Amy Scribner

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Time: There’s never enough of it, and it slips through our fingers. As the poet Mary Oliver asked, “Tell me, what is it you plan to do with your one wild and precious life?”

In this pair of books, a first-time author and a bestselling author offer their advice on making the most of the time we have.

In When to Jump: If the Job You Have Isn’t the Life You Want, Mike Lewis recalls landing a plum job at a major corporation after graduating from an Ivy League school. He thought he’d achieved everything he could hope for, but at age 23, he couldn’t shake the feeling that he should be doing something else.

“For twenty-three years, I had chased plainly laid out goals,” he writes. “Goals that were easy to want to chase because they were popular with the older people around me and were even popular among my own peers. . . . I felt compelled to run faster toward particular goals—at the risk of forgetting what I was hurling toward, and why.”

So did Lewis want a different corporate position, or perhaps a career switch to science or the arts? No. He wanted, somewhat unbelievably, to pursue a professional career playing squash. And he did! Lewis’ book offers practical advice about how—and most importantly when—to make a big career switch. Lewis isn’t the only one who has taken a huge, life-changing leap, and essays by these passionate risk-takers bolster this compelling book. Others who have listened to their own “little voice,” as Lewis calls it, and switched careers include a mechanical engineer who becomes a trainer, a reporter who joins the Marines and a garbage collector who now designs furniture.

I promise I like this next book for more than just its rock-solid, evidence-based defense of naps. Daniel H. Pink, who taught us the secrets of achieving high performance in his bestselling Drive, returns with another deeply researched and lively book. In When: The Scientific Secrets of Perfect Timing, Pink reveals that timing really is everything.

No matter where one lives, everyone experiences the same daily rhythm: a peak, a trough and a rebound. It may be at different times for different people (some people are night owls while others are morning people, while still another group is what Pink calls “third birds”). The trick is to take advantage of the time when you’re at your best to do your toughest work.

And that time is rarely mid­afternoon. Pink noted a British survey that pinpoints the most unproductive moment of the day: 2:55 p.m. Afternoon is when hospital workers are least likely to wash their hands, it’s when Danish schoolchildren fare worse on exams and it’s when prisoners are less likely to get parole.

Throughout the book, Pink breaks down the science of timing by offering what he calls the “Time Hacker’s Handbook.” These are simple tips to maximize your time, such as how to take the perfect nap. This marriage of research, stories and practical application is vintage Pink, helping us use science to improve our everyday lives.

 

This article was originally published in the January 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Time: There’s never enough of it, and it slips through our fingers. As the poet Mary Oliver asked, “Tell me, what is it you plan to do with your one wild and precious life?” In this pair of books, a first-time author and a bestselling author offer their advice on making the most of the time we have.

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I don’t know how they do it—bestselling authors who deliver satisfying reads year after year. Among this season’s surefire bestsellers are two terrific novels from masters of their genres.

Stephen King’s The Outsider opens with every parent’s worst nightmare: Eleven-year-old Frankie Peterson is found raped and mutilated in a Flint City park. Detective Ralph Anderson is sure he has a slam-dunk case—it’s as airtight as he’s ever seen. The crime scene is dripping with evidence pointing toward beloved youth baseball coach Terry Maitland. Eyewitnesses recall seeing Maitland around town before and after the crime. Yet an alibi soon emerges that mystifies local authorities: At the time of the abduction, Maitland was at a work event miles away from Flint City. He’s even on video, and his fingerprints are found at his hotel.

King peppers The Outsider with the kind of eerie, nightmarish details that only he can conjure: a man with a melted face and straws for eyes who appears in a young girl’s bedroom; a pile of clothes found in a barn, stained black; and an abandoned cave where twin boys once died.

Can a man be in two places at once? Of course not. King’s creepy, exquisitely crafted, can’t-put-it-down tale offers a shocking possibility, one that stuns hardened law enforcement officials and threatens to destroy an entire community.

MIDDLE-AGE MAZE
A totally different kind of terror envelops Kate Reddy, the Brit who won the hearts of millions of working mums in Allison Pearson’s smash debut, I Don’t Know How She Does It. In the wise and sparkling follow-up, How Hard Can It Be?, Kate faces the horrors of menopause and raising teenagers.

After years tending to kids and aging parents, Kate must now re-enter the working world to support her family. Her husband, Richard, is nursing a serious midlife crisis, having quit his job to spend most of his time cycling—or more precisely, buying expensive cycling equipment. Kate takes a midlevel position at the financial fund she set up a decade before, reporting to a man who was born the year she started college.

