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If facts are what you seek, pick up Pick Me Up: Stuff You Need to Know. For the 10 and over crowd, this revolution in reference will be most welcome. Inspired by hyperlink elements from the Internet, this unencyclopedia is a one-volume crash course in practically everything. Use it as a jumping-off point for further research or a boredom-busting browse: either way it delivers history, nature, geography, science and culture in the kid-friendliest book format yet.

If facts are what you seek, pick up Pick Me Up: Stuff You Need to Know. For the 10 and over crowd, this revolution in reference will be most welcome. Inspired by hyperlink elements from the Internet, this unencyclopedia is a one-volume crash course…
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Readers of Huckleberry Finn might remember the scene where Jim, the runaway slave, breaks down in tears because he’s worried about the wife and children he’s left behind. The poignant scene forces Huck to acknowledge Jim’s humanity. Now novelist and playwright Nancy Rawles has written a slender but wrenching novel about Sadie, the hapless wife Jim was forced to abandon.

My Jim is an “as told to” story narrated by Sadie to her granddaughter, Marianne, who, unlike her grandmother, is literate and able to write the tale down. It’s 1884, and 16-year-old Marianne has received a marriage proposal. The two women sit down to sew a quilt for her from bits and pieces of the people Sadie has loved and lost. There will be scraps from her mother’s apron as well as “That red for your daddy. Red what they calls him. And that yellow dress I wears into the ground. . . . Black for Jonnies eyes. Brown for Jims hat,” Sadie tells her. As they sew, Sadie shares the story of her life.

That story, to be blunt, is ghastly, and Rawles tells it with great power and compassion in authentic slave vernacular. Sadie’s life reminds us that for every Harriet Tubman or Sojourner Truth or Frederick Douglass, there were 10,000 slaves who didn’t rise up and get away, whose lives were ground to powder, and whose only release from bondage came through death or, if they lived long enough, the Civil War. We marvel that Sadie survived with her sanity and that she’s able to give her “first heart” as she puts it, to anyone. Slavery robs her of everyone she loves: her mother, Jim and their children Lisbeth and Jonnie, and several of her children by other men. Only emancipation allows Sadie to live a settled life with the gentle Papa Duban, and even that has its own perils: Marianne’s father is murdered by an early version of the Klan. Yet Sadie survives. “You take that quilt wherever you go,” she tells Marianne. “When you old and wore you think on me and all the others love you.” My Jim is a tale of hope beyond endurance.

Readers of Huckleberry Finn might remember the scene where Jim, the runaway slave, breaks down in tears because he's worried about the wife and children he's left behind. The poignant scene forces Huck to acknowledge Jim's humanity. Now novelist and playwright Nancy Rawles has written…
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Another timeless tale is given an interactive update in The Little Prince: Book of Fun and Adventure. The original story by Antoine de Saint-Exupery has sold more than 75 million copies since 1943, but this adaptation is a fresh and inviting collection of mazes, coloring pages, board games, postcards, masks, postcards and other fun stuff. The activities are punctuated with storytime excerpts from the book, creating a meaningful narrative whole and, overall, making an ideal introduction to this superstar of children’s literature.

Another timeless tale is given an interactive update in The Little Prince: Book of Fun and Adventure. The original story by Antoine de Saint-Exupery has sold more than 75 million copies since 1943, but this adaptation is a fresh and inviting collection of mazes,…
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This slim, wryly witty first novel by Mary Guterson, sister of acclaimed novelist David Guterson, will strike a chord with anyone who has fantasized about rekindling a lost love or revisiting the past to find out what might have been. In darkly comic fashion, it illustrates that sometimes we might already possess just what we’re looking for. Discontented Julia is fast approaching middle age and weighed down by her stagnant, 15-year marriage to Jim, her dependable but dull husband. Stuck in a job she hates, convinced that Jim is having an affair with a sexy coworker and unable to connect with her insolent teenage son, Julia takes a brief detour from her troubles by having a tryst with her former boyfriend, Ray. Handsome and magnetic but incapable of fidelity, free-spirited Ray remains the unrequited love of Julia’s life the one she’s never gotten over despite the years that have passed and the distance that has grown between them.

