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Cows grieve and weep, chickens cuddle lovingly with horses, and pigs croon happily to the moon in the magical world explored by best-selling writer Jeffrey Masson in his newest animal oeuvre, The Pig Who Sang to the Moon: The Emotional World of Farm Animals. Masson, an ardent animal advocate who has already investigated the emotional lives and mysterious ways of cats, dogs and elephants (The Nine Emotional Lives of Cats; Dogs Never Lie About Love; When Elephants Weep), now focuses compassionate attention on the animal citizens of barnyard and pasture: pigs and chickens, goats, sheep, cows and ducks.

His book provides an endearing, sometimes painful, peek into the emotional landscapes of “farmed” animals (animals raised solely for human consumption and use), and explores their capacity for happiness and suffering in a confined breeding environment. Masson asserts that farm animals have individual personalities and take pleasure in the same things humans do: Chickens love to sunbathe, lambs and goats are happiest at play, and pigs are fond of moonlight, music and song! (There is photographic evidence of porcine warbling in the book’s preface.) Is it right, then, the author asks, to raise animals for food especially using often inhumane farming methods? Masson’s answer is an emphatic “no,” and after reading his impassioned arguments, even the staunchest meat-eater might agree. Though this book is an enlightening weave of animal anecdote and scientific reference, it is also a radical plea for vegetarianism. The author regrettably offers no balancing discussion of the science of nutrition, or of the mechanics of the natural food chain, for example. But he does raise important questions concerning the sanctity of all sentient life on our planet. Masson’s dream is of an egalitarian world where animal life is equal in value to human life, and in The Pig Who Sang to the Moon he presents poignant evidence to support his cause.

Cows grieve and weep, chickens cuddle lovingly with horses, and pigs croon happily to the moon in the magical world explored by best-selling writer Jeffrey Masson in his newest animal oeuvre, The Pig Who Sang to the Moon: The Emotional World of Farm Animals. Masson,…
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A new manga-style book that displays influences by various goth-friendly artists, from Jhonen Vasquez to the Brothers Grimm, is The Tarot Cafe (TOKYOPOP, $9.99, 192 pages, ISBN 1595325557), illustrated by noted Korean manga artist Park Sang Sung. It’s the story of Pamela, a tarot card reader, who has the unlikely task of helping supernatural characters make their way in the human world. Not unexpectedly, tackling the problems of all the strange folks who walk through her door from vampires to alchemists to lovestruck cats eventually leads Pamela to face her own. The writing and artwork are equally swirly and sensual, making it the perfect choice for that budding Cure fan.

A new manga-style book that displays influences by various goth-friendly artists, from Jhonen Vasquez to the Brothers Grimm, is The Tarot Cafe (TOKYOPOP, $9.99, 192 pages, ISBN 1595325557), illustrated by noted Korean manga artist Park Sang Sung. It's the story of Pamela, a tarot…
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Author Joseph Kanon (Los Alamos) has a unique talent for freeze-framing a moment in time, one that has often been overlooked even by history buffs. His thriller, The Good German, is set in a tiny crack of Berlin’s history, somewhere between Hitler’s defeat and the beginning of the Cold War. The Allied occupation is in full swing, and the survivors of this devastated, moonscaped city are scrambling for food, clothing and shelter. Crime and the black market are means of survival for some and for others a way to make serious cash. Refugees own almost nothing, carrying only emotional scars from the total destruction of their homes. And children, many orphaned, panic at the sight of a uniform, any uniform. Nicht gut.

This gritty stage is the perfect backdrop for Kanon’s character, Jake Geismar, who was a CBS correspondent in Berlin years earlier. Now he has finagled a press pass to go back and cover "the last big story of the war," the Potsdam Conference. But his passion to cover the event is a little too blaring to his longtime coworker, Hal Reidy, who sees through all the enthusiasm. "You think she’s still there," he chides Jake.

But when Jake returns to Germany, he becomes involved in much more than simply looking up an old girlfriend and covering a story with a few well-written articles. What appears to be a city infested with postwar politics (and an ignored American G.I.’s murder) turns out to be a new battleground emerging from the ash, a tug-of-war between the American military and the Russians over German rocket scientists with knowledge both sides fear the other will nab first. Enter Lena, Jake’s love interest, who has experienced firsthand some of the worst violence and suffering WWII had to offer, but who turns out to be an equally strong character, playing her part in the twists and turns of Kanon’s labyrinth of a tale.

