Angela Leeper

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“TWO WEEKS THAT WILL CHANGE YOUR LIFE,” promises a flyer at the local grocery store. Change is just what studious Georgia—whose piled-on academic and family responsibilities have resulted in secret panic attacks—needs. She recruits petite, artistic Riley, her best friend since kindergarten, and along with nearly a dozen high school students from their Philadelphia suburb, they travel to the border town of Juárez, Mexico, to give a squatters’ village called Anapra its first bathroom.

Beth Kephart’s lyrical new book, The Heart Is Not a Size, describes the community’s joyous interest in the Americans, their camaraderie and their survival amid poverty, harsh desert conditions and the increasing number of haunting, unsolved muertas—murders of young women and teens. Kephart’s gentle storytelling captures Georgia’s concerns, her “fuzzy collisions of optimism and despair,” as she tries to shoulder the burden of responsibility and confront the truth about Riley’s escalating eating disorder at the expense of their friendship.

Georgia’s secrets are also revealed with the help of fellow group member Drake, a privileged yet compassionate teen who shares her enthusiasm for the poet Jack Gilbert. While it takes the combined efforts of their team to transform the village, she discovers that one person can make a difference when it comes to friendship. Inspired by a trip the author took with family and church members to Anapra, The Heart Is Not a Size will encourage teens to open their hearts (no matter the size) in their relationships and give back to the Earth and its residents.

“TWO WEEKS THAT WILL CHANGE YOUR LIFE,” promises a flyer at the local grocery store. Change is just what studious Georgia—whose piled-on academic and family responsibilities have resulted in secret panic attacks—needs. She recruits petite, artistic Riley, her best friend since kindergarten, and along with…

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Like last year’s critically acclaimed Marcelo in the Real World, Francisco X. Stork’s The Last Summer of the Death Warriors is the story of a teen faced with difficult choices before the start of a new school year. Kicked out of his foster home and recently orphaned, 17-year-old Pancho Sanchez has one more chance at St. Anthony’s, an orphanage in Las Cruces, New Mexico. Unable to find a construction job for the season, he becomes the aide to fellow resident Daniel Quentin, known as D.Q., who is dying from a type of brain cancer known as diffuse pontine glioma. The immediate allusions to Don Quixote give depth to the quiet steadiness of the novel.

D.Q. has another round of treatment, which he knows he can bear because it will give him one more opportunity to confess his heart to Marisol, a young worker at Casa Esperanza, his outpatient home. And he’ll even endure the two-week recovery period with the bipolar mother who turned him over to St. Anthony’s as a child—if afterwards he can be legally emancipated, allowing him to die where he chooses and to follow the tenets of his Death Warrior Manifesto, a declaration to “love life at all times and in all circumstances.” (“‘Life Warrior’ is probably more accurate because the manifesto is about life,” admits D.Q., “but ‘Death Warrior’ is more mysterious-sounding.”)

Their journey out of town provides the angry, depressed Pancho with a way to avenge the death of his mentally challenged older sister after the police, claiming she died of natural causes, filed away the case. He is also a boxing fan, and the author takes great care jabbing boxing imagery into the Hispanic teen’s own fight for life. Like his literary predecessor, Pancho’s observations of D.Q. illuminate his friend’s idealism and his attempts to claim love in spite of the disease attacking his body and mind. In an unflinching ending, Pancho must decide between carrying out a certain death sentence or finding faith and his place in humanity—and becoming a true Death Warrior.

Angela Leeper is a librarian at the University of Richmond.

Like last year’s critically acclaimed Marcelo in the Real World, Francisco X. Stork’s The Last Summer of the Death Warriors is the story of a teen faced with difficult choices before the start of a new school year. Kicked out of his foster home…

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It’s been almost two years since Melissa’s father lost his long-fought battle to cancer. She keeps him alive by remembering the unusual information he loved, like the fact that glass takes a million years to decay. These interesting tidbits offer the high school freshman a new way of looking at the world, but they don’t provide any guidance on how to grow up and work through her continuing grief.

While her older sister Ashley begins preparing for beauty pageants, following in the footsteps of their gorgeous mother, who has started dating again, plainer Melissa just wants everything to remain the same. At least she can depend on Ryan, her childhood friend who still likes to ride bikes in the river wash behind their Phoenix desert homes—until curvy, confident Courtney transfers to their school and immediately sets her sights on Ryan. And Melissa has always thought she could depend on her adoring father’s impeccable reputation, until she discovers clues about a woman from his past.

