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To mark the 400th anniversary of the founding of Jamestown, Virginia, historian and journalist Benjamin Woolley has constructed a far-ranging account of the political machinations and human suffering that went into creating and preserving this tormented English outpost. Original investors gambled that the settlement would yield gold or other mineral riches. In this, they were soon disappointed. It wasn’t long, however, before the region sprouted a more viable form of wealth: tobacco. In 1617, a shipload of that addictive weed netted the colony its first profit. Two years later came the first cargo of African slaves.

Those who know Jamestown only through college textbooks and random PBS specials are likely to visualize it as a lonely, sequestered place clinging to the edge of a trackless wilderness. Not so, says Woolley in Savage Kingdom. Virtually from the time they came ashore, the colonists discovered an array of Indian villages whose inhabitants might be friendly one moment, incredibly savage the next. Still, the interlopers were far more inclined to seek out the natives than avoid them and trading began almost immediately, in no small part because the settlers were low on food. Then there were the equally crippling problems of leadership and priorities. While common sense called for such mundane acts of self-preservation as hunting, planting and building fortifications, the group’s charter and natural inclination were to search for treasure. The mercurial Capt. John Smith, who wrote his own lurid and self-aggrandizing narrative of the times, emerges as Jamestown’s most fascinating figure. Pocahontas, Smith’s supposed savior, is a peripheral character in Woolley’s story until she marries settler John Rolfe. As long as Woolley focuses on the day-to-day life of Jamestown, the drama runs high, but it bogs down perilously when he delves into London politics. Isolated from the mother country, Jamestown became a complete story in its own right; ultimately, that was the story that mattered. Edward Morris reviews from Nashville.

To mark the 400th anniversary of the founding of Jamestown, Virginia, historian and journalist Benjamin Woolley has constructed a far-ranging account of the political machinations and human suffering that went into creating and preserving this tormented English outpost. Original investors gambled that the settlement would…
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Suppose, just for a moment, that you found a postcard under your front door with a photograph of a painting currently on display at a local museum. The other side consists of tomorrow’s date and a time, both handwritten, nothing more. What would you do? Should your response be to toss the card into the shredder without so much as a second thought, don’t bother reading Richard Gwyn’s The Color of a Dog Running Away. If, on the other hand, you’d find yourself, palms sweating, in front of that very painting the following day, then this Welsh poet’s debut novel will make a valued addition to your bookshelf.

This mystery-thriller is set against the backdrop of Barcelona, home to museums for Picasso and Mir—, Gaud’ architecture littering the landscape with surreal splendor, heat and dust driving the sane indoors to nurse a brandy and agua fria before the afternoon siesta.

After finding the postcard, musician/translator/British expatriate Lucas contends with a mysterious femme noire, a troupe of roof-dwelling gypsies, a megalomaniac cult leader, a motley posse of fellow ŽmigrŽ companions and a constant stream of alcohol and drugs, all of which threaten to unseat him from his formerly placid existence. A kidnapping, near immolation, hospital stay and enforced detox pile on in succession to force him to sanity’s ragged edge. Gwyn outlines each character with indelible distinctiveness and brings the city of Barcelona into sharp relief as a key member of the novel’s cast. Even minor players, such as a prophetic fire-eater Lucas encounters, may emerge from the shadows to occupy center stage. With Pico Iyer’s attention to local color, Samuel Beckett’s command of surrealist language, Alfred Hitchcock’s sense of foreboding, and Hunter S. Thompson’s enthusiasm for reality-altering substances, Gwyn has crafted a dazzling, if disquieting debut. Like Gaud’’s celebrated buildings, it has no straight lines and a dreamlike quality that will imbed itself in your consciousness. Thane Tierney has been known to quaff the occasional Rioja with a slab of Manchego cheese and Spanish olives.

Suppose, just for a moment, that you found a postcard under your front door with a photograph of a painting currently on display at a local museum. The other side consists of tomorrow's date and a time, both handwritten, nothing more. What would you do?…
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Sandra McDonald’s debut novel The Outback Stars should reach a broad swathe of readers from hard science fiction fans to romance readers and manage to please them all.

