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I guess Mark Twain was right in 1897 when he told a London correspondent of the New York Journal, The report of my death was an exaggeration. He’s back at least in the form of a short story stretched by the publishers to fit the dimensions of a novella. The story is not the best of Twain, but even mediocre Twain (as long as it’s not Personal Recollections of Joan of Arc) is plenty of fun and worth reading. Besides, the foreword and afterword by Roy Blount Jr. is good enough for the $16.95 admission price.

The story behind A Murder, a Mystery, and a Marriage, certainly more interesting than the book itself, goes something like this: During a visit by William Dean Howells, longtime editor at The Atlantic and steadfast friend of Sam Clemens, to Twain’s home in Hartford, an evening of friendly conversation and cigar smoking turned (as it often would with Twain) entrepreneurial. Twain proposed he write a skeleton plot and that 12 famous authors of the time write up a story, using the same plot, blindfolded’ as to what the others had written. Howells went along with the idea, but rightly called it a scheme in a letter he wrote trying to convince another novelist, Thomas Bailey Aldrich, to join the party. Twain expected Bret Harte, Charles Dudley Warner and Oliver Wendell Holmes to participate. Warner and Harte maybe, but who can imagine Holmes in such a project? Or more inconceivable, Henry James? Roy Blount Jr. says it best and most succinctly in his afterword: Of all the gang that Twain hoped to enlist in his project, the most unlikely was Henry James. Can any sane person, we may ask, have expected to get Henry James’ juices flowing with a plot abounding in bumpkins, spleen, assault, and battery? And, basically, that’s what the story is, a parable moving toward a punchline. I won’t ruin the ending for anyone, because there is a mystery of sorts. It has to do with Jules Verne, whom Twain clearly did not like. But I may have said too much already. Suffice it to say that a young man is found by a Missouri farmer out in the middle of a field. The young man is dressed like an aristocrat, lying full-length in the snow, no footprints around him and speaking French. There’s also a girl in this tale, of course, a beautiful one, and a handsome and gentle-spirited young man who is in love with her. In addition, there’s a greedy father and a mean-hearted uncle. We end up where we’d expect to be with such ingredients except for the dash of Jules Verne, that is.

Not a plot, certainly, for Henry James. But one, Blount argues in his afterword, for Twain, especially the Twain who was stuck in the middle of Adventures of Huckleberry Finn. According to Blount, this story shows the darker vision of Twain emerging, his newfound politics evolving. As Blount sees it, He began to acknowledge that the roots of his innocence were in a village corrupted by slavery. In the second half of Huckleberry Finn good-natured people are abused over and over again by meanness, callousness, and violence. A Murder, a Mystery, and a Marriage is worth reading for the simple pleasures it gives, but perhaps more interesting for the complex working of Twain’s mind that it suggests at a time when his most famous character, a white boy with a sound heart and a deformed conscience, was floating down the river with a black man and into territory that no American writer had fully explored before.

Michael Pearson directs the creative writing program at Old Dominion University.

 

I guess Mark Twain was right in 1897 when he told a London correspondent of the New York Journal, The report of my death was an exaggeration. He's back at least in the form of a short story stretched by the publishers to fit the…

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Jack Burns, the protagonist of John Irving’s 11th novel, Until I Find You, is a successful movie actor trained to focus on his audience of one, for him the father who left his mother before Jack was born. The novel traces Jack’s quest to discover the true story of what happened between his parents, not what he thinks he remembers or what he’s been told by his mother, a second-generation tattoo artist living in Toronto. Jack attends a formerly all-girls school where his father taught. There, he is abused by the older girls (older women will always define Jack’s life) and he begins to act, often playing a woman (another recurring theme). People who knew his father, an organ-playing tattoo addict who looked exactly like Jack, seem to be waiting for the day when Jack’s personality will resemble his, too. Because of this, Jack vows not to have children until he has proof his father had a child he didn’t leave. He is a rich, famous actor but has no real relationships with women other than a longtime friend and his therapist.

