Annie Metcalf

Even the most particular teen reader won't be able to resist the varied charms of these YA anthologies.

A Phoenix First Must Burn

Give this to a reader who believes in possibilities as boundless as their own imagination.

A Phoenix First Must Burn: Sixteen Stories of Black Girl Magic, Resistance, and Hope opens with a story of fresh beginnings, in which time-traveling Black girls become gods, and closes with a story of Black girls choosing their own destinies. All 16 of these tales feature fantastical universes, futuristic technologies and magic beneath the surface of our world.

From Elizabeth Acevedo’s poetic “Gilded” to the modern vampire tale “Letting the Right One In” by the collection’s editor, Patrice Caldwell, the stories provide space for Black girls to exist in their own narratives and explore what it means to seek peace in a world that perceives you as an enemy. A standout is Charlotte Nicole Davis’ “All the Time in the World,” in which Jordan learns that her neighborhood’s contaminated water supply has given her the power to stop time. At a time when Flint, Michigan, has been without clean water for more than a decade, Davis reminds young readers of the strength to be found when hope seems lost.

This collection pulls no punches. You’ll find yourself holding your breath between cheers for each and every one of these girls.

—Lane Clarke

Rural Voices

Give this to a reader who presses their nose to the window of every car, train and plane they ride in.

Rural Voices: 15 Authors Challenge Assumptions About Small-Town America offers brief but immersive glimpses into life in rural and small towns. Spanning 12 states, the vignettes include short stories, poems and even comics.

In S.A. Cosby’s “Whiskey and Champagne,” Juke uses his knack for murder mysteries to help his dad out of a sticky situation. A mysterious creature creeps around an Alaska cabin as a young trapper tries to stay calm in Inupiaq author Nasuġraq Rainey Hopson’s “The Cabin.” And in David Bowles’ “A Border Kid Comes of Age,” a bisexual Texas boy fights for his family to accept not only himself but also his uncle Samuel, who is gay.

Monica M. Roe’s engrossing “The (Unhealthy) Breakfast Club” is one of the collection’s strongest offerings. Its carpooling teens have little in common besides their private school scholarships. Narrator Gracie captures a slice of life as she and her crew bond over the stereotypes they confront each day. Roe depicts ordinary realities, such as relying on the nearest McDonald’s for the fastest Wi-Fi, and brings together a group of misfits to root for.

Rural Voices reveals how generalizations fail us, proving there is no such thing as a single rural American narrative.

—Annie Metcalf

Vampires Never Get Old

Give this to a reader who loves to fall under the thrall of a great supernatural story.

Vampires Never Get Old: Tales With Fresh Bite is sure to start a new craze for YA’s favorite fanged phenoms. These 11 stories preserve traditional undead lore while giving bloodsucking tropes a much-needed inclusivity makeover. The diverse teen vamps in this collection all share a common denominator: trying to survive their eternal adolescence.

Samira Ahmed’s “A Guidebook for the Newly Sired Desi Vampire” takes the form of an acerbic advice column (“What should you eat? Your colonizer.”) to offer a thoughtful treatise on the geopolitical ramifications of British rule. As haunting as it is beautiful, Heidi Heilig’s “The Boy and the Bell” tells the story of a trans boy who digs up the wrong body in an old graveyard. And worth the price of admission is Victoria “V. E.” Schwab’s “First Kill,” which has already received a limited series order from Netflix. It’s a game of cat and mouse in which both cat and mouse have the hots for one another. Juliette, a vampire who hasn’t yet experienced her first kill, is crushing on transfer student Calliope. Juliette’s bloodlust combines with that classic teen party game, 60 seconds in a closet, to create a powder keg of emotion.

—Kimberly Giarratano

Foreshadow

Give this to a reader who wants to dig deeply into the craft of storytelling.

