Alice Cary

Whether you’re an adult or a child, this new picture book biography gives an informed overview of intriguing nursing pioneer Florence Nightingale. It’s not a surprising subject choice for gifted author-illustrator Demi (born Charlotte Dumaresq Hunt, nicknamed by her father because she was half the size of her older sister). Demi is well known for her biographies of historical and spiritual figures, as well as her fairy tales, folk tales and stately art.

Florence was born into a wealthy British family in 1820, but from the start “would imagine running a hospital and made detailed lists and charts of all the medicine, equipment, and expenses.” As Florence grew older, she felt that God wanted her to help people through nursing, even though the idea “horrified” her parents. She learned all she could and used her observations and extraordinary experiences to revolutionize medical care in army hospitals. While in the Crimea, she contracted a fever that left her weak for the rest of her life, but she doggedly continued her work from her bed.

As always, Demi’s illustrations are outstanding. They’re simple and spare, yet bursting with strategically placed bursts of color and pattern that enrich each and every page. Demi gives us glimpses of Florence’s elegant family life, filled with estates, carriages, fancy parties, stylish clothes and furnishings. She also conveys the immense suffering of rows of soldiers lying in a dilapidated hall filled with scurrying rodents. Her artwork deftly manages to contrast these two very different worlds in a unified fashion, rounded out with a nicely detailed timeline and suggestions for further reading.

There’s something enchanting and timeless about the art of Barbara McClintock. Where’s Mommy? is a lovely follow-up to Mary and the Mouse, the Mouse and Mary, her previous collaboration with writer Beverly Donofrio. In the first book, Mary formed a friendship with a mouse; now, Mary’s daughter Maria has a secret bond with Mouse Mouse, unbeknownst to their moms. This happy coexistence comes alive in McClintock’s illustrations, brimming with exquisite details and creative parallels between the two worlds. The mouse dwelling brings to mind The Borrowers: A colorful sock becomes a rug; clothespins form a bed frame; and a thimble serves as a teacup.

There’s a crisis at hand, however. Maria’s mother seems to have disappeared, just as Mouse Mouse’s mom is nowhere to be found. Donofrio’s spot-on text moves the story along with increasing urgency, and preschoolers will delight in the frenzied search for these two moms and the reassuring twist at the end. Where’s Mommy? manages to straddle the best of two worlds, serving up a bounty of old-fashioned treats infused with just the right touch of modernity. Here’s hoping this won’t be the last of Mouse Mouse and Maria’s lively adventures.

Eric Carle asked a handful of children’s illustrators a question: What’s Your Favorite Animal? The answers are creative jewels by 14 beloved artists, including Mo Willems, Rosemary Wells, Lane Smith and Jon Klassen. Children and adults alike will enjoy the varied responses, each on a two-page spread, including anecdotes, childhood memories and more—all with illustrations, of course.

For example, Nick Bruel, creator of the wonderful Bad Kitty books, begins seriously, with an intriguing pictorial essay titled, “Behold the Octopus,” about the marvels of these eight-legged creatures. Bad Kitty quickly intervenes, outraged at being left out, and the resulting interchange between the wide-eyed feline and his creator is hilarious.

Peter Sís recalls growing up in the Czech Republic, where residents traditionally eat carp on Christmas Eve. Sís describes people buying live carp from barrels in the street, then putting them in their bathtubs to keep them fresh. Often, he says, children become attached to these new “pets.” Sís explains: “You would see many families coming with their carps to the river and blue fish swimming toward the ocean. This gave us all hope! So my favorite creature of hope is the blue carp.”

Carle writes about his cat Fiffi’s treasured string bean (of all things). Susan Jeffers recalls her childhood dreams of white horses, while Steven Kellogg tells of wallpapering his room with drawings of cows.

What’s Your Favorite Animal? is a great way to explore a variety of children’s illustrators (short bios are included). Extend the enjoyment by grabbing several books by each of these artists, and you’ll be ready for a lengthy session of excellent children’s literature.

Imagine a fluffy yellow chick who, instead of wings, has very long, skinny and dangling arms. Elizabeth Rose Stanton’s debut picture book, Henny, is a gentle tale about just such a chicken. Preschoolers will relish this saga about the pluses and minuses of being different.

On some days Henny feels triumphant as the other barnyard animals gaze at her in awe; but at other times, they simply laugh, sending Henny to the corner to cry. As Henny grows up, she frets about a multitude of un-chicken-like issues, such as being right-handed or left-handed, or the intricacies of using gloves, mittens and buttons.

Stanton’s watercolor and pencil illustrations wonderfully convey Henny’s changing emotions in lively, understated drawings. Stanton also injects wonderful humor along the way: Henny worries “about things she didn’t quite understand?like tennis elbow, and hangnails, and whether she might need deodorant.” There is wordplay as well, as when Henny realizes she can “comb her comb.”

Readers will cheer as Henny learns to turn her difference into an asset. She starts helping Mr. Farmer with chores and enjoys having the ability to point, twiddle her thumbs and cross her arms. She begins imagining the many things she may be able to do, such as hailing a taxi, joining a circus and even flying.

Stanton turns Henny’s accomplishments into a visual feast as this unusual chicken does things like balance on figure skates and swing through the air on a trapeze. Henny’s journey of adjustment and empowerment is a useful lesson for young children, told in a fun, imaginative way.