Alice Cary

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“Sometimes my life feels like a room with two windows and two moons,” muses Bea, who spends her days being shuttled between her divorced parents’ New York City apartments. She’s excited for her father’s upcoming wedding, not only because she adores his partner, Jesse, but also because she’ll also finally have the sister she’s always longed for—Jesse’s daughter, Sonia, a fellow fifth grader who lives in California.

In The List of Things That Will Not Change, a dazzling middle grade novel from Newbery Medalist Rebecca Stead, Bea’s life is filled to the brim with good friends and wonderfully supportive adults. Sometimes Bea’s life seems downright idyllic, as when her restaurateur father stashes surprise meals in his ex-wife’s fridge, or when Bea and her friend Angus sip soda together in Bea’s father’s restaurant. But Bea has painful eczema and a host of paralyzing worries, not to mention a deeply buried secret that’s quietly gnawing away at her conscience.

Navigating family and friends can be tough, of course. As Bea grows more and more excited about the upcoming nuptials, her father cautions, “Family can turn their backs on you, just like anyone else. I’m sorry to say it.” Stead tackles this delicate theme in grand style, not only celebrating the glorious ways that family and friends can support one another but also showing—in quite a surprise move—how family members can occasionally be backstabbing.

Even for enthusiastic, likable Bea, anger frequently gets the best of her, such as when she violently throws Angus off a chair during a game of musical chairs or when she hits an irritating classmate in the face. Bea resists going to therapy, but her therapist patiently offers helpful advice in session after session, cautioning Bea to try to start “thinking two steps ahead” of her actions and teaching her valuable strategies for corralling her fears.

Plot and characters reveal themselves naturally as The List of Things That Will Not Change unfolds, and small details later reappear to tightly and brilliantly weave together a plethora of themes. Books that successfully address divorce, remarriage and their many complicated repercussions from a child’s point of view are uncommon—and all the more valuable for it.

Stead has proven herself once again to be a masterful storyteller. The List of Things That Will Not Change is a messy but ultimately glorious family celebration that’s not to be missed.

The List of Things That Will Not Change is a dazzling middle grade novel from Newbery Medalist Rebecca Stead.

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What do Stephen King, Nancy Pelosi, Sting, Martha Stewart and Jon Stewart have in common?

They’re all cruciverbalists—that is, crossword fans. The ever-popular puzzle first appeared seemingly by accident in 1913, when Arthur Wynne introduced a new amusement because he had space to fill in the Christmas edition of the New York World newspaper. He called it a “Word-Cross Puzzle.” A transposing typo two weeks later called a subsequent brainteaser a “Cross-Word,” and the name stuck.

Adrienne Raphel takes readers on a deep lexical dive into the history and culture surrounding the beloved linguistic sport in Thinking Inside the Box: Adventures With Crosswords and the Puzzling People Who Can’t Live Without Them. Her enthusiastic account will appeal to all sorts of puzzle and word lovers, even those who are just dabblers. (Raphel calls herself a “hunt-and-peck” solver, admitting that she’s more of a Boggle fanatic.)

In lively chapters, Raphel constructs her own puzzle and submits it to the New York Times (no spoilers here on whether it’s accepted), visits fabled Times puzzle master Will Shortz, reports on a crossword puzzle tournament, delves into the puzzle’s history and evolution and crosses the Atlantic on a themed trip aboard the Queen Mary 2 celebrating the 75th anniversary of the New York Times crossword, which first appeared in 1942.

Ironically, the Times long resisted printing these puzzles, proclaiming in 1925, “The craze evidently is dying out fast and in a few months it will be forgotten.” There’s plenty of intriguing history there, and some of the most fascinating discussions involve puzzle-related issues of gender, race and class. As Raphel points out, “The crossword is black and white, but it’s very, very white. This monoculture seeps into the types of clues that appear in the puzzle, and the way that words get clued.” Happily, there are signs of progress, with the author noting that crosswords are becoming “increasingly woke.”