Created by Emily X.R. Pan and Nova Ren Suma, Foreshadow: Stories to Celebrate the Magic of Reading and Writing YA grew out of an online initiative to showcase new and underrepresented voices. Established YA authors such as Jason Reynolds and Sabaa Tahir introduce 13 stories by emerging writers, and throughout the collection, playful experimentation alternates with contemporary takes on familiar formats.

Linda Cheng’s “Sweetmeats,” which Heidi Heilig calls “‘Hansel and Gretel’ flavored with Guillermo del Toro and a dash of Miyazaki,” exemplifies the creativity on display in every story here. Ever since friends Mei and Marlie were led astray by a witch bearing chocolate soufflé and blackberry soda, Mei’s hunger has been insatiable. Parental pressure, a bully’s cruel pranks and Marlie’s increasingly disturbing behavior culminate in a night when power dynamics are upended and truths are revealed. Each tale ends with an author’s note that discusses an element of the writing craft, and exercises invite readers to create and refine their own stories.

—Jill Ratzan

Come On In

Give this to a reader who would walk a mile in someone else's shoes every day if they could.

In Come On In: 15 Stories About Immigration and Finding Home, editor Adi Alsaid (himself a bestselling YA author) has created an anthology worthy of the blurb on its cover: “The immigration story is not a single story.” The characters in these stories have connections to countries including Australia, Japan, India, the United Kingdom and more, while all of the contributing authors have been touched by immigration in some way. As they capture both the experiences of children of first-generation immigrants as well as the bittersweet journey of leaving one’s own country, the stories give readers a dynamic, kaleidoscopic view of what it’s like to feel displaced from home—or displaced at home.

One of the most stirring stories is Nafiza Azad’s opener, “All the Colors of Goodbye,” which follows a teen girl as she recounts the many goodbyes she must say before she and her parents leave her home country of Fiji for what her father hopes will be a brighter future in Canada. In vivid prose, Azad depicts the girl’s heartbreak at leaving behind not only her extended family and friends, but also small, ordinary aspects of life in a country she loves and in a place that has shaped her as a person. It’s a love letter to the idea of home and a testament to the power this idea holds in our lives.

—Hannah Lamb

A Universe of Wishes

Give this to a reader who knows that the power of magic is inside of everyone.

The 15 fantasy stories in A Universe of Wishes are all powerful, thought-provoking and inclusive. Edited by Dhonielle Clayton (The Belles), A Universe of Wishes was created in partnership with We Need Diverse Books, a nonprofit organization that advocates for diversity in young people’s literature. It features the imaginings of popular writers including Kwame Mbalia, Anna-Marie McLemore and Nic Stone, alongside a story by Jenni Balch, the winner of a WNDB writing contest.

The stories here reflect a wide range of styles and fantasy subgenres, from climate fiction to romance to fairy tale re-imaginings. Fans of authors V.E. Schwab (A Darker Shade of Magic) and Libba Bray (A Great and Terrible Beauty) will be thrilled to discover new tales set in the fictional worlds of their bestselling trilogies.

Among the collection’s most moving stories is Tochi Onyebuchi’s “Habibi,” an epistolary chronicle of the unlikely connection between a boy from Long Beach, California, and a boy from Gaza. Using only the power of words, the two give each other hope for a future beyond their own horrifying present realities. “Habibi” exemplifies what lies at the heart of every story in this anthology: the wonder that awaits us when we celebrate our differences and recognize the beauty in one another.

Tami Orendain

Even the most particular teen reader won't be able to resist the varied charms of these YA anthologies.

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In Loraille, the Dead are dangerous. If they’re not interred with the proper rites, dead souls can return in the form of spirits, ranging from harmless shades to rare and apocalyptically powerful Revenants. People blessed with the Sight can be possessed by the risen Dead, so Sighted children are brought into convents or monasteries to receive training.

At the Gray Sisters convent, Artemisia is different from many of her peers. She spent much of her childhood possessed by a violent spirit before the nuns found her. Now Artemisia has trouble connecting with others and no strong desire to try. She just wants a quiet life, performing rites and interacting with as few people as possible.

