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Americans buy more bottled water than they do milk and beer – and the numbers are closing in on soda, journalist Elizabeth Royte (Garbage Land) tells readers in her latest book. Bottlemania: How Water Went on Sale and Why We Bought It is an intrepid, intelligent analysis of Americans’ raging thirst for bottled water, a probe of the industry, plus the politics, trafficking and scientific analysis of our drinking water. Royte reveals the powerful agendas that drive corporations such as Nestle; (Poland Springs), Coke (Dasani) and Pepsi Co. (Aquafina) to voraciously plunder, package and sell public/municipal waters, nationally and internationally.

Taking the water fiasco in Fryeburg, Maine, as a microcosmic example, Royte shows how corporate giants commercialize and profit from what many consider a “fundamental human right” (water access); the social and environmental impacts of depleting natural water sources and of shipping water worldwide; and a close (often gross) look at the purity, processing and safety of potable water.

In sum, Royte finds that “bottled water does have its place. . . . But it’s often no better than tap water, its environmental and social price is high, and it lets our public guardians off the hook for protecting watersheds, stopping polluters, upgrading treatment and distribution infrastructure, and strengthening treatment standards.” Alison Hood still drinks tap water.

 

Americans buy more bottled water than they do milk and beer - and the numbers are closing in on soda, journalist Elizabeth Royte (Garbage Land) tells readers in her latest book. Bottlemania: How Water Went on Sale and Why We Bought It is an…

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Children think their world is the only world. As they try to fit in, they look to their parents for guidance – or for examples of what not to do. An immigrant parent can seem like an embarrassing oddball. Yona Sabar, a Kurdish Jew, is a respected, beloved linguistics professor at UCLA, but to his young son Ariel, he was a total geek – cheap, ill – dressed, clueless. As a child, Ariel was disrespectful to Yona, and uninterested in his field of expertise, the study of the fading Middle Eastern language Aramaic. Happily, most children grow into adults who appreciate their parents. Ariel, now a journalist, demonstrates his own love and newfound understanding in My Father's Paradise, a sensitive exploration of his father's migration from an isolated Kurdish village in northern Iraq to Israel and the U.S., countries where he has flourished materially but never really felt at home.

The book is part memoir, part journalism and part imaginative re – creation of the lost world of Kurdish Jews. In Ariel's telling, it was a kind of “Fiddler on the Roof” culture where everyone spoke Aramaic instead of Yiddish. The local Muslim tribal chief protected the Jews, and all was well. But all was not well elsewhere. The Iraqi government reacted to the creation of Israel by persecuting its own Jewish citizens, and Yona and his family were among thousands forced to emigrate. The Zionist homeland turned out to be anything but hospitable. In Israel's early days, Kurdish Jews were despised by many in the dominant European Jewish community. Yona moved on to the U.S. and has devoted his professional life to studying his boyhood language.

Ariel bases the first two – thirds of the book on his relatives' memories, most notably those of his grandmother, who emerges as a quiet heroine. The last third recounts a recent trip that Ariel and Yona made together back to Yona's boyhood village. The journey allows Ariel to see Yona for the first time in his natural context – and ultimately to realize how wise his father can be. Anne Bartlett is a journalist in Washington, D.C.

Children think their world is the only world. As they try to fit in, they look to their parents for guidance - or for examples of what not to do. An immigrant parent can seem like an embarrassing oddball. Yona Sabar, a Kurdish Jew, is…
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Reading Mary F. Pols’ Accidentally on Purpose is not unlike watching the recent movie Knocked Up: career woman has one-night stand with younger man she met in bar, gets pregnant, decides to keep baby, and bemoans the father’s flaws while downplaying her role in the decision to forgo a condom. The plots differ (for example, the fictional parents end up together), and of course, only the former is a true story – a well-written, emotionally honest memoir of Pols’ journey to motherhood and increased maturity.

After her fling with 29-year-old Matt, Pols is optimistic: “I never once gave any thought to pregnancy. I was a 39-year-old woman. What chance did I have of still having an eager, ready egg on the one night in 11 months that I’d had sex?” Once the surprise and chagrin has passed, Pols discovers that, while Matt may not meet her standards in many ways, he is supportive and looks forward to being a father.

