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The lyrical power of Delia Facloner’s The Service of Clouds can only be described as stunningly poetic. Her story rains passion, landscape, love and loss on readers, and Falconer writes with a grace not normally associated with first novels. Sensuous metaphors, historical complexity and swirling spirituality form the airy clouds of this absolutely gorgeous novel. Reviewed by Mark Luce.

The lyrical power of Delia Facloner's The Service of Clouds can only be described as stunningly poetic. Her story rains passion, landscape, love and loss on readers, and Falconer writes with a grace not normally associated with first novels. Sensuous metaphors, historical complexity and swirling…

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do we never tire of this story of the triumph of affection over outward appearance? Of course, it’s also a story of extortion, kidnapping and violence, but hey, nobody said fairy tales were pretty. Your beautiful heroine has to have some heavy burdens to triumph over. Molly Coxe retells the old story with verve and an eye for detail. When Bunny’s father gets lost in the forest and stumbles upon the magical castle, the splendid meal that appears before him includes “steaming oatmeal, jasmine tea and fresh carrot juice.” When Bunny first leaves home to go to the Beast’s castle, it is so early in the morning that the moon is still up. The story is richly detailed enough to survive without illustrations, but fortunately it doesn’t have to.

Madame Leprince de Beaumont’s 18th-century love story simply describes the Beast as “hideous,” and leaves the nature of his hideousness to the reader’s imagination. Jean Cocteau’s surreal 1945 film portrayed the beast as fanged and vaguely leonine. The 1991 Disney movie gave us a Beast tusked and handsomely maned. Now, Bunny &and the Beast brings us a whole new take on this cursed nobleman.

With all the rest of the characters reinvented as rabbits, the new Beast turns out to be a bull terrier, complete with shiny black nose and one black eye, and resplendent in a purple velvet suit. Pamela Silin-Palmer, the illustrator, has great fun with these characters. Interestingly, she is also preoccupied with certain creatures that aren’t even mentioned in the text. They show up in curious ways that will reward the attentive browser. Bunny’s father picked a rose from the Beast’s garden, and this trespass resulted in the Beast’s demand for one of his daughters. Therefore flowers especially roses, but also irises, violets, pansies and others are the unifying visual theme in these busy double-page montages. And the flowers are crawling with tiny beetles, dragonflies, bees and snails. Lots of snails. There are many amusing touches. In harlequin trousers like jesters, tiny frogs lurk around the body of the text, rather like the singing mice in the film Babe. While Bunny reads, a frog in the corner peruses The Frog Prince. As the Beast is dying, a nearby frog blows his nose on a tiny hanky.

Curiously, the most realistically painted creatures in the book are the butterflies. Sulphurs, blues, swallowtails, monarchs realistic portrayals of each flutter through the otherwise loose and fanciful illustrations. Although the insects go unmentioned in the text, the characters aren’t unaware of them. Bunny’s father permits one to land on his finger; a frog chases one with a tiny butterfly net. Fairies, cavorting around here and there, are tiny bunnies with butterfly wings.

In Bunny &and the Beast, Molly Coxe and Pamela Silin-Palmer have managed the difficult task of creating a new and amusing take on an old story. In doing so, they remind us that one mark of a classic is the ability to speak anew to each generation.

Michael Sims is a writer in Nashville.

do we never tire of this story of the triumph of affection over outward appearance? Of course, it's also a story of extortion, kidnapping and violence, but hey, nobody said fairy tales were pretty. Your beautiful heroine has to have some heavy burdens to triumph…
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Mo Lehrnman is a prototypical rock climber: fearless, wildly spontaneous, and filled with marvelous stories of triumph and near misses. His best friend, Ray Connelly, is everything Mo’s not. But when Ray “borrows” Mo’s tales for a book, the pair take their struggle to the beauty of Yosemite’s El Capitan, the crown jewel of rock climbing. An amusing look at the high-altitude world of twentysomething climbers, Daniel Duane’s Looking for Mo delights readers with its majestic description of Yosemite and a friendship saved by carabiners and ropes. Reviewed by Mark Luce.