But lately, the Dead have been behaving more aggressively than they have in years, and the convent is unsettled by a harrowing attack. Amid the chaos, Artemisia is sent to fetch the convent’s most powerful relic, which contains a trapped Revenant. When the nun in charge of the relic dies, Artemisia must wield it to defend both the convent and herself against the onslaught. With no training in controlling the Revenant, however, she must rely on her natural ability and instinct to forge a tenuous and potentially heretical alliance with an unconventional, maddening spirit—an alliance that could be the only path to salvation.

Author Margaret Rogerson excels at creating fantasy worlds that feel lived in. In Vespertine, she draws on familiar influences, including medieval France, necromantic magic and a theocratic society, so that readers can fully engage in the world of the novel from the very first page. The book is remarkably psychologically grounded as well, unfolding in a first-person narrative that keeps readers close to Artemisia’s thoughts and her conversations with the Revenant. It’s a nuanced depiction of a protagonist who has been shaped by trauma and who seems, at times, neurodivergent. Artemisia’s intimate narration differentiates her journey in Vespertine from typical “chosen one” tropes and endears her to the reader.

Rogerson clearly delights in the gruesome and the grotesque, meting out choice details about horrifying spirits and unsavory causes of death. A few supporting characters (somewhat predictably to experienced fantasy readers) defy expectations and prove heroic in their own right. Vespertine blends darkness, thrills and satisfying characterization for an engrossing fantasy tale.

Vespertine blends darkness, thrills and satisfying characterization for an engrossing fantasy tale.

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In 1893 Chicago, Alter Rosen lives on Maxwell Street, a neighborhood populated by Jewish immigrants like himself who have recently arrived from Russia and Eastern Europe. Alter’s life is difficult. He feels lucky to have found a job at a Yiddish newspaper when so many must work in dangerous slaughterhouses and textile mills. Alter works hard and saves as much money as possible to pay for his mother and sisters to join him in America. It’s a task he must undertake alone, after his father died during their own voyage two years ago. Alter must also keep his feelings toward other boys, especially his friend and roommate, Yakov, to himself. 

There are new tensions in the neighborhood to deal with as well. Despite the excitement over the World’s Fair, a series of disappearances—all teenage, Jewish boys—have troubled Alter’s community. When Yakov is found dead, the police declare it an accident and show no interest in investigating further. As Alter assists in the ritual cleansing of Yakov’s body, something strange happens: Alter becomes convinced Yakov is alive, feels their souls cleave together and then passes out. When he awakens, he feels changed by the experience, convinced that Yakov was murdered and determined to find answers. 

With help from Raizel Ackermann, a passionate anarchist and reporter for the Arbeiter Zeitung newspaper, Alter tracks down leads about Yakov and the other missing boys. His search reconnects him with Frankie, a charismatic criminal he knew during his early days in Chicago. Working together, the three race against time to uncover heinous crimes of abuse, coercion, corruption and hatred committed against the backdrop of the Gilded Age’s grand ambitions and gory underbelly. 

Author Aden Polydoros’ third traditionally published novel is a gorgeous, disturbing, visceral and mystical experience. Alter is an exemplary historical fiction protagonist. His perspective, opinions and concerns are fitting reflections of his time, religion and cultural background, but his journey of growth and self-acceptance will satisfy contemporary readers. The inclusion of a subplot drawn from Jewish folklore complements the primary narrative perfectly and adds a clever ticking clock to the story, and though the novel is long, it rarely loses momentum. The relationships between Alter, Raizel and Frankie are tender and playful and provide brightness amid an otherwise dark story.

The City Beautiful is steeped in vibrant historical detail, including the exhilarating but superficial atmosphere of the World’s Fair, the vile working conditions of the meat industry, the burgeoning socialist and workers’ movements and the era’s wave of Jewish immigration to America. Polydoros pulls no punches when depicting the horrifically inhuman treatment that workers (many of whom were children) experienced during this time, which some readers may find distressing. His unflinching and well-rounded depiction of Jewish American and immigrant history makes The City Beautiful a superb addition to the ranks of YA historical fiction. 

