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Tired of those seemingly endless, boring counting books? Try this one. At first glance, you might find Five for a Little One typical. After all, there’s a little bunny, counting phrases and short, sweet lines. But the book has a modern, fun twist, while still being perfect for bedtime. The basic premise is a discussion of the five senses, but this is not an ordinary preschool litany. First of all, consider the bunny. He’s simple and cute without being cutesy and lively, as if he has painted himself on every page and is still swinging that paintbrush. Note that author/illustrator Chris Raschka just scooped this year’s Caldecott Medal for his illustration of Norman Juster’s The Hello, Goodbye Window and you know you’ve got an artist whose work is worth savoring. Now take a look at the text, which starts out by discussing smell: Noble nose, sniff and smell./You do it well. Contrast, compare. Sample scents of flowers and foods, oceans and woods. No, you won’t get your typical sweet-smelling flowers here. If you know a baby or toddler in need of a goodnight read, pair Five for a Little One with Pat the Bunny for a super combination of classic and modern lit with a bunny theme.

Tired of those seemingly endless, boring counting books? Try this one. At first glance, you might find Five for a Little One typical. After all, there's a little bunny, counting phrases and short, sweet lines. But the book has a modern, fun twist, while still…
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Popular African-American novelist E. Lynn Harris has won a wide readership with his edgy, provocative tales of modern-day romance. In his best-selling memoir, he reveals some of the sources for his fiction and recounts the experiences that led him to writing. Harris is forthcoming about his turbulent childhood in Arkansas, his violent father, his battles with depression and his experiences as a gay man. One of the first black students to be accepted at the University of Arkansas at Fayetteville, he went to work for IBM in Dallas after college. His account of the difficulties of dating and the death of close friends from AIDS is timely and poignant. Readers will relate to his experiences and root for him as he moves from tragedy to triumph, finding real love at last and learning to accept himself. Harris’ journey of self-discovery is inspiring, touching and beautifully recounted.

 

Popular African-American novelist E. Lynn Harris has won a wide readership with his edgy, provocative tales of modern-day romance. In his best-selling memoir, he reveals some of the sources for his fiction and recounts the experiences that led him to writing. Harris is forthcoming…

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Swashbuckling sailors, secret treasure, long-lost relatives and time travel: Newbery Medalist Susan Cooper captures them all and our imagination in her latest book for young readers, Victory.

Best known for her award-winning series The Dark Is Rising, which she launched more than 40 years ago with the publication of Over Sea, Under Stone, Cooper spins an intriguing and delicately balanced web of adventure, personal discovery, loss and love in her new stand-alone fantasy. Victory chronicles the lives of Molly, a present-day English girl recently transplanted to the United States, and Sam, an early 19th-century English sailor living on the high seas. Told in alternating voices, the story unfolds as a very homesick Molly becomes strangely drawn to a book recounting the life of Lord Nelson, an English naval hero and the captain of Sam’s ship. Upon opening the antiquated tome, Molly makes a serendipitous discovery that connects her to Sam and ultimately takes her back through time to help her understand her own past. In an interview from her home in Connecticut, Cooper tells BookPage she got the idea for the book after reading a true-life account of Lord Nelson’s funeral. According to the report, the sailors in the funeral procession had torn apart the flag draped over the admiral’s casket because they could not bear letting it be sealed into the crypt for eternity. Their affection for him was so powerful, says Cooper. It started me thinking, what if one of those sailors was a young boy? And what if his piece of the flag lived longer than he did and found its way to another child? Certain elements of the fictional tale mirror parts of Cooper’s own life story homesickness, historic reverence, relocation from England to New England and stepfamilies but the author assures us that there is no intentional connection. Everything we write is based on what we have lived, encountered or dreamed, but you don’t do that on purpose. Things come from the compost heap in your imagination, she explains.

Cooper got her start as a writer at a very early age. I was born a writer, she says. Growing up in rural England during World War II, Cooper found it easier to cope with books than with people and the world around her. During those years, writing was a very private thing to her. So much so, that when a well-meaning uncle complimented her on a book that she had written, illustrated and purposely kept hidden, Cooper burst into tears and destroyed the book. She was 10 years old at the time.

Years later, Cooper overcame her fear of exposure and went on to edit her school magazine and study English at Oxford University, where students had to read so much medieval literature that we ended up believing in dragons. Dragons, magic, time travel, ghosts Cooper has written about them all. To date, she has published nearly 25 books and has written for film, TV and Broadway.