While their reunion may have been short-lived, the consequences aren’t, as Julia makes the unwelcome discovery that she’s pregnant. Even more horrifying, she can’t be certain whether Ray or Jim is the baby’s father. The pregnancy catapults her to an all-new level of depression and inertia, mitigated only by her fantasy that Ray will swoop in and rescue her for a life of happily-ever-after. But reality is very different, and Ray responds with his typical aloofness. More surprising is the reaction of Jim, who comes to enthusiastically embrace the idea of being a father again. The prospect of a new baby becomes a catalyst for the rebirth of their relationship, and Julia begins to see her husband and life choices in a different light. Mary Guterson’s quirky, irreverent debut proves to be an honest portrait of the vicissitudes of modern marriage and the seeds of discontent that can be its undoing. We Are All Fine Here succeeds at showing us that no matter how far away we may be, we can often make the choice to go home again. Joni Rendon writes from Hoboken, New Jersey.

This slim, wryly witty first novel by Mary Guterson, sister of acclaimed novelist David Guterson, will strike a chord with anyone who has fantasized about rekindling a lost love or revisiting the past to find out what might have been. In darkly comic fashion, it…
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Laura Ingalls Wilder’s A Little House Collection combines the first five Little House novels into one handy volume, a practical move appropriate to the thrifty, pioneering spirit of the stories themselves. No corners have been cut, however: The books are unabridged and, I am pleased to report, accompanied by Garth Williams’ classic 1953 illustrations in full color. Little House wouldn’t be the same without Williams’ renderings. Theoretically, the books are for readers aged eight to 12, but my own child enjoyed listening to them far earlier, and I enjoyed reading them far later. (And may I suggest the books are not for girls only? Ms. Wilder’s childhood adventures are hardy enough to transcend outmoded gender expectations by now.)

Laura Ingalls Wilder's A Little House Collection combines the first five Little House novels into one handy volume, a practical move appropriate to the thrifty, pioneering spirit of the stories themselves. No corners have been cut, however: The books are unabridged and, I am…
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Readers of Connie May Fowler’s earlier novels, including Before Women Had Wings, will recognize some familiar elements in this, her fifth: her unique blend of lyrical prose and mysticism, musings on the power of love and the devastation caused by its loss, and a deft portrayal of the resilient bonds of friendship.

In a manner reminiscent of Alice Sebold’s The Lovely Bones, the opening scene of Fowler’s latest depicts the death of the protagonist 35-year-old Murmur Lee, who drowns under mysterious circumstances in a north Florida river. The narrative is then taken up by the friends Murmur left behind as they try to adjust to life without her. Fowler has crafted a memorable cast of these secondary characters, and through their eyes the reader comes to know Murmur herself. Her best friend from childhood is Charlee Mudd, who returns from Harvard Divinity School and a broken engagement for Murmur’s funeral, and ends up staying. Others in their group of “buddies” include Dr. Zach, who lost his wife to cancer and now feels somehow responsible for Murmur’s death; Edith, a transsexual former Marine still fighting visions of Vietnam; Lucinda, a local artist and yoga teacher; Hazel, the bartender at Murmur’s bar; and Billy, Murmur’s boyfriend, who was on the boat with her on New Year’s Eve 2001, the night she died.

In chapters alternating with those in her friends’ voices, Murmur recalls scenes from her past, including the death of her seven-year-old daughter from leukemia. She is also able to see things she never knew on earth, such as the fact she was the product of her mother’s rape at last an explanation for her father’s lifelong indifference to her. Halfway through the novel, the central question becomes clear: was Murmur’s death accidental, a suicide or something else? The truth, perhaps slightly contrived, does come out in the end. With an engaging cast and a lush Florida setting, Fowler’s latest novel offers poignant reflections on what keeps us together, even after the separation of death. Deborah Donovan writes from Cincinnati and La Veta, Colorado.

Readers of Connie May Fowler's earlier novels, including Before Women Had Wings, will recognize some familiar elements in this, her fifth: her unique blend of lyrical prose and mysticism, musings on the power of love and the devastation caused by its loss, and a deft…
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A.

A. Milne’s Winnie the Pooh celebrates its 80th anniversary this year. This lovely new edition includes the unforgettable endpapers (the map of Pooh’s environs, including the 100 Aker Wood ) and all the beloved, colored line drawings by Ernest H. Shepard. This is the pre-Disney Pooh in his original, authentic glory. It averages a picture per page, sustaining visual interest even as the familiar, light-hearted adventures stream by. There is no better way to ensure the present generation does not miss out on the likes of woozles, heffalumps, Piglet’s rescue, Eeyore’s birthday, and my favorite: a wedged bear in great tightness.

A.

