Alice Cary

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It’s always important to let Mom know how much you love her. Two picture books celebrate what makes moms magnificent, putting Mom on the proper pedestal. One sings of the sacred connection between mother and child, while the other is packed with sass, silliness and ceaseless devotion.

If you’re searching for the perfect gift for someone’s first Mother’s Day, look no further than I Sang You Down From the Stars. Rooted in Indigenous traditions and cultures, it beautifully expresses a mother’s hopes, dreams and love for her newborn.

A Cree and Trinidadian writer living in Manitoba, Canada, author Tasha Spillett-Sumner conveys much with few words, particularly in the lines that open and close the book: “I loved you before I met you. Before I held you in my arms, I sang you down from the stars.” A pregnant woman addresses her unborn child as she collects items such as an eagle feather and a river stone for a medicine bundle. It’s “something that the child can carry and lean on through their life journey,” Spillett-Sumner explains in an author’s note.

Exquisite illustrations by 2021 Caldecott Medalist Michaela Goade (We Are Water Protectors) contain a blend of earthly and ethereal touches. As we see the mother prepare for her child’s birth and then hold her newborn, and as friends and family welcome the new arrival, Goade surrounds each scene with a starry “swoosh” that depicts the “flow of energy that connects all living things.” This understated but omnipresent magical swirl leads readers from page to page. Rich, saturated shades of blue, purple, green and vermillion lend worldly weight to the text’s celestial themes.

I Sang You Down From the Stars marvelously conveys not only the bonds between mother and child but also the multitude of connections that await every child—connections to family, community and Earth itself.

What happens when that newborn bundle of joy grows up to become a real, live kid? What does it take to be a modern mom? Your Mama is an exuberant ode to supermoms everywhere. Author NoNieqa Ramos transforms “your mama” jokes into a series of poetic tributes from a daughter to her mom. For instance, “Your mama so strong, she like a marine. Up three flights of stairs, carries the groceries.”

Indeed, this cool mama is as comfortable showing her daughter how to fly a drone as she is wearing a flowing dress and high heels at parents’ night at school. She can sew costumes, plan spectacular parties and become a tour guide on rip-roaring road trips. Her adoring daughter knows all too well that this mama is her “A-Team.”

Ramos never forgets to include reality amid all the adulation. Even after the daughter messes with her mother’s makeup, uses the couch as a trampoline and makes her mother “cray cray,” her mama is still “so forgiving, she lets you keep on living.” Mama also instills important values in her daughter, taking her along every time she votes and reminding her that true wealth means “rollin’ in” friends, family and “you, her gold.”

Jacqueline Alcántara’s illustrations are as lively as Ramos’ text. They burst with bright colors, strong outlines and movement, whether Mama is marching into the library with a stack of books or jumping sky-high on the couch with her daughter. Humor and happiness fill every page, from a scene of highway karaoke with a hairbrush microphone to a spread in their kitchen in which Mama offers her daughter a lick from the cake mixer as Ramos muses, “She’s the cinnamon to your tembleque, the tres leches to your cake.”

Your Mama hits the perfect note of sweetness, without an ounce of treacle.

It’s always important to let Mom know how much you love her. Two picture books celebrate what makes moms magnificent, putting Mom on the proper pedestal.

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Who are Americans, and what do they believe? How does our history shape our future? Six exceptional picture books explore our complicated, captivating country and offer meaningful perspectives on these vital questions about the great American experiment.


America, My Love, America, My Heart book cover

America, My Love, America, My Heart

In the author’s note of America, My Love, America, My Heart, Daria Peoples-Riley recalls growing up as “the only brown girl” at school, which made her feel like she wasn’t “free to be myself. . . . My country, America, didn’t feel free to me.” Her book is a glorious gift that will reassure children that they don’t have to change to accommodate people who don’t love every part of who they are.

In spare text accompanied by powerful images, Peoples-Riley conveys big, beautiful ideas. The first page depicts the narrator, a Black boy in a red shirt, his arms outspread, standing in a spotlight and looking down at his eagle-shaped shadow. “America, the Brave. America, the Bold,” writes Peoples-Riley. 

From this striking opening, the book launches into a series of questions the boy asks his country. “Do you love me when I raise my hand? My head? My voice? When I whisper? When I SHOUT?” he wants to know. Complex legacies of injustice and activism are embedded in every question.

Peoples-Riley’s muted spreads contain splashes of red, white and blue that pop with pride on every page. Her illustrations portray people of various ages and many different skin tones. She employs a variety of settings, including vast fields, towering cityscapes and the interiors of churches and classrooms. The book builds toward a resounding challenge to embody the American ideal of inclusiveness: “America, Land of the Free. America, ’Tis of Thee. America, I am you. America, you are me.”

America, My Love, America, My Heart is exquisitely wrought and provides a perfect first glimpse at patriotism and equality.

We Are Still Here! book cover

We Are Still Here!

In 1871, President Ulysses S. Grant signed the Indian Appropriations Act, which effectively declared that Native tribes and nations were not sovereign entities with whom the federal government could form treaties. Indigenous people often disappear from American history curricula after this event. “We are still here!” is the resounding refrain of Traci Sorell and Frané Lessac’s excellent informational picture book, We Are Still Here!: Native American Truths Everyone Should Know

Sorell, who is a dual citizen of the Cherokee Nation and the United States, has created an amazing repository of Native American history and presents it in an engaging, accessible manner. The book is her second collaboration with American-born Australian illustrator Lessac; their first, We Are Grateful: Otsaliheliga, received a Robert F. Sibert Informational Book Award Honor in 2019.

The book’s title page shows a diverse group of students and their families entering the Native Nations Community School, where a clapboard by the door reveals that they’re celebrating Indigenous Peoples’ Day. Subsequent spreads represent student reports on topics such as assimilation, relocation and tribal activism. This framing device is a clever way to address many issues, with bright, colorful and kid-friendly illustrations depicting both the historical topics and the school scenes. Detailed back matter—which includes further information on each topic, an extensive timeline, a glossary, a bibliography and an author’s note—reveals the careful research that informs each spread.

An excellent resource, We Are Still Here! is an important book that highlights the sovereignty, strength and resilience of Native American peoples, tribes and nations despite centuries of mistreatment.

