wrong she did. And there’s really no way that child is thinking, ‘Mommy is right. How can I do better next time?’ It is hilarious that we would have that expectation.” Instead, she offers a well-reasoned toolbox of effective alternatives to address those tricky toddler meltdowns, and by gum, she has me completely convinced. Oh Crap! I Have a Toddler is exactly the book I wish I’d had when my kids were that age.

What kind of mom is Liz Astrof, who, when her son was born, quipped, “Don’t take the tags off—we may not be keeping him”? She’s a hilariously honest one who shares a series of personal essays in Don’t Wait Up: Confessions of a Stay-at-Work Mom. A TV comedy writer (“The King of Queens,” “2 Broke Girls” and more), she describes how endless hours in the writing room fill her with guilt about her family (strong-willed daughter; anxious, fact-spewing son; supportive husband), leaving her to wonder how much of her children’s early years she’s going to watch on an iPhone. 

Interspersed with Astrof’s domestic tales are moving, fascinating and, of course, amusing essays that explore her troubled upbringing. Her mentally unstable mother left when Astrof was 5. Amid the abuse, Astrof and her older brother, Jeff, would hide under the bed, murmuring “safe-safe” to each other. As an adult, Astrof constantly questions her parenting skills, fearing she might turn into her mother. In a stunning essay called “Happy New Year,” Astrof finds herself coming to the rescue of her son in the midst of a meltdown, noting, “If I ever feared I was anything like my mother—which I did, every moment of every day—it was moments like this, moments of knowing what to do for my child and wanting to do them, that proved to me that I wasn’t anything like her.”

Don’t Wait Up is a funny, fascinating memoir of mothering that will definitely keep readers up way past their bedtime, laughing and sometimes crying page after page.

What’s the magic formula for positive parenting? Plenty of humor mixed with a few choice curse words, as these three books show.
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Whether you’re waiting for Santa or the winter solstice, these six picture books capture the excitement, wonder and joy of the holiday season.


Collectors of Christmas tales mustn’t miss Dasher, Matt Tavares’ exhilarating chronicle of how Santa went from a single horse to a team of flying reindeer pulling his sleigh. Determined Dasher is the star of this show, escaping from a difficult life in a traveling circus and doggedly finding her way to the North Pole. Tavares excels at Christmas stories (Red & Lulu, The Gingerbread Pirates), and young readers are apt to inhale every word of this yarn. As an illustrator, Tavares is a master of dramatic light, emotion and mood, as well as deep, vibrant color, whether he’s depicting Dasher’s family penned in at the circus or Santa’s sleigh magically lifting up into the air. Dasher is sure to join the stacks of enduring Christmas favorites read by families year after year.

Kids are always trying to outsmart Santa, but young Freddy Melcher hopes to finally succeed in The Great Santa Stakeout. After all, he’s obsessed with St. Nick, dressing in a Santa suit for every holiday—even Talk Like a Pirate Day! This #1 Santa fan is sure he’s got a failsafe plan for capturing a selfie with his idol, and his plan seems thorough, complete with meticulous preparation and blueprints. Betsy Bird’s snappy text enlivens this rollicking, action-packed tale, while Caldecott Medalist Dan Santat’s illustrations dramatically capture Freddy’s wide-eyed excitement. This modern Santa caper will keep the magic alive for young readers counting the days until the big guy shimmies down their chimneys.

On a more serious note, Between Us and Abuela: A Family Story From the Border is a poignant story set at the wall separating Tijuana and San Diego. Young María and her little brother are traveling with their mother by bus. Their destination is an annual day when Border Patrol officials allow groups of people to gather in an area called the enforcement zone to talk and touch fingertips with those on the other side of the border. María and her family are going to see their Abuela, whom they haven’t seen for five years. “For a moment,” María notes, “the fences are invisible”—until she realizes her brother can’t give Abuela the drawing he made for her. Mitali Perkins’ story is a perfect introduction for children to how borders separate families, delicately embracing the reunion’s joy and enduring sadness. Sara Palacios’ illustrations cheerfully capture the love among separated families as well as the realities of the border wall. This superb picture book is a holiday story that deserves to be a year-round read.

While some things are designed to keep people apart, others draw them together. One snowy morning, Bear wakes to a new star on the horizon and knows it’s time to begin his annual search for a special tree in The Bear and the Star. Bear soon finds a majestic evergreen on top of a windswept hill, and as “his call echoed through canyon and valley, between boulder and butte, across prairie and lake,” he summons living creatures far and wide. Lola M. Schaefer’s spare but mesmerizing text invites inclusiveness, as “People put down hammer and hoe, grass and thatch, knife and rice, shield and sword.” Bethanne Andersen’s snowy scenes, reminiscent of Eric Carle’s Dream Snow, beautifully depict the rich reds of the desert, the warmth of tropical fields, a menagerie of species and a glorious array of people. The Bear and the Star is a stunning and universal tribute to peace, joy, love and winter celebrations.