Mo Lehrnman is a prototypical rock climber: fearless, wildly spontaneous, and filled with marvelous stories of triumph and near misses. His best friend, Ray Connelly, is everything Mo's not. But when Ray "borrows" Mo's tales for a book, the pair take their struggle to the…

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would have guessed? On a fateful evening in 1865, President Abraham Lincoln and his wife, Mary, decide to see a play at Ford’s Theatre. It was a decision that would change history. After the show begins, the bodyguard leaves the Lincolns in their unlocked theater box to get a better view of the program. While the couple is left unguarded, John Wilkes Both shoots the 56-year-old president.

Lincoln’s story is a tragedy, but also a triumph. And it’s on his virtues that Ann Turner focuses her latest children’s book. The title reflects on a young Abe’s work ethic and desire to learn even in the midst of poverty. She tracks his life journey and successful venture for president. While Abe Lincoln Remembers is based on historic fact, it’s intended to be read as an imaginative exploration of how Lincoln might have thought and felt about the events that shaped his life. The work of fiction is recorded with a non-rhyming, poetic narrative that goes inside the mind of Lincoln how he perceived his own life. The book reads, “When I was little, the cabin we lived in was small with one room and one window.” Such simple observations speak volumes about the innocence with which Lincoln examines circumstances. The story ends with Lincoln and his wife heading to the play. The final scene shows Mr. and Mrs. Lincoln in a tender embrace. Following the tale, the author attaches a note that offers more details about the leader’s life both his challenges and successes. It fills in and expands on many of the parts of Lincoln’s life that were compressed for the picture book. It explores the Emancipation Proclamation, the Civil War and Lincoln’s reelection. Without the addition, the book would be incomplete. The artwork is traditional and reflects the historical nature of the book. American flags are strewn throughout; the red, white and blue symbol adds a nice touch. Overall, Turner does a great job of bringing this historical leader to life for children.

Margaret Feinberg is a freelance writer and ski instructor based in Colorado Springs, Colorado.

would have guessed? On a fateful evening in 1865, President Abraham Lincoln and his wife, Mary, decide to see a play at Ford's Theatre. It was a decision that would change history. After the show begins, the bodyguard leaves the Lincolns in their unlocked theater…
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What makes a family? Is it a name? Or perhaps similar characteristics among its members? Maybe similar abilities? Or similar traits? Well, Mommy Rabbit had a special family. Each member was different in many different ways, but each one knew he or she was loved dearly. Bunny was Mommy Rabbit’s first little honey, and he was as sweet as could be. Before long, Little Duckling came along to join the family. Even though he didn’t look like a bunny, Mommy Rabbit was still his mommy. Little Duckling became Mommy Rabbit’s second little honey. Of course, Miss Mouse, Mommy Rabbit’s third little honey, didn’t look like a bunny, but Mommy Rabbit became her mommy, too. Each little honey was as different as could be, but all needed love and affection.

Bunny, Little Duckling, and Miss Mouse play together, sing together, and know they are loved by Mommy Rabbit. When Mommy Rabbit says, All together now, the three little honeys know it is time to sing their favorite song. Each one has a favorite line in the song that includes a special meaning just for them. Each has a special game at which they are best: Bunny is best at run-rabbit-run, Little Duckling at splashy-sploshy games, and Miss Mouse at itchy-twitchy, squirly-whirly games. Still, there remains one game that each plays well: the thump-your-great-big-feet game. Even though they are all different in so many ways, Bunny, Little Duckling, and Miss Mouse all have great big feet! In this sequel to Bunny, My Honey, Anita Jeram artfully presents a simple, loving story that will touch the hearts of her readers. Jeram’s animal characters exhibit human qualities and emotions which reinforce the moral of the story. Jeram, who illustrated the classic Guess How Much I Love You, presents beautiful watercolor and ink illustrations that carry the story line gracefully from page to page. The delightful pictures will charm youngsters whether they are being read to or reading the book themselves. All Together Now (ages 3 and up) is a sweet, warm, fuzzy story with a special message that young children (whether in age or heart) can grasp and understand. After all, the message of love is universal.

Dr. Cynthia Drennan is a retired university administrator.

What makes a family? Is it a name? Or perhaps similar characteristics among its members? Maybe similar abilities? Or similar traits? Well, Mommy Rabbit had a special family. Each member was different in many different ways, but each one knew he or she was loved…
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If Salman Rushdie praises your work as lush and the New Yorker publishes one of your stories before you are old enough to rent a car, chances are that you are talented. Kiran Desai has talent in spades, an her debut Hullaballo in the Guava Orchard leaves readers wishing the novel had just kept going. Desai writes unerringly about the triumph of failure, the circularity of life, and endears herself with a particular examination of Indian culture that resonates with universal themes. Reviewed by Mark Luce.

