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Businesswomen everywhere ask Gail Evans, the author of the best-selling Play Like a Man, Win Like a Woman, the same question: do I have to play golf? Her answer is a resounding no. “So what if you play golf,” she says, “they’re making the deal in the locker room and you’re never going to get in there.” Evans says it’s time to stop acting like “junior men” and start playing on the women’s team. By supporting each other, women can pave the way for success. BookPage recently spoke to the (now retired) first female executive vice president at CNN about her new book, She Wins, You Win, and the girl’s game that can make women more powerful in business.

Why do women think they have to play golf to be successful? The trouble we have had as women is that somebody told us back in the ’70s and ’80s that the way to get ahead was to become junior men. The truth is, most very successful women are very feminine. I don’t mean they wear frilly dresses, but you know their female side. They use their brains and the compassion they have as women to be successful.

How do I win when another woman wins? When a woman fails at a big job, everyone knows it was a woman. It’s not the chairman of that company that failed; it’s the woman chairman of that company that failed. And there’s almost always a female component. She didn’t fail because she couldn’t balance the budget. She failed because women aren’t into finance. That reflects on every other woman. The next time they get ready to hire somebody for that position, the guys think, Well, we gave a woman the chance at that and she didn’t do very well.’ So ultimately that hurts you. But when she’s terrific and successful, they don’t say it’s because she’s a woman. When woman are shining, the issue of “woman” is diminished. It’s just who does the best job.

And to become more powerful women need to form teams? My solution to this is that we need to help each other. I think of these teams as the idea that we’re connected. The idea that I care about your success, that your success matters to me, that I understand the connection between your success and mine. Women are natural relationship builders, so why don’t we have the old girl’s network figured out? We’ve made it artificial. We know how to do this personally so well. I know women who couldn’t walk into an office comfortably, but they can network with 43 people to find the best pediatrician. It’s like we lose all those skills the minute we come to work.

And the one that kills me the most: “I’m looking for a mentor. Will you be my mentor?” Being a mentor is not about a formal job. These are natural things! To get into the system that the guys have, we’re setting up these artificial structures when we know how to do it very well. We’re trying to reinvent all these things and make them complicated. Why is that? Women think we have to make it on our own, that there’s no integrity in getting help. I say it’s not even good business to refuse to get help. If you’ve got connections, you’re supposed to use them. I’m saying we have to start doing it together because one is not enough. One doesn’t get you any power. It’s when six move ahead that we have power, and then we can help each other when we’re stuck.

You tell women to keep their mouths shut about other women at work. Why? When you talk to a man you work with about another woman, the power of your words is five times that of another man. When you say something bad about her, be clear you’re putting the nail in her coffin. And if you put the nail in her coffin, think of who’s going to put the nail in yours. Watch your words carefully, and don’t get caught in the romance of being the one he trusts. If she’s not good, they’re going to get rid of her. They don’t need you to justify it. I’m not telling anyone to be dishonest; I’m just telling people that this is a trap you need to be very careful about.

Businesswomen everywhere ask Gail Evans, the author of the best-selling Play Like a Man, Win Like a Woman, the same question: do I have to play golf? Her answer is a resounding no. "So what if you play golf," she says, "they're making the deal…
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<B>A scholar’s case for war</B> The way a society wages war reveals more than just its military strategy. At its core, the approach to combat reflects the values of a nation. In <B>Just War Against Terror: The Burden of American Power in a Violent World</B>, political theorist Jean Bethke Elshtain writes, "the matter of how we choose to defend (our) values is all important, for in fighting terror that knows no limits, there are limits we ourselves must observe." Elshtain examines the moral and ethical aspects of the current war against terrorism. In particular, she explores the complex "just war" tradition, which began with St. Augustine in the fourth century. Elshtain provocatively contrasts the "just war" position with two other approaches that she finds inadequate for coping with today’s conflicts. One is the pacifist tradition, which holds that the use of force is never acceptable. The other is realpolitik, where anything goes in wartime, and ethics is separated from politics. To support her thesis, Elshtain draws on the thinking of Protestant theologians Reinhold Niebuhr and Paul Tillich, whose theories were shaped by World War II. Discussing Islamic views of war and peace, Elshtain notes that the Prophet Muhammad was a war leader: "One fundamental feature of Islamic teaching is that an effort to extend the boundaries of the territory of Islam is a prima facie case of just cause." In contrast, Christian theology, she claims, "has never taken the primacy of territory or earthly sovereignty as a foundational claim or principle." The "burden" of her argument, Elshtain says, "is that we have no choice but to fight not in order to conquer any countries or to destroy peoples or religions, but to defend who we are and what we, at our best, represent." This is an important and stimulating book that may force many readers to clarify their own thinking on war. <I>Roger Bishop is a Nashville bookseller and a regular contributor to BookPage.</I>

