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For a great many Americans, the late Strom Thurmond will forever be remembered as the thin, nasal voice of racism, militarism and regional insularity. In 1948, this well-born South Carolinian bolted the Democratic Party because of its advocacy of civil rights for blacks and ran for president on the States’ Rights (Dixiecrat) ticket. Ultimately, he joined the Republicans and went on to become one of the most conservative members of the U.S. Senate. Thurmond retired from the Senate in 2003 at the age of 100 and died a few months later. Although he gradually moderated his early views on race, he never explicitly renounced them. But ol’ Strom, as he came to be known, did have a festive side: He loved young ladies and in this he was colorblind, as evidenced by the author of the strangely engaging autobiography Dear Senator: A Memoir by the Daughter of Strom Thurmond.

In 1925, when he was 23 and just out of college, Thurmond seduced and impregnated 15-year-old Carrie Butler, one of his family’s black housekeepers. After their child, Essie Mae, was born, Carrie entrusted her care to her older sister, Mary. Essie Mae and her family moved to Coatsville, Pennsylvania, when she was still a baby. She was 13 before she saw her birth mother again. On their first trip together back to South Carolina, Carrie walked her daughter to Thurmond’s law office and, to the child’s utter bafflement said, Essie Mae, meet your father. Washington-Williams’ emotionally conflicted story spins out from this point.

Father and daughter would meet discreetly for the rest of Thurmond’s life, sometimes even in his Senate office where his staff assumed she was a constituent. He was, she says, consistently courteous and generous giving her money with each visit and paying for her college but he never embraced her as a daughter. There is a constant tug in her mind between the genteel, always welcoming gentleman she sees behind closed doors and the demagogue she reads about. Washington-Williams withheld her link to Thurmond from her children for years and resisted her family’s urging to go public as a way of undermining Thurmond’s racist ravings.

Just as fascinating as the author’s account of coming to terms with her father are the parallel recollections of what the country was like for well-educated, upwardly mobile blacks at the height of the civil rights struggle. In the end, and without conspicuously sentimentalizing her memories, Washington-Williams displays the compassion and evenhandedness any father even an absentee one would be proud of. Ed Morris writes from Nashville.

 

For a great many Americans, the late Strom Thurmond will forever be remembered as the thin, nasal voice of racism, militarism and regional insularity. In 1948, this well-born South Carolinian bolted the Democratic Party because of its advocacy of civil rights for blacks and…

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Enron’s Ken Lay and Tyco CEO Dennis Kozlowski made headlines for living lavishly, basking in the money their corporations made. But no one seems to live larger than Donald Trump does. Host of the NBC series The Apprentice, real-estate mogul, celebrity magnet and all-around intriguing personality, Trump is the subject of Robert Slater’s No Such Thing as Over-Exposure: Inside the Life and Celebrity of Donald Trump. Yet, Trump differs from Lay and Kozlowski in one major way: the money he spends or loses is his own.

Trump inherited a nice sum and followed in his dad’s footsteps as a real estate developer, but kicked the marketing up a notch. His lifestyle is part of his marketing plan: he builds places for wealthy people to live and play. And that, Slater argues, is exactly how Trump makes it big in business: he maintains and polishes his celebrity mystique by perfectly timed media management. This is a hugely entertaining book that dispels a few popular myths about the Donald. Take his signature You’re fired phrase apparently Trump rarely fires anyone in his real-life work life; his execs have to beg him to let someone go.

Enron's Ken Lay and Tyco CEO Dennis Kozlowski made headlines for living lavishly, basking in the money their corporations made. But no one seems to live larger than Donald Trump does. Host of the NBC series The Apprentice, real-estate mogul, celebrity magnet and all-around…
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In February of 1910, two trains set out to cross the Cascade Mountains of Washington state, steaming from Spokane to Seattle through the remote Stevens Pass. That the Great Northern Railway could build and maintain such a route was heralded as an example of man’s triumph over nature but nature had not yet begun to fight. Within hours, both trains would become trapped in the middle of the stark and desolate pass, caught by a snowstorm greater than any recorded to that day. By the time the ordeal was over, both trains lay crushed by a massive avalanche, and nearly 100 passengers, crew and railroad workers lay dead under the snow. The White Cascade: The Great Northern Railway Disaster and America’s Deadliest Avalanche tells their story and the story of those few who survived, as well as that of the railroad men who struggled to free the trains only to have their efforts thwarted and their wisest choice turned into the worst mistake of all.