If Salman Rushdie praises your work as lush and the New Yorker publishes one of your stories before you are old enough to rent a car, chances are that you are talented. Kiran Desai has talent in spades, an her debut Hullaballo in the Guava…

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Not just broccoli tv Jonathan Schwartz’s class at Atalaya Elementary School in Santa Fe, New Mexico, has a special assignment. All year long, in addition to their schoolwork, these fifth and sixth graders watch new films, videos, and CD-ROMS and review them for KIDS FIRST, a program of the Coalition for Quality Children’s Media (CQCM). The kids love doing it, says Schwartz. They love having their opinions respected. I love it too. It helps my students become critical viewers who can evaluate what they see and don’t just take it all in. Hundreds of KIDS FIRST reviews are currently available in a new book created by the Coalition in conjunction with the New York Times. The New York Times Guide to the Best Children’s Videos contains a listing of over 1,000 videos which have been kid-tested and adult-approved. I have great sympathy for parents, especially single moms, says Ranny Levy, CQCM President and co-founder. The days of extended families who provide free babysitting are over. If parents want to have a little adult time, they often need to park their kids in front of the television. Levy suggests that instead of complaining about how bad TV is, parents need to spend time seeking out good viewing for their children. Levy recognizes how difficult this can be, however. At least 400 videos come out every month. There’s no way a parent could preview all that’s produced and find what’s good, she explains.

To find out what’s good, Levy calls upon the students at Atalaya and hundreds of other children of all ages from across the country who do the KIDS FIRST reviews. In addition, evaluations are drawn from educators, child development experts, and teachers.

Selections vary from Veggie Tales: A Very Silly Sing-Along and How to Play the Spoons: Music from the Kitchen to Marzipan Pig, Linnea in Monet’s Kitchen, and the recent popular feature, The Iron Giant. This is not Ôbroccoli TV,’ states Levy, alluding to the titles listed in the new guide. They are not just good for you. They’re fun. However, the childen in Jonathan Schwartz’s class usually learn that even fun films ought to be a little more than that. On each evaluation form, they respond to the question: After watching this film, did you come away with anything of value? Sometimes the answer is no. For example, after discussing the animated feature Anastasia, students decided they didn’t learn anything about Russia, history, or anything. It was nice to look at, that was all, commented one ten-year-old. Thumbs down for a KIDS FIRST endorsement. Rosemary Zibart is a reviewer living in Santa Fe, New Mexico.

Not just broccoli tv Jonathan Schwartz's class at Atalaya Elementary School in Santa Fe, New Mexico, has a special assignment. All year long, in addition to their schoolwork, these fifth and sixth graders watch new films, videos, and CD-ROMS and review them for KIDS FIRST,…
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Bruce Springsteen’s album “Nebraska” evokes the spare spirit of the Midwest perhaps better than anything in American music. Terence Malik’s haunting Badlands does the same thing in American cinema. Now, Goodnight Nebraska, a phenomenal debut novel by Tom McNeal, accomplishes in literature what The Boss and Malik did for the Great Plains in other forms. Randall Hunsacker didn’t want to come to the hamlet of Goodnight, Nebraska. The arrival of the 17-year old was forced after his involvement in a shooting, a car theft, and the twisted steel carnage of a subsequent crash in Utah. Randall is an outsider in a town where whispers, a stubborn resistance to change, and something dangerous simmers beneath rigid appearances. Randall falls for Marcy Lockhardt, the high-school’s most pristine and promising student, and she falls for Randall’s mysterious past and quiet introspection. Despite their desire to escape the drudgery of Goodnight, they are sucked even deeper into the strange town by marriage and lost ambition. If you have ever spent time in a small plains town, you know the feel the invisible pull that keeps people in a depressing place with their secrets, lies, and unrealized hopes. Randall and Marcy are no different. Their tumultuous marriage is punctuated by silence and indifference. Much in the manner of Sherwood Anderson’s Winesburg, Ohio, McNeal seamlessly weaves their story with intense, sometimes graphic tales of the other townspeople. These interlocking stories chronicle the unknowingly unhappy, and the vulgar that underpins what for all appearances is simple, bucolic. Further, McNeal’s incredibly cinematic descriptions tellingly dramatize the slow, dull aches of hearts stuck in muddy, rutted roads of emotion. McNeal writes with a quiet intensity, and his scenes of domestic heartbreak and terror happen in the middle of paragraphs. While frightening, the scenes work to underscore that life, especially on the hardscrabble plains, and are not broken neatly into chapters. Affairs happen, friendships fail, marriages fray, and people die in strange, violent ways. This is a day in the life. All this simply occurs. Without warning. Without headlines.