Author Aden Polydoros’ third traditionally published novel is a gorgeous, disturbing, visceral and mystical experience.

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Magic is rare and forbidden in the kingdom of Kiata. Most people, including the emperor, associate it with demons and danger, so Princess Shiori keeps her magical abilities carefully hidden. But when her nerves about her impending betrothal lead to a slip-up, Shiori’s stepmother, Raikama, notices. The two were close when Shiori was a child, but now they watch one another warily until Shiori discovers that Raikama is also hiding a secret. 

After Shiori reveals the secret to her six older brothers, Raikama curses them, transforming the princes into cranes, then lays an even more cruel curse on Shiori: A magical bowl on her head hinders her power and obscures her face, so that she is unrecognizable as the kingdom’s princess, and any time she speaks a single word aloud, one of her brothers will die. 

Cast to the far reaches of the kingdom and unable to explain her plight or reveal her identity, Shiori must rely on help from Kiki, a mischievous paper bird brought to life by Shiori’s magic; an infuriating dragon prince; and a nobleman’s son who continually defies her expectations. It will take all of Shiori’s wit and determination to reunite her family and break Raikama’s curses.

In Six Crimson Cranes, YA fantasist Elizabeth Lim delivers a blend of fairy tale and legend that feels both classical and fresh. Lim draws on and blends European, Chinese and Japanese sources, and the mix gives the novel both a sense of familiarity and an entertaining unpredictability, as the reader never knows which source’s elements will take precedence in the next step of the story.  

Shiori is no magical savant: She’s an endearing heroine who grows over the course of her journey, using her natural strengths to fight her way back home. Her relationships with her six brothers are well defined and touching. The book’s romantic subplot is satisfyingly swoony but also functions as an indicator of Shiori’s transformation from a kind and curious yet sheltered and judgmental princess into an open-minded young woman. 

Intriguing departures from the beats of a typical fantasy-quest plot, well-laid red herrings and excellently sown seeds of future complications set Six Crimson Cranes apart. It radiates with Lim’s love for fairy tales and legends from around the world and takes readers on a well-paced adventure with a magic all its own. 

In Six Crimson Cranes, YA fantasist Elizabeth Lim delivers a blend of fairy tale and legend that feels both classical and fresh.

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It’s been a year since Clara lost control of her powerful magic and accidentally killed her best friend, and she still lives in fear that her powers will hurt someone again. Her magic just seems drawn to the people she loves—with disastrous consequences.

Clara is an Everwitch, a rare witch who can access the magic of all four seasons. While her peers at the Eastern School of Solar Magic are at their most powerful in spring, summer, fall or winter, Clara’s powers rotate and change with the seasons, and her fear of her own magic is starting to cause her to fall behind at school.

In The Nature of Witches, witches are key players in the global fight against climate change and atmospheric disruption, especially since shaders (people who don’t have magic) insist on developing and exploiting places on the planet that should remain wild. As an Ever, Clara should be a singularly powerful witch, destined to be indispensable in the intensifying struggle to calm the raging atmosphere. But Clara is stuck, too scared to train the way her teachers want her to but conscious of the grave responsibility an Ever holds.

The environmental situation is worsening, and Clara must decide whether to join the fight for the planet or take the drastic step of relinquishing her powers forever. When she’s paired with a new training partner, the calm and gentle spring witch Sang Park, Clara begins to see a way to trust herself and her powers again.

Rachel Griffin’s debut YA novel is a fascinating blend of climate fiction, fantasy, boarding school novel and romance. Clara’s trauma and fear are well developed, and her backstory makes her extreme resistance to forging relationships or using her magic understandable. The connections Griffin builds between the natural world and the witches’ magic are fresh and intriguing.

