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Here’s the thing of it: Eloise in Moscow has returned. The final published collaboration of author Kay Thompson and illustrator Hilary Knight, Eloise in Moscow was originally released in 1959, following on the heels of its enormously successful predecessors Eloise, Eloise in Paris, and Eloise at Christmastime. And now, Simon &and Schuster has reissued Eloise in Moscow to the delight of readers of all ages. The idea of someone like Eloise in a country like Cold War Russia is dangerously funny. Thompson and Knight took this idea and traveled to Russia, spending three weeks absorbing information and sketching. This was before glasnost, before the fall of the Berlin Wall, before Russian democracy. And yet, despite all the changes Russia has undergone, Eloise’s stint as Little Miss Diplomat remains timeless.

Eloise tours us through this mysterious and gray country, describing all she sees and does with the honesty and frankness of an explicitly observant six-year-old. It takes a couple of history lessons (or a grandparent’s recollections) to read between Eloise’s baffled yet authoritative lines. It is also important to note that Knight veered from the traditional Eloise pink, illustrating spreads in yellow and black instead.

This is what we are: absolutely thrilled, thank you very much.

Here's the thing of it: Eloise in Moscow has returned. The final published collaboration of author Kay Thompson and illustrator Hilary Knight, Eloise in Moscow was originally released in 1959, following on the heels of its enormously successful predecessors Eloise, Eloise in Paris, and Eloise…
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A year in the life of America Villains just aren’t what they used to be. Rarely do we read these days of people being assaulted to the accompaniment of such inflated locutions as this: “Now you damned, perjured rascal, we will inflict upon you the penalty of your violated obligations.” The victim was a minister and his would-be assassin a man out to settle the minister’s hash for renouncing his vows to Freemasonry. Fortunately, the minister survived the assault in 1831. His story, reported by Louis P. Masur, a professor of history at the City University of New York, in his 1831: Year of Eclipse, illustrates a couple of things about reading this history, and history in general.

The first, though lesser, is that one of the great delights of history is coming across captivating gems like this. There are many other fascinating nuggets in Masur’s admirable work.

The second, more substantive, is that opposition to Masonry was a very big deal in 19th century American politics. The Anti-Masons, Masur writes, “became the first third party in American history and invented the presidential nominating convention.” The actual threat that Masonry posed to the national life was almost if not entirely, nonexistent, but that of course was not the first or last time politicians built their careers upon a chimerical fear. This lesson is perhaps of even greater value in reading history. For a modern parallel we might imagine an Anti-Cult Party or Anti-Satan Party whipping up the masses to much ado about nothing.

The year 1831 acts as more of a vantage point than a rallying point for Masur’s study. The full eclipse of the sun that occurred on February 12 had been widely heralded, and so was not the fright that some earlier eclipses had been. Though some, like Sen. Edward Everett of Massachusetts, tried to see in it a metaphor or omen, as such it was pretty much damp squib.

But it was and is perfect for viewing the storms that were gathering over slavery, abolition, religion, tariffs, states’ rights, nullification and a host of attendant issues. It was, for example, the year of the visit of Alexis de Tocqueville, the pre-eminent observer of America, who, like many other foreigners, saw civil war as inevitable. It was the year that a more caustic English observer, Frances Trollope, left the country, liking nothing and scorning in particular the “vehement expressions of insane or hypocritical zeal” offered by itinerant preachers for which another modern parallel might be the scarifying nutcases infesting the “paid programming” recesses of television.

Our observer, Masur, has the advantage of a longer view of some of the same phenomena the 19th century observers commented upon: Nat Turner’s slave revolt, the Cherokee Trail of Tears, the battle over the Bank of the United States. Behind these and other events and issues is the question at the heart of everything: “whether the United States could survive as a nation.” In examining these matters, Masur provides the reader another incidental, though not necessarily trivial, intellectual pleasure: savoring the hypocrisies and paradoxes accompanying the acts of history’s major and minor players. Most have to do with slavery, because that was far and away the chief circumstance behind the question of the nation’s survival. For example: � Though Virginia’s white community lamented that white women had been killed in Turner’s slave revolt, they gave thanks that at least they had not been raped.