She also takes a hard look at herself – her penchant for men who don’t want her, her role as the youngest in a large family, her uncertainty about the next step in her career (after many years as a film critic for Bay Area newspapers). She details with wit and humor her efforts to juggle her many challenges, whether chronicling her attempts to get a visiting cousin to take care of her or detailing her ill-fated efforts to bring baby Dolan to a film screening.

The author’s musings about losing her parents and becoming one in the space of a year are touching. So, too, is her realization that giving other people leeway helps her be kinder to herself. Pols mentions movies here and there, including Knocked Up. She notes that the movie was similar to her and Matt’s experience in many ways, “but one part of [our] story, the part where I am at war with the circumstances that brought me my son, is over.” It’s a fitting ending for an engaging memoir: life isn’t Hollywood-perfect, but it’s pretty wonderful – and Pols seems genuinely happy with that.

Linda M. Castellitto writes from North Carolina.

Reading Mary F. Pols' Accidentally on Purpose is not unlike watching the recent movie Knocked Up: career woman has one-night stand with younger man she met in bar, gets pregnant, decides to keep baby, and bemoans the father's flaws while downplaying her role in the…
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Imagine sitting by a roaring fire on a cold winter’s night in the company of family and friends, listening to a well-told story. In the not-too-distant past, storytellers were the keepers of history, carrying the memories of how things used to be. None are more skilled in the ancient art than America’s native Indian tribes.

In The World Before This One, author Rafe Martin draws on thousands of years of Seneca legend to re-create and weave traditional stories into a masterful blend of Native American folklore and fiction. An introduction by Seneca Elder Peter Jemison sets the stage, and Calvin Nicholls’ awe-inspiring cut-paper sculptures breathe with a mystical life of their own. Rendered in a unique three-dimensional style, the sculptures convey the tactile and emotional aspects of the buffalo, bears, birds and fierce braves highlighted in the stories. Martin’s central character is Crow, a young Seneca boy. He and his grandmother have been ostracized by their tribe and forced to live on the outskirts of the village. It is Crow’s responsibility to hunt for food each day for the two of them. At first, he is a good provider. But one afternoon while out hunting, Crow is startled by a boulder that speaks. In exchange for gifts, the stone agrees to tell him stories of Long-time Ago. Crow offers his string of birds. Day after day, Crow listens to the great legends of the Seneca, learning about the creation of the world, and the wisdom and folly of the animals and the people. Meanwhile, Grandmother grows suspicious and asks for help from the men in the village. They follow Crow and hear the stone say, “I speak for the Earth Mother. She has had enough of your bickering, your wars and raids, of your taking of life without the giving of prayer. The time has come for you to wake up and live again in a sacred manner.” The stone tells stories for three days; on the fourth day it says it will now rest and designates Crow a Ha-ge-o-tah, the teller of tales. His reputation redeemed, Crow returns to the tribe to become the world’s first storyteller. As a child, writer Karen Trotter Elley got into big trouble for telling stories.

Imagine sitting by a roaring fire on a cold winter's night in the company of family and friends, listening to a well-told story. In the not-too-distant past, storytellers were the keepers of history, carrying the memories of how things used to be. None are more…
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No one ever said growing up would be easy, but Karen Clarke never expected it to be quite so hard. Having spent the last few years dutifully pursuing a college degree and making all the sensible choices about her future, Karen has a chance encounter with a free-spirited and captivating drama student named Biba that throws her careful plans out the window. Intoxicated by Biba’s friendship, Karen finds herself caught up in a hedonistic world of drugs, sex and a total lack of responsibility. She is fiercely devoted to Biba and will do almost anything to protect her friend, until one night ends with two people dead. The resulting string of events will test Karen’s loyalty and call into question everything she has come to believe—including the lines she herself is willing to cross in order to keep from losing everything she holds dear.

The Poison Tree, Erin Kelly’s first novel, is a stunning debut. Perfectly paced, it starts with a bang and teems with twists that will keep you guessing right up until its thrilling and shocking conclusion. Kelly masterfully ratchets up the suspense, constantly causing readers to reappraise what is true as well as which dark and dirty secret will be unearthed next, all while nimbly maneuvering back and forth in time to keep tensions running high.

