Alice Cary

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When a bright yellow chick named Pip hatches, the first thing this inquisitive soul spots is Pup, a beagle snoozing in the farmyard, and thus an unlikely alliance ensues in Eugene Yelchins charming picture book Pip & Pup.

Its not easy to tell a story without words, but Yelchin is a master―the myriad expressions of his illustrations depicting this lovable pair speak volumes. Although his art seems childlike, as if drawn by crayon, every animals face leaps to life. An astonished Pip uses his wings like binoculars to first spot Pup, and soon theres a frantic Pip, who runs away in terror with Pup in eager pursuit. Pip makes a chaotic run through the barnyard, finally attempting to hide back in his newly hatched shell.

Yelchin works more of his magic with that eggshell, having Pip use its pieces as both a rain hat and rowboat during a frightening thunderstorm. Pip rows over to whimpering Pup, offering a rain hat as comfort, establishing their relationship. But as in all friendships, there are ups and downs. Before long, trouble rears its head when Pup accidentally crushes the shell to bits. Can their new friendship be saved?

Russian-born Yelchin, who won a Newbery Honor for Breaking Stalin’s Nose, knows that actions often speak louder than words. Pip & Pup is a wonderful story about how unexpected friendships evolve―and survive. This story is perfect for a quick but quiet burst of adventure before bedtime.

When a bright yellow chick named Pip hatches, the first thing this inquisitive soul spots is Pup, a beagle snoozing in the farmyard, and thus an unlikely alliance ensues in Eugene Yelchins charming picture book Pip & Pup.

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BookPage Top Pick in Nonfiction, June 2018

If you’re ever stuck in an elevator or airport, just pray for David Sedaris to appear. Time passes quickly with this national treasure of a storyteller.

Reading Calypso, Sedaris’ latest collection of essays, is like settling into a glorious beach vacation with the author, whose parents, siblings and longtime boyfriend, Hugh, feel like old friends to faithful readers. Family gatherings at Sedaris’ North Carolina beach house are featured frequently in this collection of 21 essays, and at the Sea Section (his chosen moniker for his beach house), games of Sorry! become delightfully vicious and the clan gets gleefully nosy when James Comey is said to be renting 12 doors down.

Another favorite topic, not surprisingly, is aging. Sedaris, 61, observes that sometimes life at the beach feels like a Centrum commercial, and soon enough, he and his siblings will join the seniors they see zooming by on golf carts. “How can that be,” he asks, “when only yesterday, on this very same beach, we were children?”

While Sedaris is laugh-out-loud funny in his brilliant, meandering way, it’s his personal reflections that will stay with you. He writes of his sister Tiffany, who killed herself in 2013, admitting that he asked his manager to close the door in her face the last time he saw her. He describes scattering the ashes of his late mother in the Atlantic Ocean, writing, “My mother died in 1991, yet reaching into the bag, touching her remains, essentially throwing her away, was devastating, even after all this time.” Sedaris laments how he and his family never confronted his mother about her drinking, and he worries over the health of his 94-year-old father, who can’t be talked into moving to a retirement home.

Sedaris freely shares all, explaining, “Memory aside, the negative just makes for a better story: the plane was delayed, an infection set in, outlaws arrived and reduced the schoolhouse to ashes. Happiness is harder to put into words.”

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Reading Calypso, Sedaris’ latest collection of essays, is like settling into a glorious beach vacation with the author, whose parents, siblings and longtime boyfriend, Hugh, feel like old friends to faithful readers. Family gatherings at Sedaris’ North Carolina beach house are featured frequently in this collection of 21 essays, and at the Sea Section (his chosen moniker for his beach house), games of Sorry! become delightfully vicious and the clan gets gleefully nosy when James Comey is said to be renting 12 doors down.

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BookPage Children's Top Pick, May 2018

History comes alive in Ellen Klages’ captivating novel Out of Left Field. In 1957 San Francisco, 10-year-old Katy Gordon is an ace pitcher who makes a Little League team while disguised as a boy, only to be told she’s ineligible when the coach discovers she’s a girl.

Determined to prove that girls should be allowed in the organization, Katy heads to the library to learn about women who have played baseball. Her research unfolds like a scavenger hunt, with Katy writing about and interviewing several sports pioneers. “Anyone who says girls can’t play baseball is just ignorant about the history of the game,” one former player tells her.

Klages masterfully weaves in a multitude of historical details, addressing complex issues in sophisticated yet engrossing ways. In school, Katy learns about current events like the launch of Sputnik 1, the arrival of a new baseball team (the San Francisco Giants) and the civil rights movement. When Katy is assigned to write about a hero, she makes baseball cards featuring the diverse female players she’s learned about (they’re included in the back of the book along with other historical notes). “There had been a lot of girls like me, and I felt like we were sort of teammates,” Katie says. Out of Left Field is a grand-slam salute to the power of persistence, research and the pursuit of justice.