“I recognize his type immediately,” Kate says. “Self-styled hipster, metrosexual, spends a fortune on scruffing products and Tom Ford Anti-Fatigue Eye Treatment.”

Navigating the pitfalls of age discrimination, Kate soon demonstrates the kind of hustle that made her a financial star years before. Readers may wish she could show such moxie in her home life: Kate’s daughter uses a social media mishap to manipulate Kate into doing her homework; Kate’s son steals her credit card; and Richard, well, he makes a decision so horrible that one hopes he forgets to wear a helmet on his next bike ride.

How hard can it be? Pretty damn hard, Kate learns. But with great friends, a steely core and a clever mind, Kate shows that women can launch themselves off the mommy track and back into the world.

 

This article was originally published in the June 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

I don’t know how they do it—bestselling authors who deliver satisfying reads year after year. Among this season’s surefire bestsellers are two terrific novels from masters of their genres.

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Let’s be real: Parenting fails happen, and meltdowns and mistakes are par for the course. This set of parenting books offers fresh solutions and insights into what makes your kids tick—and how to handle the most trying of situations.

We’ll start with the good news: Children are supposed to misbehave sometimes! And you’re supposed to let them! In The Good News About Bad Behavior, journalist and mom Katherine Reynolds Lewis dives into neuroscience research and interviews with dozens of families. She concludes that “[w]hen adults crack down on bad behavior they undermine the development of the very traits that children need to become self-disciplined and productive members of society.”

That’s not to say that Lewis advocates letting children run wild in the streets. But she argues that by undermining children’s ability to learn to regulate their own behavior, we are raising a generation of kids in chaos. We are so disengaged (how many times a day do you mindlessly pick up your phone?) and so tightly scheduled that we are forgetting to let children learn to control their own choices and make mistakes. Find ways to engage with your children, set firm limits and routines, and watch your children thrive as their perfectly imperfect selves.

PARENTING IN FEAR
It was an impulsive decision that would haunt her: Kim Brooks ran into a store to pick up one item, leaving her 4-year-old son Felix happily playing in the car. In the few minutes she was gone, a bystander filmed her unaccompanied son and called the police.

Small Animals is Brooks’ recollection of the months that followed when she was unsure what the consequences would be for her and her family. But Small Animals is more than a memoir: It is a call to action for all of us to quit the judgmental parenting Olympics.

Brooks talks to Lenore Skenazy, who rose to infamy in 2008 when she wrote a piece about letting her 9-year-old son take the New York subway by himself. Skenazy founded the “free-range kids” movement and fights against the belief that our kids are in constant danger. A certain amount of freedom is important to growing independent children, Brooks argues, but we are so mired in fear of failing—of kidnapping, of injury, of not raising the next president of the United States—that it’s hard to let go.

EMBRACING THE OFFBEAT
Many parents worry about their child not fitting in and being different from the pack. In Differently Wired, Deborah Reber tries to shift the paradigm of how we think about kids with neurodifferences such as ADHD and autism.

Reber and her husband found themselves at a loss when their son, Asher, was diagnosed with autism spectrum disorder, ADHD and disruptive behavioral disorder. He bounced from one elementary school to another because teachers didn’t know how to handle him. Reber finally chose to home-school, but it took several painful years of trial and error to get to that point.

“When we first realize something different is going on with our child, most if not all of us feel overwhelmed with one big question: What now?” Reber writes. “Many of us are relying on word-of-mouth referrals and hours-long Internet searches for things we don’t even have the language for. We’re pioneers without a map, let alone a destination. And this lack of clarity about how to move forward adds an incredibly stressful layer to our already tapped-out lives.”

With empathy and been-there-done-that confidence, Reber outlines 18 concrete and achievable changes (what she calls “tilts”) to transform the way you approach parenting. From letting go of what others think to practicing relentless self-care and identifying your child’s stress triggers, Reber offers rock-solid steps that will shift your family dynamic.

PLAY TIME
The Design of Childhood is a fascinating look at how our surroundings shape our childhoods, both today and in the past. Architecture historian Alexandra Lange traces how changing views on raising children has impacted the way we build schools and playgrounds, the toys we buy and the cities we build.

“Our built environment is making kids less healthy, less independent and less imaginative,” she writes. “What those hungry brains require is freedom.”