The book surges along with the inexorable pull of a suspense novel. Gary Krist uses letters and journals of the victims as well as court documents and (often unreliable) newspaper accounts to great effect, reproducing both the conversations and thoughts of the victims and their would-be rescuers. The result produces a dramatic arc that builds in tension as the inevitable disaster approaches, allowing the reader to connect with the participants and become concerned about their fates. The characters themselves are fascinating, a mixture of the heroic and the callous, caught in a battle of man and his machines against the might of nature. The story of the disaster is also linked to the story of the American railroad system and the famous (and sometimes infamous) industry barons who built it, a connection Krist explores with an objective eye, never losing sight of the human drama of the event itself.

The White Cascade offers something for readers of many genres, from history and railroad buffs to fans of disaster stories and tales of human nature. The writing is fluid, skillful and taut, consistently compelling throughout. The trip through The White Cascade is a journey worth taking. Howard Shirley writes from Franklin, Tennessee.

In February of 1910, two trains set out to cross the Cascade Mountains of Washington state, steaming from Spokane to Seattle through the remote Stevens Pass. That the Great Northern Railway could build and maintain such a route was heralded as an example of man's…
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When Ralph Nader’s photo first appeared on the cover of a national magazine, a family friend called his mother to congratulate her. Really? Rose Nader replied, I think I’ll go out and get a copy. That’s his mother in a nutshell, Nader indicates in his new book The Seventeen Traditions, which covers his childhood and his upbringing at the hands of loving but firm parents.

Born in Lebanon, Nathra and Rose Nader taught their four children the values (or traditions ) of hard work, study, self discipline, respect for others and keeping one’s personal success even national fame in perspective. Nader also praises the rural New England setting in which he grew up. It taught him a respect for the earth’s natural resources while instilling in him a love of solitude, serenity and a voluntary simplicity allied with fiscal responsibility.

In some respects, The Seventeen Traditions chronicles a swiftly disappearing way of life characterized by long hours spent laboring at a family business, unremunerated civic involvement and religiously attended family dinners. At other points, Nader challenges modern notions of child rearing. Notably, he doesn’t think children need a voice in what food is served on the family table. Readers may or may not think the Naders’ child-rearing methods speak for themselves depending on how they feel about the often controversial career of writer, consumer advocate and U.S. presidential candidate Ralph Nader, who is better known for his exposŽs of unsafe autos than for his homespun wisdom. (Nader’s consumer advocacy is the subject of a documentary, An Unreasonable Man, to be released this month.) Interestingly, Nader anticipates this problem in his final chapter. As evidence of Rose and Nathra’s excellent parenting, he offers not himself but his two sisters, both of whom hold doctorates, and his brother, who founded a community college. His siblings model the kind of civic involvement and professional achievement that his parents expected when they chose a quiet Connecticut village as the stage to raise a family.

Lynn Hamilton writes from Tybee Island, Georgia.

When Ralph Nader's photo first appeared on the cover of a national magazine, a family friend called his mother to congratulate her. Really? Rose Nader replied, I think I'll go out and get a copy. That's his mother in a nutshell, Nader indicates in his…
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The foreign aid provided by France during the American Revolution was crucial to the outcome of the uprising. French funds kept the Revolution alive. As Stacy Schiff points out in A Great Improvisation: Franklin, France, and the Birth of America, The majority of the guns fired on the British at Saratoga were French. Four years later, when the British set down their muskets at Yorktown, they surrendered to forces that were equal parts French and American, all of them fed and clothed and paid for by France, and protected by (a French) fleet. Critical to getting this aid from the French monarchy was Benjamin Franklin, revered throughout the world as a scientist and philosopher. But the aid did not come easily. The story of how it was obtained is fascinating and messy, as diplomacy often is. As part of his eight-year mission in France, Franklin also assisted in negotiating the 1783 peace settlement, the terms of which are arguably America’s greatest diplomatic triumph.

