Angela Leeper

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“It happened overnight.” On April 9, 1940, German forces invaded Denmark, where they would remain until surrendering in 1945. Also overnight was the start of a Danish resistance movement—not the result of government initiatives, but rather the selfless actions of individuals who risked their lives.

Through anecdotes, accompanying quotes and archival photos, award-winning author Deborah Hopkinson tells the stories of some of these heroes in Courage & Defiance: Stories of Spies, Saboteurs, and Survivors in World War II Denmark. For example, Tommy Sneum was a young flight lieutenant in Denmark’s air force until it was grounded, at which point he turned to gathering information and discovered a new German Freya radar system. With harrowing events rivaling any Hollywood thriller, Tommy evaded death many times to take this information to Great Britain, where he was asked to serve as their first wartime spy in Denmark. Other resisters include Niels Skov, who started as a lone saboteur, using a screwdriver and matches to set German vehicles and buildings on fire, and student activist Jørgen Kieler, who was influential in an illegal newspaper and sabotage group.

In between their stories, which sometimes intersect, Hopkinson weaves big-picture historical information. The author also devotes portions of the book to resisters’ efforts to help 7,220 of Denmark’s 7,700 Jews escape to Sweden and the concentration camp internment of arrested resisters. She reveals moments of light in a dark time and encourages readers to ask themselves, what can one person do?

“It happened overnight.” On April 9, 1940, German forces invaded Denmark, where they would remain until surrendering in 1945. Also overnight was the start of a Danish resistance movement—not the result of government initiatives, but rather the selfless actions of individuals who risked their lives.

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Decked out in the latest Parisian fashions for 1897, New York City debutantes and cousins Dacia and Lou are traveling on the Orient Express to their mothers’ native country, Romania. They should be thrilled, as everyone knows Bucharest is the vacation spot for wealthy Europeans. But why are there so many behind-closed-door arguments after the teens arrive?

Dacia and Lou capture the attention of many eligible bachelors—particularly that of Prince Mihai of the Dracula family—but instead of a season of high-society socializing, the cousins discover their family’s supernatural abilities and a prophecy their relatives hope they will fulfill. Their new shapeshifting talents give them independence and courage, and they are expected to use these powers to help the Dracula family depose the current king and put Prince Mihai on the throne. Articles, diary entries and telegrams add to the surprises. 

Silver in the Blood is far from your typical Dracula story.

 

This article was originally published in the July 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Decked out in the latest Parisian fashions for 1897, New York City debutantes and cousins Dacia and Lou are traveling on the Orient Express to their mothers’ native country, Romania. They should be thrilled, as everyone knows Bucharest is the vacation spot for wealthy Europeans. But why are there so many behind-closed-door arguments after the teens arrive?
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Nimona’s not your average spunky teen, and this graphic novel, set in an anachronistic medieval society with both old-world magic and high-tech gadgets, is anything but typical. Originally introduced in Noelle Stevenson’s webcomic, Nimona hopes to become the sidekick to Ballister Blackheart, “the biggest name in supervillainy.”

Once a hero in training at the Institution, Blackheart now dons a mechanical arm after losing a joust with Goldenloin. While the fair-haired winner rose to glory and worked his way up the ranks at the Institution, Blackheart assumed the role he felt befitting: evil scientist and supervillain. Unable to resist Nimona’s charm (and neither will readers), he reluctantly lets the teen into his lair, especially when she reveals her shapeshifting abilities.

Together they become an unusual team with impulsive Nimona eager to maim, kill and destroy and methodical Blackheart always following the rules of villainy. As they take on the hypocrisy and corruption of the Institution, this unlikely duo begins to prove what it really means to be a hero. Stevenson’s expressive, action-packed artwork not only highlights their evolving, father-daughter-like relationship, but their dark secrets as well.

These secrets become the real demons to defeat. Stevenson balances this darkness with humor and tenderness that would melt even the coldest supervillain heart. Nimona is a force to be reckoned with, on the pages of this unforgettable graphic novel and in the minds of readers—both of which could use more kick-ass heroines. Luckily an open ending leaves room for more of Nimona’s plucky determination.

