Becky Libourel Diamond

Food is among the greatest human connectors. In her latest book, How to Share an Egg: A True Story of Hunger, Love, and Plenty, chef and award-winning journalist Bonny Reichert weaves together vignettes about her family, her life and, most importantly, her intergenerational trauma, skillfully using food as a focal point and way to tie the past and present together. 

As the child of a Holocaust survivor, Reichert’s trauma stems from the horrors she knows her father lived and breathed. Although her father chooses not to dwell on the past, Reichert is still haunted by his experiences. As a child, she imagined herself enduring his hardships. “The more I could put myself in his skin, the more I soaked up his suffering, the less hurt he would be,” she recalls.

After years working as a journalist and then as a chef, Reichert experiences a pivotal aha moment while enjoying a simple bowl of borscht on a pilgrimage to Poland with her family to visit the tomb of her great-grandfather. “I want to go forward but I have to go back,” she realizes, in order to heal. “Back to a time before the borscht in Warsaw, before the talk of writing the book, even before I found the blue-green numbers inside Dad’s arm.” 

And go back she does, relaying how after the war, her father moved to Canada and opened and operated several restaurants. Between this exposure and her maternal baba’s delicious home cooking, food was always a central part of Reichert’s upbringing; food waste an “anathema to all of us, an attitude bred right into our bones.” Her baba especially embodies the importance of food in her family. On weekends, she’d come to the house bearing enormous amounts of food wrapped in parcels and packages she called pekeleh, which means bundles, and also burdens, in Yiddish. She’d cook cheese blintzes “fried to a crispy gold and ready to be smothered in syrupy strawberries and sour cream”; wild blueberry varenikes “ready to squirt their purple juice into your mouth”; and chicken necks, “boiled until the bones were soft and the meat fell off in strips.”

Reichert’s story extends far past childhood, with literal and metaphorical culinary journeys in spades. How to Share an Egg is a beautifully written, eye-opening memoir that movingly shows how food—and writing about it—can bridge divides and heal generations. 

Bonny Reichert’s How to Share an Egg is a beautifully written, eye-opening memoir that movingly shows how food—and writing about it—can bridge divides and heal generations.

For people in the public eye, any visual signs of aging are amplified, scrutinized and criticized. In her latest book, actress, model and author of There Was a Little Girl and Down Came the Rain, Brooke Shields pens a manifesto on what it’s like to grow older in front of an audience. Shields’ life has been on display since she became the youngest Vogue cover girl in history at 14. Now at 59, she provides an honest perspective on getting over the myths that accompany aging as a woman. Brooke Shields Is Not Allowed to Get Old: Thoughts on Aging as a Woman, is refreshing, revealing and surprisingly relatable.

Backed by research studies, statistics and real-life stories, Shields’ memoir is introspective, insightful and confident. From her own life, she shares tales of surgeries gone awry, mothering college-age daughters and her decision to shift her focus to what she feels comfortable with rather than what she assumes will please others. Some of what she’s learned sounds simple but is in fact hard won: “One of the joys of getting older . . . is the ability to say ‘no’ to the things you don’t want to do. ”

Women in entertainment are speaking up about aging more than ever—see Julia Louis Dreyfus’ podcast Wiser Than Me, for example—and addressing a question many women reckon with as they grow older: Do I still have value? Shields explores this and its rippling effects in depth. “Why are we forever criticizing ourselves and our bodies while seeking ridiculous perfection?” she writes. “And why, when we finally take the pressure off or count our blessings or just enjoy who we are, is it practically too late?”

Combining a variety of genres such as memoir, self-help, parenting and health and wellness, Brooke Shields Is Not Allowed to Get Old offers tips on how to self-advocate, feel more grounded and embrace one’s maturity, wisdom and experience. This wide range of topics will appeal to anyone seeking a deeper understanding of the aging process and how to develop a sense of enlightenment and ownership of their present and future selves.

In her refreshing new memoir, Brooke Shields shares how she learned to embrace the maturity, wisdom and experience that comes with age.
STARRED REVIEW
November 1, 2024

4 cookbooks sure to inspire creative moves in the kitchen

Cookbooks are among the most treasured gifts for anyone who loves to cook, bake, grill or simply learn about food and culture. Many food aficionados enjoy reading cookbooks cover to cover, while others hunt and peck for recipes that will hit the spot. Our four picks offer gorgeous photography, mouthwatering recipe descriptions, enlightening social context and inspiring ways to make the most of the food in your larder. But proceed with caution: You may decide to roll up your sleeves and make some of the recipes, as I did, before you can gift wrap the book!