Years ago, Susan Cooper wrote a beloved poem that has remained a mainstay of John Langstaff’s phenomenal theatrical production Christmas Revels, performed each year across the country (see it if you can!). Now transformed into a picture book, The Shortest Day is a joyful and timeless celebration of the winter solstice that will surely become a classic. Even very young children will enjoy Cooper’s splendid, stately words: “And everywhere down the centuries of the snow-white world / Came people singing, dancing, / To drive the dark away.” The multitalented, Caldecott Honor-winning Carson Ellis (Du Iz Tak?) is the perfect illustrator for this project, using muted colors to accentuate the changing interplay between the sun and surrounding darkness. Beginning with a scene of prehistoric people and a godlike sun figure walking the earth, Ellis echoes the sweep of ages so prevalent in Cooper's poem, showing a progression of people and homes, ending with a modern house and children. In a helpful author’s note, Cooper explains both solstice celebrations and the evolution of her poem. In her words, “Welcome Yule!”

When Little Redbird injures her wing and can’t fly south for the winter, she seeks shelter in several hardwood trees, who all turn her down. Happily, the evergreen trees welcome her with open boughs in Why Evergreens Keep Their Leaves. Annemarie Riley Guertin’s text is a lively retelling of this holiday legend, while Helena Pérez Garcia’s illustrations burst off the page with beautifully vibrant colors and intriguing textures, design and depth. In a not-so-easy feat, Garcia instills all of these trees with plenty of personality without resorting to anthropomorphism. This story, which never grows old, is not only a visual delight but a well-told and timely tale of kindness.

Whether you’re waiting for Santa or the winter solstice, these six picture books capture the excitement, wonder and joy of the holiday season.


Collectors of Christmas tales mustn’t miss Dasher, Matt Tavares’ exhilarating chronicle of how Santa went from a single horse…

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New babies need all sorts of paraphernalia—but don’t forget that new parents need prezzies, too. When it comes to books, these three may prove essential.


Good Moms Have Scary Thoughts by Karen Kleiman
Twenty-six years after I first became a mother, I’m still the queen of disaster, always asking, “What’s wrong?”—because I’m always sure something is. Oh, how I could have used Good Moms Have Scary Thoughts: A Healing Guide to the Secret Fears of New Mothers, a brilliant guide for new moms by Karen Kleiman, founder of the Postpartum Stress Center.

Because new moms have neither time nor energy to read, these relatable truths are presented succinctly in accessible, reassuring and often humorous cartoons, wonderfully illustrated by Molly McIntyre. Whether it’s improving negative body image, bonding with your screaming bundle of joy, resuming sex or dealing with in-laws, depression, anxiety or feelings of exhaustion and inadequacy, Good Moms offers expert advice in a helpful, healing way. It’s my new go-to gift.

How to Raise a Reader by Pamela Paul & Maria Russo
During my son’s first long car trip, I sat in the back seat and tried to force-feed him board books. If only I could have consulted How to Raise a Reader, we would have read something much more interesting than Pat the Bunny—perhaps a cookbook, a novel or a parenting manual. According to authors Pamela Paul and Maria Russo, it doesn’t really matter what you read to an infant. It’s more about the sound of a parent’s voice and the experience of being exposed to language.

Paul and Russo, both editors at The New York Times Book Review, have a storehouse of wisdom to share, with advice for every stage from infancy to adolescence. They offer stellar lists of specific reading suggestions, all with the goal of raising “a reader for life.” Colorful illustrations from four children’s illustrators add to the fun, making this a book that’s easy for literature-loving parents to enjoy and get lost in.

How to Save Your Child From Ostrich Attacks, Accidental Time Travel, and Anything Else That Might Happen on an Average Tuesday by James Breakwell
Finally, every nervous new parent desperately needs a few laughs, so help them start smiling with James Breakwell’s How to Save Your Child From Ostrich Attacks, Accidental Time Travel, and Anything Else That Might Happen on an Average Tuesday. Breakwell is a comedy writer and father of four girls, and his latest book is filled with cartoons, charts (“The Most Evil Gifts to Buy for Someone Else’s Kid”) and lines like “Beds are just trampolines with different marketing” and “What goes up must get a concussion.” Breakwell is not only funny; sometimes he’s all too right.

New babies need all sorts of paraphernalia—but don’t forget that new parents need prezzies, too. When it comes to books, these three may prove essential.


Good Moms Have Scary Thoughts by Karen Kleiman
Twenty-six years after I first became a mother, I’m still…

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Cats, dogs and wildlife mixed with humor, art and photographic beauty—these books offer a bit of everything. 