Raphel certainly knows how to write, coming up with sentences like, “The fifty-two-story New York Times skyscraper rises out of the grid of midtown Manhattan like a steel fantasy of a crossword, a study in squares and frosted glass.” At times the book is uneven, however, with certain chapters more engaging than others. Nonetheless, Thinking Inside the Box offers a unique crossword puzzle tour that will likely have you sharpening your pencil by book’s end.

What do Stephen King, Nancy Pelosi, Sting, Martha Stewart and Jon Stewart have in common?

They’re all cruciverbalists—that is, crossword fans. The ever-popular puzzle first appeared seemingly by accident in 1913, when Arthur Wynne introduced a new amusement because he had space to fill in…

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Brook’s Mimi isn’t “just a grandmother,” she’s also “a grand friend” who weaves “words into everything.” The same could be said of The Keeper of Wild Words, Brooke Smith’s celebratory picture book that delivers an urgent plea to young readers. 

Brook hopes to find something interesting to bring to show and tell on the first day of school, but on this late summer day, Mimi also has an important mission. She takes Brook on a hike and asks her to be her Keeper of Wild Words, a protector of the words Mimi fears are disappearing. She gives Brook a piece of notebook paper with wildlife words such as drake, monarch, starling and wren. As they walk through woods, meadows and streams, Brook and Mimi marvel at the natural delights they find. “Do wild words dance like this every morning?” Brook wonders.

In an author’s note, Smith explains that her story was inspired by The Oxford Junior Dictionary’s removal of more than 100 entries to make room for words like database, MP3 player and vandalism. The resulting tale is an inspirational commemoration of such “lost” words. Its final page contains a built-in pouch for readers, along with an appeal: “You can be a keeper too. Your wild worlds will stay safe inside this envelope.”

Madeline Kloepper’s vivid illustrations are the perfect accompaniment to Smith’s rallying cry. Her pages are bright with red poppies, swooping starlings and beavers frolicking in a pond near a grassy shore. Readers will practically feel a puff of wind as Brook blows a cascade of dandelion seeds into the air, and they’ll hush to Mimi’s shushing as the pair passes a doe snoozing amid the ferns. Every spread is filled with wonder and warmth, not just for the natural world but also for the bond between grandmother and grandchild.

The Keeper of Wild Words is an irresistible invitation to a wild and wonderful linguistic crusade.

Brook’s Mimi isn’t “just a grandmother,” she’s also “a grand friend” who weaves “words into everything.” The same could be said of The Keeper of Wild Words, Brooke Smith’s celebratory picture book that delivers an urgent plea to young readers. 

Brook hopes to find something…

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After their gold-prospecting father dies, 12-year-old Lucy and 11-year-old Sam are left to fend for themselves in the gold rush days of the American West. The first task of these Chinese American sisters is to bury “Ba,” and tradition dictates they place two silver dollars over his eyes—two coins they don’t have. The girls head to a bank, and all hell breaks loose when a banker casts them out with a hateful epithet.

That’s just the first of many action-packed scenes in C Pam Zhang’s standout debut. Lucy and Sam’s odyssey unfolds in a series of edge-of-your-seat twists and turns, bringing to mind the classic True Grit and Paulette Jiles’ News of the World, two Westerns that also feature fierce young heroines. Yet Zhang turns the genre on its head by writing a historical saga that also serves as a modern immigration novel. Before dying, Ba tells his eldest, “I grew up knowing I belonged to this land, Lucy girl. You and Sam do too, never mind how you look. Don’t you let any man with a history book tell you different.” Ma, however, offers polar-opposite advice. While Ba dreams of having a large, isolated parcel of property, Ma warns, “Gold can’t buy everything. This will never be our land.”

Unfolding in a carefully structured, nonlinear fashion, the novel repeatedly questions what makes a home a home and what makes a family a family. Zhang was born in Beijing and, she writes in her bio, has lived “in thirteen cities across four countries and is still looking for home.”

The book also wonders at the nature of truth and who can be trusted. Because boys earn a higher wage working in the coal mines, Sam begins wearing boys’ clothes and finds that this new identity suits her, thus bringing to the forefront issues of gender, identity and cultural and sexual prejudice. 

