Alice Cary

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Aviation pioneer Ruth Law was famous for her daredevil aviation tricks (“The loop . . . the spiral dive . . . the dip of death!”), but by 1916 she had grown tired of ”flying in circles” and decided to fly from Chicago to New York City. No one had flown that far nonstop before, and Law had never flown farther than 25 miles. But, as Heather Lang explains in her account of Law’s record-breaking flight, “When Ruth Law made up her mind, there was no use trying to stop her.”

Fearless Flyer is a fine example of a creative, informative and entertaining historical picture book for young readers. It seamlessly blends the excitement and perils of this journey with quotes from Law: “When your engine suddenly stops while you’re 2,000 feet in the air, it’s some comfort to know that if anything can be done, you can do it.”

Every page combines historical details with a series of heart-stopping moments: zero pressure on the oil gauge; no gas left in the tanks; tree branches “clawing” at Law’s plane; and fog. Compelling, soaring illustrations by Raúl Colón add to this drama and draw readers into Law’s open-air cockpit as she flies over fields and farms. Lang writes: “One wrong move would send her tumbling from the sky.” It’s amazing to learn that Law steered her aircraft with two wooden levers while consulting a homemade map box, crafted by cutting and pasting map strips together, all attached to a roller mechanism strapped to her leg. Also included is a short account of Law’s life, along with photographs and a list of additional resources.

Fearless Flyer provides young readers with a thrilling introduction to an intrepid aviator and her remarkable journey.

Aviation pioneer Ruth Law was famous for her daredevil aviation tricks (“The loop . . . the spiral dive . . . the dip of death!”), but by 1916 she had grown tired of ”flying in circles” and decided to fly from Chicago to New York City. No one had flown that far nonstop before, and Law had never flown farther than 25 miles. But, as Heather Lang explains in her account of Law’s record-breaking flight, “When Ruth Law made up her mind, there was no use trying to stop her.”

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Eleven-year-old Perry Cook starts his first day of middle school with a healthy dose of trepidation, and indeed, several things go wildly wrong. But Perry’s life becomes far more difficult when he’s forced to leave the only home he’s ever known: the Blue River Co-ed Correctional Facility in Surprise, Nebraska, where his mom is serving time. Perry has been living in a room next to the office of his foster parent, the warden.

Unfortunately, the new district attorney, Thomas VanLeer, gets wind of Perry’s unusual living arrangement and puts a quick end to it, bringing Perry home to temporarily live with his wife and stepdaughter. VanLeer also gets rid of the warden and postpones Perry’s mom’s parole hearing. The only saving grace is that VanLeer’s stepdaughter happens to be Perry’s very best friend, Zoey.

While the plot of All Rise for the Honorable Perry T. Cook may sound improbable, author Leslie Connor pulls these elements together beautifully and believably. She’s a gifted storyteller who creates a memorable bunch of multi-dimensional characters. Think of this as a G-rated “Orange Is the New Black.” There’s nothing even remotely inappropriate or hard-edged here, as Connor transforms Blue River and its inmates into a kingdom filled with wise, warm and wonderful souls—an ensemble cast at its best.

As Perry fights to spend time with his mother and to learn the important secret she’s been hiding about why she went to prison, readers gain insight into the many ways in which a prison sentence affects families in this soulful novel.

 

This article was originally published in the March 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

Eleven-year-old Perry Cook starts his first day of middle school with a healthy dose of trepidation, and indeed, several things go wildly wrong. But Perry’s life becomes far more difficult when he’s forced to leave the only home he’s ever known: the Blue River Co-ed Correctional Facility in Surprise, Nebraska, where his mom is serving time. Perry has been living in a room next to the office of his foster parent, the warden.
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It may be hard to imagine a high-energy book that features two brothers arguing about whether to read or surf, but Surf’s Up delivers in a cowabunga way. The brothers are two frogs named Bro and Dude, and illustrator Daniel Miyares brings them wonderfully to life with vivid colors, froggy-eyed expressions and plenty of heart-stopping wave action.

Newbery Medal winner Kwame Alexander’s text is short and ultra snappy. Dude wants to surf, but his brother prefers to finish his book “about a man looking for a whale.” Dude declares that books are “BOOOORING!” but he’s easily lured in as Bro describes his book with such excitement (“BOOYAH! They found the whale again.”).