Schiff, who received the Pulitzer Prize for biography for Vera (Mrs. Vladimir Nabokov) in 2000, tells this story in engaging detail in the most insightful A Great Improvisation. As she writes, He was inventing foreign policy out of whole cloth, teaching himself diplomacy on the job, while serving as America’s unofficial banker. In addition, Franklin was in charge of his budding nation’s naval affairs and dealing in other areas that were not part of his official instructions. Such matters would have been difficult enough if those who shared his objectives were compatible personally and strategically, but this was not the case. One example was that John Adams, among others, understood that Franklin’s reputation was merited and benefited the American cause. What irked his American colleagues was the difference between the man and the myth. In their eyes, Schiff observes, He ruled by fiat; the Enlightenment-embodying democrat was a bully at home. . . . As his dissenting colleagues saw it, there were no checks on Franklin’s behavior. As (he) saw it, he was operating in a vacuum, forced to make sweeping decisions in areas far outside his expertise, with no hope of guidance in Europe and little in America. To further complicate matters, there were British and French spies everywhere Franklin turned.

The many-sided Franklin and his cause are always at the center of events in A Great Improvisation. But Schiff’s extraordinary scholarship and gift for vivid re-creation of the period also help us to better understand the other major personalities and complex issues involved. Roger Bishop is a Nashville bookseller and a frequent contributor to BookPage.

The foreign aid provided by France during the American Revolution was crucial to the outcome of the uprising. French funds kept the Revolution alive. As Stacy Schiff points out in A Great Improvisation: Franklin, France, and the Birth of America, The majority of the guns…
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After you treat yourself to horticulture writer Amy Stewart’s latest exposŽ, Flower Confidential: The Good, the Bad, and the Beautiful in the Business of Flowers, you’ll never see a rose or any other bloom that you purchase to adorn your home or brighten your spirits in quite the same way again. Stewart, an enthusiastic gardener and award-winning journalist who delved underground to explicate the importance of earthworms (The Earth Moved), now trains her attention on the billion-dollar industry in which a single flower is seen as a unit of profit. For a year, she travels the world, from America’s left coast to its right, from equatorial Ecuador to Amsterdam, to investigate the fundamentals of the cut-flower business. Who knew that behind the cultivation of a lush lily, romantic red rose or a cool creamy tulip is a story riddled with human suffering, sexual harassment, greed and intrigue? In a potent medium of quirky wit, incisive reporting and occasionally breathtaking prose, Stewart grows her strange and riveting tale. From a heart-rending portrait of the brilliant, eventually impoverished inventor of the famous Star Gazer lily, to profiles of more prosperous growers and revelations of the often appalling working conditions found in foreign flower operations, Stewart follows the life of a flower from its initial breeding to the day it ends up in a vase. She observes the famous Dutch flower auctions, and goes behind the scenes at the Miami airport as flowers are funneled, fumigated and flown to their final retail destinations. Flower Confidential is a page-turner: I read avidly to its end, madly curious to know if, after all she had witnessed, Stewart’s floral romanticism remained. In the book’s ironically captivating epilogue, I found out. But I’m not telling.

Alison Hood writes from San Rafael, California.

After you treat yourself to horticulture writer Amy Stewart's latest exposŽ, Flower Confidential: The Good, the Bad, and the Beautiful in the Business of Flowers, you'll never see a rose or any other bloom that you purchase to adorn your home or brighten your spirits…
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In her first book, the best-selling First They Killed My Father, Loung Ung recalled her Cambodian childhood under the violent reign of the Khmer Rouge army. As told in Lucky Child, the second chapter in her story is no less powerful or painful. She begins on her first day in the United States after fleeing Cambodia with her eldest brother and his wife. Ung left behind her other beloved siblings, as well as the ghosts of her parents and two sisters who were slaughtered by Pol Pot’s soldiers.

Everything about America is strange to the young girl the language, the bland food, the television programs. Ung yearns to make friends in her new school, but her fellow students mistake her poor English for stupidity, so she spends recess alone, devouring junk food and warding off thoughts of the time in her not-so-distant past when she nearly starved. While Ung is happy to be away from the landmines and the aftermath of Pol Pot’s brutal regime, the guilt of leaving her family behind seeps in, as do vicious memories of the brutality she witnessed.