� After the revolt, some Southerners saw a need to keep control through terror, thus giving the lie to the Southern doctrine that slavery was benign and the enslaved were loyal and contented.

� Not just Southerners, but Northern newspaper editors and Northerners in general were outraged by William Lloyd Garrison’s radical abolitionist newspaper, The Liberator. Their fierce opposition only boosted the newspaper’s circulation.

� South Carolinians, in particular, took a kind of sour pride in the doctrine of nullification, because it meant resistance to the power of the federal government to interfere with slavery. Not many were able to see that it also contributed to an atmosphere of lawlessness that could incite the slaves.

Finally, the bitterest hypocrisy of them all. Garrison in his livid tirades frequently vilified the U.

S. Constitution as “an agreement with hell” because it accommodated slavery. He saw what too few Americans saw but practically every foreign visitor commented on the tragic irony of slavery in a republic that espoused freedom.

Roger K. Miller is a freelance writer in Wisconsin.

A year in the life of America Villains just aren't what they used to be. Rarely do we read these days of people being assaulted to the accompaniment of such inflated locutions as this: "Now you damned, perjured rascal, we will inflict upon you the…

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The Bravest Ever Bear has everything a good story should have: a bear, a dragon, a princess, a wolf, a troll, even a penguin and a sausage. With silly twists and characters contradicting each other even complaining to the reader this is the kind of anti-fairy tale kids will want to hear again and again. Allan Ahlberg takes a group of familiar fairy tale characters, each telling their own story, until the bravest ever bear gets fed up and decides to tell his story. Once upon a time there was a perfect bear. This bear did lots of brave things. After slaying a dragon, winning a refrigerator (and a living room set), the bear meets his princess. From there, the characters really take over, each making the story their own. Paul Howard’s playful illustrations are sure to keep even those easily distracted readers eagerly awaiting the next page. It’s obvious that both the author and illustrator had fun with this book, as will the reader.

Just in case you’re wary of another same old fairy tale, The Bravest Ever Bear offers several stories wrapped up in one, with twists, turns, and restarts on every page. For those who love fairy tales, or those who might be looking for something new, The Bravest Ever Bear makes for one fun story at bedtime or any time. The last story wraps it all up with, The Bed. Once upon a time there was a bed . . . with a bear in it. Ê Good! the bear tells us. The End. And he drifts off to sleep. But of course, the penguin has plans of his own! Katie McAllaster Weaver writes from her home in Benicia, California.

The Bravest Ever Bear has everything a good story should have: a bear, a dragon, a princess, a wolf, a troll, even a penguin and a sausage. With silly twists and characters contradicting each other even complaining to the reader this is the kind of…
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Our cousins the apes have been getting a bad rap for decades. Victorian scientists derided the notion that such primitive animals might be related to the lofty Homo sapiens. Savants regularly dismissed as hoaxes reports of a man-like creature living in the tropics until confronted with proof of the orangutan’s existence. Making a case for the apes today is noted author and scientist Robert Sapolsky, who discovered through years of psychological study that the creatures lead remarkably ordered and intelligent lives. Sapolsky shares his findings in A Primate’s Memoir, a lively account of the time he spent on the Kenyan plains studying these complex, highly evolved animals. Sapolsky first met his baboon troop as a young student fulfilling a lifelong ambition to study primates. He quickly discovered that his Brooklyn upbringing ill prepared him for life on the Serengeti plains and in the cities of Kenya. He writes about this clash of cultures with great wit and sensitivity. As a stranger in a strange land (he lived in the middle of the plains with no radio, electricity or running water) Sapolsky had many hair-raising encounters. He was, by turns, kidnapped and held at gunpoint discouraging initiations into African culture, but, thanks to the author’s skill, incidents that make for great reading.