With both frogs immersed in the Moby-Dick saga, a bit of literary magic occurs, as readers and frogs alike get caught up in two concurrent dramas: Bro and Dude heading to the beach to surf, and Bro and Dude imagining themselves trying to catch the great white whale.

This bit of metafiction works seamlessly, framed with lively dialogue that will ensure Surf’s Up’s popularity as a read-aloud.

 

This article was originally published in the February 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

It may be hard to imagine a high-energy book that features two brothers arguing about whether to read or surf, but Surf’s Up delivers in a cowabunga way. The brothers are two frogs named Bro and Dude, and illustrator Daniel Miyares brings them wonderfully to life with vivid colors, froggy-eyed expressions and plenty of heart-stopping wave action.
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On a hot summer night in 2009 in Seattle, a 23-year-old man crept through the bathroom window of the home of 39-year-old Teresa Butz and her partner, 36-year-old Jennifer Hopper. The pair awoke to find the stranger standing over their beds with a knife; he proceeded to rape and stab the women repeatedly. 

They eventually broke free, running into the street, screaming and bleeding, while their attacker fled. It was too late for Teresa Butz, who died from her horrific wounds. Hopper survived, suddenly finding herself planning a funeral instead of the wedding ceremony she and Butz had been looking forward to.

Eli Sanders, an editor of Seattle’s weekly newspaper, The Stranger, received a Pulitzer Prize for his reporting of the crime and its aftermath. His expanded book-length coverage, While the City Slept, is an absorbing and meticulous account of how these three lives tragically intersected on July 19, 2009. 

Sanders’ reporting makes for sad but riveting reading. The killer, Isaiah Kalebu, is the son of a Ugandan immigrant who routinely beat Kalebu’s mother. Mental illness ran in his mother’s family, and Kalebu was known to wander the streets spouting grandiose nonsense with his pit bull in tow. He had been diagnosed as bipolar in 2008 but refused treatment and medication.

Sanders describes Hopper’s admirable courage and compassion as she addresses Kalebu at his sentencing: “I do wish you peace, and I do not hate you, and I’m so sorry for whatever it is in your life that brought you to this.” 

As the narrative unfolds, Sanders also deftly explores the tangled roles played by the social services, mental health and prison systems, calculating that the public will end up paying over $3 million for Kalebu’s trial and continued incarceration. While the City Slept offers a comprehensive look at a tragedy that is sadly all too common.

 

This article was originally published in the February 2016 issue of BookPage. Download the entire issue for the Kindle or Nook.

On a hot summer night in 2009 in Seattle, a 23-year-old man crept through the bathroom window of the home of 39-year-old Teresa Butz and her partner, 36-year-old Jennifer Hopper. The pair awoke to find the stranger standing over their beds with a knife; he proceeded to rape and stab the women repeatedly.
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Imagine if Sherlock Holmes were an 11-year-old girl at a ritzy boarding school. That’s the premise of Friday Barnes: Girl Detective, the first in a series by Australian writer R.A. Spratt. This children’s comedy TV writer and author of the award-winning Nanny Piggins series has crafted a likable, intriguing heroine and a lighthearted, breezy mystery.

Friday is the unexpected fifth child of busy, brilliant parents, who name her after the day on which she was born. (Turns out she was actually born on a Thursday, a fact about which they were too distracted to notice.) Friday has been largely left to her own devices, but after helping her beloved Uncle Bernie solve a crime, she uses the reward money to enroll in the ultra-exclusive Highcrest Academy.

Mystery after mystery presents itself, and even though Friday prefers to fly under the radar, she can’t help but take on each challenge. A special clock has been stolen from the Headmaster's desk, homework assignments turn up missing, and fake history presentations are just waiting to be revealed. Barnes uses her innate Sherlockian abilities to solve these conundrums, and also gets help from her Watson―roommate Melanie Pelly, a brilliantly observant girl. There’s an even bigger mystery afoot involving a Yeti said to be haunting the nearby swamp, and before long the Headmaster comes to Friday for help.

Spratt’s characters are entertaining, although she relies too heavily on boarding-school stereotypes of both students and teachers. For instance, the geography teacher informs Friday, “My dear girls, this is a private school. You’ve entered Lord of the Flies now.” Spratt’s writing is nonetheless snappy and smart, and her clever plotting moves the action right along. Everything ends with a giant cliffhanger, which will definitely leave readers ready for more.