 

This article was originally published in the May 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

History comes alive in Ellen Klages’ captivating novel Out of Left Field. In 1957 San Francisco, 10-year-old Katy Gordon is an ace pitcher who makes a Little League team while disguised as a boy, only to be told she’s ineligible when the coach discovers she’s a girl.

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Just when 12-year-old Bea feels as though she’s lost her place in the world, a grandmother she barely knows takes her on the road trip of a lifetime in Rebecca Behren’s latest historical novel, The Last Grand Adventure.

It’s 1967 and Bea and her grandmother, who calls herself Pidge, are on a secret mission: They’re traveling from California to Kansas in hopes of reuniting with Pidge’s sister, who happens to be Amelia Earhart. They plan to reach the house where “Meelie” was born by July 24, on what will be the legendary aviator’s 70th birthday.

Behrens, who’s written about Alice Roosevelt (When Audrey Met Alice) and Roanoke’s lost colony (Summer of Lost and Found), makes this outlandish premise both believable and thrilling. Pidge reveals a handful of letters she’s received over the years, reportedly written by her long-lost sister, filled with intimate childhood details that only family could know. The letters reveal fascinating tidbits of Earhart’s life as well as actual quotes from the aviator herself, supplemented by a series of helpful author’s notes at the end.

Bea, meanwhile, is reeling from her parent’s divorce and her father’s remarriage. With her mother traveling as a journalist, Bea lives with her father, new stepmother and younger stepsister, Sally, who idolizes Bea—much to Bea’s annoyance. Wondering where she fits into this new family configuration, Bea jots down her many fears in a worry journal.

She begins to fill an adventure journal as well when she’s sent to help her increasingly forgetful grandmother adjust to her new retirement home. With little money or food, Pidge and Bea stowaway aboard a train, hitchhike, fly aboard a small plane and more in a desperate attempt to reach Kansas in time.

As they journey, Bea not only gets to know her grandmother but learns invaluable lessons about her own life. She begins to appreciate her mother’s career and to understand that her new stepsister might actually be a gift instead of a burden. Most of all, she learns that she’s a “capable Earhart Girl.”

The Last Grand Adventure is a tightly-plotted, beautifully written homage to the power of sisters, adventure and the enduring mysteries of history.

Just when 12-year-old Bea feels as though she’s lost her place in the world, a grandmother she barely knows takes her on the road trip of a lifetime in Rebecca Behren’s latest historical novel, The Last Grand Adventure. It’s 1967 and the pair is on a secret mission: traveling from California to Kansas in hopes of reuniting with her grandmother’s sister, who happens to be Amelia Earhart. They plan to reach the house where “Meelie” was born by July 24, on what will be the legendary aviator’s 70th birthday.

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Jay Coles’ powerful, anguished debut novel, Tyler Johnson Was Here, inspired by so many tragic headlines, is already garnering worthy comparisons to 2017’s award-winning The Hate U Give. Of particular interest is the fact that Coles is a 22-year-old recent college graduate, composer and professional musician whose writing was inspired by the police brutality experienced by his family and community.

The story centers on twin brothers Tyler and Marvin. While a college recruiter from MIT courts Marvin, Tyler gets involved with “a legit thug” in their neighborhood in Sterling Point, Alabama. When the boys attend a warehouse party that’s raided by police, they lose track of each other in the ensuing chaos. One of the officers shoots Tyler, and a video surfaces that shows the unarmed teen saying, “Leave me alone. I’m just going home.”

Marvin is left to grapple with grief, guilt, hate, anger, the legal process and the fight for justice. What this novel may lack in nuance, it makes up in heart, soul and ambition, providing an intimate, behind-the-scenes look at the kinds of murders and tragedies fueling the Black Lives Matter movement.

Teen readers will be left with much to contemplate and with no easy answers. As Marvin concludes, “This is only the beginning of a long fight. It’s my turn to speak up and resist.”

 

This article was originally published in the April 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Jay Coles’ powerful, anguished debut novel, Tyler Johnson Was Here, inspired by so many tragic headlines, is already garnering worthy comparisons to 2017’s award-winning The Hate U Give. Of particular interest is the fact that Coles is a 22-year-old recent college graduate, composer and professional musician whose writing was inspired by the police brutality experienced by his family and community.