Consider the block. The universal, simple children’s toy has been reimagined endless times over the years: Think Legos, Duplo, Minecraft. “To understand what children can do,” Lange writes, “you need to give them tools and experiences that are open-ended, fungible: worlds of their own making.” Lange applies the same logic to other elements of a child’s life: Playgrounds should offer challenges and options. Planned communities should include communal spaces, access to mass transit and short commutes that support family time. This is a fascinating look at the world from a pint-size perspective.

THE RIGHT WORDS
When I picked up Now Say This by Heather Turgeon and Julie Wright, the subtitle seemed a little lofty: “The Right Words to Solve Every Parenting Dilemma.” Really? This book will tell me the right thing to say to a petulant toddler or a tired fifth-grader? As it turns out, though, these women really know their stuff, and they offer priceless tools to work with your child without losing your mind.

Turgeon, a psychotherapist, and Wright, an early childhood expert, base their advice on this simple but effective model: prepare, attune, limit set, problem solve. For example, you need to leave the park, but your toddler is not on board. You prepare (let the child know these are the last few swings), attune (acknowledge the child doesn’t want to go because he’s having so much fun), limit set (explain it’s time to go because dinner is ready) and problem solve (offer to carry him or let him walk). This approach requires patience and practice, but then, isn’t that what parenting is all about?

 

This article was originally published in the August 2018 issue of BookPage. Download the entire issue for the Kindle or Nook.

Let’s be real: Parenting fails happen, and meltdowns and mistakes are par for the course. This set of parenting books offers fresh solutions and insights into what makes your kids tick—and how to handle the most trying of situations.

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The theme of familial betrayal has been a part of literature since, well, forever. These two thrillers put a fresh spin on some of the oldest of tales.

At the beginning of The Better Sister by Alafair Burke, Chloe Taylor’s life seems like something out of the glossy pages of the iconic women’s magazine for which she is editor-in-chief. She’s at the top of her profession, her handsome husband Adam works for a white-shoe law firm, and their son, Ethan, is enrolled at a top Manhattan prep school. Chloe’s star rises even further when she edits a series of #MeToo stories about everyday women. Her success is the culmination of years of determination to leave behind an Ohio childhood marred by alcoholism and domestic violence. “In college, when other students scoured the catalogue for afternoon classes to accommodate their idiosyncratic sleep schedules, I was the one who set the alarm for seven so I could hit the gym and the commons before a 9:00 a.m. lecture,” she remembers at one point.

But beneath the surface, things are fracturing. There’s an affair. Ethan is caught with drugs. Chloe can’t log on to social media without encountering brutal anti-feminist comments. Oh, and Chloe’s troubled sister, Nicky—who is actually Ethan’s biological mom and Adam’s ex-wife—always lurks in the shadows, threatening to upend Chloe’s pristine image.

When someone breaks into their Hamptons home and murders Adam, Ethan becomes the prime suspect. Together, Chloe and Nicky must put aside the jealousy and pain of their past to save their son.

Burke was nominated for an Edgar Award for The Ex, and as a former lawyer, she ably weaves legal intrigue into her thrillers. The Better Sister is a brilliant look at the lengths a mother (or two) will go for family.

Samantha Downing’s My Lovely Wife has been described as “Dexter” meets Mr. & Mrs. Smith, but that doesn’t do justice to this deliciously deranged story. Think more Psycho meets “Desperate Housewives” meets Fatal Attraction.

Our nameless narrator is a tennis instructor at the posh local country club. His wife, Millicent, is a realtor. Nothing about their life is what it seems. They have a beautiful house in the tony Hidden Oaks neighborhood, but only because Millicent snagged it in foreclosure. Their relationship is based not on love and respect, but on a shared passion for kidnapping and killing women. Finding their next victim is the ultimate turn-on, making them feel they’re “wide awake while everyone else is asleep.”

Turns out, unbeknownst to her husband, Millicent is taking risks by keeping one of the women alive to torture her. When one of their victims turns up dead, it seems their pastime is about to be their undoing, until Millicent comes up with a plan to resurrect a long-gone local serial killer and pin the crimes on him. Owen Oliver Riley terrorized the community years earlier: “Two disappeared from inside their own homes. One was in a library, another in a park, and at least three had been in parking lots.”

When their actions start putting their own children at risk, one spouse is ready to pull the plug. But the other is all in. Dark and twisty, My Lovely Wife is a horrifying reminder that one never knows what keeps a marriage alive.

The theme of familial betrayal has been a part of literature since, well, forever. These two thrillers put a fresh spin on some of the oldest of tales.