Ung’s story is even more potent because she also tells the story of her sister, Chou, who remained behind in a rural Cambodian village. While Ung learns the ways of an American girl circa 1980, Chou spends her days doing backbreaking chores and helping raise her nieces and nephews. She cannot attend school and must wait for her family to arrange a marriage for her. The book culminates with the sisters’ reunion more than a decade later, a scene touching in its honest awkwardness and uncertainty.

Lucky Child is a painful yet lyrical story of the lengths to which one family will go to protect its own. Ung offers a devastating look at the enormous global effects of political oppression. Yet for all the sadness in her personal story, Lucky Child is also a soaring tale of human spirit. While no one would wish for the Ungs’ painful history, one can only hope for a family filled with such generosity and strength. Amy Scribner writes from Olympia, Washington.

In her first book, the best-selling First They Killed My Father, Loung Ung recalled her Cambodian childhood under the violent reign of the Khmer Rouge army. As told in Lucky Child, the second chapter in her story is no less powerful or painful. She begins…
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A fictionalized account of a life is a bit of a chimera. How much, you wonder, is more or less true? Where has the author taken liberties? The result is that you spend almost as much time consulting Wikipedia and Google as you do reading the novel. Fascinatingly, the character at the center of Dennis Bock’s second novel The Communist’s Daughter may not be a real person, but the man who writes to her, H. Norman Bethune, was. The real Bethune was a pioneering, Canadian-born surgeon who treated the war-wounded in both Spain and China during the late 1930s. His methods in the field and innovations in blood transfusion presaged the MASH units of future wars. Surgical implements are named after him, Mao Tse-tung respected him, and even today China has hospitals named after him. But in this epistolary novel, the doctor writes letters to the infant daughter he’s never seen, who was conceived in Spain during a brief wartime affair with a Swedish social worker. Bock’s style, perhaps unavoidably, is straightforward and lean. Rapturous descriptions of sunsets or mountain ranges are rare, though there are graphic passages describing the trench warfare of World War I. Bethune is too focused on his patients, what he must do to ease their suffering and the harsh conditions they all struggle under, to be florid. In Bock’s rendering, he comes across as a man more admirable than likable, as his commitment to his work, and to the Communism that he believes is the last best hope of mankind, makes him morally inflexible and intolerant. But his rigidity is moderated by self-knowledge, his willingness to forego wealth and comfort and to risk his health for the cause: Bethune’s death, both in the book and in reality, is stingingly ironic. That Block brings this difficult man to life is an accomplishment.

Arlene McKanic writes from Jamaica, New York.

A fictionalized account of a life is a bit of a chimera. How much, you wonder, is more or less true? Where has the author taken liberties? The result is that you spend almost as much time consulting Wikipedia and Google as you do reading…
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In America’s 20th-century historical myth, author Lance Morrow says, John F. Kennedy is the Light Prince, Richard Nixon is the Dark Prince and Lyndon Johnson is the False Claimant who came in-between the shapeshifter” who was part victim, part monster. This has its truth of course, as all myths do. But in ways we don’t often consider, these three memorable, if not great, presidents had their similarities. They were of the same generation, shaped by Depression and World War. And they each made key personal choices in the year 1948 that ultimately led to both their triumphs and downfalls. Morrow, a veteran Time magazine writer who now teaches at Boston University, zeroes in on that year and those choices in The Best Year of Their Lives: Kennedy, Johnson and Nixon in 1948, his perceptive, provocative rumination on how the United States started down the path to what it is today. All three men were relatively young congressmen in 1948. Nixon and Kennedy were at the start of their political careers, but Johnson was in the middle of his, and he was deeply frustrated. His primary campaign to move up to the Senate revealed him to be a man willing to do anything to gain power. Nixon in 1948 maneuvered to national prominence by inserting himself into the epic showdown between Whittaker Chambers and Alger Hiss over Chambers’ accusation that Hiss had been a Communist spy. At the expense of both men, Nixon emerged as the Young Crusader, headed for the stars. It was a deeply traumatic year for Kennedy, whose favorite sister, Kathleen, died in a plane crash. Family patriarch Joe Kennedy lied about the circumstances of her death. And Kennedy himself decided to lie about his near-fatal attack of Addison’s disease the start of years of deceit about his health. In writing that is always thoughtful and sometimes gorgeous, Morrow shows that his protagonists opted for amorality at a time when the nation itself was struggling with its post-war self-image. Anne Bartlett is a journalist Washington, D.C.