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How are families shaped by race, economics, genetics, love, jealousy and rifts? These are the questions Gregory Pardlo ponders in his highly anticipated memoir, Air Traffic. “In studying my family’s destruction, I am studying my own,” he writes in a raw, telling statement.

Pardlo enjoyed a meteoric rise to fame in 2015, when his second book of poetry, Digest, won the Pulitzer Prize. Air Traffic is a narrative digest of his life and those of his family members, several of whom also experienced dramatic rises and falls. The poet delves deeply into a mosaic of memories, chronicling growing up black in Willingboro, New Jersey, in the 1970s and the battles he, his brother, father and other relatives have fought with depression, alcoholism and mental illness.

The Pardlos seemed firmly entrenched in middle-class security until August 5, 1981, when President Reagan fired more than 11,000 striking air traffic controllers, including Pardlo’s father. Gregory Sr. never quite recovered from the blow.

Meanwhile, during his teen years, the author’s “self-image was caught in a bitter custody battle between Alex. P. Keaton and Jimi Hendrix,” yet his adult years morph into a yo-yoing stream of failure and success.

The book’s powerful final chapter, “On Intervention,” offers a fascinating account of how Pardlo’s younger brother, Robbie, became the subject of the A&E reality show “Intervention” in 2010. Robbie shot to fame as a musician, once singing backup for Whitney Houston and forming the R&B trio City High, known for its Grammy-nominated hit, “What Would You Do?” Robbie’s drinking, however, caused his life to implode.

“Alcoholism was the Muzak of our familial dysfunction,” Pardlo explains. “Most of the time we didn’t even notice it.” Ironically, the intervention helped the author, not his brother, find his way to sobriety. However, Pardlo writes, “There can be no happily ever after for a recovering drunk like me.” That being said, Pardlo seems to be defying the odds, turning his pain into mesmerizing poetry and prose.

 

This article was originally published in the April 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

How are families shaped by race, economics, genetics, love, jealousy and rifts? These are the questions Gregory Pardlo ponders in his highly anticipated memoir, Air Traffic. “In studying my family’s destruction, I am studying my own,” he writes in a raw, telling statement.

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“When people on television talk about walls and documents, I never thought they were talking about my mom,” muses Jason Riazi, the 12-year-old narrator of Nadia Hashimi’s action-packed The Sky at Our Feet. Jason always knew his mother grew up in Iran, but he had no idea that she was an illegal immigrant until he watches immigration officials take her away.

Jason never met his father, an Afghan translator who was murdered while awaiting his American visa. Jason’s mom was already studying in America when Jason was born prematurely, but after her husband’s death, she was too frightened to apply for asylum.

After his mother disappears, Jason goes on the run, leaving his New Jersey home to seek help from his mother’s best friend in New York City. There, he meets an epileptic girl who joins him for an exciting avalanche of events and coincidences. As unbelievable as these circumstances may be, young readers will be swept up in Jason’s likable, sincere narration.

Hashimi’s unusual, riveting thriller provides a thoughtful look at the issues facing two tweens who feel like outsiders.

 

This article was originally published in the March 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

“When people on television talk about walls and documents, I never thought they were talking about my mom,” muses Jason Riazi, the 12-year-old narrator of Nadia Hashimi’s action-packed The Sky at Our Feet. Jason always knew his mother grew up in Iran, but he had no idea that she was an illegal immigrant until he watches immigration officials take her away.

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Mae, a young girl who moves to the city, desperately misses her garden in Florette, a quiet but thoroughly lovely picture book by Australian author-illustrator Anna Walker. Mae tries to make the best of her new apartment by drawing flowers, birds and trees on the moving boxes that fill her room. She draws chalk butterflies on the pavement outside, but the rain washes her creations away.

One day, a bird leads her to a store window filled with a lush ocean of greenery. Although the store is closed, a tiny sprout grows through a crack in the nearby sidewalk. Mae takes the sprout home, eventually starting her own little garden in a jar. That one sprout is all it takes for Mae’s new world to blossom, as Walker’s greenery-filled watercolors beautifully show.

Walker marries text and illustrations particularly well, using words sparingly while showing how Mae’s world fills with new plants as well as new friends. She was inspired to create this book during a family vacation in Paris, and although Paris is never mentioned, its scenes are distinctly Parisian. “We were on our way to The Louvre when I noticed a shop window full of plants,” Walker notes on her website. “We rushed by, but I kept thinking about that forest behind the glass.”

Florette is a wonderful story about nature in the city that thoughtfully addresses the difficulties and necessity of adapting to change.

