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<B>A touching tribute to America’s heroes</B> Perhaps in the future when we look up bravery in the dictionary, it will say, ‘see New York firefighters.” One thing is certain, after the events of Sept. 11, none of us will ever look at firefighters the same way again. Survivors of the tragedy speak with deep reverence of passing firemen on the stairs, men who were headed toward danger instead of running away from it, intent on saving lives without any regard for their own safety. Those who serve as firefighters and risk their lives to save others have always been counted among our heroes, but the brave deeds of the New York firefighters have lifted them above the norm and into the realms of mythology.

In <B>New York’s Bravest</B>, author Mary Pope Osborne pays homage to these men in a fictionalized version of the life of a legendary New York firefighter. When it comes to children’s books, Osborne, author of the popular Magic Tree House series, is no novice. She skillfully weaves actual events into her tall tale to create a touching tribute. <B>New York’s Bravest</B> is dedicated, To the memory of the 343 New York City firefighters who gave their lives to save others on September 11, 2001.” Osborne’s hero, Mose Humphreys, is to firefighters what Paul Bunyan is to lumberjacks. In 1848, according to Osborne’s historical notes, a character loosely based on the real-life firefighter began appearing on the Broadway stage, performing larger-than-life heroic acts. Soon, stories about Mose turned up in newspapers, books and plays and through the years the legend grew until it took on mythic proportions. When others ran away from danger, Mose ran toward it,” the author notes in an eerie reminder of 9/11. Described as eight feet tall with flaming red hair, hands as big as Virginia hams and arms so strong he could swim the Hudson River in two strokes the Mose in <B>Bravest</B> is indeed a powerful figure.

The large format design of the book along with the different views and angles of the bold paintings add to the illusions of size and perspective required for this tall tale. On one page, artists Steve Johnson and Lou Fancher portray Mose from street level so he looms overhead and practically leaps off the page as he hits the cobblestone street in a dead run headed for a burning building. In another scene, Mose lifts a stuck trolley, filled with people, that blocks his way to a fire.

On the next page, Mose is high on a ladder, using an ax to hack his way into a blazing tenement building window while a woman screams, My baby’s in there!” He enters the building and moments later reappears and starts down the ladder just as it catches fire. Mose leaps through the air, lands on his feet and then reaches into his stovepipe hat and pulls out the baby.

For his many heroic acts, Mose is rewarded with gifts of food and drink. A double-spread depicts him seated at a table surrounded by food, eating from a mountainous bowl of beans and eggs while a young woman plies him with pies.

For years Mose does his duty, putting out fires all over town. When a hotel fire near the Hudson rages out of control, he is on the job. All night Mose runs in and out of the building, rescuing guests and employees. The hotel is destroyed, but all the people are saved. As the sun comes up, the firefighters look around for Mose, but he is nowhere to be found. They stare at the burned-out hotel and grow silent.

Mose was never seen again.

But it was hard for the firefighters to believe that Mose was really gone and many rumors sprang up Mose was in California mining for gold or driving a mule team in the Dakotas. In the end, the words of an old-timer help the other firefighters cope with their loss. Mose ain’t any of those places,” he said. Truth is, Mose is right here. Wherever we climb our ladders toward a blazing sky, he climbs with us. That firefighter he’ll never leave us. He’s the very spirit of New York City.” And so he is.

<B>A touching tribute to America's heroes</B> Perhaps in the future when we look up bravery in the dictionary, it will say, 'see New York firefighters." One thing is certain, after the events of Sept. 11, none of us will ever look at firefighters the same…
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It would seem a daunting task to write an entire book based on a single photograph, but author Louis P. Masur is equal to the challenge in his latest work, The Soiling of Old Glory. The picture on the cover reveals the book’s focus: A well-dressed black man is being held by an angry white crowd. Facing him is a young white teenager bearing an American flag. He holds the staff like a spear, appearing ready to thrust it into the stomach of the black man.