What I Lick Before Your Face by Jamie Coleman
The title alone is laugh-worthy: What I Lick Before Your Face and Other Haikus by Dogs. Given the brevity of the form, you’ll find yourself scarfing down nuggets like this one, called “Standing,” as if they were dog treats: “I sometimes feel bad / That I don’t get as happy / Whenever you sit.” The snark is always spot-on, such as in “Walkies”: “I have come to loathe / That singsong voice you employ / It demeans us both.” Jamie Coleman’s entertaining little volume just begs for a feline follow-up.

Why My Cat Is More Impressive Than Your Baby by Matthew Inman
There’s plenty more dog humor in Why My Cat Is More Impressive Than Your Baby. The magic of Matthew Inman’s irreverent cartoons is that he imagines what cats, dogs and babies are thinking while doting humans tend to them. Inman is a master of emotion in both his art and prose, calling a dog an “affable ball of fur” and a “lovable idiot” while a baby is an “obese, naked leprechaun” and a “relentless ScreamBall.” Ultimately, Inman is full of heart, such as when he writes, “Understand that befriending a cat is like befriending a hurricane. It’ll be violent. It’ll be devastating. But in the eye of the storm, in that calm, serene center, it’ll be beautiful.” Of course, he adds the inevitable kicker: “And then it’ll just be violent again.”

A History of Art in 21 Cats by Nia Gould
British artist Nia Gould combines her passion for art and cats in her uniquely whimsical A History of Art in 21 Cats. Each section includes one of Gould’s marvelous cat-imagined masterpieces, such as a feline Frida Kahlo-style portrait, complete with a floral headpiece and costume, paired with a succinct but informative discussion of magic realism. Few could pull off such an equally artistic and edifying feat, which includes an utterly purr-fect Pablo Picasso cat and a stately, whiskered Mona Lisa. Be forewarned: Your museum trips may never be quite the same.

Unforgettable Portraits by Rosamund Kidman Cox
Animal lovers are bound to lose themselves in the 70 memorable color photographs from the London Natural History Museum’s Wildlife Photographer of the Year competitions, collected in Rosamund Kidman Cox’s Unforgettable Portraits. Cyril Ruoso’s young snub-nosed monkey looks like a stuffed toy perched in a tree in China’s Qinling Mountains. An angry queen ant photographed in the Cambodian forest by Piotr Naskrecki wears an expression eerily similar to that of an NFL linebacker waiting for the snap. Wildlife fans will relish the surprises waiting on each and every page.

Cats, dogs and wildlife mixed with humor, art and photographic beauty—these books offer a bit of everything.

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Creativity is often born under unexpected circumstances, as these books so beautifully demonstrate.


The Art of Love by Kate Bryan
Married British artists Idris Khan and Annie Morris have a framed sign in their London home that’s meant to be ironic: “An artist should avoid falling in love with another artist.” Of course, two highly talented artistic souls living and creating together can be a dream, a nightmare or a highly charged bit of both, as evidenced by the endlessly fascinating stories revealed in The Art of Love: The Romantic and Explosive Stories Behind Art’s Greatest Couples.

British art curator Kate Bryan—a lively, informed guide—profiles 34 artistic couples, ranging from 1880 to the present, including the likes of Françoise Gilot and Pablo Picasso, Georgia O’Keeffe and Alfred Stieglitz, and Jasper Johns and Robert Rauschenberg. Asli Yazan’s illustrations of these artists add a wonderful touch of color, helping to bring their personalities to life.

Bryan writes that her goal was to “present as many different perspectives on artists in love as possible.” She focuses on how these relationships affected each creator’s art instead of chronicling the melodrama—yet she does dole out a variety of delicious tidbits, like the fact that even after Frida Kahlo divorced Diego Rivera, who was 21 years her senior, she “continued to mother the wayward beast, even running him baths with rubber ducks.” Oh my.

Skip by Molly Mendoza
Art and story meld beautifully in Skip, Molly Mendoza’s virtuoso graphic novel about fear and courage, friendship, change and creativity. In a dystopian world rife with the threat of attacking “tech-hounds,” a child named Bloom and his guardian, Bee, live on a lake’s island, subsisting on duck eggs and fish. After hearing a radio SOS, Bee announces that she must leave, asking Bloom to be brave until she comes back from her rescue mission—except she never returns.

While skipping stones one day, Bloom suddenly finds himself in a completely different world, where he meets a mysterious creature named Gloopy who’s having a hard time fulfilling his creative spirit and fitting into his community. Bloom and Gloopy join forces and “skip” into several different worlds, facing a myriad of dangerous creatures: a giant, lonely bird and a universe creator named Lily, who urges Gloopy to follow his creative desires. Mendoza describes her own artistic style as “chaotic yet rhythmic,” and her multicolored, imaginative creations make Skip a memorable, action-packed adventure, full of bold swirls of both color and emotion.

Body by Nathalie Herschdorfer
Curator and art historian Nathalie Herschdorfer has compiled a glorious celebration of the human form with more than 350 images from over 175 photographers in Body: The Photography Book. As she notes in the preface, contemporary photography reflects society’s changing standards of beauty and opens up “new pathways for bodily representations and perspectives beyond the traditional nude.” With artists like Sally Mann, Herb Ritts, Cindy Sherman and Liu Bolan, the sweepingly broad perspectives are fascinating, a mix of fantasy and reality.