Spending more time in the company of baboons than with humans, Sapolsky began to recognize individual personalities and complex social interaction among members of the troop. In clear, entertaining prose, he relates fascinating findings like the discovery that lower-ranking members of a troop have higher stress levels, which seem to adversely affect their health. The fact that stress affects the health of humans as well is taken for granted today, but Sapolsky was among the first researchers to document the connection between these two elements. One of our foremost science writers, Robert Sapolsky is the author of The Trouble with Testosterone and Why Zebras Don’t Get Ulcers. With A Primate’s Memoir he has given us another accessible, work full of humor and profound insight.

Gregory Harris is a writer and editor in Indianapolis.

Our cousins the apes have been getting a bad rap for decades. Victorian scientists derided the notion that such primitive animals might be related to the lofty Homo sapiens. Savants regularly dismissed as hoaxes reports of a man-like creature living in the tropics until confronted…

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Gertrude Ederle was born to swim. In 1914, at the age of seven, she first went into the water and a decade later she won three Olympic medals. Then she went on to become the first woman, and only the sixth human being, to swim the English Channel. She became an international icon and a living refutation of the hoary notion that women were the weaker sex.

Ederle’s story is due for a retelling, and David A. Adler and Terry Widener have provided it in their new picture book, America’s Champion Swimmer. This is not the first time Adler and Widener have collaborated to portray great figures from American sports. Their earlier picture books for children are The Babe and I and Lou Gehrig: The Luckiest Man, which won a whole raft of awards.

Their story is simple and accessible, beginning with young Trudy’s childhood discovery that she absolutely loved to swim. We follow her through school, through classes at the New York Women’s Swimming Association, and on to her determination to swim the distance between lower Manhattan and Sandy Hook, New Jersey. It was 17 miles; she not only swam it, she beat the men’s record. It seemed that there was no stopping her. Inevitably she turned toward the swimmer’s grail, the English Channel.

The Channel swim is the high point of this exciting book. The first time Trudy tries, she has to give up only seven miles from her destination. She finds a new trainer and starts over. Through bad weather and choppy water and exhaustion, Trudy fights on toward her goal. Young children will be breathless with suspense through this section and they will be rewarded with Trudy’s triumphant success.

Terry Widener’s illustrations have the kind of saturated color you find in photographs taken in indirect light. The colors are rich but lack jarring primaries, and the shadows have the same soft cloudy-day look. Boats and bowler hats, even Trudy’s swimming cap and powerful limbs, are painted from a carefully chosen spectrum of harmonious earth tones. The pictures unite with the story to create an exciting and moving tale of determination and love of challenge.

Gertrude Ederle was born to swim. In 1914, at the age of seven, she first went into the water and a decade later she won three Olympic medals. Then she went on to become the first woman, and only the sixth human being, to swim…
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In 1938, a single, legendary figure stole the national spotlight from FDR, Hitler and Mussolini. The figure in question was not human. He was a thoroughbred racehorse named Seabiscuit. The short, bandy-legged horse who against all odds showed the speed, strength and heart necessary to succeed in the sport of kings, Seabiscuit attracted massive crowds to his races throughout the 1930s and 1940s. Laura Hillenbrand’s fascinating and well-researched book Seabiscuit: An American Legend tells the story of this underdog, giving an old legend new life.

While providing an authoritative account of the horse’s storied career, Hillenbrand focuses on the men and women who helped Seabiscuit become a champion. She writes about Red Pollard, dubbed "The Cougar," the jockey who repeatedly piloted Seabiscuit to victory, even riding races on a previously shattered leg. George Woolf, whose statue stands near Seabiscuit’s at the Santa Anita racetrack, and who rode the horse when Pollard’s injuries prevented him, also comes to life here. Woolf was a notoriously flamboyant figure around the racetrack, and Hillenbrand includes the most beguiling stories about his life.

As horses go, Seabiscuit was as idiosyncratic as they come, with an appetite and a predisposition for sleep that were as legendary as his unlikely short-legged build. Hillenbrand tells of him resting on his side in a train car and whinnying for food when his trainer put him on a diet. Yet even some of his early keepers could feel the promise in him; as Hillenbrand reports, one saw "something in Seabiscuit’s demeanor perhaps a conspicuous lack of sweating in his workouts, perhaps a gleam in the horse’s eye that hinted at devious intelligence."