As she dates a popular senior athlete (as much a surprise to her as it is to the rest of the school), all the while hiding her envy of Ryan and his new girlfriend, Melissa achingly ponders beauty, jealousy, secrets and the signs of first love. Instead of seeking out the answers to her family’s mysteries, she realizes that she can fill in the gaps with her own stories. And taking her father’s facts and wisdom to heart, she also realizes that relationships are like glass: they may break into pieces around you, but those pieces stay with you forever.

In Jillian Cantor’s expressive, eloquently rendered coming-of-age novel, The Life of Glass, the broken-glass motif echoes throughout Melissa’s heartfelt story of love and resilience. Cantor’s pitch-perfect narration and spot-on depiction of emotional turmoil will remind readers of the exquisite fragility of adolescence.

 

Angela Leeper is a librarian at the University of Richmond.

It’s been almost two years since Melissa’s father lost his long-fought battle to cancer. She keeps him alive by remembering the unusual information he loved, like the fact that glass takes a million years to decay. These interesting tidbits offer the high school freshman a…

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“I don’t want ends. I want beginnings,” thinks Charlotte “Charlie” Steer when her single mother moves the two of them to a house in the country in Flightsend. After her mother’s recent delivery of a stillborn baby, Charlie reluctantly accepts the move to Flightsend, a fixer-upper that backs up to an abandoned World War II landing strip. But the 16-year-old can’t figure out why her mother would turn her back on her boyfriend Sean, the baby’s father and the only father Charlie has known for the last five years, especially when he’s eight years younger than her mother, attractive, funny and committed.

During the summer before Year 12, as Charlie finds her niche in the village as a waitress at a cultural retreat, she begins to understand relationships and the complicated forms and boundaries of love and friendship in this multilayered narrative. As she tries to rekindle the romance between Sean and her mother, she begins to wonder if her feelings for him as a stepfather have turned into a more mature love. Complicating her emotions are a young art teacher’s subtle yet inappropriate touches and encouragement when she decides to study art. Then there’s the German pilot who stealthily lands near Flightsend, knows the secret behind the hidden cross in the woods and stirs her mother out of her depression.

Newbery makes Charlie and her circle of loved ones the kind of people readers care about with her realistic yet quiet storytelling and vivid descriptions of their countryside environs. She gives the bright teen a new way to look at endings and lets her see that from loss comes healing, from goodbyes come new hellos and from a move comes a home.

Angela Leeper is a librarian at the University of Richmond.

“I don’t want ends. I want beginnings,” thinks Charlotte “Charlie” Steer when her single mother moves the two of them to a house in the country in Flightsend. After her mother’s recent delivery of a stillborn baby, Charlie reluctantly accepts the move to Flightsend, a…

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When the first World Trade Center tower is hit on 9/11, high school senior Claire worries about her mother at work and her brother across the street in elementary school; classmate Peter, skipping study hall to buy the new Bob Dylan album at Tower Records and dreaming of his first date with Jasper, wonders how listening to music will ever be the same; and Korean American Jasper, at home until his college classes begin, sleeps through it all and wakes to emptiness. In the eloquent Love Is the Higher Law, these young adults’ lives intertwine in a way that wouldn’t have been possible before the tragic event.

The focus of this episodic story is not on what happened on September 11, 2001, but during the hours, days and weeks afterward. Temporarily forced away from home, breathing in the dust of the remains and peering at the immense hole left behind, the three teens wonder how they will ever sleep, date and feel again. From even simple acts, such as a shoe store handing out free sneakers to fleeing workers, they discover that surviving is finding the gratitude in one another.

Author David Levithan’s repertoire includes Boy Meets Boy and other masterful love stories. While romance may be a possibility for Peter and Jasper, the real love in this novel is for New York City and humanity. Taking its name from a U2 lyric, the slim but powerful story also features pop culture song lyrics that continue to strike a chord with today’s hearts. Teen readers, just children on 9/11, may remember the facts from watching them on television, but Love Is the Higher Law relates the emotions of that day, defined by Before and After, and how we all began living in the After that rocked the world.

Angela Leeper is a librarian at the University of Richmond.

When the first World Trade Center tower is hit on 9/11, high school senior Claire worries about her mother at work and her brother across the street in elementary school; classmate Peter, skipping study hall to buy the new Bob Dylan album at Tower Records…

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In a departure from her Victorian-era trilogy for teens, Libba Bray dishes out a multi-layered dark comedy in her latest book, Going Bovine. Sixteen-year-old Cameron Smith, a self-absorbed slacker from Texas, is dying from Creutzfeldt-Jakob Disease, the human variant of Mad Cow.

