Alice Cary

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Cheryl Strayed wrote about how the death of her mother changed her life in the best-selling Wild. In a similar and yet very different vein, Kelly Corrigan writes about the effects of her mom’s presence in a wonderful new memoir, Glitter and Glue.

In an earlier book, The Middle Place, Corrigan paid tribute to her larger-than-life father, “Greenie.” In contrast to her optimistic cheerleader of a father, Corrigan’s mother has always been a practical, worrying realist. As this steadfast woman once explained to her daughter, “Your father’s the glitter but I’m the glue.”

Corrigan remembers as a child longing for a more lively, upbeat mom, but over the years, she’s come to realize what an essential and anchoring influence this glue has been, especially now that she’s a mother herself.

Corrigan first began truly appreciating her mother in 1992, when she ran out of money during an after-college backpacking trip around the world. She ended up as a nanny for John Tanner, an Australian widower with two children: 7-year-old Milly and 5-year-old Martin. There was also a handsome stepson in his early 20s named Evan, who adds a romantic interest to Corrigan’s Down Under adventure.

As Corrigan takes on a motherly role for the Tanner children, she constantly thinks about their late mother, a cancer victim, as she gains new insight into the challenges her own mother faced raising Corrigan and her two brothers. As she eloquently explains: “God knows, every day I spend with the Tanners, I feel like I’m opening a tiny flap on one of those advent calendars we used to hang in the kitchen every December 1, except instead of revealing Mary and Joseph and baby Jesus, it’s my mother. I can’t see all of her yet, but window by window, she is emerging.”

Young Corrigan set out on her journey in search of adventure, but along the way learned that many of life’s greatest rewards occur during everyday moments at home. And while this is indeed a “quiet” book in contrast to Strayed’s wild exploits, Glitter and Glue is both riveting and highly readable. Framed by a tight structure and compelling writing, this memoir is refreshingly non-dysfunctional.

Cheryl Strayed wrote about how the death of her mother changed her life in the best-selling Wild. In a similar and yet very different vein, Kelly Corrigan writes about the effects of her mom’s presence in a wonderful new memoir, Glitter and Glue.

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Imagine a fluffy yellow chick who, instead of wings, has very long, skinny and dangling arms. Elizabeth Rose Stanton’s debut picture book, Henny, is a gentle tale about just such a chicken. Preschoolers will relish this saga about the pluses and minuses of being different.

On some days Henny feels triumphant as the other barnyard animals gaze at her in awe; but at other times, they simply laugh, sending Henny to the corner to cry. As Henny grows up, she frets about a multitude of un-chicken-like issues, such as being right-handed or left-handed, or the intricacies of using gloves, mittens and buttons.

Stanton’s watercolor and pencil illustrations wonderfully convey Henny’s changing emotions in lively, understated drawings. Stanton also injects wonderful humor along the way: Henny worries “about things she didn’t quite understand?like tennis elbow, and hangnails, and whether she might need deodorant.” There is wordplay as well, as when Henny realizes she can “comb her comb.”

Readers will cheer as Henny learns to turn her difference into an asset. She starts helping Mr. Farmer with chores and enjoys having the ability to point, twiddle her thumbs and cross her arms. She begins imagining the many things she may be able to do, such as hailing a taxi, joining a circus and even flying.

Stanton turns Henny’s accomplishments into a visual feast as this unusual chicken does things like balance on figure skates and swing through the air on a trapeze. Henny’s journey of adjustment and empowerment is a useful lesson for young children, told in a fun, imaginative way.

Imagine a fluffy yellow chick who, instead of wings, has very long, skinny and dangling arms. Elizabeth Rose Stanton’s debut picture book, Henny, is a gentle tale about just such a chicken. Preschoolers will relish this saga about the pluses and minuses of being different.

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There’s nothing like a snow day, especially if it’s the first snow day of the season. This magical day is delightfully celebrated in You Make Me Smile. The young narrator begins by saying, ”Of all the days in the seasons of the year, today is a very special day. You might not think so yet, but it really is!” She’s addressing her friend, the snowman that she’s about to build.