Nimona’s not your average spunky teen, and this graphic novel, set in an anachronistic medieval society with both old-world magic and high-tech gadgets, is anything but typical. Originally introduced in Noelle Stevenson’s webcomic, Nimona hopes to become the sidekick to Ballister Blackheart, “the biggest name in supervillainy.”

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Bowser has led a tough life, avoiding thugs in the city before ending up in an animal rescue shelter in Louisiana’s bayou country. Life hasn’t been easy for 11-year-old Birdie Gaux, either. With a police detective father killed in the line of duty and an engineering mother working on an oil rig off the coast of Africa, Birdie is being raised by Grammy, who owns a bait store and gives swamp tours. When Birdie selects Bowser as a belated birthday present, the lovable mutt and spunky tween become a formidable sleuthing team.

Their skills are tested in Woof, the first in a middle-grade mystery series, when Grammy’s mounted championship black marlin from 1945 goes missing. The value of a stuffed fish seems questionable until Birdie learns that a treasure map from her great-great-granddaddy may have been inside. Could a rival bait-shop owner be the prime suspect? As Birdie uncovers not only the thief but also a top-secret family history, Bowser deduces the strange language of humans.

Spencer Quinn, whose best-selling Chet and Bernie mysteries have captivated adult readers, spins a ruff-and-ready tale for kids. As young readers piece together the clues, they’ll discover the fun of both owning and being a dog.

 

This article was originally published in the May 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Bowser has led a tough life, avoiding thugs in the city before ending up in an animal rescue shelter in Louisiana’s bayou country. Life hasn’t been easy for 11-year-old Birdie Gaux, either. With a police detective father killed in the line of duty and an engineering mother working on an oil rig off the coast of Africa, Birdie is being raised by Grammy, who owns a bait store and gives swamp tours. When Birdie selects Bowser as a belated birthday present, the lovable mutt and spunky tween become a formidable sleuthing team.
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The fact that the world’s not fair is a hard concept for children to learn, but 11-year-old Julia Delaney (based on the author’s mother-in-law, also named Julia) knows this lesson all too well. She's growing up in St. Louis’ tough Irish neighborhood of Kerry Patch in the winter of 1911, one of the coldest winters in Missouri's history. When her grandmother, and last blood relative, dies, she is sent to live at the House of Mercy, an “Industrial School and Girls’ Home” run by strict nuns, and is eventually separated from her older brother and sister.

Julia soon finds herself scheming of ways to flee the orphanage, but running away isn’t easy. There are gang wars right outside the orphanage doors, and she needs to protect her wounded brother from the infamous Egan’s Rats and even from their organized crime boss, Thomas Egan (who may also have been responsible for their father’s murder). Egan and his Rats are just some of the historical details that enliven Julia’s sometimes-harrowing story.

Used to relying on herself for survival, Julia learns to lean on others, from her mute dormmate who clearly knows more than she can say; to the maiden piano teacher who takes a liking to the girl’s defiant spirit; to the nuns whose sternness masks their fierce protection. Readers will cheer on Julia to her hopeful ending.

The fact that the world’s not fair is a hard concept for children to learn, but 11-year-old Julia Delaney (based on the author’s mother-in-law, also named Julia) knows this lesson all too well. She's growing up in St. Louis’ tough Irish neighborhood of Kerry Patch in the winter of 1911, one of the coldest winters in Missouri's history.

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Everyone knows the possibilities of planting a garden, but in this story with a clever twist, a rabbit and mouse learn the real benefits of planting seeds. As the sun rises, the big-eyed, cute-as-a-button rabbit and mouse plant a tomato seed, a carrot seed and a cabbage seed. As the days pass with rain and shine, they tend to their seeds with love and care until they reap the rewards of juicy and crunchy vegetables.

As the rabbit and mouse become gluttonous with their haul, a flock of birds arrive. In true picture-book fashion, Kadir Nelson’s lush, colorful oil paintings tell the real story. While the birds look on in hunger, even looking readers straight on in a dramatic, wordless double-page spread, the rabbit and mouse refuse to share. In the process, they plant a new seed in their garden—a seed of selfishness. That seed grows and grows as well—“into a heap of trouble.”

