Amanda Diehl

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Readers turn to romance novels for many reasons; they’re a bastion of enduring hope, as things are guaranteed to end well. But another draw is the way romance novels depict how characters who have experienced trauma and anxiety can find ways to heal and cope, with the added bonus of finding a partner who exudes support and acceptance. In these two contemporary romances, authors Sonali Dev and Roni Loren introduce characters whose lives have been changed by violence and fear and who carefully chart their paths toward recovery as well as true love.

Sonali Dev continues her Rajes series of Jane Austen retellings with Incense and Sensibility. Indian American politician Yash Raje has launched himself into the race to become California’s next governor, but while attending a campaign rally, he is the victim of a racist assassination attempt. Although the plot is foiled and he is unharmed, Yash is deeply traumatized. Being the direct target of gun violence leaves him anxious and fearful, despite the boost it’s giving him in the polls. 

Yash wants to treat his anxiety and PTSD before their severity is made public, so he seeks help from India Dashwood, a stress-management coach and yoga teacher. The situation is complicated by the fact that India isn’t a stranger to Yash; the two had a passionate affair 10 years ago, and he hasn’t forgotten her since. 

As with many of Dev’s central couples, Yash and India are endearingly bighearted. Their closed-off, protective demeanors cloak how much they’re seeking to be loved and understood by someone willing to make the effort. Dev masterfully explores the darker moments of being human while leading the reader to a realistic, hard-won romantic ending. Incense and Sensibility shares its source text’s focus on family, but it also launches Austen’s novel into the 21st century with its emotional, complex survey of racial identity in America.

What If You & Me, Roni Loren’s newest release in her Say Everything series, also puts mental health front and center. Andi Lockley’s life is shaped by a traumatic experience she had as a teenager, the details of which Loren carefully and sensitively spools out later in the novel. Despite her isolated lifestyle, Andi is still able to pursue her passions and work as a horror writer and true crime podcaster. But there’s one thing currently disturbing her carefully constructed peace: her neighbor, Hill Dawson, whose insomnia is annoying audible through the thin walls of his and Andi’s duplex.

To call Hill a grump is putting it mildly, but the former firefighter has a good reason for his standoffishness. He’s grieving the loss of his career and part of his leg following a disastrous rescue mission. When Andi and Hill finally come face-to-face, the two prickly neighbors feel something unexpected, and their instant attraction kicks off a casual arrangement.

Both Andi and Hill have issues to work through, and What If You & Me emphasizes that when it comes to healing from trauma, you don’t have to go it alone. This love story heaps on the yearning; Andi and Hill smolder through their agonizingly slow-burning romance. Loren’s unparalleled ability to plumb the depths of her characters is on full display in this multilayered and emotional romance.

In these love stories, mental health and the path to treatment are just as important as the journey toward a happily ever after.

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A woman in search of a husband finds one with more than his fair share of deadly secrets in the latest atmospheric, well-plotted horror novel from author Caitlin Starling.

The Death of Jane Lawrence takes place in an alternate version of Victorian-era Britain, known as Great Bretlain. The eponymous heroine is headstrong, wonderfully smart and knows that to live independently, she must wed. It seems illogical, but finding the right man would allow Jane to continue her own hobbies and pursuits, as a married woman is afforded far more freedom than an unmarried maiden.

Bachelor Augustine Lawrence, the only doctor in town, seems like a fine option for Jane. He agrees without too much fuss, under one simple condition: Jane must never visit his ancestral home. She’s to spend her nights above his medical practice, while he retires to Lindridge Hall for the evening. Eventually, of course, Jane finds herself spending the night at Lindridge Hall following a carriage accident, and where she slowly and methodically uncovers the skeletons lurking in Augustine’s closet.


ALSO IN BOOKPAGE: The year's best Halloween reads, ranked from slightly spooky to totally terrifying.


