Alison Hood

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Masterful storytellers know to hook their audiences quickly, going right to the heart of things. And so goes novelist Isabel Allende (House of the Spirits) in her new memoir, The Sum of Our Days, whose first sentence roundly states: "There is no lack of drama in my life, I have more than enough three-ring-circus material for writing . . ." No paucity indeed; what ensues is an exuberant, unpredictable, melancholic and loving narrative that spans the 13 years after the death of her daughter, Paula. The book was conceived as an intimate letter to Paula, and is largely drawn from the long daily correspondence with Allende's own mother. "I will begin by telling you what has happened since . . . you left us, and will limit myself to the family, which is what interests you," Allende writes.

This story of family and extended family is certain to interest any reader; who doesn't enjoy a good dish of familial drama? The Sum of Our Days, however, may be especially delectable to writers and fans of Allende's fiction, as Allende generously reveals her creative inner world – the genesis of her many books, her fears and superstitions about writing (she must begin a new book only on January 8 of every new year), and the ways in which a diverse, eccentric pack of family, friends and experiences find their ways into her wondrous tales.

Allende does not hold back in recounting her grief over the loss of a daughter, and The Sum of Our Days is tinged with profound sadness in places. It is also a moving, often humorous, recollection not only of family, but also of essential friends, including exotic, warmhearted Tabra and the wittily wise Sisters of Disorder. Finally, this memoir is a lustrous meditation on placing the complexities of love and relationship, spirituality and suffering into a greater context. As Allende writes, "you have to forget facts and concentrate on the truth. . . . Gently, the waters will settle, the mud will sink to the bottom, and there will be transparency."

Alison Hood writes from Marin County, California.

Masterful storytellers know to hook their audiences quickly, going right to the heart of things. And so goes novelist Isabel Allende (House of the Spirits) in her new memoir, The Sum of Our Days, whose first sentence roundly states: "There is no lack of drama…

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In November 2004, 36-year-old Iris Chang, the brilliant author of the controversial bestseller about the 1937 Japanese war atrocities, The Rape of Nanking, took her own life. She drove to a deserted road near California’s winding Highway 17 and shot herself with an ivory-handled antique gun. To her family, friends and fans, it was a shocking act that led to speculation about murder and conspiracy. Chang appeared to have had it all: a loving husband and young son, plus a writing career yielding wealth and celebrity. Why would she kill herself? Seeking answers, friend and fellow journalist Paula Kamen postulates a series of questions in Finding Iris Chang.

In this blend of biography and memoir, Kamen methodically probes Chang’s internal and external worlds, while coolly documenting an experience of friendship, professional rivalry and the hardships of a writing life. Her sources are the foibles of memory; personal correspondence; interviews with Chang’s colleagues, friends and family; Chang’s diaries and extensive university archives. Readers may wonder (as this reviewer did) about Kamen’s motives for writing this book for a work purportedly sparked by friendship, it is acerbically tinged with licks of envy, impatience and guilty self-pity. It also capitalizes on the sensationalism of the many conspiracy theories that swirled around the mysterious circumstances of Chang’s death.

While the author admits to an early journalism school rivalry with the high-energy, ambitious Chang, they eventually established a post-school friendship. Kamen writes, “At that point, I made a conscious decision not to hate Iris Chang. . . . She was obviously very talented and could teach me something.” This detached, casually brutal honesty pervades much of the book a quality that, while seemingly callous to employ in an homage to friendship, ironically drives this book to expose the unique genius and creativity of Chang, the far-reaching effects of her persistent social activism and compassion, and, sadly, the relentless escalation of the bipolar disorder that impelled her to suicide.

In this blend of biography and memoir, Kamen methodically probes Chang's internal and external worlds, while coolly documenting an experience of friendship, professional rivalry and the hardships of a writing life.
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Daniel Stashower previously explored Arthur Conan Doyle's life and writings in the Edgar Award-winning A Teller of Tales. He now tracks the strange maelstrom caused by a grisly murder that sparked the rise of sensationalist journalism, spurred social reform and influenced the fortunes and literary legacy of a great American writer. The Beautiful Cigar Girl: Mary Rogers, Edgar Allan Poe and the Invention of Murder is a whodunit that not only investigates a violent killing, but provides entree into the desperate, impoverished and imagined world of Poe.