The knowledge of horses Hillenbrand amassed as a writer for Equus magazine shows in her descriptions of Seabiscuit’s injuries and gaits. Her panoramic descriptions of the characters that surrounded the racehorse and her ability to bring a past era vividly to life make this narrative succeed. Describing Seabiscuit’s loss to Stagehand in a photo finish, Hillenbrand writes about how horse and owner handled the news: "Howard looked at Seabiscuit. The horse’s head was high and light played in his eyes. He didn’t know he had lost. Howard felt confidence swell in him again. " ‘We’ll try again,’ he said. ‘Next time we’ll win it.’ "

Eliza R.L. McGraw lives and writes in Cabin John, Maryland.

 

In 1938, a single, legendary figure stole the national spotlight from FDR, Hitler and Mussolini. The figure in question was not human. He was a thoroughbred racehorse named Seabiscuit. The short, bandy-legged horse who against all odds showed the speed, strength and heart necessary to…

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, the fifth novel from science fiction writer Linda Nagata, is a thriller right from the start. It opens with a dead body, a mystery and a hint at the possible existence of artificial life forms.

It is the near future; in the very recent past there has been a disaster with an unspecified artificial life-form, a kind of micro-machine that can exist by itself or in symbiosis with humans. This never-explained disaster adds an edge of danger to the book and ensures the reader is sympathetic both to the characters who support, and those who oppose, further research into the artificial life-forms.

Virgil Copeland appropriately named since he will lead humanity on a journey which may be a descent into hell is a researcher working on the life-forms, known as LOVs because they live on the Limits of Vision. Implanted into humans, they function as a feedback system, giving the wearer a new focus. Initially expected only to affect the host’s thoughts, the feedback system also intensifies emotions, leading to the possibility of a dangerous emotional rush in the host.

LOVs are illegal on Earth, so Virgil must do his research by proxy on LOV colonies on a space station. Eventually Virgil and the other two members of his research team bring the life forms to Earth in a private experiment of their own.

When Virgil’s coworker is found dead in her office, the police suspect the LOVs are involved. What seems impossible is suddenly proved true as the LOVs take over the space station on which they are exiled and bring it crashing down into the ocean near Vietnam’s Mekong Delta. Some LOVs manage to survive and all hell seems about to break loose.

Nagata quickly and energetically brings the cities and rural areas of Vietnam to life, then focuses on people on the edge especially those living on ground reclaimed from the delta that will inevitably be swept clean during the next hurricane season. Her writing takes a global view, ranging from those in power to those disenfranchised by international trade. At its heart, this exciting novel questions whether we as a race know where we are going, whether we will take enough time to consider our actions, and whether the individual has any power in the face of governments and transnational corporations. Not bad for a page-turning adventure! Gavin J. Grant writes from Brooklyn, New York.

, the fifth novel from science fiction writer Linda Nagata, is a thriller right from the start. It opens with a dead body, a mystery and a hint at the possible existence of artificial life forms.

It is the near future; in…
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Andrew Johnson, the military governor of Tennessee, was chosen by the 1864 Union Party convention (a coalition of Republicans and so-called "War Democrats" opposed to the Civil War) as Abraham Lincoln’s vice-presidential running mate because he was a Southerner and a Democrat. A steadfast defender of the Union throughout the Civil War, Johnson was placed on the ticket as an expression of national unity.

After the assassination of Lincoln, Johnson’s greatest challenge was the reconstruction of the nation. The most adamant Congressional opponents of slavery, the Radical Republicans, sought major changes in the secession states and in ways to assist the freed slaves. Johnson did not share their principles or their goals. With increasing bitterness, the president and the heavily Republican Congress fought over issue after issue. When Republicans increased their numbers in Congress after the 1866 elections, they decided to take the extreme measure of impeaching the president, for the first time in American history.

In his magnificent Impeached: The Trial of Andrew Johnson and the Fight for Lincoln’s Legacy, David O. Stewart, author of the highly acclaimed Summer of 1787, provides an extraordinary narrative that brings the many key players vividly to life while at the same time exhibiting an admirable clarity in discussing issues and events.