Anyone who has ever read a gothic novel knows exactly where this is going, but Starling does a magnificent, twisted job steering clear of the obvious plot beats. There are surprises galore in the secrets these characters keep and the lengths they’ll go to conceal them. Key to many a successful horror novel is having a main character to root for, one whom readers will want to see come out of everything not only alive but also stronger. Jane is absolutely that kind of character, a beacon of light in a dark world through her sheer tenacity alone, making her exploration of Lindridge Hall a white-knuckle reading experience.

Fans of Starling’s debut, the sci-fi horror novel The Luminous Dead, will find the same steadily growing sense of eeriness here, despite the markedly different setting. Jane isn’t exploring caves on an alien planet, but her journey still feels claustrophobic, almost asphyxiated by the estate’s mysterious walls. Are the horrors she senses of a supernatural nature? Or are they merely born of a man with too many internal demons? “Both” is also an option, and Starling keeps readers guessing until the very end.

For those who crave intense and detailed gothic horror, or those who just want more Guillermo del Toro a la Crimson Peak vibes in their life, The Death of Jane Lawrence is a must-read.

A woman in search of a husband finds one with more than his fair share of deadly secrets in the latest atmospheric, well-plotted horror novel from author Caitlin Starling.

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Penny Aimes’ debut romance, For the Love of April French, is a remarkable and tender story of acceptance, an exploration of self-reflection and a tantalizing slow burn between two compelling leads.

The eponymous April French has a complicated relationship with her Austin-area kink club. As a transgender woman, it's been her mission to make the community feel as inclusive as possible. But the group's members either see her as a supportive, maternal figure or a novelty, rather than as a potential romantic partner or kink participant. April is also still healing from an abusive dominant who took advantage of their power differentials.

Dennis Martin, a wealthy man originally from Seattle, is a newcomer to Austin. He carries his own baggage within the kink community, burdened by past mistakes he made as a new dom. He and his longtime partner experimented with BDSM, but their mutual inexperience led to broken trust and, eventually, the end of their relationship.

To call this romance a slow burn, while apt, wouldn’t fully do justice to Dennis and April’s love story. Their connection is instant, but both are extremely guarded and raw from past experiences. April is used to temporary fascination and assumes abandonment is imminent. While Dennis has done the work to become a more cognizant dom to his partners, he’s still wary of ruining that fragile relationship. Their sexual needs align, but so do their insecurities surrounding power and trust.

Aimes weaves in plenty of commentary on and positive portrayal of kink communities and the purpose they serve for their members. Consent is at the forefront of many interactions, providing examples of both enthusiastic consent and the dangers of miscommunication between partners. The layers of attraction are slowly peeled back as April and Dennis’ electric physical connection evolves into a relationship in which their emotional fears are laid bare. Though the romance between Dennis and April is in the foreground, Aimes also pays attention to both characters’ internal journeys toward forgiving themselves for their mistakes and finding the strength to persevere through past trauma. The romance is incredibly sweet, and the BDSM and kink scenes are off-the-charts hot. It’s a nearly seamless blend of cozy courtship and seductive, compelling eroticism between two soft, adorable nerds.

A nuanced depiction of kinky queer communities that is clearly written from a place of earnest love and appreciation, For the Love of April French proves that heartwarming fluff and sexy kink can go hand in hand. The only question that remains is, when can we have more from this rising star of romance?

Penny Aimes’ debut romance, For the Love of April French, is a remarkable and tender story of acceptance, an exploration of self-reflection and a tantalizing slow burn between two compelling leads.

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The Heart Principle is easily one of the year’s most anticipated romances, as it stars a character who’s been a fan favorite ever since Helen Hoang’s 2018 debut, The Kiss Quotient. It’s finally time for charming, fashionable, motorcycle-riding Quan Diep to meet his match.