Young, beautiful Mary Rogers is a clerk in a New York tobacco emporium. Noted for her charms and her slightly wicked daring for working in a male-oriented establishment she is popular with customers, enjoying notoriety in the society columns. In July 1841, Mary goes missing for three days, after which her violated body is discovered floating in the Hudson River. The murder touches off fascinated horror, bungled investigations and overwrought argument among the New York populace, police and newspapers. But the unsolved case goes cold, until the brilliant, unstable Poe resolves to turn the tragedy into personal gold: He has his fictional detective, C. Auguste Dupin, solve the murder in a serialized magazine story, The Mystery of Marie Roget. Stashower's well-paced, thoroughly researched blend of historical narrative and detective novel is imaginative and ably captures the boisterous sprawl of 19th-century New York, the activities of its numerous cutthroat newssheets and the sad lives of both Rogers and Poe. Stashower shows command of the mystery genre and considerable insight into Poe's oeuvre, but the book's pace stumbles as it heads toward denouement, hampered by a lengthy analysis of Poe's editorial revisions to the final installment of Marie Roget. In spite of this distraction, The Beautiful Cigar Girl is, as Stashower says of Poe's fictional sleuthing, an astonishing gambit.

Alison Hood writes from San Rafael, California.

 

Daniel Stashower previously explored Arthur Conan Doyle's life and writings in the Edgar Award-winning A Teller of Tales. He now tracks the strange maelstrom caused by a grisly murder that sparked the rise of sensationalist journalism, spurred social reform and influenced the fortunes and literary…

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Edward Dolnick's The Rescue Artist: A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece is a romp of a read: it's as fast-paced as the best suspense thriller, with vividly drawn characters and a lively lick of humor throughout. Starring the brilliant and irascible Scotland Yard art detective Charley Hill, this astonishing true-crime story details his daring rescue of Edvard Munch's The Scream after it was stolen from Norway's National Art Museum in Oslo in 1994. Even more amazing than its recovery, however, was the appalling ease with which the deed was done: all it took was two clumsy men, a ladder, a hammer and a pair of wire snips.

Forget the flash and glam of The Thomas Crown Affair. Former Boston Globe journalist Dolnick, through the voice of the hard-boiled but erudite Hill, sets the world straight about the real-life thugs and loonies that people the world of big-time art crime, their motivations for high-class thievery and the almost comical lack of security measures in the world's finest art museums and private collections.

In riveting style, Dolnick tells the primary tale, the theft of The Scream, in increments, interpolating the rising action with other escapades from Charley Hill's real-life dossier. An additional bonus is a peek into the tortured life of artist Edvard Munch, a haunted man who wrote of his art, "[It] is rooted in a single reflection: Why am I not as others are? Why was there a curse on my cradle?"

Edward Dolnick's The Rescue Artist: A True Story of Art, Thieves, and the Hunt for a Missing Masterpiece is a romp of a read: it's as fast-paced as the best suspense thriller, with vividly drawn characters and a lively lick of humor throughout. Starring the brilliant…

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Hallelujah! Ruby Ann Boxcar, "Dame Edna of the double-wide world," is back and giving St. Nick a run for his money in Move Over, Santa Ruby's Doin' Christmas!. Ruby Ann and the folks at the High Chaparral Trailer Park are celebrating the 12 days before Christmas in true down-home style with a cornucopia of kitschy crafts, thrifty decorating ideas, rustically exotic recipes and kicky entertaining tips. "I wanted to show the world what a real-life Christmas is like, warts and all," she declares. Replete with Ruby's holiday makeup suggestions, tales of Chaparral Christmases past, a blessing from Pastor Ida May Bee of the Holier Than Most Baptist Church, and 12 days of yuletide advice, this hilarious little bible will rock your Christmas present, especially after a shot of sister Donna Sue's Jingle Bell Punch. And when you're finally finished making that wooden spoon reindeer and shotgun shell Santa for your mantel, you can relax with a plateful of O, Tanenbaum, Taters and Velveeta Cheese Fudge. Yum, y'all!

Alison Hood still waits up for Santa every Christmas Eve and eats way too many cookies while keeping watch at the hearth.

Hallelujah! Ruby Ann Boxcar, "Dame Edna of the double-wide world," is back and giving St. Nick a run for his money in Move Over, Santa Ruby's Doin' Christmas!. Ruby Ann and the folks at the High Chaparral Trailer Park are celebrating the 12 days before…

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By the time you finish the last page of Anita Diamant's lively collection of personal essays, Pitching My Tent: On Marriage, Motherhood, Friendship, and Other Leaps of Faith, you may feel as if you've found a new friend, one who is funny, warm and wise and a bit feisty.

Diamant, author of the best-selling novels The Red Tent and Good Harbor, began her career as a columnist writing for numerous daily newspapers and consumer magazines. "I wrote essays about friendship and fashion, about marriage and electoral politics . . . birth, death, God, country, and my dog," she says in her introduction, adding wryly, "The challenge was to pay closer-than-average attention and then shape my experiences and reactions into entertaining prose that rose above the level of my own navel."