Although procedurally judicial, impeachment is a political action. Stewart excels in describing the often-complex strategies and machinations of the politicians on both sides as they use all legal, and even illegal, means to prevail. The author notes that definite conclusions are elusive, but the evidence indicates that corruption–bribery and patronage–may well have determined one of the critical moments in American history: Johnson was acquitted by a single vote in the Senate.

At the heart of Stewart’s re-creation of the period is Rep. Thaddeus Stevens of Pennsylvania. As a lawyer before the war, Stevens represented slaves and sometimes personally bought their freedom; his home had been a stop on the Underground Railroad. Stevens’ legacy includes the 14th Amendment to the Constitution as well as Reconstruction legislation. After two failed attempts to steer presidential impeachment through the House of Representatives, Stevens was successful on a third try. Although he was the logical choice to lead opposition to the president, he was frail and in poor health. He did serve on the Impeachment Committee and co-authored Article XI, the catchall article that had more support in the Senate than the other 10 Articles of Impeachment against the president. Six weeks after Johnson was acquitted, Stevens introduced five more articles of impeachment against the chief executive.

Historians and writers have drawn very different lessons from this episode in history. In an excellent overview–in which he discusses myths about the trial and disagrees with Woodrow Wilson and John F. Kennedy, who were more sympathetic than he is to Johnson–Stewart concludes that Johnson’s presidency can only be seen as a tragedy. Although Johnson’s personal rise from poverty to the White House is inspiring, his refusal to compromise with Congress on crucial aspects of Lincoln’s legacy was unfortunate. Lincoln was too good a politician to alienate Congress and too strong and compassionate a leader to accept violence and oppression toward the freedmen and the Southern Republicans.

Stewart’s book splendidly illuminates an important chapter in American history.

Roger Bishop is a retired Nashville bookseller and a frequent contributor to BookPage.

 

Andrew Johnson, the military governor of Tennessee, was chosen by the 1864 Union Party convention (a coalition of Republicans and so-called "War Democrats" opposed to the Civil War) as Abraham Lincoln's vice-presidential running mate because he was a Southerner and a Democrat. A steadfast defender…

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A speculative spy thriller Tim Powers is a masterful melder of fact and fiction, reality and unreality, realism and surrealism. This foremost North American magic realist (author of The Anubis Gates, World Fantasy Award-winner Last Call, Earthquake Weather and many others) mesmerizes readers with hidden layers of plots and conspiracies. His latest novel, Declare, is vintage Powers speculative fiction based on documented facts. Fact: Kim Philby was a British intelligence operative who defected to the Soviet Union. Fact: Philby worked for both sides and precipitated the greatest British cold war spy scandal. Fact: Philby spent years in the Middle East with his father, a noted Arabist. Powers excels at connecting historical dots his own way, placing Philby precisely where he was at any given time, but with different and far more fanciful motivations. In Nazi-occupied Paris, British double agent Andrew Hale proves a worthy nemesis for Philby, though his connection to the stuttering spy remains mysterious until a chilling climax on Mount Ararat’s frozen peak. In the early 1960s, Hale is called back to atone for his failure on Mount Ararat years before, when the men he led were either killed or driven insane. Hale’s journey is a mind-blowing trip through the cold war.

Blending his Le CarrŽ-style plot with history, theology, the Arabian Nights and the true nature of the ankh (anchor), Powers proves how vibrant fantasy can be. If you yearn for an original, innovative author, you can’t miss with Tim Powers.

A speculative spy thriller Tim Powers is a masterful melder of fact and fiction, reality and unreality, realism and surrealism. This foremost North American magic realist (author of The Anubis Gates, World Fantasy Award-winner Last Call, Earthquake Weather and many others) mesmerizes readers with hidden…

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outhern Belle. The words conjure up thoughts of genteel, tea-sipping ladies or feisty harridans the likes of Scarlett O’Hara. But these days, Southern women are a rich combination of both sets of characteristics, and they are depicted with insight in Lois Battle’s new book, The Florabama Ladies’ Auxiliary ∧ Sewing Circle. Atlanta socialite Bonnie Duke Cullman has come to a life-altering crossroads in her life. Her husband has run out on her for a younger woman. To add insult to injury, he has also spent their life savings and filed for bankruptcy. Accustomed to a country club existence, she has never done a real day’s work in her life. So, for the first time in her life, 50-year-old Bonnie is financially strapped and facing life alone.