That match is Anna Sun, a violinist who recently went viral online and skyrocketed to success. But now she’s burned out creatively and emotionally, much to the dismay of her ambitious parents. What’s more, her longtime boyfriend proposes an open relationship instead of marriage. He’s surprised when she agrees, and even more surprised when Anna is actually motivated to find another partner for herself. When she comes across Quan’s profile on a dating app, she thinks he seems like a fun fling. But Quan exceeds her expectations with his supportive, sweet nature. Soon, Anna finds herself turning to Quan in stressful and upsetting situations, even more so after Anna’s father winds up in the hospital, which complicates their “casual” arrangement. 

Quan will instantly win over readers with his wonderful combination of bad boy vibes on the outside and an adorably gooey center on the inside. Given his litany of tattoos and his adrenaline-seeking personality, Quan is not the boyfriend Anna’s parents would have chosen for her. That sparks a hint of rebellion in Anna, who is growing tired of being the person her family, friends, boyfriend and the public expect her to be. 


ALSO IN BOOKPAGE: How Helen Hoang wrote what she calls her hardest book yet.


Reading a Hoang romance often involves tears, given her knack for homing in on uncomfortable emotions and human vulnerability. The Heart Principle is no different, and it will offer much-needed catharsis to readers who can identify with Anna’s burnout and restlessness. And like Hoang’s previous romance novels, this is a heroine-centric story with intimate ties to the author’s own life experiences. (Don’t skip the author’s notes at the end of Hoang’s books!) Anna and Quan’s love story blossoms out of acceptance—both self-acceptance and being fully accepted by another person, even when plagued by thoughts of inadequacy.

Those who have been fans of Hoang’s contemporary romances since the beginning will be overjoyed to finally get Quan’s story. It does not disappoint. And new readers will most likely sprint to the nearest library or bookstore to get their hands on Hoang’s other two books. That’s how much The Heart Principle lives up to the hype: Hoang has once again displayed her mastery of both complicated emotions and naturalistic, earthy eroticism.

The Heart Principle is easily one of the year’s most anticipated romances, as it stars a character who’s been a fan favorite ever since Helen Hoang’s 2018 debut, The Kiss Quotient.

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Julie Murphy’s first adult romance, If the Shoe Fits, is also the first book in the Meant to Be series, in which different authors will create contemporary rom-coms inspired by Disney princesses. Murphy’s reimagining of Cinderella takes place on the set of a reality TV show, where a young woman becomes an overnight body-positivity sensation.

Cindy Woods is an aspiring shoe designer who works for her TV executive stepmother, Erica. When Erica needs a last-minute stand-in for her reality dating show, “Before Midnight,” Cindy steps up, thinking she’ll be sent home early and can get right back to working on her own dreams in the fashion industry. As the only plus-size contestant, Cindy immediately captures the hearts of viewers and is seen as an inspiration by many fans of the show. While Cindy had hoped her role would be a temporary distraction, she soon becomes one of the leading competitors vying for Prince Charming’s love.

The prince is Henry Mackenzie, the heir to a formerly successful but now failing fashion company. He’s agreed to be the lead of the show as a way of revitalizing the brand. A mutual love of design sparks Henry’s and Cindy’s interest in each other, and the two fashion-loving nerds talking shop and debating various trends makes for great on-page chemistry. Henry is the perfect support for the self-assured and unabashedly passionate Cindy, and their light-on-angst courtship allows Murphy to focus on their individual character journeys.

The Cinderella story wouldn’t be the same without a stepmother and stepsisters, but Murphy thankfully elevates them into complex characters rather than irredeemable villains. Erica and her two daughters can be a bit superficial, but they’re also grieving the loss of Cindy’s beloved father, and there are sweet moments of familial love and support between all four characters.

Fans of “The Bachelor” franchise, especially those who cast a more critical eye on the images and storylines crafted onscreen, will really enjoy this fairy-tale romantic comedy. Cindy didn’t set out to become a voice for bodies like hers, but she is cast in that role regardless. She must navigate all the typical challenges of being a reality show contestant while also having her personality flattened into “the body-positivity girl,” which has both positive and negative repercussions.