Like the later stories of Raymond Carver, Goodnight Nebraska demonstrates that under the callused hands and hearts lie a soft-beating hope the chance for reconciliation and acceptance. McNeal has written an uncommonly human novel; he describes a landscape where, however briefly, the numbness disappears and things as insignificant as interlocked hands, a simple statement, or even a drive on dirt roads means something larger, the promise of something better.

Reviewed by Mark Luce.

Bruce Springsteen's album "Nebraska" evokes the spare spirit of the Midwest perhaps better than anything in American music. Terence Malik's haunting Badlands does the same thing in American cinema. Now, Goodnight Nebraska, a phenomenal debut novel by Tom McNeal, accomplishes in literature what The Boss…

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Winter has many moods. Sometimes it may seem angry when its cold winds blow harshly across empty fields. At other times it can be calm and peaceful. There is nothing like the quiet that falls over a night of first snow. In Winter Eyes (ages 4-8), Douglas Florian captures winter in all its glory, celebrating this wonderful, many-faced season in a book that beautifully combines poetry and painting to express the author’s love of wintertime.

As a poet, Florian has a natural aptitude for creating verse. Even our teething eight-month-old, who usually prefers to eat a good book, was transfixed by the rhythm and cadence of Florian’s language. One often feels the urge to read these poems softly, letting the words fall from the page like heavy flakes of snow. It should come as no surprise that some of Florian’s poems hint at a (highly appropriate) respect for Robert Frost. Not only does Florian find inspiration in winter like the venerable Frost, but he also exhibits a command of rhyme that brings great poets to mind.

Florian is at times a playful bard. Poems like Sled show that he also holds less traditional poets like E. E. Cummings in high esteem. Sled visually acts out the action of sledding while also expressing the poem’s action in words. This particular poem is a fun example of how Florian integrates his words with his paintings. Here, the lively words follow the author’s endearing images in a spirited combination of ink and paint.

There are many things to love about this delightful collection of poems, and it’s one that all ages will enjoy. Winter Eyes is the perfect book to curl up with on a chilly day, or whenever you want to make a special trip to a winter wonderland.

Winter Hues Winter has to pick and chose. The clothes she wears Are few in hues: A raw sienna, A dark burnt umber, Some yellow ochres Scant in number, Steel gray day, Navy night, And winter white And winter white.

Charles Wyrick is a musician in Nashville.

Winter has many moods. Sometimes it may seem angry when its cold winds blow harshly across empty fields. At other times it can be calm and peaceful. There is nothing like the quiet that falls over a night of first snow. In Winter Eyes (ages…
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One of my favorite characters in fiction is the Storekeeper in Phil Stong’s 1932 novel, State Fair. The Storekeeper is a cautious, skeptical fellow who believes that “Heaven ordains all things for the worst but more mischievously than tragically.” So don’t get too cocky: Don’t take the chains off your tires (it’s 1932 rural America, remember) just because it’s spring. Heaven may have plenty of mud in store and definitely will if you do take them off.

I’ve probably spent too much of my allotted span reading second and third-rate fiction, but I thought of the Storekeeper while reading Calvin Trillin’s Family Man. In these ruminations/memoirs about family life, Trillin holds, perhaps only half-jocularly, to a similar belief, the Evil Eye: “People who treat the Evil Eye with some respect can tell you that anyone handing out advice about family and thus implying that he and his family are so blessed, so close to perfection that it behooves them to share with others the secret of their success is asking for trouble.” Trillin skirts trouble with humor and dispenses only one really solid bit of advice to prospective parents: “Try to get one that doesn’t spit up.” Beyond that, he says, “your children are either the center of your life or they’re not, and the rest is commentary.” The rest is indeed commentary on the obvious fact that his two daughters, Abigail and Sarah, have been the center of his and his wife Alice’s life and exceedingly funny commentary it is. Though this book will be enjoyed by anyone who appreciates humor above the level of the hotfoot (not such a huge crowd, at that, in Adam Sandler’s America), it will be especially appreciated by anyone who happens to share Trillin’s prejudices and outlook.