You’ll see a 3D ultrasound of an 8-month-old yawning, the hunched figures of elderly people walking, sculpturelike nudes, baseball players in action, a crowd of happily dancing people at a Scottish Town Hall Christmas party and even the colorfully abstract, highly magnified view of the connections between human nerve cells. There are disturbing images as well—an anorexic young woman, a man’s face after a fight, scars left on a refugee’s back by the Taliban. Youth, love, joy, movement, health, disease, celebration—Body honors the many sizes, shapes and moments that make us all human.

Shoot for the Moon by Tim Walker
Shoot for the Moon takes its title from a Norman Vincent Peale quotation: “Shoot for the moon. Even if you miss, you will land among the stars.” It’s an apt title, for renowned British fashion photographer Tim Walker spends his life among stars, creating famously surreal wonderlands within his images.

A follow-up to a previous volume, Story Teller, Shoot for the Moon focuses Walker’s lens on the darker side of his imagination, somewhere he’d “been previously too scared to visit.” In a brief introduction, he writes, “Like every child, I had a fear of the dark—but now I know that it is here, in the shadows, that the magic is hidden.”

And what magic there is! These images are at times fun, funky, bizarre, glamorous, spooky and over the top, featuring celebrities like Claire Foy, RuPaul, Bill Hader, Tommy Lee Jones, Tilda Swinton and Whoopi Goldberg, all like you’ve never seen them before. A number of comments are included from models like Kate Moss, who says: “Tim’s magic is that he makes fantasy believable. He makes otherworldly images that seem so accessible.” Fashion fans will quickly lose themselves in these wonder-filled pages.

Creativity is often born in unexpected circumstances, as these books so beautifully demonstrate.
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Four books celebrate our friends who fight for justice, the right to love, the power to tell their own stories and the possibility of a better future. They’re also the perfect gift for a budding ally who wishes to learn more.


Activist by KK Ottesen
One can’t help but feel inspired by the over 40 interviews and black-and-white portraits compiled in Activist: Portraits of Courage, written and photographed by KK Ottesen, a Washington Post contributor and author of a similarly styled book, Great Americans. Ottesen’s powerful photographs immediately draw readers in, adding to the intimacy of these highly readable first-person interviews, all introduced by a quote from Martin Luther King Jr.: “A time comes when silence is betrayal.”

In content, layout and style, this is an engrossing, inviting volume, one that spotlights a wide range of figures, from age 21 to 94. There are well-known personalities like John Lewis, Ralph Nader, Angela Davis, Billie Jean King, Bernie Sanders and Marian Wright Edelman. Then there are relative newcomers to the scene, such as Jayna Zweiman, co-founder of the 2016 Pussycat Project; Linda Sarsour, the Palestinian American co-chair of the 2017 Women's March; and transgender actor Nicole Maines, the anonymous plaintiff in a Maine Supreme Judicial Court regarding gender identity and bathroom use in schools. Maines speaks of knowing from an early age, “I didn’t feel the need to hide who I was. Nobody else had to, so why should I?”

Seeing Gender by Iris Gottlieb
After reading last year’s Seeing Science and now Seeing Gender: An Illustrated Guide to Identity and Expression, I’ve become an incurable Iris Gottlieb fan. No matter what the topic, this graphic artist has a singular knack for presenting an imaginative array of art and text in an informative, exciting way.

Early on, this new book features a helpful spread of 24 gender terms, including agender, cisgender, gender dysphoria and intersex. “All of us are shapeshifters,” Gottlieb explains. In straightforward, vibrantly illustrated prose that is neither politicized nor reactionary, Gottlieb further explores these terms, while also discussing such varied topics as gender etiquette, gender biology, sex verification in sports, Frida Kahlo, Laverne Cox, Prince, gender violence, Stonewall, #MeToo and much, much more. Gottleib also includes her own story, noting that “she” is her pronoun of choice for the time being, that she identifies as a boy (“for now”), is asexual, has struggled with anorexia and in 2018 had both breasts removed, a surgical transformation she bravely describes with a series of “after” photos.

No matter your age or inclination, Seeing Gender presents an extraordinarily helpful discussion in a way that’s both personal and powerful. As Gottlieb concludes, “The process of learning about gender is never finished.”

Drawing Power edited by Diane Noomin
Many books have been born from the #MeToo movement, but perhaps none so comprehensively resonant as Drawing Power: Women’s Stories of Sexual Violence, Harassment, and Survival. In vastly divergent styles, 63 female cartoonists—of different races, ages, nationalities and sexual orientations—tell their immensely varied, poignant stories here, demonstrating the power of their medium.