As the animals, fatigued from a food fight and covered in tomato splatter, notice the disaster they’ve created, the mouse discovers yet one more seed to plant—a seed of kindness. After seeing how the birds can help spread seeds by flying above, the rabbit and mouse join them in tending the garden once again. This time the rewards are sweet in more ways than one as all the forest animals partake in the bounty. Even very young children will identify the warmth and humor that’s ripe for sharing in small and large groups.

Everyone knows the possibilities of planting a garden, but in this story with a clever twist, a rabbit and mouse learn the real benefits of planting seeds. As the sun rises, the big-eyed, cute-as-a-button rabbit and mouse plant a tomato seed, a carrot seed and a cabbage seed. As the days pass with rain and shine, they tend to their seeds with love and care until they reap the rewards of juicy and crunchy vegetables.

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When young Ursula Brown reaches the estate of the Vaughns (who are also recognizable as the Three Bears) to be a governess for their son, Teddy, her story becomes less a simple fairy-tale retelling and more of a mash-up of classic literary tropes.

Set in the Enchanted Forest just outside of Bremen Town, this Regency romance recalls the manners and traditions of a Jane Austen or Charlotte Brontë novel. And like the heroines from these popular writers, plain but passionate Ursula finds herself in an impossible love triangle.

There’s more at work than romance, however. Not all of the town’s humans think the talking bears are charming, and many start to consider their species to be superior and voice their discrimination openly. The unexpected arrival of a blonde, petty-thief girl at the Vaughns’ manor only complicates the heated debate.

Peppered with Mother Hubbard, Mrs. Van Winkle (whose husband disappeared and hasn’t been seen in years) and other nursery-rhyme and fairy-tale characters, the story turns suspenseful with the introduction of a villainous individual straight out of traditional literature. Regional dialects and humorous takes on the human-animal relationship add even more amusement. This deceptively simple story will give readers paws—or rather, pause—to appreciate the clever construct and wordplay.

 

This article was originally published in the February 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

When young Ursula Brown reaches the estate of the Vaughns (who are also recognizable as the Three Bears) to be a governess for their son, Teddy, her story becomes less a simple fairy-tale retelling and more of a mash-up of classic literary tropes.
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Emily Jenkins will bring out the foodie in any reader as she traces the preparation of blackberry fool through four centuries in A Fine Dessert. Starting in 1710 in Lyme, England, a mother and daughter pick wild blackberries from the field surrounding their cottage. Then begins the labor-intensive process that includes milking the cow, skimming the cream, beating the cream with twigs, straining the berries through muslin to get rid of seeds and chilling the delightful blend of berries and cream in an ice pit in the hillside.

The recipe travels to mother and daughter slaves who serve up the dessert to their owner’s family on a Charleston plantation in 1810; to a metropolitan housewife and daughter in Boston in 1910; and finally, to a father and son from San Diego in 2010. Along the way, readers see the evolution of cooking, from picking berries to buying them at an open-air market. They also see the increasing role of technology as horse-drawn wagons deliver cream from a local dairy and cartons of organic cream are purchased at the supermarket.

Sophie Blackall’s folksy watercolor and blackberry juice illustrations depict further differences in clothing and traditions over time. But one thing never changes: wanting to lick the spoon! This is a picture book treat that will charm readers across generations.

 

This article was originally published in the February 2015 issue of BookPage. Download the entire issue for the Kindle or Nook.

Emily Jenkins will bring out the foodie in any reader as she traces the preparation of blackberry fool through four centuries in A Fine Dessert. Starting in 1710 in Lyme, England, a mother and daughter pick wild blackberries from the field surrounding their cottage. Then begins the labor-intensive process that includes milking the cow, skimming the cream, beating the cream with twigs, straining the berries through muslin to get rid of seeds and chilling the delightful blend of berries and cream in an ice pit in the hillside.
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At the end of a birthday party, the best gift a little girl receives is her black-and-white tuxedo cat. In Tiptop Cat, author and illustrator C. Roger Mader portrays this cat’s independent and slightly mischievous new life. Seen from Tiptop’s perspective, the rich pastel illustrations depict the cat at eye-level as he explores under tables and beds, defies dizzying heights along the balcony railing and climbs neighborhood rooftops to his favorite spot: a spectacular view of the Eiffel Tower from the top of the world.