Culled from two decades' worth of previously published material, her new book contains revised and updated versions of her wonderful nonfiction pieces, all filled with humorous and sensitive observations on the meaningful earmarks of adult life. Diamant offers trenchant insights, tackling the topics of marriage and parenthood, friendship, community and, "most especially," faith. Diamant has written six nonfiction books on Judaism, and her love for the religion shines brightly throughout this volume. Two sections, "Time Zones" and "Home for the Soul," are devoted to the joys and pitfalls of living within the Jewish tradition, with rhythms and values that can run contrary to American secular life. It is hard, she acknowledges, to find balance in a world in which Yom Kippur and the scheduling of the World Series (tragically!) collide.

Regardless of gender or religion, readers will find universal appeal in this conversational, heartwarming book: Who hasn't relished the childish charms of a summer day at the seaside, complete with a drippy chocolate ice cream cone? Who hasn't nagged their spouse about something?

Diamant declares, "My tent—and I hope yours, too—is filled with blessings. Come see." It's an invitation you won't want to refuse.

Alison Hood writes from San Rafael, California.

 

By the time you finish the last page of Anita Diamant's lively collection of personal essays, Pitching My Tent: On Marriage, Motherhood, Friendship, and Other Leaps of Faith, you may feel as if you've found a new friend, one who is funny, warm and wise and a bit feisty.

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Though writer Caroline Knapp's pen was stilled with her death last June, her incisive and vigorous words speak out in an eloquent final work, Appetites: Why Women Want. This skillful blend of memoir and social commentary mines the author's personal struggles with anorexia and alcohol while probing deeply into the roots of female hunger and its perversions in modern American culture.

Knapp begins her exploration of women's appetites with a painful contrast of opposites: she describes a famous Renoir canvas a sensual, painterly snapshot of voluptuous women lounging along a lush riverbank conjuring an image of satisfaction and bounty, of female hunger fulfilled. Her focus then shifts quickly to a stark, angular picture: "Once upon a time, in a land as different from Renoir's world as Earth is from Jupiter, I weighed eighty-three pounds. I was twenty-one years old, five-foot-four, and my knees were wider than my thighs." Admittedly, the tensions created by human hunger and its appeasement defy gender and reach across world history and culture. But Knapp charts a female-specific journey, one that becomes more telescopic and intense with each succeeding chapter. She examines the contortions of women's appetites in full, from their natural, human beginnings at birth through their eventual suppression and distortion in a culture that remains dominantly attuned to the rights and fulfillment of males.

We travel first into labyrinthine terrain Knapp calls it "The Land of No" a geography shaped by "the idea that there's something inherently shameful and flawed about the female form, something that requires constant monitoring and control." In this place, there are psychic paths with uniformly repressive signposts, directives that the author believes most modern-day women have heard constantly since girlhood: "Don't eat too much, don't get too big, don't reach too far, don't climb too high, don't want too much. No, no, no." For many women, reports Knapp, life lived in this landscape leads to tragic, numbing extremes of body-loathing: self-starvation, morbid obesity, excessive cosmetic alteration. "What," she asks, "is this drive to be thinner, prettier, better dressed, other? Who exactly is this other . . .what might we be doing, thinking, feeling . . . if we didn't think about body image, ever?"

With laser-like focus, Knapp traces the complex physiology of thwarted female hunger in chapters on how women's appetites are influenced by the mother-daughter relationship, and how they are undermined by a confusing zeitgeist of relentless image advertising. Her own salvation from a crippled hunger comes, ironically, through the physical activity of sculling. She forces herself to learn this "aquatic version of tight-rope walking" and, after years of rowing practice, reconnects to her body. From that corporeal foundation, she takes a leap toward freedom.

So, though questions remain what are my hungers? what really feeds me? how much is too much? how much is enough? Appetites is an inspirational, soul-shaking field guide through the wilds of these wonderings. The author's insight recalls writer Gertrude Stein's "there isn't any answer, that's the answer" musings on life: "For there is no unequivocal answer," Knapp writes, "no pinnacle reached, all appetites understood and satiated at last. Instead, there are moments of contentment . . . of sudden alignment between body and mind and spirit . . .gifts from the universe. . .fleeting moments that you have to relish and eat up like pie." Yes, preferably ˆ la mode. Bravo, Caroline Knapp.

Alison Hood is a writer who lives in San Rafael, California.

Though writer Caroline Knapp's pen was stilled with her death last June, her incisive and vigorous words speak out in an eloquent final work, Appetites: Why Women Want. This skillful blend of memoir and social commentary mines the author's personal struggles with anorexia and alcohol…

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Celebrated American author M.F.K. Fisher once said that when she wrote about food and eating, she was really speaking to our hunger for love and warmth. We humans are hungry, each with different longings we assuage according to our varied cultural roots. Come to sustain us through the winter are three savory volumes of food writing from a cornucopia of authors, including Fisher, that illuminate man's culinary and agrarian traditions, creations, prejudices and cravings.