Emil Ferris (My Favorite Thing Is Monsters) describes how she found her way back to cartoons decades after being sexually brutalized by a relative while watching a Mr. Magoo special on TV. As a result, her beloved cartoons felt suddenly poisoned, and for years she turned instead to fine art and illustrating. Finally, while working on the aforementioned graphic novel, Ferris noticed that she “found herself using a cartoonier style when I needed to talk about difficult things . . . especially those revelatory moments when a character confronts abuse, fear and shame.”

As Drawing Power so strikingly proves, cartoons do indeed provide the perfect forum for sharing these intensely intimate, painful stories. And editor Diane Noomin offers an important distinction, noting, “The artists in this collection present themselves not as victims but rather as truth tellers, shining light on the dirty secrets of abusers.”

How to Cure a Ghost by Fariha Róisín
As an Australian Canadian based in Brooklyn, Fariha Róisín knows all too well how tricky it is trying to navigate the world as a queer Muslim femme. “i was born to this sticky mess, this stark confusion.” she writes in How to Cure a Ghost, her powerful biographical collection of 50 poems, beautifully complemented by abstract illustrations from Monica Ramos.

In a sensual, evocative style reminiscent of Rupi Kaur’s Milk and Honey, Róisín acknowledges, “i am tied to this skin, although I may not always understand it.” She chronicles her father’s challenges as an immigrant and her mother’s struggles as a Muslim woman with mental illness. Róisín remembers being 7 and briefly taking a “white name”—Felicity Hanson—to try to gain acceptance from a neighbor. She describes watching 9/11 unfold on television from her home in Sydney, Australia, saying that as a Muslim, “this world was not built for us.” Her virginity was stolen by a man who got her pregnant, telling her “it’s not a big deal.”

Despite everything, Róisín writes of hope, boldly declaring, “i am better now. i gave birth to myself, a new beginning, a robust cycle. i rewrote the scriptures of my mother’s pasts, and her mother’s pasts. i am in the throes of survival, i am lived. i am living. it’s astonishing.”

Four books celebrate our friends who fight for justice, the right to love, the power to tell their own stories and the possibility of a better future.
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Stories about World War II continue to resonate with young readers. These four titles offer distinct formats—a young adult novel, a work of nonfiction, a graphic novel, and a middle grade novel—but all capture the horror, the humanity and the hope of this moment in history.

A Holocaust heroine
Sharon Cameron’s young adult novel The Light in Hidden Places is based on the true story of Holocaust heroine Stefania Podgórska, a 16-year-old Catholic girl in Poland who not only took care of her younger sister but also hid 13 Jewish people in the attic of her tiny apartment.

In order to tell Stefania’s story, Cameron (The Dark Unwinding, The Knowing) did extensive research, which included interviewing several of the attic’s survivors, gaining access to Stefania’s unpublished memoir and traveling with Stefania’s son to Poland. There, they visited the places in which this incredible tale unfolded. Cameron saw for herself the minuscule, cramped space where 13 people cowered for more than two years with no electricity, water or toilet, and which Stefania and her sister could only access via a ladder to bring them food and water and carry out their waste in buckets. 

What’s more, an SS officer lived in an adjacent apartment for months, and by the end of the war, two German nurses had moved into Stefania’s apartment. The nurses often brought their SS boyfriends home for the night, making Stefania feel like she was not only secretly and illegally hiding Jewish people but also “running a Nazi boarding house.”

Cameron’s wide-ranging research and deft storytelling abilities combine to create an astoundingly authentic first-person narration. Her exquisite prose conveys in riveting detail exactly what it was like for Stefania to live through the horrors she witnessed, as well as the difficult decisions that had to be made by both survivors and those who did not, ultimately, survive.

Though it at times reads like a memoir, The Light in Hidden Places is a tense and gripping novel, full of urgency, in which death seems to wait around every corner. Although it’s still early in the year, it seems destined for my list of the best books of 2020.

The Kindertransport kids
When 6-year-old Frieda Korobkin’s parents told her that she and her siblings were going on a “great adventure,” she had no idea they would leave their parents behind in Vienna, Austria, to go to England as part of a Kindertransport, an evacuation effort for Jewish children, in December 1938. As they walked to the train station, two thugs attacked Frieda’s father and cut off his beard. When they finally reached the station, Frieda was so frightened that her father had to force her, kicking and screaming, onto the train; the angry, bewildered girl refused to wave goodbye. “As a result,” she remembers, “I am haunted forever by the image of my father standing desolate and bleeding on that station platform, watching helplessly as the train carrying his four children vanished before his eyes.”

This is just one of the many personal stories included in Deborah Hopkinson’s outstanding work of nonfiction, We Had to Be Brave: Escaping the Nazis on the Kindertransport. This relief effort saved 10,000 children, mainly from Germany and Austria. In engrossing, lively prose, Hopkinson, who contributes regularly to BookPage, has compiled many of their stories, personally contacting many of these now-elderly survivors. “Before they were refugees,” she writes, “before they were victims, before they were survivors, they were ordinary children and teens. They were like you.”