Though she has diverse interests, Cooper tells BookPage she has no intention of relinquishing her grasp on the fantasy book world. I’m a novelist who also writes screenplays, she says. Book writing is a private piece of work. Screenwriting is a craft, a collaboration. Like her books, her screenplays have also been critically acclaimed, including the Emmy-nominated Foxfire and The Dollmaker, and the Humanitas Award-winning To Dance with the White Dog. She collaborated on all three screenplays with the late Hume Cronyn, her longtime writing partner whom she married in 1996.

Whatever the project, Cooper assures us she does not focus on winning awards. I don’t write for you, whoever you are, I write for me, she says. In fact, when The Dark Is Rising was named as an honor book, or runner-up, for the 1974 Newberry Medal, she was not even familiar with the award. My publisher got very excited, Cooper recalls, but I thought, what is so amazing about being runner-up? These days, she’s quite familiar with the Newbery, the most prestigious American award for a children’s book having lived in the United States for more than 30 years, and having won it for her novel The Grey King in 1976.

To her thousands of fans throughout the world, Cooper plans to remain true to her fantasy writing. She sees it as a cross between being a journalist which she was for many years and a poet. Half of my head loves to write about real life, but nearly always, magic creeps in and my stories turn into metaphor. At the end of the day, admits the author, I am really a fantasy writer and in this world, I think one can believe in anything. Heidi Henneman writes from the magical world of Manhattan.

Swashbuckling sailors, secret treasure, long-lost relatives and time travel: Newbery Medalist Susan Cooper captures them all and our imagination in her latest book for young readers, Victory.

Best known for her award-winning series The Dark Is Rising, which she launched more than 40…
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Though most Americans may not think of orchids when they hear the word vanilla, the exotic Mexican tropical plant produces the fruit we know as the vanilla bean or pod. Centuries before Cortez invaded Mexico in 1519, the Mesoamerican Indians held the plant (Vanilla planifolia) in high esteem as a blessing of nature, and used it for trade and exchange.

In 1572, Bernal Diaz de Castillo described how chocolate was first drunk as a beverage, a bitter-tasting drink made from the cocoa plant and flavored with ground vanilla. Cortez himself tasted it at Montezuma’s court. Shortly thereafter, the Spaniards shipped vanilla back to Europe, where it was touted as an antidote to poisons as well as an aphrodisiac.

Author Tim Ecott’s new book Vanilla: Travels In Search of the Ice Cream Orchid is a fascinating blend of history, science and travelogue. Ecott’s pages are filled with legends and surprising stories about the world’s most exotic and sensual plant: an orchid that traveled the world but would not bear fruit outside of Mexico until a 12-year-old African boy named Edmond Albuis developed a process for cultivating it in 1841.

In keeping with his penchant for obscure subjects (his first bestseller, Neutral Buoyancy: Adventures in a Liquid World, captures his scuba-diving adventures), Ecott presents a cast of interesting characters including farmers, brokers and ice cream makers he tracked down in Mexico, Tahiti, Madagascar, England and America.

Vanilla is a compelling book along the lines of The Orchid Thief and Orchid Fever that fans of the fascinating subculture of orchid growing are sure to love, and one that will make others wonder what the world would be like without vanilla. After all those centuries, it is more valuable today than at any time in history. Cooking instructor Wuanda M.T. Walls is finishing a cultural memoir cookbook.

Though most Americans may not think of orchids when they hear the word vanilla, the exotic Mexican tropical plant produces the fruit we know as the vanilla bean or pod. Centuries before Cortez invaded Mexico in 1519, the Mesoamerican Indians held the plant (Vanilla planifolia)…
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The perfect primer for young music lovers, Honky-Tonk Heroes and Hillbilly Angels: The Pioneers of Country and Western Music is certain to inspire a new generation of listeners. This introduction to a group of revered American artists reads like a who’s-who of the country genre. Author Holly George-Warren, who contributed to The Encyclopedia of Country Music, has created an eye-catching volume that will appeal to readers of all ages. The book begins with folk music pioneers the Carter Family and ends, appropriately enough, with country legend Johnny Cash, whose melting pot of American musical styles, George-Warren says, embodies the sound called country &andamp; western music. All told, the book covers 15 singers, as well as the range of musical categories encompassed by country, including Western Swing, country blues and bluegrass.