A memorable meal might offer superb dishes and exquisite vintages served in a delightful ambiance. Mark Kurlansky, author of The New York Times bestseller Cod, delivers just such a remarkable repast with his gastronomic anthology, Choice Cuts: A Savory Selection of Food Writing from Around the World and Throughout History. Literary writings from an eclectic company of authors focus on man's knowledge and appreciation of food and drink through the ages. From Plato, Brillat-Savarin and Thoreau to Elizabeth David and Alice B. Toklas (who reveals the best way to clobber a carp), these "cuts" analyze culinary arts and exaggerations, degustation and man's enduring desire for crispy pommes frites.

Kurlansky's clear, well-researched introduction (a small history of food writing) and commentary enliven his selections, which are tucked into chapters on gluttony, food and sex, the primary food groups, culinary rants, food politics and the seductions of chocolate. Choice Cuts is an erudite treat containing practical instruction on preparing your Thanksgiving turkey, arcane lore on the aphrodisiacal properties of celery, and peculiar recipes, such as how to make your whole roasted cow look alive again. A book for culinary aficionados, Cuts casts a wide appeal as pure entertainment, especially when garnished with a comfortable armchair, favorite libation and a plate of chilled, crunchy celery at hand.

When French winemakers speak of terroir, they refer to a signature confluence of natural elements that distinguish one vineyard from another, helping to produce unique, legendary wines. This concept of distinction is no less evident when considering American Southern cuisine, which is bound intimately to its terrain and cultural diversity. The Southern way with food is feted in Corn Bread Nation 1: The Best of Southern Food Writing, edited by John Egerton. Cornbread draws an endearing culinary portrait of the South, long renowned for its anomalies of habit and culture.

These collected essays from contemporary writers such as Rick Bragg, Roy Blount Jr., James Villas and others, are a celebration of Southern food, cooks and culinary traditions many of which have fallen prey to progress. Funny, perceptive, and wise, often a touch odd, these evocative writings are a paean to the vanishing South. There are not many men left like 96-year old Coe Dupuis, a Cajun moonshiner, who contributing writer Craig Laban calls the "wizard of whiskey, a Stravinsky at the still." And it is hard to find a good batch of livermush, a fragrant mess o' beans and hocks, or ambrosial 'cue at just any corner cafŽ. These are special dishes of heredity, place and the sometimes strange finesse of Southern cooks.

Cornbread Nation, sponsored by the Southern Foodways Alliance, a Mississippi group dedicated to preserving Southern food culture, is not a definitive study of its subject, but provides a soulful, enlightening window on the terroir of Southern cuisine. With tributes to cooks Edna Lewis and Eugene Walter, debate on country- versus chicken-fried steak and a rhapsody to watermelon, even readers north of the Mason-Dixon Line will want to pull up a chair to the convivial Southern table.

Jeffrey Steingarten, indefatigable eater and food critic for Vogue, pulls no punches: He will go to the ends of the earth to debunk quackeries of taste and uphold gastronomic veracity. It Must've Been Something I Ate: The Return of the Man Who Ate Everything, a compilation of his essays for Vogue, chronicles Steingarten's investigatory travels into the truth about how, why and what we humans eat.

Steingarten's introduction, "The Way We Eat Now," asserts that misguided attitudes toward food are at the root of global angst. He believes that bringing an open mind to the table can foster personal, and ultimately global, goodwill. The author's culinary quest is often perilous: He takes a turbulent trip on a tuna boat in search of the elusive bluefin, endures a claustrophobic brain scan to prove that gourmandise is not caused by insidious brain lesions and suffers an overstuffed stomach searching out the last honest Parisian baguette.

These essays, a delight for discerning eaters, are lavished with Steingarten's self-deprecating wit, obsessive doggedness and his devotion to "the elemental, primordial glee we feel every time we are called to dinner." He preaches a simple gospel: Eat happily, be happy!

Celebrated American author M.F.K. Fisher once said that when she wrote about food and eating, she was really speaking to our hunger for love and warmth. We humans are hungry, each with different longings we assuage according to our varied cultural roots. Come to sustain…

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" All stories, they say, begin in one of two ways: A stranger came to town,' or else, I set out upon a journey,'" writes novelist and essayist Barbara Kingsolver in Animal, Vegetable, Miracle. The latter theme pervades her new memoir cum investigative nonfiction narrative, a faithful, funny and thought-provoking chronicle of a year in which the author and her family pulled up their big-city stakes and moved from Tucson, Arizona, to a farm in southwestern Virginia. The objective: to spend a year subsisting on food they would raise themselves, or purchase only from local sources, like farmers' markets.

"The project of taking this sort of sabbatical year really was something we had to do as a family," Kingsolver says, speaking from her Virginia farm. "I couldn't do it by myself. And we talked about it for years—it's not something we did overnight." Indeed, the experiment germinated a while; its roots are clearly visible in her essay, Lily's Chickens, (from the 2002 Small Wonder collection) in which she discusses the energy crime of American food transportation and the ethics of responsible eating.