The photo was taken in Boston on April 5, 1976, during a racially charged protest over school busing. The image was captured by Stanley Forman, a photographer for the Boston Herald American. Forman’s photograph caused a national uproar, not only because of the graphic violence, but also because it occurred during America’s bicentennial year, just steps from the site of the Boston Massacre. Forman won a Pulitzer Prize for the picture.

That single photograph serves as a starting point for Masur to examine a range of themes. First, there are the details leading up to the historic event: How the angry mob marched downtown to protest outside City Hall; how black lawyer Ted Landsmark happened to be walking by on his way to a meeting; and how Forman arrived on the scene to record the assault on film. Additionally, Masur, professor of American Institutions and Values at Trinity College, uses the image to explore a variety of issues, such as racism, school busing and the impact of images of the American flag, from Iwo Jima to 9/11.

Perhaps most fascinating are the author’s interviews with Forman, Landsmark and Joseph Rakes, the teenager holding the flag. Each give their unique account of the event, withespecially poignant testimony from Landsmark, who forgives his attackers, and Rakes, who apologized to Landsmark and spent his life trying to make amends for his actions.

The Soiling of Old Glory is an engaging book for anyone interested in journalism, photography, history or social themes, as – like a photograph – it reflects the actions and attitudes of America at a distinctive place and time.

John T. Slania is a journalism professor at Loyola University in Chicago.

It would seem a daunting task to write an entire book based on a single photograph, but author Louis P. Masur is equal to the challenge in his latest work, The Soiling of Old Glory. The picture on the cover reveals the book's focus: A…
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In his provocative new book, April 4, 1968: Martin Luther King Jr.’s Death and How It Changed America, author, educator and activist Michael Eric Dyson rekindles grim memories for readers who made it through that tough time, while giving needed perspective to those of later generations. Dyson wrests the image of King from that of a conciliatory, peaceful figure, and recasts him as a visionary change agent whose goals weren’t merely to address injustices, but to radically remake American society.

In Dyson’s view, King inspired black Americans to be proud of their heritage, to demand equality rather than ask for it, and to recognize the potential for greatness within their ranks. He also puts King squarely in the forefront of several global struggles: for the recognition of emerging nations in Africa, Asia and Latin America; for acknowledgement of the West’s responsibility toward less fortunate countries; and for the establishment of links between oppressed people regardless of color, gender or sexual preference. April 4, 1968 addresses the conflicts King’s evolving views caused with more traditional elements in both black and white America, and Dyson makes it clear that there were questions about direction, philosophy and viewpoint within the ranks of the civil rights movement.

Dyson faithfully recalls the details of King’s assassination and the atmosphere of genuine despair and anger that followed, one that led to riots in several cities and numerous conspiracy theories. He also covers lingering controversies – for example, whether James Earl Ray acted alone or even fired the fateful shot.

April 4, 1968 is an analysis and examination of the 1960s and black politics, with an occasional side trip into musical dissection and film lore. Dyson, a Georgetown University professor, credibly and effectively ties these subjects together, offering a broad and valuable picture of King’s life and impact.

Ron Wynn writes for the Nashville City Paper and other publications.

In his provocative new book, April 4, 1968: Martin Luther King Jr.'s Death and How It Changed America, author, educator and activist Michael Eric Dyson rekindles grim memories for readers who made it through that tough time, while giving needed perspective to those of later…
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All good things must come to an end, as the saying goes even our favorite television shows. Classics from I Love Lucy to M*A*S*H to Seinfeld have their glory days on the tube and then disappear, living only in our memories (and on Nick at Nite).

Some of us with way too much time on our hands might ponder the moment at which even the best shows head south, taking a turn for the worse from which they never recover. Jon Hein and his college buddies at the University of Michigan spent many idle hours in the dorm talking about the decline of their favorite shows and coined the term jump the shark” to describe the crucial turning point at which a TV show heads downhill. The phrase comes from an episode of Happy Days in which the Fonz literally jumps over a shark while water-skiing in the Pacific.