The book’s looming sense of danger comes from the chaotic environment, one in which the climate crisis has worsened significantly, rather than from a traditional antagonist, which leaves more room for Clara’s interiority and growth. YA fantasy connoisseurs may be able to predict a few revelations about Clara’s magic, as well as some story beats along the way, but the near-future setting and the witches’ ancient earth-magic practices are exciting and immersive. Steeped in love for the natural world, The Nature of Witches is a new spin on familiar themes that readers will find inspiring and satisfying.

It’s been a year since Clara lost control of her powerful magic and accidentally killed her best friend, and she still lives in fear that her powers will hurt someone again. Her magic just seems drawn to the people she loves—with disastrous consequences.

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Tamsin is a witch, but unlike other witches her age, she has spent the last five years banished from the witches’ land of Within, cursed to never feel love as punishment for a terrible deed. Now she ekes out a lonely existence as a harsh, callous village witch among the Ordinary folk. 

Wren is a source: someone who is magic but cannot use magic. But unlike other sources, she didn’t travel to Within when her magic appeared, as the witches’ governing coven requires. Instead, she stayed behind to care for her ailing father, hiding the evidence of her relationship to magic as best she could. 

When a dark plague sweeps across the land, Tamsin hopes to return to Within and hunt for the witch who cast it, potentially earning the right to return home. Determined to rescue her father from the plague, Wren seeks Tamsin’s aid. The girls strike a bargain and set off to Within. 

The romantic arc of Sweet & Bitter Magic trods an enjoyable if well-worn “opposites attract” path. Chapters alternate between Tamsin’s and Wren’s perspectives, and each young woman exhibits both flaws and growth that readers will find relatable, perhaps even healing. Tamsin must outgrow her tendency to be selfish and let go of her guilt over her past mistakes, while Wren struggles to prioritize her own desires and develop confidence in her own abilities. 

Debut author Adrienne Tooley’s magical system of witches and sources is simple but intriguing, and the novel’s setting evokes a mix of European fairy tales and medieval society. The land of Within is filled with such strange and vivid imagery that readers will be reluctant to leave it behind. With its combination of fresh and familiar elements and two heroines whose emotional journeys are sure to resonate, Sweet & Bitter Magic is a treat for readers who loved the queer fantasy of Melissa Bashardoust’s Girls Made of Snow and Glass and the atmospheric, witchy vibes of Peternelle van Arsdale’s The Beast Is an Animal

Tamsin is a witch, but unlike other witches her age, she has spent the last five years banished from the witches’ land of Within, cursed to never feel love as punishment for a terrible deed. Now she ekes out a lonely existence as a harsh, callous village witch among the Ordinary folk. 

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Marit Olsen is alone in the world. Her father died in an accident in the wealthy Vestergaard family’s mines. The Firn, an icy buildup in the veins that freezes a body from the inside as a result of the overuse of magic, claimed her sister not long after. Like her sister, Marit has magic; Marit’s gives her a connection to fabric, thread and sewing. She can embroider a dress in one night that would take an expert seamstress weeks. But like all magic users, Marit uses her gift sparingly for fear of the Firn.

On the cusp of aging out of the orphanage, Marit is determined to look out for Eve, a younger girl with a gift for ballet who has become like a little sister to her. When Eve is adopted by Helene Vestergaard, Marit manages to obtain a place as a seamstress in the Vestergaard household. As she settles in among the staff, she realizes they all have magical abilities that they use often. While Eve adjusts to a life of wealth and privilege, Marit uncovers new information about her father’s accident with the help of her new friends, siblings Liljan and Jakob. If her father’s death wasn’t an accident, could the Vestergaards have been involved? Is Eve in danger? Marit will risk it all, including the Firn, to ensure that her chosen family is safe.

Emily Bain Murphy’s second novel is an assured blend of historical fiction and fantasy, with satisfyingly researched details appearing alongside a simple but powerful system of magic. The story includes a slow-burning romance, but Marit’s prickly enemies-to-friends relationship with another household servant is even more compelling. Most satisfying is the book’s villain, an occasional narrator whose identity is revealed in time. Murphy has created a more nuanced villain than is usually attempted in YA fantasy, with valid (yet misguided) goals and easily understandable, even sympathetic motivations. 