If the Shoe Fits is a confident, modern and magical romance that starts the Meant to Be series on the right foot.

Julie Murphy’s reimagining of Cinderella takes place on the set of a reality TV show, where a young woman becomes an overnight body-positivity sensation.

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After her blockbuster debut novel, Red, White & Royal Blue, author Casey McQuiston returns with another queer romantic comedy—with a time slip twist. One Last Stop is a delightful speculative tale that follows August Landry, a somewhat cynical mystery lover who finds the ultimate puzzle in Jane, a punk-rock lesbian she keeps encountering on the subway.

August was raised by her single mom, who was obsessed with the disappearance of her brother, August’s uncle. Their loving but co-dependent relationship is complicated, to say the least. August sees New York City as the perfect place to strike out on her own, a bastion for loners and cynics like herself. But the city has other plans, and August immediately finds her people in the form of three supportive and vibrant roommates. The only thing that’s missing is romance, which she doesn’t expect to find anytime soon.


ALSO IN BOOKPAGE: Casey McQuiston on what comes next after coming out.


Then she spills coffee on herself on the Q train, and like a knight in shining armor, Jane approaches with a red scarf to hide the offending stain. August knows that moments shared with strangers on public transit are fleeting, but she can’t stop thinking about Jane and whether she’ll ever run into her again.

Well, she does—again and again—because Jane is stuck. A queer activist from the 1970s, Jane has been displaced in time and is now trapped in the same car of the same subway line, with limited memory of who she was or how she wound up there. All she has are the contents of her backpack. It’s a surreal and scary situation, but at least there’s August, the tenacious and cute woman she keeps meeting. Attraction inevitably grows between them, but how can you fall in love with someone who isn’t from your time and is literally stuck on the subway? It’s a problem August is desperate to solve.

If you’ve ever had the pleasure of traveling to NYC during the warmer months, you’ll recognize the particularly fervent summertime energy that One Last Stop exudes. The air is thick with humidity and endless possibilities. McQuiston infuses charm into every detail, from the creaks and hisses of a subway train pulling into a station to the shine and grandeur of the New York skyline.

This is a book of hope and love and self-discovery. August is just this side of prickly, and she possesses a cautious sense of reservation. Deep down, she’s scared of being disappointed by those she lets into her heart. She’s a perfect foil for Jane, who is unapologetic and confident.Every scene between them will make the smile on your face grow wider. The speculative twist of a time slip adds angst to August and Jane’s seemingly meant-to-be pairing, giving One Last Stop higher stakes and making it feel more propulsive than other city-set contemporary love stories.

Bursting with heart, snappy banter and a deep respect for queer history and community, One Last Stop isn’t just another surefire hit for McQuiston. It also might be the best read of the summer.

After her blockbuster debut novel, Red, White & Royal Blue, author Casey McQuiston returns with another queer romantic comedy—with a time slip twist.

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Emily Houghton’s Before I Saw You is a tender, emotional debut about pain, recovery and the support people find in unexpected places. This tear-jerking slow-burn romance follows two patients in a long-term care ward as they recover from serious injuries.

Alice and Alfie share a room at St. Francis’ Hospital. Alice is an overworked introvert healing from significant burns after a fire in her building. Alfie is an incurable extrovert who survived a deadly car accident but needed to have his leg amputated. They’re very much opposites. Alfie is quite the chatterbox, determined to bring a smile to everyone’s face, and Alice barely speaks and keeps the curtains closed around her bed. After relying solely on herself from a too early age, the thought of depending on someone else for anything causes Alice to shrink further into herself.

At first, their relationship is built on Alfie talking and Alice just listening. While his incessant chattering annoys Alice at the beginning, she quickly grows accustomed to hearing his voice and eventually finds it a source of comfort. Alfie and Alice both suffered other traumas before their respective injuries, and a long-term hospital stay could be the catalyst for finally addressing those events. After all, there is little else to do when you’re mostly confined to a hospital room.