Areli Is a Dreamer book cover

Areli Is a Dreamer

Areli Morales describes her personal experience growing up as an immigrant who came to America without legal permission in Areli Is a Dreamer: A True Story, a heartwarming, thoughtful and accessible introduction to contemporary immigration issues. The book will be simultaneously published in a Spanish-language edition, translated by Polo Orozco.

Morales excels at gently conveying the emotional challenges of her story. Readers meet young Areli when she and her older brother, Alex, are living with their abuela in Mexico. Areli’s parents, who have already immigrated to New York, have “been away so long, they felt like strangers.” When Areli finally joins them, she is heartbroken at leaving her grandmother and friends behind but thrilled to be reunited with her family. 

However, Areli’s new city is intimidating, and her classmates tease her and call her “an illegal.” When her mother explains that without legal documentation, Areli can be sent back to Mexico and can’t become a citizen, she struggles to understand. She begins to grasp the significance of her journey during a field trip to Ellis Island. In a memorable spread, Areli gazes at the Statue of Liberty and envisions a boat full of immigrants. “She did not feel illegal,” Morales writes. “She felt like she was part of something very big.”

Despite the hardships and uncertainty that Areli experiences, Luisa Uribe’s illustrations portray scenes of Areli’s family, as well as her changing surroundings from Mexico to New York, in a lively, reassuring way. An energetic scene of July Fourth fireworks conveys Areli’s feelings of acceptance in her new home, while a visual motif of stars highlights her hopes and dreams for a bright future. 

Areli Is a Dreamer speaks to the fears and difficulties of immigration in a well-told story that never loses sight of its young heroine’s hopes and dreams. It’s a touching portrait of a loving, determined family as they deal with uncertainty and discover what it means to be American.

A Day for Rememberin' book cover

A Day for Rememberin’

A Day for Rememberin’ is a fictionalized account of the incredible events that occurred in Charleston, South Carolina, on May 1, 1865. In one of the first known observances of Decoration Day, now known as Memorial Day, 10,000 formerly enslaved people, along with other members of the community, decorated the graves of 257 Union soldiers who died and were buried at a racetrack that had been used as a Confederate prison during the Civil War. 

Leah Henderson tells this story through the eyes of 10-year-old Eli. In lively prose, she incorporates details about Eli’s family at this critical juncture in American history. Eli’s parents had been enslaved. His mother secretly taught herself to read and tells her son that he has the “hard-earned right to learn and what it’s gonna get you beyond.” On this special day, Eli is proud to be chosen to lead a procession of children to the graves because he’s “fastest at learning [his] numbers and letters.” 

Using warm sepia tones, Coretta Scott King Award-winning illustrator Floyd Cooper brings the newly freed people in Eli’s community to life, filling their faces with expressions of determination, remembrance, mourning and celebration. Henderson’s writing is specific and energetic, from the roses and hawthornes carried by Eli’s classmates to his mother’s calico dress to Eli’s description of leading the parade: “Right out in front, I stomp, knees high.” 

A Day for Rememberin’ relates a fascinating, little-known historical event with a moving story about slavery, freedom and the importance of honoring those who sacrifice their lives for others. Sumptuously told and illustrated, it’s likely to be long remembered.

Twenty-One Steps book cover

Twenty-One Steps

“I am Unknown. I am one of many,” declares the narrator of Twenty-One Steps: Guarding the Tomb of the Unknown Soldier. Author Jeff Gottesfeld writes from the perspective of the first soldier to be interred at the Tomb of the Unknown Soldier at Arlington National Cemetery. His book describes the monument’s history, the rigor of the highly select group of people who serve as guards and the meticulous changing of the guard ceremony. 

This is by no means an easy subject for a picture book, but Gottesfeld navigates the tricky turf well. Though his focus is on the Tomb itself, the specter of “combat’s vile fury” hangs over many of the spreads. In an appropriately elegiac tone, the text delicately evokes a range of emotions and images, including the horrors of World War I’s bayonets and mustard gas, the grief of surviving family and friends, and the admiration and remembrances of those who flock to the monument to “marvel at our sentinels.”

Illustrator Matt Tavares knows his way around American history, having previously illustrated books about Benjamin Franklin, Helen Keller, John F. Kennedy and even the Statue of Liberty. He begins with an engaging close-up of a framed photograph of a Black soldier, suggesting what the unknown soldier interred in the Tomb might look like. His illustrations show the Tomb during the day and at night, in snow, sleet and under bright skies, emphasizing the unwavering presence of its guards. 

Twenty-One Steps is such a vivid tribute that readers will practically hear the rhythmic click of the guards’ heels as they walk back and forth, a measured reminder of the loss and sacrifice the Tomb represents.

This Very Tree book cover

This Very Tree

Native New Yorker Sean Rubin tells the story of a Callery pear tree that survived the September 11 terrorist attack on his city in This Very Tree: A Story of 9/11, Resilience, and Regrowth, transforming the tree’s story into a beautiful allegory about trauma and healing. 

Writing from the tree’s perspective, Rubin describes the moment of the attack in plainspoken language: “It was an ordinary moment. Until it wasn’t.” A multipanel spread shows glimpses of stunned onlookers’ faces, the pants and shoes of people running away, debris, smoke and flames, followed by a spread that shows the tree buried beneath a mountain of twisted black and gray metal. “Around me it was dark and hot and close. Did the sun even exist anymore?” the tree recalls. After being pulled from the wreckage, the tree is taken to a nursery, where it spends nine years healing. Ultimately the tree is returned to the plaza at the Sept. 11 memorial. 

The process of excavating, rescuing and bringing the tree back to life is likely to fascinate young readers. A spread of eight panels reveals parallel stages in the construction of One World Trade Center and the tree’s regrowth. Rubin’s text often includes emotional details that will help readers relate to the tree’s journey. As it’s transported back through the city, the tree reveals that it’s worried. “What if something bad happened again?” Rubin keeps the story simple and focused, relying on ample back matter to provide curious readers with further information. It makes for a stirring story of hope and healing in the aftermath of immense tragedy.

Six exceptional picture books explore our complicated, captivating country and offer meaningful perspectives on these vital questions about the great American experiment.

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All aboard! Anchors aweigh! These inventive picture books are your tickets for two fantastic voyages as they capture the fun of transforming your world using nothing but your imagination.