At the book’s start, the snow hasn’t started yet, which allows author Layn Marlow to use rich, earthy tones to set the stage with the winter landscape. Her heroine looks up with calm anticipation as she wanders among the birch trees near her home. On another spread, the girl gazes out the window of her house at the gray sky, and soon lights up with excitement as snowflakes begin to fill the air. The book unfolds like a soft, snowy day, as this child and her father happily embrace winter’s gift.

Once the snow begins to accumulate, our narrator pulls on her coat and rushes out, addressing her snowman in the making: “Soon you’ll be standing outside in the bright, white world. You’ll be cold, cold, cold, with a radish-red nose.” We watch step-by-step as the girl builds her new friend, who, of course, makes her smile.

Marlow's quiet tale, first published in England, celebrates anticipation, joy, friendship and the passing of seasons. As the snow melts, this young snow lover muses, "A year may pass, but if you wait, we can share a snowy smile again."

There’s nothing like a snow day, especially if it’s the first snow day of the season. This magical day is delightfully celebrated in You Make Me Smile. The young narrator begins by saying, ”Of all the days in the seasons of the year, today is…

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If you enjoy black humor, then you will adore the opening lines of The Nine Lives of Alexander Baddenfield:

"A grave should be a sad thing, and the grave of a child the saddest thing of all.
The tombstone reads:
Here Lies Alexander Baddenfield,
Who Departed This Mortal Coil after a Dozen Years.
He was the Last of the Baddenfields?Thank God!"

Imagine, if you will, an Edward Gorey-like tale written for middle schoolers. This darkly hilarious novel is about a nasty boy from an unimaginably horrible family. Alexander is the last of his line, and because his family members tend to die young, he visits a mad scientist who implants him with the "novavium" of a cat, an organ that is said to give cats nine lives. Alexander's first life ends on the operating table, because successful implantation of the organ requires the death of the patient?but his second life immediately kicks in.

At this point, the book warns readers to stop, because "You are about to embark on a tale that recounts the sometimes gruesome deaths of a young boy, and his not always pleasant rebirths."

A story like this, of course, will not strike everyone's funnybone, but for many young readers, it offers an exciting, refreshing take on mortality. Imagine what risks a boy with nine lives might take: Alexander tries to fly like Icarus off the observation deck of the Empire State Building; he travels to Spain to fight bulls; he kayaks down a river, forgetting that he can't swim.

Alexander's daredevil antics come to an abrupt end, however, when he reaches his eighth life and suddenly begins to face mortality. At one point, a happy ending seems to be looming. Never fear: As readers are reminded early on, this is by no means "a Hollywood movie, or a fairy tale, or a run-of-the-mill chapter book."

Author John Bemelmans Marciano Bemelmans, the grandson of Madeline creator Ludwig Bemelmans, teams with illustrator Sophie Blackall for this delightfully dark romp—a wickedly good choice for Halloween reading.

If you enjoy black humor, then you will adore the opening lines of The Nine Lives of Alexander Baddenfield:

"A grave should be a sad thing, and the grave of a child the saddest thing of all.
The tombstone reads:
Here Lies Alexander Baddenfield,
Who Departed…

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Many people believe God is everywhere, and He/She certainly is in this captivating book of verse. In a series of 16 poems, Cynthia Rylant imagines God wondering what it’s like to be human. To find out, God pursues a variety of very human endeavors, such as becoming a beautician, making spaghetti on a lonely night, going to the doctor and watching cable TV.

Of course, an irreverent book like this won’t be for everyone, and may offend some. That said, I found it a lovely and thought-provoking look at what it means to be human, and what it means to be godlike. There are many wonderful moments of humor, such as when God goes to the doctor: “And the doctor said, ‘You don’t need me, you’re God.’ And God said, ‘Well, you’re pretty good at playing me, I figured you’d know what the problem was.’”

Such interplay between reverence and comedy forms the heart and soul of this unique little volume. When God gets a desk job, She resorts to eating Snickers bars (37!) to get through the day: “She thought that if She had to pick up that phone one more time, She’d just start the whole Armageddon thing people keep talking about.”