Doctors don’t give Cameron much time, but Dulcie, a punk angel with pink hair, explains that the prions attacking his brain are from dark energy released by Dr. X. While parallel world-hopping, this mad scientist opened a wormhole, allowing dark energy to penetrate Earth. If Cameron can track down Dr. X, he’ll not only find a cure for his Mad Cow, but also save the planet in the process.

Cameron sets out on a farcical road trip to Daytona Beach, where Dr. X may be hiding. With help from his hospital roommate (an anxious, hypochondriac Little Person named Paul Henry “Gonzo” Gonzales), guidance from Dulcie and messages from tabloids, the pair tackles a series of hilarious, Don Quixote-like battles.

During the journey, Cameron begins to appreciate his parents, reconnect with his near-perfect sister and most importantly, learn about himself and how to trust, love—and live. While enjoying the hijinks, readers will have to decide whether Cameron’s escapades are really happening or merely the result of his deteriorating spongy brain, an element that adds to the madcap fun.

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Read an interview with Libba Bray for Going Bovine.

In a departure from her Victorian-era trilogy for teens, Libba Bray dishes out a multi-layered dark comedy in her latest book, Going Bovine. Sixteen-year-old Cameron Smith, a self-absorbed slacker from Texas, is dying from Creutzfeldt-Jakob Disease, the human variant of Mad Cow.

Doctors don’t give Cameron…

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Prolific fantasy writer Sharon Shinn spins another imaginative tale with gentle romance in Gateway. Taking time out from a busy summer internship, Chinese adoptee Daiyu stops at a jewelry vendor near the St. Louis Arch and is captivated by the beautiful and unusual stones that reflect her birth heritage. After wearing them for only a few moments, she is transported to Shenglang, an alternate St. Louis that resembles 19th-century China and in which Chinese culture is dominant while whites and blacks serve as ostracized laborers.

The confused teen is taken in by a biracial couple, who explain to Daiyu that she is one of the few individuals who can travel between dimensions with the aid of magical amulets. They ask for her help in bringing justice to Chenglei, their corrupt prime minister. With the help of Kalen, an orphaned, white teenage boy, and a wealthy socialite, Daiyu quickly learns espionage tricks and the finer skills of high society for her auspicious meeting with Chenglei.

Once her mission is completed, the teen is free to return home, but she will forget all that she experienced in Shenglang, including her developing and secret relationship with Kalen. Caught between two worlds, Daiyu is afraid of losing memories from both. But can love survive beyond time and space? The possibility will enthrall teen readers, as will the author’s detailed descriptions of this parallel world; her interesting explanations of travel across time and dimensions; and thought-provoking discussions of race and culture. Shinn concludes with room for a sequel and the chance to explore love and time once more.

Prolific fantasy writer Sharon Shinn spins another imaginative tale with gentle romance in Gateway. Taking time out from a busy summer internship, Chinese adoptee Daiyu stops at a jewelry vendor near the St. Louis Arch and is captivated by the beautiful and unusual stones that…

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Fifteen-year-old Samara is fed up with a summer when everything is broken—the air-conditioner, the ceiling fan, the icemaker, even her family. While her mother is serving a “suggested” court-ordered rehab for DUI, her father, charismatic Pastor Charlie, has time and answers for everyone in their small town, except his wife and daughter. “Everyone thinks they know us, me. Everyone is wrong,” Sam explains. Left out of “non-Christian” activities on the weekends because she’s the pastor’s daughter, she sinks into depression and a crisis in faith in Sara Zarr’s Once Was Lost.

In the midst of Sam’s burgeoning doubt, 13-year-old Jody from her youth group disappears without a trace. As each day passes and the mystery continues, smothering hope and fueling rumors, no one is above suspicion. Red herrings run aplenty, duping readers to the very end. Time begins to stand still, as community members reach out to one another and Sam develops a relationship with Jody’s big brother. And as she realizes the reasons behind her father’s neglect, Sam begins to view him as a multifaceted, misunderstood figure, just like herself.

Once Was Lost is part realistic fiction, part mystery, part religious story and all together one gentle, smart read that features believable characters, flaws and all. Small-town life, for better or worse, is frankly depicted, too. For likeable, resilient Sam, who expresses her feelings to readers before she does to the rest of the world, her summertime struggle to reclaim her faith is more about reclaiming her identity.