A girl escapes onto a make-believe train in Michael Emberley and Marie-Louise Fitzpatrick's I Can Make a Train Noise, which creatively sweeps readers right alongside her on an adventure that’s bursting with rhythm and energy.

As she enters a city coffee shop with her family, the girl spots a commuter train rushing by on an elevated track. Intrigued, she quietly says, “I can make a train noise.” Once inside, she repeats her statement a bit louder. No one notices, so she stands up on her chair and adds an emphatic “NOW!” In the next spread she leaps off her chair and plunges into her own imagination. 

A swoosh of brown and white paint signifies that the girl is transforming the coffee shop into a traveling train, with herself as its engineer and her family and other customers as its passengers. Tabletop condiments and salt and pepper shakers become skyscrapers that the train speeds past before heading into the countryside. The red train and blue sky provide splashes of color amid muted sepia spreads, emphasizing the shifting landscape and giving readers a sense of change and motion.

Through the book's exquisitely minimal text and repeated titular refrain, readers feel the clickety clacks of the train's acceleration, as variations in lettering size and layout highlight changes in momentum and direction. “TRAIN-NOISE-TRAIN-NOISE-TRAIN-NOISE . . .” appears in a small, straight line across a spread that shows the train chugging through a grassy prairie. And “Now!” becomes the train’s whistle, at one point appearing in huge letters on a curved baseline—"NOOOOW!!"—as the train whooshes through a tunnel.

The result is a fully choreographed, immersive journey. Readers will see and hear the train rumble along the tracks, then feel it stop abruptly with a jumble of passengers when it pulls into the station. The book ends with an enticing invitation that breaks the fourth wall in irresistible fashion. Deceptively simple, I Can Make a Train Noise is a perfect choice for reading aloud. Young readers will eagerly hop aboard again and again. 

All it takes is a sturdy wooden crate for a determined red-haired girl to turn an uneventful afternoon into a grand adventure in I Want a Boat!. Through a series of spare declarative statement pairings, the girl dreams up an exciting sea voyage and sets sail right from her bedroom. 

“I have a box. / I want a boat,” the girl announces on the first page as she stands before an empty wooden box, hands on her hips. On the next page, she declares, “I have a boat. / I want a rudder,” while seated inside the box, smiling. The action continues to build in this fashion as she uses ordinary objects to fulfill her seafaring needs. Stuffed animals become her crew, and a toy whale swims beside her in the imaginary ocean. The girl also yearns for and creates excitement, including the danger of a raging storm, the peril of stuffed-animal sailors gone overboard and the thrill of a safe return—happy, tired and ready for dinner. 

Author Liz Garton Scanlon’s step-by-step approach to the story doesn’t just create an effective narrative arc that’s perfect for preschoolers. It also provides a road map for young readers inclined to envision their own imaginative expeditions. 

Kevan Atteberry’s cheery and animated illustrations practically leap off the pages. He’s a master of using simple strokes to convey great emotion, whether it’s the girl’s exuberance as she sails the high seas or her stuffed animals’ astonished expressions as she sets off. 

In tandem with the story’s exciting ebbs and flows, white margins frame each page, becoming slimmer as the girl grows more engrossed in her voyage. When the girl declares, “I have the wind. / I want the world,” the margins give way to full-bleed spreads, only to reemerge as she returns home. It’s a wonderful homage to a similar technique employed by Maurice Sendak in his ultimate imaginative adventure story, Where the Wild Things Are.

In I Want a Boat! dynamic illustrations and tightly focused prose combine for a boatload of high-seas fun.

All aboard! Anchors aweigh! These inventive picture books are your tickets for two fantastic voyages as they capture the fun of transforming your world using nothing but your imagination.

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Looking for an absorbing but lighthearted mystery? Two very unusual detective agencies—one in the American Southwest and the other across the pond—take readers on fast-paced and funny adventures.


When people see Bernie Little’s large black dog, they often ask, “Is he yours?” “We’re more like partners,” Bernie always responds. Indeed, there’s hardly a more devoted team than Chet and Bernie of the Little Detective Agency. Bernie is a hardscrabble private eye in Arizona who lives and works with his canine pal, Chet, the narrator of their adventures. Hats off to author Spencer Quinn for making this potentially cloying premise work—not just well, but superbly. The duo’s 11th case, Tender Is the Bite, follows on the heels of titles such as Of Mutts and Men and Heart of Barkness. Quinn loves wordplay, and it’s one of the many things that makes this series so endearing. 

Chet and Bernie’s new adventure begins when a pretty young woman with a large diamond ring begins to follow them but then goes missing. Around the same time, a Ukrainian man who may have ties to a powerful senator threatens Bernie. Bernie also begins a romance with a police sergeant named Weatherly who has a dog that, incredibly, seems to be Chet’s sister. The suspenseful plot’s many threads are made all the more enjoyable by Chet’s narration.

“I made no attempt to understand,” Chet notes as he listens to Bernie ponder their latest puzzle. “That didn’t mean I wasn’t listening. I always listen to Bernie. His voice is like a lovely brook bubbling by.” What Chet lacks in linguistic understanding, he compensates for with his finely attuned senses of smell and hearing. “This might amaze you,” he notes, “but I could smell what the senator was drinking—namely bourbon. I was even pretty sure that it was the kind Bernie liked, the bourbon with red flowers on the label.” With each chapter, Quinn ramps up the action while still keeping things light, snappy and funny. With its thoroughly lovable detective duo, Tender Is the Bite is highly entertaining from start to finish.

In 1946 London, Iris Sparks and Gwendolyn Bainbridge are making a go at professional matchmaking with their Right Sort Marriage Bureau, but murder keeps getting in the way. They find themselves involved in detective work once again in Allison Montclair’s A Rogue’s Company, the third in the Sparks and Bainbridge series. It’s a delightful blend of historical intrigue, sharp-tongued humor and savvy sleuthing. 

Iris and Gwen have a new client, a Rhodesian man named Simon Daile. As Simon’s enigmatic past gradually unfolds, Iris and Gwen begin to worry that he is not being completely forthcoming about his intentions, and having a Black client leads to some lively discussions between the white matchmakers about race and their own privilege. Gwen and Iris’ animated dialogue throughout, on a wide variety of subjects from race to women’s roles, is always enjoyably thoughtful-provoking. The plot thickens with a murder, and later a very close-to-home double kidnapping. 

