Alice Cary

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Quite appropriately, The Memory of an Elephant is a large picture book, measuring 11 by 14 inches. It’s a big, unusual book in every way, featuring not only a story about an old, distinguished elephant named Marcel, but a compendium of assorted facts about everything from musical instruments and classic modern furniture to a variety of gourmet desserts.

That's because Marcel is writing “an enormous, illustrated encyclopedia―everything he’s learned throughout his long and exceptional life.” The book’s language and Marcel’s panache are reminiscent of the old-world style of Babar, although the books themselves are quite different.

When Marcel wakes up one morning, his monumental writing task is interrupted when he finds a mountain of presents waiting in his living room. It’s Marcel’s birthday, and quite the celebration is in store.

The Memory of an Elephant can be enjoyed on several different levels. Very young children will appreciate the story of Marcel’s big birthday bash. Fact-loving kids will devour the catalog-like pages filled with intriguing nuggets about Marcel’s passions, such as the world's tallest buildings, computer history, fashion facts, sailing history, plants and birds. There are plenty of fascinating elephant facts as well.

There’s even a recipe for “La Crepe Marcelette,” and young connoisseurs will learn some delicious definitions for things like crème caramel, brioche, dôme au chocolat and floating island. French author Sophie Strady and illustrator Jean-Franςois Martin have created a distinctive treat that’s certainly ripe for feasting.

Quite appropriately, The Memory of an Elephant is a large picture book, measuring 11 by 14 inches. It’s a big, unusual book in every way, featuring not only a story about an old, distinguished elephant named Marcel, but a compendium of assorted facts about everything from musical instruments and classic modern furniture to a variety of gourmet desserts.

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The young dinosaur heroes of Gigantosaurus could hardly be cuter. They look like characters right out of an animated feature film―which is no surprise, as creator Jonny Duddle was a concept artist for the Hugh Grant film The Pirates! Band of Misfits. (He’s also the creator of books such as The Pirates Next Door.)

Preschoolers will love Duddle’s latest, an energetic boy-who-cried-wolf tale from many million years ago, in which a young dinosaur named Bonehead keeps shouting to his friends that the dreaded, deadly Gigantosaurus that their parents have warned them about is rapidly approaching.

Bonehead’s pals Tiny, Fin and Bill fall for these faux warnings every time, until finally they tire of the trickery, abandoning Bonehead to play by themselves. Of course, you can guess who shows up next, and you can also guess who never learns his lesson.

Duddle’s digital artwork is stellar. The artist has created a lush and humorous Cretaceous world full of giant ferns, volcanoes, lava flows, dinosaur bones and massive termite nests. Kids will love the big fold-up page showing the dreaded Gigantosaurus in his full glory, but not to worry—nothing is overly scary. There’s also a helpful spread at the end explaining the different types of dinosaurs featured in the story.

Gigantosaurus is sure to be a readaloud favorite, with its adorable dinosaur characters and its lively refrain, “His feet go STOMP! His jaws go CRUNCH! In the blink of an eye you’ll be his LUNCH!”

The young dinosaur heroes of Gigantosaurus could hardly be cuter. They look like characters right out of an animated feature film―which is no surprise, as creator Jonny Duddle was a concept artist for the Hugh Grant film The Pirates! Band of Misfits. (He’s also the creator of books such as The Pirates Next Door.)

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According to author Jessica Lawson, Tom Sawyer was a tattletale and Becky Thatcher was the real rascal getting into all sorts of trouble in St. Petersburg, Missouri. That’s the inventive premise of this gem of a chapter book that stirs up all of the ingredients of the American classic to create a thoughtful, energetic new debut novel.

Lawson’s Becky is a tomboy who’s new to town. Her family is mourning the loss of Becky’s beloved older brother Jon―so much so that Becky’s mother has completely withdrawn. Meanwhile, Becky’s father, Judge Thatcher, is alarmed about a pair of outlaws on the loose.