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Centuries after she published Pride and Prejudice, Jane Austen continues to influence pop culture and inspire spinoffs. Clueless, Bridget Jones’s Diary, Karen Joy Fowler’s The Jane Austen Book Club, novels from Jennifer Weiner and so many others pay homage in ways overt and subtle to the queen of smart British novels. And every new season brings more new Austen adaptations. These two are extra special—one for Janeite traditionalists, the other for readers looking for something totally different.

★ The Other Bennet Sister

Janice Hadlow’s absolutely magical The Other Bennet Sister invites us into the world of one of the less celebrated sisters from Pride and Prejudice, Mary. The middle child, Mary is plain, bookish and completely outshone by her beautiful older sisters, Jane and Lizzy, and her lively younger sisters, Lydia and Kitty. One by one, the other Bennet sisters are married and settled. Yet Mary struggles to find her place in a world oriented around the belief that marriage—not knowledge—is the only path to happiness for women.

The sisters are “all read well enough and knew enough history and geography not to look absolutely foolish in company. Anything more was not only unnecessary, but probably unwise.” Education is not included in Mrs. Bennet’s list of wifely qualities, and she has “no desire to add to her daughters’ disadvantages by burdening them with a reputation for cleverness.”

Mrs. Bennet is borderline abusive to her least charming daughter, and Mary withers in a family that neither supports her thirst for knowledge nor shows her any affection. After her father’s death turns the family estate over to a male cousin, Mary finds herself without a secure home or future. She lands with her aunt and uncle in London where, in the bustling city, she takes the first tentative steps toward choosing her own life trajectory.

Hadlow is a former journalist, having run two of the BBC’s major television channels. It is a marvel that The Other Bennet Sister is her first novel. Her writing is elegant and wry, the story wise and engrossing. I had to keep reminding myself I wasn’t actually reading Austen.

Sansei and Sensibility

Karen Tei Yamashita’s story collection, Sansei and Sensibility, is an equally compelling—if slightly less literal—ode to Austen. A National Book Award finalist for I Hotel, Yamashita is a clever and spare writer. In many of her touching, surreal short stories, she uses Austen as a springboard into tales featuring Japanese Americans in California. (Sansei is a term that means people of Japanese descent born and raised in the Americas.)

“Emi” is a hilarious take on the matchmaking-gone-wrong premise of Emma. In “Giri & Garman,” we see the dashing Fitzwilliam Darcy from Pride and Prejudice reincarnated as Darcy Kabuto II, “captain of the football team, class vice president, and voted best looking, which meant he looked like he was the son of Toshiro Mifune.” (Mifune was a dashing Japanese movie star who appeared in Seven Samurai and Yojimbo.)

But the most powerful entry is “KonMarimasu,” Yamashita’s meditation on the phenomenon of Japanese tidying guru Marie Kondo and how it relates to Japanese Americans’ experiences in World War II internment camps, where families’ few possessions were treasured and, later, passed down. Yamashita writes, “Kondo might say that this stuff in your family archive and this stuff in all these internment museums were parted with to launch them on a new journey. You cogitate the joy spark thing, and you think about simple furniture made from wood scraps, the pink crocheted dress, the sen nin bari, the green high school sweater, the jug of sake, and the waffle iron you know your family smuggled into camp.”

Yamashita’s writing echoes the pain and strength of the Japanese American experience. A potent mashup of Austen and Japanese American culture, Sansei and Sensibility is both entertaining and profound.

These Austen adaptations are extra special—one for Janeite traditionalists, the other for readers looking for something totally different.

Looking for a heaping dose of full-throttle fun? These three books can help.


Gatecrasher 

Society journalism—that is, the gossip pages—doesn’t carry the same gravitas as other areas of journalism. That might change with Gatecrasher. Author Ben Widdicombe, a former gossip reporter, shares lessons about the world’s wealthiest people gleaned from attending Academy Awards parties, lunches at Elaine’s and weddings at Mar-a-Lago for the past two decades.

Widdicombe worked at three of the biggest outlets in gossip: Page Six (New York Post), Rush & Malloy (New York Daily News) and TMZ. Gatecrasher could have been just a dishy memoir about the sex tapes, prison sentences and infidelities of A-listers and the upper crust. And yes, there is plenty of dirt in these pages. However, Gatecrasher’s strength is in its thoughtful cultural critique of celebrity and wealth, and the media’s symbiotic relationship to both. Widdicombe delivers some uncomfortable home truths about American cultural appetites. Take, for instance, his assertion that Paris Hilton is the “most culturally influential person in twenty-first-century America.” Surely that’s incorrect. It must be Beyoncé or Bob Dylan or Oprah or . . . well, anyone but a hotel heiress who made a sex tape.