Zhang’s sparse prose style may initially take some getting used to, but both language and plot remain clearly focused. Daringly original, How Much of These Hills Is Gold is gritty and frequently gruesome, yet at times magical and ethereal, incorporating tiger paw prints and a buffalo sighting, along with a fog-filled view of San Francisco and the wild ocean beyond. 

Zhang’s laser-sharp reexamination of America’s myth-laden past is likely to help bring clarity to many issues that continue to challenge us all. 

 

ALSO IN BOOKPAGE: C Pam Zhang discusses the “gold-soaked sun” and hauntings of the American West.

C Pam Zhang’s sparse prose style may initially take some getting used to, but both language and plot remain clearly focused. Daringly original, How Much of These Hills Is Gold is gritty and frequently gruesome, yet at times magical and ethereal, incorporating tiger paw prints and a buffalo sighting, along with a fog-filled view of San Francisco and the wild ocean beyond. 

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Sharon Cameron’s The Light in Hidden Places is based on the true story of Holocaust heroine Stefania Podgórska, a 16-year-old Catholic girl in Poland who not only took care of her younger sister but also hid 13 Jewish people in the attic of her tiny apartment.

In order to tell Stefania’s story, Cameron (The Dark Unwinding, The Knowing) did extensive research, which included interviewing several of the attic’s survivors, gaining access to Stefania’s unpublished memoir and traveling with Stefania’s son to Poland. There, they visited the places in which this incredible tale unfolded. Cameron saw for herself the minuscule, cramped space where 13 people cowered for more than two years with no electricity, water or toilet, and which Stefania and her sister could only access via a ladder to bring them food and water and carry out their waste in buckets. 

What’s more, an SS officer lived in an adjacent apartment for months, and by the end of the war, two German nurses had moved into Stefania’s apartment. The nurses often brought their SS boyfriends home for the night, making Stefania feel like she was not only secretly and illegally hiding Jewish people but also “running a Nazi boarding house.”

Cameron’s wide-ranging research and deft storytelling abilities combine to create an astoundingly authentic first-person narration. Her exquisite prose conveys in riveting detail exactly what it was like for Stefania to live through the horrors she witnessed, as well as the difficult decisions that had to be made by both survivors and those who did not, ultimately, survive.

Though it at times reads like a memoir, The Light in Hidden Places is a tense and gripping novel, full of urgency, in which death seems to wait around every corner. Although it’s still early in the year, it seems destined for my list of the best books of 2020.

Sharon Cameron’s The Light in Hidden Places is based on the true story of Holocaust heroine Stefania Podgórska, a 16-year-old Catholic girl in Poland who not only took care of her younger sister but also hid 13 Jewish people in the attic of her tiny apartment.

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In 2011, Bess Kalb received a rambling voicemail from her beloved grandmother, Bobby Bell, reminiscing about how she would fly between Florida and New York every week to babysit Kalb as a baby while Kalb’s mother worked. “I was an old lady! But I loved you. And I’d sit there in their terrible apartment by the hospital and I’d watch you. We’d watch TV, we talked, it was fine. Every week for the first year of your life. Can you imagine? You started talking at nine months. You said ‘hi.’”

From that first word on, the dialogue between these two has never stopped, even though Bobby Bell died at age 90 in 2017. At her funeral, Kalb read a transcript of that voicemail as part of her eulogy, and afterward she decided to write a book about her grandmother’s life. However, Kalb, a comedy writer for “Jimmy Kimmel Live!,” put a unique spin on the project, using her grandmother’s voice to write the book in first-person. And kudos to Kalb, who pulls off this daring approach brilliantly, allowing readers to hear her grandmother’s inimitable voice in Nobody Will Tell You This but Me: A True (As Told to Me) Story.

In the prologue, Bobby offers a running commentary on her own funeral, noting, “The worst part was the dirt.” Not surprisingly, given Kalb's chosen career, there are laughs galore throughout the book, as when Bobby gives fashion advice, career advice, boyfriend advice or says, “God knows I never wanted you to be a writer. But I knew you would. I told you, Bessie—you should be a teacher. Make a salary. Have the summers off to travel.”