Kingsolver's Appalachian adventure was her response to a conviction that America's food system has been kidnapped, that our nation's food production and consumption habits have been hijacked ("There are ingredients on food labels we can't even pronounce!" she exclaims). She observes that we are now a mostly urban society disconnected from the land the source of our sustenance. "To connect to it, we have to know what farmers do and how vegetables grow. It's a whole area of knowledge that has been lost from our culture in the last two generations," she says.

Contributing to this loss is America's reliance upon highly processed foods across all product lines, with foodstuffs routinely transported worldwide to satisfy our national cravings for any comestible, any time. "Americans put almost as much fossil fuel into our refrigerators as our cars," states Steven L. Hopp, Kingsolver's husband, in the book's first chapter.

As it turns out, this book has not one author, but three. It is a collaborative project that, Kingsolver admits, no one in the family saw coming. "The idea to make a book," she says, "had its genesis in practicality and generosity, a way to inform people about how small, individual lifestyle changes (such as buying food locally and cooking at home) can make a huge difference in quality of life."

And inform it does—accompanying Kingsolver's finely crafted, endearingly personal narrative are information-packed sidebars of no- nonsense prose by Hopp, a biologist. There are also delightful, earnest essays from her 19-year-old daughter, Camille, who comments on the whole adventure, nutritional issues and the sometimes embarrassing (sausage-making!) behaviors of parents. Rounding out this bi-generational perspective are family recipes and weekly meal plans (downloadable from the book's website, www.animalvegetable.com).

Readers—whether vegetarian or carnivore—will not go hungry, literally or literarily. Nor was the Kingsolver-Hopp clan famished during their year of cutting off the industrial pipeline and sinking into the local foodshed. Though Kingsolver reports that it was hard work cultivating the farm, and harvesting and storing the crops for use in the winter months, she says her family thrived on reconnecting with a bounteous earth and its cycles, and derived great pleasure from cooking and eating delicious meals. "This was a project that brought our family together," Kingsolver says.

This year of engaging with the land, of changing eating and purchasing habits, expanded a sense of plenty not scarcity. During our conversation, she reveals that there has been a tremendous interest in the book, even before its publication. And the question people repeatedly ask her is: What was the hardest thing to give up? This confounds Kingsolver, who feels that, in their year of eating consciously, they gained a sense of connection, awareness and fulfillment, and a gratitude for the earth's abundance and generosity. "We didn't drag through the year missing things," she says. "We had such a good time celebrating what we had and celebrating the seasons it's really such a lesson for life, isn't it?" One thing they did not eschew, however, was coffee. "We wheedled out of that one!" she laughs, explaining that they purchased only fair-trade java.

Though they handily solved the coffee conundrum, situations arose that were not so easily dealt with, such as harvesting their livestock for the table. Just before our interview, Kingsolver had been out checking on her animals. "We just had lambs born yesterday," she enthuses. One of the book's most powerful essays, You Can't Run Away on Harvest Day, rationally, but tenderly, discusses how humans kill other life forms from worms, butterflies and broccoli to cattle for sustenance.

"People do get emotional about killing animals, but less than five percent of the population is vegetarian, which means that 95 percent of us eat animals, and we know that somebody killed them," Kingsolver says firmly. She knows that humans don't want to think about this, and says that it's hard for her, too, even though she takes great care in raising and dispatching her animals in the most humane ways possible. "I am a very soft-hearted person," she admits, "and it's difficult to look your food in the eye and face the fact that someone had to kill it for you. But looking at it head-on allows you to make good decisions. Every book I've ever written is about something difficult I don't shrink from raising the difficult questions."

After all our discussion of flora and fauna, I realized I hadn't queried Kingsolver about the third element of her book's title. What, I asked her, was your particular miracle? "Realizing that I could change," she answers, "that I could joyfully embrace a simpler, more sustainable way to live. We can act sensibly, return to our local economies and have a different world. Whether or not people read this book, fossil fuels are going to run out. The dinosaurs are not going to lie down and make more oil."

Alison Hood tends her strawberry patch in sunny California.

" All stories, they say, begin in one of two ways: A stranger came to town,' or else, I set out upon a journey,'" writes novelist and essayist Barbara Kingsolver in Animal, Vegetable, Miracle. The latter theme pervades her new memoir cum investigative nonfiction narrative,…

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For true believers who wish confidently upon stars and blow out their birthday candles with sure expectation, Noelle Oxenhandler's new memoir will surely please – while perhaps winning over a nay-saying wish skeptic or two. The Wishing Year: A House, A Man, My Soul follows a year in the author's life as she decides to try "Putting It Out There." An essayist and Buddhist practitioner, Oxenhandler is facing 50, with a painful divorce and spiritual upheaval behind her, when she finds herself ready for change. She openly, though doubtfully, plunges into "wishcraft" and declares three desires: to purchase a house, find a new man and heal her soul. With honesty, humor and soulfulness, the author chronicles her year-long effort to "desire, ask, believe, receive," exploring the ancient mysteries of wishing, facing her ambivalence about desire and negotiating the intricacies of focus and receptivity. Wishes can come true, she tells BookPage, with a bit of "vision, hope and hard work."