Hope for Bonnie comes in the form of a position at a tiny community college in Florabama, Alabama. The Cherished Lady lingerie factory is being closed down, and the college hires Bonnie to run its program for displaced homemakers and workers. In a blind-leading-the-blind proposition, Bonnie is supposed to help the factory workers, many of whom have never known another job, figure out what to do with the rest of their lives. She starts out by gathering them into a weekly group session to help everyone air their opinions and concerns, and begins to learn just how hard life is for these women.

Determined to help the ladies better their lives, Bonnie calls upon friends from her former life to help set up a cottage industry using their skills as seamstresses to design a line of unique children’s clothes. The project is a huge success, but teeters on the brink of disaster when one of their own runs off with the first big check. But with resolve that surprises even the most skeptical in the group, the women regroup and come back to prove they are capable of overcoming the odds.

Lois Battle, a South Carolina writer with seven previous novels to her credit, has gathered a delightful group of women in this heartwarming tale. There’s patient, saintly Ruth, who has always wanted to be a teacher; the hot-tempered, slightly bigoted Hilly who finds the second love of her life in a Mexican restaurant; and Roxy, the irresponsible young mother who takes any job she can get, as long as it doesn’t involve work. But the star of the story is Bonnie, who proves to herself that she is capable of overcoming her own obstacles to find a happier life and, in doing so, develops a healthy respect for herself. She even finds a little love along the way.

The Florabama Ladies’ Auxiliary ∧ Sewing Circle provides a genuine glimpse into the lives of modern-day Southern women. Don’t be surprised to find there is a little tea-sipping (and a little Scarlett) in each of these resilient ladies.

Sharon Galligar Chance is the senior book reviewer for the Times Record News in Wichita Falls, Texas.

outhern Belle. The words conjure up thoughts of genteel, tea-sipping ladies or feisty harridans the likes of Scarlett O'Hara. But these days, Southern women are a rich combination of both sets of characteristics, and they are depicted with insight in Lois Battle's new book, The…
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When a jumbo jet roars overhead, it’s easy to forget that 100 years ago, airplanes were barely bigger than automobiles and made mostly of wood, wire and cloth. Getting off the ground was as much a feat as traveling any distance at all, while crashes were as common as bicycle wrecks. Chasing Icarus tells the story of the daring young men who took to the skies to prove that flight was here to stay.

As Gavin Mortimer reports, in 1910 the world wasn’t certain these newfangled inventions had any use. Even the military didn’t know what to do with them. Just four years before World War I, the combined air forces of Europe boasted 52 airplanes; the U.S. Army had only two. Flying machines were a curiosity, and those who predicted more were treated with skepticism, if not outright derision.

Chasing Icarus revolves around two major events staged to fight the skeptics. The first was an attempt to cross the Atlantic in the dirigible America, a feat most judged impossible. The second was the hosting of the International Aviation Cup and International Balloon Cup at Belmont Park, New York–the first time the competitions would be held in America. The outcome of both events would set the stage for air dominance in the century ahead.

Mortimer weaves his story among the fates of the America, the balloon racers and the aviators who wowed the crowd at Belmont. The result is a fascinating mixture of adventure, friendly competition, bitter rivalry (both in the air and on the ground) and even celebrity gossip. The cast of characters is equally rich, from the conservative Wright brothers to the flamboyant English gentleman Claude Grahame-White (think Richard Branson combined with David Beckham). Throw in balloonists struggling to survive the Canadian wilderness, an American plotting to overthrow a South American government, and an actress vying with an heiress over a handsome aviator, and you have a tale worthy of a miniseries. Best of all, it’s all true.

The grandson of a pilot, Howard Shirley flew a plane (very briefly) at the age of nine. He’s wanted to fly again ever since.