Yet it makes perfect sense when Widdicombe spells it out: Hilton’s shameless willingness to cash in on being a wealthy person paved the way for everything from “Keeping Up With the Kardashians” to the Trumps. “A gossip culturalist understands how the trashy stuff connects to the bigger picture, and that we ignore it at our peril,” he writes.

Whether you’re a student of US Weekly or cultural studies, Gatecrasher manages to be fun, frothy and just the #inspo you need to topple the bourgeoisie.

—Jessica Wakeman


 

The Hungover Games

British writer Sophie Heawood was living her dream, working as a journalist covering the entertainment industry in LA. She wrote breezy celebrity profiles, went out every night and came home to her tiny Sunset Boulevard apartment.

Then she unexpectedly became pregnant by a man who emphatically did not want to be a father. In the hilarious and intimate The Hungover Games, she chronicles her bumpy journey from woman-about-town to single parent.

Heawood relies on her group of friends (whom she calls her “holy congregation”) and her loving yet judgmental parents as she returns to London to have her baby. She finds a funky house in a neighborhood affectionately known as Piss Alley, a home with “a bench where you could sit and inhale some of East London’s less aggressive pollution, because there was a house three doors down that had managed to plant a tree.”

Like so many new mothers, Heawood is flooded with love, hormones and responsibility. She’s a fantastically funny and unapologetic writer and is candid about the weirdly overlapping bouts of joy and boredom that come with parenting. In a just-between-us tone, she shares her birth story, the “ghost that sat on my shoulder” of the baby’s father who couldn’t commit and what it’s like to venture out in the dating world while still nursing a baby.

The Hungover Games is by and about a single mom, but Heawood’s story of finding love where you least expect it is universal.

—Amy Scribner 


Action Park

Do you think helmets are for wimps and seat belts are for suckers? Is following rules something other people do? If your answer is “Hell, yeah!” then you would’ve loved Action Park, a 35-acre New Jersey amusement park that provided dangerous entertainment for 20 crowded, wild summers beginning in 1978. Gene Mulvihill was the charismatic, impulsive, creative, law-avoiding, retail magnate, millionaire founder, and Andy Mulvihill, who wrote Action Park with journalist Jake Rossen, is his son.

When Andy was 13, his dad came up with a way to monetize his Vernon Valley/Great Gorge ski property in the warm months: He was going to be “the Walt Disney of New Jersey.” The Alpine Slide was the park’s main attraction in its debut 1978 summer, and people flocked to the mountain to try it. Speeding 2,700 feet down a winding track, riders perched in a small cart with a steering rod and iffy brakes. There were no helmets, and thrill-seekers were likely to fly off the track into the woods.

Was it dangerous? Definitely. Did people love it? Absolutely. The park hosted about a million people per year over its two decades, which saw the introduction of additional high-risk attractions like the Speed Slide (100-foot drop + 45 mph = actual enema) and the Wave Pool (25 water rescues daily). Andy recalls his years at the park—during which he went from laborer to reluctant ride tester to lifeguard to manager—with a mix of fondness and frustration, pride and disbelief. It’s indeed amazing that Gene essentially did whatever he wanted for nearly 20 years. Not even countless injuries and six deaths at the park, plus a 1980s indictment for insurance fraud, could put him out of business for long.

Action Park is a fascinating up-close portrait of an eccentric father and gonzo businessman who angered loads of people and was beloved by even more. And it’s a nostalgic chronicle of a place that was horrible or wonderful, depending on your perspective—“a place that, by all rights, should never have existed.”

—Linda M. Castellitto 

Looking for a heaping dose of full-throttle fun? These three books can help.
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In the opening chapters of Dave Eggers’ latest chilling novel, we get a glimpse at a dystopian future in which privacy is a thing of the past and humankind is completely in the thrall of technology. True connection and meaningful communication are withering away. Even the secretary of state tweets dancing rainbow emoji from the official U.S. Department of State account.

At the center of this new world order is the Every, a megacorporation that has acquired Amazon, all the major search engines and social media platforms, and thousands of other companies. Enter Delaney Wells, a young idealist (is there any other kind?) whose parents lost their small-town Idaho store to the Every and now must work for the Every’s Whole Foods-esque grocery service. Delaney believes the Every is “not only a monopoly but also the most reckless and dangerous corporate entity ever conjured—and an existential threat to all that was untamed and interesting about the human species.”