Veteran mystery fans looking for nail-biting thrills will find plenty that is fresh and surprising about The Poison Tree, and Kelly’s masterful plotting and intricately crafted story make the comparisons to Tana French and Donna Tartt well-deserved. Exhilarating and satisfying, this is a book that reminds us just how rewarding and flat-out fun a really good book can be. Take the phone off the hook and cancel your evening plans, because this is one book you’ll want to read from cover to cover in order to see how everything shakes out.
 

 

No one ever said growing up would be easy, but Karen Clarke never expected it to be quite so hard. Having spent the last few years dutifully pursuing a college degree and making all the sensible choices about her future, Karen has a chance encounter…

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<B>America’s passion for cash</B> <B>Greenback</B> is a history of America as seen through its money from the currency initially adapted by the colonies and territories from their mother countries to today’s credit and debit cards. While the combination of history and money may seem like the formula for a two-stage sleeping pill, Goodwin keeps his appraisal lively by concentrating on the colorful characters who made the creation, accumulation and dispensation of cash a ruling passion. Beyond its utility in everyday commercial transactions, money ultimately helped bind the nation together (after binges of fiscal individualism) and open up the West. In telling his story, Goodwin spotlights a succession of emblematic characters, among them the 17th-century Massachusetts-born treasure hunter, Sir William Phips, an early exemplar of the rags-to-riches theme that would become peculiarly alluring to Americans; self-taught inventor Jacob Perkins, who devised machinery for thwarting counterfeiters; and the tenacious Civil War spy,Lafayette Baker, whom Goodwin calls "America’s first secret agent." On more familiar ground, Goodwin explains how differing concepts of money widened the philosophical rift between Thomas Jefferson and Alexander Hamilton and how Andrew Jackson made political hay through his opposition to Nicholas Biddle and the Bank of the United States. Photos of America’s evolving currency are included throughout the text.

It should be pointed out that this book is in no way an economic treatise. It poses no new theories of wealth or how wealth can be put to its greatest use. It has nothing to reveal about the workings of the stock market. If Goodwin has a grand point to make, it is that money takes on a life of its own, one that is seldom congruent with the original aims of its creators. "Money won’t be confined," Goodwin observes. "It runs into the street. Money likes making friends. Money can’t bear to be idle, can’t keep to itself, can’t help but chase after the latest fad or the hottest show. Fickle as love, it will gladly promise itself to anyone. Money’s curious, prying, venturesome, and unforgiving: you can’t lock money up when the sound of the band wafts through the grille."

<B>America's passion for cash</B> <B>Greenback</B> is a history of America as seen through its money from the currency initially adapted by the colonies and territories from their mother countries to today's credit and debit cards. While the combination of history and money may seem like…

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Readers, prepare for a quick takeoff with Lynn Spencer’s Touching History, a new account of the experiences of pilots, air traffic controllers and military commanders on 9/11. The book begins with controllers losing radio contact with American Airlines Flight 11 moments before it slams into one of the World Trade Center towers. Weaving in the stories of the three other commercial airliners that were hijacked by terrorists that day, and the accounts of those who tried to prevent the planes from crashing into their targets, Touching History accelerates at a steady pace.

Never mind that readers already know the horrible outcome; the personal interviews and Cockpit Voice Recorder transcripts of conversations between pilots and controllers are riveting. And the tales are not limited to the four airliners lost that day. The book includes the perspectives of controllers trying to piece together what’s happening, military pilots trying to track the hijacked planes, other commercial pilots desperately trying to land while worrying whether there is a hijacker onboard their planes, and FAA and Pentagon personnel struggling to communicate.

Spencer, a commercial pilot and flight instructor, has the expertise to understand what was going on in the skies on 9/11. She also clearly did her homework, listening to thousands of hours of taped air traffic conversations, and interviewing dozens of pilots, controllers and military officials who were on the front lines on 9/11. The transcripts provide the book with a sense of immediacy, as though the reader were in the cockpit or control tower, while the interviews offer important background and context.

