Barbara Clark

Readers who fancy top-notch crime procedurals need look no further than the latest by seasoned Brit author Ann Cleeves. Harbour Street is her sixth mystery featuring Detective Inspector Vera Stanhope and her Northumbrian detective team. The first chapter unfolds on a Metro train that’s carrying a crowd of Christmas shoppers, one of whom doesn’t make it to the next stop alive. Vera’s top assistant, Sergeant Joe Ashworth, is in the train car where the fatal stabbing occurs, and he sees zilch until the train empties its passengers, all except for a lone, very dead elderly woman.

Who’d kill an elegant, self-contained older lady who seems to spend most of her days helping others? But this is no locked-room mystery, as Vera sets out to discover the truth, starting with victim Margaret Krukowski’s little attic room on Harbour Street and soon expanding to the street’s boat yard, church and local bar, as well as the Haven, a nearby hostel for homeless women. Margaret’s life begins to emerge through those who knew her: as “one of the family” to landlady Kate and her teenage kids; as friend and supporter to a downbeat, desperate woman of the Haven; and as a long-ago lover to more than one man who vividly remembers her. Yet she remains a private and secretive woman to those searching for her killer. Vera and her team delve into the past of Harbour Street to put together Margaret’s story and find a motive for her death.

This is an outrageously good book, one of the best procedurals to come down the pike in a while, with a comprehensible plot full of believable characters. Cleeves is superlative as she subtly and cleverly alters our perceptions of the main characters as the book progresses. Harbour Street’s colorful back-story is persuasively drawn, and its characters fit like pieces in a surprising puzzle.

Vera herself is a piece of work, as readers may know from Cleeves’ earlier books and thanks to the PBS TV series “Vera,” now in its fifth season. Overweight, opinionated and obsessive, Vera pursues often-eccentric lines of detection and makes unsparing demands on her team, including the hidebound but persistent Joe and the clever, self-absorbed Holly. Readers become party to the detectives’ private thoughts, petty grievances and jealousies that make them human and accessible to us.

In real life, British author Peter James rides regularly with the Sussex police on their rounds. This fascination with police procedures and the milieu of law enforcement is amply displayed in his best-selling Roy Grace crime novels, now in its 11th installment with You Are Dead.


A young woman named Logan drives into the darkness of her apartment’s parking garage and disappears into thin air. Before her cell phone goes dead, she screams to her boyfriend that someone is lurking near her car. At almost the same time, local construction workers unearth female human remains while digging through the pavement at a nearby building site. The 30-year-old skeleton that’s uncovered turns out to have strange similarities to those of Logan as well as to another missing young woman. Detective Superintendent Roy Grace and his Brighton-based crime team begin the detailed and painstaking work of uncovering and linking the common elements in these missing persons cases, revealing evidence of the abduction and murder of several young women going back decades. The investigation takes an eerie turn when the forensics team discovers evidence of a tattoo or brand marked on the excavated human remains, reading “U R Dead.”


The book’s most engrossing chapters follow the criminal task force as they search for the small details that may identify the killer. In more grisly chapters, we see aspects of the killer’s methods from another viewpoint, that of Logan, imprisoned in the dark and awaiting horrors she can barely imagine.


You Are Dead is an accurate, unsettling and sometimes mesmerizing depiction of the ways in which a crime squad carries out what seems an impossible task—identifying a killer starting with nothing more than a blurry footprint and unidentified, decades-old human remains. The task force detectives’ work makes readers feel immersed in the detection process from start to finish in a way not often related in such detail in crime novels. Occasionally there’s an “oh, please” moment, as when Grace moves into a hot-button danger scene alone rather than waiting for his on-scene backup. We know it builds suspense, but it’s a jarring note in this otherwise realistic story about meticulous and careful policing.


The dead man’s ID says his name is James Putnam. The unfortunate victim of a motor vehicle accident, Putnam was killed instantly on the highway when an oncoming car jumped the divider and plowed head-on into his Porsche.

The problem is that James Putnam has been dead for 15 years.

The aptly titled The Guise of Another, the second thriller from Allen Eskens, shifts into high gear as police detective Alexander Rupert of the Minneapolis Frauds Unit begins a search for the real story: not only for the real James Putnam, but for the reason someone has been impersonating him. The detective uses a cache of letters to discover the imposter’s name, and then tracks both “Putnams” to New Jersey and their former incarnations as college roommates. Alexander works with his brother, Max, a fellow police detective, as the case spirals out from identity theft to a convoluted maze of corruption and crime at the highest levels.

Alexander connects the case to a 15-year-old event involving blackmail and murder aboard a corporate yacht. But uncovering this violent event sends Alexander down a dangerous path. Drago Basta, a powerful assassin working with giant defense contractor Patrio International, is intricately involved with the yacht explosion, and he emerges from the shadows to follow the detective’s every move.

Alexander is no simple character himself, as he tries to counter charges of police corruption leveled against him as well as his police colleagues, triggering his move from narcotics to fraud. And there seems to be no lack of trouble involving the women in his life: Desiree, his faithless wife; Billie, a savvy New York cop whose initiative puts her in jeopardy; and Ianna, who possesses the means to overturn the criminals’ advantage.

Poor editing and lapses in style hinder a smooth read, but The Guise of Another moves at top speed, and although it’s a skin-deep thriller, there are enough plot twists to keep readers absorbed, right through the surprising epilogue.

It takes only a few pages of the suspenseful mystery After the Storm to hurl readers into the heart of a violent tornado touching down near the little town of Painters Mill in rural Ohio, bringing widespread destruction and even the death of an infant. In the twister’s aftermath, a different kind of damage works its way to the surface, as Chief of Police Kate Burkholder is called to the site of an old barn where human bones have been unearthed in the wake of the storm.

Linda Castillo is the author of six previous Burkholder mysteries, set deep in Amish country where the author was raised. She skillfully weaves the attitudes and habits of the Amish Ordnung—the disciplines of this religious community—with clear, dramatic portraits of the people who still follow the sect’s old ways in today’s modern world. Amish phrases add a distinct flavor to the narrative and are never confusing or out of place, providing readers with a bedrock sense of place and atmosphere.

Burkholder, originally from a conservative Amish family,  pursues her life and career outside the confines of that faith, but readers sense the detective’s affection for her family, despite their disapproval that she’s left the fold, as well as her respect for the plain—and often misleading—face the Amish community presents to outsiders. In After the Storm, that plain face turns violent, as Kate and her team search for the identity of the 30-year-old bones, leading her to terrible secrets that will upend a seemingly peaceful, bucolic world. The bones tell the story of an unimaginable atrocity whose legacy continues to scar lives right into the present day.

The author introduces the additional counterpoint of a secret that Kate carries in her own life, one that’s bound to affect her new relationship with state investigative agent John Tomasetti. The interplay of the couple’s feelings for each other can be tender and dramatic, at times terse and cutting, but always authentic.

After the Storm deftly follows a story of modern-day crime detection as it grinds against the implacable ways of a community bound by ties so strong that violence and betrayal seem to be their only destiny.