Lt. Jodenny Scott is a survivor of a spaceship disaster that killed almost 800 people. She doesn’t feel like a hero because she doesn’t remember saving people despite being injured in what was said to be a terrorist attack. Bored by a convalescent desk job, she pulls strings to get a position on another ship. As she soon discovers, her new ship, the Aral Sea, is not in great shape either.

Scott is put in charge of the Underway Stores department and quickly runs up against small-time gangs who run the other parts of the ship. She tries to make her department shipshape they have fallen behind in everything, even delivering new uniforms to sailors and finds that her best worker is Terry Myell, a semi-disgraced sailor who is trying to keep his head down until he can finish his deployment and leave the ship. Work rules mean she and Myell must ignore the spark between them, which is easy to do when they’re confined to the ship. When they meet offship, however, it’s a different story.

The Outback Stars sets sail rather slowly, as McDonald sorts out who is who and what job responsibilities each person holds. Once the characters are established, however, the various plots kick in and the reader is drawn along at full speed. McDonald’s universe is fresh and intriguing: Humanity has tripped over a chain of interstellar shortcuts that run in a circuit to a series of habitable planets. The planets have been settled by different groups from a worn-out Earth who can only communicate through the ships sailing around the circuit.

A former U.S. Navy officer, McDonald combines her knowledge of naval operations with current fears of terrorism to craft a lively space tale filled with everything from Australian folklore to long-vanished aliens. She supplies enough answers to satisfy readers and enough questions to leave room for more stories in the future.

Gavin J. Grant runs Small Beer Press in Northampton, Massachusetts.

Sandra McDonald's debut novel The Outback Stars should reach a broad swathe of readers from hard science fiction fans to romance readers and manage to please them all.

Lt. Jodenny Scott is a survivor of a spaceship disaster that killed almost 800 people.…
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The modern Churchman, in all his spiritual misery, has been a happy staple of British literature for generations. Especially to the great comic novelists (Fielding, Trollope, Waugh), the clergyman plagued with doubts or worse, ideas about his Christian faith epitomizes the hypocrisy of British society and the uneasy mix of the old and new.

In our own day, unprecedented reservoirs of godless despair are available to a thoughtful man of the cloth such as Gideon Mack, the hapless hero of award-winning Scottish author James Robertson’s new novel. Hypocrite is both too weak and too harsh a word for Gideon, who undertakes the ministry without a shred of belief in the gospels, but rather out of a genuine desire to help his fellow human beings. The son of a dour and brimstony minister, Gideon finds himself both repulsed by, and irrevocably drawn to, the kirk (Scottish for church ) of his childhood. He does not look for miracles, nor does he hold out any hope for answers to theological questions. That is why, when a string of miracles actually befalls him with sudden and shocking force, he is completely undone.

The inexplicable overnight appearance of a huge, ancient standing stone in the woods near his town is merely a warm-up to the climactic event: Gideon tumbles over a cliff into a river chasm and is pulled out of the water by none other than the devil himself. For three days, Gideon lives in a cave with Satan, nursed by him back to health and caught by him in a torrent of largely inscrutable conversation. The patience with which The Testament of Gideon Mack finally arrives at this supernatural interlude together with its delightful, vindictively Scottish characterization of the devil as a bored, naughty, beautiful, overgrown English schoolboy distinguishes the story as one of the finest instances of diabolical literature in the genre’s long and venerable history. Michael Alec Rose is a professor of music at Vanderbilt University.

The modern Churchman, in all his spiritual misery, has been a happy staple of British literature for generations. Especially to the great comic novelists (Fielding, Trollope, Waugh), the clergyman plagued with doubts or worse, ideas about his Christian faith epitomizes the hypocrisy of British society…
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In a comic thriller written with remarkable flair, successful author Michael Gruber (Valley of Bones) serves up an elaborately layered and devilishly detailed masterpiece in The Book of Air and Shadows. The plot revolves around an intriguing quest: the modern-day search for an unknown, unpublished and hidden play by William Shakespeare. Action begins with the discovery of a 17th-century letter along with a baffling coded message that had been hidden in the binding of an 18th-century book. An oddball cast of quirky characters sets off in search of what seems to be a controversial Shakespearean historical drama that would have changed the course of English history (and the monarchy) if it had been discovered by Shakespeare’s contemporaries.

