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Matthew Rudy’s Golf Digest Perfect Your Swing: Learn How to Hit the Ball Like the Game’s Greats is for serious players searching for the stylistic tools to optimize tee-shot power and efficiency. Veteran sportswriter Rudy gathers descriptions and analyses of the careers and swing secrets of more than 40 pros, past and present, ranging from Jones, Ben Hogan, Byron Nelson and Sam Snead to Mickelson, Singh, Els and Woods. For each golfer, there are sequential (mostly color) photo sets, taken from various angles, which provide ideas for personal experimentation, at the same time fueling that obsessive search for maximized driving skills. This is a practical instructional guide for golfers looking for first-shot distance with a driver.

Matthew Rudy's Golf Digest Perfect Your Swing: Learn How to Hit the Ball Like the Game's Greats is for serious players searching for the stylistic tools to optimize tee-shot power and efficiency. Veteran sportswriter Rudy gathers descriptions and analyses of the careers and swing…
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The Cat Who Wouldn’t Come Inside is a unique, quirky and delightful book. Most notable are the illustrations by artist and author Cynthia von Buhler. Each spread features a diorama with a dollhouse and two characters, a cat and a woman, made of Sculpey clay, paint and homemade costumes. (For a sneak peek, check out the author’s website at www.comeinsidekitty.com.) The story is a simple, cumulative tale. A cat appears on a woman’s doorstep and refuses to come inside running away, despite coaxing. The woman keeps trying to lure the cat inside with various temptations: milk, tuna, a catnip mouse, a soft rug, a ball of yarn, etc. The cat enjoys each of these things, but keeps leaving.

The woman is so determined that she builds a wall and a fireplace on her porch and furnishes it with an armchair, curtains, knitting needles and more. In the end, the area is so cozy and the cat is so at home that he finally invites the woman to come inside his place. If you crave detail and intricacy (and I do!), you’ll love looking at the many fine details in each scene, including candelabras and lit candles, fine china, books, wallpaper and luxurious rugs. The season is winter, and the snow is made, according to von Buhler, from five different types of artificial snow, including spray snow and cotton batting. What’s more, she created falling snow with the help of Photoshop and her computer.

The publisher bills this as a book for preschoolers, but I recommend it for all ages. In fact, I think older children are more likely to relish the fine artwork and realize the great efforts required to create it.

Von Buhler adds a note at the end about the real-life inspiration for her story a stray cat that appeared on her own doorstep and did not come inside her house for four years. Finally, though, the poor cat became ill, only to come inside and die in her arms one night. This is certainly a sad footnote, but the book itself is anything but gloomy. Young children will love this simple, welcoming story, and older children and adults alike will marvel at von Buhler’s considerable artistic talents. Alice Cary writes from Groton, Massachusetts.

The Cat Who Wouldn't Come Inside is a unique, quirky and delightful book. Most notable are the illustrations by artist and author Cynthia von Buhler. Each spread features a diorama with a dollhouse and two characters, a cat and a woman, made of Sculpey clay,…
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Mark Frost’s The Grand Slam: Bobby Jones, America and the Story of Golf is definitely for the thinking golf fan. This lengthy history charts the first major American growth of the game, essentially the first half of the 20th century. The inspirational touchstone for Frost’s work is the astounding rise of Bobby Jones (1902-1971), who became the first tee-to-green matinee-idol in the U.S. Jones burst on the scene as a precocious teen during World War I, enjoyed a decade of unparalleled success, then abruptly retired from the game at age 28, his mythic legacy secured. Frost’s text mostly blends Jones’ biography with match accounts and tons of anecdotes involving his challengers, such as Walter Hagen, Gene Sarazen and Francis Ouimet. To place golf events in their larger historical context, the author periodically pauses to focus on world events and cultural movements, often in engrossing detail. Strangely enough, Frost’s descriptions of the assassination of Archduke Ferdinand, for example are sometimes a lot more riveting than the somewhat exhaustive tournament rundowns. Coverage of Jones and his times including his role in the founding of Augusta National, site of the Masters is packed solidly up till about 1950, at which time Jones began to suffer the ravages of the paralyzing spinal-cord disorder syringomyelia. The disease would torture him the final 20 years of his life. Even to the end, Jones was an upbeat figure beloved by all: a man whose purist, high-achieving approach to the game established him with Dempsey and Ruth as a seminal giant of American sport.