 

This article was originally published in the March 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Mae, a young girl who moves to the city, desperately misses her garden in Florette, a quiet but thoroughly lovely picture book by Australian author-illustrator Anna Walker. Mae tries to make the best of her new apartment by drawing flowers, birds and trees on the moving boxes that fill her room. She draws chalk butterflies on the pavement outside, but the rain washes her creations away.

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Sometimes the best way to address kindness is through actions, not words. I Walk with Vanessa: A Story About a Simple Act of Kindness (ages 4 to 8) is a wordless picture book that does just that. A young black girl has just moved to town and started school. As she walks home after school, feeling lonely, a white boy bullies her, his mouth snarling, the emotionally explosive confrontation surrounded by an angry sea of red. A classmate with brown skin and straight hair watches the exchange and is left shaken and saddened as she watches the newcomer run home in tears.

The next morning, this thoughtful classmate is waiting for the bullied girl at her front door, taking her hand and escorting her to school. Soon there’s an entourage as others join the growing procession, until the newcomer, lonely no more, is surrounded by a sea of new friends.

This simple, touching story comes to life in the hands of Kerascoët, the pen name for the French husband-and-wife illustration team of Marie Pommepuy and Sébastien Cosset. Their simply drawn characters are filled with energy and expression, powerfully showing the angst of being bullied and the joy of solidarity and friendship.

Sometimes the best way to address kindness is through actions, not words. I Walk with Vanessa: A Story About a Simple Act of Kindness (ages 4 to 8) is a wordless picture book that does just that. A young black girl has just moved to town and started school. As she walks home after school, feeling lonely, a white boy bullies her, his mouth snarling, the emotionally explosive confrontation surrounded by an angry sea of red. A classmate with brown skin and straight hair watches the exchange and is left shaken and saddened as she watches the newcomer run home in tears.

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Poet Stephen Kuusisto faced a crisis when he lost his job as a poetry professor in upstate New York. Kuusisto has been legally blind since birth, and he now needed a new job—and a new way of navigating the world. It’s a journey he explores in Have Dog, Will Travel.

Growing up in the 1950s, Kuusisto’s parents taught him to never show others his blindness, to live actively and try to ignore his limitations. He writes, “My parents thought disabled kids were victims of a nearly unimaginable fate, a predatory darkness.” Incredibly, he rode a bike, marched in Boy Scout parades and read with books pressed against his face. But he also faced endless bullying and was forced to live in a carefully circumscribed world that he navigated by familiarity and step counting. “Faking sight is like being illiterate—you pretend to competence but live by guesswork,” he writes. Nearing 40, he finally decided to stop pretending.

Kuusisto met with a representative from the New York State Commission for the Blind, who was hardly encouraging and doubted Kuusisto would find work. He referred Kuusisto to a company that manufactured plastic lemons for lemon juice, saying they sometimes hired blind people.

Yet he did not let this less-than- heartening meeting deter him from seeking assistance. Enter Kuusisto’s first guide dog, a yellow Labrador named Corky. Their “arranged marriage” expanded Kuusisto’s world by literal leaps and bounds, and their relationship forms the heart of this enchanting, enlightening book. As Kuusisto describes, having a guide dog “doesn’t feel like driving a car. It’s not like running. Sometimes I think it’s a bit like swimming. A really long swim when you’re buoyant and fast.”

Before long, Kuusisto is navigating the streets of New York City with Corky, experiencing a sense of freedom he’d never felt before. And in the years that followed, Corky not only liberated this poet but also ushered him back into the world, opening up his life in ways that he would never have imagined. Have Dog, Will Travel is an illuminating memoir of mobility, ability, delight and discovery.

 

This article was originally published in the March 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Poet Stephen Kuusisto faced a crisis when he lost his job as a poetry professor in upstate New York. Kuusisto has been legally blind since birth, and he now needed a new job—and a new way of navigating the world. It’s a journey he explores in Have Dog, Will Travel.

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Eleven-year-old Frances has taken to calling herself “Figgrotten.” A “natural observer” whose hero is anthropologist Margaret Mead, Figgrotten feels most herself when she’s all alone, perched high atop the rocks behind her house, conducting an experiment that requires feeding crows.

After a hurtful, hateful disagreement, Figgrotten vows to never again speak to her fashionable, popular sister, Christinia, who is mortified by her sister’s oddball ways, her unkempt hair and her too-small coat.

Figgrotten’s world collapses when her 83-year-old bus driver dies. Alvin Turkson was her Shakespeare-loving, Gandhi-quoting best friend. Adding to Figgrotten’s misery is the new kid in class, a shy, smart boy named James who seems to be favored by Figgrotten’s beloved teacher Mr. Stanley. Figgrotten eventually learns to navigate this tricky terrain, to deal with her grief, to make peace with her sister and James, and to even find a new friend. She discovers that she “could hang on to who she was and still be part of the world, which she could now feel tugging at her.”