Feature by Becky Libourel Diamond
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Breaking Bao: 88 Bakes and Snacks From Asia and Beyond by award-winning pastry chef Clarice Lam is a striking collection of thoughtfully crafted baked goods, highlighting her “love for Asian flavors while simultaneously connecting the dots between cultures.” Recalling her diverse background (her mother is from Hong Kong and her father from the Philippines) and experiences (the family lived and traveled all over the world), Lam explains how food was her solace during times when she felt like an outsider. On her path to becoming a chef, she gained knowledge and appreciation of the “interwoven food histories” that sustained her when the rest of the world shut her out. Organized into three main sections—Bao, Cakes and Desserts, and Snacks—Lam’s highly detailed instructions accompanied by texturally rich close-up photos will help assist even the most inexperienced pastry chef, as many of the recipes can be rather complicated and span several pages. Detailed chapters on ingredients, tools and equipment helpfully describe how and why they are used and where to get them. Dishes range from traditional Asian recipes such as shokupan (Japanese milk bread—one of the most common recipes in Asian baking) and chili crisp (a staple oil in every Chinese household), to dishes with an Asian-inspired twist, such as matcha-azuki Mont Blanc and pandan-lime meringue pie. This beautiful, informative cookbook is the perfect gift for anyone who enjoys being creative in the kitchen, and might even inspire home bakers to invent their own confectionary delights. 

Clarice Lam’s Breaking Bao is a striking collection of thoughtfully crafted baked goods that highlights the inventive pastry chef’s love of Asian flavors.

With the goal of sharing simple, delicious recipes filled with constructive tips to reduce waste, save time and cut costs, Every Last Bite: Save Money, Time and Waste With 70 Recipes That Make the Most of Mealtimes by British chef and writer Rosie Sykes (The Kitchen Revolution) is a delightful mix of global recipes reflecting her background and experiences as a chef and former London pub owner. Featuring eight chapters with cheeky titles such as “Quick as a wink and not too filling,” “Goings-on in the oven” and “Blueprints for leftovers,” Sykes has crafted an accessible, practical resource that will be welcomed by anyone looking to rein in their food budget and avoid excess waste and energy usage. The recipes are a wide-ranging mix of cultural dishes, from Catalan-style beans and chorizo, pea and potato pav bhaji, and bacon and egg pie. Each is accompanied by a helpful symbol indicating alternate serving suggestions, ways to use up leftovers, ingredient hacks, storage tips, budget helpers and low/no-waste ideas. For example, the simple, delicious cauliflower farfalle, which combines roasted cauliflower, red onions and bow-tie pasta dressed in a simple walnut pesto, features a tip to store nuts in the refrigerator to prevent spoiling. The recipes and instructions are clearly laid out (including conversions to American measurements), and will appeal to both beginning and advanced cooks.

Every Last Bite is an accessible, practical cookbook that will be welcomed by anyone looking to rein in their food budget and avoid excess waste and energy usage.

The recipes in the lavishly presented Our South: Black Food Through My Lens feature a fascinating blend of ingredients, flavors and techniques. Acclaimed chef Ashleigh Shanti, a queer Black woman from Appalachia, shares the region’s history and her own backstory to show how she developed a love of all things culinary. Recalling past meals rich in bacon, lard, butter and country ham, Shanti includes an abundance of regional dishes, such as Virginia Brunswick stew, and black pepper quail and leather britches, a southern Appalachian specialty dish of dried green beans and smoky seasoned meat. I made the gingered shrimp, watermelon and peach skewers—like eating summer on a plate—and the cucumber and celery heart salad, which is bathed in zesty, pickled goodness and tasted even better the second day. Shanti notes that her book is meant to “amplify your understanding of the complexities of Black food” and “dispel the myths of what America thinks Black cooking is and is not.” Our South is a perfect gift for anyone curious about the intersections of food and culture.