Delaney’s goal is to tear down the Every from the inside. She gets a job at its headquarters and enters an otherworldly corporate culture where everyone dresses the same, steals each others’ ideas and pledges cultlike allegiance to the Every. Delaney begins proposing increasingly outlandish ideas: How about an app that listens to your conversations, tracks the participants’ vital signs and assesses the quality of the interaction? Or artificial intelligence that measures art so we no longer need to decide for ourselves whether “The Last Supper” is beautiful? Or an app called HappyNow? that tells you whether you’re happy with your recent purchases?

To Delaney’s horror, the more ridiculous her pitches, the more enthusiasm they generate, both within the Every and among consumers. She realizes her plan to turn public opinion against the monolithic company has just one flaw: Consumers no longer care about privacy or free will.

Eggers has long established his almost supernatural storytelling skills, and this new book is positively mesmerizing and wholly original. The Every, a companion book to The Circle, will likely scare the bejesus out of readers. The vivid future he depicts feels fantastical but just realistic enough to make you want to unplug your smart speaker and toss your fitness watch.

Unplug your Alexa and toss your Apple Watch. The Every, a companion book to The Circle, will likely scare the bejesus out of you.
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Before she was the world-famous creator of #MeToo, the movement that sparked a reckoning with the mistreatment of women, especially women of color, Tarana Burke was a community organizer and journalist. Her experience as a reporter will be no surprise to anyone who reads Unbound: My Story of Liberation and the Birth of the Me Too Movement, her unflinching, open-hearted, beautifully told account of becoming one of the most consequential activists in America.

Burke was molested by a neighborhood boy in the Bronx when she was 7. Over the years, despite the presence of several loving adults in her life, Burke was repeatedly sexually assaulted. “I was a grown woman before I truly understood the word rape and was able to relate it to my experience,” she writes. “Language like rape, molestation, and abuse were foreign to me as a child. I had no definitions and no context. Nobody around me talked like that.”

In spite of her trauma, Burke writes with humor and gratitude about her experiences. She delves into the rich history of her family, led by a granddaddy who “believed in celebrating Blackness in as many ways as possible” and a mother who was a devout Catholic. In school, Burke was both academically gifted and an agitator who spent time in the principal’s office. A high school leadership program led Burke to Selma, Alabama, where she laid the groundwork for #MeToo after realizing there was an utter lack of programs to support and protect young women as they spoke their truth about sexual abuse.

Burke also writes honestly about her reaction to #MeToo becoming a viral phenomenon on social media in 2017, initially without her knowledge or participation. After spending more than a decade traveling around the country, conducting workshops and speaking on panels about surviving sexual assault, she worried social media would water down or misuse her work.

Ultimately Burke realized that “all the folks who were using the #metoo hashtag, and all the Hollywood actresses who came forward with their allegations, needed the same thing that the little Black girls in Selma, Alabama, needed—space to be seen and heard. They needed empathy and compassion and a path to healing.”

Unbound is not just a thoroughly engrossing read. It’s also an important book that helps us understand the woman who has been so influential as our country struggles to acknowledge women’s trauma.

In the audio edition of ‘Unbound,’ Tarana Burke’s story is rendered all the more potent by her confident voice.

Unbound is Tarana Burke’s unflinching, beautifully told account of founding the #MeToo movement and becoming one of the most consequential activists in America.
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Early in The Turnout, the beautifully dark suspense novel from bestselling author Megan Abbott (Dare Me), readers will sense that all is not right in the Durant School of Dance, a prestigious yet moldering ballet studio.

It’s “Nutcracker” season, and the holiday staple brings in the bulk of the annual revenue for the school, which is run by the Durant sisters, Dara and Marie, and Dara’s husband, Charlie. Emotions are running high in the days leading up to the announcement of who will play Clara—the most coveted role but also the one that makes the dancer the target of cruel jealousy from both students and parents.

Marie, who had been living with Dara and Charlie ever since the sudden death of the sisters’ parents, has recently set up camp in the attic above the studio. A fire from her space heater leaves part of the studio in ruins, and a possibly shady contractor comes on board to help with renovations. The future of the studio is in jeopardy, forcing the sisters to revisit their traumatic childhood as they decide whether the Durant School is worth saving.


ALSO IN BOOKPAGE: Megan Abbott on her fixation with ballet.