The dramatis personae of Gruber’s tour-de-force adventure include Jack Mishkin, an intellectual property lawyer (and weight-lifting Lothario with plenty of family problems), two bookstore clerks (Albert Crosetti, an aspiring Roman Polanski without much of a love life, and Carolyn Rolly, a dead ringer for Brigid O’Shaughnessy of Maltese Falcon fame), a couple of corduroy-clad Shakespearean scholars, a handful of NYC immigrant gangsters and more than a few unconventional family members. Filled with laugh-out-loud humor and meta-fictional satire, Gruber’s literate novel intricately recursive and richly allusive in its innovative narration adroitly conflates the truths and lies of the human comedy; in fact, throughout The Book of Air and Shadows, Gruber wryly deconstructs the strange ways in which we deceive ourselves into believing things that are (and perhaps ought to remain) unbelievable. Not since A.S. Byatt’s Possession (1990) has an author so successfully combined literary puzzle, tempestuous duplicity, human adventure and good old-fashioned story-telling. Gruber’s highly recommended novel about the search for that which would be the greatest single event in Shakespeare studies a quest full of chases, murders, mysteries and eccentric characters is engaging, fast-moving and hilarious. Don’t miss it! Tim Davis teaches literature at the University of West Florida.

In a comic thriller written with remarkable flair, successful author Michael Gruber (Valley of Bones) serves up an elaborately layered and devilishly detailed masterpiece in The Book of Air and Shadows. The plot revolves around an intriguing quest: the modern-day search for an unknown, unpublished…
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Dani Shapiro’s latest novel makes this reviewer believe that children should use more care in choosing their parents. Her protagonist, Clara, certainly didn’t pick the worst of the lot far from it but she did pick a mother who made much of her childhood uncomfortable. Ruth Dunne is a renowned photographer, and both mother and daughter had become infamous for Ruth’s photographs of Clara naked and exposed in this Ruth resembles the photographer Sally Mann, who also used her own children as subjects. Because of Ruth’s exploitation, Clara, who now lives happily in Maine with her artisan husband Jonathan and daughter Samantha, hasn’t contacted her mother in years. Sam doesn’t even know that her grandmother is alive. But now Ruth is dying, and Clara feels compelled to visit her, a decision that causes upheaval to her usually placid home life. While Clara is in New York tending to her mother and getting reacquainted with her affluent, put-upon sister Robin, the unraveled threads of her family of origin begin, slowly and painfully, to mend. Shapiro portrays this with compassion and humanity nobody’s really a villain, though all of her characters are flawed. Clara, not surprisingly, can be self-absorbed, and Robin is prickly. Ruth may have objectified her daughter but genuinely loved her; her photos were inspired by Clara’s beauty and innocence. Shapiro’s empathy for children is also excellent; at a SoHo gallery opening, held when Clara was a child, Shapiro captures the apprehension of a little girl who stands about as high as the waistlines of the grown-ups around her, as well as her embarrassment at seeing, and watching other people see, overly intimate portraits of herself. Black &andamp; White is really about the shades of gray in human relationships.

Arlene McKanic writes from Jamica, New York.

Dani Shapiro's latest novel makes this reviewer believe that children should use more care in choosing their parents. Her protagonist, Clara, certainly didn't pick the worst of the lot far from it but she did pick a mother who made much of her childhood uncomfortable.…
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Six months before Polly Cain drowned in the canal, my sister, Nona, ran off and married a cowboy. So begins Aryn Kyle’s moving coming-of-age tale set on a horse farm in Desert Valley, Colorado; they are the words of Kyle’s young protagonist, Alice Winston, in the summer after her sixth-grade year.

Before Nona packed four boxes and a backpack and headed off with Jerry the rodeo rider, Alice idolized her older sister. Nona helped soften the fact that their mother, mired for years in depression, spent her days and nights alone in her bedroom. More importantly, Nona’s superior riding ability helped sustain their father’s horse training business, which thrived due to her growing fame and show ribbons. When Nona leaves, the business suffers and their father is reduced to taking in boarder horses from a coterie of bored, wealthy housewives and driving a school bus part-time.