An action-oriented romance this is not. But it's a perfect read for someone who prefers getting to know the main characters and watching their relationship grow via those tiny, seemingly inconsequential moments. Alice and Alfie’s journey from strangers to friends to more is torturous in the best way possible. Their relationship unfolds slowly, teasingly. The first time they touch hands is momentous and feels incredibly raw because of how much tension and anticipation Houghton has built up to that point.

There are dark moments as Alfie and Alice come to terms with their own baggage, and as the reader discovers more about the circumstances that led them to the hospital. Before I Saw You should come packaged with tissues because crying is inevitable. However, Houghton sneaks in bits of levity from the larger cast of characters, from Alfie’s doting parents to the empathetic staff. It’s a great, balanced approach that also extends to the affable Alfie. Though his kindness and charming personality are genuine, he wields them as a shield to distract himself from thinking too deeply about how his life will change once he leaves St. Francis.

Don't be turned off by the promise of an ugly sob or two. Houghton makes the tough times worth it, such as when Alice speaks her first words to Alfie or when she finally shifts aside her curtain and reaches out her hand. One of the beauties of romance is how it shows the bright spots amid tough times, and Before I Saw You is a testament to why readers find this genre to be hopeful above all else.

Emily Houghton’s Before I Saw You is a tender, emotional debut about pain, recovery and the support people find in unexpected places.

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Eloisa James returns to the adventures of her wonderful Wildes in Wilde Child, a sparkling Georgian romance between an unconventional, theater-loving heroine and a stuffy viscount.

Lady Joan Wilde’s reputation has always preceded her. Her golden blond hair (courtesy of her mother’s affair with a Prussian aristocrat) marks her as an illegitimate daughter, and her parentage is constantly whispered about among high society. Thankfully, Joan has a loving family who doesn’t mind embracing her eccentric ways, as Wilde Child continues to showcase the supportive familial bonds that readers love and have come to expect from this series.

Joan has grown up loving the stage, often performing for her family in the privacy of their home at Lindow Castle. In true Joan fashion, she wants to shake things up a bit and take the leading role in a local theater troupe’s production of Hamlet. However, a woman in breeches, front and center in a Shakespeare play, is asking for scandal. Joan is unabashedly herself, and her tenacity and passion for acting make her the star of every scene. She is a whimsical departure from the shy wallflowers that so often populate the subgenre, with often hilarious results.

Unfortunately, Joan’s brash personality is the bane of Thaddeus Erskine Shaw’s existence. As Viscount Greywick and heir to the Duke of Eversley, Thaddeus shouldn’t be seen with the likes of Joan. She consistently gets under his skin, and he is baffled by the way such an unconventional woman snatches his attention like no one else. His solution is to help the Wildes find a suitable husband for Joan, but before she’ll even consider marriage, she wants to make her dream of performing come true. Thaddeus’ solution is to protect and accompany Joan during the play’s production in a neighboring village, but enacting such a plan puts Thaddeus and Joan in rather close quarters.

Thaddeus’ slow burn for Joan is something to be savored, especially for readers who love to watch a buttoned-up hero slowly come undone. James dials Thaddeus’ inner yearning up to 11, while Joan can’t help herself from teasing the stalwart, seemingly unmoved viscount. Thaddeus’ process of loosening his tight grip upon his conduct (with the help of Joan’s insistent presence) is a welcome foil to the often entertainingly outlandish Wilde household.

James’ writing shines when her characters don’t take themselves too seriously, and the Wilde clan’s infectious energy is the epitome of delightful. Overflowing with tried-and-true romance tropes like opposites attract and secret pining, Wilde Child proves that sometimes there’s no need to reinvent the wheel. The wheel can roll right along if it continues to produce this caliber of happily ever after.

Eloisa James returns to the adventures of her wonderful Wildes in Wilde Child, a sparkling Georgian romance between an unconventional, theater-loving heroine and a stuffy viscount.