<B>A scholar's case for war</B> The way a society wages war reveals more than just its military strategy. At its core, the approach to combat reflects the values of a nation. In <B>Just War Against Terror: The Burden of American Power in a Violent World</B>,…

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On the morning of the 9/11 terrorist attacks, we all immediately thought of the thousands of victims and their survivors, and in the months that followed, journalists did reams of stories about the struggles of those people most directly affected by the tragedy.

But uncountable lives were altered in more indirect ways in the attack’s ripple effect. Take the guy who is president of a Silicon Valley company that manufactures baggage screening equipment. Or a U.S. Border Patrol agent guarding the crossing from Canada near Detroit. Journalist Steve Brill thought about these people and others, and he started tracking them. The result is After: How America Confronted the September 12 Era, a solidly reported book about how the U.S. rose or, in some cases, failed to rise to the challenge after the attack. Brill, a long-time news industry entrepreneur who is now a Newsweek columnist and NBC consultant, employs the well-established technique of telling a big story by following the day-by-day lives of the ordinary people caught up in that story. His cast is vast, with some 20 main characters and scores of peripheral figures. It includes a few of the immediate victims, but more interesting are the less well-known tales of folks ranging from the obscure an aging Italian immigrant shoe repairman to the famous, including Homeland Defense Secretary Tom Ridge and U.S. Attorney General John Ashcroft.

While Brill is relentlessly fair about presenting all sides, the book does have heroes (Ridge, for one) and villains. Brill is particularly effective at describing the battles in the legal and political arenas over insurance, survivor benefits and the creation of the new Homeland Security Department clashes that show not that America is in decline, but that it thrives on open debate. Progress was ragged after 9/11, Brill tells us, but it did occur. The country is safer, if not yet safe enough. That first year, he writes, “became a modern, vivid test of a country that has flourished not only on patriotism and strength of spirit, but also because it allows, even encourages, its people and institutions to seek to advance their own interests.” He believes America met that test. Anne Bartlett is a journalist who lives in South Florida.

On the morning of the 9/11 terrorist attacks, we all immediately thought of the thousands of victims and their survivors, and in the months that followed, journalists did reams of stories about the struggles of those people most directly affected by the tragedy.

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Quentin "Q" Jacobsen and his next-door neighbor, Margo Roth Spiegelman, played together as children, but over time Margo has become an unattainable girl of allure and mystery. Just a few weeks before graduation, the two reconnect when she suddenly appears at Q's window and asks for help with an all-night revenge spree targeting unfaithful friends and bullies throughout their Orlando neighborhood. This adrenaline-filled adventure kicks off Paper Towns, another insightful novel by the Printz award-winning novelist John Green, and refuels Quentin's desire for Margo.

But the next day Margo has vanished. Since the girl has disappeared before, leaving ambiguous clues and turning up in outlandish places, her family has written her off this time, and her high school friends are awaiting a spectacular return with an even more dramatic story of her escapades. Only Quentin fears the worst, that she has taken off to commit suicide, when he finds clues left specifically for him in highlighted passages of Walt Whitman's Leaves of Grass.

His desperate search for Margo leads him in and out of abandoned subdivisions, what the girl once called "paper towns." Along the way, he realizes that his search is not just for Margo, but for the "real" Margo, the girl nobody really knew, perhaps not even himself. Helping Q solve the puzzle are Ben, who achieves instant popularity and a date with a possible prom queen despite his often sexist remarks, and Radar, a more grounded classmate with a Wikipedia-like website that cracks some of Margo's clues. Their witty, hilarious banter lightens Quentin's quest, and provides rich fodder for the friends' culminating road-trip investigation.