Ashleigh Shanti’s excellent, lavishly presented Our South twines the recipes and culture of Black Appalachia with the chef’s own culinary journey.

Sure to inspire leisurely, locally crafted meals paired with excellent conversation and luscious wine, The Artful Way to Plant-Based Cooking: Nourishing Recipes and Heartfelt Moments is a breathtaking cookbook created by mother-daughter team Trudy Crane (a ceramic artist) and Chloé Crane-Leroux (a New York City-based food and lifestyle photographer) that could do double duty as an attractive coffee table display. Blending artistry with plant-based dishes, the duo makes enticing connections between food, taste and presentation, proving vegetables can be colorful works of art. With stunning photographs taken in Spain, the book highlights the shared love of travel that has always been a “deeply meaningful connection” between the mother and daughter. Divided into six sections of appetizers, date night dishes, friends for dinner, weekday favorites, solo suppers, and slow mornings and brunch favorites, a wide range of recipe types and flavor combinations are represented, among them crumbed artichokes with cashew aioli, a ricotta and squash galette, a traditional Greek salad and savory chickpea pancakes. I made the shawarma spice tofu skewers with hummus and wilted spinach, which proved to be a delicious blend of flavors and textures.

In their breathtaking new cookbook, mother-daughter team Trudy Crane and Chloé Crane-Leroux prove that vegetables can be colorful works of art.

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Mouthwatering recipes, gorgeous photography and enlightening social context make Our South, Breaking Bao and more cookbooks worthy of a spot on your kitchen shelf.

The recipes in the lavishly presented Our South: Black Food Through My Lens feature a fascinating blend of ingredients, flavors and techniques. Acclaimed chef Ashleigh Shanti, a queer Black woman from Appalachia, shares the region’s history and her own backstory to show how she developed a love of all things culinary. Recalling past meals rich in bacon, lard, butter and country ham, Shanti includes an abundance of regional dishes, such as Virginia Brunswick stew, and black pepper quail and leather britches, a southern Appalachian specialty dish of dried green beans and smoky seasoned meat. I made the gingered shrimp, watermelon and peach skewers—like eating summer on a plate—and the cucumber and celery heart salad, which is bathed in zesty, pickled goodness and tasted even better the second day. Shanti notes that her book is meant to “amplify your understanding of the complexities of Black food” and “dispel the myths of what America thinks Black cooking is and is not.” Our South is a perfect gift for anyone curious about the intersections of food and culture.

Ashleigh Shanti’s excellent, lavishly presented Our South twines the recipes and culture of Black Appalachia with the chef’s own culinary journey.

Sure to inspire leisurely, locally crafted meals paired with excellent conversation and luscious wine, The Artful Way to Plant-Based Cooking: Nourishing Recipes and Heartfelt Moments is a breathtaking cookbook created by mother-daughter team Trudy Crane (a ceramic artist) and Chloé Crane-Leroux (a New York City-based food and lifestyle photographer) that could do double duty as an attractive coffee table display. Blending artistry with plant-based dishes, the duo makes enticing connections between food, taste and presentation, proving vegetables can be colorful works of art. With stunning photographs taken in Spain, the book highlights the shared love of travel that has always been a “deeply meaningful connection” between the mother and daughter. Divided into six sections of appetizers, date night dishes, friends for dinner, weekday favorites, solo suppers, and slow mornings and brunch favorites, a wide range of recipe types and flavor combinations are represented, among them crumbed artichokes with cashew aioli, a ricotta and squash galette, a traditional Greek salad and savory chickpea pancakes. I made the shawarma spice tofu skewers with hummus and wilted spinach, which proved to be a delicious blend of flavors and textures.

In their breathtaking new cookbook, mother-daughter team Trudy Crane and Chloé Crane-Leroux prove that vegetables can be colorful works of art.