The tranquility of his seemingly carefree life changes, however, when a pigeon lands on his balcony. The cooing of this city bird awakens the jungle beast in Tiptop. But as the furtive feline pounces, he discovers that he can’t fly and travels down, down, down—twisting and turning as only cats do—until he lands in the arms of a sidewalk merchant. Mader’s expressive artwork captures Tiptop’s dramatic events, as well as the shocked apartment dwellers who witness his plummet.

Although a trip to the vet reveals that Tiptop is still intact, it’s his spirit that’s been broken. Banishing himself to hiding in closets, behind curtains and under rugs, Tiptop resigns to a docile life. When a crow appears, his inner beast stirs again. This time, the curious cat goes up, up, up to the top of the world again, where serenity awaits as sunset falls over the Parisian expanse. Readers, whether cat lovers or those with a penchant for adventure, will consider Tiptop Cat a topnotch tale.

At the end of a birthday party, the best gift a little girl receives is her black-and-white tuxedo cat. In Tiptop Cat, author and illustrator C. Roger Mader portrays this cat’s independent and slightly mischievous new life. Seen from Tiptop’s perspective, the rich pastel illustrations depict the cat at eye-level as he explores under tables and beds, defies dizzying heights along the balcony railing and climbs neighborhood rooftops to his favorite spot: a spectacular view of the Eiffel Tower from the top of the world.

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Milo was ready to enjoy a quiet Christmas vacation at his parents' hotel, Greenglass House, in the fictional harbor town of Nagspeake. Usually inhabited by local smugglers, the hotel receives not one but five unexpected visitors on the same snowy night. After Milo finds a map (with possible ties to Greenglass House) that was dropped by one of the hotel guests, it’s clear that they’re all looking for something—but not necessarily the same thing. Figuring out why the visitors have arrived and what each wants becomes Milo’s mission.

In this atmospheric, multilayered mystery—filled with gorgeous (and of course, green) stained-glass windows, an attic begging to be explored and a quirky cast of squabbling characters—the cook’s daughter, Meddy, suggests to Milo a role-playing game called Odd Trails. Their new traits give the children the confidence they need to sort through the ambiguous facts, lies and clues, especially when objects start disappearing and the hotel guests take turns telling tales around the fireplace. His alternate role also allows adopted Milo to explore his Chinese ancestry and wonder about his birth parents.

Reminiscent of The Westing Game, Greenglass House offers smart storytelling and plenty of secrets, sabotage and twists. For fans who want to know more about this unusual hotel and its history, author Kate Milford refers them to an invented tourism site for the town of Nagspeake. On their own snowy, homebound days, readers will have trouble finding a more charming story.

Milo was ready to enjoy a quiet Christmas vacation at his parents' hotel, Greenglass House, in the fictional harbor town of Nagspeake. Usually inhabited by local smugglers, the hotel receives not one but five unexpected visitors on the same snowy night. After Milo finds a map (with possible ties to Greenglass House) that was dropped by one of the hotel guests, it’s clear that they’re all looking for something—but not necessarily the same thing.

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In this standalone companion to the Newbery Honor and Coretta Scott King Award-winning Elijah of Buxton, author Christopher Paul Curtis returns to the Canadian town founded in the 1860s by former African-American slaves. Although few of the original settlers still live in Buxton in 1901, one of their descendants, Benji Alston, stands out. An aspiring newspaper reporter, Benji understands the power of the written word and enters an apprenticeship with Miss Cary, the daughter of real-life Mary Ann Camberton Shadd, an abolitionist and journalist in neighboring Chatham. Also residing in Chatham is Alvin “Red” Stockard, who is often mistreated by his bitter and racist grandmother, who suffered during the Irish immigration to Canada during “The Great Hunger.”