A writer named Sam Clemens happens to be stuck in town due to a grounded steamboat. Becky befriends this “story man,” who carefully takes notes on Becky’s exploits and ideas (rafting down the river, the nickname Huckleberry, going to your own funeral and more).

Becky falls into a mess of trouble when she takes on a bet to try to steal something from inside the home of the Widow Douglas, reported to be a witch. There’s no end of excitement as Becky finds a new best friend, gets involved with grave robbers, uncovers stolen treasure and gets trapped in a cave with the outlaws.

Lawson borrows many elements from the original Tom Sawyer tale, but wisely, Becky is the star of this show, while Tom is an important but peripheral character who is “too scared to have his own adventures.”

Don’t worry, the story man assures Becky. “The name of Tom Sawyer might have some adventures in it yet.”

Young readers will race through this adventure, while teachers and adults will delight in its gold mine of creative parallels.

According to author Jessica Lawson, Tom Sawyer was a tattletale and Becky Thatcher was the real rascal getting into all sorts of trouble in St. Petersburg, Missouri. That’s the inventive premise of this gem of a chapter book that stirs up all of the ingredients of the American classic to create a thoughtful, energetic new debut novel.

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Nature writer Nick Jans first spotted the large tracks of a wolf while cross-country skiing near his home in Juneau, Alaska, in December 2003. Two days later, while relaxing in his hot tub, he caught a glimpse of the animal itself. Nick raced out to see him, and soon he and his wife, Sherrie, became infatuated with the beautiful black wolf.

So did many others. The wolf was exceptionally friendly, appearing frequently and frolicking with dogs strolling with their owners in the shadow of the Mendenhall Glacier.

The Jans were so infatuated that they cancelled a Christmas vacation on a Mexican beach, preferring to stay to see this newcomer. One day Sherrie named him Romeo, and the name stuck. A Wolf Called Romeo is Jans' love letter to this wild creature who touched their lives.

Romeo wasn't part of a pack, and some wondered if he was mourning the loss of a wolf killed by a taxi earlier that year. For nearly six years, Romeo made frequent appearances on the outskirts of Juneau, disappearing each summer to hunt in the mountains.

As Jans explains, "During the black wolf's time among us, he brought wonder to thousands, filled a landscape to overflowing, taught many to see the world and his species with fresh eyes."

Jans is no stranger to human interaction with wild animals, having written The Grizzly Maze about a man named Timothy Treadwell, who lived―and died―among the grizzlies. And while many in Juneau cherished Romeo's presence, some did not. Jans rightly feared that some sort of clash, and even potential tragedy, might ultimately occur―but I will spare readers the spoiler of revealing what eventually transpired.

A Wolf Called Romeo is a thoughtful, highly detailed account of one community's poignant encounter with a truly magnificent creature

Nature writer Nick Jans first spotted the large tracks of a wolf while cross-country skiing near his home in Juneau, Alaska, in December 2003. Two days later, while relaxing in his hot tub, he caught a glimpse of the animal itself. Nick raced out to see him, and soon he and his wife, Sherrie, became infatuated with the beautiful black wolf.
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What happens when a group of middle school geniuses trains for months to win a special contest at a Disney World-style Florida theme park called Incredo Land? That’s the premise of Bringing Down the Mouse, a page-turning caper whose hero is sixth-grader Charlie Lewis, known as “Numbers,” the nerdy son of an MIT professor dad and a mom with two Ph.D.s.

Charlie’s life is usually uneventful, until one day when two seventh-graders invite him to join the Carnival Killers, a group led by college student Miranda. Sworn to secrecy, they covertly hone their skills at mastering several seemingly impossible games in the hopes of earning a chance at spinning Incredo Land’s Wheel of Wonder and winning eight lifetime passes to the park. As one of the seventh-graders explains, “It’s not a trick. It’s math, chemistry, and a little physics.” Charlie is eager to use his knowledge to calculate exactly where the wheel will land until he realizes that Miranda isn’t who she says she is at all.