Imagine if Sherlock Holmes were an 11-year-old girl at a ritzy boarding school. That’s the premise of Friday Barnes: Girl Detective, the first in a series by Australian writer R.A. Spratt. This children’s comedy TV writer and author of the award-winning Nanny Piggins series has crafted a likable, intriguing heroine and a lighthearted, breezy mystery.

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The Tin Snail begins in Paris in 1937, when 12-year-old Angelo Fabrizzi sits in a cafe with his father, a pioneering car designer. Inspired by the shape of a lopsided pastry, Angelo gives his father an idea for a new aerodynamic car design. A year later, at the Paris Motor Show, several Nazis clear the way for Dr. Ferdinand Porsche, while Angelo gets behind the wheel of his father’s creation and makes an impactful, unexpected debut.

Angelo and his father end up living in the French countryside, continuing to work on a prototype of their car (nicknamed the Tin Snail), which is meant for everyday people, not just the rich. However, as the Nazis threaten to invade, desperate measures must be taken to hide the innovation. The excitement ramps up once the Germans arrive, along with a German car designer sent to spy. “Hitler himself wanted to see our car?” Angelo wonders in astonishment.

British television writer Cameron McCallister was inspired to write this book after reading a newspaper account about several car prototypes that were discovered, having been hidden in a French barn for 50 years. While McAllister uses World War II as his backdrop, he keeps the tone fairly light, concentrating on thrills and adventure during a dangerous era. Middle-grade car enthusiasts will keep turning the pages of this rollicking, imaginative novel.

 

RELATED CONTENT: Read a Q&A with McAllister about The Tin Snail.

The Tin Snail begins in Paris in 1937, when 12-year-old Angelo Fabrizzi sits in a cafe with his father, a pioneering car designer. Inspired by the shape of a lopsided pastry, Angelo gives his father an idea for a new aerodynamic car design. A year later, at the Paris Motor Show, several Nazis clear the way for Dr. Ferdinand Porsche, while Angelo gets behind the wheel of his father’s creation and makes an impactful, unexpected debut.

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Oh, how I wish I had a friend like Miss Petitfour, who follows “a strict schedule of fun and more fun.” As her name implies, she’s partial to sweets, and on windy days she uses her tablecloth like a parachute so she and her 16 cats can take to the skies.

The five gentle stories in The Adventures of Miss Petitfour, each starring this eccentric cat lady, remind me of some of my favorite childhood tales with heroines like Miss Piggle-Wiggle and Pippi Longstocking. One scene with an exploding confetti factory could have come directly from Roald Dahl.

This is the first children’s book from Canadian poet and novelist Anne Michaels, and she seems like a natural, writing in a style that’s full of humor, puns and all sorts of literary lusciousness. There’s sophisticated amusement as well, making this book the perfect read-aloud, with quirky lists and nimble use of language.

Adding to the charm are a multitude of color illustrations by British illustrator Emma Block, whose drawings bring Miss Petitfour and her feline troop to life, making them soar through the sky, cats clinging together like the colorful tail of a whimsical kite.

 

This article was originally published in the November 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Oh, how I wish I had a friend like Miss Petitfour, who follows “a strict schedule of fun and more fun.” As her name implies, she’s partial to sweets, and on windy days she uses her tablecloth like a parachute so she and her 16 cats can take to the skies.
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Preschoolers will love the topsy-turvy world in The Nonsense Show, the latest book from beloved author-illustrator Eric Carle. In the opening spread, a rabbit magician pulls a boy out of a hat, saying, “Welcome, friends! / Don’t be slow. / Step right up to / The Nonsense Show!”

The book is a tribute to Surrealism―on the dedication page Carle pays homage to master René Magritte―and completes a trilogy that includes Friends (a salute to abstract art) and The Artist Who Painted a Blue Horse (Expressionism). Carle explains, “I appreciate the way Surrealist artists like Magritte showed us in all their paintings that you have to keep looking, keep paying attention. And keep playing.”

If these sound like high-minded concepts for picture books, never fear! Young readers will do just what Carle suggests, immediately warming to the absurdity on each page of The Nonsense Show. They’ll discover a child peeking out of a kangaroo’s pouch, a mouse chasing a cat, a tennis player swinging at an apple and a lion taming a pair of circus performers, with humor throughout in both pictures and concise narration.

The vibrant artwork is classic Carle, showcasing his signature style of painted tissue-paper collage. A deer (with flowers instead of antlers) on the title page is so three-dimensional that he seems ready to pop off the page, and readers can practically feel the fur on the rabbit’s big ears.

