Alice Cary

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If you liked The Immortal Life of Henrietta Lacks, you’ll love Patient H.M.: Memory, Madness, and Family Secrets. Not only is this new book an endlessly fascinating account of medical history, but the author, Esquire contributing editor Luke Dittrich, has a deeply personal connection to the story.

In the early 1930s in Hartford, Connecticut, a bicyclist zoomed down a hill and hit a boy who had just stepped into the road. That collision was the likely cause of severely debilitating epileptic seizures that began to plague young Henry Molaison. They were so crippling—and uncontrollable by drugs—that in 1953, his parents agreed to brain surgery for their then 27-year-old son.

Neurosurgeon William Beecher Scoville removed most of Molaison’s medial temporal lobe, including his hippocampus. The patient’s seizures improved, but those “devastating and enlightening cuts” into his brain created a new problem: permanent amnesia. Unknowingly, Dr. Scoville had created “Patient H.M.,” who became one of the most important research subjects in neuroscience history. Though he died in 2008, his brain is still being studied, even sparking a custody battle between MIT and the University of California at San Diego.

Dittrich’s personal connection turns this already remarkable story into an extraordinary one: Dr. Scoville was his grandfather. Dittrich spent six years researching a saga fraught with family pitfalls. Scoville was a brilliant Yale professor with myriad accomplishments, but he was also a risk-taker whose love of cars and speed ultimately killed him. A man with a penchant for “fast results,” this gifted surgeon performed numerous lobotomies into the 1970s, well after they had largely gone out of fashion.

In riveting prose, Dittrich takes readers on an informative tour of everything from early mental illness treatments to neuroscience and neurosurgery. The result is a story filled with heartbreak and sweeping historical perspective.

ALSO IN BOOKPAGE: Read a Q&A with author Luke Dittrich.

 

This article was originally published in the August 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

If you liked The Immortal Life of Henrietta Lacks, you’ll love Patient H.M.: Memory, Madness, and Family Secrets. Not only is this new book an endlessly fascinating account of medical history, but the author, Esquire contributing editor Luke Dittrich, has a deeply personal connection to the story.
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Twelve-year-old Wren Baker longs to be brave, and she certainly needs all the courage she can muster. Her mother has been hospitalized for depression, and her father has left to tend to her in Ohio. This means that Wren is suddenly living with an aunt and a cousin named Silver whom she’s only just met. Wren also feels responsible for her younger brother, Russell, who has Asperger’s and who needs her now more than ever.

In Cecilia Galante’s adept hands, these relationships are admirably and deeply explored. Not only are these characters wonderfully authentic, The World from Up Here is full of multiple adventures, including a ride in a glider plane and a runaway horse—experiences that anxious Wren never dreamed she could handle. There’s also mystery, in the form of Witch Weatherly, a hermit who lives on the top of Creeper Mountain—whom Silver is determined to meet, and who ends up playing a pivotal role in Wren’s ongoing family drama.

Wren learns that she can reach unimaginable heights, heeding the glider pilot’s advice: “Take a look. . . . It’s not every day you get to see the world from up here.”

 

ALSO IN BOOKPAGE: Read our Q&A with Cecilia Galante for The World from Up Here.

This article was originally published in the July 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Twelve-year-old Wren Baker longs to be brave, and she certainly needs all the courage she can muster. Her mother has been hospitalized for depression, and her father has left to tend to her in Ohio. This means that Wren is suddenly living with an aunt and a cousin named Silver whom she’s only just met. Wren also feels responsible for her younger brother, Russell, who has Asperger’s and who needs her now more than ever.
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On June 25, 2009, Michael Jackson was preparing for 50 sold-out “This Is It” concerts when he stopped breathing at the Los Angeles mansion he was renting. His personal physician, Dr. Conrad Murray, who was administering medication intravenously to help him sleep, noticed that something was wrong at 11:51 a.m., and 83 minutes later, 50-year-old Jackson was pronounced dead at UCLA Medical Center. 