This detective duo could hardly be more different. War widow Gwen lives in luxury, although she’s fighting to regain custody of her son from her bullying father-in-law, who wants to send 6-year-old Ronnie off to a strict boarding school. (Gwen lost custody when she suffered a mental collapse after her husband’s death and spent four months in a sanitarium.) Meanwhile, Iris lives a decidedly less elegant life, which includes a boyfriend whose criminal connections often turn out to be helpful. “I thrive on chaos,” Iris admits. “That’s my life.” 

Montclair does an excellent job of exploring the post-War World II London setting and showing how the series’ characters and relationships have evolved. Both Gwen and Iris fight to hold their own in their patriarchal, class-driven society, and their constant pushback against prejudice and sexism is a centerpiece of the series. With well-defined characters, high-stakes action and a quickly evolving plot, readers will find much to enjoy. Like its predecessors, A Rogue’s Company is brisk, entertaining fun.

Looking for an absorbing but lighthearted mystery? Two very unusual detective agencies take readers on fast-paced and funny adventures.

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Backpack? Check. Crayons? Check. Positive attitude? Check. Having the right mentality when you set out for the first day of school is just as important as remembering to bring all your supplies. These books will ensure that students approach school with confidence and kindness and enter their new classrooms fully prepared for success.   

Becoming Vanessa

First days don’t always go smoothly, as one girl discovers in Becoming Vanessa, a vibrant story about first-day jitters and feeling confident in new situations. 

Vanessa carefully curates her own first-day outfit—a tutu, yellow feather boa, polka-dot leggings, shiny red shoes and a jaunty green beret—in the hopes that her new classmates will “tell right away that she [is] someone they should know.” 

But Vanessa’s initial delight in her ensemble turns to dismay when her boa keeps shedding feathers, her shoes hurt and the student seated behind her complains that he can’t see past her hat. When she realizes that even her name makes her stand out, Vanessa wants to change that, too. “My name is Megan now,” she tells her teacher. 

The next morning, Vanessa picks out a more Megan-ish outfit, until her mom tells her that Vanessa means metamorphosis. “I gave you a name that would help you become whoever you want to be,” she explains. Vanessa heads to school with newfound assurance in her outfit and her identity.

Author-illustrator Vanessa Brantley-Newton’s collage artwork is a visual feast that sizzles with color, pattern and movement. Vanessa’s school is full of lively and diverse characters with big, engaging facial expressions. Careful observers will enjoy noticing clever details in the illustrations, such as ledger paper used for the classroom rug and newsprint and dictionary pages for the desks. 

Brantley-Newton also wonderfully incorporates the theme of metamorphosis throughout the book. One especially beautiful and touching full-page spread depicts Vanessa, who has gone to bed in tears, wrapped up in a patchwork quilt that strongly suggests a chrysalis, floating on a deep blue, star-filled background. Inspired by Brantley-Newton’s personal experiences, Becoming Vanessa is paced just right and squarely addresses real fears and emotions in a compelling, empowering way. 

Norman’s First Day at Dino Day Care

It’s OK to feel shy, a young dinosaur named Norman learns in Norman’s First Day at Dino Day Care, a sweet saga with a delightful prehistoric setting guaranteed to appeal to the pre-K crowd. 

Author-illustrator Sean Julian’s dinosaurs come in all shapes, sizes and colors, but Norman is among the smallest. The adorable yellowy orange fellow is so good at hiding that when he’s introduced, one of his classmates asks, “Is Norman an invisible dinosaur?” Norman’s kindly teacher, a purple pterodactyl named Miss Beak, reassures him that his shyness “is a special part of who you are” and adds that the afternoon’s group activity will allow everyone to “discover what other amazing qualities you have hidden inside.” Norman’s partner, a large pink dinosaur named Jake, feels just as shy as Norman, but together they devise a creative way to overcome their fears. 

The day care setting will show young children what a warm and welcoming place school can be. Readers will delight in finding Norman’s many hiding spots. (Hint: Norman’s tiny tail often gives away his location.) Julian’s dinosaurs are cute and friendly, and Miss Beak is exactly the sort of teacher every parent and new student would hope for.

Norman’s First Day at Dino Day Care is a much-needed rejoinder to the well-intentioned advice “don’t be shy.” This gentle tale suggests an alternative approach: learning to recognize and accept who you are, while also discovering how to use those qualities to be part of a team. 

I Can Help

Author Reem Faruqi’s exceptional I Can Help commands attention from its very first sentence: “Just when the leaves are thinking of changing colors to look like the spices Nana cooks with, school starts.” 

Narrator Zahra explains that she enjoys helping Kyle, a classmate who excels at drawing and drumming but needs help reading and writing. Faruqi establishes their strong bond in a series of scenes brought to life by illustrator Mikela Prevost, who depicts them sharing cookies at recess and wonderfully mimicking each other’s facial expressions in the classroom. The vignettes exude youthful fun as well as Zahra’s pride in helping her friend.

But poison lurks in the background, in the form of classmates Tess and Ashley. Prevost introduces them in an expertly composed spread in which Zahra swings blissfully high into the treetops while Tess and Ashley denigrate Kyle below, calling him a “baby” and “weird.” Zahra overhears their words, which awaken her own “mean voice” and ultimately destroy her friendship with Kyle—even as she yearns to do the right thing. 

One of this story’s many strengths is its authenticity. Zahra’s narration captures how easily we can be filled with unkind thoughts and conflicting emotions. Notably, the situation between Zahra and Kyle is never resolved, because Zahra’s family moves away, though she chooses a different path when a similar situation arises at her new school.

An author’s note reveals that I Can Help is based on an experience from Faruqi’s own childhood. “I regret my actions to this day,” she writes in a striking disclosure. In her own note, Prevost adds that her diagnosis of juvenile rheumatoid arthritis caused her peers to see her differently and that she is thankful to those who “risked looking ‘weird’” to help her. I Can Help is a memorable story about the rippling and lingering effects of cruelty and the redeeming power of kindness.

Henry at Home

Going to school can be tricky not just for the new student but also for the sibling left behind. In Henry at Home, a boy is completely gobsmacked to discover that his big sister and best buddy, Liza, is abandoning him to go to kindergarten. Henry is so angry that he stomps on Liza’s new crayons and roars after she hops on the school bus. 