Marit’s struggle to find and protect her found family, the lush and hygge-filled Scandinavian surroundings and the thrilling showdown with a complex villain make Splinters of Scarlet a finely woven tale perfect for historical fiction and fantasy readers alike.

Marit Olsen is alone in the world. Her father died in an accident in the wealthy Vestergaard family’s mines. The Firn, an icy buildup in the veins that freezes a body from the inside as a result of the overuse of magic, claimed her sister…

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The last thing Andromeda remembers is entering her cryo’tank, ready to sleep through the hundred-year journey across the stars to a new planet. Along with her mother, a prominent scientist, Andra is part of a small group making the journey. But when Andra wakes up, she slowly puts together the horrifying truth: She’s been asleep for a thousand years, not a hundred.

What’s more, she’s stranded in a society that worships her as a goddess and has completely lost her society’s deep understanding of technology. It’s clear to Andra that Zhade, the young man who woke her, has his own agenda, but Andra hopes that if she follows him, she can scrounge up enough still-functioning tech to get back to Earth. For lack of any better option, Andra accompanies Zhade to the crumbling city of Erensed, where her precarious divine status and Zhade’s complicated relationship with the leader of Erensed make it difficult for her to move freely and collect the parts she needs. More disturbing discoveries will force Andra to reckon with her past, change her assumptions about the present and rethink her future.

Lora Beth Johnson’s ambitious debut novel, Goddess in the Machine, showcases a thrilling plot, colorful side characters and a world constructed with remarkable attention to detail. Johnson’s vision of how society, technology and language could be transformed in the next century and a millennia from now is thoughtful and inventive, yet the urgency of Andra’s plight never gets lost in the tech.

Sci-fi fans familiar with authors such as Christopher Priest and Isaac Asimov may see a few of the plot’s twists and turns coming, but Johnson’s pacing is perfection, and the payoffs of various reveals are satisfying. Andra is a smart and sensitive heroine who’ll leave readers eager to see what awaits her in the next volume of Johnson’s epic science fiction saga.

ALSO IN BOOKPAGE: Lora Beth Johnson discusses the futuristic English in Goddess in the Machine.

The last thing Andromeda remembers is entering her cryo’tank, ready to sleep through the hundred-year journey across the stars to a new planet. Along with her mother, a prominent scientist, Andra is part of a small group making the journey. But when Andra wakes up, she slowly puts together the horrifying truth: She’s been asleep for a thousand years, not a hundred.

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Sasha Bloom never really fit in at school, preferring to interact with her classmates from behind the safety of her camera lens. Mostly, Sasha spent time with her single mom; it had been just the two of them for a long time. But then came the massive earthquake and her mom’s death. With nowhere else to go, Sasha is taken in by grandparents she barely knows and brought home to their wealthy town of Bayport.

After spending her summer in a blur of grief, Sasha starts junior year at Baycrest High and feels like she’s in a new world. For one thing, the popular kids are also great students, loading up their schedules with honors classes and tightly focused on the college application process. The school has tons of extracurriculars, like Art Club, that her old school didn’t—never mind that Sasha hasn’t picked up her camera since the earthquake. Her classmates seem eager to befriend her, but is that just because their families belong to the same country club as her grandparents? Despite her new surroundings, Sasha still feels pressure, judgment and insecurity as she navigates her conflicted emotions about her seemingly ready-made friends, her grandparents’ determination to set her on a more conventional path in life than her mother’s and her intense interest in a beautiful classmate, Lily. But how much of Sasha’s difficult feelings are the result of external influence, and how much are they the result of pressure she puts on herself?

