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Landon Carter was one of the wealthiest planter patriarchs in Virginia, a man of letters and Enlightenment science and a member of the House of Burgesses from 1752 until 1768. Carter claimed he was the first person in America to sound the alarm over the coming Stamp Act. In 1774, he became the chair of his county’s boycott committee and was a militant patriot until his death in 1778.

In addition to the public record, we know more about him through his remarkable diary. Historian Rhys Isaac, who received the Pulitzer Prize for The Transformation of Virginia, 1740-1790, became a literary editor of sorts to guide us authoritatively through Landon Carter’s Uneasy Kingdom: Revolution and Rebellion on a Virginia Plantation. The result is a rich source for anyone interested in biography or in the revolutionary era.

One aspect of the diary, influenced by Virgil’s Eclogues, is a 22-year record that contains “the most elaborated and revealing English-language farm journalÉfrom the 18th-century age of agricultural improvement.” Another is what Isaac calls “gentrylore,” the mix of new and old narrative cycles to craft true stories about wayward slaves. There are also stories of family tensions. Throughout all of this we are given Carter’s self-justifying reasoning, his concern with doing his duty to God.

This unique book takes us into a world quite unlike our own and yet as Isaac reminds us, “the struggles he recorded are really timeless . . . and, above all, every one is Landon himself.”

Landon Carter was one of the wealthiest planter patriarchs in Virginia, a man of letters and Enlightenment science and a member of the House of Burgesses from 1752 until 1768. Carter claimed he was the first person in America to sound the alarm over…
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<B>All the presidents’ spin: leaders’ lives defined by power of stories</B> Storytelling is one of the primary ways by which we learn about the world and how we relate to it. In American presidential politics, storytelling of different kinds plays a role. Events, issues and ideology are important factors, too, but according to Evan Cornog, "Presidential life stories are the most important tools of persuasion in American political life." <B>The Power and the Story: How the Crafted Presidential Narrative Has Determined Political Success from George Washington to George W. Bush</B> is Cornog’s insightful exploration of the story behind the stories.

The book reads like a series of carefully researched reflections on many candidates, mostly the winners. Cornog considers, for example, the role of a candidate’s family and the best way for a candidate to convey his story (perhaps a biography if you were Franklin Pierce and a former college classmate of Nathaniel Hawthorne or Rutherford B. Hayes with William Dean Howells at your disposal). Cornog also looks at how a new or re-elected president can define himself with an inaugural address: "Some use it as an opportunity to reaffirm their life stories; others to change them." Cornog shows how certain candidates have life stories that more easily lend themselves to narratives that connect with the public. Washington, Jefferson, Lincoln and Kennedy fit into this category. For others and that includes most presidential contenders it has been a struggle to find appropriate stories that would appeal to the public. These are not arbitrary choices, he writes; they "must fit the politician’s experiences and match his personality" while also satisfying the requirements of the era. The author tells us how in 1898, Theodore Roosevelt purposely sought combat against Spain in Cuba as a way to advance his political career. Addressing the businessman as candidate, Cornog shows that although "business failure is not necessarily an obstacle to political success, so a good record in business is no guarantee of a fortunate political career." Cornog, associate dean for policy and planning at the Columbia Graduate School of Journalism, discusses how journalists and historians make judgments on presidents and their reputations in a chapter entitled "Good and Evil," and looks at how former presidents give their versions of their administrations, and perhaps assume new worthwhile roles, in "Memoirs and Second Acts." Cornog’s thoughtful book will help anyone interested in politics to think about what is behind each presidential candidate’s story during this election year. He demonstrates, for example, the crucial role the press plays in the process. Each run for the presidency, he writes, "is a great festival of narration," with the press serving "simultaneously as actor, chorus, and audience." Beyond that, stories are interpreted by the press, then reinterpreted by campaign spin doctors, and the press sometimes responds to the public’s desire for new narratives.

