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If your kids have their noses buried in books or their eyes glued to Cartoon Network’s Toonami, chances are they’ve been reading or watching the ninja-themed hit NARUTO. The manga phenomenon garnered attention here after its success overseas, and now this internationally popular Japanese graphic novel series is about to become even more accessible.

VIZ Media, the San Francisco-based manga and licensing company that distributes NARUTO in the U.

S., has announced the NARUTONATION campaign, which will increase the publication frequency of the series, so that eager American fans can catch up with their Japanese counterparts. Three new volumes will be released each month this fall, from September through December, bringing American readers volumes 16-27 in record time. When volume 28 is released next March, it will hit bookstore shelves in America at the same time it’s released in Japan.

Also coming out this fall as part of NARUTONATION are new editions of NARUTO Anime Profiles and the NARUTO Collector magazine, along with The Art of NARUTO: Uzumaki, an art book for collectors. The first NARUTO movie Ninja Clash in the Land of Snow aired on June 6 in more than 160 U.

S. theaters for one night only and will be available on DVD in September.

If your child is an established NARUTO fan, he probably knows all about the manga series, the cartoons, the DVDs, the collector’s items and the graphic novels. If NARUTO hasn’t yet caught on with your family, you might be wondering whether it’s an appropriate choice for youngsters. First, a little background for the clueless: Manga is the Japanese word for printed comics, and anime is the animated version of the comics (although the terms are occasionally and inaccurately used as synonyms in the U.

S.). Since boys tend to be more visual than girls at a young age, manga is generally considered an excellent choice for inducing a reluctant male reader to pick up a book.

NARUTO, which is rated T for Teen, follows the antics and escapades of Uzumaki NARUTO and his fellow ninjas-in-training, Sasuke and Sakura. VIZ has preserved the Japanese manga style by printing the books in their original format, reading from left to right. Like The Karate Kid of a previous generation, NARUTO is an underdog, learning to better himself in an honorable way. The stories feature themes such as friendship, teamwork, loyalty, hard work and ingenuity. NARUTO shows followers how to calm their minds and control their passions through patience. Being boisterous and acting rashly take NARUTO further from his ultimate goal of becoming a Hokage, or greatest of ninjas. His self-assuredness and audacity can sometimes work against him, and his quest for acknowledgment from others often gets him into trouble.

Masashi Kishimoto, the mastermind behind the NARUTO series, cites the manga Dragon Ball and Akira as his own inspiration for wanting to become a mangaka, or comic artist. Creating manga isn’t just about drawing well, but writing a good story. Keep the art and story real, and you can’t lose, Kishimoto says.

Kishimoto’s training began in art college, where he trained in plaster mediums and the drawing of the human body to increase my skills as a design artist. He won the Hop Step Award for new manga artists with his manga Karakuri ( Mechanism ) before launching the NARUTO series in Japan’s most popular manga magazine, Weekly Shonen Jump.

NARUTO has sold more than 72 million copies in Japan since its debut in 1999 and is raking in accolades in the U.

S. as well: On top of selling more than 2 million copies nationwide, the manga series received the most nominations in the inaugural American Anime Awards; was awarded the genre’s first ever Quill Award in 2006 for Best Graphic Novel; and has appeared frequently on the USA Today Top 150 bestseller list. The televised NARUTO is the most popular show on Cartoon Network for boys ages 9 to 14. The boundless success of NARUTO is due largely to the depth and great volume of the stories that have made the brand a success as a manga, DVD, broadcast series and feature film, says Liza Coppola, VIZ senior vice president for marketing. And with the launch of NARUTO NATION, that popularity is expected to grow.

If your kids have their noses buried in books or their eyes glued to Cartoon Network's Toonami, chances are they've been reading or watching the ninja-themed hit NARUTO. The manga phenomenon garnered attention here after its success overseas, and now this internationally popular Japanese…
Review by

If your kids have their noses buried in books or their eyes glued to Cartoon Network’s Toonami, chances are they’ve been reading or watching the ninja-themed hit NARUTO. The manga phenomenon garnered attention here after its success overseas, and now this internationally popular Japanese graphic novel series is about to become even more accessible.

VIZ Media, the San Francisco-based manga and licensing company that distributes NARUTO in the U.

S., has announced the NARUTONATION campaign, which will increase the publication frequency of the series, so that eager American fans can catch up with their Japanese counterparts. Three new volumes will be released each month this fall, from September through December, bringing American readers volumes 16-27 in record time. When volume 28 is released next March, it will hit bookstore shelves in America at the same time it’s released in Japan.