As an essayist who loves logic and rigorous argument, what led you to try your hand at the uncertain mysteries of wishing?

After having lived in the cold, gray snowbelt of upstate New York for 15 years, when I returned to California – which is where I grew up – it felt already as though a great wish had come true. It seemed natural, then, to reclaim other lost loves – like painting – and that led to my first real experiment in wishing.

How did you reconcile your spiritual background with your desire for material things?

I think there actually was a kind of conversion experience that happened for me in the course of my experiment. In various ways I was led to shed my previous incarnation as a "wish snob" and to open myself to the touching humanness of wishing for things – not just spiritual things, but very concrete and tangible things too. Now I've come to feel that so long as we stay aware of the relative importance of things, there's really no contradiction between wanting "a happy death" and wanting a puppy dog (to use an example from John F. Kennedy's childhood).

Though your three heartfelt wishes came true, you still take wishing with "a grain of salt." What is "the grain of salt that hasn't dissolved" for you?

I think the grain of salt is more temperamental than anything. I simply do have a skeptical nature, and I'm superstitious about courting too much earthly happiness! And then I really do believe that the greatest happiness of all comes when we are able to wish for what is. One of the supreme experiences in my life occurred years ago during a 100-day training period in a Zen monastery in northern California. One extremely hot day I was assigned to the utterly disgusting job of feeding rotting garbage into a compost machine, which then sent this stinking splatter all over me! For the first three hours, I thought I was in hell. It was so bad that at some point, something inside me shifted and I let go of all resistance. After the noon break, I found myself rushing back to the garbage heap as though I was going to meet a lover! I couldn't wait to get back there because I had discovered the incredible sense of freedom that comes when we realize that we can be happy no matter what our circumstances.

The Wishing Year could very well kick off a national wishing movement. Do you believe that, employed collectively, wishing could have greater positive impacts and benefits for humankind?

Yes, I really do believe that. In my now 50-plus years of existence, I feel that I personally have never witnessed such a globally dark and dangerous time – a time when the very fate of the earth is in question. The temptation to despair is so very great – and the act of wishing is a very powerful antidote to despair. But not passive wishing. What's needed is that good old-fashioned combination of forward-looking vision, hope and hard work.

Do you plan to continue practicing "wishcraft"? If so, what will you wish for when you blow candles out on your birthday cake?

Well, I really don't want to sound like a "wish snob," but right now – and to a large extent thanks to my wishing year – I'm feeling as though most of my significant personal desires have been met. So, apart from my wishes from this fragile planet of ours, I'm wishing that those who are younger than me and facing big transitions – in my own life, that would be my daughter, my sister and my students – will find happiness in their unfolding paths. As to my own more tangible desires for myself: I confess that when I blew out the candles on my last birthday cake, I wished that The Wishing Year would do well!

For true believers who wish confidently upon stars and blow out their birthday candles with sure expectation, Noelle Oxenhandler's new memoir will surely please - while perhaps winning over a nay-saying wish skeptic or two. The Wishing Year: A House, A Man, My Soul follows…

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Love, it is said, is the magic that turns our world. But sometimes that world’s axis seems to tilt, revolutions wobble and love goes awry. Since February is the time when we pay special court to Cupid, BookPage asked one of the world’s leading experts on love and attachment, Dr. Helen Fisher (Why We Love), to discuss how personality typing, based on human brain chemistry, can help us find—and keep—an enduring love. “This research is new ground for me,” Fisher admits during a phone interview from New York City. “I have attempted to explain other aspects of love, but this work touches the human heart where it lives.” And where the heart lives—or more specifically, gets fired up—is in the brain.

Fisher, a biological anthropologist and research professor at Rutgers University, has a passion to understand human connection—a fascination partly driven by her own biology as an identical twin. Her new book, Why Him, Why Her? Finding Real Love by Understanding Your Personality Type, embodies that penchant, having its genesis in the Internet. In 2004, Match.com executives contacted Fisher for input on a new website that would help people find long-term partners. They asked, “Why do you fall in love with one person rather than another?” She answered that no one really knew; however, in light of the crucial evolutionary choice that mating represents, Fisher surmised that this important decision could not be ruled by mere human whim. “I suspected that psychologists . . . had not looked for the underlying biological mechanisms that direct our romantic choices."

Does personality actually influence who we love? Fisher decided to find out. She examined the biology associated with personality traits, namely, the powerful chemical systems of dopamine, serotonin, testosterone and estrogen. Out of this scrutiny, four basic personality types emerged (the Explorer, Builder, Director and Negotiator), as well as the underpinning for a new book and a consultancy with another website, Chemistry.com, for which she designed the personality typing questionnaire.