Cornog notes that this year’s race, "like all the presidential elections that have come before it, will be defined by the power of stories." While he recognizes these stories are "an important part of the nation’s strength," he also says, "citizens will be less easily misled by stories if they are aware of the ways stories are marshaled to serve political ends." <I>Roger Bishop is a bookseller in Nashville and a frequent contributor to BookPage.</I>

<B>All the presidents' spin: leaders' lives defined by power of stories</B> Storytelling is one of the primary ways by which we learn about the world and how we relate to it. In American presidential politics, storytelling of different kinds plays a role. Events, issues and…

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Naturalist and author Sy Montgomery leads a quiet life in rural New Hampshire with her husband until the day they adopt Christopher the pig. Small enough to fit in a shoebox when the Montgomerys bring him home, Christopher is undernourished, the runt of a large litter. Remarkably smart, irresistibly charming, he fits right in on their eight-acre farm, befriending the neighbors, who bring him treats and help the Montgomerys nurse him back to health. The Good Good Pig: The Extraordinary Life of Christopher Hogwood documents the friendship that develops between the author and this endearing animal. Explaining the appeal of her unusual pet, Montgomery writes, Everything about a pig makes people want to laugh out loud with joy: the way their lardy bulk can mince along gracefully on tiptoe hooves, the way their tails curl . . . their great, greedy delight in eating. Montgomery writes with skill and sensitivity about the challenges of caring for this formerly fragile animal, who now weighs a robust 750 pounds. Christopher has been profiled in USA Today and on National Public Radio, and Montgomery now shares his story in full in this unique and beautifully written memoir, already one of the most talked-about books of the summer.

Julie Hale tends to her dog Howdy in Waynesville, North Carolina.

Naturalist and author Sy Montgomery leads a quiet life in rural New Hampshire with her husband until the day they adopt Christopher the pig. Small enough to fit in a shoebox when the Montgomerys bring him home, Christopher is undernourished, the runt of a large…
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Ernest Hemingway enjoyed fame and fortune during most of his lifetime, achieving notoriety as much for his adventurous lifestyle as for his groundbreaking literature. Whether covering foreign wars, fighting bulls or simply hanging out with other members of the so-called “Lost Generation,” Hemingway lived life to the fullest. In 1933 and again in 1953, he traveled through Kenya, Tanzania and Uganda hunting big game on safari. These two African excursions inspired some of his best work and are the focus of a new book by best-selling author and East Africa exploration expert Christopher Ondaatje.

Ondaatje, a retired businessman, fellow of the Royal Geographical Society and brother of acclaimed novelist Michael Ondaatje, retraces Hemingway’s treks in Hemingway in Africa: The Last Safari. Ondaatje’s previous books include Sindh Revisited and Journey to the Source of the Nile, both travelogues following the trail of 19th-century British explorer Sir Richard Francis Burton.

In Hemingway in Africa, Ondaatje crosses hundreds of miles of rugged terrain to look out on the same landscapes Hemingway saw. He experiences firsthand the pink lakes and flapping flamingos Hemingway so masterfully described in Green Hills of Africa, and sees the connections between works like “The Short Happy Life of Francis Macomber” and True at First Light and their African settings. Staring down from an airplane at the peak of Mt. Kilimanjaro, Ondaatje redefines the extreme landscape that made the leopard in “The Snows of Kilimanjaro” such a powerful symbol of artistic courage.

As Ondaatje encounters wild animals and real danger of his own, he can also appreciate the ethical dilemma Hemingway faced over killing big game. Hemingway explored such themes in the posthumously published True at First Light (based on his 1953 safari). Perhaps most importantly, as Ondaatje travels through poached lands and almost-extinct tribal villages, it is easy to envision and understand the tragic differences between today’s Africa and the one that dominated Hemingway’s imagination. Hemingway in Africa wonderfully combines Ondaatje’s extensive knowledge of East Africa with his passion for delving into Hemingway’s enigmatic personality and exposing the roots of the writer’s love affair with the continent. Coy Martin is a writer in Nashville.

Ernest Hemingway enjoyed fame and fortune during most of his lifetime, achieving notoriety as much for his adventurous lifestyle as for his groundbreaking literature. Whether covering foreign wars, fighting bulls or simply hanging out with other members of the so-called "Lost Generation," Hemingway lived life…
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Whether you’re a wise old hand or a terrified newbie, Pocket Dad: Everyday Wisdom, Practical Tips, &andamp; Fatherly Advice, has tons of practical advice on things dads are just expected to know. Dina Fayer and her dad, Bob Fayer, share basic tips on picking out good tools and good cars, cutting wood and cutting the lawn, fishing, dating, barbecuing and building sand castles. There’s even a section on telling those awful Dad Jokes. What a great book!