Drawing on court documents and other materials, 83 Minutes examines what happened during that time, along with the tragic factors that brought Jackson and Murray together, resulting in Jackson’s death and Murray’s imprisonment.

Despite his immense earnings and accomplishments, Jackson was facing financial ruin and was addicted to prescription drugs. He relied on the anesthetic Propofol, which he called “milk,” to help ease the rush of adrenaline after rehearsals and shows and allow him to sleep. Murray was in financial trouble as well, and all too happy to enable Jackson’s dependencies. 

Instead of carefully monitoring his patient, Murray likely had stepped out of Jackson’s bedroom/“medication room” to answer emails and make phone calls, likely not noticing when Jackson stopped breathing. He was on the phone with his mistress, in fact, when he abruptly ended the call, and the final chaos ensued.

Meanwhile, Jackson’s three children were playing in the den, under the care of their nanny, and his chef was preparing a Cobb salad for the family’s lunch.

Although 83 Minutes doesn’t deliver any bombshells, Jackson fans will find the book a sadly fascinating minute-by-minute account of the singer’s last days and hours.

 

This article was originally published in the July 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

On June 25, 2009, Michael Jackson was preparing for 50 sold-out “This Is It” concerts when he stopped breathing at the Los Angeles mansion he was renting. His personal physician, Dr. Conrad Murray, who was administering medication intravenously to help him sleep, noticed that something was wrong at 11:51 a.m., and 83 minutes later, 50-year-old Jackson was pronounced dead at UCLA Medical Center.
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What happens when you mistake a beehive for a soccer ball? Nancy and her dog, Douglas, enjoy all sorts of adventures until a disastrous game of fetch makes it obvious that Douglas, You Need Glasses! With this picture book that’s a glorious romp from start to finish, kids and parents alike will enjoy sharing a lighthearted look at Douglas’ serious vision problem, which gets him into pickles galore.

Douglas is a good-natured, grinning canine who gleefully chases leaves instead of squirrels, walks right through barriers and signs warning of wet cement, and even ends up at the neighbor’s house, woefully unaware that anything is amiss. Nancy, his take-charge young owner, eventually hauls her pooch into the optician’s office, which will prompt many more readers’ chuckles as Douglas miserably fails the vision test and tries on a creative array of glasses frames.

Ged Adamson’s pencil-and-watercolor illustrations are bursting with colorful energy and personality; he is a master at simply conveying a myriad of facial expressions, bringing his cartoon-like characters to life. Look carefully at his attention to details, such as the cement on Douglas’ paws that leave footprints on page after page.

Adamson cleverly includes an ending spread featuring photos of children wearing glasses, and encourages readers to post photos of themselves wearing glasses on his Twitter page. Whether young readers need glasses or not, this optical celebration will leave them yearning for a pair of their own.

What happens when you mistake a beehive for a soccer ball? Nancy and her dog, Douglas, enjoy all sorts of adventures until a disastrous game of fetch makes it obvious that Douglas, You Need Glasses! With this picture book that’s a glorious romp from start to finish, kids and parents alike will enjoy sharing a lighthearted look at Douglas’ serious vision problem, which gets him into pickles galore.

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BookPage Nonfiction Top Pick, June 2016

When Isabel Vincent’s friend suggested that she have dinner with her recently widowed, 93-year-old father, Vincent was in need of a lift. She had just moved to New York City to take a job as an investigative reporter with the New York Post, and her marriage was falling apart.

“I don’t know if the temptation of a good meal did it for me, or if I was just so lonely that even the prospect of spending time with a depressed nonagenarian seemed appealing,” she writes, adding, “Whatever it was, I could never have imagined that meeting Edward would change my life.” 

She chronicles their time together in the touching Dinner with Edward: A Story of an Unexpected Friendship, in which she not only rediscovers herself, but also realizes that this lonely geriatric is a charming poet at heart, full of wisdom about love and marriage.