In America's 20th-century historical myth, author Lance Morrow says, John F. Kennedy is the Light Prince, Richard Nixon is the Dark Prince and Lyndon Johnson is the False Claimant who came in-between the shapeshifter'' who was part victim, part monster. This has its truth of…
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Four children turn up murdered in 12th-century Cambridge, England, and the restless Catholic townspeople immediately pin the blame on local Jews. As the Jews flee to the safety of the castle, King Henry II seeking the truth as much as the return of his Jewish citizens to their tax-paying status hires a highly recommended investigator from the Salerno School of Medicine in Sicily to uncover the true killer. Enter Adelia, the so-called mistress of the art of death, who is not at all what Henry had been expecting. Whereas in Sicily, women attend medical school (Adelia studied a rudimentary form of forensic science, dissecting dead pigs in a Salerno lab), in England a female doctor would be labeled a witch. Adelia must keep her real identity under wraps, posing as the assistant to her own Muslim manservant while he acts as the doctor. Meanwhile, Adelia sets about her real work, mining the bodies of the murdered children for clues about their killer. Her task is made no easier by the fact that everyone is a suspect, including the handsome tax collector, Sir Rowley, whom the previously nun-like Adelia seems to be falling for. An overly formal narrative voice makes for a slow start, as antiquated speech and archaic vocabulary provide multiple stumbling blocks for readers trying to orient themselves in the medieval landscape. Those who trudge through the stilted first quarter of the book, however, will be handsomely rewarded for their efforts. Author Ariana Franklin’s in-depth research (she is the author of historical novels and biographies under her real name, Diana Norman) produces a gripping narrative with meticulous detail about everything from the topography of Cambridge to race relations to medical conventions of the era. The issue of religious warfare strikes a particularly modern chord. When Adelia asks Rowley just what the Crusades are achieving, he responds, They’re inspiring such a hatred amongst Arabs who used to hate each other that they’re combining the greatest force against Christianity the world has ever seen. It’s called Islam. Iris Blasi is a writer in New York City.

Four children turn up murdered in 12th-century Cambridge, England, and the restless Catholic townspeople immediately pin the blame on local Jews. As the Jews flee to the safety of the castle, King Henry II seeking the truth as much as the return of his Jewish…
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A French noblewoman of dubious and mysterious past navigates the waters of 1784 London in Philippa Stockley’s highly enjoyable romp of a novel, A Factory of Cunning, composed of letters and journal entries. Mrs. Fox, as she calls herself, and her maid, Victoire (who has the fortunate ability to disguise herself, when convenient to Mrs. Fox, as a man) are running from a scandal of the Dangerous Liaisons sort that ended or ruined several lives and continues to threaten Mrs. Fox’s own. Mrs. Fox is gifted, among other less savory talents, with a lively descriptive ability and finely developed self-preservation skills, which is just as well since she is utterly incapable of keeping herself out of trouble. Among those in her orbit and by whose hands much of the novel is composed are an English lord who sounds a great deal like The Scarlet Pimpernel or Lord Peter Wimsey and whose mother was not what she seemed; a parson’s virginal daughter with her virtue in jeopardy; the evil and wonderfully named Urban Fine; a woman who describes herself as Actress . . . and Simultaneous Sensation; and a doctor in Holland devoted to Mrs. Fox whose past is intricately linked with many of the players in the ongoing drama in London. Players is an apt description, since the novel reads like the best kind of melodrama. But it is Mrs. Fox who would be the heart and soul of the book (if she actually possessed a heart and soul), and she is missed when she is offstage.

Stockley, who is also an artist and a deputy editor of London’s Evening Standard, takes timeworn plot devices the storm-tossed sea voyage, mistaken identities, deeply hidden secrets, surprise relationships, the aforementioned servant in disguise, a terrible fire and an ending which is not what it seems and makes them all seem newly discovered. Joanne Collings writes from Washington, D.C.