Hopkinson zeroes in on these personal stories while also skillfully setting the historical stage every step of the way. “Look, listen, remember” sidebars throughout the book will guide curious readers to related online video and audio links. Hopkinson also includes a wealth of photographs and helpful follow-up information, including brief accounts of the later years of the many survivors she profiles.

Despite their seemingly bleak circumstances, the survivors’ stories include a multitude of hopeful and redemptive moments. As Hopkinson notes in her introduction: “We may not be able to change the entire world. But what we do matters. We can be brave and raise our voices to make sure others are not silenced, hurt, or bullied.”

We Had to Be Brave is a powerful book that will haunt readers—and should.

Photos of hope amid despair
Bearing witness. That’s what Catherine Colin does in the fascinating graphic novel Catherine’s War, a coming-of-age story written by Julia Billet and inspired by her mother’s life. Like Catherine, Billet’s mother was one of the Jewish children who attended the progressive Sèvres Children’s Home outside Paris and was moved from place to place all over France to avoid capture by the Nazis.

Catherine’s real name is Rachel Cohen. In order to stay alive, she must take on a Catholic identity and leave her family and friends behind. Her Rolleiflex camera becomes both her passion and lifeline, allowing her to chronicle the bright moments as well as the turmoil and danger she encounters as she hides in a monastery school, a rural family farmhouse, a chateau orphanage and a house in the woods that belongs to a fighter in the French Resistance. “I love seeing the world through the viewfinder,” she says. “One click stops time.”

And what a time it is. Claire Fauvel’s lively illustrations help readers keep track of these many locales and of the people Rachel encounters, as well as her multitude of experiences (eating pork soup for the first time, photographing three young girls who are later taken by the German police, falling in love). The easy, sketch-like quality of Fauvel’s panels lends immediacy to the narrative and humanity to the characters. Her illustrations seem particularly suited to moments of tension, especially in scenes where adults must punish the children for small errors that could prove costly, including accidentally responding to their real names or making the sign of the cross with the wrong hand.

Haunted by the losses she has suffered, Catherine stops taking photos for a while, but eventually finds her way back to her camera, able to once again see “beauty everywhere, hidden in each reflection.” She eventually witnesses the liberation of Paris and travels the world to continue her artistic journey. Catherine’s War packs a big story within its pages and serves as a tribute to the healing power of art and and to the promise of hope, even in the midst of death and danger.

Young heroes of France
Maggie Paxson’s 2019 nonfiction book for adults, The Plateau, garnered acclaim for telling the story of the Vivarais-Lignon plateau in southern France. It’s an area that has welcomed refugees for centuries; during World War II, the villagers of Le Chambon successfully hid Jews and foreigners throughout their town. Now, Newbery Honor winner Margi Preus (Heart of a Samurai) focuses on the heroic actions of numerous young people in Le Chambon in Village of Scoundrels, a middle grade novel.

Preus bases her characters on a variety of real-life heroes to tell a bold, exciting story with precision and passion, full of action at every turn. Red-headed Philippe sleeps all day and transports people and vital items on his sled at night. Jean-Paul sets up shop forging documents, putting his life in danger, as he also tries to attend medical school, even though, as a Jewish person, he isn’t allowed to do so. Celeste carries messages for the Resistance and overcomes her paralyzing fears. “It’s as if we’re fighting our own little war, all by ourselves,” she observes. Each of their narratives depicts people, young and old, who must make excruciating moral choices and muster extreme courage in the face of grave danger. Celeste so wisely concludes, “They had no choice but to be brave. They had no choice but to take action.”

Middle-grade readers will be both transfixed and inspired by the many acts of courage chronicled in Village of Scoundrels.

Stories about World War II continue to resonate with young readers. These four titles offer distinct formats—a young adult novel, a work of nonfiction, a graphic novel, and a middle grade novel—but all capture the horror, the humanity and the hope of this moment in…

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Who is your mother, and what does she remember? The answers can be a treasure chest or a Pandora’s box, and these three books explore them in very different ways.


What We Carry

After Maya Shanbhag Lang became a parent, her mom told a perplexing story about a woman trying to decide whether to save herself or her child from a deep, dangerous river, because she couldn’t do both. The tale reflected Lang’s own family’s past in ways she could never have imagined, and she slowly, artfully reveals the layers of this mystery in her engaging memoir, What We Carry

Lang’s mother, a psychiatrist from India, was always her rock—a contrast to Lang’s cruel, verbally abusive father, whom her mother eventually divorced. Dr. Shanbhag was also a spitfire of a woman, like when she stood watch over Lang as a child in the dentist’s chair, chiding the dentist every time he used his gloved hand to readjust the light, thus breaking the sterile field. Unafraid of what the dentist thought of her, she forced him to put on a fresh pair of gloves over and over again. Lang’s mother was “not sentimental or effusive, had never read to me as a child or baked me cookies, but she would travel great distances for me and carry astonishing weights. When I most needed her, she was there.”