A. Milne's Winnie the Pooh celebrates its 80th anniversary this year. This lovely new edition includes the unforgettable endpapers (the map of Pooh's environs, including the 100 Aker Wood ) and all the beloved, colored line drawings by Ernest H. Shepard. This…
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On the surface, the members of the facetiously named “Same Sweet Girls” club six women, now in their 40s, who’ve known one another since college and still get together twice a year seem like unlikely friends. In background, lifestyle, taste in men and even geography, they started out with little in common, and that hasn’t changed much over the years. Instead, they seem to draw strength mostly from the history they share they’re friends because they’ve always been friends, which may be as good a reason as any. The Same Sweet Girls, Cassandra King’s third novel, is told from the perspectives of Corrine, Julia and Lanier, who are the closest of the six friends (although it hasn’t always been that way). Among these, Julia is the most glamorous. “Classically beautifully in a Grace Kelly way,” she hails from a prominent Alabama family and grew up to marry the governor. She carries a dark secret, though, one that even some of the Same Sweet Girls (SSGs for short) don’t know about. Corrine, the most eccentric, is an acclaimed artist who suffers from twin demons of depression and an abusive ex-husband, Miles a psychologist, of all things. (How do you think they met?) Lanier is the reckless one, a nurse with a history of screw-ups in her personal life. Estranged from her husband and unexpectedly reacquainted with a childhood crush, Lanier is the most colorful of the SSGs. She also has the best lines. When Corrine falls ill, Lanier finds dark humor in the fact that Miles, sadistic as ever, is still lurking: “Julia had trouble sleeping . . . kept getting up all through the night,” Lanier reports, after she’d convinced Julia to leave Corrine’s bedside and get some rest. “I said, Why didn’t you give Miles a call? Bet he’d have been glad to come and tie you to the bedposts.” King, who is married to author Pat Conroy, is known for her emphatically Southern tales. The Same Sweet Girls is based loosely on the author’s own circle of friends, and as a warm tribute to their friendship indeed, to all friendships it succeeds nicely. Rosalind S. Fournier writes from Birmingham, Alabama.

On the surface, the members of the facetiously named "Same Sweet Girls" club six women, now in their 40s, who've known one another since college and still get together twice a year seem like unlikely friends. In background, lifestyle, taste in men and even geography,…
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<b>In ÔDragonology,’ British editor creates fire-breathing treat for young readers</b> Some of you with a child between the ages of eight and eighteen have probably seen your son or daughter peeking out from behind a large, lavishly illustrated red book entitled <i>Dragonology: The Complete Book of Dragons</i>. Not only that, you might have listened to your child reciting the classifications of dragons by habitat (Frost dragons, naturally, are found in the Arctic regions); and it’s also possible you’ve been lectured on dragon physiology, including the fact that a dragon’s fire can reach a temperature of 1,000 degrees.

You may have wondered where your child absorbed such extensive knowledge. Could this Dr. Ernest Drake he or she keeps talking about the renowned 19th-century dragonologist really have existed? In fact, as your young reader probably has discovered, Dr. Drake is the brainchild of Dugald A. Steer, who up until a few years ago was an unknown British editor. Now Steer spends his days writing books and giving lectures about dragons, wizards and pirates. BookPage caught up with Steer on his return from a performance in Budapest, in order to hear (from the dragon’s mouth, as it were) about the remarkable success of the books that have become known as the Ologies <i>Dragonology, Wizardology, Egyptology</i> and <i>Pirateology</i>, hands-on reference books that have become hits both in the United Kingdom and in America.

I was a very happy editor, says Steer, who worked at Templar Publishing, a children’s publisher just outside London that specializes in novelty books. When Steer heard that his company wanted to launch a project on dragons, he weighed in with an intriguing concept: books that would showcase the work of a renowned dragonologist from the Victorian era. The books are ostensibly edited by Steer, who claims to have first encountered Dr. Drake by chance at the Bull’s Head Tavern in Dorking, Surrey. (Coincidentally, Templar Publishing is located in Dorking.) Dr. Drake makes his latest appearance in <b>The Dragon’s Eye</b>, the first-ever Dragonology fiction. Aimed at readers ages nine and up, <i>The Dragon’s Eye</i> launches a new series of middle-grade novels titled the Dragonology Chronicles.

We wanted to show Dr. Drake in action, says Steer of his longest work to date. The exciting story follows 12-year-old Daniel Cook and his sister, Beatrice, as they attend the special summer school run by Dr. Drake, and find themselves in a race against time to find the Dragon’s Eye jewel.