A French noblewoman of dubious and mysterious past navigates the waters of 1784 London in Philippa Stockley's highly enjoyable romp of a novel, A Factory of Cunning, composed of letters and journal entries. Mrs. Fox, as she calls herself, and her maid, Victoire (who has…
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An iconic rendering of middle-class domestic disaffection and marital discord in the early 1970s, Sudden Rain will also pique reader interest due to its unusual publication story. Its reclusive author, Maritta Wolff, rose to early fame after publishing her first novel in 1941 at age 22 and then writing several bestsellers. She completed Sudden Rain three decades ago but, due to a dispute with her publisher, hid it in her refrigerator where it remained undiscovered until her recent death. The long-lost novel follows five interconnected Los Angeles couples navigating the rocky terrain of their marriages over the course of a life-altering weekend. Tom and Nedith’s 30-year marriage was crumbling even before Tom announced he was leaving her for another woman. Their son’s marriage simultaneously combusts after less than a year. Meanwhile, their neighbor Cynny discovers she was merely deluding herself into domestic bliss after an eye-opening conversation with her friend Nan, who voices the discontent and emptiness that all the wives feel. Impulsively, Cynny falls for Mick, a divorced father battling his own demons after a 20-year absence from his ex-wife and daughter. The palpable tension in these lives of quiet desperation reaches a crescendo as the novel hurtles toward an unexpectedly violent denouement. Painting a bleak portrait of domestic strife and disillusionment, Sudden Rain peels back the resentments and dissatisfaction that often simmered beneath the surface of traditional family structures during that generation of upheaval. Cracks were appearing at the seams of the roles that defined women as homemakers and men as breadwinners, leading to mutual disappointments and a chasm bridgeable only through a cocktail-fueled haze. The novel’s sprawling cast is initially a challenge to keep straight, but once established, the characters are so vividly portrayed they seem impossibly real. Contributing to this powerful realism is the dialogue-intensive narrative, driven by frenetic bursts of conversation that provide catharsis for the characters as well as windows into their souls. Sudden Rain deals frankly with issues of marital isolation, dissatisfaction and compromise that are still relevant today, and its central question resonates as much now as it did then just what does it take to make a marriage work?

An iconic rendering of middle-class domestic disaffection and marital discord in the early 1970s, Sudden Rain will also pique reader interest due to its unusual publication story. Its reclusive author, Maritta Wolff, rose to early fame after publishing her first novel in 1941 at…
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One only has to hear the name of Sasha Goldberg’s hometown Asbestos 2 to understand the grimness of the life she faces growing up there. In her debut novel, Russian-born Anya Ulinich offers a sometimes comic, consistently heartfelt story about a young woman laying the foundation for life in a new land as she takes the first tentative steps toward adulthood. Petropolis opens in 1992, shortly after the collapse of the Soviet Union. Lubov Alexandrovna Goldberg, the town librarian, is determined to help her daughter escape the crushing poverty of their Siberian home. Her efforts are almost derailed when Sasha gives birth to a baby at the age of 15, but she enrolls her daughter in a Moscow art school, hoping that will be the start of a new career. Sasha has other plans, and with the aid of Kupid’s Korner, an agency that finds Russian brides for Americans, she soon arrives in Arizona. Sasha’s stay with her fiancŽ Neal is brief. She flees to Chicago, where she lands in the home of a wealthy Jewish family whose bizarre art collection is matched only by their devotion to charitable causes. All the while, Sasha searches for her father, Victor, who deserted the family when Sasha was 10 and now lives in Brooklyn with his American wife and young son. When she finds him, Sasha’s prickly relationship with her stepmother, Heidi, serves as the springboard to the character- defining choices both women will make at the end of the novel. Through periodic trips back to Asbestos 2, Sasha also nurtures a tentative connection with Nadia, the child she left behind. Soon, the blessing and burden of raising Nadia will be hers alone.

Like much of Russian literature, Petropolis is stuffed with a cast of colorful characters who swirl around Sasha as she works her way painfully toward both self-knowledge and a better life. This novel, as do most good ones, leaves readers feeling they’ve accompanied the protagonist on a rewarding journey, while still wondering what lies ahead for her.

Harvey Freedenberg writes from Harrisburg, Pennsylvania.

One only has to hear the name of Sasha Goldberg's hometown Asbestos 2 to understand the grimness of the life she faces growing up there. In her debut novel, Russian-born Anya Ulinich offers a sometimes comic, consistently heartfelt story about a young woman laying the…

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