Also coming out this fall as part of NARUTONATION are new editions of NARUTO Anime Profiles and the NARUTO Collector magazine, along with The Art of NARUTO: Uzumaki, an art book for collectors. The first NARUTO movie Ninja Clash in the Land of Snow aired on June 6 in more than 160 U.

S. theaters for one night only and will be available on DVD in September.

If your child is an established NARUTO fan, he probably knows all about the manga series, the cartoons, the DVDs, the collector’s items and the graphic novels. If NARUTO hasn’t yet caught on with your family, you might be wondering whether it’s an appropriate choice for youngsters. First, a little background for the clueless: Manga is the Japanese word for printed comics, and anime is the animated version of the comics (although the terms are occasionally and inaccurately used as synonyms in the U.

S.). Since boys tend to be more visual than girls at a young age, manga is generally considered an excellent choice for inducing a reluctant male reader to pick up a book.

NARUTO, which is rated T for Teen, follows the antics and escapades of Uzumaki NARUTO and his fellow ninjas-in-training, Sasuke and Sakura. VIZ has preserved the Japanese manga style by printing the books in their original format, reading from left to right. Like The Karate Kid of a previous generation, NARUTO is an underdog, learning to better himself in an honorable way. The stories feature themes such as friendship, teamwork, loyalty, hard work and ingenuity. NARUTO shows followers how to calm their minds and control their passions through patience. Being boisterous and acting rashly take NARUTO further from his ultimate goal of becoming a Hokage, or greatest of ninjas. His self-assuredness and audacity can sometimes work against him, and his quest for acknowledgment from others often gets him into trouble.

Masashi Kishimoto, the mastermind behind the NARUTO series, cites the manga Dragon Ball and Akira as his own inspiration for wanting to become a mangaka, or comic artist. Creating manga isn’t just about drawing well, but writing a good story. Keep the art and story real, and you can’t lose, Kishimoto says.

Kishimoto’s training began in art college, where he trained in plaster mediums and the drawing of the human body to increase my skills as a design artist. He won the Hop Step Award for new manga artists with his manga Karakuri ( Mechanism ) before launching the NARUTO series in Japan’s most popular manga magazine, Weekly Shonen Jump.

NARUTO has sold more than 72 million copies in Japan since its debut in 1999 and is raking in accolades in the U.

S. as well: On top of selling more than 2 million copies nationwide, the manga series received the most nominations in the inaugural American Anime Awards; was awarded the genre’s first ever Quill Award in 2006 for Best Graphic Novel; and has appeared frequently on the USA Today Top 150 bestseller list. The televised NARUTO is the most popular show on Cartoon Network for boys ages 9 to 14. The boundless success of NARUTO is due largely to the depth and great volume of the stories that have made the brand a success as a manga, DVD, broadcast series and feature film, says Liza Coppola, VIZ senior vice president for marketing. And with the launch of NARUTO NATION, that popularity is expected to grow.

If your kids have their noses buried in books or their eyes glued to Cartoon Network's Toonami, chances are they've been reading or watching the ninja-themed hit NARUTO. The manga phenomenon garnered attention here after its success overseas, and now this internationally popular Japanese…
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Stuck in the Middle: 17 Comics from an Unpleasant Age, edited by Ariel Schrag, is a collection of short pieces by noted cartoonists about the horror that is junior high. Daniel Clowes’ painstakingly detailed and vaguely creepy tale of a teenage boy stuck at his grandparents’ cottage for the summer is one of the highlights; the characters’ blank facial expressions and the story’s lack of resolution make it an unsettling, not-exactly-kid-friendly piece of work. At the other end of the spectrum is the almost primitively drawn, woodcut-style piece by Cole Johnson it looks a bit like work by Marjane Satrapi (Persepolis) but with more white space. Johnson focuses on the struggles of being the new girl in school and the immense relief of finally making a friend. What the stories all have in common is showing how mean kids can be to each other and how difficult it is to find a trustworthy ally.