Don’t miss Carle’s silly biography and photo on the inside back cover, or the amusing list of “preposterous” words on the final spread. There’s endless fun to be found in this delightful book.

Preschoolers will love the topsy-turvy world in The Nonsense Show, the latest book from beloved author-illustrator Eric Carle. In the opening spread, a rabbit magician pulls a boy out of a hat, saying, “Welcome, friends! / Don’t be slow. / Step right up to / The Nonsense Show!”

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The Doldrums is a whirlwind of an eccentric adventure tale centered on Archer B. Helmsley, the 11-year-old grandson of a pair of world-famous explorers thought to have disappeared on an Antarctic iceberg. He lives with his parents in his grandparents’ museum-like home, brimming with artifacts from their travels, including a stuffed ostrich, badger and giraffe that Archer occasionally talks to. Archer is bored and lonely; his overprotective mother barely lets him out of the house, fearing that her son has inherited the dangerous wandering genes of his forebears.

And indeed he has.

Luckily, the virtually imprisoned Archer discovers two trusty sidekicks: neighbor Oliver Glub and Adelaide Belmont, who has just moved from Paris with her wooden leg, reportedly the result of an unfortunate encounter with a crocodile.

Archer notices many mysterious details surrounding his grandparents, including mysterious trunks of belongings delivered by a man with an eye patch. As a result, he remains hopeful that his relatives are still alive, and of course decides to investigate for himself.

First-time novelist Nicholas Gannon has created a lavish, fun-filled romp that’s complemented by delightfully detailed full-color and black-and-white illustrations. Fans of Polly Horvath’s Everything on a Waffle and Lemony Snicket books are likely to be attracted to this novel with its likable young heroes and a cast of suspicious and nervous-Nelly adults. However, readers may ultimately be disappointed that there’s a lot more planning and plotting than actual adventure. The trio never makes it to the Antarctic, although absolute chaos erupts in the final wild scenes set in a museum, including tigers on the loose.

The Doldrums is a whirlwind of an eccentric adventure tale centered on Archer B. Helmsley, the 11-year-old grandson of a pair of world-famous explorers thought to have disappeared on an Antarctic iceberg.

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Lenny & Lucy, the latest picture book from the award-winning husband and wife team of Philip and Erin Stead, is a quietly captivating story about a boy named Peter who moves with his father and a large dog, Harold, to a new home at the edge of a big forest.

While firmly aimed at a young audience, Philip’s writing is refreshingly sophisticated from the start: “Winding along a bumpy road, through the dark unfriendly woods, Peter said, ‘I think this is a terrible idea.’” To ease his fears, Peter stitches together blankets and pillows to create a giant guardian named Lenny. To keep Lenny company, Peter also creates Lucy, and the pair bring great comfort to the anxious boy working hard to overcome his own fears. Erin’s illustrations have a slightly old-fashioned feel, drawn in the style of her Caldecott-winning A Sick Day for Amos McGee. Each detailed drawing highlights Peter’s loneliness and isolation, and then later the comfort he gains from Lenny and Lucy, who look like bulky, bundled-up snowmen. The illustrations are in various tones of gray, with muted color accents given only to the characters, a technique that adds a distinctive focus to this imaginative tale of loneliness and connection, the known and the unknown.

And sure enough, as Peter grows more comfortable in his new surroundings, along comes a young neighbor, Millie, and her mother, bringing the promise of new discoveries and adventures ahead.

Lenny & Lucy is a wonderfully reassuring book about the inventive adjustments that are sometimes necessary to confront intimidating new situations.

 

This article was originally published in the October 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Lenny & Lucy, the latest picture book from the award-winning husband and wife team of Philip and Erin Stead, is a quietly captivating story about a boy named Peter who moves with his father and a large dog, Harold, to a new home at the edge of a big forest.

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Imagine being a tall, Swedish redheaded mother of two young girls―the apparent picture of health―but for years living with constant chest pressure, severe fatigue and difficulty breathing. In Beautiful Affliction, Lene Fogelberg explains how, for much of her life, she feared she was about to die because of what she called "the monster" pounding against her ribs.

Early on, a specialist reassured Fogelberg's family that a congenital heart murmur was nothing to worry about. Nonetheless, she could never do things like mow lawns or walk long distances, prompting others to think her lazy. Once she became a mother, simple tasks made her feel faint, prompting her to slump over a chair in front of the stove to summon the energy to simply flip pancakes.