Each artist’s story has been skillfully distilled into an easy-to-absorb, single-page summary, and the mini-biography form makes for fun and instructive reading. From the flamboyant Buck Owens, to country music’s First Lady, Loretta Lynn, to mandolin maestro Bill Monroe, all the most important artists are here. Artist Laura Levine contributes colorful portraits of each singer. Homespun, folksy paintings that in their simplicity, charm and naivetŽ bring to mind the work of Grandma Moses, the pictures provide the perfect accent to George-Warren’s informative, no-frills prose. Levine and George-Warren have a previous collaboration to their credit, the well-received picture book Shake, Rattle, and Roll: The Founders of Rock and Roll (2001). With the addition of Honky-Tonk Heroes, they have produced a pair of a collector’s items for present and future fans of American music. Almost as good as a trip to the Grand Ole Opry, Honky-Tonk Heroes successfully translates and celebrates the soul of country music.

The perfect primer for young music lovers, Honky-Tonk Heroes and Hillbilly Angels: The Pioneers of Country and Western Music is certain to inspire a new generation of listeners. This introduction to a group of revered American artists reads like a who's-who of the country genre.…
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Summer days are filled with ways to pass the time, and reading a delightful picture book to a group of young children should be one of them. A selection sure to entertain any group is Marilyn Nelson’s appealing new book The Ladder. Translated from a poem by noted Danish poet Halfdan Rasmussen, The Ladder depicts the surprising journey of a curious, wandering red ladder that dances, prances and waddles its way into readers’ hearts. The ladder begins its travels when its creator/carpenter disappears up the ladder and into the sky. While the long red ladder crosses the countryside, others follow the carpenter’s lead and use the ladder as a stairway to the sky. The odyssey continues as a lively collection of onlookers climbs into the clouds on their own adventures leaving the lonely ladder a bit confused by it all. A charming (and reassuring) ending sets things straight.

In simple but cheery illustrations that give the book a retro look, Canadian artist Pierre Pratt conveys the movement of the journey through such elements as a changing landscape, flying birds, the progress of a distant train and the variety of people and animals the ladder meets along the way. The rolling hills and spacious blue skies provide a fitting setting for a poem about possibilities, while fold-out and pull-out pages extend the novelty of the tale. An accomplished poet in her own right, Marilyn Nelson won a Newbery Honor in 2002 for Carver, a collection of poems about the life of George Washington Carver, and a Printz Honor this year for A Wreath for Emmett Till. The Ladder is considerably lighter than these earlier works, and Nelson moves the story along with crisp, rhythmic couplets.

Somewhat longer than the average picture book, The Ladder is a captivating read-aloud experience for young readers and the young at heart. This lyrical story draws in readers and carries them along on a ladder’s imaginative excursion. Lisa Long works at and attends the University of North Carolina.

Summer days are filled with ways to pass the time, and reading a delightful picture book to a group of young children should be one of them. A selection sure to entertain any group is Marilyn Nelson's appealing new book The Ladder. Translated from a…
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On maps, the Darien Gap doesn’t look like a hotbed of armed guerillas. But you have to ask yourself why the Pan-American Highway, which runs otherwise unbroken from Alaska to the bottom of South America, takes its one and only break between Central and South America at the Darien Gap. The gap’s jungles have been effectively off-limits even to the hardiest backpackers for the past 10 years. Guidebooks and Central American officials alike have just two words for it: "Don’t go." So why would Tom Hart Dyke and Paul Winder, two well-brought up British lads, disobey so many direct orders and venture into the Darien Gap with nothing but the clothes on their backs and a couple of packs? In their "true story of adventure, survival, and extreme horticulture," The Cloud Garden, Dyke and Winder explain themselves. Dyke’s passion is orchids. For him, the untrammeled jungles and wetlands of the Darien Gap represent a botanist’s dream an opportunity to see rare flowers undocumented by any other scientists. Winder, an escapee from a boring bank job, is in search of the ultimate adrenaline rush. The fact that almost no one dares traverse the gap makes it an irresistible challenge. Both adventurers get what they are looking for and a lot more than the original bargain.

Just as Winder and Dyke are about to cross into the relative safety of Columbia, they are kidnapped by a band of FARC guerillas. What follows is a harrowing tale of torture and a fight for survival. The young men know enough Spanish to hear the kidnappers talking matter-of-factly about murdering them on an almost daily basis. For months, Winder and Dyke are marched from one makeshift camp to another deprived of clean water, threatened and humiliated.