Fifteen-year-old Samara is fed up with a summer when everything is broken—the air-conditioner, the ceiling fan, the icemaker, even her family. While her mother is serving a “suggested” court-ordered rehab for DUI, her father, charismatic Pastor Charlie, has time and answers for everyone in their…

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"I don’t mean to be weird P but in your letter you said how you wanted the truth about stuff even if it’s ugly and trust me it’s going to get a little ugly,” writes Jamie, aka Punkzilla, in this gritty novel told in letters. AWOL from the military school his conservative parents forced him to attend, 14-year-old Jamie has been scraping by in Portland, Oregon, rooming in a boarding house, stealing iPods for Fat Larkin, experimenting with meth and suffering from ennui.

When he receives word that one of his older brothers, Peter, a gay playwright living in Memphis and a fellow black sheep of the family, has cancer, the teen starts a long, strange journey to see his brother before he dies. In stream-of-consciousness prose, filled with idiomatic expressions, visceral details and dark humor, Jamie describes traveling by Greyhound bus and hitched rides and staying in seedy motels. Each interstate stop features a new cast of evocative, unpredictable characters from a boy genius obsessed with robots to an old lady with a leaky eye to a caring transsexual named Lewis. Filling in the gaps of Jamie’s story are letters from his depressed mother, his father, “the Major,” and other family and friends.

In this modern-day version of Kerouac’s On the Road, the teen discovers the vastness of the United States and tells his brother, “P life is really weird really really weird but I’m sure you already know that.” With a raw and unique style, author Adam Rapp draws attention to the marginalized youth of this country in a manner that’s never been accomplished before. Just as pressing as Jamie’s time crunch to reach his brother is his need to connect to other people—a need, Jamie shows us, we all have.

Angela Leeper is a director at the University of Richmond.
 

"I don’t mean to be weird P but in your letter you said how you wanted the truth about stuff even if it’s ugly and trust me it’s going to get a little ugly,” writes Jamie, aka Punkzilla, in this gritty novel told in letters.…

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James can’t wait to leave his old life behind him and make a new start as a freshman at State University. While stopping for gas on the way to college, he has a chance encounter with his childhood pal, Reggie, and the two are forced to recall their 12th summer. Daniel Kraus’s chilling debut novel, The Monster Variations, looks back at that time of terror, when a mysterious silver truck is running over boys at night. James and Reggie’s mutual blood brother, Willie, is lucky to be alive, only losing an arm from the hit-and-run attack.

Just when summer arrives, promising long evenings playing junkball with neighborhood friends, paranoia sweeps the boys’ small town, which institutes a curfew for children and sends parent vigilantes on the prowl. With more time at home, the boys take notice of the frequent absences by James’ father and his parents’ disintegrating marriage, Reggie’s “well-known” waitress mother who works long hours and Willie’s alcoholic father and overprotective mother. There’s also more time for the boys to seek out the school bully’s secrets, view the dead “monster” kept hidden in an older teen’s barn and turn against each other for the first time.

In this cerebral thriller, Kraus crafts masterful descriptions of bygone childhoods, a town overcome by suspicion and the psychological effects of fear. As the boys try to figure out the identity of the killer, everyone is a suspect until the shocking conclusion. But perhaps the real fear is simply fear of growing up, realizing the disappointments and imperfections in life and trying to avoid becoming a monster oneself, burdened by life’s responsibilities.

Despite the difficult changes that coming of age brings, Kraus also offers hope for happiness and independence in the unsettling time known as adolescence.

James can’t wait to leave his old life behind him and make a new start as a freshman at State University. While stopping for gas on the way to college, he has a chance encounter with his childhood pal, Reggie, and the two are forced…

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Child prodigy Ronald Earl Pettway has always accepted his gift of healing, which has led to endless tent revivals and a sheltered life on the road with elderly, scripture-spouting evangelists Sugar Tom and Certain Certain and his great-aunt Wanda Joy. But now that he’s turned 16, Ronald Earl, known simply as Little Texas, finds himself doubting his once-solid gift. He has begun to take an interest in girls, especially a ghost-like girl named Lucy, whom he failed to save one evening on a revival stop.

“One thing I have learned is every story of the strange has a mustard seed of truth,” Sugar Tom tells the boy, and in R.A. Nelson’s modern-day horror story, Days of Little Texas, forgotten truths wail to be heard.