During their days in postwar Berlin, we see Jake and Lena make some hard moral choices that are particularly relevant to our lives today. The Good German is not just the war story of two lovers. It’s a portrait of people at their finest when things are at their worst. Danke, Herr Kanon. We historical thriller readers salute you.

Dee Ann Grand is a children’s book author and publishing executive.

 

Author Joseph Kanon (Los Alamos) has a unique talent for freeze-framing a moment in time, one that has often been overlooked even by history buffs. His thriller, The Good German, is set in a tiny crack of Berlin's history, somewhere between Hitler's defeat and the…

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The goth-influenced manga I Luv Halloween, by Benjamin Roman and Keith Giffen, follows a batch of adorably creepy little moppets as they set out trick-or-treating on Halloween night. Meant for older teens, it serves as a cautionary tale against practically everything, from eating candy apples to trucking with bullies to using a bra as a slingshot.

The goth-influenced manga I Luv Halloween, by Benjamin Roman and Keith Giffen, follows a batch of adorably creepy little moppets as they set out trick-or-treating on Halloween night. Meant for older teens, it serves as a cautionary tale against practically everything, from eating candy…
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If you want to be lost in the atmospherics and intrigues of Victorian literature, to be spellbound by the secrets that lurk in the lives of the aristocracy, look to Wilkie Collins or the Brontes. If you want to see the tried and true elements of such novels stretched as canvas on the frame of the modern British world, look to Josephine Hart. In The Reconstructionist, the author of the acclaimed Damage gives us her view on the power secrets have to undo us.

Jack Harrington, a psychiatrist specializing in victims of trauma, is himself traumatized. As young children, he and his younger sister, Kate, lost their mother and were taken from their home in Ireland after a horrific and mysterious event left them estranged from all save their grandfather’s brother, who raised them in London. Jack also bears a burden even greater than memory one which is kept deliciously just out of the reader’s reach until its discovery wields shocking dramatic power. When the family home in Ireland comes up for sale, the truth about what destroyed Jack and Kate’s idyllic youth screams to be confronted. To free Kate from a shadowy past and to give himself the closure he needs to live a full life, Jack will have to dismantle the carefully wrought reconstruction of the events he has been wearing like a shield for more than 20 years.

Jack’s psychiatry practice is a rich backdrop for the novel, with ample opportunities for exploration of the human response to trauma. Without it, Jack’s coldly methodical approach to horror and emotional injury might have made it difficult for the reader to find an emotional point of entry. A certain poreless surface to Jack’s resolve first makes him seem aloof and unkind, and, as we begin to know him, becomes chilling.

Josephine Hart’s style is nearly cinematic in its immediacy. Her ending has a subtlety, a quiet approach to a blaring discovery, that makes putting the book down unthinkable. Overall, The Reconstructionist is a razor-sharp read.

Sarah Goodrum is a writer and editor in Nashville.

 

If you want to be lost in the atmospherics and intrigues of Victorian literature, to be spellbound by the secrets that lurk in the lives of the aristocracy, look to Wilkie Collins or the Brontes. If you want to see the tried and true elements…

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The many years he has spent as our pre-eminent literary naturalist have not diminished Peter Matthiessen’s enthusiasm for his work. He is still awed by “icebergs, whales, the sea and ships, circumpolar currents, geologic time, the origins and evolutionary histories of life forms, the quirks of birds, birders and explorers, antifreeze in fish blood, the blue in ice, human folly, the ozone hole and the earthly balances upset by global warming in short, the mysteries of the natural world in their endless variations, the myriad petals of creation that open up and fall away in every moment.” The rare sensibility he brings to his observation, research and writing can be fully appreciated in his magnificent new book, End of the Earth: Voyages to Antarctica, an account of two journeys around the islands near Antarctica.