Cloud Garden is not, in the end, a travel documentary or an orchid study. Nor do Winder and Dyke take any position on South American politics. Their tale is one of two men figuring out how to make it out of the jungle alive. What makes the book interesting reading is the sense of humor the writers bring to even the most sordid aspects of their capture. While making an outward show of cooperation, Winder and Dyke assign belittling nicknames to their captors, like "Tank Bird," "Space Cadet," "Nutter," and "Lost Cause." When asked for English lessons, they teach their kidnappers obscenities. When the opportunity presents itself, the captive Brits even pee into their tormentors’ drinking water. By maintaining an invisible, inner resistance to their capture, the two men keep their high spirits intact, even in the face of constant death threats.

But Dyke and Winder emerge, in the end, as more than just adolescent pranksters; they are also incredibly brave. Their kidnappers form the wild notion to ask for $3 million dollars in ransom. Dyke’s family could, technically, raise that amount of money and more by selling Lullingstone Castle in Kent, their ancestral home. When ordered to write home, demanding millions for his return, Dyke writes: "Dear Mum and Dad. Our kidnappers are all idiots. They are a bunch of gits. Give them absolutely nothing. We are well. Don’t worry about me." Readers will find themselves turning pages and delaying dinner while Winder and Dyke slowly blossom into the heroes of their own misguided adventure.

On maps, the Darien Gap doesn't look like a hotbed of armed guerillas. But you have to ask yourself why the Pan-American Highway, which runs otherwise unbroken from Alaska to the bottom of South America, takes its one and only break between Central and…

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Ivy and Bean are the most unlikely pair of friends on Pancake Court. Ivy wears dresses every day. Bean only wears dresses on special occasions. Ivy always has her nose in a book; Bean can never sit still. Despite her mother's constant nagging, Bean is convinced that Ivy is too boring to be a good friend. However, when Bean requires a quick escape after a failed prank on her bossy older sister, Ivy comes to the rescue.

Ivy is not only a creative escape artist but also an aspiring witch. She's learning her craft from a large spell book, but she doesn't look like much of a witch to Bean, who thinks an authentic look is a vital part of casting successful spells. She paints Ivy's face, ties up her hair and fixes her witch's cloak. Now that Ivy looks more like a witch, Bean thinks she might not be so boring after all. In fact, Ivy might be just the person Bean needs to help cure her sister's bossiness. Ivy and Bean decide that a dancing spell is the perfect solution. They assemble the necessary ingredients and begin work on their potion. Will a common goal unite these two complete opposites?

Annie Barrows' simple and sassy text will draw in both the reluctant reader and the young bookworm. In this first book of a planned series, Barrows captures the spirit and imagination of a pair of seven-year-old girls, turning an ordinary cul-de-sac into a plethora of potential adventures.

Sophie Blackall, a winner of the Ezra Jack Keats New Illustrator Award, uses charming illustrations to complement the text. The facial expressions on Blackall's characters are especially delightful, giving the reader another facet of Ivy's and Bean's personalities. Fans of Beverly Cleary's Beezus and Ramona will enjoy this cleverly written and illustrated tale of sibling rivalry and unexpected friendship.

 

Tracy Marchini works at a literary agency in Manhattan.

Ivy and Bean are the most unlikely pair of friends on Pancake Court. Ivy wears dresses every day. Bean only wears dresses on special occasions. Ivy always has her nose in a book; Bean can never sit still. Despite her mother's constant nagging, Bean is…

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The sky is truly falling on many fish species. Nets come up empty, and fish-based economies collapse. But the Maine lobster seems almost immune to such disaster; a growing number of Maine lobstermen continue to haul in a grand 20 million pounds a year of delectable crustacean with no shortage looming on the horizon. Why? Two new books on Maine’s lobster The Lobster Coast: Rebels, Rusticators, and the Struggle for a Forgotten Frontier by Colin Woodard (Viking, $24.95, 384 pages, ISBN 0670033243) and The Secret Life of Lobsters: How Fishermen and Scientists Are Unraveling the Mysteries of Our Favorite Crustacean by Trevor Corson explain how Maine lobstermen voluntarily conserve their lobster population and keep the industry sustainable.