Sensing Ronald Earl’s adolescent changes, Wanda Joy leads the troupe to Vanderloo, a former cotton plantation in Alabama. This last remaining structure atop an island, created when the Tennessee Valley Authority flooded the area, is better known to the locals as Devil Hill. Wanda Joy hopes to encourage the teenager’s loyalty to the church by testing his gift and avenging the diabolical death of her grandfather decades earlier.

With the help of Lucy, Ronald Earl discovers Vanderloo’s dark slavery secrets, held captive since its pre-Civil War days. His battle against its demons also becomes a personal fight against fear and for love and independence. Nelson’s eerie and sometimes downright scary descriptions of the plantation’s evil inhabitants and effective twists create a spine-chilling experience.

Although Ronald Earl may have a gift from God, he questions the world like any teenage boy. His stolen moments with Sugar Tom and Certain Certain, discussing his dilemmas and their own scrapes in life, provide rich commentary on living in the world today. Readers drawn to the story’s horror will also find a formidable champion for setting the past and present straight.

Angela Leeper is the Director of the Curriculum Materials Center at the University of Richmond.

 

Child prodigy Ronald Earl Pettway has always accepted his gift of healing, which has led to endless tent revivals and a sheltered life on the road with elderly, scripture-spouting evangelists Sugar Tom and Certain Certain and his great-aunt Wanda Joy. But now that he’s turned…

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Next-door neighbors Anna and Frankie have felt like sisters all their lives. In Sarah Ockler’s poignant debut novel, Twenty Boy Summer, the girls’ friendship is tested when a freak accident changes their lives forever.

Anna’s longtime crush on Frankie’s older brother, Matt, turns to love when he kisses her on her 15th birthday. They keep their romance a secret, since Matt wants to wait until his family’s summer vacation to break the news to his sister. But the night before the big trip, the three teens experience a tragic car crash which takes Matt’s life.

Now a year later, Anna joins Frankie’s family on their California excursion. While hanging out in all of Matt’s favorite locales, Anna meets Sam and finds instant, mutual attraction. She can’t help but worry, though, that falling in love with Sam means erasing her memories with Matt.

With friendship at the forefront, Anna explores grief and love and the pain and wonders of it all. The teen’s dilemma—how to remember Matt, move on with Sam and still be loyal to Frankie—gives a firm tug on the reader’s heart.

Next-door neighbors Anna and Frankie have felt like sisters all their lives. In Sarah Ockler’s poignant debut novel, Twenty Boy Summer, the girls’ friendship is tested when a freak accident changes their lives forever.

Anna’s longtime crush on Frankie’s older brother, Matt,…

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They’re not charming or sexy. The undead members that make up The Reformed Vampire Support Group, by Australian author Catherine Jinks, are bored, apathetic, unattractive whiners prone to headaches, eye bleeds and nausea. Rather than spread their “infection” among more of the living, they curb their addiction and sustain themselves with specially bred guinea pigs (easy to clean up and dispose of) and supplements.

Narrator and Sydney native Nina used to be a party girl until she was fanged 51 years ago at the age of 15. Now she spends her time holed up in her faded bedroom, writing romanticized novels of vampire super-heroine Zadia Bloodstone. Former musician Dave, physician Sanford, arthritic Gladys, Internet scammer Horace and the rest of the motley group pick up odd jobs when they can (a vampire still has to pay the rent). Even their Tuesday night, AA-like support group has become mundane until fellow member Casimir (directly and indirectly responsible for most of the group’s fangings) turns up staked in his coffin.

Now the ragtag bunch must really support each other, as they solve the mystery of Casimir’s killer and protect themselves from a potential vampire slayer. They receive more help from Nina’s elderly chain-smoking mother, idealistic Father Ramon and unlikely strays they meet along the way. Because vampires are dead to the world during the day (literally and figuratively), these humans are needed to take care of daytime necessities and fill in the gaps of Nina’s narrative.

Through the adventurous twists and turns of saving herself from vampire haters, Nina discovers justice, friendship and maybe even romance. She begins to emerge from the depression, lethargy and victimization of vampirism (also symptoms of adolescence) to find life (er, death) worth living. With this budding heroine in her own right at the forefront, this ensemble of eccentric characters gives a wry spin to the ever-popular vampire tale.

As a child, Angela Leeper slept with a blanket around her neck to ward off vampires.

They’re not charming or sexy. The undead members that make up The Reformed Vampire Support Group, by Australian author Catherine Jinks, are bored, apathetic, unattractive whiners prone to headaches, eye bleeds and nausea. Rather than spread their “infection” among more of the living, they curb…

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