Kyle writes perceptively in Alice’s voice, drawing the reader into the understated drama of this seminal summer in her life. Even at age 12, Alice is able to discern that her father’s dreams of success in the dwindling world of horse shows are unrealistic. Perhaps it is this realization that leads her to create her own make-believe world first pretending that she was the best friend of her drowned classmate, Polly, and then assuming the role that Polly played in the life of their troubled teacher, including nightly phone calls that quickly become obsessive.

Kyle deftly captures Alice’s growing awareness of the constant dilemmas challenging the adults in her life, as she watches both her sister’s marriage and her father’s livelihood slip away. Amid these human setbacks, the author paints an evocative portrait of the vast country in which her characters struggle. Raised in Colorado herself, Kyle knows well the territory of which she writes, from its mind-boggling beauty to the aftermath of drought and flooding. This captivating saga of a loving but dysfunctional family, melded with an ode to the harsh splendor of the West in the tradition of Kent Haruf’s Plainsong, is surely the start of a promising career. Deborah Donovan writes from La Veta, Colorado.

Six months before Polly Cain drowned in the canal, my sister, Nona, ran off and married a cowboy. So begins Aryn Kyle's moving coming-of-age tale set on a horse farm in Desert Valley, Colorado; they are the words of Kyle's young protagonist, Alice Winston, in…
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<b>It’s only rock Ôn’ roll</b> Jonathan Lethem’s latest book rocks literally. <b>You Don’t Love Me Yet</b>, his first novel since the sprawling, coming-of-age saga <i>Fortress of Solitude</i>, is the story of a group of hipster musicians who live in Los Angeles. Complex yet lighthearted, featuring beautifully styled sentences and Lethem’s usual mix of moods, the narrative captures the scruffy spirit of the alternative music scene while laying bare the difficulties of rock band dynamics.

The band’s name is Monster Eyes, and its members are quintessential garage rockers. Matthew, a vegetarian zoo attendant, serves as lead singer. Drummer Denise is employed in a porn store. Bedwin, an introverted guitar geek, lives in solitude and writes all of the band’s songs. And then there’s Lucinda, the bass player, Matthew’s on-again, off-again girlfriend. Lucinda works at the gallery of a conceptual artist named Falmouth Strand. As a participant in one of Strand’s installations, she answers a telephone line for complainers, listening to the ills that plague each caller and occasionally jotting down their words. When Monster Eyes uses some of her notes as song lyrics, one of the complainers a mysterious older man named Carl finds out and tries to join the band. Lucinda falls for Carl, and a brief but intense romance ensues, one with unexpected repercussions for Monster Eyes. The band gets its 15 minutes of fame, while Lucinda learns the hard way, of course a thing or two about the nature of love.

Lethem writes beautifully about music, and his affection for these characters even the self-centered Lucinda, who switches lovers as though she were changing shoes shines through the narrative. <b>You Don’t Love Me Yet</b> reads like a contemporary romantic comedy, but Lethem injects this love story with enough irony, intelligence and black humor to make it more than that. From the opening notes to the final chords, <b>You Don’t Love Me Yet</b> is first-rate entertainment, a book that will resonate among music lovers as well as Lethem’s many fans. <i>Julie Hale writes from Waynesville, North Carolina.</i>

<b>It's only rock Ôn' roll</b> Jonathan Lethem's latest book rocks literally. <b>You Don't Love Me Yet</b>, his first novel since the sprawling, coming-of-age saga <i>Fortress of Solitude</i>, is the story of a group of hipster musicians who live in Los Angeles. Complex yet lighthearted, featuring…
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It makes perfect sense that 31-year-old British author Steven Hall’s debut novel is all over the online publicity machine that is MySpace. The book itself challenges the traditional notion of how a novel works, so why shouldn’t its marketing campaign be ultra-modern and unconventional? It helps that MySpace spreads electronic information virally; the idea of information streams and how they can both pollute and promote ideas is a key element of the book’s plot.