Matthiessen’s astute observations of nature are informed by a vast fund of scientific information as well as the histories of early Antarctic pioneers. A passionate conservationist, he also takes time to reflect on the likelihood of exploitation of the continent’s natural resources and the long-term effect of global warming.

Matthiessen was deeply affected by the expansive, unpolluted landscape of the South Pole, which is one and a half times the size of Europe and has an average elevation nearly twice as high as Asia’s. Antarctica, as he points out, is “the last clean place on Earth.” He has something of a problem explaining exactly why he was so attracted by the South Pole only three years after his first trip to Antarctica, he eagerly agreed to go on a second one. As he quotes what others have written on the subject, he finds himself in agreement with an explorer who speaks of a “giant force.” Yes, that is part of it. He quotes an unknown person who has stated that “the ancient and indifferent ice gives up its secrets slowly.” Matthiessen concludes, “thus we struggled to find words for such a wordless feeling: what draws me eludes me to the same degree, and seeking to understand it may just be the problem.” Our foremost naturalist prose poet has taken us on a memorable trip.

Roger Bishop is a Nashville bookseller and a contributing editor of BookPage.

The many years he has spent as our pre-eminent literary naturalist have not diminished Peter Matthiessen's enthusiasm for his work. He is still awed by "icebergs, whales, the sea and ships, circumpolar currents, geologic time, the origins and evolutionary histories of life forms, the quirks…
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Author Tsugumi Ohba and artist Takeshi Obata join forces in Death Note, in which a klutzy Shinigami demon drops his “death notebook” in the human world and has to go fetch it, causing unimaginable chaos. Helping restore the balance (well, eventually) is a bored 17-year-old boy called Light, who picks up the lost notebook and finds himself permanently bound to the demon. It’s a highly entertaining, teenage take on the desire to control or at least understand life and death.

Author Tsugumi Ohba and artist Takeshi Obata join forces in Death Note, in which a klutzy Shinigami demon drops his "death notebook" in the human world and has to go fetch it, causing unimaginable chaos. Helping restore the balance (well, eventually) is a bored…
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Ken Follett has once again written a thriller that provides a steady dose of stomach-churning suspense, while throwing in enough dashes of humor to stave off the antacids. His latest, Jackdaws, immerses the reader in the dangerous, intrigue-filled life of a female spy, creating a gripping page-turner in the same spirit as his classic Eye of the Needle.

The setting is World War II, days before the Allied invasion of Normandy. Our guide is Felicity "Flick" Clariet, the tough-talking, smart-as-a-whip secret agent who regularly drops into occupied France to rally the local resistance forces. She’s the most experienced agent in the British Special Operations Executive (SOE), and she’s come up with a rather improbable plan to cripple German communication lines. Described as a "pretty girl with a heart of stone," Flick watched as an earlier attempt to destroy the Germans’ central telephone exchange turned into a tragic fiasco, forcing her to return to England after a humiliating failure.

Hoping to salvage her pride and reputation, Flick comes up with an unorthodox plan that calls for an all-woman team, and she searches out six women fluent in French who might know something about engineering or explosives. Follett has a grand time producing one unlikely candidate after another as the reject "spy wannabe" pile is culled for possible recruits. Rescuing one woman from prison and lifting a drag queen from a nightclub, the Jackdaws team is a mix of "one flirt, one murderess, one safebreaker, one female impersonator, and one awkward aristocrat." It’s refreshing that the girls never really jell in their whirlwind three-day training session; in fact, there’s a lot of yelling and cursing as they learn how to land a parachute and, more importantly, how to kill.

Follett shows his gift for putting the reader right in the middle of the action with plenty of authentic details and narrowly thwarted disasters. Once the team lands in France it’s a race to see if the Jackdaws will make it to their target before they’re either killed or captured. The Germans are in hot pursuit, and one particularly evil dude on their tail has a talent for torture. The Jackdaws act both eerily prescient and endearingly stupid, but either way, you can’t help cheering them on.

Nobody works the spies and Nazis M.O. better than Follett, and this high-spirited adventure doesn’t disappoint. Intelligent thrillers are a rare find, and Follett delivers every time.