Breaking Bao: 88 Bakes and Snacks From Asia and Beyond by award-winning pastry chef Clarice Lam is a striking collection of thoughtfully crafted baked goods, highlighting her “love for Asian flavors while simultaneously connecting the dots between cultures.” Recalling her diverse background (her mother is from Hong Kong and her father from the Philippines) and experiences (the family lived and traveled all over the world), Lam explains how food was her solace during times when she felt like an outsider. On her path to becoming a chef, she gained knowledge and appreciation of the “interwoven food histories” that sustained her when the rest of the world shut her out. Organized into three main sections—Bao, Cakes and Desserts, and Snacks—Lam’s highly detailed instructions accompanied by texturally rich close-up photos will help assist even the most inexperienced pastry chef, as many of the recipes can be rather complicated and span several pages. Detailed chapters on ingredients, tools and equipment helpfully describe how and why they are used and where to get them. Dishes range from traditional Asian recipes such as shokupan (Japanese milk bread—one of the most common recipes in Asian baking) and chili crisp (a staple oil in every Chinese household), to dishes with an Asian-inspired twist, such as matcha-azuki Mont Blanc and pandan-lime meringue pie. This beautiful, informative cookbook is the perfect gift for anyone who enjoys being creative in the kitchen, and might even inspire home bakers to invent their own confectionary delights. 

Clarice Lam’s Breaking Bao is a striking collection of thoughtfully crafted baked goods that highlights the inventive pastry chef’s love of Asian flavors.

With the goal of sharing simple, delicious recipes filled with constructive tips to reduce waste, save time and cut costs, Every Last Bite: Save Money, Time and Waste With 70 Recipes That Make the Most of Mealtimes by British chef and writer Rosie Sykes (The Kitchen Revolution) is a delightful mix of global recipes reflecting her background and experiences as a chef and former London pub owner. Featuring eight chapters with cheeky titles such as “Quick as a wink and not too filling,” “Goings-on in the oven” and “Blueprints for leftovers,” Sykes has crafted an accessible, practical resource that will be welcomed by anyone looking to rein in their food budget and avoid excess waste and energy usage. The recipes are a wide-ranging mix of cultural dishes, from Catalan-style beans and chorizo, pea and potato pav bhaji, and bacon and egg pie. Each is accompanied by a helpful symbol indicating alternate serving suggestions, ways to use up leftovers, ingredient hacks, storage tips, budget helpers and low/no-waste ideas. For example, the simple, delicious cauliflower farfalle, which combines roasted cauliflower, red onions and bow-tie pasta dressed in a simple walnut pesto, features a tip to store nuts in the refrigerator to prevent spoiling. The recipes and instructions are clearly laid out (including conversions to American measurements), and will appeal to both beginning and advanced cooks.

Every Last Bite is an accessible, practical cookbook that will be welcomed by anyone looking to rein in their food budget and avoid excess waste and energy usage.

We are inundated by media updates about global warming, from statistical warnings and satellite images to news and weather reports on the latest storms, fires and floods. These ever-present alerts often focus on what’s happening to the land, but what about threats to the unique ecosystems of our oceans?

This vast water world is the focus of marine biologist and author Helen Scales’ latest book, What the Wild Sea Can Be: The Future of the World’s Ocean. Organized into three sections covering the ocean’s history, vanishing species and habitats, and the ocean’s restoration and future, the book takes a global perspective while also highlighting how specific regions and their wildlife are affected by the changing climate. Statistics drive home the immediacy of the crisis: “Within just the past fifty years, as people have been overexploiting species, destroying habitats, and releasing pollutants, the total mass of vertebrate life in the ocean has halved.”

Scales explores key issues impacting marine life, from warming waters, to disease-causing bacteria and viruses, to plastics contamination, along with striking examples of how these trends play out. For example, whales have a particularly high risk of microplastics consumption due to the shrimp and krill they eat: During migration to the coast of California, blue whales consume more than 10 million of these plastic particles, which can accumulate in tissues and alter expressions of genes, per day. Ecosystem shifts cause invasive migrations that upset the ecological balance, such as that of lionfish; native to the Indian and Pacific Oceans, they are now found along America’s east coast and in the Mediterranean. These invasive lionfish number five times their population in their native waters, and they threaten to consume other species to extinction.

But as the title suggests, the book is not all gloom and doom. In her introduction, Scales encourages readers to take part in “mental time travel” and “keep seeing the glory and feeling wonderment in the ocean.” By offering hopeful scenarios and advice for making “conscious decisions about the future of the earth’s biodiversity,” she provides the reader with a level of positivity not often heard amid the overwhelming climate news that can often make us feel helpless. “I hope this book will offer an antidote to the rising tide of eco-anxiety and fears for the future of the planet,” Scales writes. “Turn that fear into commitment and initiative.” What the Wide Sea Can Be provides a glimmer of light in a darkening world.