Mark Frost's The Grand Slam: Bobby Jones, America and the Story of Golf is definitely for the thinking golf fan. This lengthy history charts the first major American growth of the game, essentially the first half of the 20th century. The inspirational touchstone for…
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<b>A wolf in girl’s clothing</b> Pancakes for Supper is another rollicking tall tale from Anne Isaacs, paired here with Mark Teague, whose lively artwork is always something to look forward to. The setting is old New England, where young Toby and her parents are heading to Whisker Creek in their horse-drawn wagon. Toby sits in back, happily belting out a song about the new outfit she’s wearing, which includes a sky-blue coat with a purple lining, a yellow sweater, orange mittens and a cap, and red long johns.

Suddenly, however, the wagon hits a bump that sends Toby airborne, past squirrels in the branches, past soaring eagles and feathery clouds, until she could no longer see her parents’ wagon. Toby lands beside a huge, hungry wolf who views this tasty-looking child as a godsend. Toby is quick to think on her feet, promising that she will make the wolf the grandest animal in the forest by giving him her beautiful blue coat. The wolf goes for the deal, and Toby is saved. Not surprisingly, this is hardly the end of Toby’s troubles. She also encounters a cougar, a skunk, a porcupine and a bear, and gives each animal one of her prized pieces of clothing. Meanwhile, Toby is left shivering in her red long johns.

When Toby is finally reunited with her family and begins telling them of her wild adventures, Mama makes pancakes, and they tap some marvelous maple syrup from the maple tree. Kids are bound to love this wild tale, and they’ll also lap up the recipe for Toby’s Animal Pancakes. Pancakes for Supper is a super, syrupy addition to any young child’s collection just be sure to have the mixing bowls ready!

<b>A wolf in girl's clothing</b> Pancakes for Supper is another rollicking tall tale from Anne Isaacs, paired here with Mark Teague, whose lively artwork is always something to look forward to. The setting is old New England, where young Toby and her parents are heading…
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It’s easy to argue that the rise of the NCAA basketball tournament, the Final Four in particular, is one of the great sports stories of the past 65 years. It has grown from an almost second-rate affair in 1939 to one of the biggest events of the sports calendar. NCAA March Madness: Cinderellas, Superstars, and Champions from the NCAA Men’s Final Four is an excellent way to review how far the tournament has come, and to relive its great moments. The editors have collected some of the best basketball writers in the country Billy Reed, Frank Deford, Dick Weiss, Dave Kindred and Art Spander among them to review the Final Four, year by year. They get some help from John Wooden, winner of 10 championships as coach at UCLA, who contributes the book’s introduction. Just about anything Wooden says and does is worthwhile, so it’s wonderful to hear from this wise man here. The accompanying DVD of the highlights of the 1979, 1983 and 1987 Final Fours is a nice touch. Between the book and the DVD, March Madness is a great package.

It's easy to argue that the rise of the NCAA basketball tournament, the Final Four in particular, is one of the great sports stories of the past 65 years. It has grown from an almost second-rate affair in 1939 to one of the biggest events…
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Miss Merriweather is a stickler for rules in her library: No running. Be quiet. When a lion takes up residence in the library, no one can think of any rule he is breaking, so Miss Merriweather allows the lion to stay. Soon, the lion finds ways of making himself helpful dusting the encyclopedias with his impressive tail, licking the overdue notice envelopes and allowing small children to stand on his back to reach high shelves. The parents and children love the lion, but Mr. McBee, another librarian, does not see what all the fuss is about. Lions . . . could not understand rules. They did not belong in the library. When an accident makes the lion break one of the rules, he knows he is not welcome back.

Author Michelle Knudsen and artist Kevin Hawkes teamed up to create Library Lion, a delightful picture book about rule breaking and friendship that is sure to please readers and librarians everywhere. The story is amusing and captivating, and the illustrations hearken back to Maurice Sendak's classic artwork for A Hole Is to Dig and the many charmers by Eric Blegvad. Soft acrylic and pencil drawings capture the stuffiness of Mr. McBee, the children's glee at having a lion friend and the great sadness of everyone and everything even the potted plant when the lion suddenly stops coming to the library. And when Mr. McBee finally finds the lion, soaking wet and looking longingly into the glass doors of the library, anyone can see the sorrow on the faces of both feline and human.