A decade after he graduated from college and his buddies scattered, Hein created a popular Web site (jumptheshark.com), and he has now written a book that could prove addictive for avid TV watchers. Jump the Shark: When Good Things Go Bad looks at more than 60 shows (along with several new categories, ranging from sports figures to musicians) and names the precise moment when things began to slide. Some are obvious (When did Laverne ∧ Shirley jump the shark? When the girls left Milwaukee and moved to California), but many others are open to argument (Did Seinfeld really go downhill after George’s fiancŽe died from licking her wedding invitation envelopes?). Whether or not you agree with Hein’s selections, Jump the Shark is a great book for browsing and one that may prompt you to be on the lookout for an ominous fin in the water the next time you watch Sex and the City.

All good things must come to an end, as the saying goes even our favorite television shows. Classics from I Love Lucy to M*A*S*H to Seinfeld have their glory days on the tube and then disappear, living only in our memories (and on Nick at…
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Prudence Whistler is the kind of woman who lives by lists and plans. Tucked into her meticulously organized day planner, she keeps a list of the pros and cons offered by her boyfriend, Rudy Fisch. On the plus side, he’s dependable, loving and committed. He’s also unpredictable, sweaty, immature and embarrassing.

Then there’s her life plan, which she carefully wrote in college: married with children by 29, having worked her way up from grant writer to executive director of a nonprofit. As things turn out, it’s true what they say about best-laid plans. At age 36, Pru finds her career has stalled and an engagement ring is nowhere in sight. In fact, that idiot Rudy has the audacity to dump her.

Suddenly single and unemployed, Pru finds herself without any plan at all. It’s a painful state of uncertainty for someone who thrives on knowing her next step. She’s finds herself facing “more in-betweens: late afternoon, early spring, adolescence, falling in love. She hated the in-betweens. Always, she just wanted to get where she was going – to be there already. She was almost paralyzed by in-betweenness.” But while marriage and children seem to have escaped her, Pru surrounds herself with her own ready-made family: her college friend McKay and his partner Bill. Her free-spirited sister, Patsy, a single mom who needs Pru’s help. And the owner of the diner in her funky Washington, D.C., neighborhood, who is going through his own painful breakup.

Nice to Come Home To is the debut novel of radio producer Rebecca Flowers, whose commentary has been featured on National Public Radio. It’s an incredibly satisfying, quirky story about what makes a family. Flowers has created a deeply memorable character in Pru, whose warm heart and wry humor infuse every page. Pru serves as a sweet reminder that happiness isn’t found in a day planner – it can come from the most unexpected sources.

Amy Scribner finds happiness with her family in Olympia, Washington.

Prudence Whistler is the kind of woman who lives by lists and plans. Tucked into her meticulously organized day planner, she keeps a list of the pros and cons offered by her boyfriend, Rudy Fisch. On the plus side, he's dependable, loving and committed. He's…
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The 40 members of the Class of 1997 at the highly respected Siddons School for Girls (K-12) on New York City’s Upper East Side see only one predictable year ahead before their lives break out into the real world of college and young adulthood. Whether the prospect inspires anticipation or dread, they still have some growing to do. Named after the local parish, Christine Schutt’s new novel All Souls compresses into relatively few pages the formative, sometimes indefinable learning that can happen in all young lives, even the most protected.

Foremost among the seniors, beautiful Astra Dell, with her dead mother’s “gift for hope and serenity,” is suddenly stricken by cancer. Her illness affects the whole class, kicking the growth process into high gear among her friends and their families.

Schutt resists the temptation to Dickens-ize this world; it is thoughtless and sometimes endearingly stuck in adolescence (even the parents) but the teachers do their best, and so do most of the students, given their predilections. She introduces a wealth of characters from the start, but Astra’s friends – Carlotta, anorexic child of self-besotted parents; “dirty Marlene,” ironic and proud of it; and Lisa, defiant and so deliberately looking for new experiences that she enjoys none of them – are the main players in the game. Others include the insecure lesbian, Miss Wilkes, the sadly unattractive Miss Mazur and her oblivious fellow teacher, Tim Weeks, beloved by all the eighth graders.