And then, suddenly she wasn’t. As Lang discovers that her mother has Alzheimer’s disease, she brings Shanbhag home to live with her and her family. During this time, her mother’s dementia and close proximity give the author a unique opportunity to learn surprising truths about their family’s past. As Lang explains, “I want to get to know her while I still can. I want to separate the myth from reality, to reconcile the mom I always imagined with the more complicated person I’m just starting to know.” Lang is an immediately affable and honest narrator who offers an intriguing blend of revelatory personal history and touching insight about her mother’s illness.

Braver Than You Think

Dementia is also at the forefront of Maggie Downs’ memoir, Braver Than You Think: Around the World on the Trip of My (Mother’s) Lifetime, but in a very different way. While Lang delves into her past, Downs plunges into the future as her mom begins a sharp, final decline.

Whenever a new issue of National Geographic arrived in the mailbox of their Ohio home, Downs and her mother would huddle over the exotic photographs of faraway places, marveling at the many wonders and vowing to someday see some of these sites together. However, when her mother’s early onset Alzheimer’s robbed them of this opportunity, journalist Downs quit her job and started back-packing solo around the world, visiting 17 countries in the course of a year.

Traveling on a frugal budget and roughing it, Downs encounters not only astounding vistas (such as the stately temples and rock formations in Hampi, India) but also outright danger (as when she arrives in Cairo in the middle of the Arab Spring uprising)—and more than her fair share of dis-comfort (for example, being attacked by a monkey while volunteering at a Bolivian primate sanctuary). Her entertaining account of this year seamlessly blends exciting travelogue tales with musings about her mother, punctuated by concerns about whether Alzheimer’s disease will eventually manifest in her own body. “Part of the reason I embarked on this trip,” she explains, “was to complete my mom’s goals, but this is also a battle against the disease itself, cramming myself full of my own memories, hoarding them and holding them tight, before anything is taken.” By the end of Braver Than You Think, readers may be ready to embrace Downs’ insatiable approach to life, “chasing adventure for the sake of living deliberately and passionately.”

Mothers Before

When novelist Edan Lepucki started an Instagram account in 2017 called “Mothers Before,” she never imagined how popular it would become. Now continuing the phenomenon in book form, she’s gathered more than 60 essays addressing the question, “Who was my mother before she was a mother?” Each contributor to Mothers Before: Stories and Portraits of Our Mothers as We Never Saw Them was asked to submit a photo of their mother before she became a parent, along with a micro-essay about the image and their mother’s life.

With contributors such as Jennifer Egan, Alison Roman, Lisa See, Jia Tolentino and Laura Lippman, the results make for delightful browsing—ranging from sassy quips, like Tiffany Nguyen observing a picture of her mom in Vietnam in 1970 (“Here is my mom rocking it in a minidress”), to somber historical reminders, like writer Camille T. Dungy’s powerful comments about her mother’s childhood in Lynchburg, Virginia: “The members of the Court Street Baptist Church started a library fund to help my black mother’s black father buy the books he needed to preach the sermons his black parishioners needed to hear every Sunday in that deeply segregated, often hateful town.” As Lepucki says so well, Mothers Before is “about seeking clarity, and interrogating history, and trying to understand the myriad ways a woman might navigate a life.” Don’t miss this unique mini-museum of women’s history.

Our relationships with our mothers can be beautiful, difficult and complicated. Three books honor mothers as the complex humans they are.
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Some ghosts from the past never stop haunting us, as shown by these two sharply crafted memoirs in which true crime meets family trauma.

Betsy Bonner explores her sister’s unsettling life and death with laser-sharp prose in The Book of Atlantis Black: The Search for a Sister Gone Missing. Because their mother had bipolar disorder and was suicidal, Bonner and her sister, Nancy, were raised mostly by their physically abusive father. Eventually Nancy changed her name to Atlantis Black, which Bonner felt suited her sister perfectly, as “the Atlantis of legend is mystical, self-­destroying, and forever lost.” Likewise, Atlantis nicknamed Bonner “Lucky Betsy” because she hadn’t inherited the depression and mental illness that ran through their family tree like a venomous snake.

In 2008, when Atlantis was 31, her body was found on the floor of a Mexican hotel room, her death most likely the result of a heroin overdose. However, mysterious circumstances caused Bonner to wonder if the body they found wasn’t actually her sister’s. Fingerprints and dental records weren’t checked. Could her sister be alive, hiding somewhere? This notion could simply be magical thinking, Bonner admits, but the messy last few months of her sister’s life were filled with a host of suspicious, shadowy characters, whom Bonner duly investigates. Part exorcism and part adoring tribute, The Book of Atlantis Black is deeply haunting and darkly fascinating.