Like that famous saying, it is Q's journey rather than the destination that matters most. Whether or not he finds Margo and her paper towns, Quentin discovers love and finds that it can be just as elusive and multifaceted and imperfect as Margo. With author John Green at the controls, the ride is always memorable.

Quentin "Q" Jacobsen and his next-door neighbor, Margo Roth Spiegelman, played together as children, but over time Margo has become an unattainable girl of allure and mystery. Just a few weeks before graduation, the two reconnect when she suddenly appears at Q's window and asks…

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In his author’s note, Bryce Milligan compares old stories to large snowballs rolling down a hill, gathering details with each telling. "Sometimes," Milligan says, "the added details are invented on the spot by a storyteller, in Ireland called a shanachie (pronounced shan i KEY)."

Milligan’s literary works include plays for adults as well as historical novels and short story collections for young adults. He also wrote Brigid’s Cloak, a picture book for children.

In his retelling of The Prince of Ireland, a tale with over a hundred versions, the king of Ireland’s eldest son does not enjoy a carefree life. After the death of the prince’s mother, the king took a second wife, and the young queen bore two sons "as like as two lambs." For several years, all went well and the three boys became fast friends.

But the queen grew jealous of the prince, thinking the king loved him best. As wicked stepmothers often do, she decided to clear the way to the throne for her own sons. She sent for the king’s eldest son, and in a fit of anger put a geis (a curse or magic spell pronounced gaysh) upon him. On penalty of death, the prince must bring to her the three magic stallions in the possession of a young giant at the edge of the western world.

But in Irish folktales, a geis was rarely laid on one person without the favor being returned. The prince fires back with a feat the queen must perform or die stand before the high cross by the hermit’s chapel with nothing but a sheaf of oats to eat until the prince returns. Afraid she will starve or freeze to death, the queen offers to release him from her geis, if he will do the same, but the honor-bound prince refuses. The two half brothers love him and offer to go on the journey with the prince, and the adventure begins. An interesting twist at the end ensures a happy ending. Illustrator Preston McDaniels brings the text to life in a fanciful fairytale style that adds much enjoyment to this mythical, medieval tale. Major motifs found in the Prince of Ireland such as the magic of three and bad- tempered giants occur in many other well-known tales, but Milligan manages to meld them into a delightful Gaelic folktale. His foray into Celtic consciousness makes for musical reading aloud; just be sure to have a lilt in your voice and a bit of a brogue.

 

In his author's note, Bryce Milligan compares old stories to large snowballs rolling down a hill, gathering details with each telling. "Sometimes," Milligan says, "the added details are invented on the spot by a storyteller, in Ireland called a shanachie (pronounced shan i KEY)."…

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Don’t dismiss those “gut feelings” when making decisions, says Gary Klein in his new book Intuition at Work. Klein, author of the much praised Sources of Power, says that 90% of decisions are made based on intuition, rather than a rational, scientific approach.

After 20 years of research with firefighters, U.S. Marines, emergency medical staff and senior executives to find out how they make life and death decisions in a matter of seconds, Klein realized that intuition is not magic or ESP but rather a practical skill that can be learned and used. He defines it as the “natural and direct outgrowth of experience” or how we translate our experiences into action.

Klein gives readers the tools to build intuitive skills that will help them spot potential problems, stay calm in the face of uncertainty, size up situations quickly and avoid getting overloaded with data. To practice making difficult decisions, Klein offers tough, real-world decision games then walks you through a “post-mortem” to analyze how you did. Some of Klein’s most helpful lessons involve showing leaders how to communicate effectively and showing how anyone can coach others (or be coached) in the art of intuition.

Intuition at Work is a thoughtful, rational look at how all levels of business from senior executives and middle managers to new hires can learn how to build intuition skills and apply them in everyday decision-making.

Don't dismiss those "gut feelings" when making decisions, says Gary Klein in his new book Intuition at Work. Klein, author of the much praised Sources of Power, says that 90% of decisions are made based on intuition, rather than a rational, scientific approach.