 

When a jumbo jet roars overhead, it's easy to forget that 100 years ago, airplanes were barely bigger than automobiles and made mostly of wood, wire and cloth. Getting off the ground was as much a feat as traveling any distance at all, while crashes…

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Muriel Spark, a prolific Scottish writer, critic and satirist, is probably best-known for The Prime of Miss Jean Brodie (1961), a controversial novel which also became an acclaimed film. Spark’s fiction is characterized by the use of certain techniques which give her often short novels a feeling of complexity and depth. Her new novel, Aiding and Abetting, is true to form short in length and long on style. In this quirky tale of murder, blackmail and false identities, Spark widens the book’s scope by using an omniscient third-person narrator and unexpected time and place shifts. These techniques, coupled with her witty, understated way of revealing unusual events, makes Aiding and Abetting a delightfully strange and surprising tale. The inspiring “spark” for this story was a real-life upper-class crime story that caused a sensation in the British press. As Spark tells us in her opening Note to Readers, the real-life seventh Earl of Lucan disappeared in 1974 when he fled from charges of murder (oops he killed his children’s nanny by mistake, thinking she was his wife) and attempted murder (oops again he tried once more to kill his wife but she survived his attack). Aiding and Abetting is a fiction, a fabrication of Lucan’s life on the lam more of a whimsical “where’d he go?” than a hard-boiled “whodunit.” Still, there is plenty to keep us guessing. Spark keeps the “who?” question alive throughout much of the story by having two nearly identical “Lucans” surface, each claiming to be the genuine article and each claiming patient-doctor privilege in his relationship with the psychiatrist, Hildegard Wolf, an alluring, enigmatic, former fake stigmatic from Bavaria. These three less-than-honorable characters play cat and mouse games from start to finish. In the hands of a less-venturous novelist, they would probably provide enough entertaining, problematic entanglements by themselves, but Spark (now in her 80s) is not one to shy from a twist or a complication she’ll throw a new character into the fray or pull one out of the past on a moment’s notice keeping your wheels spinning. Aiding and Abetting may be unconventional in structure, it may break some rules, but you will find the pages turning quickly as you try to puzzle out this Rubik’s Cube of a novel.

Linda Stankard is a writer/actor living in Middle Tennessee who has broken a few rules herself, though with less literary acclaim.

Muriel Spark, a prolific Scottish writer, critic and satirist, is probably best-known for The Prime of Miss Jean Brodie (1961), a controversial novel which also became an acclaimed film. Spark's fiction is characterized by the use of certain techniques which give her often short novels…

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Closing the gaps in women’s history Talk to young women about the women’s movement, and their eyes glaze over. That’s ancient history. Women’s equality is a given, taken for granted by today’s college-aged women, who were born in the 1980s.

Historian Ruth Rosen discovered how little the younger generation knew about the topic when she stood before a classroom of college students and asked how the women’s movement had affected their lives. They couldn’t answer. The students stared in amazement as Rosen listed on the blackboard the myriad of indignities and roadblocks women had encountered before women’s liberation swept the nation in the 1960s and ’70s.

After her epiphany in the classroom, Rosen, professor of history at the University of California-Davis, decided to write a book that would document the origins and impact of the contemporary women’s movement.

The result is The World Split Open: How the Modern Women’s Movement Changed America (Viking, $34.95, 0670814628), a comprehensive account of the personalities and issues that dominated the drive for women’s equality. This modern movement marks the third major era of women’s rights the first two being the Seneca Falls Women’s Rights Convention of 1848 and the women’s suffrage movement of the early 1900s and the one having the most profound impact on the lives of women. Rosen dates the beginning of the movement from the publication of Betty Friedan’s The Feminine Mystique in 1963. Friedan was among the first to notice that the Donna Reed persona of the 1950s housewife had left many women with deep feelings of frustration and boredom. Rosen shows how the frustrations of these women led to an eventual revolt by their daughters, the young women of the 1960s who were determined not to live under the same constraints. As an activist herself, Rosen is particularly adept at capturing the passion that motivated many participants in the movement. From consciousness-raising sessions to protest marches, the new feminist culture served to energize converts and shake the establishment to its core.