The Turnout submerses readers in the obsessive, toxic world of competitive ballet. Abbott perfectly describes the unique smells and atmosphere of a dance studio: a mix of sweat, vomit and hormones. She unsettlingly juxtaposes a sport that requires astonishing levels of discipline with the sugary sweet story of “The Nutcracker.” “Consider the exquisite torture of all those little girls never allowed to eat dancing as costumed Sugar Plums, as fat Bonbons gushing cherry slicks. Tutus like ribbon candy, boys spinning great hoops of peppermint, and everywhere black slathers of licorice and marzipan glistening like snow.”

Abbott layers dread and darkness as readers learn about the harrowing family home that shaped Dara and Marie and pulled Charlie into their lives. Virtually no one is who they seem, and Abbott keeps the twists coming until the final pages. The Turnout is the kind of gripping, unnerving page turner we have come to expect from an author who does noir better than almost anyone.

Early in The Turnout, the beautifully dark suspense novel from bestselling author Megan Abbott, readers will sense that all is not right in the Durant School of Dance.

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Green Bank, West Virginia, is known as the quietest town in America. It’s a lushly forested place where a government-owned observatory requires unimaginable levels of quiet, and therefore where locals are asked to eschew cell phones, microwaves and Wi-Fi.

Since the Green Bank Observatory was built in 1957, scientists there have quite literally listened to the universe through equipment that only works when it’s not competing with the electronic noise of modern society. Employees at the observatory have spent decades mitigating radio frequency noise, outfitting the Dollar General’s automated front door with conductive lead paint to block electromagnetic radiation and once even replacing a malfunctioning electric blanket in a local home. 

While some locals sneak in forbidden electric gadgets, Green Bank is a haven for those who seek unusual peace and quiet. When journalist Stephen Kurczy started visiting regularly in 2017, he quickly realized it’s an eclectic group. The Quiet Zone: Unraveling the Mystery of a Town Suspended in Silence is his fascinating, deeply reported and slightly eerie look at an unusual corner of America.

“Had I walked into a dream?” Kurczy wonders. “An elderly man was cohabitating with bears down the road from the world-famous clown doctor Patch Adams and just a few miles from a hippie enclave, all of them sharing a patch of Appalachia with world-renowned astronomers and secretive government operatives. The area seemed tinged with magical realism, with an impossible menagerie of eccentrics congregating in the forest.”

How had so many disparate groups found their way to the same town in West Virginia? The truth is, many of them came there to be left alone. In repeated trips to Green Bank, Kurczy gets to know these various groups, from the white nationalists who attempted to build their headquarters there to a group of electrosensitives who become ill from even the slightest electromagnetic radiation and who moved to Green Bank in a desperate attempt to quell their sickness.

Ultimately, Kurczy realizes Green Bank is not as silent as the media portrays it, but he brings to life other facets of this town that are even more intriguing. Kurczy becomes embedded in the community, and with compassion and a journalist’s eye he delivers a compelling portrait of a town where people struggle with the same issues as the rest of America, just a little more quietly.

The Quiet Zone is Stephen Kurczy’s fascinating, deeply reported and slightly eerie look at a town in West Virginia with no cell phones, microwaves or Wi-Fi.
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When longtime Georgia Congressman John Lewis died from pancreatic cancer in 2020, President Obama said, “He, as much as anyone in our history, brought this country a little bit closer to its highest ideals.” This lovely book offers Lewis’ meditations on everything from love to public service and affirms that he indeed represented the best of our nation.

Carry On: Reflections for a New Generation is divided into short sections in which Lewis shares hard-earned wisdom from his years on the front lines of the civil rights battle. The son of a sharecropper, Lewis joined Martin Luther King Jr. and the Freedom Riders as they protested segregation across the South. For someone who faced injustice, police brutality and racism, Lewis remained remarkably optimistic. “Yes, we were jailed, arrested, firebombed, bloodied,” he writes in a chapter on activism. “But we never felt hate, and even though it can be hard to hold back our anger, it is worth the effort because it works in the end. We changed America, and now the time has come for more change.”


ALSO IN BOOKPAGE: Actor Don Cheadle narrates the audiobook edition of Carry On.


Lewis devotes much of the book to the current expression of our nation’s racism. He compares the deaths of Ahmaud Arbery, Breonna Taylor and Trayvon Martin to the 1955 lynching of 14-year-old Emmett Till and urges his fellow Americans to embrace the Black Lives Matter movement.

There are lighter chapters, too, in which Lewis writes about art, sports, clothes and books. He loved comic books as a kid, and a favorite hobby as an adult was frequenting flea markets searching for old books. These chapters read like someone shooting the breeze with an old friend. He recalls telling Congressman Elijah Cummings, for whom he was often mistaken, that he was going to get a tattoo on the back of his head so people would stop confusing them.