Helen Scales’ inspiring What the Wild Sea Can Be addresses climate-caused threats to our oceans, while providing a glimmer of light in a darkening world.

Hair can instill empowerment and confidence. It can also cause stress and anxiety, especially when it doesn’t fit Eurocentric perceptions of beauty. Tomesha Faxio, a self-taught documentary photographer, sets out to debunk myths about Black women’s natural hair and celebrate the rituals surrounding its care in her loving photo-essay book Wash Day: Passing on the Legacy, Rituals, and Love of Natural Hair.

Combining touching photography of mothers and daughters with a descriptive history of natural hair, Faxio explains how Black women and their hair have been misunderstood and misrepresented for centuries, and how the pressure to straighten and relax naturally curly, textured hair is a symptom of racism. By also focusing on the bonding that occurs on wash day between mothers and daughters, Faxio demonstrates that Black hair and beauty rituals can and should be honored. With its exquisite photography and heartfelt personal messages, the visually stunning Wash Day fills a gap regarding what it means for Black women not just to embrace their natural hair, but their whole selves.

With its exquisite photography and heartfelt profiles, Wash Day celebrates Black women’s natural hair.

After author and sociologist Sarah Thornton had a double mastectomy, she opted for breast reconstruction covered by her insurance. But she didn’t get the B-cup “lesbian yoga boobs” she had described to her surgeon. Instead, she got D-cup “silicone aliens” that “didn’t feel female or even human.” She relates this experience with humorous flair, but the result was scholarly: “I now had an overwhelming desire to understand breasts, excavate their meanings, and map out routes to their emancipation.”

Thornton (Seven Days in the Art World) documents her research in the memorably titled Tits Up: What Sex Workers, Milk Bankers, Plastic Surgeons, Bra Designers, and Witches Tell Us About Breasts. Her firsthand insight is woven throughout the book, with chapters focused on the “hardworking tits” of sex workers, “lifesaving jugs” of breast milk donors, “treasured chests” that undergo surgery, “active apexes” of the lingerie industry and “holy mammaries” enshrined in religious mythology.

Many women aren’t satisfied with what nature has given them, or they become disenchanted with the effects of gravity, aging or nursing. Thornton goes into detail about how this view has differed throughout history and in various cultures. As she points out, in Anglo American culture, “saggy is a sin” that often leads to surgical procedures, but in Mali, “‘she whose breasts have fallen’ is a respectful term for an older woman.” 

Thornton’s research and interviews are exhaustive, entertaining and enlightening. There are heartbreaking stories, like one about a mother who lost her baby but donated her breast milk; historical links, like the 1968 bra burning phenomenon; and inside information about how the many different variations in breast sizes and shapes cause conundrums for bra and swimsuit manufacturers. In tandem, Thornton addresses a central question: How is it that we look at breasts so much but reflect on them so little? 

Backed up by research, interviews with experts and plenty of fascinating facts, Tits Up is a revelatory look at many different facets of this oh-so-vital body part. As elucidated by the founder of the “Fool’s Journey” pagan retreat Thornton attends, “Every breast has a story. Let’s work on changing the narrative.” One thing for sure, you’ll never think of boobs in the same way again. 

After reading Sarah Thornton’s revelatory Tits Up, you’ll never look at boobs the same way again.

An astonishing 30-40% of food goes to waste in the U.S. “As well as being financially foolish, wasting food damages the planet because it accelerates climate change,” notes food writer and cookbook author Sue Quinn in her latest cookbook, Second Helpings: Delicious Dishes to Transform Your Leftovers, which aims to keep food from our own kitchens out of the trash. Quinn kicks off with a chapter of recipes for base dishes (soup, pasta bake, risotto, to name a few) that teach the reader skills that can be used for everyday meals. She moves to sections on small plates, light meals, main meals, sweet things and bits and bobs, the last of which includes ways to incorporate leftovers such as mashed potatoes, salad greens and the spoonfuls and scrapings left in various types of jarred foods.The book’s structure gives many different options for each recipe, resulting in numerous dishes to use up the items you have on hand. I made the roast dinner enchiladas using some cooked chicken from the night before, sliced peppers and jarred tomatoes, which transformed into an amazing sauce when simmered with Quinn’s suggested mix of spices. Second Helpings is the perfect blueprint for repurposing leftover food into other nutritious, delicious meals.