This dense novel (by far Irving’s longest) is dark in many places, dealing with sexual molestation, prostitution, the damage caused by the absence of a parent, death and Hollywood scandal and spanning Canada, the U.S., several North Sea countries and the intricately painted worlds of tattooing, organ music and acting. As in all of Irving’s books, the characters are strikingly real in their flaws and lovability, and they have something to say to everyone about the way the stories we tell ourselves and the stories others tell us combine to make the truth of who we are.

This book is not a fast read, or an easy one, but Irving’s fans have always proved up to a challenge. This story will not disappoint them. Sarah E. White is a writer and editor in Fayetteville, Arkansas.

Jack Burns, the protagonist of John Irving's 11th novel, Until I Find You, is a successful movie actor trained to focus on his audience of one, for him the father who left his mother before Jack was born. The novel traces Jack's quest to discover…
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is an enchanting, bittersweet story that demonstrates in convincing fashion how keeping secrets leads to unhappiness, while true communication can lead to love. An award-winning and best-selling author, Laura Esquivel fills her latest novel with her signature sensuality and magical realism. In the story, the narrator’s father, Jœbilo, is a telegraph operator whose power is interpreting and transmitting the true desires of his customers. This inborn skill, honed by acting as an interpreter between his warring Mayan grandmother and his Spanish-speaking mother, translates each woman’s words of spite into words of respect. Remarkably, their mutual hatred transforms into love. Jœbilo’s gift for understanding hidden messages, for listening to sand dunes sing and insects whisper, fails him when it comes to his own wife. A series of miscommunications, complicated by sunspot activity, creates tragic consequences. What event has come between two such sensuous, loving people to cause their seemingly irreparable rift? As Don Jœbilo lies on his deathbed, mute and estranged from his beloved wife, it is up to his daughter Lluvia to bring reconciliation to her parents before it is too late. By acting as interpreter between them, just as Jœbilo used to do for others, Lluvia is able to bridge the gap. Esquivel, whose novel Like Water for Chocolate has sold more than four and a half million copies in 35 languages, has a rare gift for describing characters with memorable foibles and idiosyncrasies. Don Jœbilo’s gift of interpretation, like Tita de la Garza’s gift for cooking in Like Water for Chocolate, is inexorably linked to his soul. The one affects the other; when his connection to others’ unspoken desires fails, Jœbilo’s relationships suffer. Esquivel’s illumination of the motives that drive us as humans, even when we do not understand them, sets her novels apart. That ability, coupled with her dramatic use of the lush, tropical settings of her native Mexico, creates another work of fiction that acknowledges the alchemy of connection and the despair that results from severing those ties.

Kelly Koepke writes from her home in Albuquerque, New Mexico.

is an enchanting, bittersweet story that demonstrates in convincing fashion how keeping secrets leads to unhappiness, while true communication can lead to love. An award-winning and best-selling author, Laura Esquivel fills her latest novel with her signature sensuality and magical realism. In the story, the…
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It’s September again. Summer is over, and around the country kids are returning to school. And what better way to brighten those early days of a new routine than with a story about a crazy dog running amok in class? Maira Kalman’s Fireboat: The Heroic Adventures of the John J. Harvey was a top picture book of 2002 and a story recommended to help children cope with the events of September 11. Now, in a follow-up to the previous What Pete Ate from A-Z, Kalman offers yet another light-hearted story about the incorrigible dog named Pete and his owner, a girl called Poppywise.

With school back in session, Poppywise, like many kids, has mixed feelings. On the one hand, “You never know when you will be stupid in front of the whole class.” On the other, something wonderful might happen, like “you win the punchball game or you understand long division.” Speaking of math, Poppywise is calmly minding her own business, studying infinity in Mr. Spitzer’s class, when Pete bursts in and proceeds to eat everything in sight: the blackboard, fractions out of a box and the teacher’s pants. And that’s not all. He rushes to the science lab, where he devours funnels and test tubes. Before you can say “back to school,” Pete has created havoc in one classroom after another. And everyone knows the consequences: Pete is sent to the principal’s office.