Author Ben Mezrich is best known for his adult nonfiction, the true stories of young geniuses toeing the ethical line for the sake of a big payoff—such as in Bringing Down the House (about MIT students playing blackjack in Vegas) and The Accidental Billionaires. With Bringing Down the Mouse, Mezrich has brought this theme to middle school fiction, and the result is a clever, breathtaking escapade with a likable cast.

 

This article was originally published in the July 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

What happens when a group of middle school geniuses trains for months to win a special contest at a Disney World-style Florida theme park called Incredo Land? That’s the premise of Bringing Down the Mouse, a page-turning caper whose hero is sixth-grader Charlie Lewis, known as “Numbers,” the nerdy son of an MIT professor dad and a mom with two Ph.D.s.
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It’s easy to understand why Don Wallace and his wife Mindy were captivated by a beautiful French island called Belle Île. Don, who grew up in California, and Mindy, who was from Hawaii, were living in a cramped, dark Manhattan apartment. Belle Île’s sunshine and surf spoke to their soul.

Nonetheless, their decision to buy a dilapidated house on the small island off the coast of Brittany didn’t make financial sense, as Wallace readily admits in The French House. The purchase wiped out their savings, and the structure still needed major repairs (or more accurately, rebuilding). As this pair of writers struggled to make a living, they had neither the time nor money to return to Belle Île for years. When they finally did, they were met with surf and sun, but also a battered home with “dust, dirt, mold everywhere.”

Don and Mindy feared they had made a terrible mistake, a view bolstered by Don’s mother’s observation: “This isn’t at all like A Year in Provence!”

In the end, the 30 years needed to restore the house did fill the family’s soul. Along with the dust, dirt and construction, they encountered a village full of kind (and sometimes crusty) characters. Mindy, Don and their son, Rory, spent idyllic weeks and months on the island, roaming its paths, enjoying picnics and Breton delicacies, watching shooting stars and soaking up the sun. They added their own touch to island life, teaching their friends and neighbors to surf. Despite their brief stays each year, they became part of the village.

The French House is a wonderful summer read, a spirited mixture of joy and nerve-wracking nitty gritty. No, it may not be A Year in Provence, but it’s the heartfelt story of a 30-year love affair with an unforgettable place.

 

This article was originally published in the July 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

It’s easy to understand why Don Wallace and his wife Mindy were captivated by a beautiful French island called Belle Île. Don, who grew up in California, and Mindy, who was from Hawaii, were living in a cramped, dark Manhattan apartment. Belle Île’s sunshine and surf spoke to their soul.
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Under the Egg starts out with a horrific bang: 13-year-old Theodora Tenpenny sees that her beloved grandfather Jack has just been struck by a cab. She’s just in time to hear his dying words, “Look under the egg,” with instructions to also look for a letter and a treasure.

A treasure is urgently needed, because Theo lives in a 200-year-old Manhattan townhouse with her unstable (but pleasant) mother, who spends her hours sipping expensive tea and working on a math dissertation that’s been unfinished for years. The family funds in Jack’s money jar are rapidly dwindling, with only $384 left, leaving Theo to subsist on their chickens’ eggs and beets from the garden.

One day, as Theo mulls her fate in her grandfather’s art studio, a mouse runs up her leg, causing her to spill a bottle of rubbing alcohol on one of Jack’s paintings. It turns out that another painting lies underneath, which upon further inspection might be a Raphael. Theo is bewildered and a bit alarmed, because Jack was a security guard at the Metropolitan Museum of Art. Could this treasure be stolen?

Laura Marx Fitzgerald’s fiction debut reminds me of a middle-grade version of Donna Tartt’s award-winning The Goldfinch, which also involves a teen whose guardian suddenly dies and who becomes the unexpected caretaker of a valuable work of art. Both novels share a certain Dickensian quality, along with an abundance of action and plot twists and turns.