Schutt, who teaches at an exclusive New York City school and whose last novel, Florida, became a National Book Award finalist, employs a bracing creative style here, depending more on implications and quick leaps of association than actual explication. But even with a mode so condensed that you sometimes want to soak it in a brew of words to plump it up a bit, this novel succeeds. In fact, that very economy of detail enlists readers to add their own insights to the concoction. They will not go far wrong, for we all know folks like these – and have been folks like these.

Maude McDaniel writes from Maryland.

The 40 members of the Class of 1997 at the highly respected Siddons School for Girls (K-12) on New York City's Upper East Side see only one predictable year ahead before their lives break out into the real world of college and young adulthood. Whether…
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The years during and following the Civil War saw momentous social, polticial, religious, scientific and artistic ferment. Art and activism were closely aligned and, for many, there was a change in sensibility. For a loosely connected cluster of American writers and artists, the hummingbird came to symbolize their epoch. Christopher Benfey explores this phenomenon in his engaging A Summer of Hummingbirds: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe and Martin Johnson Heade.

Benfey skillfully explores the personal histories as well as the work of his primary subjects and explains how hummingbirds came to symbolize “a new dynamism and movement in their lives.” For Harriet Beecher Stowe, for example, with her personal tragedies and outrage at slavery, the hummingbirds represented, in part, freedom in world of captivity. Heade had a lifelong obsession with the birds and intended to use his expert knowledge of them to launch a career as an artist. Mark Twain greatly admired Heade’s work and Benfey shows how it may well have influenced the best descriptions of the river in Adventures of Huckleberry Finn.

Emily Dickinson’s signature poem focused on the hummingbird. She sent it to seven correspondents, more than any of her other poems, and sometimes even signed it “Humming-Bird,” as though she herself were its subject. There are numerous other hummingbird references throughout her work. Other hummingbird enthusiasts also figure in A Summer of Hummingbirds, including Thomas Wentworth Higginson, a leading abolitionist and commander of the first African-American unit to fight for the Union. His essay, “The Life of Birds,” published in 1862, regards birds as exiles from another, better world and gives special attention to hummingbirds. Dickinson was impressed by Higginson’s essays on nature and wrote several poems inspired by his descriptions of spring flowers and hummingbirds. They also corresponded about her work over many years.

Another person profiled is Henry Ward Beecher, the preacher who was once “the most famous man in America.” Beecher was known as an abolitionist, accepted evolution, and emphasized the “Gospel of Love” in contrast to the Calvinist approach he had known in his childhood and during his preparation for the ministry. A lover of nature, he also had a collection of stuffed hummingbirds. Already controversial for his views, he was at the center of highly publicized adultery trials that failed to find him guilty.

There is also Mabel Loomis Todd, one of the few people who recognized Dickinson’s genius and was an editor, along with Higginson, of the first published volume of her poems. Heade brought Mrs. Todd to an appreciation of nature through art and then became infatuated with her; much to Heade’s disappointment, she began an adulterous affair with Dickinson’s brother.

Benfey adroitly presents this group in vivid scenes that recreate what it must have been like during a time of great cultural transformation. This is not a strict literary or cultural history and some readers may find it too episodic or feel that the author digresses too much. But it is all interesting and helps us to understand how nature and freedom began to move some cultural figures beyond conviction and restraint.

Roger Bishop is a retired Nashville bookseller and frequent contributor to BookPage.