But, as Poppywise soon discovers, Pete has indeed “digested” quite a bit of knowledge during his sojourn at school, as the fact-filled finale goes on to show. Kids will devour this colorful, clever tale. With hand-lettered text and bright colors, it’s full of humorous details (check out those cafeteria workers!), and it even includes a pop quiz at the end. So, if you know of any little ones who might be experiencing back-to-school jitters, be sure and introduce them to Smartypants. Deborah Hopkinson’s most recent book for children, Girl Wonder: A Baseball Story in Nine Innings, received a 2003 Parents’ Choice Gold Award.

It's September again. Summer is over, and around the country kids are returning to school. And what better way to brighten those early days of a new routine than with a story about a crazy dog running amok in class? Maira Kalman's Fireboat: The Heroic…
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It is always a pleasure to pick up a new mystery and find out: a) that the book is written in the first person, and b) that it’s situated in Los Angeles, where all good murder mysteries should be set. The Wicked and the Dead by BookPage columnist Robert Weibezahl finds struggling screenwriter Billy Winnetka embroiled in an inquiry into the death of a prominent cinema producer. As the story unfolds, it turns out that several of the major players in a controversial religious movie have met accidental deaths in recent months, and Billy takes it upon himself to do a bit of discreet investigation. The suspects abound: a nutball zealot religious leader (or one of his flock); the body-building gay lover of one of the major characters; the unpleasant (and quite possibly corrupt) cop. Weibezahl worked in film production for a number of years and it shows in his writing; he offers his readers a vivid insider’s look at the Hollywood machine. Winnetka is an engaging sort, a competent screenwriter wryly disillusioned by the lack of respect accorded to his profession. We look forward to reading his further adventures.

The Wicked and the Dead is Weibezahl’s first novel, but it is not his first foray into the genre: he has been an Agatha and Macavity Award finalist for his role as editor of A Taste of Murder and A Second Helping of Murder.

It is always a pleasure to pick up a new mystery and find out: a) that the book is written in the first person, and b) that it's situated in Los Angeles, where all good murder mysteries should be set. The Wicked and the Dead
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The United Nations was created from the strategic vision of Franklin Delano Roosevelt, who deemed it essential that the world have an effective international security organization. Even before the U.S. entered World War II, Roosevelt’s administration had begun planning for a postwar world. FDR died on April 12, 1945, just two weeks before the San Francisco conference on the U.N. was set to begin. New president Harry Truman was facing other major foreign policy questions, but his strong belief in the U.N. concept led him to proceed with the conference. The story of that crucial meeting, at which 46 nations gathered for two months to establish the organization, is told in Stephen Schlesinger’s compelling new book Act of Creation: The Founding of the United Nations.

At the heart of the narrative are two little-known but extraordinary men. One is Secretary of State Edward Stettinius, head of the U.S. delegation, who did an outstanding job of forging consensus. The other was Russian ŽmigrŽ Leo Pasvolsky, a State Department official who was most responsible for writing the U.N. charter. His analytical skills and willingness to work behind the scenes made him indispensable.

Of the many issues covered at the San Francisco conference, probably the most contentious was that regarding the veto power in the Security Council. The understanding agreed to at Yalta gave the five permanent Security Council members absolute veto over “substantive matters” vague wording that prompted smaller nations to question the scope of the veto, a crisis that threatened the success of the conference. Among the journalists covering the event was a 27-year-old former naval officer, John F. Kennedy. In summarizing the results of the meeting, he wrote that, overall, “What [the] Conference accomplished is that it made war more difficult.” For all its successes and failures, the U.N. has played an important role in world politics for over half a century. Schlesinger’s impressive account of its founding deserves a wide readership. Roger Bishop is a bookseller in Nashville.