The stereotype of the Maine fisherman as stoic, independent and not easily impressed is apparently well deserved. Both Corson and Woodard suggest that Maine’s lobsters benefit from small, traditional, often ancient, fishing communities that jealously guard their resource. Though anyone can theoretically obtain a license to fish for lobster in Maine, the pros protect their harbors from interlopers, snubbing neophytes with no ancestral ties to the community, and even vandalizing their traps. Maine lobstermen have also protected their lobster population by making the breeding female lobster almost sacred. Both Woodard and Corson laud the lobstermen’s practice of “V-notching” egg-bearing females punching a small hole in their tail fins before releasing them back into the ocean. Notching is code for “Cherished breeder not for sale.” Lobstermen have agreed among themselves to throw back the V-notched lobsters even when they are eggless. Maine’s lobstering community also tosses back outsized male lobsters a practice unique among fishing industries. In the inimitable words of Trevor Corson: “by throwing back any lobster with a carapace over five inches, the lobstermen were populating a sort of sex resort for retirees, open to both male studs and experienced females.” Undersea sex Corson is one of those rare writers who can make the reproductive systems of lower life forms seem positively racy. Even readers with only a passing interest in marine ecosystems will find the chapter “Sex, Sizes, and Videotape,” which chronicles the fascinating mating habits of lobsters, a riveting page turner. Corson’s secret is to suggest human analogs for lobster behaviors without anthropomorphizing too flagrantly. Corson also keeps his pages interesting to a wide range of readers by drifting back and forth between the sex lives of lobsters and those of lobstermen like Bruce Fernald, whose romance and marriage to Barb Shirey blossoms between scientific studies.

Corson also aptly traces the sometimes adversarial, but often collaborative relationship between lobstermen and scientists. Bob Steneck, who also appears prominently in Woodard’s book, emerges as the hero of this conflict. Steneck is a renegade scientist who believes in actually getting out in the water and counting lobsters before making predictions. His practical field approach which involves studying lobsters in their natural setting vindicates the conservation practices of Maine’s lobstermen and helps bridge the gap between fishing and science.

Woodard writes ambitiously about the whole state of Maine and its history, starting with its pre-Pilgrim inhabitation by Europeans. Throughout his book, he keeps an eye on lobstering, the industry that has been the backbone of Maine’s economy, the ever-present default option as other industries, such as ice and granite, failed. Woodard reports not only on the conflict between lobstermen and government scientists, but also on the friction between ancient lobster communities and encroaching suburbia what he calls the “Massification” of southern Maine, i.e. the tendency of Boston professionals to sprawl northward, driving lobstermen out of their ancestral homes with tax increases, beach access restrictions and noise ordinances. Woodard’s chapter, “The Triumph of the Commons,” is, itself, a triumph. Science has declared that, by and large, shared natural resources are doomed to overharvesting, but Woodard shows how Maine’s lobster community has defied that trend through religious self-regulation. Woodard takes as his focal point the beautiful and largely undeveloped Monhegan Island. On Monhegan, lobstermen have taken resource conservation a quantum step further: they only fish for lobsters December through June. Monhegan is not only a model of conservation; for Woodard, it is also a symbol of Maine and lobstering culture at its very best. Monhegan, he writes, is “an ancient, self-governing village, essentially classless and car-less, whose homes, sheds, and footpaths appear to have thrust themselves out of the wild and arrestingly beautiful landscape. . . . [B]eing immersed in it pulls at something deep within our civic being, a hint of a simpler, perhaps nobler world that might have been, but can never be again.”

The sky is truly falling on many fish species. Nets come up empty, and fish-based economies collapse. But the Maine lobster seems almost immune to such disaster; a growing number of Maine lobstermen continue to haul in a grand 20 million pounds a year…
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Twelve-year-old Garnet Hubbard knew that her mother Melanie was not good mother material, no matter how badly Garnet and her sister Opal needed her to be. Melanie Hubbard looked at her precious gems and saw everything that was wrong in her life. So in the hot, humid August of Mirabeau, Texas, in the early 1960s, as Garnet prepared for seventh grade and her popular sister Opal prepared to enter high school, their mother awakened them early one morning, loaded them into the pickup truck and left everything behind to follow her dream of becoming a famous country singer in Nashville. Melanie couldn’t wait to get to Willow Flats, Oklahoma, to drop off the girls with their Aunt Julia, like a pair of stray kittens. She told them there was a price to be paid for dreams, but as Garnet explains, She had neglected to tell me who all would be paying it. Garnet and Opal find their Aunt Julia’s house to be at the edge of the livable world, with no phone, no TV and no car. Further compounding the loss of their mother, their friends and their home, days after they arrive in Oklahoma, their beloved father is seriously injured at his job on an oil rig in the Gulf of Mexico and hospitalized for many months. Garnet’s account of the next 10 months is filled with poignant insight and the pain of abandonment and poverty, as well as a seventh grader’s longing for acceptance from friends, teachers and family. Garnet and Opal find that acceptance and love from an unlikely group: Aunt Julia, an old maid who carves whirligigs; a native American and octogenarian named Charlie Twelvetrees; an eccentric widow chicken farmer and school bus driver; and one another. Christmas that year brings unexpected kindness to Garnet from those she had not realized were so important to her. As in her other novels, D. Anne Love’s target audience is adolescents, but plenty of mothers will also be staying up past bedtime to enjoy this timeless and beautifully told story. Alice Pelland writes from Hillsborough, North Carolina.