The years during and following the Civil War saw momentous social, polticial, religious, scientific and artistic ferment. Art and activism were closely aligned and, for many, there was a change in sensibility. For a loosely connected cluster of American writers and artists, the hummingbird came…
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Addy Lipton is a third-grade teacher who feels she’s living a third-rate life with a marriage that hasn’t lived up to her hopes. The garage door represents everything that’s wrong with her marriage. Behind it is the Kingdom of Krap, all the stuff that captures her husband Lucky’s attention instead of the “stuff” Addy wants to talk about: their relationship. Her compulsion to drive her Toyota right through the garage door into the Kingdom of Krap is thwarted but not quelled when Lucky wins a company sales contest and a trip to Costa Rica that Addy hopes will rejuvenate their relationship. But fate has other plans. An accident lands Lucky flat on his back, requiring back surgery, and then extended rehab and recovery. Addy juggles new care-giving responsibilities with trying to decide whether her relationship with Lucky is worth salvaging in Kris Radish’s Searching for Paradise in Parker, PA.

Addy and Lucky are surrounded by caring friends and neighbors – Addy’s sister, Hell (which must be short for hell-on-wheels); her spa and abs-crunching gal pals, the Sweat-Hers; and Lucky’s cul-de-sac buddies Bob One and Two. They begin what seems to be a simple reach-out-and-care plan to help Addy and Lucky transition from the hospital to home. In the process, virtually the whole town of Parker becomes involved as the couple rediscovers the very best of love and courtship, separation and restoration, dating and friendship.

Radish unrolls a rollicking yet reflective read that adds to her robust repertoire of beloved fiction. (Can a reviewer really use that many “r’s” in one sentence?) When an author reaches out to draw you into her pages and the intimate lives of her characters, like Addy Lipton and her hapless husband Lucky, then what’s a reader to do but relish the ride.

Sandy Huseby writes from Fargo, North Dakota, and lakeside Minnesota. Visit her at prairiesunrising.blogspot.com.

Addy Lipton is a third-grade teacher who feels she's living a third-rate life with a marriage that hasn't lived up to her hopes. The garage door represents everything that's wrong with her marriage. Behind it is the Kingdom of Krap, all the stuff that captures…
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When illustrator Robert Bender asked thousands of kids what they thought other kids and adults ought to know, he received an answer that would become the title of his book: Never Eat ANYTHING that MOVES: Good, Bad, and Very Silly Advice from Kids. Bender has written and illustrated over a dozen highly praised children’s books. He first let kids have their say in Lima Beans Would Be Illegal: Children’s Ideas of a Perfect World, in which children aged 7 to 12 responded with wit and wisdom, offering gems like, “I would like some peas and quiet.” But Bender realized he had barely scratched the surface of the humorous and profound thoughts kids have to share with us. In the intro to Never Eat, he says, “I found that kids care a lot about other people, themselves, and this planet. They are imaginative and wise, funny and weird and have great sensitivity. Who but a kid would know how to deal with a monster under the bed (put your little sister under it and listen for a crunch’), or when not to give your dad a free haircut (when he’s sleeping’)?” In his new book, kids offer tips for their peers in the never, ever category: “eat beans before you go to church,” or “leave cookie dough with a three-year-old. They put in secret’ ingredients.” Best of all, suitable for all ages is, “never ask a large woman if she’s pregnant.” But some of the most enlightening counsel comes from young girls . . . “The best advice I gave a friend was to forgive herself for all the bad stuff she used to do. She took my advice and now she doesn’t smoke, drink, threaten people or think about killing herself,” and “Your worst may be someone else’s best.” If you can’t find your gum, your shoe will find it for you.
Joslyn Smeal, age 11 Never save your page with gum.
Jack Friedberg, age 9

When illustrator Robert Bender asked thousands of kids what they thought other kids and adults ought to know, he received an answer that would become the title of his book: Never Eat ANYTHING that MOVES: Good, Bad, and Very Silly Advice from Kids. Bender has…
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Fresh from his 2005 Pulitzer Prize finalist novel, The Bright Forever, Lee Martin has produced a frank and convincing story of the toll that a long-buried secret exacts on the life of one unremarkable man. Blending an intense character study with classic elements of mysteries and thrillers, Martin demonstrates that the success of his last novel was no accident.