Stuck in the Middle: 17 Comics from an Unpleasant Age, edited by Ariel Schrag, is a collection of short pieces by noted cartoonists about the horror that is junior high. Daniel Clowes' painstakingly detailed and vaguely creepy tale of a teenage boy stuck at his…
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Jeff Kinney’s Diary of a Wimpy Kid: A Novel in Cartoons is told from the point of view of Greg, a boy whose mom makes him keep a journal about his life. A childlike scrawl and scribbly line drawings illustrate the story. The writing is sharp, and the artwork, though deceptively simple, is both entertaining and expressive—it makes an efficient storytelling tool, adding comic punch to these funny-because-they’re-true scenes from the life of a picked-on student who’s just trying to make it through school in one piece.

Jeff Kinney's Diary of a Wimpy Kid: A Novel in Cartoons is told from the point of view of Greg, a boy whose mom makes him keep a journal about his life. A childlike scrawl and scribbly line drawings illustrate the story. The writing…

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If you haven’t already met Babymouse, a feisty little mouse with big dreams, this would be a great time to start. Sixth in a series of fun-size books for younger girls, Camp Babymouse is written and illustrated by the brother-sister team of Jennifer L. Holm and Matthew Holm. It’s a zany little book crammed with black-and-white-and-pink drawings and lots of emphatically traced-over sound-effect words ( WHOOSH! THUNK! SPLASH! ). Our heroine, Babymouse, is a hapless camper with zero chance of winning a merit badge, but she sticks it out and eventually finds something she’s good at: the camp scavenger hunt. The simple story and upbeat characters make this series a great introduction to comics for young readers.

If you haven't already met Babymouse, a feisty little mouse with big dreams, this would be a great time to start. Sixth in a series of fun-size books for younger girls, Camp Babymouse is written and illustrated by the brother-sister team of Jennifer L.…
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Not old enough to work at the Clucket Bucket or Dairy Whip and with no plans for sports or camp, the 12-year-old hero of Gary Paulsen’s hilarious novel, Lawn Boy, simply wants to earn a little extra money to repair his bike. His grandmother’s odd birthday gift an old riding lawn mower sets the course for his surprising and profitable summer.

Arnold, one of his first clients, has a cash-flow problem of his own. The work-at-home stockbroker offers to invest the boy’s pay in the stock market, and when the preteen has more demands for mowing than he can possibly supply, Arnold helps set him up as the boss of 15 employees. The business operations are hard for the boy to follow, and he is shocked to learn that he not only owns stock in a coffin-making corporation, he’s also the sole sponsor of a heavyweight boxer. The threat of a hostile takeover forces the boy to let his parents in on his sizable new income nearly half a million dollars! With his quick-paced, conversational narration and such chapter headings as The Law of Increasing Product Demand Versus Flat Production Capacity, Paulsen presents capitalism and storytelling at its best in this delightful summer story.

Not old enough to work at the Clucket Bucket or Dairy Whip and with no plans for sports or camp, the 12-year-old hero of Gary Paulsen's hilarious novel, Lawn Boy, simply wants to earn a little extra money to repair his bike. His grandmother's…
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One of my favorite series of historical books for children has a new entry, just in time for the 400th anniversary of the historical Virginia settlement 1607: A New Look at Jamestown by Karen E. Lange, with photos by Ira Block. This series features well-written historical narratives accompanied by the wonderful photographs for which National Geographic is so well known. What makes the photos even better in this case are the historical re-enactors who have been photographed, thus making the history literally come to life. We see, for instance, a settler firing a musket, a blacksmith at work and a Native American woman cooking, as well as archaeologists at work at Jamestown. I still vividly remember my own tours of Jamestown when I was a girl, and soon I hope to take my children back for a visit.

One of my favorite series of historical books for children has a new entry, just in time for the 400th anniversary of the historical Virginia settlement 1607: A New Look at Jamestown by Karen E. Lange, with photos by Ira Block. This series features well-written…
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Want to show your kids that Pocahontas wasn’t actually a Disney princess? Get the gorgeous new book Pocahontas: Princess of the New World written by well-known children’s biographer Kathleen Krull and illustrated by David Diaz. Krull explains that Pocahontas was a royal princess who was kind and compassionate, of course, and clever and fearless. Here is historical writing for the young at its best: full of facts and yet flowing in an exciting, storylike way. Diaz’s illustrations are bright and brilliant, full of color and an energy all their own.

Want to show your kids that Pocahontas wasn't actually a Disney princess? Get the gorgeous new book Pocahontas: Princess of the New World written by well-known children's biographer Kathleen Krull and illustrated by David Diaz. Krull explains that Pocahontas was a royal princess who…
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A Picture Book of John Hancock, by David A. and Michael S. Adler and illustrated by Ronald Himler, is one of a series of excellent, introductory biographies by David Adler, who also writes the Cam Jansen series.