Whether you're a wise old hand or a terrified newbie, Pocket Dad: Everyday Wisdom, Practical Tips, &andamp; Fatherly Advice, has tons of practical advice on things dads are just expected to know. Dina Fayer and her dad, Bob Fayer, share basic tips on picking…
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Art historians have written profusely about how Theo van Gogh supported his brother Vincent financially and unfailingly encouraged his artistic endeavors. The authors of the engaging Theo: The Other Van Gogh, aided by a voluminous cache of previously unpublished letters, document the unbreakable emotional ties that bound them as well. Temporary obstacles of poor health, financial woes, family disputes and even Theo’s marriage threatened to undermine Theo’s support of his older brother, but ultimately he never wavered.

Vincent and Theo followed in an uncle’s artistic footsteps, both working in different branches of Goupil’s, one of Paris’ leading art galleries. Theo worked first in Brussels, where artistic creativity was encouraged; he was later transferred to The Hague, where he honed his skills by constant visits to the many local museums. When Vincent suddenly quit his gallery job, his parents worried over his instability. Theo, however, was the son they called “our crown, and our joy.” Conflicts at work began to occur when Theo was transferred to Paris in 1878. His job was to present Goupil’s artists those whose paintings of history and mythology epitomized the academic style to collectors who were ignoring avant-garde artists such as Millet, Daumier and Courbet. Theo admired the work of the Impressionists and felt constantly at odds with his more conservative employers. It was at this time that Vincent began to pursue his own artistic endeavors, and Theo sent him all he could: 150 francs a month for food, models and art supplies. Despite the artistic constraints he felt at work, Theo knew that if he left, Vincent would be lost without his support.

The authors trace the brothers’ alternating bouts of physical illnesses and mental instability, their immersion in the avant-garde art scene, and finally, their untimely deaths, only six months apart. Their story emerges as a microcosm of the tumultuous art world at the end of the 19th century.

Theo wrote after Vincent’s death that “one day he will be understood.” This fascinating account helps readers to understand not only the famous artist, but also the brother who provided him crucial emotional and artistic support. Deborah Donovan writes from Cincinnati and La Veta, Colorado.

Art historians have written profusely about how Theo van Gogh supported his brother Vincent financially and unfailingly encouraged his artistic endeavors. The authors of the engaging Theo: The Other Van Gogh, aided by a voluminous cache of previously unpublished letters, document the unbreakable emotional ties…
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In a more philosophical vein is Reynolds Price’s Letter to a Godchild: Concerning Faith. Price is a professor of English at Duke University and the godfather of Harper Peck Voll, Gregory Peck’s grandson. Letter to a Godchild began in 2000 as a christening gift to the infant Harper and his parents, and is Price’s attempt to share his philosophy and faith with the young man his godchild will one day become. In the book, Price explores his own life of faith and the choices, good and bad, that have led him to the place he is today. Letter to a Godchild is well crafted and deeply personal, a reflection of Price’s faith, thought and self-examination. The reader may not agree with every interpretation Price offers, but this short journey is well worth taking.