Graceful details add to the retro feel of this utterly delightful book. Curl up at your favorite library with this winner of a tale!

Miss Merriweather is a stickler for rules in her library: No running. Be quiet. When a lion takes up residence in the library, no one can think of any rule he is breaking, so Miss Merriweather allows the lion to stay. Soon, the lion finds…

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How would you like to have lunch with Red Auerbach, one of legendary figures in basketball history, once a week, week after week? About a dozen people most, but not all, with a basketball connection do exactly that in Washington, D.C. Every Tuesday morning at 11, the group gathers at a Chinese restaurant for good food and better conversation. The 87-year-old Auerbach, the storied Boston Celtic coach, serves as the conversational fulcrum. John Feinstein is one of those lucky dozen. After sitting and listening for a few years, he decided to get some of the dialogue down on paper. The result is Let Me Tell You a Story: A Lifetime in the Game, a book that ought to delight any student of basketball. While Auerbach gets top billing as author, this is written from Feinstein’s viewpoint. He skillfully goes through Auerbach’s life in chronological order. The Celtics won nine championships with Auerbach as coach in the 1950s and ’60s, and took seven more with him as general manager/president. As you’d expect, there are plenty of stories about such players as Bill Russell, John Havlicek and Larry Bird, plus comments on today’s players and coaches.

Feinstein weaves the stories of the luncheon guests, as well as Auerbach’s influence on their lives, throughout the text. Other books have been written by and about Auerbach, but this one certainly is the most fun.

How would you like to have lunch with Red Auerbach, one of legendary figures in basketball history, once a week, week after week? About a dozen people most, but not all, with a basketball connection do exactly that in Washington, D.C. Every Tuesday morning…
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The obituary in the New York Times wasn’t particularly long or prominently displayed, but something about it drew the attention of writer John Grisham. The Times article on December 9, 2004, reported the death of Ronald Williamson, an Oklahoma man who had narrowly escaped execution, only to die of liver disease 10 years later. What fascinated Grisham, he would later reveal, were the similarities between Williamson’s background and his own. Both men had aimed for careers in professional baseball though Grisham eventually gave up on sports, turned to the law and became a best-selling author of legal suspense. Williamson’s life trajectory was equally dramatic, but in the opposite direction. A star pitcher and catcher on his Ada, Oklahoma, high school team, Williamson was drafted by the Oakland A’s in 1971 and spent six years in the minor leagues before an arm injury ended his career. Returning home to Ada, Williamson moved in with his mother and began to show signs of mental illness.

In 1982, Williamson’s hometown was rocked by the brutal rape and murder of cocktail waitress Debra Sue Carter, whose body was found in her garage apartment. The case went unsolved until 1987, when Williamson and a friend, Dennis Fritz, were arrested and charged with the murder. The main witness against the two was a man named Glen Gore, who claimed that the pair had been at the club where Carter worked on the night of her slaying. Williamson was convicted of first-degree murder and sentenced to death, while Fritz received a life sentence.

Five days before his scheduled execution in 1994, a public defender succeeded in winning a stay on the grounds that Williamson had ineffective counsel at trial. When DNA testing revealed that physical evidence from the crime scene matched Glen Gore rather than Williamson, he was exonerated and freed from prison in 1999; five years later he died in a nursing home from cirrhosis of the liver.

Not in my most creative hour could I imagine a story as compelling as Ron Williamson’s, says Grisham, who bought rights to the story from Williamson’s family shortly after reading the Times obit. His new book, The Innocent Man: Murder and Injustice in a Small Town, is his first nonfiction effort, a look at the crime, the trial and Williamson’s eventual release. If Grisham’s publisher, Doubleday, has any concerns about promoting a work of nonfiction, they are certainly not showing it, instead stressing the similarities between The Innocent Man and Grisham’s fiction. It’s a natural story for John to tell, says Doubleday president Stephen Rubin. It has many of the same themes present in his novels legal suspense, the death penalty, wrongful conviction, even baseball. It’s the ultimate true legal thriller. Grisham knows a thing or two about legal thrillers, having penned 15 bestsellers in the category, from the 1991 blockbuster The Firm to 2005’s The Broker. Along the way, he has also made several departures from the genre, including the autobiographical novel A Painted House and the Grinch-like holiday book, Skipping Christmas.