Benji and Red alternate as narrators, incorporating historical details and fun antics from the first book. As they become fast friends, they realize they’ve both heard tales of the Madman of Piney Woods, who is rumored to be an escaped slave from the U.S. and may even be a potential murderer. When the boys face a shocking encounter with the Madman, each begins in his own way to understand the nature of fear and heroism. Countering heartbreak with humor, Curtis gives middle-grade readers another fine novel to ponder the wonders of humanity.

 

This article was originally published in the October 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

In this standalone companion to the Newbery Honor and Coretta Scott King Award-winning Elijah of Buxton, author Christopher Paul Curtis returns to the Canadian town founded in the 1860s by former African-American slaves. Although few of the original settlers still live in Buxton in 1901, one of their descendants, Benji Alston, stands out. An aspiring newspaper reporter, Benji understands the power of the written word and enters an apprenticeship with Miss Cary, the daughter of real-life Mary Ann Camberton Shadd, an abolitionist and journalist in neighboring Chatham. Also residing in Chatham is Alvin “Red” Stockard, who is often mistreated by his bitter and racist grandmother, who suffered during the Irish immigration to Canada during “The Great Hunger.”
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Mac Barnett, author of the Caldecott Honor-winning picture book Extra Yarn, turns a popular children’s game into a high-wire act in his latest offering. In many picture books featuring people and animals, the animal world serves as the background. In Telephone, the opening spread features a wordless panorama in which children playing outside offer a clue of what’s to come for the many birds sitting on the telephone lines high above.

The game begins as a mother pigeon carrying a steaming dish says to a young baseball-playing cardinal, “Tell Peter: Fly home for dinner.” The cardinal then tells an aviator Canada goose, “Tell Peter: Hit pop flies and homers.” Each subsequent spread continues with different birds, from an ostrich and pelican to a turkey and toucan, and with increasingly humorous variations of the original call to Peter.

Jen Corace, illustrator of the Little series (Little Pea, Little Hoot and Little Oink), adds to the hilarity with watercolor, gouache and pencil artwork that displays each bird’s colorful personality and message.

When a panicking golden bird relates a dire message to a sophisticated owl, this last—and, of course, wise—bird knows exactly what to tell Peter. The final spread comes full circle, showing different human families having dinner and one small bird flying back home. Whether read at home or during storytime, this fun tale is sure to produce laughs and creative spinoffs.

 

This article was originally published in the September 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Mac Barnett, author of the Caldecott Honor-winning picture book Extra Yarn, turns a popular children’s game into a high-wire act in his latest offering. In many picture books featuring people and animals, the animal world serves as the background. In Telephone, the opening spread features a wordless panorama in which children playing outside offer a clue of what’s to come for the many birds sitting on the telephone lines high above.
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After her father buys a cemetery and relocates their family inland from their idyllic California seaside home, 15-year-old Leigh finds not only that she’s a good fit for the after-death industry, but also that it gives her some comfort. Her older sister’s cancer just went into remission, her artistic mother would rather be back by the ocean, and Leigh’s still grieving for the best friend she recently lost. When Leigh discovers a secret in the cemetery, her grief turns to guilt. She refuses to take on any new friends, not even the cool home-schooled girl whose family provides flowers for the cemetery.

Author Jennifer Longo, who, like Leigh, sold burial plots after her father bought a cemetery, infuses her quirky debut with dark humor and a touch of magical thinking. While Leigh’s family members spin in their own set of problems, there is one person who understands her: Dario, the gravedigger who recently crossed the Mexican border. Through their tender, realistic friendship, Leigh learns the different ways Mexicans honor their departed. With help, she may find a way to let death go and life in.

 

This article was originally published in the September 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

After her father buys a cemetery and relocates their family inland from their idyllic California seaside home, 15-year-old Leigh finds not only that she’s a good fit for the after-death industry, but also that it gives her some comfort. Her older sister’s cancer just went into remission, her artistic mother would rather be back by the ocean, and Leigh’s still grieving for the best friend she recently lost. When Leigh discovers a secret in the cemetery, her grief turns to guilt. She refuses to take on any new friends, not even the cool home--schooled girl whose family provides flowers for the cemetery.

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