At the time, the Swedish healthcare system didn't allow for wellness checkups, and other types of appointments required months of waiting. When Fogelberg did seek help, she was told she had pneumonia, or perhaps a fungal infection, or that she was a hypochondriac. Eventually, she flirted with the idea of suicide.

"My girls are still small," she mused, "and my life has barely begun, and I have been miserable for so long, I cannot even remember what it feels like to be happy."

Thankfully, when her devoted husband Anders is transferred to the Philadelphia area, doctors quickly realize that her aortic valve is nearly blocked and needs replacing.

Fogelberg, a poet, structures her saga well, writing in alternating chapters about growing up with her "monster," and arriving in the United States, where her condition is diagnosed and she has corrective open-heart surgery. Beautiful Affliction is an unusual, riveting medical drama crafted with deep emotion and exquisite detail.

Imagine being a tall, Swedish redheaded mother of two young girls―the apparent picture of health―but for years living with constant chest pressure, severe fatigue and difficulty breathing. In Beautiful Affliction, Lene Fogelberg explains how, for much of her life, she feared she was about to die because of what she called "the monster" pounding against her ribs.
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Max the Brave is a charming little kitty who looks a bit like a child’s clever thumbprint creation. This mini superhero wears a red cape and appears fierce while proclaiming that he's in pursuit of mice―except for one important complication: He’s not sure what a mouse looks like.

British author-illustrator Ed Vere’s latest offering has already been named to The Sunday Times’ list of 100 Children’s Modern Classics, and rightfully so. Max’s short, sweet quest has all the ingredients of an instant readaloud hit as this kitty searches for a mouse and encounters a fly, fish, birds and an elephant, all of whom report that they have just seen mouse scamper by.

Preschoolers will love the repetitive nature of the animals’ question-and-answer conversations, along with the mounting excitement of the inevitable mouse encounter. Vere’s minimalist graphics are highlighted by his bold, spare use of color, which makes Max and all he encounters pop right off the page.

When Max finally meets Mouse, the clever rodent claims to be Monster and artfully steers Max toward the real Monster, whom he says is Mouse. All of this confusion just adds to the fun, leading to an epic encounter that brings to mind Jonah and the whale.

Max the Brave has it all: a bold, bumbling superhero; laugh-out-loud preschool humor; eye-catching illustrations; and a fun twist at the end. Kids will ask immediately to hear this one again.

Max the Brave is a charming little kitty who looks a bit like a child’s clever thumbprint creation. This mini superhero wears a red cape and appears fierce while proclaiming his pursuit of mice―except for one important complication: He’s not sure what a mouse looks like.

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There’s no doubt that Louis Sachar, the Newbery Medal-winning author of Holes, knows how to draw in his readers. His latest book, Fuzzy Mud, reads like a middle school version of Contagion―it’s a thriller that will have readers quickly turning its pages.

In this case, the culprit isn’t a virus, but a mutant microbe of an amazing new biofuel that’s somehow multiplying like crazy in the woods next to Woodbridge Academy. Three Woodbridge students end up in these woods one afternoon when seventh-grader Marshall Walsh takes a shortcut to avoid a fight with bully Chad Hilligas. Fifth-grader Tamaya Dhilwaddi has followed as well; she always walks home with Marshall, her neighbor.

The trio has no idea that a strange mutation under their feet threatens to become a world crisis, but Sachar inserts short portions of secret Senate hearings between chapters to enhance the big picture. Then Tamaya unknowingly dips her hand into the mutant microbe (which she calls Fuzzy Mud) and flings it at Chad’s face. Tamaya and Marshall run home, but the next day they’re dismayed to hear that Chad is missing. Meanwhile, Tamaya’s hand is covered with a bloody, blistering rash that is spreading like wildfire. Tamaya and Marshall face a moral crisis about whether to return to the woods to try to help their lost enemy. Their ensuing search is so dramatic that readers will genuinely fear that none of them will make it out alive.

Although the novel’s imagined biological catastrophe seems far-fetched and the biofuel inventor never becomes more than an eccentric caricature, the heart and soul of this book belongs to Tamaya, Marshall and Chad, and their compelling journey from hatred to friendship.

There’s no doubt that Louis Sachar, the Newbery Medal-winning author of Holes, knows how to draw in his readers. His latest book, Fuzzy Mud, reads like a middle school version of Contagion―it’s a thriller that will have readers quickly turning its pages.

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