A refined, self-taught intellectual and old-fashioned gentleman, Edward can also cook—as in really cook. Vincent begins each chapter with a menu, full of dishes like herb-roasted chicken in a paper bag (one of Edward’s many specialties), pan-fried potatoes with gruyère and his signature dessert, apple and pear galette (the secret to which is using crushed ice and lard, he insists). Two warnings: Don’t read this book on an empty stomach because the mouth-watering food descriptions will drive you mad, and don’t expect to find recipes.

As this unexpected friendship deepens, Edward becomes Vincent’s much-needed “fairy godfather,” cheerleader, sounding board and shoulder to cry on. He advises her to wear lots of lipstick and takes her to Saks to buy a pricey dress. He tells wonderful tales of his past, while Vincent confides her marriage woes, and later, after her divorce, shares stories of her new beaus.

Soon Vincent realizes, “Joy, happiness—it snuck up on me every time I saw Edward.” Readers will savor their every encounter and turn each page wishing they could have been there.

 

This article was originally published in the June 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

When Isabel Vincent’s friend suggested that she have dinner with her recently widowed, 93-year-old father, Vincent was in need of a lift. She had just moved to New York City to take a job as an investigative reporter with the New York Post, and her marriage was falling apart.
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Things aren’t at all simple in Wolf Hollow, and that’s the great strength of Lauren Wolk’s first novel for middle school readers. Wolk has created a fascinating world in the mountains of Pennsylvania in 1943, where heroine Annabelle announces in the opening line, “The year I turned twelve, I learned how to lie.”

Throughout this novel, Annabelle is learning how to see the world, especially after she wins a camera and a lifetime supply of film and processing. Before long, the camera is borrowed by Toby, a hobo-like World War I veteran who forever transforms Annabelle’s vision, and whose photographs play a pivotal role in the unfolding drama.

Annabelle is being tormented by a new classmate in the one-room schoolhouse she attends. Betty Glengarry, a “dark-hearted girl who came to our hills and changed everything,” not only threatens Annabelle and her younger brothers, but her bullying spirals so completely out of control that a girl named Ruth suffers a horrifying accident.

Betty points a finger of blame squarely at Toby, prompting a tragic cascade of events in which only Annabelle is left to expose the truth. As Annabelle soon realizes, “The truth was so tightly braided with secrets that I could not easily say anything without saying too much.”

Wolf Hollow is fascinating and fast-paced, driven by Wolk’s exquisite plotting and thoughtful, fine-tuned writing. Reminiscent of To Kill a Mockingbird, this isn't a book full of happy endings; instead, it gives young readers a ringside seat at real-life moral complexities. As Annabelle explains, “The year I turned twelve, I learned that what I said and what I did mattered.”

Things aren’t at all simple in Wolf Hollow, and that’s the great strength of Lauren Wolk’s first novel for middle school readers. Wolk has created a fascinating world in the mountains of Pennsylvania in 1943, where heroine Annabelle announces in the opening line, “The year I turned twelve, I learned how to lie.”

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You may not have heard of Geoff Dyer, but this novelist, critic and essayist has been called "one of our most original writers," and indeed his writing is unique, with titles ranging from Yoga for People Who Can't Be Bothered to Do It and Another Great Day at Sea: Life Aboard the USS George H.W. Bush. Born in Great Britain and currently living and teaching in Los Angeles, Dyer takes readers on a tour of both the world and his intriguing mind in White Sands: Experiences from the Outside World.

In nine essays interspersed with short vignettes, Dyer recounts journeys like his trip to Gauguin's Tahiti, where he "soon came to see that the real art of the Marquesas, and of Polynesia, generally, was tattooing." During a tour of Beijing's Forbidden City, he develops a crush on a young woman named Li, whom he assumes is a guide. She isn't―but she does her best to act as one. Similarly, Dyer's observations are by no means full of the usual travel guide stuff; instead, they tend to be full of unexpected details, diversions, and detours.

Dyer sums up his mission like this: "trying to work out what a certain place―a certain way of marking the landscape―means; what it's trying to tell us; what we go to it for."