A wonderful sequence shows all the experiences the siblings have had together, including scaling the furniture, capturing imaginary leopards and getting haircuts and even flu shots together. Most of all, they enjoyed swinging and relaxing at their gnarly Twisty Tree, bathed in sunlight and shades of green, gold and brown. 

Author Megan Maynor uses crisp, precise prose to capture the passions of these young siblings. Readers will readily identify with the book’s cascade of emotions. Alea Marley’s luminous illustrations convey the creative play and the bond that Henry and Liza have shared, as well as Henry’s anger and Liza’s excitement. Her warm tones provide a sense of security and help readers understand how lonely and abandoned Henry feels when things change. The illustrations completely focus on the siblings and their world, pointedly depicting only the legs and feet of a few adults.

Henry gradually learns to have fun on his own, and soon he and Liza are back at their Twisty Tree, happily reunited. Henry at Home is an excellent reminder that precious relationships can survive great change and that independence can strengthen, not threaten, a special bond. 

Backpack? Check. Crayons? Check. Positive attitude? Check. Having the right mentality when you set out for the first day of school is just as important as remembering to bring all your supplies.

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Parenting ideals are constantly evolving. These excellent, up-to-date guides provide strategies for communicating with your kids in ways that will resonate today.

Bringing Up Race

“We need to talk to our children about race long before they start making up their own stories,” writes Uju Asika, author and mother of two boys. “We need to tell them before the world whispers too many lies in their ears.” Asika is a Black Nigerian woman who grew up in Great Britain and has also lived in the United States. As a girl, people occasionally called her racial slurs. Her older sister was once tied to a chair at age 6 and verbally abused by other kids for being Black. “I’m no stranger to prejudice,” Asika writes.

For years, Asika has written a popular parenting blog called “Babes About Town,” which focuses on fun family outings in London. Now she’s the author of Bringing Up Race: How to Raise a Kind Child in a Prejudiced World, which tackles that all-important question, “How do you bring up your kids to be cool, kind, and happy when there is so much out there trying to break them down?” It’s an extremely informative and enjoyable read, thanks to Asika’s wise but never preachy style and her inclusion of stories from her family and many others. She also shares the opinions of various specialists and closes each chapter with “Talking Points,” Q&A-style examples that tackle real-life scenarios that might come up for kids of any race, such as, “If my child is curious about someone’s family background, how can they ask without appearing rude or racist?” or, “I want my kids to go to the best schools, but I’m worried about them being in a monocultural environment and picking up values that don’t suit us as a family.”

Reading this book feels like having a stirring, in-depth conversation with an affable expert on this vital topic. As Asika concludes, “There’s nothing more urgent than bringing up our kids to think globally, fairly, and with empathy for their fellow humans. We need to be responsible for raising a generation of people who are more open, more tolerant, less afraid.”

Dear Highlights

In 2014, an 8-year-old boy wrote to Highlights magazine to say, “I’m a romance kind of guy, but my friends HATE it. Can you help?” Since its founding in 1946, the magazine’s editors have personally responded to this and every piece of mail a child has sent, whether it’s a letter, poem or drawing. In fact, one young reader wrote regularly over the course of 10 years, beginning at age 7, sometimes with daily emails. All told, the editors sent him more than 200 replies, admitting, “He started to feel a little like family, and today the staff often wonders aloud how he is doing.”

In 1979, the magazine started drawing on this wellspring of letters, publishing a monthly “Dear Highlights” advice column filled with questions and concerns on all sorts of topics, including Santa, siblings, friendship, parents, sexuality, identity, body image, illness and death. Now the editors have compiled selections from their correspondence treasure trove in Dear Highlights: What Adults Can Learn From 75 Years of Letters and Conversations With Kids, edited by Highlights editor-in-chief Christine French Cully.

Although names have been changed for privacy reasons, ages and dates are included with all the letters. Chapters are organized by kids’ primary concerns, such as families, school and societal issues and events. Often, facsimiles of the original letters are shown, in the children’s real handwriting, alongside a multitude of other particularly wonderful drawings and poems. The historical references are intriguing as well, as children have asked questions about the Kennedy and King assassinations, 9/11, Hurricane Katrina, the Challenger disaster, COVID-19 and more. Both kids and adults will find it easy to get lost in this lively, unique and fascinating book.

How to Talk When Kids Won’t Listen

“The more you ask me to do something, the less I want to do it.” I repeatedly heard this statement from my three children, and we all stalked away feeling frustrated. I definitely needed a copy of How to Talk When Kids Won’t Listen: Whining, Fighting, Meltdowns, Defiance, and Other Challenges of Childhood. Part of the bestselling “How to Talk” series, this book is yet another winner.

Authors Joanna Faber and Julie King explain that when we try to calm kids down by minimizing their troubles, they end up feeling worse. Straight-shooting words of wisdom are laced with cartoons and helpful humor, such as the insightful quip, “When you’re upset your new shoes were stolen at the gym, that’s not the moment you want your friend to remind you to be grateful you have feet.” Faber and King tackle everything from homework hassles, sibling battles and screen time to sex and divorce concerns. Chapters end with fun quizzes designed to reinforce the strategies discussed, as well as key takeaways with scripts. For example, if you want a child to help out around the house, offer them a choice instead of telling them what to do: “Do you want to put away the leftovers or load the dishwasher?”

How to Talk When Kids Won’t Listen is an essential guide that’s easy to dip into as needed. As Faber and King write, “If we want kids to grow up to be independent thinkers and responsible problem-solvers who can consider the perspectives of others, we have to consider their perspective and give them practice making decisions, taking responsibility, and solving problems.”

The Unlikely Art of Parental Pressure

When it comes to raising successful children, parents typically ask the wrong question, according to psychologists Chris Thurber and Hendrie Weisinger. Instead of asking how much pressure they should apply, parents need to reframe the question: What are the healthiest ways to push our children? Using a variety of case studies, these authors offer parents effective strategies to do just that in The Unlikely Art of Parental Pressure: A Positive Approach to Pushing Your Child to Be Their Best Self.