Only a supremely talented team could pull off a book like this (which includes 26 poems from a collection first published in 2003). Rylant is the Newbery Award-winning author of more than 100 children’s books, including the Henry and Mudge series. Marla Frazee’s illustrations capture the humanity of each poem, along with just the right amount of godlike wonder. This gem of a book is sure to spark spirited discussions.

Many people believe God is everywhere, and He/She certainly is in this captivating book of verse. In a series of 16 poems, Cynthia Rylant imagines God wondering what it’s like to be human. To find out, God pursues a variety of very human endeavors, such…

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Writing is best accomplished by paying attention, says Kate DiCamillo, author of such gems as Because of Winn-Dixie. Her new book, Flora & Ulysses, features 10-year-old Flora Belle Buckman, a self-proclaimed cynic who goes by the mantra, “Do not hope; instead, observe.”

Flora’s parents have divorced, and her chain-smoking mother is too busy writing romance novels to have time for her daughter. Her mother has also decided that Flora spends too much time reading comic books, which she considers lowly. Flora doesn’t care, because her favorite book in the world is The Illuminated Adventures of the Amazing Incandesto, a comic she and her father have always enjoyed together.

Flora is not feeling particularly hopeful, however, until one day, she observes several incredible things. Outside her window, a neighbor is running around the yard with an out-of-control vacuum, and she vacuums up a squirrel. After Flora races outside and administers CPR, the squirrel springs to life with odd new superpowers—it can fly and even write poetry. Flora names him Ulysses, after the vacuum that nearly mowed him down (a Ulysses 2000X).

Lots of things happen quickly in this fast-paced, funny tale. Flora makes a new friend, an 11-year-old brainiac named William Spivey, who joins her in protecting Ulysses. And protect him they must, because Flora’s mother wants the little squirrel dead and buried.

Flora’s guidebooks in the ensuing adventures are her beloved comics, especially one called Terrible Things Can Happen to You! Many of the illustrations in this comical romp are action-packed comic-book sequences superbly drawn by K.G. Campbell.

Like all of DiCamillo’s books, Flora & Ulysses is filled with adventure, but also plenty of humor and soul. By the end, even cynical Flora has softened up. DiCamillo has seamlessly blended comic-book elements and a zany cast of characters into a thoroughly original, heartwarming tale.

Writing is best accomplished by paying attention, says Kate DiCamillo, author of such gems as Because of Winn-Dixie. Her new book, Flora & Ulysses, features 10-year-old Flora Belle Buckman, a self-proclaimed cynic who goes by the mantra, “Do not hope; instead, observe.”

Flora’s parents have divorced,…

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Who would have ever thought that trains could be pets? It’s just the sort of thing that childhood dreams are made of, and this clever “guidebook” explains everything starry-eyed train lovers need to know.

Imagine a gentle child’s guidebook on caring for dogs, cats or fish. Now insert the word “train” into the text, and literally tons of fun ensues. A young narrator explains that there are several different types of trains, including monorails, freight trains (which “live in the countryside and travel in herds”) and early steam trains (which “pretty much just sit in museums”).

Jason Carter Eaton, author of The Day My Runny Nose Ran Away, likes to think outside the box, and his latest book is no exception. Before you can train a train, you have to catch one, Eaton notes. Suggested methods include trapping it in a net, running it into quicksand or luring it closer with an offering of coal.

Once caught, what next? Having a pet train isn’t easy, so this guidebook suggests that a calming bath (in a swimming pool) can ease a jittery train’s nerves. The author also advises: “Train your train not to leap up on people and to always wipe its wheels before going indoors.”

Eaton’s fanciful, funny text is perfectly accompanied by John Rocco’s energetic illustrations. Together, this creative team brings their trains to life with names like Smokey, Pushkin, Picklepuss and Sir Chuggsalot.

How to Train a Train is particularly pleasing because it’s never cutesy or cartoonish. Rocco’s trains look real (aside from their subtle eyes and expressions), yet he manages to infuse the hulking locomotives with charm and personality. This book is sure to be a huge hit with young railroad enthusiasts everywhere.

Who would have ever thought that trains could be pets? It’s just the sort of thing that childhood dreams are made of, and this clever “guidebook” explains everything starry-eyed train lovers need to know.