"Northern Dark" tells of Dyer's trip to see the Norway's Northern Lights with his wife Jessica, which doesn't go well, and includes the line, "Why have we come to this hellhole?" "White Sands" begins with a brief discussion of his visit to the New Mexico monument, but morphs into a riveting account of picking up a hitchhiker and then passing a sign that says, "NOTICE/DO NOT PICK UP HITCHHIKERS/DETENTION FACILITIES IN AREA."

The book's last essay is a bit of a departure, but a fitting conclusion to a book that's so much about inner reactions to the outside world. Dyer describes his experience of having a mild stroke and its aftermath, prompting him to conclude: "Life is so interesting I'd like to stick around forever, just to see what happens, how it all turns out."

You may not have heard of Geoff Dyer, but this novelist, critic and essayist has been called "one of our most original writers," and indeed his writing is unique, with titles ranging from Yoga for People Who Can't Be Bothered to Do It and Another Great Day at Sea: Life Aboard the USS George H.W. Bush. Born in Great Britain and currently living and teaching in Los Angeles, Dyer takes readers on a tour of both the world and his intriguing mind in White Sands: Experiences from the Outside World.
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Action and adventure are the name of the game in The Nocturnals: The Mysterious Abductions, the first book of a new series featuring a squad of anthropomorphized nocturnal animals: Dawn the calm, resilient fox; Tobin the good-natured pangolin; and Bismarck, the French-speaking, know-it-all sugar glider.

This unusual trio decides to band together as the Nocturnal Brigade after suddenly being forced to scare off a menacing black snake. Soon they are joined by other animals―bats, a jerboa, coyotes, kiwis, a wombat and more―to investigate an even bigger problem: the mysterious disappearance of a variety of animals.

Adding to the exploits are the animals’ many personalities, as they navigate both their allegiances and natural suspicions of one another. “It is most confusing!” the ever-loquacious Bismarck proclaims. “Muy befuddling! Absolument absurd!”

Eventually, the group finds itself drawn deeper into the dizzying dangers lurking in a vast underground cave, where a crowd of crocodiles holds the missing animals hostage. The big finish involves a high-stakes (and creative) hockey-like game that pits the Nocturnals against the Crocs, led by a menacing reptile named Boris. The Nocturnals are literally playing for their lives, and by the end of the game, the seemingly evil Boris proclaims, “What a thrilling turn of events! My heart can’t handle it! My cold blood is boiling!”

Tracey Hecht’s first novel is an appealing page-turner for middle-school readers, combining a likable cadre of unusual animal characters with fast-paced, clever dialogue and, of course, plenty of suspense.

Action and adventure are the name of the game in The Nocturnals: The Mysterious Abductions, the first book of a new series featuring a squad of anthropomorphized nocturnal animals: Dawn the calm, resilient fox; Tobin the good-natured pangolin; and Bismarck, the French-speaking, know-it-all sugar glider.

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A lively treat awaits young readers in Stories from Bug Garden, where life is busy buzzing amid an old, forgotten place “with a tumbledown wall and a one-wheeled barrow.” This hidden world is revealed in a series of ultra-short stories (each just a page or two long) about its crawling, flying and hopping residents.

In spite of such brevity, Lisa Moser's prose packs a mighty punch into each tiny tale, introducing characters like Ladybug, who hates the thought of being a lady and instead likes to run barefoot, make mud angels and whistle through a blade of grass. Horsefly, in contrast, yearns to be true to his name as he imagines his mane rippling and hooves flashing through the garden greenery.

A multitude of small but sweet moments occur among these anthropomorphized creatures, such as the satisfaction shared when Big Ant and Cricket bicker about the best way to pick a peach. There’s ingenious Snail, who transforms trash left behind by “picnic people” into a boat, taking Ladybug and Butterfly out for a sail. And Big Ant brings Little Ant to the annual big show, that spectacular moment when the flowers burst into bloom overhead like a colorful sea of fireworks.

Gwen Millward’s watercolor-and-ink illustrations pop with just the right color combinations, highlighted with a multitude of energetic squiggles and flowery swirls. Earthworm’s brown underground lair provides a vibrant backdrop for a colorful “rainbow of roots,” while Lightning Bug flies through a night sky etched in a shade of rich cerulean blue. Millward’s insects exude smiles and big-eyed expressions that bring these stories to life.