Now about that plot. A detailed description risks giving too much away, but here are the basics: Eric Sanderson wakes up on the floor of a house he doesn’t recognize, with no idea who he is and no memory of anything that happened to him before that moment. He finds a note that sends him to a Dr. Randle; she tells him he’s suffering from a rare mental condition, some sort of fugue state, and that it’s a reaction to the loss of his girlfriend, who died while they were vacationing in Greece. Simple enough so far.

But as Eric seeks more information about his life before the memory loss, he learns some odd things. For one, he is being hunted by a Ludovician, one of the many species of purely conceptual fish which swim in the flows of human interaction and the tides of cause and effect. That’s right a shark is attacking his mind. As Eric teams up with a tough young beauty who leads him underground, the storyline grows increasingly fractured. So does the book’s physical structure. In one remarkable section, the novel turns into a flipbook for almost 50 pages, with text assuming the shape of a rapidly approaching (although actually sort of cute-looking) shark. Lest it all sound a bit tricksy, don’t worry the gimmicks are backed by stellar prose. Hall has a knack for smart dialogue and quick-sketch character descriptions: Dr Randle was more like an electrical storm or some complicated particle reaction than a person, for example. It’s nice to know the inventiveness that’s hyping the book isn’t trying to mask any lack of the same in the writing itself. Becky Ohlsen writes from Portland, Oregon.

It makes perfect sense that 31-year-old British author Steven Hall's debut novel is all over the online publicity machine that is MySpace. The book itself challenges the traditional notion of how a novel works, so why shouldn't its marketing campaign be ultra-modern and unconventional? It…
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Tzu Hsi, also known as Empress Orchid, who ruled as empress of China in name or in fact for decades around the turn of the 20th century, was reviled in the Western press as the dragon lady and largely hated in her own country for bringing war, uncertainty, foreign influence and strife to her people. The Last Empress is Anchee Min’s second retelling (after 2004’s Empress Orchid) of Orchid’s tale. The first book told of her arrival in the Forbidden City as one of hundreds of concubines to emperor Hsien Feng; her affair with the emperor and the birth of their son, which elevated her to the title of empress; and her husband’s death while the court was in exile during the Opium Wars. This novel picks up the story with Orchid trying to raise her son to become the emperor while running the country along with her co-regent, Empress Nuharoo, who had been Hsien Feng’s principal wife. She faces mounting national debt, the bullying influence of several foreign powers, instability from within her country and rumors that she is nothing more than a power- and sex-crazed maniac who would think nothing of having family members (including her son) killed in order to keep her grip on power.

Instead of painting Orchid as the dragon lady, The Last Empress portrays her as a woman swept up in situations beyond her control, who would have liked nothing more than to retire to her gardens, but who was forced by history to stay in power and do what she thought was best for her family and her country, often at great personal sacrifice.

This sad and engaging tale sheds light on events that few people know about the history of China. Min spent years researching her subject and even smuggled documents out of the Forbidden City to ensure that her book, though fiction, would be told with a sense of truth about the characters who shaped the history of China and the world.

Sarah E. White is a freelance writer living in Arkansas.

Tzu Hsi, also known as Empress Orchid, who ruled as empress of China in name or in fact for decades around the turn of the 20th century, was reviled in the Western press as the dragon lady and largely hated in her own country for…
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In his third novel, Angelica, Arthur Phillips once again proves himself a versatile, elegant writer of immense talent. Constance Barton and her husband, Joseph, suffered through a painful string of miscarriages before the birth of their daughter, Angelica. But after a difficult birth and doctor’s orders to avoid further pregnancies, Constance finds her life taking a dark turn. Joseph exiles his young daughter from her parents’ bedroom; he’s tired of being denied his marital rights. Being alone with his wife will not, however, be so easy. Constance insists on sleeping in a chair in Angelica’s new room, haunted by a terrifying blue spectre that seems bent on harming the girl.

But does the spectre really exist? Phillips tells his story in four parts, each section revealing new truths while proving the previous section full of deceit. Constance summons Anne Montague part spiritualist, part psychologist whose role in the story poses as many questions as it answers. Each character is drawn with deft strokes; we know them well. At least we think we do, until we start reading the next section.