Yet this account runs much deeper than a typical comedy routine. Kalb frequently shares the immense challenge of imagining her grandmother’s voice, writing, “It’s turned me into a riddle, a series of boxes to unlock, pages to riffle through in your mental filing cabinet. Bess, I’m not a riddle—I’m a corpse.”

Calling her book “a matrilineal love story,” Kalb describes the lives of several generations of women, starting with Bobby’s own mother, who immigrated to America alone at age 12 from Russia in the face of religious persecution. These many enthralling tales (along with family photographs) unfold in a carefully structured yet nonlinear fashion (think “This Is Us”). The result is lively and fascinating, funny yet poignant.

Kalb processes her own grief as she writes, sharing how she reacted in the days following her grandmother’s death. With heartbreaking honesty, she notes in her grandmother’s voice, “Ha. You can write all you want, but you’re still at a desk in a world where I don’t exist.”

In a bold stroke of literary bravura, Kalb has turned the formula for writing memoirs inside out, bringing her grandmother’s distinctive voice back to life and sharing it with a legion of lucky readers.

 

ALSO IN BOOKPAGE: Read our interview with Bess Kalb, author of Nobody Will Tell You This but Me.

In 2011, Bess Kalb received a rambling voicemail from her beloved grandmother, Bobby Bell, reminiscing about how she would fly between Florida and New York every week to babysit Kalb as a baby while Kalb’s mother worked. “I was an old lady! But I loved you. And…

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When Snail spots “a field of plump, crisp cabbage just across the road,” he’s jubilant, knowing it’s his lucky day. Proclaiming himself “cabbage bound,” he sets off on a slow but steady journey toward an eventual feast in Corey R. Tabor’s sparkling picture book, Snail Crossing.

Every sluggish step of Snail’s quest is filled with humor. While making his way across the asphalt, Snail encounters a variety of dangers (vehicles!) and characters that keep the tempo moving. Meanwhile, Snail’s single-minded determination and utter obliviousness to obstacles is utterly endearing. Tabor’s dialogue (“Well, you won’t stop me!”) and word choice add to the fun, with Snail shouting “Evasive maneuvers! Evasive maneuvers” and traveling in spiraling circles when he spots a ravenous crow.

Who knew that a gastropod’s facial expression could be so doggone cute? Or that the silhouettes of “a troop of rowdy ants” could be so animated? Tabor’s mixed media illustrations add color and texture to everything from a flower stem to the slimy path that Snail leaves in his wake. Scenes illustrated from Snail’s lowly perspective will charm and amuse readers. Tabor adds delightful touches everywhere, especially when Snail welcomes those raucous ants into his cozy shell, which turns out to be replete with armchairs, teacups and a kitchen range.

As Snail marches toward his cabbage destiny, he encounters many twists, turns and a major setback, but that’s when those rollicking ants come to the rescue, turning Snail’s single-minded adventure into a story about kindness and cooperation.

Snails may be notoriously slow, but Corey R. Tabor’s Snail Crossing is one lively tale.

When Snail spots “a field of plump, crisp cabbage just across the road,” he’s jubilant, knowing it’s his lucky day. Proclaiming himself “cabbage bound,” he sets off on a slow but steady journey toward an eventual feast in Corey R. Tabor’s sparkling picture book, Snail…

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Crickets, anyone?

During the summer after seventh grade, Mia Barnes and her parents move from Boston to Vermont to be near her Gram, a retired entomology professor who is recovering from a stroke and running her own business, Green Mountain Cricket Farm. After a series of alarming mishaps, Mia becomes convinced that someone is trying to sabotage the farm, so she and some new friends decide to track down the culprit. Fascinating details about cricket farming (think Thai cricket pizza and chocolate chirp cookies) dovetail nicely with Mia’s mystery, which grows increasingly urgent as it threatens to destroy Gram’s beloved enterprise.