 

Ken Follett has once again written a thriller that provides a steady dose of stomach-churning suspense, while throwing in enough dashes of humor to stave off the antacids. His latest, Jackdaws, immerses the reader in the dangerous, intrigue-filled life of a female spy, creating a…

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Experienced travelers know that the true value of a pilgrimage lies not so much in reaching a destination, but in the journey itself. One young man learns this valuable lesson when he embarks on an unplanned excursion in Climbing Chamundi Hill: 1001 Steps of a Storyteller and a Reluctant Pilgrim, a unique new book by Hindu scholar Ariel Glucklich that combines a fictional adventure with 30 ancient Indian stories.

Chamundi Hill, a sacred site in southern India near the city of Mysore, is a 4,000-foot hill topped by a towering 12th century temple honoring the goddess Chamundeswari. This monument is a much-visited pilgrimage site, reached by ascending 1,000 steps an arduous climb pilgrims traditionally make barefoot, their pain eased by companionship and storytelling. Glucklich’s protagonist, a young American biologist, is mysteriously drawn to the hill. At its base, he meets an elderly Indian man who offers to guide him up the mountain, tempting him with this paradox: “If you pay attention . . . the stories might turn you into a true pilgrim and give you pleasure at the same time!” Their odyssey begins, a slow ascent punctuated by the 30 allegorical stories. These deceptively simple parables, as colorful and vivid as ancient temple paintings, are alive with the exploits of mere mortals and kings, animals, demons and gods. From the first story that of a healthy but misguided man who becomes a suffering leper to the last tale of a truth-seeking fellow confused by the paradoxes of life, they form a thematic endless circle, the classic metaphor for the cycle of human life.

Glucklich has used the time-honored conceit of a dialectic between a wise guide and unrealized seeker to showcase these marvelous stories, many translated from Sanskrit for the first time. The narrative’s young hero remains appropriately nameless throughout the climb, which may be an obvious symbol for everyman, but Glucklich’s thoughtful explication of the quest, through the careful selection and progression of each tale, is not so transparent. Though there are 1,000 steps up Chamundi, the extra step referenced in the book’s title leads to a surprising destination, the epiphany of this entrancing work.

For those who love literary fable, along with a dash of spiritual spice, Climbing Chamundi Hill will prove to be a pleasurable, thought-provoking exercise.

Experienced travelers know that the true value of a pilgrimage lies not so much in reaching a destination, but in the journey itself. One young man learns this valuable lesson when he embarks on an unplanned excursion in Climbing Chamundi Hill: 1001 Steps of…
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Matt Wagner’s Grendel: Red, White ∧ Black, the second collected volume of stories about the mysterious, demonic crime boss Grendel. Literally black and white and red all over, the book collects stunningly executed artwork and short tales from several of the top artists and writers in comics, including Wagner himself. The segments range from Jill Thompson’s painterly kewpies to Jim Mahfood’s hip-hop style to the gritty scrawls of Michael Zulli, all starring the deadly Grendel, who wields a two-pronged sword and a renegade vision of justice that spells doom for shady two-bit mobsters. The ultraviolence is extreme in places, but the three-color scheme keeps it simple and surprisingly beautiful.

Becky Ohlsen keeps her comics collection in Portland, Oregon.

Matt Wagner's Grendel: Red, White ∧ Black, the second collected volume of stories about the mysterious, demonic crime boss Grendel. Literally black and white and red all over, the book collects stunningly executed artwork and short tales from several of the top artists and writers…
Review by

Ken Follett has once again written a thriller that provides a steady dose of stomach-churning suspense, while throwing in enough dashes of humor to stave off the antacids. His latest, Jackdaws, immerses the reader in the dangerous, intrigue-filled life of a female spy, creating a gripping page-turner in the same spirit as his classic Eye of the Needle.

The setting is World War II, days before the Allied invasion of Normandy. Our guide is Felicity "Flick" Clariet, the tough-talking, smart-as-a-whip secret agent who regularly drops into occupied France to rally the local resistance forces. She’s the most experienced agent in the British Special Operations Executive (SOE), and she’s come up with a rather improbable plan to cripple German communication lines. Described as a "pretty girl with a heart of stone," Flick watched as an earlier attempt to destroy the Germans’ central telephone exchange turned into a tragic fiasco, forcing her to return to England after a humiliating failure.