The United Nations was created from the strategic vision of Franklin Delano Roosevelt, who deemed it essential that the world have an effective international security organization. Even before the U.S. entered World War II, Roosevelt's administration had begun planning for a postwar world. FDR died…
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In a Baltimore suburb built on dreams of success, three girls play out a variation of Benjamin Franklin’s adage, an epigraph to this engaging psychological thriller: three can keep a secret, if two are dead. As To the Power of Three opens, an unidentified high-school senior forgoes fashion in favor of a more practical method of carrying a gun. An hour later, in a locked bathroom, one girl is dead, one is critically injured and one is lying. What appears at first to be the truth behind this horrific tragedy masks what really happened in the bathroom, and among the three girls who have been friends for 10 years: Kat, sweet and smart, the daughter of a man who’s living his thwarted dreams through his only child. Perri, an aspiring actress who decides to expose the truth about her lifelong friend. Josie, the athlete, who came to the trio late and never feels certain of her position in the friendship triangle. Laura Lippman is a Baltimore resident and former journalist whose previous books, including her Tess Monaghan series, have won every major mystery award. Her experience as a reporter for The Baltimore Sun provided valuable insight into the lives of policemen, criminals and victims. In To the Power of Three, she tells the story of every community’s nightmare. But how much of the story is true? Through the eyes of several narrators students, teachers, parents and Baltimore County police sergeant Harold Lenhardt readers see pieces of the puzzle, including snapshots of the girls’ developing friendship from their third-grade meeting through its implosion. But like Sgt. Lenhardt, who appeared in Lippman’s thought-provoking Every Secret Thing, readers must wait for the final clue a glimpse of a young woman’s anger to see the full picture. Lippman knows what Baltimore County looks like. She knows what matters to its teenagers, and how insider kids torture the outsiders. And just as Lippman knows the importance of the right shoes, especially to the girl who can’t afford hundred-dollar sandals, she clearly also remembers how it feels to walk in them. To the Power of Three lets readers walk that same treacherous path. Leslie Budewitz lives in Montana and is a legal consultant for writers.

In a Baltimore suburb built on dreams of success, three girls play out a variation of Benjamin Franklin's adage, an epigraph to this engaging psychological thriller: three can keep a secret, if two are dead. As To the Power of Three opens, an unidentified high-school…
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In 1790, England had a new naval hero: a man who had saved the lives of more than a dozen sailors by navigating a 23-foot open boat over 4,000 miles a staggering feat of seamanship. William Bligh, late of the ship H.M.

S. Bounty, was the toast of the town. Captain Bligh? A hero? As everyone “knows” thanks to Nordhoff and Hall’s 1932 novel Mutiny on the Bounty and the various movies based on it, intrepid master’s mate Fletcher Christian launched a mutiny against the tyrannical Captain Bligh, whom he set adrift in a launch with a handful of loyalists. Christian then led his followers to an idyllic existence on a South Pacific island. But real life has an inconvenient way of diverging from legend. Readers will find the true story in Caroline Alexander’s The Bounty, a fascinating book based on court testimony, diaries and other primary sources that draws a picture very different from the popular version. Alexander, author of the equally excellent volume The Endurance, which told the story of Sir Ernest Shackleton’s Antarctic expedition, produces a vivid narrative with psychological depth and a keen understanding of historical context. Not that Alexander’s Bligh is a saint. He was a perfectionist with an ugly temper. But his record was far better than that of many contemporary naval officers, and he didn’t treat anyone unfairly by the standards of the time. As presented here, the mutiny wasn’t a rebellion against oppression, but a personal clash between two men under pressure who misunderstood each other’s motives. Ironically, even in Alexander’s deft hands, Christian emerges as somewhat of a mystery, in part because he died under odd circumstances not long after he brought his crew to Pitcairn Island. Anne Bartlett is a journalist who lives in South Florida.

In 1790, England had a new naval hero: a man who had saved the lives of more than a dozen sailors by navigating a 23-foot open boat over 4,000 miles a staggering feat of seamanship. William Bligh, late of the ship H.M.