Carry On is a bittersweet book, coming so soon on the heels of Lewis’ death, but a beautiful reminder of finding hope and joy in the simplest things. “Happiness is being at home after a long day, playing with and feeding my cats,” Lewis writes. “I’m a happy person.”

This lovely book offers John Lewis’ meditations on everything from love to public service. It’s a beautiful reminder that he represented the best of our nation.
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Golden Girl is Elin Hilderbrand’s 27th novel, an especially astonishing number considering that she explores the same rich terrain of Nantucket and the surrounding areas in almost every one of her books. A reader might be wary of the author becoming formulaic, but Golden Girl is surprising, delightful and—dare I say?—quirky.

Vivi Howe is a Nantucket-based novelist who has found significant commercial success even as critical acclaim eludes her. “Vivi had legions of loyal readers, but she’d never quite captured the interest of the serious reviewers,” Hilderbrand writes. “They had called her first novel, The Dune Daughters, ‘three hundred pages of word salad.’” Vivi is on the verge of tasting the adoration of critics for the first time when she’s struck and killed by a car while jogging.


ALSO IN BOOKPAGE: Summer reading 2021: 9 books to soak in this season


Killing off the main character just a few pages into a book is somewhat unorthodox, but it’s just the first of many interesting choices Hilderbrand makes. The next twist is that Vivi’s Hermès scarf-wearing guardian angel grants her a 75-day window to watch the aftermath from a perch above. Vivi is also allowed to use three “nudges” to influence the outcome of events.

The remainder of Golden Girl explores what happens to the family and friends left behind, as fragile bonds are tested and long-buried secrets come to light. Vivi’s three children deal with grief in different yet equally destructive ways, while her ex-husband questions his decision to leave Vivi for a much younger woman years before.

The book is filled with Hilderbrand’s trademark gorgeous scenes and delicious dialogue. But Golden Girl also explores the author’s own place in the literary pantheon, often with a wink and a nod to the reader. In one scene, as Vivi is watching an interaction and wondering whether to use a nudge, she says, “I’m the novelist here. . . . Let’s give it another couple of chapters.”

Like Vivi, Hilderbrand is commercially successful but doesn’t always get her due as an immensely talented writer. Golden Girl will help change that. It is funny and heartbreaking, and even though it’s in some ways a departure for Hilderbrand, the novel still offers plenty of that Nantucket air to keep you turning pages.

Killing off the main character a few pages into a book is somewhat unorthodox, but it’s just the first of many interesting choices Elin Hilderbrand makes.
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Through her popular historical novels, bestselling author Chanel Cleeton offers a fresh glimpse into Cuba’s tumultuous past. Her latest, The Most Beautiful Girl in Cuba, is set on the eve of the Spanish-American War, as the island country is ravaged by conflict between Cuban revolutionaries and the Spanish military.

The story unfolds through the eyes of three women: Evangelina Cisneros, a beautiful socialite who finds herself in the infamous Recogidas prison after rebuffing the advances of a Spanish military official; Marina Perez, who along with her husband is aiding the revolutionaries while living in deplorable conditions at a reconcentration camp; and Grace Harrington, a cub reporter trying to make her mark at William Randolph Hearst’s New York newspaper.

The women all come from wealthy families yet have chosen their own paths as they seek more than the comfort provided by their privilege. This is a recurring theme in Cleeton’s work: women turning their lives upside down to fight for what they believe in. For Evangelina and Marina, they’re fighting for the dream of a liberated Cuba. For Grace, it’s a career as a serious journalist in an era when few women (aside from Nellie Bly and Ida B. Wells) could imagine working for a newspaper. Their fates intersect when Hearst places Grace on the Cuba beat, reporting from the front lines.

The heart of The Most Beautiful Girl in Cuba is ostensibly Evangelina, who is the title character and based on a real person. And indeed, her story is fascinating. She was briefly the most famous woman in New York after a daring rescue landed her stateside to advocate for Cuban independence. But Cleeton’s examination of the state of journalism at the turn of the century is an equally compelling part of this engrossing book. The battle of Hearst versus Joseph Pulitzer for the biggest circulation is fascinating. Both of their newspapers used the discord in Cuba to bolster their sales and arguably influenced the conflict more than was appropriate for a supposedly neutral press.

Cleeton delivers a sweeping story of love and courage, as well as a sobering reminder of the power and responsibility of the media.

Chanel Cleeton delivers a sweeping story of love and courage, as well as a sobering reminder of the power and responsibility of the media.

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