Twelve-year-old Garnet Hubbard knew that her mother Melanie was not good mother material, no matter how badly Garnet and her sister Opal needed her to be. Melanie Hubbard looked at her precious gems and saw everything that was wrong in her life. So in the…
Review by

The sky is truly falling on many fish species. Nets come up empty, and fish-based economies collapse. But the Maine lobster seems almost immune to such disaster; a growing number of Maine lobstermen continue to haul in a grand 20 million pounds a year of delectable crustacean with no shortage looming on the horizon. Why? Two new books on Maine’s lobster The Lobster Coast: Rebels, Rusticators, and the Struggle for a Forgotten Frontier by Colin Woodard and The Secret Life of Lobsters: How Fishermen and Scientists Are Unraveling the Mysteries of Our Favorite Crustacean by Trevor Corson (HarperCollins, $24.95, 304 pages, ISBN 0060555580) explain how Maine lobstermen voluntarily conserve their lobster population and keep the industry sustainable.

The stereotype of the Maine fisherman as stoic, independent and not easily impressed is apparently well deserved. Both Corson and Woodard suggest that Maine’s lobsters benefit from small, traditional, often ancient, fishing communities that jealously guard their resource. Though anyone can theoretically obtain a license to fish for lobster in Maine, the pros protect their harbors from interlopers, snubbing neophytes with no ancestral ties to the community, and even vandalizing their traps. Maine lobstermen have also protected their lobster population by making the breeding female lobster almost sacred. Both Woodard and Corson laud the lobstermen’s practice of “V-notching” egg-bearing females punching a small hole in their tail fins before releasing them back into the ocean. Notching is code for “Cherished breeder not for sale.” Lobstermen have agreed among themselves to throw back the V-notched lobsters even when they are eggless. Maine’s lobstering community also tosses back outsized male lobsters a practice unique among fishing industries. In the inimitable words of Trevor Corson: “by throwing back any lobster with a carapace over five inches, the lobstermen were populating a sort of sex resort for retirees, open to both male studs and experienced females.” Undersea sex Corson is one of those rare writers who can make the reproductive systems of lower life forms seem positively racy. Even readers with only a passing interest in marine ecosystems will find the chapter “Sex, Sizes, and Videotape,” which chronicles the fascinating mating habits of lobsters, a riveting page turner. Corson’s secret is to suggest human analogs for lobster behaviors without anthropomorphizing too flagrantly. Corson also keeps his pages interesting to a wide range of readers by drifting back and forth between the sex lives of lobsters and those of lobstermen like Bruce Fernald, whose romance and marriage to Barb Shirey blossoms between scientific studies.

Corson also aptly traces the sometimes adversarial, but often collaborative relationship between lobstermen and scientists. Bob Steneck, who also appears prominently in Woodard’s book, emerges as the hero of this conflict. Steneck is a renegade scientist who believes in actually getting out in the water and counting lobsters before making predictions. His practical field approach which involves studying lobsters in their natural setting vindicates the conservation practices of Maine’s lobstermen and helps bridge the gap between fishing and science.