With two stumbling-drunk parents, including a mother who faced a variety of health issues and spent hours reading and watching true crime dramas, Marcia Trahan’s childhood had hardly bolstered her self-­confidence. “I was not simply shy; I was frightened by almost anything that was unfamiliar, any uncertainty,” she writes in Mercy: A Memoir of Medical Trauma and True Crime Obsession, her adroit exploration of how inherited fears and traumas overtook her life.

Already prone to depression and having attempted suicide at age 27, Trahan was then diagnosed with thyroid cancer in her 30s, and a string of complications ensued. Three years later, she found herself glued to true crime TV in an obsessive way. “Only violent death captured my attention, as it had captured my mother’s,” she writes. Eventually she connects this obsession with the deep-seated medical fears instilled in her by her mother and realizes, “I sought out true crime programs because my body had experienced surgery as violence.” 

This is a wildly freeing revelation for Trahan, after years of being so fearful of medical procedures that she couldn’t even stand to have her teeth cleaned. Searingly honest and deftly written, Mercy is the story of a unique psychological journey that ends in satisfying self-revelation.

Some ghosts from the past never stop haunting us, as shown by these two sharply crafted memoirs in which true crime meets family trauma.

Betsy Bonner explores her sister’s unsettling life and death with laser-sharp prose in The Book of Atlantis Black: The Search for…

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Full of well-researched details and evocative illustrations, two middle grade books tell stories rooted in the natural world and offer informative looks at how humanity impacts the environment.

Readers will look at crows quite differently after reading Newbery Medalist Cynthia Voigt’s Little Bird, the tale of a young crow who’s the smallest member of her flock.

Little Bird lives a bucolic life at the Old Davis Farm, where humans live alongside domesticated farm animals as well as the wild creatures who dwell in the forests, lakes and mountains nearby. Voigt’s plot kicks into high gear when a fisher cat (a carnivorous mammal in the weasel family) kills a fledgling crow as Little Crow watches in horror. The predator also steals the flock’s prized possession, a shiny silver pendant the crows call “Our Luck,” so Little Crow ventures into the great unknown beyond the farm to try to retrieve it.

During her quest, Little Crow becomes a winged detective who encounters a variety of animals, all of whom Voigt gives distinct personalities without overly anthropomorphizing. Little Crow also learns about great dangers, such as Longsticks (guns), the Sickness (rabies) and Fire. She begins to realize that she can choose her own path in life, instead of always following her flock’s bossy leaders.

As a reader, it’s a pleasure to put yourself into the hands of a writer like Voigt, whose career as an author for young readers spans nearly four decades. Voigt’s research into the natural world and her masterful sensibility on the page combine to create a wild and wonderful adventure told completely from a corvid’s point of view. This memorable tale is a celebration of knowledge and truth, as well as the importance of understanding and communicating with those who are like and unlike yourself. As Little Bird herself observes, “The more you can understand, the more you can know.” It’s also about the joy of stepping outside your comfort zone and finding new experiences. Those are some mighty meaningful lessons for one little bird.

After just a few pages, readers will be completely immersed in the underwater world of Rosanne Parry’s A Whale of the Wild, which follows a pod of orca whales in the Salish Sea between British Columbia and Washington. “We alone among the creatures of the sea share our food,” explains Vega, a young whale who is training to be a “wayfinder” for her family. In her matriarchal pod, led by Greatmother, Vega helps her mother look after her younger brother, Deneb, and is eagerly anticipating the imminent birth of her sister.

As described by Parry, pod life is fascinating, but it’s impacted by the hungry group’s desperate search for increasingly hard-to-find salmon. Their family lore includes a traumatic attack by humans when Vega’s mother was young; several brothers were killed, and her sister and cousins were taken away, presumably to a theme park or aquarium. Parry, whose previous book, A Wolf Called Wonder, explored the dynamics of a wolf pack, skillfully incorporates details about orcas as well as the many threats to their existence. The majestic scene in which Vega’s long-awaited sister arrives, only for tragedy to strike, is especially moving.

The pod’s grief, along with a massive earthquake and subsequent series of tsunamis, trigger a terrifying cascade of events that result in Vega and Deneb becoming separated from their pod. They seek safety in the normally forbidden deep ocean, trying to avoid the many overturned “boats that bleed poison” and other debris. Vega sees firsthand what she’s been taught: “What touches the water touches us all.”

Although Vega and Deneb experience the consequences of ocean pollution, they also encounter humans trying to make a positive impact on the lives of marine wildlife. Vega recalls her uncle’s words: “Perhaps there is nothing more than to swim beside those you love and help them with all your strength.” A Whale of the Wild offers brisk drama alongside insight and wisdom, demonstrating the vital importance of taking care of each other and the world we live in—above and below the surface.

Full of well-researched details and evocative illustrations, two middle grade books tell stories rooted in the natural world and offer informative looks at how humanity impacts the environment.

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