If there is fault with Touching History, it is that its momentum slows in the final chapters. When the fourth hijacked airliner – United Flight 93 – crashes in a field in Pennsylvania, it reduces the impact of the remaining stories of confused and fearful pilots and controllers still operating in other parts of the country. And Spencer’s conclusion that the military was responsive and in control of the skies differs sharply with the opinion of the 9/11 Commission, which concluded that military pilots appeared slow and unsure of the location of the hijacked planes. Indeed, after reading Touching History, some readers might come away with the frightening feeling that the FAA, the Pentagon and the president didn’t really know what was happening, had no clear lines of communication and no coordinated plan. Still, Spencer’s book is worth reading as a thoroughly researched, clearly written account that offers new insights into that fateful day that changed America forever.

John T. Slania is a professor at Loyola University Chicago.

Readers, prepare for a quick takeoff with Lynn Spencer's Touching History, a new account of the experiences of pilots, air traffic controllers and military commanders on 9/11. The book begins with controllers losing radio contact with American Airlines Flight 11 moments before it slams into…
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David E. Hilton doesn’t start out slowly—his compelling debut, a haunting coming-of-age story set during the 1960s at a reformatory school in rural Colorado, tackles human nature at its most fundamental levels, pitting good against evil, friendship against betrayal and innocence against corruption.

After years of horrifying abuse against him and his mother, 13-year-old William Sheppard, a Chicago boy with no record of trouble, stabs his father in an act of self-defense and is sentenced to two years at the Swope Ranch Boys Reformatory, where the horses and the boys tasked with training them are equally wild. Will quickly learns that some of his fellow inmates are, like him, good boys at heart driven to crime by circumstance. He befriends three—Mickey, Cooper and Benny—and the quartet bands together against the rampant cruelty of the guards, the harsh manual labor and unforgiving climate and the intangible taxation of guilt and loneliness. But there is a force in the camp more evil than any of them could have possibly imagined, and in desperate scene after desperate scene, Will and his friends fight to survive in the most unthinkable circumstances.

Kings of Colorado is Hilton’s first novel, and in many ways, it shows—the prose lacks some polish and sophistication, and he could have done more with Will’s adult voice, which narrates the story from 50 years later. But where he excels is his heartbreaking portrayal of innocence lost in the most profound sense. A former middle school teacher, Hilton clearly understands the struggle of adolescence, and he interrogates that struggle with finesse and admirable curiosity by pushing his characters to their most extreme limits. Will and his compatriots are achingly sympathetic, and their bond with each other and communal will to survive is riveting and thought-provoking.

 

David E. Hilton doesn’t start out slowly—his compelling debut, a haunting coming-of-age story set during the 1960s at a reformatory school in rural Colorado, tackles human nature at its most fundamental levels, pitting good against evil, friendship against betrayal and innocence against corruption.

After years…

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A regular on National Public Radio’s Marketplace Morning Report, Jordan Goodman wants you to know that it’s OK to dream big for retirement. In fact, stop reading and take a minute to visualize your best-case scenario. Think golf, grandkids and great vacations. Now ask yourself two questions: When do you want to retire? How long do you expect to live? Those are two big pieces of the retirement puzzle, and Goodman’s Everyone’s Money Book on Retirement Planning is a good place to start finding the answers. Whether your want to save for your children’s college fund, understand real estate investing or create a great financial plan, the six titles in Goodman’s Everyone’s Money Books series cover a multitude of financial topics in a concise, readable format. It’s easy to feel overwhelmed by all the different options for your money, but Goodman devotes each book to explaining a single topic and never sends the reader into information overload. He compiles a great list of resources worksheets, Web sites, newsletters, consumer groups and government agencies to help you put the advice to immediate use.

Do you still have that dream of retiring at 50 and moving to Tahiti? Good, because you’ll need it to recover from the shock of calculating how much moolah it will take to finance those golden years. Wisely predicting that most Americans come up short in the saving department, Goodman gives tips for playing catch-up in Retirement Planning. Whether you’re self-employed, contributing to a 401(k) (“the greatest thing since sliced bread”) or hoping for a pension, you need to understand your choices and responsibilities. If you want to retire in style, dream big and start planning today.