Imagine a gentle child’s guidebook on caring for dogs, cats or fish.…

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Girl meets squash. Girl decides to love squash like a favorite doll and take squash everywhere.

Although the premise may not sound action-packed, in the hands of first-time author Pat Zietlow Miller and illustrator Anne Wilsdorf, this story of a big, lumpy vegetable becomes a delightfully fun, touching tale.

After the heroine, Sophie, chooses the squash at a farmers' market, Miller writes, "Her parents planned to serve it for supper, but Sophie had other ideas." Sophie soon decides to call her new "friend" Bernice, prompting her bemused mother to philosophize, "Well, we did hope she'd love vegetables."

After a honeymoon period of veggie love, a standoff ensues between Sophie and her parents. Sophie's mom explains (much to Sophie's horror): "Bernice is a squash, not a friend. If we don't eat her soon, she'll get mushy and gross. Let's bake her with marshmallows. Won't that taste yummy?"

Kids and adults alike will enjoy watching the desperate, thoughtful yet ultimately unsuccessful attempts by Sophie’s parents to remedy this culinary clash. Finally, after other children begin to make fun of the deteriorating squash, Sophie figures out the perfect solution as she attempts to cure Bernice of her splotches and "freckles."

Sophie's Squash is a story with a big heart and authentic emotions, also infused with gentle, droll humor with every turn of the page. Miller's words are spot on, while Wilsdorf's lively watercolor-and-ink illustrations bring the story to life with every character's multitude of expressions. This artistic team fully mines the humor of the situation. What's more, to their credit, they take Sophie's dilemma seriously, treating her squash devotion with the humorous respect it deserves.

Sophie's Squash is a charmer, but be forewarned: Your trips to the farmers' market may never be quite the same.

Girl meets squash. Girl decides to love squash like a favorite doll and take squash everywhere.

Although the premise may not sound action-packed, in the hands of first-time author Pat Zietlow Miller and illustrator Anne Wilsdorf, this story of a big, lumpy vegetable becomes a…

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Gather ’round, readers, and welcome to Sugar Man Swamp in the Texas bayou, home of an intriguing menagerie that includes raccoons, rattlesnakes, wild hogs (the Farrow Gang), alligators, possums, an elusive ivory-billed woodpecker and much more. King of this ecosystem is Sugar Man, a cousin of Bigfoot who stays hidden and sleeping, only emerging during a crisis.

And indeed, a crisis is afoot, as owner Sonny Boy Beaucoup plans to turn 2,000 acres of the swamp into the Gator World Wrestling Arena and Theme Park, presided over by champion gator wrestler Jaeger Stitch.

The swamp needs rescuing, and the heroes are an unlikely trio. There’s a pair of raccoons named Bingo and J’miah who serve as Swamp Scouts, watching over the area and warning Sugar Man when necessary. Then there’s 12-year-old Chap Brayburn, who has lived here all his life. His mother runs the Paradise Pies Cafe, known for heavenly fried sugar pies made from the swamp’s canebrake sugar. Chap’s grandfather, who knew the swamp inside and out, has just passed away, leaving Chap to try to fill his shoes as human guardian of this special place.

Newbery Honor-winning author Kathi Appelt weaves these characters together in a lovely symphony, giving both animal and human viewpoints in numerous chapters, many of which are quite short. The book is a breezy read, full of excitement, and Appelt’s folksy, tall-tale style makes the novel a great choice for a read-aloud.

The True Blue Scouts of Sugar Man Swamp is a tour de force filled with thoughtful, admirable characters like Chap and his grandfather, and rollicking goofballs like the raccoon Swamp Scouts, who help save the day despite their tendency to get themselves in trouble. Underneath all the hijinks are real lessons to be learned about how different species live together and interact, about the importance of conservation and about the impact of development on a fragile ecosystem.

Readers will feel as though they’ve had a VIP tour of Sugar Man Swamp—the only thing missing is a taste of that famous fried sugar pie!