In a more philosophical vein is Reynolds Price's Letter to a Godchild: Concerning Faith. Price is a professor of English at Duke University and the godfather of Harper Peck Voll, Gregory Peck's grandson. Letter to a Godchild began in 2000 as a christening gift…
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This summer, Elvis fans are celebrating a very special event: the 50th anniversary of the King’s first recording. In July of 1954, Elvis waxed his debut tune, “That’s Alright,” a rockabilly gem that showcased his special blend of blues, country and swing. Although the song wasn’t a smash hit, it permanently altered the landscape of popular American music and set the singer on a course to superstardom. Just in time for this milestone in music history, Pamela Clarke Keogh, author of the best-selling biographies Audrey Style and Jackie Style, delivers Elvis Presley: The Man. The Life. The Legend. Offering fresh perspectives on the star, Clarke presents a thorough chronology of Elvis’ life, recounting his childhood in Tupelo, Mississippi, his musical evolution, starting with Sun Records in Memphis, his Hollywood career and marriage to Priscilla. Through a colorful, fast-moving examination of his ever-changing personal style, which spanned nearly three decades, Clarke explains the rock icon’s limitless appeal, giving readers a perceptive analysis of his position in popular culture. From “Hillbilly Cat,” to Hollywood hunk, to Vegas-style star, all of his incarnations are covered. The book also takes a special look at Graceland in all its gaudy splendor. Clarke interviewed Elvis insiders and family members for the book, including Priscilla Presley, Jerry Schilling and Larry Geller. She was also granted special access to the Graceland archives, from which she chose the volume’s visuals. Fans of Presley will welcome this special new account of the singer’s life and legacy, which features more than 100 color and black-and-white illustrations and photographs. Long live the King!

This summer, Elvis fans are celebrating a very special event: the 50th anniversary of the King's first recording. In July of 1954, Elvis waxed his debut tune, "That's Alright," a rockabilly gem that showcased his special blend of blues, country and swing. Although the song…
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A Twist of Lemmon: A Tribute to My Father is a collection of memories and stories from the shared lives of Jack Lemmon and his eldest son, writer and actor Chris Lemmon. Not so much a biography as an act of memory, the book is built around Chris’ experiences and emotions as he came to terms with his father’s death from cancer in 2001. The stories Chris tells some Jack’s, some his, most theirs together are poignant and often laugh-out-loud funny. There are encounters with everyone from Mark McGuire to Milton Berle, an interesting mix of old celebrity and new, with Jack as the bridge between the generations. And despite the celebrity nature of the names, these stories link with many a young man’s life in America: dad at work, dad fishing, dad driving (badly) and dad and son playing golf. A Twist of Lemmon is a delightful and thoughtful read that will satisfy both fans of Jack Lemmon and those who simply enjoy a good book.

A Twist of Lemmon: A Tribute to My Father is a collection of memories and stories from the shared lives of Jack Lemmon and his eldest son, writer and actor Chris Lemmon. Not so much a biography as an act of memory, the book…
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The stories in Tim Russert’s Wisdom of Our Fathers: Lessons and Letters from Daughters and Sons come from people you’ve never heard of, about dads you’ve never known unless they look remarkably like your own. After the publication of his memoir about his father, Big Russ &andamp; Me, NBC commentator Russert began receiving letters from thousands of readers, all sharing memories of their own fathers. He selected and edited these letters into a series of deeply moving stories about fathers and fatherhood, as told by their children. None of these fathers or children is famous, except perhaps in their own towns, but the book may be all the richer for that. Reading it you see how everyday lives touch and teach others in ways both familiar and profound. In this book you will find laughter and tears, folly and wisdom, and rediscover how we learn from each. Woven throughout are Russert’s own experiences with his father and son, serving as a connecting thread that carries the reader through the book. Wisdom of Our Fathers is powerful and touching, tapping right into the heart. This book should not be missed by anyone who is a father or ever had one.

The stories in Tim Russert's Wisdom of Our Fathers: Lessons and Letters from Daughters and Sons come from people you've never heard of, about dads you've never known unless they look remarkably like your own. After the publication of his memoir about his father, Big…
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My brother-in-law has noticed that most weather-related place names are more indicative than whimsical: if it is the middle of January and you are visiting a place called Snowshoe, you had better be prepared for deep drifts. A corollary for the male characters in Sabina Murray’s A Carnivore’s Inquiry might be that if you meet a young woman who makes a great deal of casual conversation about cannibalism, it may be a very mixed blessing if she regards you as a “hunk.” “Hunk,” after all, derives from the Flemish word hunke, which means “a piece of food.” My observation, not Murray’s, though etymological curiosities related to her subject are among the few she doesn’t seem to have investigated.

For A Carnivore’s Inquiry is full of all sorts of unusual information from knowledgeable analyses of macabre paintings by Goya and Gericault to detailed accounts of the real events that served as sources for Poe and Melville, to imaginative reconstructions of historical events ranging from the demise of the Donner party to the disappearance of Michael Rockefeller. All of this discursive but fascinating exposition is linked in some way to the picaresque experiences of the main character, Katherine Shea, in whose wake men are found not only dead but also horribly mutilated.