Chirp, Kate Messner’s latest middle grade novel, is a delightful hodgepodge of a book. It’s expertly organized and seamlessly pulls together a variety of intriguing themes in a truly organic way. Mia, like Gram, is also recovering, having badly broken her arm during a gymnastics competition. And she’s nursing an even more invasive, invisible wound that she hasn’t told anyone about: Phil, one of her gymnastic coaches, touched her inappropriately on several occasions, repeatedly holding her too close and too long, as well as texting her to ask for a photo. This disturbing experience has robbed Mia of her confidence and forced her into the habit of trying to remain invisible. Even though Phil is no longer a threat, she realizes, “Once you got in the habit of being small, it was hard to feel safe being your normal size anymore.”


ALSO IN BOOKPAGE: Read our Q&A with Chirp author Kate Messner.


At her parents’ insistence, Mia enrolls in two summer camps, one for her body (a ninja warrior-style camp) and one for her brain (a young entrepreneurs program). Warrior Camp helps Mia regain her mental confidence and physical strength, while Launch Camp gives Mia innovative ideas about how to make Gram’s cricket farm a success. In Messner’s skilled hands, even business camp becomes exciting, and her sensitive, subtle prose beautifully captures Mia’s thoughts, feelings and actions.

For readers who haven’t experienced anything like what Phil does to Mia, Chirp is an excellent introduction to the difficult but necessary subject, and to the warning signs that are sometimes present. For readers who can personally relate to Mia’s experience, Chirp could well be a lifesaver. Mia eventually finds the courage to tell an understanding adult about her trauma; soon after, she also informs her mother about Phil’s behavior, which launches an investigation. Chockfull of strong female role models, Chirp is a riveting middle grade novel of empowerment that deftly tackles a delicate, imperative subject. Crickets may chirp, but readers will be ready to roar.

Crickets, anyone?

During the summer after seventh grade, Mia Barnes and her parents move from Boston to Vermont to be near her Gram, a retired entomology professor who is recovering from a stroke and running her own business, Green Mountain Cricket Farm. After a series…

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Ariana Neumann formed a spy club with her friends. During that time she discovered a mysterious box belonging to her father, a prosperous industrialist who emigrated from Eastern Europe. The box contained an ID card bearing the official stamp of Adolf Hitler. Her father’s youthful photo was also on the card, but the name and birthday printed there weren’t his. It frightened Neumann, and she never saw the box again until her father’s death in 2001, when he left it for her to find. 

“I spent my childhood willing a mystery to come my way,” Neumann writes. “When it finally did, it took decades to solve.” Her father rarely, if ever, discussed World War II or his childhood in Czechoslovakia. During an isolated trip to Prague together, he tersely told her, “Sometimes you have to leave the past where it is—in the past.” Luckily for readers, Neumann ignored her father’s admonition and shares the results of her meticulous research in a brilliantly heart-wrenching memoir, When Time Stopped: A Memoir of My Father’s War and What Remains.

In 1939, 34 members of Neumann’s family lived in Czechoslovakia; only two, her father and his brother, escaped being transported to concentration camps. Her paternal grandparents died at Auschwitz, while her father hid in a secret compartment in their family’s paint factory, which had been taken over by Nazis. Later, as his presence there grew increasingly dangerous, he went to Berlin in a daring move, assumed the identity of a non-Jewish Czech citizen and worked in a factory that produced polymer coatings for Nazi aircraft and missiles. There he began spying for the Allies, noting, “Hunted by the Gestapo, I had come to the center of their world.”

As Neumann learns about her father’s dramatic past, she comes to better understand his reluctance to speak of it, his recurring screaming nightmares and his obsession with watches, clocks and timekeeping. “I have found the family who was never spoken about,” she writes, “the one who was not so much forgotten as veiled in silence.”

When Time Stopped is filled with heartbreaking, spine-tingling stories. But Neumann’s treasure trove of personal history isn’t solely responsible for the book’s appeal: she’s a gifted, visceral writer as well, bringing each character alive as they experience the horrors of World War II. When Time Stopped is a notable new memoir not to be missed.

Ariana Neumann formed a spy club with her friends. During that time she discovered a mysterious box belonging to her father, a prosperous industrialist who emigrated from Eastern Europe. The box contained an ID card bearing the official stamp of Adolf Hitler. Her father’s youthful…

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As high school student Rosella Oliva rekindles a friendship with her childhood friend Emil, she notes how “in his house, fairy tales were neither just the sparkle of fairy lights nor blood on glass slippers. They were beautiful and dangerous all at once, the glossed candy red of a poison apple.”