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In Uzma Jalaluddin’s sophomore novel, Hana Khan Carries On, a Muslim woman tries to keep her family’s halal business afloat while finding comfort in creating her own anonymous podcast.

Hana Khan has plenty to worry about: her mother’s casual halal restaurant is in dire financial straits, and the Khan household has been turned upside down by the arrival of her aunt and cousin. Her only outlet is Ana’s Brown Girl Rambles, a podcast that Hana launched anonymously and views as a diary of sorts. As it slowly gains a following, Hana starts an adorable online back and forth with a dedicated listener. What she doesn’t know is that very same listener is Aydin Shah, who runs the competing halal eatery that is jeopardizing the Khan family business.

Jalaluddin’s debut novel, Ayesha at Last, was a Pride & Prejudice-inspired journey to romance and self-fulfillment. With Hana Khan, Jalaluddin turns to rom-com classic You’ve Got Mail for inspiration. The bones of the Meg Ryan and Tom Hanks film are there, trading bookstores for halal food, but Jalaluddin launches this story into the 21st century. The most obvious update is Hana’s interest in podcasting and auditory forms of storytelling, but there’s also the setting of Toronto’s Golden Crescent neighborhood, which is home to a thriving Muslim community. Jalaluddin demonstrates how this close-knit world provides both support system and motivation for Hana and her family throughout the novel. But she also acknowledges the depressing truth that it makes them targets, especially when Hana experiences an anti-Muslim hate crime that goes viral.


ALSO IN BOOKPAGE: How Uzma Jalaluddin uses romance tropes to expand the boundaries of the genre.


It’s a tall order to find someone worthy of such a brilliant and earnest heroine, but Aydin is an excellent love interest. He’s genuine and charming, a perfect foil for his father’s more hostile business tactics, but the novel is more focused on Hana’s journey than his own. There is a satisfying happily ever after at the end, but Jalaluddin explores more than just romantic love in Hana Khan. It’s a story of self-love, familial love, togetherness and compassion between neighbors, and all the different ways we express love with who we allow into our lives.

This modern romantic comedy is full of warmth, and complemented wonderfully by Hana’s courageous self-determination and the scene-stealing secondary members of the Khan family. If Hana Khan Carries On is a sign of things to come, whatever Jalaluddin writes next will be inventive, extraordinary and well worth a read.

In Uzma Jalaluddin’s sophomore novel, Hana Khan Carries On, a Muslim woman tries to keep her family’s halal business afloat while finding comfort in creating her own anonymous podcast.

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Farah Heron’s Accidentally Engaged is mouthwatering romantic comedy that layers on tropes like a buttery, flaky dough.

Reena Manji is a dedicated baker who’s ready to kick her passion for bread and baking into high gear. When she hears of a couple’s cooking contest with the grand prize being a scholarship to a culinary institute, Reena desperately wants to enter. There’s just one glaring problem: She doesn’t have a partner, or even a boyfriend. But the solution might lie in the shape of hunky Nadim Remtulla. Her British neighbor works for her father, and Reena’s parents already tried to set the pair up. But now Reena needs his help and he’s all too happy to help make her dream a reality.

This book is for anyone who’s discovered the joy of bread-making, especially bakers who hover over their sourdough starters, waiting for them to grow and bloom and get ready to be turned into warm, delicious loaves. Food—cooking it, sharing it, eating it—is an extension of love and care in Accidentally Engaged. Much of this wonderful slow-burn romance plays out in the kitchen, and readers will be deliciously tortured by how long it takes Reena and Nadim to realize how well they complement each other. Heron also deepens both characters by exploring their different experiences and backgrounds. While both Reena and Nadia are Muslim and of Indian descent, Reena’s experiences as a Canadian Indian and Nadim’s as a British Indian are different. Heron weaves those divergences into their developing relationship in both subtle moments and more overt discussions, perfectly depicting how a couple organically learns more about one another.