Thurber is a psychologist at the renowned Phillips Exeter Academy, and Weisinger has worked with plenty of Fortune 500 executives and is the author of numerous books, including Performing Under Pressure. They point out the necessity of praising a child for doing their best rather than feeling disappointed that a certain goal wasn’t achieved, such as a first-place trophy or an A+. They also outline the differences between healthy and harmful pressure and explain that one key to success is helping kids not to choke at important moments, while offering tips on exactly how to achieve this goal.

Whether you’re concerned about your child’s grades, athletics, music lessons or social life, The Unlikely Art of Parental Pressure is likely to be a transformative guide.

These four books will teach parents how to have sensitive conversations with their kids—in ways that ensure their kids actually listen.
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“I guess you haven’t had your adventure yet,” 18-year-old Emmett Watson tells his 8-year-old brother, Billy, who responds, “I think we’re on it now.” And indeed they are, having set out in Emmett’s powder-blue 1948 Studebaker Land Cruiser, planning to head west on the Lincoln Highway, America’s first transcontinental roadway. In light of their father’s recent death, their unlikely goal is to track down their mother—who abandoned them years ago—at a July 4th celebration in San Francisco. 

After mesmerizing legions of readers with the story of Count Alexander Rostov, sentenced in 1922 to spend the rest of his life in an attic room of a grand hotel in A Gentleman in Moscow (2016), Amor Towles takes to the open road in his superb, sprawling, cross-country saga, The Lincoln Highway. Although this great American road trip is quite a change of pace and scenery, Towles continues to transport readers, immersing them just as completely in the adventures of the Watson brothers he did in the seemingly claustrophobic lives of Count Rostov and his young sidekick, Nina. 

Like Nina, young Billy is a creative, intelligent and essential companion to his older brother, and like Rostov, Emmett has had his own brush with the law. As the novel opens in June 1954, Emmett has just been released from an 18-month sentence in a juvenile work camp, having landed on “the ugly side of luck” in a manslaughter case involving a teenage bully. Soon after the Watson brothers start their quest, however, their grand plans are upended by two friends of Emmett’s from the work camp, Duchess and Woolly, who “borrow” the Studebaker and head to New York—forcing Emmett and Billy to stow away on a freight train and head east in hot pursuit.

Packed with drama, The Lincoln Highway takes place in just 10 days, with chapters narrated by a variety of characters. Towles’ fans will be rewarded with many of the same pleasures they’ve come to expect from him: a multitude of stories told at a leisurely pace (the novel clocks in at 592 pages); numerous endearing and sometimes maddening characters; and pitch-perfect plotting with surprises at every turn.

As if that weren’t enough, the novel is chock-full of literary references: a Ralph Waldo Emerson quotation that sets the brothers off on their journey; allusions to The Three Musketeers (Emmett, Duchess and Woolly); a memorable Black World War II veteran named Ulysses; and scenes reminiscent of The Wonderful Wizard of Oz. Ultimately, The Lincoln Highway is Towles’ unabashed love letter to books and storytelling. 

Late in the novel, a character tells Billy, “There are few things more beautiful to an author’s eye . . . than a well-read copy of one of his books.” Towles has created another winning novel whose pages are destined to be turned—and occasionally tattered—by gratified readers.

The pages of Amor Towles’ novel are destined to be turned—and occasionally tattered—by numerous gratified readers.
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Everyone wants to "Teach your children well," as the classic song suggests. If you know a new baby or have a favorite toddler, by all means introduce them to Ten Little Fingers and Ten Little Toes, a jewel of a picture book by Australian author Mem Fox. With minimal text, and sweet illustrations by beloved British artist Helen Oxenbury, it's truly an international treat.

The cast features eight beautiful babies from around the world who laugh and frolic with each other on every page. The book's message of acceptance is summed up on the first few pages:

There was one little baby who was born far away.
And another who was born on the very next day.
And both of these babies, as everyone knows,
had ten little fingers and ten little toes.

Fox's rhyming prose makes the perfect bedtime read – aloud, with its soothing yet profound words. Oxenbury's roly – poly children – part baby and part toddler – convey wonderful expressions, ranging from inquisitiveness and watchfulness, to welcome and glee. While hailing from places near and far, they immediately learn to play together. Readers see a child "born on the ice" stand beside a penguin, and on the next page, readers meet a child born in a tent. Soon the two are fast friends, playing a joyful tug – of – war with one boy's scarf. Oxenbury is a master at drawing appealing round – faced children, and the muted colors she uses reinforces the soft, soothing message of Mem Fox's words. Ten Little Fingers and Ten Little Toes gently presents – but never preaches – a satisfying lesson about humanity and international harmony.

Alice Cary counts fingers and toes at her home in Groton, Massachusetts.

Everyone wants to "Teach your children well," as the classic song suggests. If you know a new baby or have a favorite toddler, by all means introduce them to Ten Little Fingers and Ten Little Toes, a jewel of a picture book by Australian author…

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Did you know that problems with the United States Electoral College arose as early as the second presidential election? In 1796 John Adams became president with only a three-vote lead in electoral votes over his opponent, Thomas Jefferson. Therefore, Jefferson, the second-place finisher, became vice president, as the Constitution then dictated. The problem was that Adams and Jefferson belonged to two different political parties and had very different ideas about how our nation should be run.

You'll learn all of this and much more in Ann Bausum's fact-filled reference, Our Country's Presidents. I've always loved books like this, and they're perfect for young students, anywhere from third grade on up. It's ideal to have one or two around the house for school reports, browsing or a quick answer to a Who Wants to Be a Millionaire question.

As I leisurely perused these pages, for instance, I discovered that: James Garfield was the last president born in a log cabin and the first left-handed president; Chester Arthur's sister was his First Lady (his wife had died); Gerald Ford is the only president never elected to the offices of president or vice president.

Our Country's Presidents is well designed, with separate text entries for each leader, varying in length from a page or two to several. They provide a good overview of each life, including facts from childhood, family life and highlights of the administration. Also helpful is the accompanying fact box for each president, containing information such as nickname, political party affiliation, dates of birth, death, political terms and more. Along with plenty of photos, illustrations and charts, this lively volume also includes special sections on such topics as the White House and its history, kids in the White House and the electoral process. Timelines sprinkled throughout provide a sense of other coinciding news events, such as the sinking of the Titanic and the Wright Brothers' first flight.