Sam Brady is a 65-year-old gay man, retired and living quietly with his dog Stump in the small town of Mt. Gilead, Illinois. Beneath this placid surface lies a painful secret surrounding his involvement in the apparent suicide of his boyhood friend, Dewey Finn, on the town’s railroad tracks 50 years ago. When Sam’s brother Cal, who slipped effortlessly out of Sam’s life years earlier, returns to Mt. Gilead after playing a seemingly heroic role in a hostage standoff, the pressure increases on Sam to reveal the truth about the night Dewey died and the relationship between the two friends that led to the tragedy. The mystery surrounding Cal only deepens when Sam suspects his brother has been involved with a domestic terrorist group plotting to blow up Chicago’s Sears Tower.

For a novel of fewer than 300 pages, River of Heaven is intricately plotted, the pace of its story accelerating to a powerful climax. As befits a novelist of his skill, Martin doesn’t sacrifice his attention on Sam merely to create a page-turning story. In an emotionally resonant ending we learn what happened to Dewey Finn on that long-ago April night and sense the faint stirrings of a redemptive end to Sam’s life.

From the Martha Stewart wannabe Vera Moon to an improbably named student journalist Duncan Hines, Martin’s characters are quaint without degenerating into provincial archetypes. Instead, like other novelists who’ve made small-town America their canvas, he is skilled at revealing the complexity that entangles even the simplest of lives.

Martin is an able storyteller who doesn’t need to resort to flashy verbal tricks to establish his credibility as a writer of literary fiction. In River of Heaven he’s created an accomplished and deeply satisfying work.

Fresh from his 2005 Pulitzer Prize finalist novel, The Bright Forever, Lee Martin has produced a frank and convincing story of the toll that a long-buried secret exacts on the life of one unremarkable man. Blending an intense character study with classic elements of mysteries…
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Pretty, blonde Brit Catherine Sanderson clicks and blogs her way into love, heartache and self-revelation in the amusing page-turner Petite Anglaise. Yorkshire-born, Sanderson had always longed for France and, at age 18, she crossed the Channel on an invitation from her French pen pal. She returns a few years later as a teaching assistant, acquires a live-in boyfriend, has his child and lands a welcome, though ho-hum, secretarial job. Out of this landscape eventually sprout tendrils of dissatisfaction with the unvarying round of household chores, childcare and work: "my dream Paris had . . . melted away. . . . Lately I’d become a bitter, resentful shadow of the breathless, enthusiastic petite anglaise I once was, a person I was far from sure I even liked."

Under the cover of an Internet persona, "Petite Anglaise," Sanderson captivatingly recounts the giddy highs and disheartening lows of her reinvention in this narrative that reads like a chick lit novel with a rueful soupcon of hard-earned hindsight. Her witty, frank, tell-all blog quickly attracts followers, all eager to read the latest insouciant installment of Sanderson’s ups and downs with boyfriend Mr. Frog, daughter Tadpole and new beau James (an Internet find). But the virtual rubber meets the imaginary road as the boundaries of Sanderson’s addictive cyber-life begin to blur into day-to-day reality: new love gets rough, her job is in jeopardy and sobbing into cyberspace can’t replace in-the-flesh friendships. She begins to wonder: is all this cathartic blogging helping or hindering her destiny?

This entertaining story is a truly modern tale of self-discovery, embellished with the City of Light (and the strange world of the Internet) as luscious backdrop. The final curtain on Sanderson’s tale attests to the eternal allure of Paris: as the author sips espresso at a sidewalk café, she realizes, "I couldn’t imagine anywhere else on earth I’d rather be. I’d forgotten how much it was possible to love this city."

Alison Hood writes from Marin County, California.