As Reena takes charge of making her dreams happen and Nadim plays the role of supportive and enthusiastic cheerleader amidst complicated family dynamics, Heron hits every romantic beat with a confidence of an author who knows exactly what she’s doing. There are meddling family members, close-quarters cooking, a fake relationship and the dreamy boy next door with his beefy muscles and swoony accent. This book is undoubtedly what Heron would pull out during the Showstopper Challenge on a literary version of “The Great British Bake Off.”

Farah Heron’s Accidentally Engaged is mouth-watering romantic comedy that layers on tropes like a buttery, flaky dough.

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Sparks fly between an American woman and a charming British aristocrat when they’re thrown together by their parents’ plan for an advantageous marriage in Harper St. George’s The Heiress Gets a Duke.

August Crenshaw has seen the way marriages of convenience have run roughshod over her close friends, hurting them mentally, emotionally and even physically. She finds passion in numbers, risk assessment and her family’s iron works company. A husband would undoubtedly detail her career ambitions. She vows to never offer herself up as her family’s sacrifice, but worries that her parents’ restraint from using their daughters as pawns is coming to an end.

Evan Sterling, Duke of Rothschild, becomes the manager of the Rothschild estate after a series of devastating tragedies. His staid older brother dies suddenly, followed by his father, and the family’s financial situation is revealed to be truly dire. Evan and his mother realize that the quickest way to gain a fortune, especially as Evan’s twin sisters are set to debut the following year, is to marry. An American heiress will bring new money and steady income. Meanwhile, marrying a duke lends a sense of social capital to those who feel like longstanding institutions have been closed to them.

At first, it isn’t August on the chopping block, but her sweet younger sister, Violet, despite Violet having her own aspirations of becoming a writer and the interest of a man back in America. To protect her sister, August volunteers to take her place, much to the surprise and uncertainty of the meddling parents.

Wry, tenacious August isn’t exactly a friendly woman, but she is a memorable and well-crafted heroine. Prickly at best, she’s practical and often blunt with her words as she tries to get her family’s business taken more seriously. By contrast, Evan’s caring relationship with his mother is a cornerstone of his character (and provides some of the book’s best scenes). It’s lovely to see a mutually respectful and close relationship between a historical romance hero and his mother. And as a bonus, Evan moonlights as a prizefighter who fights shirtless and in tight breeches.

The Heiress Gets a Duke stands out from the crowded field of historical romance by combining old and new. St. George clearly has an appreciation for the genre, as the novel is reminiscent of historical classics that longtime romance readers have grown up with, but there are also meta moments of brilliance, as when August remarks on the amount of dukes available in England or the corniness of mysterious nicknames that just seem silly when said aloud.

Fun, tender and definitely sexy, The Heiress Gets a Duke is already at the top of my list for the best books of the year. Don’t sleep on this refreshing and feminist romance.

Sparks fly between an American woman and a charming British aristocrat when they’re thrown together by their parents’ plan for an advantageous marriage in Harper St. George’s The Heiress Gets a Duke.

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Susan Andersen’s latest release, The Ballad of Hattie Taylor, is a love letter to sweeping rural dramas like The Thorn Birds or Laura Ingalls Wilder's Little House books that straddles the line between historical romance and historical fiction.

Hattie Taylor has always felt like an outsider in Mattawa, Oregon. But a few people make her feel welcomed and loved, chief among them being Jacob Murdock. At the age of 11, Hattie was taken in by Jake’s mother, Augusta, despite her son’s reservations. As years pass, Hattie keeps her crush on Jake a secret, watching as he gets married and then must endure the untimely deaths of his wife and child. But now Hattie is an adult, and she hopes to make her intentions known to Jake.

Jake’s feelings for Hattie are complicated. Not only is he 11 years her senior, but he’s always seen her as a surrogate sister to be protected and watched over. They’ve always been close, but now that closeness seems to be turning into something more, spurred on by the loneliness and grief he feels.