Grisham practiced civil and criminal law in Mississippi for almost a decade before devoting himself to writing. A generous philanthropist, he contributed $5 million to rebuild the Gulf Coast after Hurricane Katrina, setting up a fund that he and his wife, Renee, administered from their kitchen table. The only thing that really matters in life is helping other people, Grisham told the Jackson Clarion-Ledger. What fun is it to accumulate a lot of money and sit on it?

The obituary in the New York Times wasn't particularly long or prominently displayed, but something about it drew the attention of writer John Grisham. The Times article on December 9, 2004, reported the death of Ronald Williamson, an Oklahoma man who had narrowly escaped…
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While baseball has been criticized for its measured pace, it is precisely this that makes it such a wonderful subject for analysis. As a writer for the New York Times and ESPN, Buster Olney has an encyclopedic knowledge of the game as well as a deft touch with words, and he uses both to great effect in The Last Night of the Yankee Dynasty. The night in question is Game 7 of the 2001 World Series against the Arizona Diamondbacks, and in telling the story of that game, Olney also manages to tell us how a team can be both dominant and in trouble at the same time.

Baseball teams are always reflections of their owners, and none more so than the Yankees. George Steinbrenner is the New York Yankees, and his machinations over the 30-plus years he’s owned the team are legion and legend. In this game-paced book, Olney examines the careers of the players as they come to bat, their managers, coaches, friends and futures. Olney doesn’t have to work very hard to show that many of the Yankees’ failures and successes are due to Steinbrenner’s fanatical drive to win.

The Last Night of the Yankee Dynasty is one of the most readable accounts of the inner workings of the game I’ve read in a while. If you’re a baseball fan, pick this one up it’ll help you through the off-season.

While baseball has been criticized for its measured pace, it is precisely this that makes it such a wonderful subject for analysis. As a writer for the New York Times and ESPN, Buster Olney has an encyclopedic knowledge of the game as well as a…
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She is that famous enigmatic face without eyebrows and only a half-smile, but who was Mona Lisa and what is the mystery of her enduring allure? History professor Donald Sassoon, purportedly the world’s leading expert on the Mona Lisa, tells all in Leonardo and the Mona Lisa Story: The History of a Painting Told in Pictures.

More than 400 gorgeous color visuals illustrations, paintings and photographs are the centerpiece of Sassoon’s voluptuous biography. The volume is further embellished with lively, informative captions, plus five charming and erudite essays on da Vinci’s humble beginnings; how he came to paint Lisa Gherardini; the painting’s rise in popularity in the literary culture of the Napoleonic Age; its theft from the Louvre; and its eventual rise to global iconic status through imitation, parody and commercial use. But why does the lady intrigue millions? Says Sassoon, the Mona Lisa’ has moved outside her frame, beyond her historical context. . . . She has saturated popular culture and has become whatever others want her to be.

She is that famous enigmatic face without eyebrows and only a half-smile, but who was Mona Lisa and what is the mystery of her enduring allure? History professor Donald Sassoon, purportedly the world's leading expert on the Mona Lisa, tells all in Leonardo and…
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It’s an annoying fact, at least to aficionados of other sports, that baseball fans are as enamored of its history as they are of the game itself. They seem to delight in telling one and all of the exploits of various greats “back in the day.” Of course, this love of the past can be a two-edged sword ask any Cubs fan about the last time they won a World Series. But more than the Cubs, more than the Red Sox or the Yankees, there is the team known as the Dodgers whose story goes back to the very beginning of the game. Glenn Stout has written a definitive history of the team in The Dodgers: 120 Years of Dodgers Baseball. In many ways the Dodgers embody America, what with their pastoral roots, coping with a gradual change to big-city life, being the first to embark on racial equality, then pursing the wide-open lifestyle of the West Coast. Stout takes us through each step of the team’s storied history, pulling no punches. He sheds new light on Jackie Robinson’s breaking the color barrier, the sad story of the end of Sandy Kofax’s career, the many motivations for the move to Los Angeles, and the eclipse and subsequent resurgence of the franchise in recent times. Filled to bursting with an amazing array of photographs selected by Richard A. Johnson, The Dodgers is a rarity: a great coffee-table book as well as a well-written, thoughtful history.