A Picture Book of John Hancock, by David A. and Michael S. Adler and illustrated by Ronald Himler, is one of a series of excellent, introductory biographies by David Adler, who also writes the Cam Jansen series.
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My girls and I thoroughly enjoyed Louise Borden’s fictitious classroom story, The John Hancock Club, illustrated by Adam Gustavson. Sean McFerrin and the other students in his third-grade class are learning cursive writing, and if they do well, their teacher will induct them into the John Hancock Club. This story definitely inspires curiosity about John Hancock, and the back cover of the book shows a copy of the Declaration of Independence with his defining signature.

My girls and I thoroughly enjoyed Louise Borden's fictitious classroom story, The John Hancock Club, illustrated by Adam Gustavson. Sean McFerrin and the other students in his third-grade class are learning cursive writing, and if they do well, their teacher will induct them into…
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Deborah Hopkinson’s Sweet Land of Liberty is a wonderfully evocative book about Marian Anderson’s 1939 performance in front of the Lincoln Memorial. Hopkinson’s lively writing turns this historical event into a dramatic tale, beginning with a young boy’s first experience with injustice when he is nearly expelled from a Virginia school for hanging a portrait of Abraham Lincoln in the classroom. That boy grew up to be Oscar Chapman, assistant secretary of the interior under Franklin Roosevelt, and this boyhood injustice stayed with him. He came up with the idea for the Anderson concert to be held at the Lincoln Memorial and helped make it a reality. Hopkinson’s narrative moves along in a compelling way, and she ends with a helpful historical note about the events and her research. Leonard Jenkins’ mixed-media illustrations are beautifully modern, yet full of the historical images important to this tale: the U.S. Capitol, Marian Anderson and the Lincoln Memorial.

Deborah Hopkinson's Sweet Land of Liberty is a wonderfully evocative book about Marian Anderson's 1939 performance in front of the Lincoln Memorial. Hopkinson's lively writing turns this historical event into a dramatic tale, beginning with a young boy's first experience with injustice when he…
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My eight-year-old twins and I pored over At Ellis Island: A History in Many Voices written by Louise Peacock and illustrated by Walter Lyon Krudop the night before we toured Ellis Island. It was the perfect introduction to one of the most fascinating spots in American history and the place where my daughters’ great-grandparents arrived from Ireland years ago.

This book packs plenty into its pages in a compelling way: historical photos, quotes from various immigrants and Ellis Island workers, illustrative paintings and the fictional diary of Sera, a 10-year-old girl whose mother has died, on a ship from Armenia. These different facets work well together to create an incredibly vivid, informative look at the difficulties of traveling to a strange land and experiencing the joy, confusion and fears of the Ellis Island bureaucracy.

My eight-year-old twins and I pored over At Ellis Island: A History in Many Voices written by Louise Peacock and illustrated by Walter Lyon Krudop the night before we toured Ellis Island. It was the perfect introduction to one of the most fascinating spots…
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More than 65 million American households have a pet, so it’s difficult to comprehend that many living creatures in this country are neglected, abused and cruelly murdered each year. Why Animals Matter: The Case for Animal Protection explores this contradiction as it exposes the suffering of domestic and wild animals in America. Bypassing complicated philosophical arguments, authors Erin E. Williams of the Humane Society of the United States and Margo DeMello of the House Rabbit Society coolly present sordid details of the human-animal relationship in America, from the meat, textile, hunting and medical experiment industries, to the use of animals as family and entertainment. The realities are brutal and no myths are left unturned: That delicious Sunday roasted chicken survived on a factory farm in a cage so small it couldn’t flap its wings, covered in feces and fattened until it couldn’t stand, to provide dinner at the cheapest price possible. Rationalizations and arguments about history, necessity and overpopulation don’t stand up to the heavily footnoted studies and points made here; if you’re going to eat that chicken, at least honor it by acknowledging what it went through to get to your table. Why Animals Matter ends with a manifesto for compassion and decency toward all living things, but remains a difficult look at America’s heart of darkness.

More than 65 million American households have a pet, so it's difficult to comprehend that many living creatures in this country are neglected, abused and cruelly murdered each year. Why Animals Matter: The Case for Animal Protection explores this contradiction as it exposes the…

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