Are you impulsive, a risk-taker? Perhaps you’re an Explorer. Traditional? Orderly? Then Builder might apply. If you’re exacting and competitive, have a seat in the Director chair. Do you value compassion and creativity? Then you could be a Negotiator. Fisher’s book entices readers to take her personality test and know themselves better. Most of us are a blend of primary and secondary types and, according to a mate choice survey Fisher conducted with Chemistry.com members, certain types attract—and repel—one another. “Two Builders might bicker over the right way to mop a floor,” she says, “but if they can do damage control, they’ll be fine. But a romance between two Directors? Not so good.” No worries, though, as the book includes an in-depth analysis of each match combination plus sage advice, in a chapter entitled “Putting Chemistry to Work,” on naturally balancing the strengths and flaws unique to each pairing. "A good match, says Fisher, depends upon much more than genetics, though we do “inherit much of the fabric of our mind.” We are not, however, helpless victims of our DNA; there are myriad factors, which Fisher dubs “The Funnel,” that guide attraction: timing, proximity and familiarity, physicality, needs and values, and your love map, which is “a largely unconscious list of traits you will eventually seek in him or her.”

Since I had a love expert on the line, I had to ask for Fisher’s take on our new president and first lady. “I am totally fascinated by them!” she exclaims. She figures (and, hey, Dr. Fisher is good—she had this reviewer pegged instantly as a Negotiator-Explorer) that they are both Explorers with differing secondary types that work beautifully together. “Michelle, I believe, is an Explorer-Director to Barack’s Explorer-Negotiator, and is the ‘rock’ of the family.”

“Men and women are very different in many ways, but the good news is that we were built to work together.” And Fisher is enthused about the power of the Internet—hence her work with Chemistry.com—to facilitate romantic togetherness, especially in these days when a sense of local community seems to be waning. “How we look for love is changing,” she says, “and I hope that I’m helping people find someone to love.”

Alison Hood, a confirmed Negotiator, hopes to become more of an Explorer this year.

Love, it is said, is the magic that turns our world. But sometimes that world’s axis seems to tilt, revolutions wobble and love goes awry. Since February is the time when we pay special court to Cupid, BookPage asked one of the world’s leading experts…

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Most of us had our share of candy, Coke and hot dogs when we were kids. Not so green lifestyle expert Sara Snow: her favorite snack was a whole wheat chappati chock-full of sprouts, hummus and sea kelp flakes. During my call to her home in Indianapolis, Snow spoke enthusiastically about the (dietary) quirks and graces of growing up green, her respect for family and her passion for a credo of organic living—a devotion that sparked her new book, Sara Snow’s Fresh Living: The Essential Room-by-Room Guide to a Greener, Healthier Family and Home.

How-to guides can be preachy, especially when addressing human morals and mores. Fresh Living is not: Snow’s approach is friendly, her information is accessible and the book’s “Green Bar Profiles,” brief cameos of “people from inside the natural products industry and green movement,” are inspiring. Snow walks readers through a typical American household, room by room, offering simple, easy and affordable ways to create a healthier, environmentally friendly home. “I didn’t want to advise people to go out and buy all the latest green gadgets, throw out everything in their houses and start over,” she says, “because that would do more damage than good.” Instead, Snow has produced a reasonably priced, useful guide that folks can take shopping and “scribble in the margins.” She wanted to reach everyone, wherever they were on their journey toward living a healthier, more eco-friendly life.

From kitchen to living room, bathroom to bedroom (how to make “natural whoopie”), nursery (the ecology of diapering) to laundry room and beyond to the Great Outdoors, Fresh Living helps us rethink what we put in, on and around our bodies. Did you know that green grocery shopping happens on the store’s perimeter? That’s where all the veggies and fruits are stashed. Do you have a spider plant on your counter? If so, you’ll breathe easier. Do you know the top tips for greening your car? (First, check the air pressure on your tires.) Especially insightful are Snow’s clear explanations of often confusing food labeling, hazardous pesticide use and the dangers of plastics.

Sara Snow’s definition of green—what she likes to call “fresh”—living (she thinks “green” is overused) is not only about making a healthier home environment, but also about living at a slower, more aware pace—much like the way she was raised. Daughter of Tim Redmond (a green movement pioneer and co-founder of Eden Foods) and mother Pattie, Snow grew up in a unique household where measured, low-impact living ruled supreme. “I was aware that we did things differently in our home,” she says, “and that we were part of a movement much bigger than our family. My dad and mom were involved in important work, and raised us in a very specific way.”