Hoping to salvage her pride and reputation, Flick comes up with an unorthodox plan that calls for an all-woman team, and she searches out six women fluent in French who might know something about engineering or explosives. Follett has a grand time producing one unlikely candidate after another as the reject "spy wannabe" pile is culled for possible recruits. Rescuing one woman from prison and lifting a drag queen from a nightclub, the Jackdaws team is a mix of "one flirt, one murderess, one safebreaker, one female impersonator, and one awkward aristocrat." It’s refreshing that the girls never really jell in their whirlwind three-day training session; in fact, there’s a lot of yelling and cursing as they learn how to land a parachute and, more importantly, how to kill.

Follett shows his gift for putting the reader right in the middle of the action with plenty of authentic details and narrowly thwarted disasters. Once the team lands in France it’s a race to see if the Jackdaws will make it to their target before they’re either killed or captured. The Germans are in hot pursuit, and one particularly evil dude on their tail has a talent for torture. The Jackdaws act both eerily prescient and endearingly stupid, but either way, you can’t help cheering them on.

Nobody works the spies and Nazis M.O. better than Follett, and this high-spirited adventure doesn’t disappoint. Intelligent thrillers are a rare find, and Follett delivers every time.

 

Ken Follett has once again written a thriller that provides a steady dose of stomach-churning suspense, while throwing in enough dashes of humor to stave off the antacids. His latest, Jackdaws, immerses the reader in the dangerous, intrigue-filled life of a female spy, creating a…

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Existing in a darkly hilarious universe all its own, The Rabbi’s Cat (Pantheon, $21.95, 142 pages, ISBN 0375422811), by acclaimed French artist Joann Sfar, combines whimsical drawings, forbidden romance and searching questions about the nature of faith. The story is narrated by a nameless cat who belongs to an Algerian rabbi in the 1930s. When the cat eats the rabbi’s obnoxiously squawking parrot, he gains the power of speech temporarily, but long enough to find an impetuous joy in telling lies and challenging his master’s long-held beliefs. Speech enables the cat to question the tenets of Judaism, even as he’s arguing for his right to have a Bar Mitzvah and study the kabbalah. He and the rabbi eventually accompany the rabbi’s beautiful daughter, Zlabya, to Paris on her honeymoon after she marries into the wealthy family of a sophisticated French rabbi. The artwork is as rich and lovely as the story, full of squiggly lines, tapestried walls, cobbled alleyways, opulent costumes and palpably warm lighting. Both adults and older kids will find the book charming and thought-provoking. Becky Ohlsen keeps her comics collection in Portland, Oregon.

Existing in a darkly hilarious universe all its own, The Rabbi's Cat (Pantheon, $21.95, 142 pages, ISBN 0375422811), by acclaimed French artist Joann Sfar, combines whimsical drawings, forbidden romance and searching questions about the nature of faith. The story is narrated by a nameless cat…
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Have any of you baseball fans seen the television commercial in which two guys flit about the country going from ballpark to ballpark spending money with wild abandon? Irritating, isn’t it? I figure they’re either spending daddy’s money or they’re a couple of dot.com millionaires.

If you actually work for a living and can only afford to take in one or two Major League games a year, there’s another way you can see every single ballpark and you don’t need a major credit card to do it.

Blue Skies, Green Fields: A Celebration of 50 Major League Baseball Stadiums, is 228 pages of color photos, quotes and memorabilia describing the history, surroundings, players and quirks of every single ballpark in the league. Author Ira Rosen packs each chapter with interesting insights and tidbits about the boys of summer and their halls. There are even chapters about the classic parks that no longer exist, so you can actually go back in time. Try doing that with a 2 x 3 inch piece of plastic.

The way I figure it, you can go see all the ballparks like the guys in the commercial and spend a minimum of $500 a pop that’s over $13,000! And it could take months! Or you can curl up in your chair and see them all in one evening for a lot less. Priceless.

 

Have any of you baseball fans seen the television commercial in which two guys flit about the country going from ballpark to ballpark spending money with wild abandon? Irritating, isn't it? I figure they're either spending daddy's money or they're a couple of dot.com…

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