Second Helpings is the perfect blueprint for repurposing leftover food into other nutritious, delicious meals.

Memoirs are expected to be intimate, laying the groundwork for an author’s backstory and how they got to where they are currently. But it is less common for a personal account to be rendered in a way that’s hilarious, clever, profound and poignant at the same time, particularly one with food as its focus.

Geraldine DeRuiter’s If You Can’t Take the Heat: Tales of Food, Feminism, and Fury provides all these elements and more. As the James Beard Award-winning blogger who penned a viral response to celebrity chef Mario Batali’s ill-advised #MeToo “apology” (in which he shared a recipe for cinnamon rolls), DeRuiter is no stranger to writing about culinary escapades. In this meaty series of essays, she travels from her childhood encounters with food to the present day, with many experiences in between that are as entertaining as her gifted voice and knack for description.

Subjects that she covers include religion, teendom, dating and marriage, all the while sharing life lessons that will resonate with many readers. The result is a memoir that is raw, revealing and relatable, with particular attention given to challenges women face in patriarchal society. For example, in a chapter hilariously titled “The Only Thing in My Oven,” she defends her decision not to have children and smartly draws parallels between what others call “maternal instinct” with her desire, since, childhood, to bake. As she explains, “I think a prerequisite to being a parent is that you should want to be one. And there’s a long diatribe here that I could go on about, but simply: parenthood should always be a choice. But baking didn’t feel like a decision. It was a calling.”

Her articulations are sincere and nostalgic, particularly in the story of how she learned about her past and ancestral roots, and how she has processed (and is still processing) what she has discovered. She doesn’t shy away from grappling with childhood trauma, but If You Can’t Take the Heat is by no means depressing. Quite the opposite. DeRuiter’s divulging is comforting and significant to both women and those who have made a similar culinary journey. Readers will find this witty series of vignettes humorous and enlightening.

Geraldine DeRuiter braids her love of food with feminist critique in her hilarious, relatable memoir If You Can’t Take the Heat.

In most parts of the United States, homeowners share the land with herds of deer seen nibbling on garden plants, wandering through neighborhoods and running across highways. They are so ubiquitous that it is difficult to imagine a time when they were not so abundant. But as poet and journalist Erika Howsare explains in The Age of Deer: Trouble and Kinship With Our Wild Neighbors, the clearing of forests and constant unchecked hunting that Europeans wrought upon the land in colonial America began to decimate deer habitats and communities. By the early 20th century, deer populations had “gone down to zero” in many areas, only to rebound as conservation efforts allowed deer to multiply in droves throughout the U.S.   

Through carefully wrought prose and evocative imagery, Howsare depicts how deer and human populations have both relied on and butted up against one another for eons. Traveling through history and culture, she provides insight into the practical, environmental and spiritual “kinship” between our species: Cherokee hunters were mindful of Awi Usdi, a white deer who reminded them to ask each felled deer for forgiveness; villagers in the West Midlands of England celebrate the animal with a centuries-old pagan tradition called the Abbots Bromley Horn Dance; and deer riders abound in mythology, such as the Hindu god Chandra and Slavic hunters called vile, who bewitch men with their beauty. 

The animal, Howsare writes, “perfectly symbolizes the way we live with nature now, and the way we will carry on into whatever weird, paradoxical future awaits.” Her rigorous research, along with personal anecdotes, relates the impact of human intervention on the deer population and the damage that overpopulation wreaks on forests. Howsare rides along on a culling mission with Princeton, New Jersey’s sole animal control officer, and she discusses other methods government and wildlife officials have used to reduce their numbers, like sport hunting and sterilization.

Throughout the book, Howsare returns to a proposition stated in her introduction: “To look at our modern relationship with deer . . . means asking the biggest question of all: How will we live on this planet?” The Age of Deer is a thorough, eye-opening invitation to ponder our own relationships with the natural world, practically and reverently.

Erika Howsare’s The Age of Deer invites us to consider the practical, environmental and spiritual relationships we share with a most ubiquitous species.

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