Phillips does an enviable job of capturing the essence of late Victorian London, a time full of contradictions and growth, giving us glimpses of a world much concerned with rank from the eyes of both the working and middle classes. The identity of his unreliable narrator is not revealed until the end of the novel, and even once we know who’s telling the story, we’re still not certain which bits of it are true. In the hands of such a skilled author, this type of ending is perfectly satisfying. We can’t, after all, always know the truth. This is a book you will close, but continue to contemplate. Comparisons to Henry James’ The Turn of the Screw are inevitable, and Phillips’ novel can hold its own when it comes to them. Erudite, dazzling and full of ambiguity, Angelica is not to be missed.

Tasha Alexander is the author of the Victorian-era mystery A Poisoned Season, reviewed in this issue.

In his third novel, Angelica, Arthur Phillips once again proves himself a versatile, elegant writer of immense talent. Constance Barton and her husband, Joseph, suffered through a painful string of miscarriages before the birth of their daughter, Angelica. But after a difficult birth and doctor's…
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It is impossible to review Emma Darwin’s novel, The Mathematics of Love, without mentioning that she is the great-great-granddaughter of the eminent naturalist Charles Darwin. But Ms. Darwin quickly and neatly steps out from that formidable shadow with this self-assured and highly ambitious debut novel.

In 1976, 15-year-old Anna Ware is left to her own devices in the Suffolk countryside when she’s deposited in the care of her Uncle Ray by her neglectful, flighty mother. Uncle Ray has his hands full closing down Kersey Hall, a former school, and keeping track of his brutal, drunk mother and a young dervish of a boy, Cecil. Anna finally finds friends, adult neighbors Theo and Eva who introduce her to photography, and, in more ways than one, Anna falls in love. But The Mathematics of Love is no simple coming-of-age story. Anna also finds a packet of old letters hidden away in the old estate, and through them we are introduced to Kersey Hall’s squire in 1819, Maj. Stephen Fairhurst. After losing a leg during the Napoleonic Wars and enduring a long exile in Spain, Fairhurst has returned to Kersey Hall and is reluctantly engaged in a search for a mistress for his large, mostly empty house. Rebuffed by his first choice, Fairhurst is captivated by his correspondence with her sister, the progressive Lucy Durward, whose fascination with art, battle scenes and early photography methods slowly draws him out of his shell.

The real joy of this novel is the skill with which Darwin interweaves these disparate stories. The author is in no hurry, and we are the richer for it. She switches points of view seamlessly, allowing the reader to revel in her ability to alternate from the exquisite formality of Fairhurst to the flippant bravado of Anna and back again without losing momentum, and the scenes in which these two lives intertwine are especially vivid and moving.

Kristy Kiernan is the author of the novel Catching Genius (Berkley).

It is impossible to review Emma Darwin's novel, The Mathematics of Love, without mentioning that she is the great-great-granddaughter of the eminent naturalist Charles Darwin. But Ms. Darwin quickly and neatly steps out from that formidable shadow with this self-assured and highly ambitious debut novel.
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The tiny Eyewitness Travel Pocket Map & Guides look as though a harried traveler accidentally put a full-sized Eyewitness guide through the laundry and ended up with these pocket- or purse-sized wonders. The Barcelona guide divides the city into three sections Montjuic, Old Town and Eixample and includes the usual mix of sights and eateries, along with an overview of the region’s cuisine, complete with glossary. A Survival Guide at the back of the book provides information on money, communication and other essentials, while a foldout map shows metro routes and includes a street index. Since this is billed as everything you need for a perfect day out, you won’t find information on lodging; this is suggested as a companion to the full-sized Barcelona & Map; Catalonia guide. However, the editors manage to squeeze in info on day trips and the Catalonian region.

 

The tiny Eyewitness Travel Pocket Map & Guides look as though a harried traveler accidentally put a full-sized Eyewitness guide through the laundry and ended up with these pocket- or purse-sized wonders. The Barcelona guide divides the city into three sections Montjuic, Old Town…

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