Gather ’round, readers, and welcome to Sugar Man Swamp in the Texas bayou, home of an intriguing menagerie that includes raccoons, rattlesnakes, wild hogs (the Farrow Gang), alligators, possums, an elusive ivory-billed woodpecker and much more. King of this ecosystem is Sugar Man, a cousin…

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What seems to be there, but isn’t?

As Dr. Oliver Sacks explains in Hallucinations, his latest collection of absorbing essays, “Hallucinations, beyond any other waking experience, can excite, bewilder, terrify, or inspire, leading to folklore and the myths (sublime, horrible, creative, and playful) which perhaps no individual and no culture can wholly dispense with.”

Hallucinations, which differ starkly from dreams and imagination, are often associated with wild visions induced by fever, madness or drugs. They come in much greater variety, however, and include hearing voices, music or noises, feeling things or smelling odors—none of which exist. This multitude of illusions has a grand litany of causes, including injury, illness, migraines, trauma, epilepsy and more.

As always, Sacks, the best-selling author of Awakenings and The Man Who Mistook His Wife for a Hat, describes a fascinating cast of patients, starting with a blind, elderly woman named Rosalie, who suddenly began seeing a parade of people in colorful “Eastern” dress and animals, and later a group of somber men in dark suits, and finally, crowds of tiny people and children climbing up the sides of her wheelchair. These crowded, complex visions rolled before Rosalie’s unseeing eyes like a movie, sometimes amusing, and at other times boring or frightening. Sacks diagnosed Rosalie with a fairly rare condition called Charles Bonnet syndrome, which causes visually impaired people to hallucinate.

In addition to Rosalie, he shares stories about a patient who keeps hearing Bing Crosby’s “White Christmas” play repeatedly, a Parkinson’s patient who watches a group of women trying on fur coats in her doctor’s waiting room, a man who feels peach-like fuzz covering everything he touches and a narcolepsy patient who sees the road rise and hit her in the face as she drives. Hallucinations, we learn, can range from terrifying to inspirational, from annoying to entertaining. One of Sacks’ elderly patients greatly looked forward to her visit each evening from “a gentleman visitor from out of town.”

In these 15 essays, Sacks clearly explains and categorizes an amazing assortment of hallucinations, trying to make sense of phenomena that seem to defy logic. He shares his own tale of a voice he heard when alone on a mountain and suffering from a dislocated knee. Just when he was tempted to lie down and sleep, a voice commanded, “You can’t rest here—you can’t rest anywhere. You’ve got to go on. Find a pace you can keep up and go on steadily.”

No doubt his many avid readers are deeply grateful that the good doctor followed the orders of this life-saving hallucination.

What seems to be there, but isn’t?

As Dr. Oliver Sacks explains in Hallucinations, his latest collection of absorbing essays, “Hallucinations, beyond any other waking experience, can excite, bewilder, terrify, or inspire, leading to folklore and the myths (sublime, horrible, creative, and playful) which perhaps no…

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Step back into the glorious days of childhood with Ellen Bryan Obed’s lovely, lyrical tribute, Twelve Kinds of Ice, a book whose 64 pages can be easily devoured in one sitting and enjoyed by both children and adults.

Who knew there were so many types of ice, starting with “The First Ice,” a fragile sheet that appeared in a barn bucket when Obed was a girl growing up on the family farm in Maine. “The Second Ice” was a bit thicker, becoming a plaything that could be held, admired, then shattered into shiny shards. In each short chapter, excitement builds as the author remembers how she, her siblings and friends began each season by skating on a neighbor’s field, then on a frozen stream, and later in the middle of a lake, accelerating “to silver speeds at which legs, clouds and sun, wind and cold, raced together.”

The icing on this icy cake was the family’s annual ice rink, known as “Bryan Gardens,” which was built with boards and filled with a garden hose. “It was our Boston Garden,” Obed writes, “our Maple Leaf Gardens, our Montreal Forum. . . . It had just about everything that the great arenas had except a roof. But Bryan Gardens had the sky, and to us, that was the best roof of all.”

Barbara McClintock’s enchanting illustrations bring this winter kingdom to life, her graceful lines showing the skaters’ wonderful whirls and spins atop the many kinds of ice. She catches the thrilling runs of skaters heading downhill, zigzagging through an apple orchard on the magical day that a heavy crust of ice on snow turns the world into a rink. McClintock’s final spread is a whimsical creation, showing how these dreamy thrills live on throughout the year, after all the ice has melted.