When the series began, Steer worked closely with Templar’s art and design team to produce a handsome, lavishly illustrated volume that includes maps, pullout booklets on dragon riddles, sealed envelopes with a dragon-calling spell and an embossed faux leather cover. After its publication in 2003, <i>Dragonology</i> became a surprise bestseller. We only printed 35,000 copies, which sold out immediately, Steer says. Now there have been two million sold worldwide, translated into 27 languages. The original volume has already inspired two companion books and a Dragonology board game. It’s no surprise to learn that the creator of this imaginative series loved to read as a boy, and fantasy ranked among his favorites, including Tolkien’s <i>The Hobbit</i> and <i>The Voyage of the Dawn Treader</i>, one of C.S. Lewis’ Narnia stories. To a certain extent, admits the soft-spoken author, I’m writing for the little boy I used to be. As in the other Ologies, Steer’s love of science, history and simply learning comes through in <b>The Dragon’s Eye</b>. I hope all these books help to create the idea of a love of knowledge, he notes, perhaps thinking of how young readers have taken to devouring information on, say, the tail feathers of the Mexican Amphithere (<i>Draco americanus mex</i>), which are the most ticklish of all feathers. Who knows how many of today’s budding dragonologists will be turning their attention to other ologies, such as biology and geology, tomorrow? <i>Deborah Hopkinson’s most recent book for young people is</i> Into the Firestorm, A Novel of San Francisco, 1906.

<b>In ÔDragonology,' British editor creates fire-breathing treat for young readers</b> Some of you with a child between the ages of eight and eighteen have probably seen your son or daughter peeking out from behind a large, lavishly illustrated red book entitled <i>Dragonology: The Complete Book…
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Japanese author Haruki Murakami's latest offering, Kafka on the Shore, is vast, complex, odd, funny and strangely peaceful: business as usual, but more impressive business than some recent books. It describes two parallel odysseys across space and time (literally), linked by a strange, ambiguous pop tune written by one of the book's mysterious characters. Kafka Tamura, a 15-year-old runaway, struggles to dodge an Oedipal fate; simultaneously, Nagata, an illiterate old man who can talk to cats, searches for an all-powerful stone. The two stories link neatly and yet Murakami makes sure we are never entirely confident in their connection.

Murakami has written many novels about tough, disenchanted young men, and Kafka is no exception. Through his horny and visceral eyes, his sexual adventures, such as a non-therapeutic massage from a winsome teenager or sex with a woman in her mid-50s (who may be his mother), acquire pornographic rawness like his life, which has the simplicity of youthful fear behind it. And yet, by journey's end, Kafka experiences losses that ultimately deepen and empower him, making his juvenile panting and belligerence worth our tolerance.

If Kafka is the book's raging ego, the elderly Nagata is its unlikely id. Early in his quest, he fights with whiskey-label presence Johnnie Walker when he learns that the stolid advertising symbol has been disemboweling Nagata's feline soulmates. Everything from a rain of leeches to Colonel Sanders lies in his path as he pushes onward, and yet his dignity and calm go unruffled. The gradual union of these stories brings a pleasant release, despite the all-too-familiar difficulties leading up to it.

Murakami's progress here resembles that of novelists like Paul Auster and Jonathan Lethem, whose early storylines carried by external strangeness have of late given way to a dense burrowing into truly thorny human psychologies which, as we well know, could make the wildest novelistic creation seem more ordinary than checkers.

 

Max Winter writes from New York City.

Japanese author Haruki Murakami's latest offering, Kafka on the Shore, is vast, complex, odd, funny and strangely peaceful: business as usual, but more impressive business than some recent books. It describes two parallel odysseys across space and time (literally), linked by a strange, ambiguous pop…

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Just as celebrated a writer is John Edgar Wideman, who with the publication of his latest collection God’s Gym shows why he is the first author ever to win the PEN/Faulkner Award twice (for 1984’s Sent for You Yesterday and 1990’s Philadelphia Fire). Nominated for both the National Book Critics Circle Award and the National Book Award for nonfiction, his stories have appeared in numerous national publications including Harper’s, GQ, Esquire and even The Best American Short Stories.

Almost like jazz, there is a rhythm to Wideman’s prose. His sentences are long and dense, but have a snap to them, a staccato that is musical. In “The Silence of Thelonious Monk” there’s such a sense of urgency, a rush to the writing that it is hard not to fall all over yourself in the process of reading. In imagining the dramatic ending of the love affair between the two poets Verlaine and Rimbaud, he writes, “love offered, tasted, spit out, two people shocked speechless, lurching away like drunks, like sleepwalkers, from the mess they’d made. Monk’s music just below my threshold of awareness, scoring the movie I was imagining, a soundtrack inseparable from what the actors were feeling, from what I felt watching them pantomime their melodrama.” Wideman is a writer who knows how to grab you by the heart. His characters do not shy away from the sometimes harsh explorations of love, race, self, but face them with such electricity, such pointed emotion, that the reader becomes better for the experience. Wideman’s writing challenges you, shows you both beauty and despair. It is an engaging challenge though, one you can’t help but returning to again and again. Lacey Galbraith is a writer in Nashville.