YA author Robyn Schneider’s fourth novel is anchored by Sasha’s experiences of loss and confusion, but the wry wit and artistic sensibility of Sasha’s narrative voice make You Don’t Live Here shine. Schneider absolutely nails the way that making new friends can be full of awkward hopefulness and fear. Some of the assumptions that Sasha makes about other people, particularly with regard to her grandparents, are unfounded, while others, including her anxiety about revealing her bisexuality to her conservative family, will ring true for teen readers. You Don’t Live Here is at its most affecting when Sasha gains the courage to put her feelings about her sexuality into words, even if just to herself. Sasha’s journey to understand who she is and express it to others makes for a moving and authentic read.

YA author Robyn Schneider’s fourth novel is anchored by Sasha’s experiences of loss and confusion, but the wry wit and artistic sensibility of Sasha’s narrative voice make You Don’t Live Here shine.
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In Maggie Tokuda-Hall’s self-assured debut, The Mermaid, The Witch, and the Sea, an imperialist system clashes with the ancient power of the sea while two teens from different backgrounds find unexpected love. 

Lady Evelyn Hasegawa, the black sheep of an aristocratic family, faces a journey aboard a ship called the Dove that she’s been dreading: She’s being married off to a stranger. A member of the Dove’s crew, Florian—born Flora—has been assigned to attend to Lady Evelyn. Tough and capable of handling the violence common to the harsh world of the Dove, Florian is working to earn enough to return with her troubled brother, Alfie, to their homeland. 

Lady Evelyn surprises Florian at every turn with kindness, humor and openness. But their growing relationship is a problem, because the Dove isn’t a passenger vessel. It’s a pirate ship whose passengers have no idea that the captain and crew plan to sell them into slavery.

This intriguing premise blooms into an enchanting, complex tale that explores politics, piracy and the magic of storytelling itself. In Tokuda-Hall’s world, witches can use words to coax magic out of any object, a pirate’s honor is signaled by their relationship with the sea and mermaids can both preserve and destroy memories. Tokuda-Hall’s imperialist political system, clearly inspired by the Japanese and British Empires, is brilliantly detailed. While the romance between Evelyn and Florian moves quickly, both characters have well-defined perspectives and appealing motivations. 

Queer and gender nonconforming characters are everywhere, and their normalization within the world of the book is remarkable and praiseworthy. A strikingly original and accomplished debut, The Mermaid, the Witch, and the Sea reads like an undiscovered classic with impressively modern flair. 

In Maggie Tokuda-Hall’s self-assured debut, The Mermaid, The Witch, and the Sea, an imperialist system clashes with the ancient power of the sea while two teens from different backgrounds find unexpected love. 

Lady Evelyn Hasegawa, the black sheep of an aristocratic family, faces a journey…

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Enebish, a warrior in the Sky King’s army, is a Night Spinner, capable of bending the darkness to her will. Or she was—until the night that her power broke free and she massacred innocent merchants instead of enemy soldiers. Enebish doesn’t remember that night; all she knows is that her adopted sister, Commander Ghoa, stopped the slaughter by severely injuring Enebish’s arm and leg, and then intervened with the Sky King on her behalf. Instead of being executed, Enebish was given traitor’s marks, cut off from her powers and sentenced to live out the rest of her days in a monastery. Two years later, Ghoa returns from the front lines with an offer: Return to the city, befriend Temujin—the leader of a group stealing vital supplies from the military—and deliver him into custody.

As Enebish gets closer to Temujin, she discovers that he’s been distributing the stolen supplies to impoverished shepherds whose winter grazing fields are damaged, while the Sky King and his army are doing nothing. She also learns that Temujin, like her, still prays to the forbidden First Gods rather than to the Sky King. Although Temujin’s cause may be just, Enebish still isn’t sure whether she can trust him. Caught between yearning for her freedom, loyalty to her family and her desire to know and do what is right, Enebish must learn how to be a warrior again, despite her fear of losing control.

Author Addie Thorley conjures a social setting drawn from an intriguing mix of cultures, in an environment that combines wintry tundra and harsh steppe, along with hints of The Hunchback of Notre Dame. Its twisty plot, intriguing blend of magic and religion, and a vulnerable but noble narrator make Night Spinner perfect for readers looking for a slightly offbeat YA fantasy.