A Carnivore’s Inquiry is told in the first person, and so it is easy for the reader to understand what attracts men to Katherine. She is eccentrically attractive, disarmingly direct, acutely perceptive and genuinely witty. Through her narrative, the other characters emerge as fully realized (I am tempted to say “full-bodied and full-blooded”) individuals especially her successful father, whom she regards as irredeemably strange, and her deranged mother, whom she regards as a soul mate.

Murray’s first novel, Slow Burn, was a sort of Tama Jamowitz story set in Manila, and her PEN-Faulkner award-winning collection of stories, The Caprices, treated characters on the margins of the Pacific theater of World War II. This neo-Gothic tale, which recalls the style of Nicholson Baker, is a considerably different sort of work but an extremely enjoyable ride nonetheless. Martin Kich is a professor of English at Wright State University.

My brother-in-law has noticed that most weather-related place names are more indicative than whimsical: if it is the middle of January and you are visiting a place called Snowshoe, you had better be prepared for deep drifts. A corollary for the male characters in Sabina…
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Writer and master muckraker Upton Sinclair catapulted to fame with his exposŽ novel on the meatpacking industry, The Jungle, which instigated the Pure Food and Drug Act. This year, Sinclair’s timely masterpiece turns 100, and Fulbright scholar Anthony Arthur gives us an excellent, balanced tribute to the author’s life, literary achievements and still relevant social platform.

Radical Innocent: Upton Sinclair is an absorbing chronology; Arthur knows his subject well and appreciates the oxymoron of Sinclair’s austere personal habits and impassioned idealistic impulses. Chapters place Sinclair’s life into distinct identities (progressing from The Penniless Rat to The Sage ) following the publishing career of an outspoken social reformer and tireless, disciplined novelist who was the most conservative of revolutionaries. Arthur expertly contextualizes Sinclair’s life amid the rambunctious 20th-century milieu: Sinclair found celebrity at 27, had a long (eventually aborted) association with the American Socialist Party, a run in the 1943 California gubernatorial race, a Pulitzer Prize for Dragon’s Teeth (starring the inimitable Lanny Budd), and three marriages. Alison Hood is a writer in San Rafael, California.

Writer and master muckraker Upton Sinclair catapulted to fame with his exposŽ novel on the meatpacking industry, The Jungle, which instigated the Pure Food and Drug Act. This year, Sinclair's timely masterpiece turns 100, and Fulbright scholar Anthony Arthur gives us an excellent, balanced tribute…
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There is a price to pay for infidelity. In William Lychack’s first novel, The Wasp Eater, the protagonists are antagonists, wrestling each other for a shot at happiness, whatever that ambiguous descriptor many mean.

Anna is a woman betrayed by her husband’s infidelity. She asks for no explanation, as no explanation would be sufficient. Forgiveness is not an option. In a fit of controlled rage, she throws everything her husband owns into the yard and changes the locks. Stalked by her own inner demons and unable to sleep, Anna scuffs across the floor in her robe, her hair wrapped in a towel, pondering how life ever got so dark. Her husband Bob is unable to remain faithful, but also unable to let go of his wife and son. His ever-present cigarette burns an amber hole in the night outside his son’s window, night after night. A window washer by trade, Bob knows how to make the outside look clean, but the inside isn’t as easily purified. Their son Daniel is caught in the middle of this disintegrating marriage, mired in emotions he can’t comprehend or prevent. Lychack writes with an eye for nuanced detail on multiple levels. Emotional trauma is mirrored by mundane predicaments, and spiritual scars are reflected by physical aberrations. More than a simple narrative on the breakdown of the family, The Wasp Eater is a powerful treatise on the devastation wrought when a person refuses to forgive, the bond that ties sons to fathers, and the life that sometimes only comes through death.

There is a price to pay for infidelity. In William Lychack's first novel, The Wasp Eater, the protagonists are antagonists, wrestling each other for a shot at happiness, whatever that ambiguous descriptor many mean.

Anna is a woman betrayed by her husband's…

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