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I Don’t Know What I Want, But I Know It’s Not This is the perfect guide if you want to find gratifying work but aren’t sure how to get started. Author Julie Jansen, now in her fifth career, gives simple, actionable steps for six situations that are typical of disgruntled workers (i.e., where’s the meaning; bored and plateaued; and yearning to be on your own) in this inexpensive manual. Taking you step-by-step through the process, Jansen urges readers to start by looking inward. “Understanding who you are your values, attitudes, preferences, and personality traits is the key to discovering the kind of work that will bring you personal fulfillment,” says Jansen. Most workers burn out because they work all day on projects that have no personal meaning for them, which is a sure way to sap energy reserves.

Jansen includes lots of quizzes and questions to guide your look inward, but the best part of the book is the explanation of the answers, which helps translate your unique attitudes and values into a meaningful career. The clearer you are about your likes and dislikes, strengths and weaknesses, the easier your job search will be, says Jansen.

Jansen also tackles the nuts and bolts of the job search, stressing the necessity of making a clear action plan and taking small steps. Excuses like “I’ll have to take a decrease in pay” and “I don’t have enough time” won’t cut it with Jansen’s can-do attitude. Her handbook is a smart way to get going in a new direction.

I Don't Know What I Want, But I Know It's Not This is the perfect guide if you want to find gratifying work but aren't sure how to get started. Author Julie Jansen, now in her fifth career, gives simple, actionable steps for six…
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Jedediah Purdy is an intellectual force to be reckoned with. Home schooled in West Virginia, he received his undergraduate degree from Harvard and went on to Yale Law School. He now serves as a fellow of the New America Foundation, while clerking for a federal judge. Just 28 years old, Purdy is a thinker at once pragmatic and idealistic, who attempts the almost impossible task of being a patriotic American while being critical of America.

His previous book, For Common Things: Irony, Trust, and Commitment in America Today (1999), blamed irony for the decay of moral values in America. Purdy’s latest, Being America: Liberty, Commerce, and Violence in an American World, is the result of his journeys after September 11 to China, India, Egypt, the Middle East, Southeast Asia and, as he says, “elsewhere.” The book “is a meditation of the question: What would be a properly liberal view of today’s world?” He insists that “today’s world, with all its potential for violence and intolerance, needs the liberal spirit.” Purdy seeks to reinstate the liberal attitude front and center in American politics. He makes one yearn for “liberalism that is founded on clarity about core moral values: individual dignity, political equality, and abhorrence of cruelty. ” The author shows a deep and thoughtful acquaintance with the works of such intellectual giants as Edmund Burke, Alexis de Tocqueville, Adam Smith and Montaigne, and a fondness for James Madison.

Some readers will admire Jedediah Purdy, and some will be frustrated and annoyed by him he knows too much! And he tells all! Derrick M. Norman is retired after a long career in publishing and book selling.

Jedediah Purdy is an intellectual force to be reckoned with. Home schooled in West Virginia, he received his undergraduate degree from Harvard and went on to Yale Law School. He now serves as a fellow of the New America Foundation, while clerking for a federal…
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There is the faintest whiff of the moralizer in the final pages of Nobel Prize winner Toni Morrison’s short but stunning new novel, A Mercy. There she solves the puzzle of why she has chosen the title of this heartrending book, in which shocking, unmerciful things happen to the vulnerable characters we most wish to protect.

The singular mercy Morrison invokes in the closing pages is itself agonizing and perplexing, a sort of Sophie’s choice. But that mercy leads a reader to consider other, more profound questions: the spiritual costs of holding another human being in bondage; the costs of surrendering one’s self – possession and responsibilities to others, thereby participating in one’s own enslavement; the material and moral economies of freedom itself.

A Mercy is set in the 1680s and 1690s in the raw European settlements of Maryland and New York during the earliest years of the slave trade. Jacob Vaark, a self – made man, himself more or less an orphan, travels from Dutch – English New York to the Catholic colony of Maryland to collect a debt from an aristocratic plantation owner. He is offered the young slave girl Florens as partial payment of the debt, and partly out of empathy for the young girl, he accepts. Goodman Vaark is compromised by his decision and so, in her eagerness to be loved, is Florens. Similar moral ambiguities invest the other characters who appear in the novel: Lina, a Native American brought into the household after the devastation of her tribe; Sorrow, abandoned in the wreckage of a foundering ship; Rebekka, Vaark’s bride, put out to marriage by her distressed family in England; and the artistic African blacksmith, a free man, with whom Florens falls so disastrously in love.