Just as Tartt’s hero gains a sidekick, Theo soon meets Bodhi, the daughter of famous actors, who quickly becomes her friend and fellow detective. The pair roams New York City, tracking down clues about the origin of this mysterious artwork. Their search is a riveting exploration of art history and world events, especially once Theo and Bodhi unearth the fact that Jack was held captive in a German POW camp during World War II and was involved in a secret mission.

Readers will sail through this novel, thanks to Fitzgerald’s skilled writing, which includes just the right amount of historical details to make this caper riveting from start to finish.

Under the Egg starts out with a horrific bang: 13-year-old Theodora Tenpenny sees that her beloved grandfather Jack has just been struck by a cab. She’s just in time to hear his dying words, “Look under the egg,” with instructions to also look for a letter and a treasure.

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In our information-rich world, Mark Pett’s wordless picture book, The Girl and the Bicycle, is a refreshing change. This is Pett’s second such book, following The Boy and the Airplane. Somehow, by omitting words, the story seems more powerful; perhaps because instead of reading about events, we see and feel what’s happening.

Like The Boy and the Airplane, The Girl and the Bicycle is a straightforward tale, with fairly spare pencil and watercolor illustrations. Its sepia tones are muted throughout, with the only real splashes of color being the green bicycle of the title, and a little red toy airplane that appears on one page, a nod to Pett’s previous book and a clever tie-in between these two stories.

In this new drama, the young heroine walks past a toy store and spots a beautiful green bicycle in the window, which she desperately wants. The girl is accompanied by her younger brother, who appears to be about 2 or 3. She runs home to count her money, but quickly realizes she doesn’t have enough. After knocking on neighbor’s doors, she finds an older woman who needs her help and is willing to pay her. Seasons pass, with these two new friends raking, vacuuming, snow shoveling, planting and doing summer yard work.

Finally, the girl’s piggy bank is full, so she grabs her brother’s arm and races to the toy store, only to discover that the coveted bicycle is gone. What happens next is a poignant and satisfying resolution to this tale.

This is a lovely book to put into a young child’s hands. It is full of character, determination and emotion, and, like Pett’s earlier book, quietly touches on important themes of time passing and the lessons of growing up.

In our information-rich world, Mark Pett’s wordless picture book, The Girl and the Bicycle, is a refreshing change. This is Pett’s second such book, following The Boy and the Airplane. Somehow, by omitting words, the story seems more powerful; perhaps because instead of reading about events, we see and feel what’s happening.

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Whether you’re an adult or a child, this new picture book biography gives an informed overview of intriguing nursing pioneer Florence Nightingale. It’s not a surprising subject choice for gifted author-illustrator Demi (born Charlotte Dumaresq Hunt, nicknamed by her father because she was half the size of her older sister). Demi is well known for her biographies of historical and spiritual figures, as well as her fairy tales, folk tales and stately art.

Florence was born into a wealthy British family in 1820, but from the start “would imagine running a hospital and made detailed lists and charts of all the medicine, equipment, and expenses.” As Florence grew older, she felt that God wanted her to help people through nursing, even though the idea “horrified” her parents. She learned all she could and used her observations and extraordinary experiences to revolutionize medical care in army hospitals. While in the Crimea, she contracted a fever that left her weak for the rest of her life, but she doggedly continued her work from her bed.

As always, Demi’s illustrations are outstanding. They’re simple and spare, yet bursting with strategically placed bursts of color and pattern that enrich each and every page. Demi gives us glimpses of Florence’s elegant family life, filled with estates, carriages, fancy parties, stylish clothes and furnishings. She also conveys the immense suffering of rows of soldiers lying in a dilapidated hall filled with scurrying rodents. Her artwork deftly manages to contrast these two very different worlds in a unified fashion, rounded out with a nicely detailed timeline and suggestions for further reading.