Put this reference in the hands of young history scholars, and they'll have an excellent first lesson on our nation's leaders and basic American history, as well as loads of nifty trivia about the likes of "Give 'Em Hell Harry," "Tricky Dicky" and now, of course, "Dubya."

Alice Cary writes from her home in Massachusetts.

Did you know that problems with the United States Electoral College arose as early as the second presidential election? In 1796 John Adams became president with only a three-vote lead in electoral votes over his opponent, Thomas Jefferson. Therefore, Jefferson, the second-place finisher, became vice…

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Are your kids hooked on Harry? Do they need something else to whet their reading whistles? Then it's high time to introduce them to the book that was a publishing sensation 100 years ago. That honor belongs to none other than The Wonderful Wizard of Oz, the best-selling children's book of 1900.

Sure, your brood has probably seen the movie, but the book is a different story. In fact, author L. Frank Baum eventually wrote 14 books about his magical kingdom.

The Wonderful Wizard of Oz was published after many rejections as a modern fairy tale. Baum found a publisher only after he and his illustrator agreed to pay the publishing expenses.

To celebrate the centennial, publishers have issued a number of new editions of Oz, so grab your silver shoes (they're silver in the book, not ruby, like those Judy Garland wore) and dig in.

Start with the 100th Anniversary edition of The Wizard of Oz with superb illustrations by Michael Hague plus the complete original text. The price tag isn't cheap, but this is a top-notch edition with thick, quality pages, clean, large type and plenty of Hague's color illustrations.

The art is fresh, yet faithful to the story and the style of the original illustrations, which were done by William Wallace Denslow. Dorothy looks real; Toto is appropriately cute; the Scarecrow has warmly appealing features; the Tin Man looks stately and shiny, while the Lion is ferociously cuddly. As for the Wicked Witch of the West, she is horrid, old and mean just right.

My six-year-old son was immediately drawn into this book and remained enchanted as we read a few chapters each night. (The Wicked Witch and the Flying Monkeys aren't nearly so scary in the book as they are in the MGM movie, so there's less to fear about nightmares.)

Another good 100th anniversary edition is a lengthy (96 pages) yet condensed version of The Wizard of Oz, illustrated by Charles Santore. Here are eye-catching illustrations done in a more modern, action-packed style, a feeling even more pronounced by the larger format of this book.

Oz authority Michael Patrick Hearn writes in a short introduction: "Charles Santore has interpreted the story as a grand opera. Never has the Kansas cyclone seemed more threatening, the Land of the Munchkins more enchanting, the forests of Oz more foreboding, the Deadly Poppy Field deadlier or the Emerald City more magnificent than in his watercolors." For those truly engrossed in Oz, try the Oz Box Set, a set of three paperbacks that includes the original text and illustrations for The Wonderful Wizard of Oz, The Marvelous Land of Oz and Ozma of Oz.

Although this boxed set has no color illustrations, the original artwork of Denslow (for the first book) and John R. Neill (for the second and third) is plentiful and lively, giving readers an interesting historical perspective. And any child who enjoys the first story will want to jump right into these subsequent adventures.

For a unique Oz experience, don't miss the commemorative pop-up edition of The Wonderful Wizard of Oz with art by Robert Sabuda. Sabuda's magical pop-ups spring to life with shiny foil, and even include magical spectacles provided for viewing the Emerald City. While the text is quite condensed, this is a dynamic introduction for young children and just plain fun for fans of any age.

Finally, true aficionados can turn to something new, a book called The Green Star of Oz. This one's written by Baum's great-grandson, Roger S. Baum, and features a leather finish and color illustrations by Victoria Seitzinger.

The tale begins with L. Frank Baum and his wife at their home, surrounded by a group of children as Baum wonders what the world and Oz will be like 100 years from now. The group is soon transported to Oz, where they encounter Dorothy, an ill Toto and plenty of familiar faces.

Oz is one of the most beloved children's tales of all time, so be sure you and your family don't miss out on a wonderful trip down the Yellow Brick Road.

Alice Cary writes from her home in Groton, Massachusetts.

Are your kids hooked on Harry? Do they need something else to whet their reading whistles? Then it's high time to introduce them to the book that was a publishing sensation 100 years ago. That honor belongs to none other than The Wonderful Wizard…

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Stories, stories, stories — that's what life's all about. September brings a whole new crop of storytelling books on everything from Jack Sprat to Jesus, for a range of ages.

Topping the list is a book making its U.S. debut after having been reprinted in England more than 40 times. How the Whale Became and Other Stories comes from the pen of the renowned, late poet Ted Hughes. He wrote these when he and his wife, poet Sylvia Plath, were living in Spain, but they weren't published until several years later, in 1963, after the births of the couple's two children. These are longer stories for older readers–11 lyrical tales about how such creatures as bees, tortoises, elephants, and hyenas came to be. In a prefatory note Hughes explains his premise for writing the collection: that in the beginning of the world, all living things were much alike and "had no idea what they were going to become." He goes on to explain how his selected menagerie arose. Jackie Morris's watercolors are a superb accompaniment, muted yet full of mystery and energy.

No storyteller is more famous than Aesop, the slave who lived in ancient Greece about 2,600 years ago. The Lion & the Mouse and Other Aesop Fablesprovides an excellent introduction for older preschoolers and young elementary students. Doris Orgel's short, two-page retellings are sprinkled with interesting facts about Aesop and his world. Orgel begins with a FAQ-like question-and-answer page that explains who Aesop was and why his fables have remained so popular all these years. Bert Kitchen's watercolor and gouache illustrations are stately, so real that one can practically feel the bristles of a wolf's fur or the hard shell of the slow-moving tortoise.

For a completely different change of pace, storyteller Alice McGill has been collecting slave lullabies since she was a child, hearing them passed down through generations of her family and friends. A CD is included with In the Hollow of Your Hand: Slave Lullabies, so you can read and hear McGill's resonant singing voice accompanied by gentle, simple instrumentals. Since slaves were often not allowed to learn to read or write and were punished for singing "unapproved" songs, these lullabies tended to be messages of trials, tribulation, and hope, often sung in secret. Along with each lullaby, McGill includes a brief, intriguing description of its origins and use. Michael Cummings has created a quilt collage illustration for each lullaby, adding rich, textured folk images that convey both story and history. This wonderful book and CD combination is truly a treasure for all ages.