Just as celebrated a writer is John Edgar Wideman, who with the publication of his latest collection God's Gym shows why he is the first author ever to win the PEN/Faulkner Award twice (for 1984's Sent for You Yesterday and 1990's Philadelphia Fire). Nominated for…
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A MacArthur Fellow, a recipient of both an NEA grant and a Guggenheim fellowship, and the author of more than 10 works of fiction and nonfiction, Charles Johnson is more than a little prolific. His novel, Middle Passage, won the 1990 National Book Award while his latest short story collection, Dr. King’s Refrigerator and Other Bedtime Stories is sure to crack apart any notion that today’s fiction could ever grow stale.

In this collection, stories are vehicles for conveying philosophical conundrums or questions of self. Moving across cultures and through centuries, Johnson creates worlds where a man’s dreams are taxed and Dr. Martin Luther King has a revelation while perusing the contents of his refrigerator one long night. Historical figures such as Queen Christina of Sweden, Descartes and the aforementioned Dr. King make appearances, and in one of the best stories, “Executive Decision,” Johnson addresses the issue of affirmative action with grace and insight, accomplishing more through his characterization than any lawmaker ever could.

Though the issues and ideas that concern many of these stories are heavy, the prose never is. In “The Gift of the Osuo” Johnson describes an elderly African sorcerer as “brittle and serious in his leather cap and robe . . . bald as a stone, having around his head a few puffballs of gray hair like pothers of smoke.” In the title story the reader watches as Dr. King “picked up a Golden Delicious apple, took a bite from it, and instantly prehended the haze of heat from summers past, the roots of the tree from which the fruit had been taken, the cycles of sun and rain and seasons, the earth, and even those who tended the orchard.” Johnson’s prose is solid yet playful, restrained yet vivid. His characters are more than colorful and he never falls prey to taking himself too seriously. In essence, these stories are modern fables, tales that, with unsettling subtlety, linger with you long after the book has been put down.

Lacey Galbraith is a writer in Nashville.

A MacArthur Fellow, a recipient of both an NEA grant and a Guggenheim fellowship, and the author of more than 10 works of fiction and nonfiction, Charles Johnson is more than a little prolific. His novel, Middle Passage, won the 1990 National Book Award while…
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Pull up your rocking chairs and gather around the porch. This Southern-fried tale of a family filled with beguiling women is as sweet as pecan pie. In The Rock Orchard, the Belle women of Leaper’s Fork, Tennessee, are known for their lust for life and for men. Charlotte Belle is a shrewd businesswoman who spends her days making money and her evenings in the company of a variety of local gentlemen. She has resisted any semblance of settling down, until the day her baby niece is dropped on her doorstep. Charlotte raises Angela as she would her own, so it’s no surprise when teenaged Angela gives birth to her own daughter, Dixie, in the flowerbed behind the house.

Just down the road, Dr. Adam Montgomery is busy setting up his practice and working his way up the local social ladder. He happens upon Angela just as she goes into labor, and helps deliver Dixie. From that day forward, Dr. Montgomery can’t get the beautiful Angela out of his mind, despite his planned marriage to a proper Bostonian who is “as pure as pasteurized milk.” Even though the Belle girls are, as author Paula Wall puts it, wild as barncats, they have a funny way of encouraging their fellow townsfolk to improve themselves and their community. Charlotte gives a local abused wife the determination to start her own business. Angela prods Dr. Montgomery to establish a local hospital. Then a new preacher comes to town; once he is introduced to the Belle women, Leaper’s Fork will never be the same.

The Rock Orchard is endlessly clever and addictively fast-paced. To say that Wall, the author of two humor collections (including If I Were a Man, I’d Marry Me), has a way with words is putting it mildly, and her storytelling is simultaneously sweet and sharp. The Belle women are not perfect by any stretch of the imagination, but their story shows the power of community and demonstrates that grace can be found in the most unexpected places. Amy Scribner writes from Olympia, Washington.

Pull up your rocking chairs and gather around the porch. This Southern-fried tale of a family filled with beguiling women is as sweet as pecan pie. In The Rock Orchard, the Belle women of Leaper's Fork, Tennessee, are known for their lust for life and…

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