Very young readers will enjoy exploring this out-of-sight world over and over again.

A lively treat awaits young readers in Stories from Bug Garden, where life is busy buzzing amid an old, forgotten place “with a tumbledown wall and a one-wheeled barrow.” This hidden world is revealed in a series of ultra-short stories (each just a page or two long) about its crawling, flying and hopping residents.

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Before I Leave is a celebration of friendship, as well as a lively, understated picture-book primer on saying goodbye. A roly-poly hedgehog named Zelda has big news for her best friend, an anteater named Aaron. “I found out we’re moving,” she says.

One of the things that makes this book special is the unlikely duo created by author and illustrator Jessixa Bagley, whose first book was Boats for Papa. Zelda is adorably energetic, decked out in a blue hair ribbon and big red glasses, while Aaron is enormous in comparison, with a bit of a sad-sack look lent by his large, curving snout.

The text is effectively spare, with just a few words on each spread that move the story forward while giving emotional weight to Bagley’s charming pen-and-watercolor illustrations. When Zelda tells Aaron that he can’t come with her to their new home, we see Aaron trying to curl his huge body into her suitcase.

Zelda informs her parents that she’s not moving, and the friends leave her cozy home, where boxes are busily being packed, to go outside and play “One last time, like nothing is changing.” Their joyful fun―playing tetherball, swinging, boating and playing in forts―provides a nice counterpoint to their sadness over their impending separation.

Before long, the inevitable happens: Zelda rides away with her parents on top of a load full of packed boxes, waving a melancholy goodbye. Before I Leave doesn’t sugarcoat the pain of moving, but assures young readers friendships continue. The last spread shows Zelda writing to Aaron in her new room, where a clothesline full of his letters adorns her wall. 

Before I Leave is a celebration of friendship, as well as a lively, understated picture-book primer on saying goodbye. A roly-poly hedgehog named Zelda has big news for her best friend, an anteater named Aaron. “I found out we’re moving,” she says.

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“I will never stop being ravenously hungry for science, no matter how well it feeds me,” writes Hope Jahren, a paleobiologist, winner of three Fulbright Awards, a professor at the University of Hawaii and now author of a marvelous memoir, Lab Girl. What’s it like being a female research scientist? You’ll have no better tour guide than Jahren, who is witty, thoughtful, informative and who writes exceedingly well.

Jahren, whose work focuses on plant life, grew up playing beneath the chemical benches in her father’s community college lab in Minnesota, knowing that someday she would have her own lab. Today she does (her third), calling it her refuge, her asylum and “a place to go on sacred days, as is a church.”

Her lab partner, Bill, is her loyal sidekick, whom she adores like a fraternal twin. Their adventures, chronicled here in high style, include overturning a van during a snowstorm, hanging off the sides of cliffs in Northern Alaska and tromping through Irish highlands in search of moss.

Jahren also writes about the difficulty of being a female scientist, sometimes forced to work with “pasty middle-aged men who regarded me as they would a mangy stray that had slipped in through an open basement window.” She relates the ongoing task of securing funding—in their early days as a team, Bill lived in his car when he couldn’t afford his own place. 

Jahren shares her struggles with bipolar disorder (although this isn’t the focus of the book), and the joy of finally meeting the man she would marry and becoming a mother. Along the way, she includes elegant short chapters about the natural world, artfully explaining the way in which various species’ struggle for survival mirrors her own.

Lab Girl presents an edifying and entertaining look into the world of a serious research scientist.

 

This article was originally published in the April 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

“I will never stop being ravenously hungry for science, no matter how well it feeds me,” writes Hope Jahren, a paleobiologist, winner of three Fulbright Awards, a professor at the University of Hawaii and now author of a marvelous memoir, Lab Girl. What’s it like being a female research scientist? You’ll have no better tour guide than Jahren, who is witty, thoughtful, informative and who writes exceedingly well.
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On July 9, 1984, reporter Joanna Connors was on assignment for the Cleveland Plain Dealer when she was raped on the stage of an empty theater at Case Western Reserve University. Her assailant, 27-year-old David Francis, was arrested and sent to prison. In I Will Find You, she offers an insightful account of this life-changing event and its harrowing aftermath.