Enebish, a warrior in the Sky King’s army, is a Night Spinner, capable of bending the darkness to her will. Or she was—until the night that her power broke free and she massacred innocent merchants instead of enemy soldiers. Enebish doesn’t remember that night; all…

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In Jenny Lee’s retelling of Leo Tolstoy’s Anna Karenina, wealthy East Coast teen Anna K trades her staid, old-money lifestyle for ever-increasing risks and romance.

Anna’s longtime boyfriend, Alexander W., is perfect, if a bit stuffy. Independent-minded Anna doesn’t mind that he’s away at college. Her horses and show dogs keep her occupied in Greenwich, away from the rich-kid antics often led by her brother, Steven, in New York City. But when Steven’s girlfriend discovers he’s been cheating on her, Anna rushes to the city to run interference. 

At the train station, she encounters the notorious playboy Alexia “Count” Vronsky, and the trajectory of her life, which she has planned out in meticulous detail, begins to wobble. As other dramas unfold around them, Anna and Vronsky are powerless in the face of their intense chemistry. In a world where reputation is everything, will Anna survive her life-changing love story?

TV writer and middle grade novelist Lee skillfully weaves beats of the classic Russian novel into the contemporary plot of her first YA novel, but readers will need no previous knowledge of Tolstoy to appreciate the social stakes, heartbreak, humor and moral complexity of Anna K. Wonderfully observed details of characters’ clothing, music, technology and slang add to the immersive, effortless flow of these teens’ glittering world, and secondary characters shine as they deal with their own family issues. 

While its melodrama is high and the tragedy of the source material looms large, Lee’s version, tweaked and updated for today’s teens, makes for addictive reading.

In Jenny Lee’s retelling of Leo Tolstoy’s Anna Karenina, wealthy East Coast teen Anna K trades her staid, old-money lifestyle for ever-increasing risks and romance.

Anna’s longtime boyfriend, Alexander W., is perfect, if a bit stuffy. Independent-minded Anna doesn’t mind that he’s away at college.…

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The only things Ximena possessed the day she was found wandering the streets of La Ciudad Blanca were her loom and her striking resemblance to the Condesa Catalina, the last surviving member of Illustrian royalty after the Llacsan revolt. Rather than continue to live on the streets, young Ximena agreed to become Catalina’s double, to appear as Catalina in public in order to keep the real Catalina safe.

Ten years later, Ximena has lived in the Illustrian Keep alongside Catalina as her sister, confidant and loyal subject. Only Ximena and a select and trusted few know that Catalina is the real Condesa and Ximena only a decoy; most Illustrians believe Ximena to be Catalina, the leader who will take over and rule once they defeat Atoc, the false king.

So when a messenger arrives bearing the news that Atoc has demanded the Condesa’s hand in marriage, Ximena knows it’s an opportunity for her to gather crucial information for the Illustrians’ planned attack on the Llacsans. Although Ximena would prefer to practice her magical weaving than serve as a warrior or a spy, she is excited for a chance to return her beloved Catalina to the throne and for the possibility of victory after years of stalemate. But once she is among her lifelong enemies, playing the role of Catalina on the most important stage yet, Ximena’s encounters with a friendly guard, an infuriating healer and others she meets in the Llacsan court cast doubt on many of the convictions she’s held since childhood. 

Woven in Moonlight is a nuanced and empathetic fantasy inspired by Bolivian folklore, history and politics. Ximena is a kind and strong protagonist whose experiences challenge her to outgrow her prejudice and desire for vengeance. Touching on ideas of restorative justice in a unique and vivid setting, Isabel Ibañez delivers a confident, subtle and inspiring debut about what it takes to move a divided society forward.

The only things Ximena possessed the day she was found wandering the streets of La Ciudad Blanca were her loom and her striking resemblance to the Condesa Catalina, the last surviving member of Illustrian royalty after the Llacsan revolt. Rather than continue to live on…

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