Morrison’s story unfolds in overlapping perspectives and is carried forward by astonishingly beautiful, often incantatory language that summons vivid dreamscapes and suggests an American history that seems more emotionally and physically real than reality itself. In A Mercy, Morrison creates a vast living, breathing world in very few pages. It is a marvel.

Alden Mudge writes from Berkeley, California.

 

There is the faintest whiff of the moralizer in the final pages of Nobel Prize winner Toni Morrison's short but stunning new novel, A Mercy. There she solves the puzzle of why she has chosen the title of this heartrending book, in which shocking, unmerciful…

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The fact that teenagers are the target of elaborate corporate marketing schemes both aggressive and subliminal is no revelation. The process has been going on for years, whether the product being pushed is music, fast food, sneakers or soft drinks. In Branded, a fascinating and provocative study of modern-day consumerism and the teenager’s role within it, writer Alissa Quart sheds light on the increasingly sophisticated modes of advertising being used to lure and influence teens. Many of the facts here are disturbing. While today’s “branding” usually exploits teens’ desires to sport designer clothes, see the hippest new films and play the latest trendy video games, there has also been a statistical upsurge in physical branding, including body-piercing, tattooing and cosmetic surgery (for the females), as well as the use of performance-enhancing drugs (for the males). Quart relies on interviews with advertisers and representative teens, offering a rather cynical scenario in which Madison Avenue strives to rope in its peer-pressurized prey at younger and younger ages, and the kids go right along with the program. Discussion generally centers on current pop culture films like Legally Blonde, teen literary sensations, skateboarder Tony Hawk, “logoism,” even the bizarre emergence of pro-anorexia Web sites and the way in which advertisers either play into it or strive to create trends themselves. Quart also offers conclusive evidence of backlash, in which kids have been astute enough to discover as some of their ex-hippie parents once believed that money isn’t everything, and clothes don’t necessarily make the man. While Quart’s study doesn’t really offer any solutions to the problems at hand, it does effectively capture the almost-arcane realities of modern-day teenage life.

The fact that teenagers are the target of elaborate corporate marketing schemes both aggressive and subliminal is no revelation. The process has been going on for years, whether the product being pushed is music, fast food, sneakers or soft drinks. In Branded, a fascinating and…
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Fans of Stephen King’s short fiction should be grateful he was selected to edit the 2007 Best American Short Stories. That assignment rekindled his enthusiasm for the form, and the result is this richly varied collection of 13 tales that display his mastery of horror fiction.

Published originally in magazines as disparate as The New Yorker and Playboy, the stories touch on all aspects of the genre, from heart – pounding thrillers ("The Gingerbread Girl" and "A Very Tight Place") to tales of the supernatural ("Harvey’s Dream" and "The New York Times at Special Bargain Rates"). The most moving story in the collection is "The Things They Left Behind," which describes an insurance company employee at the World Trade Center who’s lucky enough to miss work on 9/11. When belongings of his deceased co – workers begin mysteriously turning up in his apartment, he’s forced to come to terms with his loss.

There’s no writer better than King at creating a story that will prickle the hairs on the back of the neck. One of those is "N.," (previously unpublished) a psychiatrist’s account of an obsessive – compulsive patient whose discovery of a Stonehenge – like collection of stones in a Maine field leads to tragedy. Another is "The Cat From Hell," the chilling story of a murderous feline and the hit man hired to kill him. King’s stories are not without their touches of humor, at least of the dark variety: "Stationary Bike" will appeal to anyone who’s ever balked at the idea of mounting a piece of exercise equipment. King helpfully adds what he calls "Sunset Notes" at the conclusion of the volume. These capsules provide insight into the inspiration for the stories or describe the circumstances in which they were written, and they’re an entertaining enhancement for anyone interested in the creative process.

Just After Sunset is more than a volume to keep King’s fans occupied while they wait for his next novel. His zest for stories that expose the terror lurking under the placid surface of daily life is evident on every page. If you’re looking for some unsettling reading on a chilly November night, this book will serve quite well.

Harvey Freedenberg writes from Harrisburg, Pennsylvania.