Elders, too, played a crucial part in Snow’s life. Though her parents swept the whole family along on the exciting green movement tide, she credits her grandparents for many of her sensibilities. “My grandparents were ahead of their times,” she says. “They were environmentalists, but they weren’t uppity about it. They would sit down in the dirt and explain the difference between a pea shoot and a weed, where food comes from and why it was important to eat food that has life still in it.” Sadly, Snow believes that many kids today lack this basic knowledge and an understanding of the slower, more earth-connected way of life practiced by earlier generations. On a bright note, though, she says that many questions she answers and consultations she has are with parents, teachers and students who want access to programs, activities and curricula about eating well, establishing responsible carbon footprints and reducing environmental toxicity.

Since 2005, Snow, helped by her previous experience as a television producer, has created TV programs emphasizing an aware, organic lifestyle. She now hosts “Get Fresh with Sara Snow,” carried by the Discovery Health channel, appears regularly on CNN and FitTV, and blogs at treehugger.com. She is an environmental activist who uses her platform to champion planet Earth. “I have a voice and I use that voice to positively encourage people who are trying to do some good. If we can simplify, buy less and start educating ourselves as consumers, we can help companies clean up their environmental practices,” she says.

To make a difference, Snow believes people need to be aware of how their slightest actions can affect their well-being and the health of the environment. “It’s about making that one small change so that you can be a little bit healthier, a little bit more environmentally conscious. Once that change becomes habit, then you add something else. One day you’ll realize, hey, I’m living a really healthy life! And that’s something you can be proud of.”

Alison Hood recycles, re-uses and gardens organically in Marin County, California.

Read more about Sara Snow on her website.

Most of us had our share of candy, Coke and hot dogs when we were kids. Not so green lifestyle expert Sara Snow: her favorite snack was a whole wheat chappati chock-full of sprouts, hummus and sea kelp flakes. During my call to her home…

Interview by

Though he’s a highly regarded journalist, Scott Stossel has long endured an affliction that was hidden from many of his closest associates: near-crippling anxiety. In My Age of Anxiety, a narrative that’s both deeply personal and wide-ranging, he examines the history and treatment of this common disorder.

It took much courage for you to write this personal account of your inner life: What do you hope your book will accomplish?

I hope this book will provide readers with a deeper understanding of the condition, and of both the scientific and cultural contexts in which it exists. Especially for people struggling with anxiety, I hope the book can provide a modicum of solace—the recognition that they are not alone. I also hope people find it entertaining and possibly somewhat hopeful, despite my trawling through some dark places.

By all outside appearances, you’re the capable and confident editor of The Atlantic. Do you think many of your colleagues will be surprised to read about your struggles with anxiety?

Some of them already definitely have been. (As advance copies of the book circulate around the office, I’ve had a parade of colleagues in my office telling me they’d like to give me a hug. Which is nice and also a little uncomfortable.) And I suspect I will continue to be greeted with surprised reactions from professional acquaintances.

The book’s section on drugs is sure to be controversial. What are your thoughts about Big Pharma’s response?

I don’t yet have any sense of how Big Pharma will respond. But I’m definitely not anti-drug. (How could I be when I take medications myself!) In fact, I’d say I’m guardedly pro-pharma—drugs are the best or only solution for many people. I just think we need to be cognizant of the medical risks and societal risks. We should view drugs with both skepticism and hope.

You make many references to the caring and support of your spouse, Susanna. How are you able to maintain relationships with family and friends given your admittedly narcissistic focus on yourself and your condition?

In some ways, my inward focus on my anxiety makes me a worse husband/father/son/friend than I otherwise would be. Susanna has sometimes had to carry an unfairly heavy load. But I would like to think my anxiety has also enlarged my capacity for empathy and made me more conscientious and effective in some areas of my life (even as it has clearly made me less effective in others).

How would you describe the fiscal impact of anxiety—on families, workers and businesses, as well as the healthcare system?

By some measures the impact is huge. Missed days of work due to anxiety disorders (and depression) cost the U.S. economy upward of $50 billion annually. And anxiety is a leading cause of visits to doctors’ offices (which may actually help the economy, but is still not a good thing). Clinical anxiety can place a large fiscal burden on families—it can contribute to unemployment, alcoholism and drug addiction, as well as general distress.

You state that your lifelong struggle with anxiety might be a “source of strength” and a “bestower of certain blessings.” Can you explain how so?

Anxiety, when it’s not debilitating, can bring with it certain gifts: a heightened awareness of your environment; more sensitive social antennae; a general prudence about risk-taking; a spur toward achievement. The philosopher Søren Kierkegaard believed that the greater the anxiety, the greater the opportunity for growth. I think there’s definitely something to that—though when my anxiety is at its worst I’d trade away the opportunity for growth in exchange for the anxiety dissipating.

Though he’s a highly regarded journalist, Scott Stossel has long endured an affliction that was hidden from many of his closest associates: near-crippling anxiety. In My Age of Anxiety, a narrative that’s both deeply personal and wide-ranging, he examines the history and treatment of…

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