For instance, in commenting on his family’s viewing and marching in the free-form, amateurish Halloween parades in their neighborhood of Greenwich Village, he says, “My interest in parades is usually limited by my failure to appreciate floats,” which rigidly separate paraders and spectators.

Exactly! Why, with such an attitude, I wouldn’t be surprised to hear him say that clowns are not funny. He doesn’t, but he comes close in disparaging most children’s theater, in which “children would shrink into the corner of their seats as foolishly dressed people on-stage favored them with stupid pratfalls or double entendres that would make ,musicals, like Pippin and West Side Story, that trigger both laughs and a child’s sense of awe.

Though he might not be charmed by the comparison, as a humorist Trillin is a lot like H. Allen Smith, of blessed memory and such titles as Low Man on a Totem Pole. His approach, it might be said, is one thing leads to another. A chapter that starts out discussing changes in wedding conventions leads to the time he didn’t have a spare hand with which to comfort his wife in the delivery room because one hand was holding the wallet he was advised not to leave in the locker while the other was holding up the scrub pants with played-out elastic he was given to wear.

Throughout, there is a noticeable strain of the amusing old duffer (even when younger) whom the daughters have to keep in line, of every sitcom sappy pappy from Chester A. Riley to Archie Bunker. But then, he admits that he tends toward the sitcom tone of voice when writing about domestic matters.

Behind it, though, is a definite bedrock of sophisticated common sense, revealed in the remark that both he and Alice “had upbringings whose essential squareness we valued.” It’s no accident that their daughters, though born in that era, did not end up with names like Moon Unit.

Though Trillin has lived all his adult life in New York City, “Alice and I both found something off-putting in New York kids we heard about who seemed not just overprivileged but oversavvy,” and so from time to time they would take the girls “back home” for a “booster shot” of his native Kansas City, which he concedes has never left him.

Because, he writes, “I believe that the only time parents are absolutely relaxed about the safety and well-being of their child, of any age, is when that child is under the parents’ own roof, fast asleep.” That’s one truism that all parents whose children are the center of their life can say “amen” to, regardless of the state of their sense of humor. Reviewed by Roger Miller.

One of my favorite characters in fiction is the Storekeeper in Phil Stong's 1932 novel, State Fair. The Storekeeper is a cautious, skeptical fellow who believes that "Heaven ordains all things for the worst but more mischievously than tragically." So don't get too cocky: Don't…

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am Greene once pointed out that Africa is shaped like the human heart an appropriate image for a land that entices so many people. Writer Ann Jones’ romance with this most mysterious of continents is recounted in her enthralling travelogue Looking for Lovedu, an account of her journey to Africa in search of the Lovedu people. As African tribes go, this one is an anomaly, a group ruled by “feminine” qualities such as tolerance, cooperation and compromise hence, Jones’ attraction to them. She is especially anxious to have an audience with the Lovedu queen, a legendary rainmaker and magician.

Almost whimsically, Jones undertakes the journey in the company of Kevin Muggleton, an iron-willed photographer and journalist from England who leads her across the continent at a breakneck pace. The rugged Muggleton turns their trek into an endurance test, insisting they cross the Sahara without the aid of maps and picking a particularly difficult route across Zaire. The pair drives until their jeep falls to pieces. The duo’s interaction with each other, and with the African landscape, makes for fascinating reading. But after a battle with malaria and an encounter with some dangerous Mobutu men among other obstacles Jones and Muggleton decide to part ways. Jones continues her quest in the company of two women, one of whom is Kenyan. Needless to say, this leg of the odyssey is more relaxed, and Jones is able to truly experience and absorb the continent for the first time.

Early on, Jones denies that she has any intention of “growing” through this experience, but she does grow exponentially. When she finally arrives at the southern part of the continent where the Lovedu reside, the reader savors her victory. After a wild ride, the grail is at last within her grasp.