It's an annoying fact, at least to aficionados of other sports, that baseball fans are as enamored of its history as they are of the game itself. They seem to delight in telling one and all of the exploits of various greats "back in…
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An angelic stunner, Lizzie Siddal one-time shop girl, celebrated artists’ model and opium addict graces many 19th-century masterworks by Dante Gabriel Rossetti, John Millais and other pre-Raphaelite painters. In Lizzie Siddal: The Face of the Pre-Raphaelites, writer and scholar Lucinda Hawksley (Charles Dickens’ great-great-great granddaughter) provides a compassionate portrait of this muse who was also a talented artist and poet in her own right.

Red-haired, temperamental Siddal was not a typical Victorian beauty, but her face and manner nevertheless lifted her from poverty to become London’s society darling. Model, mistress and then wife of Rossetti, she was mentored by him and earned the artistic patronage of John Ruskin. Siddal is most famous, however, for her appearances in the paintings (portrayed both as Ophelia and Beatrice) of the pre-Raphaelite Brotherhood, a 19th-century society set up by seven idealistic young men who were passionate about art [and] depressed about the current, very conventional state of the art world. Fine research gives Hawksley’s portrait vital tension as she examines Rossetti’s milieu, revealing unrest beneath the carefree, bohemian surfaces of the pre-Raphaelites’ lives. Exploring the difficult existence of the world’s first supermodel,’ she captures her subject’s erotic, erratic and haunting essence. Despite all the acclaim, happiness eluded Siddal and she died of a drug overdose at 32.

An angelic stunner, Lizzie Siddal one-time shop girl, celebrated artists' model and opium addict graces many 19th-century masterworks by Dante Gabriel Rossetti, John Millais and other pre-Raphaelite painters. In Lizzie Siddal: The Face of the Pre-Raphaelites, writer and scholar Lucinda Hawksley (Charles Dickens' great-great-great…
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Margot Fonteyn, the subject of biographer Meredith Daneman, fits this mold in some ways as well. Although she never professed any great love for dance and she went on to dance well past her prime (with her most famous partner, Rudolf Nureyev), in part because of medical bills which mounted following the assassination attempt on the life of her husband, Panamanian politician Roberto Arias, those who saw Fonteyn dance were mesmerized by her beauty and grace. She brought seemingly effortless characterizations to roles created for her by British choreographer Frederick Ashton, for whom she was a muse. Like Balanchine, she worked tirelessly and constantly despite social upheaval, personal troubles, monetary and political considerations and physical pain. The honor was in working, and even if she did not think about dance (she is quoted as saying she didn’t think ballet “ever caught my imagination. . . . I just danced. I don’t think I ever thought about it very much.”), she created an aura that captivated those who witnessed her firsthand.

The two books also demonstrate the incredible cross-fertilization in ballet during the 1920s, ’30s, and ’40s, and for that reason, too, they are hard to put down. At the Imperial School of Ballet and Theater, it is prima ballerina Olga Preobrajenska whose eye Balanchine catches as worthy of admission to the school. Later, she becomes one of Fonteyn’s favorite teachers in Paris. Ninette de Valois, who nurtured Fonteyn into becoming the first great British ballerina at the Sadler’s Wells Ballet, worked in the corps of the Ballets Russes while Balanchine was its resident choreographer. Fonteyn herself worked with Balanchine in 1950 as he staged Ballet Imperial for Sadler’s Wells. Bonnie Arant Ertelt is a writer in Nashville.

 

Margot Fonteyn, the subject of biographer Meredith Daneman, fits this mold in some ways as well. Although she never professed any great love for dance and she went on to dance well past her prime (with her most famous partner, Rudolf Nureyev), in part…

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