 

Pretty, blonde Brit Catherine Sanderson clicks and blogs her way into love, heartache and self-revelation in the amusing page-turner Petite Anglaise. Yorkshire-born, Sanderson had always longed for France and, at age 18, she crossed the Channel on an invitation from her French pen pal.…

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What are the military aspirations and capabilities of the world’s real and would-be nuclear powers? These are the basic questions husband-and-wife reporters Nathan Hodge and Sharon Weinberger set out to answer. That they fail in their quest should surprise no one. Not only are governments secretive about such matters, governmental approaches to forming a unified nuclear policy also tend to be piecemeal and politically driven. In their two-year odyssey, which began in 2005, Hodge, a writer for Jane’s Defense Weekly, and Weinberger, a contributor to Wired‘s national security blog, Danger Room, visited nuclear sites in the U.S., the Marshall Islands, Kazakhstan, Russia and Iran. They discover a milieu in which the terrible clarity of the Cold War doctrine of mutually assured destruction no longer applies but where the political momentum to do something nuclear is too strong to stop.

Most of A Nuclear Family Vacation covers American installations – from the design labs at Los Alamos and Livermore to archaic missile silos sprinkled across the Great Plains. At each stop, the authors encounter turfs to be protected and missions to be rationalized. They do not find, however, anything approaching a national strategy for the development and use of nuclear weapons and defenses. Little wonder, then, that their narrative is shot through with flashes of dark humor and incredulity.

"During our journey across the U. S. nuclear complex," they report, "it occasionally felt like we were visiting an Oldsmobile factory: outmoded facilities with a cynical workforce and little in the way of a vision for the future. . . . In Russia, the United States and its allies threw money at nonproliferation programs without any clear way to gauge their success. Iran’s nuclear program – whether peaceful or not – was doing little beside guaranteeing the country’s continued political and economic isolation." One can only imagine what Hodge and Weinberger might have discovered had they extended their forays into such other hot zones as North Korea, China, Pakistan, India and Israel.

Edward Morris reviews from Nashville.

 

What are the military aspirations and capabilities of the world's real and would-be nuclear powers? These are the basic questions husband-and-wife reporters Nathan Hodge and Sharon Weinberger set out to answer. That they fail in their quest should surprise no one. Not only are…

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Some writers’ grasps fall far short of their reach. Not Brian Hall’s. In his fearless second novel (after telling the story of Lewis and Clark in I Would Be Extremely Happy in Your Company), he takes a great risk by entering the mind of the tragic and irascible Robert Frost – and the reviewer’s oft-used term tour de force has never been more applicable. This book is a remarkable achievement.

Fall of Frost is not a breezy read, nor is it a salacious “tell all” list of lovers and licentious behavior. What Hall has managed to achieve is a serious, but highly readable, piece of detective work into the mind, spirit and work of one of America’s most recognized poets. After reading Fall of Frost, you’ll wonder how the poet ever managed to put one foot in front of the other, so tragic and tortured was his life. Robert Frost lost his own father at the age of 11 and his only sister was institutionalized. Frost went on to bury his wife Elinor and only one of his five children survived him.

Hall opens the book toward the end of Frost’s life, in Moscow, 1962. Frost is there to meet Khrushchev and make life miserable for anyone not helping that to happen. His story is told in short chapters that move through different stages in the poet’s life with just the turn of a page. What happens in between is Hall’s intimate interpretation of a fallible man, quick to anger, and quicker to recognize his own shortcomings.

Hall delves deeply into Frost’s poetry as well, and yet we never feel lost in a scrum of didactic paragraphs – one of Hall’s great achievements is that the novel never seems like a performance, though in reality it is a brilliant one. Hall’s life of Robert Frost shows us how art can resurrect us from tragedy, how the seemingly insurmountable grief of loss can be placated with a line here or a stanza there.

Michael Lee is a member of the National Book Critics Circle.

Some writers' grasps fall far short of their reach. Not Brian Hall's. In his fearless second novel (after telling the story of Lewis and Clark in I Would Be Extremely Happy in Your Company), he takes a great risk by entering the mind of the…

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