This is a romance for the patient reader. Andersen covers a robust span of time as she explores the integral life experiences of her main characters. (Please also exercise some caution; someone close to the Murdock family rapes Hattie, and her process of healing is integral to the plot.) Mattawa is a small town, but its sprawling emotional landscape, full of complexities and characters, is as engrossing as the best afternoon soap opera. Andersen’s detailed approach to crafting a sense of place shines, particularly as she depicts the passing of each season.

Hattie and Jake’s romance is slow, thoughtful and meandering. Both are figuring out their lives and their identities. How does Jake handle the new role of widower? How will Hattie learn the differences between love and infatuation? Most notably, Hattie’s journey includes the very frustrating realization that she lives in a world ruled by men, most of whom have no care for her own thoughts and feelings. The line between empowerment and disillusionment is a fine one, and Andersen’s acknowledgement of that difficulty makes Hattie’s story all the more memorable.

The Ballad of Hattie Taylor oozes nostalgia even as it vacillates from a lively, page-turning coming of age story, a tender romance that emphasizes care and patience, and a harrowing tale of one woman’s experiences on the American frontier. Hattie’s happy ending with Jake is hard won, but her infectious optimism will have readers with her every step of the way.

Susan Andersen’s latest release, The Ballad of Hattie Taylor, is a love letter to sweeping rural dramas like The Thorn Birds or Laura Ingalls Wilder's Little House books that straddles the line between historical romance and historical fiction.

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Loretta Chase continues to prove her reputation as a queen of Regency romances with the second title in her Difficult Dukes series, Ten Things I Hate About the Duke. When a troublemaking duke and a plain-speaken heroine cross paths, again and again, sporting banter isn’t the only thing that starts to take shape between them.

The exploits of Lucius Beckingham, Duke of Ashmont, are known far and wide: There hasn’t been a spot of trouble he’s left alone or failed to wiggle out of, relatively unscathed. Surprisingly, he does have standards; besmirching a woman’s name is one thing he tries incredibly hard not to do. He’s a bit of a bull in a china shop, but a very charming bull at that.

Cassandra Pomfret has a notoriously sharp tongue and her frustrated father is running out of ways to temper her, well, temper. By tying Cassandra’s fate with her beloved sister’s marriage prospects, he hopes she’ll learn to think before she speaks. Her younger sister, Hyacinth, shan’t marry until she does. When one of Lucius’ scrapes threatens to ruin Cassandra’s reputation, he takes it upon himself to court and marry her, an action which she would never encourage if not for her concern for her sister’s prospects.

If you’re sensing similarities to The Taming of the Shrew and 10 Things I Hate About You, you’re not wrong! This is a rom-com lovers’ delight, complete with period clothing and sneaky flirting around the rules of propriety. Chase effortlessly weaves those allusions in without making the romance feel derivative.

Years earlier, Lucius was Cassandra’s childhood crush. She was hopelessly in love with him, but now all she feels is irritation, exasperation and . . . attraction. They show their growing love for one another differently and it’s utterly adorable; smitten doesn’t even begin to cover it. Bickering and banter is the ultimate foreplay between Cassandra and Lucius, and Chase builds tantalizing frustration in both the characters and readers. You will scream, “Just kiss already!” multiple times. Chase is a tease of the highest order, but always delivers satisfyingly.

There are tropes aplenty with something to delight even the most discerning of readers. Lucius is a bit of a himbo (a slang term for a handsome but not very bright man), a hapless golden retriever in a human body, who is earnest and open toward those he cares about. There’s a fake engagement of sorts, with Cassandra and Lucius forced into repeated proximity. And, as I mentioned before, it’s a retelling that taps into a story held near and dear to romance readers’ hearts.

Though this is the second book in a series, it stands fine on its own. If you’re new to Chase’s work, I encourage you to jump in with both feet. Ten Things I Hate About the Duke is magical, romantic and simply wonderful.

Loretta Chase continues to prove her reputation as a queen of Regency romances with the second title in her Difficult Dukes series, Ten Things I Hate About the Duke.

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