More history and spiritualism can be found in Mary Hoffman's Parables: Stories Jesus Told(illustrated by Jackie Morris). Hoffman discusses Jesus's storytelling talents in a lovely introductory note: "[Jesus] was good at making up stories which were full of things that people of his time could understand. Sheep, grapevines, sowing seeds these were all familiar to the first people who heard these stories. I am quite sure that if Jesus were preaching today, he would have told stories about cars and mobile phones and computer games." Regardless of youngsters' religious beliefs, they will enjoy and learn from the short retellings of such familiar parables as "The Good Samaritan" and "The Prodigal Son." With each, Hoffman includes a short introduction and conclusion to help children better understand the parable's underlying meaning. At the end of the book is a list of the actual biblical books and chapters where each story originates.

The very youngest readers will enjoy the familiar verses found in Mother Goose Remembers. What's delightful about this book are Clare Beaton's wonderful, old-fashioned fabric art illustrations, which include one of Mother Goose's "feathers" stitched onto every page. This book is practically like having a grandmother or fairy godmother stitch a special volume of nursery rhymes for little readers.

In the same vein, check out The Random House Book of Nursery Stories, retold and illustrated by Helen Craig. Somehow, with the many children's books available today, modern youngsters often miss out on learning some of the classic fairy tales. Here's a collection of hits, including "Little Red Riding Hood," "The Three Little Pigs," "Goldilocks and the Three Bears," and "The Three Billy Goats Gruff." The retellings are short and straightforward, following the well-known plot lines. As with the Clare Beaton book, what makes this book fun are the whimsical illustrations. The troll, for example, that bedevils the three billy goats is a huge red lump of fur, a sort of Cousin It with protruding arms and legs. Don't miss the elves in "The Elves and the Shoemaker," which are cute little naked fellows streaking across the page. So whether you're in the mood for mirth, morals, or mammals, there's a new storytelling book awaiting your every mood!

Alice Cary spins her yarns in Groton, Massachusetts.

Stories, stories, stories -- that's what life's all about. September brings a whole new crop of storytelling books on everything from Jack Sprat to Jesus, for a range of ages.

Topping the list is a book making its U.S. debut after having been reprinted in…

Review by

In our family, summer isn't summer without at least a week in the sand and surf. Our four-year-old has loved the beach since he was a baby, despite the time he tried to eat the sand. Here's a diverse collection of beach books I'm saving for our long car trip from Massachusetts to Maryland, where warmer waves and a family crab feast will be waiting.

Out of the Ocean (all ages) is both a splendid story and a field guide, the result of a lifelong love affair with the ocean. Author/illustrator Debra Frasier grew up in a house in Florida right on the Atlantic Ocean, and both her passion and knowledge of the sea are evident. The young girl narrating the book explains: "My mother says you can ask the ocean to bring you something. If you look, she says, you might find it." The rest of the text and Frasier's mixed-media collages show how many different things can wash ashore shells, sea glass, a wooden shoe, abandoned rafts, turtle skulls, tangled rope, and more as the girl and her mother explore the gifts from the ocean. This is a book that encourages readers to keep their eyes peeled by including a mesh bag for found items and a separate booklet for children to make a record of their own beach-combing search.

For her innovative illustrations, Frasier worked with photographs, cut paper, real objects, and silhouettes, all arranged on a tray of sand and photographed. In "An Ocean Journal" at the end, Frasier explains the origins of her many finds and adds interesting facts about such things as flora and fauna, sea turtle tracks, water, and sand. You'll definitely want to take this book on any beach trip.

In our family, summer isn't summer without at least a week in the sand and surf. Our four-year-old has loved the beach since he was a baby, despite the time he tried to eat the sand. Here's a diverse collection of beach books I'm saving…

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Scholastic's Hello Reader! series is an excellent at-home tool for both education and enjoyment. The titles are numerous and inexpensive, with an appealing range of reading levels, subjects, authors, and illustrators. Jeffrey Scherer's cartoon-style drawings are eye-catching in One Snowy Day (preschool-gr.1), a tale of animals banding together to build a new snowman and then saluting their new friend. The book is simple yet imaginative, as shown by a chipmunk balancing 10 cups, prompting the lively language, "Chipmunk juggled the cups." Reading primers have come a long way since the days of "See Spot run."

My son Will and I both give big thumbs-up to Zoom City (ages 1-up) and its vibrant illustrations for any car-loving toddler. Following the footsteps of his father, who drew the illustrations for Goodnight Moon, and his mother, a children's writer, Hurd has created a lively tale in which a dog family drives along a psychedelic-colored highway. The drive is hardly smooth "Faster!/Watch out! Too fast! CRASH!/DISASTER!" Tots will want to take this ride again and again.

I adore the writing of Daniel Pinkwater, plain and simple. Introduce a child to his wry humor and you'll have a hooked reader. Second-Grade Ape (illustrated by Jill Pinkwater, gr. 2-3) is a chapter book for more proficient readers. Freddie "Flash" Fleetwood finds what he thinks is a cat in the bushes, but turns out to be an ape. What will his parents and his teacher, Mrs. Hotdogbun, say about his new pet? With Pinkwater, the answers aren't always what you'd expect.

Check out the lovable terrier who appears in Don't Cut My Hair! (preschool-gr.1). Hans Wilhelm puts expressions on this canine that turn a text of few words into stories loaded with personality.

My son Will first paid attention to books with pictures of other babies, such as Maybe My Baby (photos by Paula Hible, newborn). Babies wear hats showing what careers they might choose astronaut or dancer, for instance with the reassurance that they'll always be loved, "whoever, however you are."

Calm children down with Charlotte Zolotow's Wake Up and Goodnight (illustrated by Pamela Paparone), two books in one. Read Wake Up, with a bear yawning, twin bunnies getting dressed, and a cat munching cereal; then flip the book over to enjoy Goodnight, in which the same crew gets tucked in. This book could easily become a beloved part of a child's nighttime ritual.

Scholastic's Hello Reader! series is an excellent at-home tool for both education and enjoyment. The titles are numerous and inexpensive, with an appealing range of reading levels, subjects, authors, and illustrators. Jeffrey Scherer's cartoon-style drawings are eye-catching in One Snowy Day (preschool-gr.1), a tale of…

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