A regular on National Public Radio's Marketplace Morning Report, Jordan Goodman wants you to know that it's OK to dream big for retirement. In fact, stop reading and take a minute to visualize your best-case scenario. Think golf, grandkids and great vacations. Now ask yourself…
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Following 2007’s Luncheon of the Boating Party, author Susan Vreeland again delves into the lives behind an iconic work of art—this time, the intricate lamps produced by Tiffany Glass and Decorating Company at the turn of the 20th century. Long thought to be the work of Louis Comfort Tiffany himself, the famous lamps were discovered in 2005 to have been designed by Clara Driscoll, the head of his studio’s remarkable women’s department. Clara not only designed what became, for a time, Tiffany’s most lucrative line of decorative items, but also grew a fledgling team of six young girls into a crew of female artists 30 strong in the space of a few years. Vreeland’s depiction of Clara’s world, her accomplishments and her desires in Clara and Mr. Tiffany is movingly delightful.

At the start of the novel, the widowed, 31-year-old Clara returns to Tiffany’s employ after two years away. Inspired by her return to the work she loves, Clara conceives the idea for leaded glass lampshades. But while her creativity blooms with the colorful blossoms in her designs, her frustration with Mr. Tiffany, whom she respects and adores, grows as he refuses to publicly acknowledge the roles she and her “Tiffany Girls” play in his artistic and commercial successes. Meanwhile, Clara’s longing for love forces her into a difficult choice between career and marriage, since Tiffany will not allow married women to work for him.

Vreeland brings 1890s Manhattan to vibrant life as Clara becomes aware of her young immigrant hires’ impoverished home lives and as she grows close to her eccentric, artistic boardinghouse neighbors, including the flamboyant George and steadfast Bernard. Vivid descriptions of window and lamp production will surely bring readers a new appreciation for stained glass. And Clara’s battles for the rights of her female workers and for artistic originality versus mass production are compelling, as is her complicated relationship with Mr. Tiffany. This charming woman is a memorable heroine and, just as Clara’s art enhanced the images of nature that it depicted, Vreeland’s illuminating vision of Clara’s story is a pleasure to experience.

 

Following 2007’s Luncheon of the Boating Party, author Susan Vreeland again delves into the lives behind an iconic work of art—this time, the intricate lamps produced by Tiffany Glass and Decorating Company at the turn of the 20th century. Long thought to be the work…

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Author Deborah McNaughton shares her own personal experience with debt in The Get Out of Debt Kit . She owed $300,000, and soon after canceling her family’s medical insurance, her daughter needed emergency brain surgery. After much stress and worry, she triumphed over the bills by negotiating with creditors and is now eminently qualified to share common sense advice on what to do when you feel overwhelmed by debt.

The Get Out of Debt Kit deals mainly with credit card debt, because Americans owe about $700 billion on their charge cards. The book includes worksheets for recording expenses, budgeting and keeping track of credit card balances. McNaughton advises paying off low-balance cards first and explains how to deal with harassing creditors. McNaughton isn’t anti-credit. In fact, she strongly recommends having two or three open accounts in your own name, even if you are married. Just don’t use them if you can’t pay off the balance when the bill comes. “Remember the ideal is to have credit without debt,” she says. An important concept that’s easy to forget.

Author Deborah McNaughton shares her own personal experience with debt in The Get Out of Debt Kit . She owed $300,000, and soon after canceling her family's medical insurance, her daughter needed emergency brain surgery. After much stress and worry, she triumphed over the…
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The leaking, cavernous home in the English countryside where The Sister is set is so cold, so musty and mysterious, you practically feel the damp coming up off the pages. Virginia “Ginny” Stone has lived there her entire life, immersing herself in her work as a lepidopterist (a scientist who studies moths), which is how her family has earned its fame over generations.

As Ginny ages, riddled with arthritis and occasional forgetfulness, so does the house. She closes off first one wing, than another, and sells off most of the valuable furniture until the house is bare. At age 80, Ginny is alone with just her precise daily routine – carefully planned down to the way she meticulously makes her bed in the morning and ensures her many clocks are synchronized – to keep her tethered to sanity.

But then her sister, Vivien, who hasn’t set foot in the house since their mother’s death nearly 50 years ago, turns up to stay. Vivi announces she’s there to look after her older sister, and Ginny has no reason to doubt her. But within hours of her arrival, it becomes clear that Vivi has returned to find something within their sprawling childhood home.