Indeed, in Dark and Deepest Red, Anne-Marie McLemore’s riveting retelling of Hans Christian Andersen’s “The Red Shoes,” a fairy tale seems to have possessed Rosella, who belongs to a Mexican American family of shoemakers. During her town’s annual autumn week known as the Glimmer, when mysterious things always happen, a pair of red shoes suddenly attach themselves to Rosella’s feet, making her dance wildly and igniting her passion for Emil.

Emil, the son of two history professors, tries to avoid history at all costs, while keeping his own Romani heritage secret from fear of hateful repercussions. Nonetheless, his family’s past seems to be “reaching across five centuries to grab hold of him” as he begins having visions of a young woman in medieval Strasbourg. That young woman is Lavinia, who finds herself in the midst of Strasbourg’s 1518 dancing plague. Romance blossoms between orphaned Lavinia, who is also Romani, and Alifair, a trans boy her aunt has taken in. As Rosella and Emil try to navigate these strange events, they both begin to realize that Rosella “was the girl the red shoes had come for, and that some thread of the dancing plague had come back for.”

McLemore skillfully weaves together these parallel medieval and modern tales in alternating chapters. The resulting novel is not only fascinating but one that seamlessly and thoughtfully explores themes of heritage, prejudice and sexual identity while racing toward its tension-laced yet satisfying ending.

In a powerful author’s note, McLemore, who identifies as nonbinary and whose husband is trans, writes, “Girls like me were here five hundred years ago. So were boys like the one alongside me right now. Much has changed in five hundred years. And so much has held. Both the good in the human heart, and the vicious insistence on finding someone to blame.”

Dark and Deepest Red’s provocative, insightful collision of fairy tale and history is a powerful demonstration of McLemore’s immense talent.

ALSO IN BOOKPAGE: Read our interview with Anna-Marie McLemore.

As high school student Rosella Oliva rekindles a friendship with her childhood friend Emil, she notes how “in his house, fairy tales were neither just the sparkle of fairy lights nor blood on glass slippers. They were beautiful and dangerous all at once, the glossed…

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On her 12th birthday, just after her “dream birthday party” at a local bakery, Zoe Washington gets an unexpected letter from the father she’s never met. Marcus Johnson has long been in prison for the murder of a young woman who had been a friend of his. Zoe knows her mother and stepfather wouldn’t approve, but she secretly begins writing back in From the Desk of Zoe Washington, Janae Marks’ engaging debut.

Zoe’s instincts prove right, because it turns out that Marcus has been writing to Zoe for years, and her mother has been intercepting his communications. Immediately intrigued, Zoe is surprised at how kind, smart and concerned her father seems; he calls her “Little Tomato” after a jazz song and sends her a playlist of his favorite songs. Eventually, Zoe inquires about his crime, and Marcus declares his innocence, claiming that his public defender never bothered to track down an alibi that would have exonerated him.

Zoe finds a helpful ally in her maternal grandmother, who remembers Marcus and thinks “he is a good person at heart.” Grandma believes that Marcus and Zoe have a right to communicate, so she offers to serve as an adult intermediary. Their allegiance is warm and believable; it’s particularly touching when Grandma facilitates Zoe’s first phone conversation with her father.

Unbeknownst to her grandmother, Zoe is determined to track down Marcus’ alibi, and the uncertainty of her quest—along with Marks’ crisp writing and Zoe’s likable first-person narration—makes for page-turning reading. The resolution of Zoe’s investigation comes a bit too easily, but her gradual awakening to the problem of racial injustice for black people like Marcus serves as an excellent introduction for young readers to the pervasive issue.

Marks also includes parallel narratives that help round out the plot, such as Zoe’s desire to enter a “Kids Bake Challenge!” on the Food Network and a misunderstanding between Zoe and her next-door neighbor, Trevor, who aids Zoe in her sleuthing. Zoe and Trevor’s friendship troubles offer valuable insights into how easily relationships can be unintentionally damaged.