An acclaimed adventure writer and skillful storyteller, Jones is the author of five previous books. Audiences may or may not fall head-over-heels for Africa after reading her vivid, engrossing new narrative, but it will be difficult for them not to love Looking for Lovedu.

Maude McDaniel writes from Maryland.

am Greene once pointed out that Africa is shaped like the human heart an appropriate image for a land that entices so many people. Writer Ann Jones' romance with this most mysterious of continents is recounted in her enthralling travelogue Looking for Lovedu, an account…
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The books we buy for children are on a different plane from all the other consumer driven trinkets available today. My earliest purchases of books for my own kids were based upon what I liked as a child, and over time with the help of some knowledgeable salespeople I grew to recognize the more modern classics such as those by Sendak, Silverstein, and later, Van Allsburg.

My children are almost adults now, but fortunately, a two-year-old has come into my life of late, and I find myself once again prowling the children’s section. I’m not just looking for something to read, however; I’m looking for magic, for lightning in a bottle. I may have found it in At Break of Day (ages 4Ð8).

Written by poet Nikki Grimes, At Break of Day is an imaginative retelling of the Genesis story, with illustrations by Paul Morin. This book is a feast both for the ear and the eye. The paintings (mixed media, actually) live and breathe on the page with the complexity and depth of reality. They flow like living things, one image to the next, and no two are quite the same. Grimes’s words are doubly successful, not only by retelling a familiar story in a fresh, lyrical style, but also by reinterpreting the story in such a way as to build upon it without altering either the spirit or the letter of the original a remarkable accomplishment.

Paul Morin prefers a dark palette for his backgrounds, which serves to make the vivid colors he uses spring off the page. You can almost hear them: Volcanoes hiss, birds shriek, waters roar, and the earth rumbles with the murmur of life. Grimes’s words smile alongside, and the joy in these words is palpable.

Most children’s books are meant to be read aloud. While At Break of Day is a breathtaking experience when read silently, I think it would be better served with a child in your lap.

James Neal Webb does copyright research for a living raising children is his career.

The books we buy for children are on a different plane from all the other consumer driven trinkets available today. My earliest purchases of books for my own kids were based upon what I liked as a child, and over time with the help of…
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From the perspective of a nine-year-old girl, The Everlasting Story of Nory celebrates the splendor of childhood curiosity. Nicholson Baker, whose writing revels in the oft-ignored nuances of everyday life, is at ease imitating the style and manner of a child. Baker, whose book was inspired by his daughter Alice, explains its title in the words of Nory: “The idea of everlasting life came partly from the kinds of things you say in Cathedral, and partly from a movie called The Neverending Story, which was an extremely good movie in many ways, one of which was that it was unusually rare to have a two-part movie and have the second part be just as interesting as the first, basically.” Although the arc of the story does not include a standard exposition or development, by the end of the book a subtle picture of Nory has been drawn. In 54 brief chapters, Baker reveals her world in a collage of independent episodes. Many of the scenes take place in the Threll Junior School, where Nory ponders everything from the fate of Achilles to the intricacies of a compass. “Really the compass is called a Ôset of compasses,’ and the things that stick out are called the Ôarms of the compass.'” Having moved with her family from the United States to England, Nory learns to cope with the peculiarities of her new British classmates, who use words like “bin” and “false palate” to describe garbage cans and retainers. Baker’s love for quirky speech shines through here, as he conveys the conversations of children in school. But there is more to this story than witty depictions of child-like language. In portraying the kindness with which Nory befriends the bullied Pamela, Baker illustrates a child’s potential for goodness. In Nory’s world, kids are not simply sidekicks complementing the adults who surround them. They are the main characters here, puzzling over curiosities and acting out their dreams. It may seem odd that The Everlasting Story of Nory was written by the same man who dreamed up Vox and The Fermata, the sexy novels for which Baker is widely known. But like this one, those earlier books were essentially about fantasy, imagination, and the importance of affection. With fine descriptive skill, Baker has once again created a poignant portrait of emotional intimacy, this time through the eyes of a child. Reviewed by Jeremy Caplan.

From the perspective of a nine-year-old girl, The Everlasting Story of Nory celebrates the splendor of childhood curiosity. Nicholson Baker, whose writing revels in the oft-ignored nuances of everyday life, is at ease imitating the style and manner of a child. Baker, whose book was…

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