Although Rosen is a noted feminist academic, with two of her previous books on the standard Women’s Studies reading list, in The World Split Open, she creates an accessible narrative account that should appeal to non-academic readers as well.

One battle cry of the feminist movement was, The personal is political. By this, women meant that politics and power structures affected the everyday occurrences of private life, from the home to the workplace. A first-rate description of how the women’s movement affected the personal lives of women can be found in Elizabeth Fishel’s Reunion: The Girls We Used to Be, the Women We Became (Random House, $23.95, 0679449833). Spurred by her 25th high school reunion, Fishel decided to trace the paths of ten classmates after their graduation in 1968 from the Brearley School, a girls’ school favored by New York City’s wealthiest families.

Fishel gives a fascinating account of how these young women were caught in the crossfire between the old world of wealth and privilege and the new world of social upheaval and changing roles for women. Women just a half generation older were secure in their lives as housewives and mothers, while women a few years younger aimed for careers as doctors, lawyers, and psychologists. The girls of the class of ’68 were left floundering, unsure which direction to take, as a social revolt erupted around them. Fishel follows them through suicide, divorce, drugs, alcohol, career changes, and spiritual seeking. Along the way, she points out broader generational patterns and statistical tidbits, such as this one: Women born in the 1950s have had fewer children than any other generation in U.

S. history. The women of the Brearley class conformed to this trend, with many remaining childless or choosing motherhood later in life.

Fishel’s book ends on an upbeat note when the class gathers in 1998 for its 30th reunion. Despite the anguish and confusion they have endured, many of these women reach a more peaceful plane as they approach their 50th birthdays. Although few have the lived the lives they dreamed of, most have come to terms with the choices they made.

Another good reading selection for Women’s History Month is Claudia Roth Pierpont’s Passionate Minds: Women Rewriting the World (Alfred A. Knopf, $26.95, 0679431063) which gives detailed and incisive portraits of 12 women writers who lived and wrote in the transitional era before the women’s movement leveled the playing field. Pierpont could have titled her book Hard-Headed Women, for if there is one quality these fiesty women writers have in common, it’s stubbornness. From Gertrude Stein to Eudora Welty, each woman stuck to the course she set, which was often outside the norm established for women of the day.

The 12 women profiled here are all what Pierpont considers literary women of influence (very different from women of literary influence). In other words, their writing changed the way people thought about race, about politics, and about sex.

Pierpont’s subjects include both the lesser known (19th century South African novelist Olive Schriner) and the wildly popular (Gone With the Wind author Margaret Mitchell). One surprising inclusion is Mae West, who made her name as the Madonna of her era, more than willing to deny conventions of appropriate sexual behavior. It’s not nearly as well known that West was also a writer. As Pierpont notes, Mae West had to become a writer before she could be a movie star. In 1926, West wrote a three-act play titled simply, Sex, which delighted its sold-out audiences, but appalled the critics. West went on to the movies, where she often punched up her own part in the script to add sizzle.

Pierpont gives sympathetic portrayals of these often outlandish and avant-garde women, with the curious exception of Eudora Welty. This Mississippi writer earns Pierpont’s criticism for failing to condemn the racial bigotry that existed in her home state. Only once, in a short story about the assassination of Medgar Evers, did Welty express anguish over racial discrimination. For Pierpont, this studied avoidance of social reality casts a pall over Welty’s work.

And finally, for the younger woman in your life, Penny Colman has written an excellent overview of a neglected topic, Girls: A History of Growing up Female in America. Working from letters, diaries and other original sources, Colman pieces together a culturally diverse account of girls’ experiences throughout U.

S. history. Girls coming of age in the new millennium will find role models, encouragement, humor, and despair in the life stories presented here. From pioneer girls to future astronauts, each has a unique story to tell.

Closing the gaps in women's history Talk to young women about the women's movement, and their eyes glaze over. That's ancient history. Women's equality is a given, taken for granted by today's college-aged women, who were born in the 1980s.

Historian Ruth…

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