Never heavy-handed, Marks’ prose is as sweet as one of Zoe’s confections. And as the icing on the cake, From the Desk of Zoe Washington imparts important lessons about judging other people, whether by the color of their skin or by their presumed guilt or innocence.

On her 12th birthday, just after her “dream birthday party” at a local bakery, Zoe Washington gets an unexpected letter from the father she’s never met. Marcus Johnson has long been in prison for the murder of a young woman who had been a friend…

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As a child, Cassie Chambers spent many nights with her grandparents and aunt deep in the mountains of Owsley County, Kentucky, because her young parents were university students who couldn’t afford day care. “I was at peace in this holler in the hills,” Chambers writes, describing the time she spent helping her family of tobacco sharecroppers while her parents earned degrees at Berea College.

Destined to be compared to Hillbilly Elegy and Educated, Hill Women: Finding Family and a Way Forward in the Appalachian Mountains is a quietly moving, powerful memoir in which Chambers shares her family’s story while praising the fortitude, intelligence and strength of Appalachian women. Unlike Tara Westover’s parents in Educated, Chambers’ parents deeply understood education’s importance, imbuing Chambers with a fierce drive that led her to Yale College, the Yale School of Public Health, the London School of Economics and Harvard Law School. She recounts moments of homesickness and feeling like an outsider, such as when her mother expressed concern about her spending habits at Yale, and Chambers shamefully told her, “You don’t understand. Everyone has a Burberry scarf.” 

Ultimately, Chambers returned to Kentucky to practice law and help domestic violence survivors, often meeting clients in gas stations, Dairy Queens and other fast-food restaurants. She notes that this experience has been “a powerful reminder about the importance of telling women’s stories” and that “when given the right tools, support, and environment, these women are capable of changing the world.” Chambers has also ventured into politics since returning to Kentucky. She became the vice chair of the Kentucky Democratic Party, admitting that “after November 2016, I realized in a whole new way that elections mattered. It wasn’t enough to save the world one family at a time.”

Never didactic or dull, Chambers is particularly skillful at sharing her family’s narrative while weaving in facts and commentary about Appalachian sociology, education, health, economics and politics. Most of all, the author’s love and respect for her Granny (married at age 15 to a man she had known for a few months), mother (married at 18, the first in her family to graduate high school or college) and Aunt Ruth (an independent woman who married in her 40s) shine through, brightening each page like a welcoming front porch light.

In this age of political divisions, Hill Women offers a loving, luminous look at an often misunderstood and undervalued segment of our society.

 

ALSO IN BOOKPAGE: Read our interview with Cassie Chambers, author of Hill Women.

As a child, Cassie Chambers spent many nights with her grandparents and aunt deep in the mountains of Owsley County, Kentucky, because her young parents were university students who couldn’t afford day care. “I was at peace in this holler in the hills,” Chambers writes,…

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Years ago, Susan Cooper wrote a beloved poem that has remained a mainstay of John Langstaff’s phenomenal theatrical production Christmas Revels, performed each year across the country (see it if you can!). Now transformed into a picture book, The Shortest Day is a joyful and timeless celebration of the winter solstice that will surely become a classic.

Even very young children will enjoy Cooper’s splendid, stately words: “And everywhere down the centuries of the snow-white world / Came people singing, dancing, / To drive the dark away.” The multitalented, Caldecott Honor-winning Carson Ellis (Du Iz Tak?) is the perfect illustrator for this project, using muted colors to accentuate the changing interplay between the sun and surrounding darkness. Beginning with a scene of prehistoric people and a godlike sun figure walking the earth, Ellis echoes the sweep of ages so prevalent in Cooper's poem, showing a progression of people and homes, ending with a modern house and children. In a helpful author’s note, Cooper explains both solstice celebrations and the evolution of her poem. In her words, “Welcome Yule!”

Years ago, Susan Cooper wrote a beloved poem that has remained a mainstay of John Langstaff’s phenomenal theatrical production Christmas Revels, performed each year across the country (see it if you can!). Now transformed into a picture book, The Shortest Day is a joyful…

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