Whether you’re an adult or a child, this new picture book biography gives an informed overview of intriguing nursing pioneer Florence Nightingale. It’s not a surprising subject choice for gifted author-illustrator Demi (born Charlotte Dumaresq Hunt, nicknamed by her father because she was half the size of her older sister). Demi is well known for her biographies of historical and spiritual figures, as well as her fairy tales, folk tales and stately art.

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Debbie Stier faced a crisis. The oldest of her two children was approaching college age, and she hadn’t saved for tuition. What’s more, Ethan was, in her words: “a boy who was ‘happy getting B’s’ and had gotten an awful lot of them.” He was neither an honors student nor an extracurricular overachiever.

When Stier read that high SAT scores can translate to merit scholarships, she hoped this might be Ethan’s ticket. The former publishing executive decided to explore test prep options to see which might prove best for her son, but her idea soon took on a life of its own. This 48-year-old mother ended up taking the SAT seven times, hoping to achieve a perfect score that would motivate Ethan.

Never fear, Stier doesn’t come off as a pushy Tiger Mom in The Perfect Score Project: Uncovering the Secrets of the SAT. However, it’s fair to say that things didn’t always go smoothly. At one point her children got so fed up that they briefly moved in with their father.

In the end, Ethan became a motivated SAT student who got into college, besting his mom in math, and even scoring better than she did on the essay. Stier improved her own scores, and while math remained a thorn in her side, on one test she scored an 800 in writing, and on another scored a 760 in reading.

Stier discovered that long hard work is the only ticket to SAT success, starting with a solid foundation in math, grammar, reading and writing. Her top piece of advice: “Taking full, timed practice SATs using College Board material (only) is an essential ingredient for success on the SAT.” And by taking these practice tests, she means taking them many times.

Along the way, she found some well-known, free online resources to be a waste of time, and was ultimately impressed by a high-priced tutoring company that she had earlier resisted. Good news: She also found some worthwhile free resources, including some you’ve probably never heard of.

Stier’s chronicle of her obsession is full of self-deprecating humor and meaty sidebars analyzing everything from test prep books to SAT grammar and math tips. This is an invaluable resource to read and re-read during the college testing journey.

Debbie Stier faced a crisis. The oldest of her two children was approaching college age, and she hadn’t saved for tuition. What’s more, Ethan was, in her words: “a boy who was ‘happy getting B’s’ and had gotten an awful lot of them.” He was neither an honors student nor an extracurricular overachiever.

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There’s something enchanting and timeless about the art of Barbara McClintock. Where’s Mommy? is a lovely follow-up to Mary and the Mouse, the Mouse and Mary, her previous collaboration with writer Beverly Donofrio. In the first book, Mary formed a friendship with a mouse; now, Mary’s daughter Maria has a secret bond with Mouse Mouse, unbeknownst to their moms. This happy coexistence comes alive in McClintock’s illustrations, brimming with exquisite details and creative parallels between the two worlds. The mouse dwelling brings to mind The Borrowers: A colorful sock becomes a rug; clothespins form a bed frame; and a thimble serves as a teacup.

There’s a crisis at hand, however. Maria’s mother seems to have disappeared, just as Mouse Mouse’s mom is nowhere to be found. Donofrio’s spot-on text moves the story along with increasing urgency, and preschoolers will delight in the frenzied search for these two moms and the reassuring twist at the end. Where’s Mommy? manages to straddle the best of two worlds, serving up a bounty of old-fashioned treats infused with just the right touch of modernity. Here’s hoping this won’t be the last of Mouse Mouse and Maria’s lively adventures.

There’s something enchanting and timeless about the art of Barbara McClintock. Where’s Mommy? is a lovely follow-up to Mary and the Mouse, the Mouse and Mary, her previous collaboration with writer Beverly Donofrio. In the first book, Mary formed a friendship with a mouse; now, Mary’s daughter Maria has a secret bond with Mouse Mouse, unbeknownst to their moms.