The Sister is a fantastically chilling debut about how love is sometimes more powerful than memory. Author Poppy Adams, a television documentary filmmaker, creates a wholly original character in Ginny, a trusting, simple woman who wants nothing to interfere with her warm childhood memories. In Ginny’s mind, their beautiful, stylish mother and eccentric, brilliant father were the toast of their small village, and Ginny and Vivi enjoyed an idyllic life in the country. So what if their mother drank a touch too much sherry, and their father retreated entirely into his research? So what if Vivi and Ginny were best friends at home, but Vivi ignored her entirely while they were at boarding school? So what if Vivi, unable to have children because of a childhood accident, asks Ginny to have a baby for her, only to turn her back on the child when it’s not what she expected? Vivi’s return brings up long-repressed pain – she insists their family life was pocked with anger, betrayal and violence. Is it Vivi or Ginny who remembers correctly? And is it ultimately more important to remember the past as it was, or to find comfort in how you wish it had been? Like the pervasive dampness in the Stone house, the questions raised in The Sister will linger with you.

Amy Scribner writes from Olympia, Washington.

The leaking, cavernous home in the English countryside where The Sister is set is so cold, so musty and mysterious, you practically feel the damp coming up off the pages. Virginia "Ginny" Stone has lived there her entire life, immersing herself in her work as…
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Ireland’s 20-year transformation from Europe’s poor stepchild to economic powerhouse has been well documented by both business and travel writers. David Yeadon is the later, well known for seeking out and reporting on some of the world’s less-traveled places. When Yeadon wondered if such a “hidden” place still exists in the new Ireland, acquaintances pointed him to the Beara Peninsula, a 30-mile-long finger of land, just south of the tourist-overrun Ring of Kerry and Dingle, yet a world apart.

Yeadon and his wife, Anne, made a number of lengthy excursions to Beara, staying for months at a time in a rural cottage and attaining local status as something more than “blow-ins.” Yeadon’s delightful chronicle, At the Edge of Ireland captures the rhythms of this idyllic spot, largely unspoiled due to the state of its roads, which are primitive and unwelcoming even by Irish standards.

The breathtaking Irish landscape often defies verbal description, though that has not stopped writers from trying to get it right for centuries. Yeadon is as successful as anyone in this pursuit (he also supplies his own line drawings throughout), but even with its visits to standing stones and quaint villages, At the Edge of Ireland is less about Beara’s natural beauty, which is a given, and more about its people. Our intrepid guide is apt to strike up a conversation with anyone he encounters, and in so doing he learns how life on Beara has changed—most notably as the result EU fishing agreements (or some might say disagreements)—and how it has not. Given its serenity and widely-attested mystical aura (rumor has it there is a vein of powerful quartz crystal running beneath its rugged surface), the peninsula attracts countless artists, writers and spiritual seekers, many of whom are not native born. Curiously, the area’s most notable draw may be Dzogchen Beara, a world renowned Buddhist retreat.

With many non-Irish residents featured in the book, one might argue that Yeadon fails in his quest for the “real” Ireland, but even with its influx of eastern European workers, its harbor filled with Spanish fishing trawlers, and its parade of new age pilgrims, Beara retains an Irish authenticity. This is because the newcomers who call it home have a great respect for the old ways and wish to preserve them. Ireland for them is not merely Celtic music, Guinness, or myth-steeped literature—although these all have a place in their hearts. It is something deeper, a feeling that to be Irish is more of a sensibility than a genetic trait.

Whether the Beara Peninsula is “genuine” Ireland—or can remain so for long—may be unanswerable. But with observations such as this—“Sitting together on the grass by our cottage, long after the sun has drifted down behind the Skelligs, watching the moon-blanched mountains slip into the ocean beyond our beautiful white sand beach. And listening to the silence. And the silence listening to us.”—Yeadon certainly makes you want to pack a bag and head there to find out for yourself.

Robert Weibezahl was a student in Dublin a few years before the Celtic Tiger roared. While a return visit to Ireland last summer was enlightening, he, alas, has never visited the Beara Peninsula.

 

Ireland’s 20-year transformation from Europe’s poor stepchild to economic powerhouse has been well documented by both business and travel writers. David Yeadon is the later, well known for seeking out and reporting on some of the world’s less-traveled places. When Yeadon wondered if such a…

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