Connors describes the brutal crime, police investigation and trial with emotional honesty that’s complemented by her reporting skills. Francis’ arrest wasn’t difficult given the fact that he had his name tattooed on his arm, and that he inexplicably returned to the scene of the crime the next day.

Connors remained haunted not only by the event but by Francis’ chilling threat to find her if she reported it. She raised a son and daughter, not telling them about the crime until her daughter was about to go to college. 

At that point, she decided, “Maybe I should find him instead.” A records search revealed that her assailant had died in prison in 2000. “My search for him was over before it started,” she writes. 

And yet it wasn’t. Connors diligently tracked down Francis’ friends and family, discovering that his family life was filled with poverty, abuse from his father, alcoholism, addiction and crime. Her investigation leads her to conclude that her rapist and his family were victims in their own right. 

She writes: “As a reporter, I have asked so many other people to open themselves up and let me tell their stories, all the while withholding my own. I owed this to them. I owed it to other women who have been raped. I owed it to my children.”

Connors’ riveting, soul-searching book deserves a wide audience; it presents an unusual first-person perspective on critical issues of race, class and crime in America.

 

This article was originally published in the April 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

On July 9, 1984, reporter Joanna Connors was on assignment for the Cleveland Plain Dealer when she was raped on the stage of an empty theater at Case Western Reserve University. Her assailant, 27-year-old David Williams, was arrested and sent to prison. In I Will Find You, she offers an insightful account of this life-changing event and its harrowing aftermath.
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BookPage Nonfiction Top Pick, April 2016

Reading Dimestore: A Writer’s Life is like sitting a spell on the front porch swing with novelist Lee Smith, hearing all about the kinfolk who nurtured her in the mountain “holler” town of Grundy, Virginia. In this collection of 14 essays, Smith’s voice sings out like the mountain music she was raised on, skillfully weaving together nostalgic melodies with modern insight.

Smith describes growing up in the warm embrace of her family, watching life unfold as she gazed through a one-way mirror in the office of her father’s variety store. “Thus I learned the position of the omniscient narrator, who sees and records everything, yet is never visible,” she writes. “It was the perfect early education for a fiction writer.”

Despite a seemingly idyllic childhood, everything wasn’t completely rosy. Her beloved father was what he described as “kindly nervous,” a euphemism for bipolar disorder, and her cherished mother was hospitalized several times for depression and anxiety.

However, Smith makes clear: “This is my story, then, but it is not a sob story.” Dimestore also contains a wealth of humor and joyful memories, such as an account of a 1966 rafting trip Smith took down the Mississippi River with 15 of her college classmates from Hollins, the inspiration for her novel The Last Girls. She writes beautifully of her epiphany upon meeting Eudora Welty and realizing that this master storyteller wrote “[p]lain stories about country people and small towns, my own ‘living world.’ ”

Sadly, the hometown of Grundy so near to Smith’s heart was relocated in recent years to control flooding. Smith concludes: “The dimestore is gone. Walmart looms over the river. I’m 70, an age that has brought no wisdom. When I was young, I always thought the geezers knew some things I didn’t; the sad little secret is, we don’t. I don’t understand anything anymore, though I’m still in there, still trying like crazy.”

Smith greatly underestimates her own wisdom—Dimestore is chock-full of it.

ALSO IN BOOKPAGE: Read our Q&A with Lee Smith about Dimestore.

This article was originally published in the April 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Reading Dimestore: A Writer’s Life is like sitting a spell on the front porch swing with novelist Lee Smith, hearing all about the kinfolk who nurtured her in the mountain “holler” town of Grundy, Virginia. In this collection of 14 essays, Smith’s voice sings out like the mountain music she was raised on, skillfully weaving together nostalgic melodies with modern insight.

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