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Mr. and Mrs. Bunny are back, and so are Madeline and her ex-hippie parents, Flo and Mildred, in this sequel to Mr. and Mrs. BunnyDetectives Extraordinare! Imagine if Tina Fey wrote a middle grade novel, and you’ll have a sense of the nonstop quips packed into these pages. (For example: “Mrs. Vandermeer’s soccer-mom friends . . . knew that if they didn’t drive their children to some form of entertainment or find some way to keep them occupied every second from school closing until bedtime, the children . . . would resort to staring at the walls until their heads exploded. Suburban homes were very neat, and no one wanted to be picking brain bits off the walls.”)

You don’t need to have read the first book to roll with this one’s many punches. Young Madeline is starting to think about a college fund, but her parents have saved exactly $6.27 when they learn that they’ve inherited a candy shop in England. Meanwhile. Mrs. Bunny wants to be the queen of England. All of this makes sense in Polly Horvath’s rollicking world, and everyone ends up aboard a cruise ship.

Wild adventures ensue, including a stop in the British Museum. Near the end, before Queen Elizabeth and Prince Charles appear, there’s a pivotal scene in a bookshop in which a certain popular author named Oldwhatshername shows up, signing her book about “a bunch of wizards” and a “British boarding school.”

The bookstore owner observes: “She looks so very elegant and svelte. Most writers look like they spend their days eating potato chips and sticking their fingers in light sockets.”

National Book Award-winning novelist Polly Horvath puts laughs and excitement on every page. Her latest is a page-turner, but be sure to take time to savor every bit of her wacky, yet sophisticated humor.

Mr. and Mrs. Bunny are back, and so are Madeline and her ex-hippie parents, Flo and Mildred, in this sequel to Mr. and Mrs. BunnyDetectives Extraordinare! Imagine if Tina Fey wrote a middle grade novel, and you’ll have a sense of the nonstop quips packed into these pages.

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Eric Carle asked a handful of children’s illustrators a question: What’s Your Favorite Animal? The answers are creative jewels by 14 beloved artists, including Mo Willems, Rosemary Wells, Lane Smith and Jon Klassen. Children and adults alike will enjoy the varied responses, each on a two-page spread, including anecdotes, childhood memories and more—all with illustrations, of course.

For example, Nick Bruel, creator of the wonderful Bad Kitty books, begins seriously, with an intriguing pictorial essay titled, “Behold the Octopus,” about the marvels of these eight-legged creatures. Bad Kitty quickly intervenes, outraged at being left out, and the resulting interchange between the wide-eyed feline and his creator is hilarious.

Peter Sís recalls growing up in the Czech Republic, where residents traditionally eat carp on Christmas Eve. Sís describes people buying live carp from barrels in the street, then putting them in their bathtubs to keep them fresh. Often, he says, children become attached to these new “pets.” Sís explains: “You would see many families coming with their carps to the river and blue fish swimming toward the ocean. This gave us all hope! So my favorite creature of hope is the blue carp.”

Carle writes about his cat Fiffi’s treasured string bean (of all things). Susan Jeffers recalls her childhood dreams of white horses, while Steven Kellogg tells of wallpapering his room with drawings of cows.

What’s Your Favorite Animal? is a great way to explore a variety of children’s illustrators (short bios are included). Extend the enjoyment by grabbing several books by each of these artists, and you’ll be ready for a lengthy session of excellent children’s literature.

Eric Carle asked a handful of children’s illustrators a question: What’s Your Favorite Animal? The answers are creative jewels by 14 beloved artists, including Mo Willems, Rosemary Wells, Lane Smith and Jon Klassen. Children and adults alike will enjoy the varied responses, each on a two-page spread, including anecdotes, childhood memories and more—all with illustrations, of course.

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