 

Fans of Stephen King's short fiction should be grateful he was selected to edit the 2007 Best American Short Stories. That assignment rekindled his enthusiasm for the form, and the result is this richly varied collection of 13 tales that display his mastery of horror…

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When last we left Jackson Brodie, the excellently quirky retired police detective in Kate Atkinson’s equally excellent series, he was stranded in Edinburgh during the Scottish summer arts festival, unwittingly pulled into a murderous, greedy mystery. To say Brodie is a man with a knack for being in the wrong place at the wrong time (for him, at least—others generally benefit from his stumbling upon their misery) would be an understatement.

In When Will There Be Good News?, a melancholy Brodie has parted ways with his girlfriend Julia (although he suspects they might have a biological tie: "They had maintained a low-grade kind of communication with each other; he phoned her and she told him to sod off, but sometimes they spoke as though nothing had ever come between them. Yet still she maintained the baby wasn’t his.")

Nearly killed in a massive train wreck, Brodie is rescued by Reggie Chase, a girl who hears the accident and comes to help. Reggie, it turns out, is a 16-year-old orphan who works as a nanny for Dr. Joanna Hunter. Dr. Hunter witnessed the brutal murder of nearly her entire family when she was only six years old, and just as the killer is due to be released from prison, she disappears. Reggie, who idolizes her employer, is left wondering where she went and enlists a reluctant Brodie to help her find out.

To reveal much more of the plot would require a roadmap resembling the tangled interchange of several major highways. Besides, why spoil the treat that awaits anyone who picks up this book? Atkinson, whose previous Jackson Brodie mysteries Case Histories and One Good Turn firmly established her as the master of deftly interwoven plot lines, is better than ever in When Will There Be Good News? This smart, surprising, darkly funny novel takes the reader on a wild ride that starts with the gut-wrenching first chapter and doesn’t stop until the final page. How does Atkinson do it? Doesn’t matter—so long as she keeps it coming. She has hinted that this book may be the last in the series, at least for a while. To which I say: long live Jackson Brodie.

Amy Scribner writes from Olympia, Washington.

 

RELATED CONTENT
Review of Case Histories

 

When last we left Jackson Brodie, the excellently quirky retired police detective in Kate Atkinson's equally excellent series, he was stranded in Edinburgh during the Scottish summer arts festival, unwittingly pulled into a murderous, greedy mystery. To say Brodie is a man with a knack…

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In her evocative new book, Loot: The Battle over the Stolen Treasures of the Ancient World, Sharon Waxman travels to Egypt, Turkey, Greece and Italy to investigate the persistent tribulations of looting and restitution. Presenting more questions than answers, Loot reveals that there is no easy solution to the centuries – old problem of stolen antiquities.

Egypt, for example, wants the return of the Rosetta Stone from the British Museum, the Denderah zodiac from the Louvre and the bust of Nefertiti from the Altes Museum in Berlin. Western museums, on the other hand, argue that after hundreds of years, artifacts have a new cultural value in their current locations. Antiquities seen by the hundreds in mere hours in major museums would be seen by only hundreds annually in their source countries. And what about security and climate – control? Consider Turkey, which forced the Met to return the Lydian Hoard, only to have it stolen from a national museum without a functioning security system.

Throughout her journeys, Waxman traces the history of prestigious cultural icons, and how in the name of building collections, these antiquities arrived in renowned Western museums, including four of the worst offenders – so named for their rampant acquisition of looted artifacts and their refusal to disclose the real provenance of these items – the Louvre, the British Museum, the Metropolitan Museum of Art and the J. Paul Getty Museum.

The most intriguing areas of Loot are the accounts of and interviews with flashy government officials, journalists who have received death threats and sacrificed their families in the name of restitution, shady dealers and curators turned scapegoats. Among all the finger – pointing, Waxman hopes museum and government officials around the world can meet somewhere in the middle, cracking down on looting by only purchasing artifacts with a clear provenance and being honest about the history of looted artifacts when displaying them. As the battle continues, enlightened readers and art observers will be among the victors. Angela Leeper is an educational consultant and freelance writer in Wake Forest, North Carolina.

 

In her evocative new book, Loot: The Battle over the Stolen Treasures of the Ancient World, Sharon Waxman travels to Egypt, Turkey, Greece and Italy to investigate the persistent tribulations of looting and restitution. Presenting more questions than answers, Loot reveals that there is no…

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