Author April Stevens’ carefully crafted, beautiful prose imbues this tightly plotted, engrossing tale with weighty themes that never feel heavy-handed or preachy. The Heart and Mind of Frances Pauley sings out heartfelt truths about Stevens’ quirky and genuine characters, who will resonate deeply with lucky readers.

 

This article was originally published in the February 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Eleven-year-old Frances has taken to calling herself “Figgrotten.” A “natural observer” whose hero is anthropologist Margaret Mead, Figgrotten feels most herself when she’s all alone, perched high atop the rocks behind her house, conducting an experiment that requires feeding crows.

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“It’s true that at first I laughed at drinking cow urine but feed me a good story and I can believe anything,” writes author Shoba Narayan. Indeed, she feeds readers a good story in her udderly delightful The Milk Lady of Bangalore.

When Narayan, her husband and their two daughters moved from New York City back to the couple’s native India, Narayan was no doubt looking for something to write about. She found it right in the elevator of her new apartment building: a cow riding up to the third floor for a housewarming ceremony, led by its owner, Sarala, a woman who sold raw milk. Hindus consider cows sacred, and India has what Narayan calls a “cow obsession.” Soon this obsession rubs off on her, turning her into “an evangelist for fresh cow’s milk.”

Sarala led the author straight into a herd of often funny and always fascinating bovine adventures, including drinking cow urine (supposedly a curative), mixing a cow dung-yogurt concoction as fertilizer, falling in love with a red cow with “eyes the size of oval macaroons” and even briefly owning a cow before donating it to Sarala.

There’s plenty of heart and soul in this book as Narayan takes readers on a unique tour of her Indian neighborhood, where there’s never a dull moment. Narayan is an astute observer, particularly of herself, noting: “The reason I want to buy milk from a cow is because I am trying to recapture the simple times of my childhood, particularly after the intricate dance that I have undertaken for the last twenty years as an immigrant in America. Milk is my way of reconnecting with the patch of earth that I call home.”

 

ALSO IN BOOKPAGE: Read a Q&A with Shoba Narayan for The Milk Lady of Bangalore.

This article was originally published in the February 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

“It’s true that at first I laughed at drinking cow urine but feed me a good story and I can believe anything,” writes author Shoba Narayan. Indeed, she feeds readers a good story in her udderly delightful The Milk Lady of Bangalore.

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Kushanava Choudhury, the child of two scientists from India, spent his childhood moving back and forth between India and the U.S. Although he was born in Buffalo, New York, it was Calcutta that captured his heart. When Choudhury was 12, his parents finally left the city for good for Highland Park, New Jersey, and Choudhury’s world was changed forever. As he explains in The Epic City: The World of the Streets of Calcutta, “All those cricket matches, all the pleasures of my childhood were taken away . . . I lost the capacity to be fully myself.”

Choudhury kept returning to Calcutta—as a student and summer intern at a city newspaper, and then as a recent graduate of Princeton, and again after earning a Ph.D. in political theory from Yale. His beloved city beckoned him back again and again.

As the city’s rich and varied history swirls about him along the lively streets and sidewalks, Choudhury is not blind to the city’s shortcomings, calling it “the devil’s city” and “one big pisspot.” No matter―the author remains an adept, wonder-filled and thoughtful tour guide. He has experience in this matter, as he must convince his wife, Durba, of Calcutta’s charms. Durba, a fellow Ph.D. student at Yale, grew up in modern New Delhi and despises Calcutta.

Readers grow to understand Calcutta’s complexities and contradictions as Choudhury explains its history and introduces neighborhoods and inhabitants. The Epic City is most compelling when he explores his own past, taking us to his grandmother’s house for her funeral and showing us the two-room house where his father (one of 13 children) grew up.

Despite Calcutta’s difficulties, Choudhury’s passion never wanes. As he so eloquently concludes: “We human beings are not meant to live exclusively indoors. We need to hear the symphony of the street, feel the pavement at our feet. The life outside our door beckons us to a destiny larger than the lonesome murmurs of our souls.”

Kushanava Choudhury, the child of two scientists from India, spent his childhood moving back and forth between India and the U.S. Although he was born in Buffalo, New York, it was Calcutta that captured his heart. When Choudhury was 12, his parents finally left the city for good for Highland Park, New Jersey, and Choudhury’s world was changed forever. As he explains in The Epic City: The World of the Streets of Calcutta, “All those cricket matches, all the pleasures of my childhood were taken away . . . I lost the capacity to be fully myself.”

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