Warm up some hot chocolate and cookies, light a fire and gather ’round on a cozy winter eve to read aloud Twelve Kinds of Ice. Then be sure to have everyone’s skates sharpened for your own outing.

Step back into the glorious days of childhood with Ellen Bryan Obed’s lovely, lyrical tribute, Twelve Kinds of Ice, a book whose 64 pages can be easily devoured in one sitting and enjoyed by both children and adults.

Who knew there were so many types of…

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Sixth grade hasn’t started out well for Minnie McClary. She lives in a new town because her father lost his job as a lawyer. She worries about her Uncle Bill, who after losing his leg in a helicopter crash in Iraq, lives in their basement and builds a model helicopter, trying to make sense of his war experiences. And Minnie’s language arts class erupts in chaos every day, having already chased away four substitute teachers.

Minnie is a small girl with a big heart who fears that she may have already committed social suicide by shouting “Stop it” to her wild classmates. Surprisingly, everyone listened and stopped their shenanigans. After her outburst, however, Minnie quiets her voice, trying to blend into her new surroundings.

Life seems more promising when Miss Marks takes over Minnie’s class. Wearing blue jeans and message-spouting tee shirts (LIVE OUT LOUD), Miss Marks looks more like a teenager than a teacher. She asks her students to fill their daily journals with meaningful writing and questions about life. Her goal is to teach her charges to write and think, which worries parents whose focus is standardized tests scores.

Minnie soon finds her first friend at school: an Iraqi girl named Amira, who covers her head with a scarf. Unfortunately, bullies relentlessly tease Amira, drawing mean portraits and yanking her scarf off her head. Meanwhile, a group of concerned parents protest Miss Marks’ unorthodox teaching methods.

Valerie Hobbs has written a fast-paced story with a likeable heroine. As is the case with most sixth graders, Minnie struggles to figure out her own identity. Just in the nick of time, however, she finds her voice, coming to the defense of both her teacher and her friend.

Minnie McClary Speaks Her Mind is a thoughtful novel about learning to ask important questions, and stopping to think before jumping to misguided conclusions.

Sixth grade hasn’t started out well for Minnie McClary. She lives in a new town because her father lost his job as a lawyer. She worries about her Uncle Bill, who after losing his leg in a helicopter crash in Iraq, lives in their basement…

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In a beautiful new collaboration, writer Julie Fogliano and illustrator Erin E. Stead capture the long, slow season of renewal. Instead of eye-popping flowers and gobs of glorious greens, this picture book begins: “First you have brown, / all around you have brown.” This is the way spring is, especially around my home in New England, where April and even May can be dreary, cold and brown.

There’s nothing at all dreary, however, in And Then It’s Spring, as a boy and his dog plant vegetable seeds and wait for them to grow. The story follows the days of endless waiting, worry and hope as the boy and his dog stand patiently in sun and rain, waiting for signs of life.

This delicate tale is also filled with immediate, easily accessible fun. A bevy of animals—including birds, a rabbit, a turtle and even bears—helps keep watch over the seeds’ progress. The woodblock and pencil drawings by Stead, a Caldecott Award-winning artist, are pitch perfect, full of quiet anticipation. In one scene, Stead shows the boy, his dog and a rabbit with their ears to the ground, while below are labyrinths of activity as ants, worms, mice and chipmunks travel through underground tunnels, and garden seeds sprout deep roots.

Finally, of course, after weeks of waiting, there comes that magic day: “but the brown isn’t around / and now you have green, / all around you have green.” The boy lazily swings in a tire swing over his garden, barefoot and with his face turned gleefully upward, being warmed by the lovely spring sun. The garden finally comes to life in this subtle ode to hope, patience and rebirth.

In a beautiful new collaboration, writer Julie Fogliano and illustrator Erin E. Stead capture the long, slow season of renewal. Instead of eye-popping flowers and gobs of glorious greens, this picture book begins: “First you have brown, / all around you have brown.” This is…

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