Woodard writes ambitiously about the whole state of Maine and its history, starting with its pre-Pilgrim inhabitation by Europeans. Throughout his book, he keeps an eye on lobstering, the industry that has been the backbone of Maine’s economy, the ever-present default option as other industries, such as ice and granite, failed. Woodard reports not only on the conflict between lobstermen and government scientists, but also on the friction between ancient lobster communities and encroaching suburbia what he calls the “Massification” of southern Maine, i.e. the tendency of Boston professionals to sprawl northward, driving lobstermen out of their ancestral homes with tax increases, beach access restrictions and noise ordinances. Woodard’s chapter, “The Triumph of the Commons,” is, itself, a triumph. Science has declared that, by and large, shared natural resources are doomed to overharvesting, but Woodard shows how Maine’s lobster community has defied that trend through religious self-regulation. Woodard takes as his focal point the beautiful and largely undeveloped Monhegan Island. On Monhegan, lobstermen have taken resource conservation a quantum step further: they only fish for lobsters December through June. Monhegan is not only a model of conservation; for Woodard, it is also a symbol of Maine and lobstering culture at its very best. Monhegan, he writes, is “an ancient, self-governing village, essentially classless and car-less, whose homes, sheds, and footpaths appear to have thrust themselves out of the wild and arrestingly beautiful landscape. . . . [B]eing immersed in it pulls at something deep within our civic being, a hint of a simpler, perhaps nobler world that might have been, but can never be again.”

The sky is truly falling on many fish species. Nets come up empty, and fish-based economies collapse. But the Maine lobster seems almost immune to such disaster; a growing number of Maine lobstermen continue to haul in a grand 20 million pounds a year…
Review by

Jack Lucas never let any barrier keep him from what he wanted to do. As a teenager in the midst of World War II, he was determined to fight for his country. When a Marine recruiter questioned his age, the 15-year-old said he was 17 and had his stepfather confirm the lie. Assigned to training duty instead of combat, Lucas went AWOL, boarded a military train for California and assigned himself to a Marine battalion headed to the Pacific. When an officer discovered his true age and stuck Lucas with camp duty, he stowed away on a transport ship bound for Iwo Jima. His determination to fight so impressed a Marine colonel that Lucas was assigned to an amphibious assault unit. On February 19, 1945, Pvt. Jack Lucas, age 17, in support of the Marines or in spite of them, landed on Iwo Jima. Before the next day was out, he would throw himself onto two Japanese grenades, earning the Congressional Medal of Honor (becoming the youngest Marine recipient in history) and forever changing his life.

Indestructible: The Unforgettable Story of a Marine Hero at the Battle of Iwo Jima is Lucas’ straightforward account of that life, from childhood through wartime, up to his present experiences as a celebrated veteran. Lucas and his co-writer, D.K. Drum, tell the story simply, but the simplicity of the language makes Lucas’ story all the more compelling. To travel with Lucas is to see the war and its aftermath as he saw it, and to understand, if only a little, what a man will do and bear for the love of his country. As the Greatest Generation fades away, it reamins worthwhile to discover what made them great, and to do so through the eyes of one of their own. Howard Shirley is a writer in Franklin, Tennessee, and the grandson of WWII veterans.

Jack Lucas never let any barrier keep him from what he wanted to do. As a teenager in the midst of World War II, he was determined to fight for his country. When a Marine recruiter questioned his age, the 15-year-old said he was 17…
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“People see alligators in the park and think everything is good. That’s ridiculous,” a naturalist tells travel journalist W. Hodding Carter. In the pages of Stolen Water: Saving the Everglades from Its Friends, Foes and Florida, Carter describes what visitors do not see: a monumental battle between nature and civilization that began more than a century ago. The Everglades, a shallow, slow-moving river, was mistakenly despised as a swamp in the early 1900s. Since then, state and federal officials have built canals, levees and dams to drain it “and by the time certain people realized it was a river, we’d already turned it into a swamp,” says Carter, thereby creating precisely what they were trying to eliminate in the first place. Carter says civilization’s interference causes 1.7 billion gallons of fresh water to be dumped wastefully every day into the Atlantic Ocean and the Gulf of Mexico. Among the consequences: 90 percent of the Everglades’ wading birds have vanished, more than 60 species of animals face extinction, and mercury levels in fish are seven times higher than considered safe by the government. After weighing such issues as industrial pollution, population growth and flood control, Carter, who went into the Everglades “knowing nothing,” deplores what he sees as a “half-assed” management program. Written in a conversational manner and splashed with humor, this book deserves a wide readership, especially among legislators who still have a chance to save an area unlike any other on Earth.

"People see alligators in the park and think everything is good. That's ridiculous," a naturalist tells travel journalist W. Hodding Carter. In the pages of Stolen Water: Saving the Everglades from Its Friends, Foes and Florida, Carter describes what visitors do not see: a…

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