S. Bounty,…
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Best known for the hilarious Southern romp Handling Sin (just released in paperback), author Michael Malone has shown a unique ability to question what he calls the moral, political and social dimensions of the old South versus the new, while at the same time telling entertaining and well-crafted stories. After an absence of more than 10 years, Malone returns to the popular detective duo of Uncivil Seasons (1983) and Time’s Witness (1989). In First Lady, he has created another irresistible blend of mystery, romance, heartache and revenge in an appealing Southern setting. Hillston, North Carolina, home of Haver University, has been praised by both the governor and the press as being one of the safest small towns in the state. Hillston’s reputation and the reputations of the local police chief, Cuddy R. Mangum, and his best friend and chief of homicide, Lt. Justin Savile V, are called into question when a second nude female body is found mutilated in the woods outside of town. The killer leaves a body tag on each victim addressed to Justin and Cuddy, making the case a personal challenge. The mayor and the local press, attracted by the sensational nature of the murder, seem intent on impeding the progress of the case. The fact that the deputies in the local sheriff’s department act like the Keystone Kops at crime scenes doesn’t help matters. The sheriff’s office is also the cause of another headache for Cuddy. The only son of one of the town’s best families was arrested for shooting his pregnant wife on New Year’s, and the sheriff’s department tainted the evidence so badly that a not guilty verdict is inevitable. In desperation and frustration over the mounting bad press, Cuddy announces that he and his department will find the serial killer the press has dubbed Guess Who in a week or resign.

As with his previous detective novels, Malone has again created a cleverly constructed plot along with imperfect, nuanced characters. Justin, who drinks a bit too much, loves old things and considers the homogenization of his hometown a travesty, while Cuddy has been, and will always be, in love with the one woman he can’t have. Their banter is believable, smart and funny, filled with references to Colonel Sanders and other things uniquely Southern. Michael Malone’s return to this intrepid pair of detectives and their colorful small town life will delight armchair detectives everywhere. His characters, their relationships and the fictional town of Hillston charm long after the final page.

Pam Kingsbury lives and writes from her hometown of Florence, Alabama.

 

Best known for the hilarious Southern romp Handling Sin (just released in paperback), author Michael Malone has shown a unique ability to question what he calls the moral, political and social dimensions of the old South versus the new, while at the same time telling…

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Its owner was correct when he said the 10-story Asch Building in downtown Manhattan was fireproof. The problem was that its contents were not. Thus, the cloth and paper used on the top three floors by the Triangle Shirtwaist Company’s garment workers fed the March 25, 1911, fire that resulted in the deaths of 146 people, the worst workplace disaster in New York City’s history before that Tuesday morning in September two years ago.

Other authors have told the story of the fire but probably never as completely and carefully as David Von Drehle in Triangle: The Fire That Changed America. Von Drehle, a journalist who pored over more than 1,300 long-lost, crumbling pages of trial testimony, examines the tragedy in a wider context than ever before and produced what historians likely will regard as the first complete and most reliable list of the victims and the people who identified the remains on the pier that became a makeshift morgue.

After taking us to the congested Lower East Side, with its dingy workshops and teeming mass of new immigrants, the author brings alive rich society matrons joining poor sweatshop seamstresses to defy thugs, cops and judges intent on breaking up their strike for decent wages, tolerable hours and voting rights. Von Drehle gives us a minute-by-minute replay of the fire itself, with some victims being burned alive, others plunging fatally down an elevator shaft, and, by one reporter’s count, 54 people mostly young women leaping or falling from window ledges to their doom. Then we visit the courtroom, where the tight-fisted factory proprietors managed to beat the accusation that they knew the building’s exit doors were locked an illegal practice that allowed guards to search workers’ purses for pilfered goods. A powerful story about a pivotal event in the maturation of our nation, Triangle is a valuable addition to the literature of reform in America.

Its owner was correct when he said the 10-story Asch Building in downtown Manhattan was fireproof. The problem was that its contents were not. Thus, the cloth and paper used on the top three floors by the Triangle Shirtwaist Company's garment workers fed the…
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With remarkable insight and honesty, Stephen Paternot has laid bare the wild ride of the Internet upstart that made him a millionaire and the even more spectacular fall as the stock market roof caved in. His candid memoir, A Very Public Offering, chronicles his six-year stint as CEO/co-founder of the- globe.com, an Internet company he and his partner Todd Krizelman started in their Cornell University dorm room.

His story starts with a bang as the globe’s initial stock offering set Wall Street records, and the 24-year-old’s share of the company was suddenly worth $97 million. But the heady days didn’t last, and Paternot describes the intimate details as the young CEOs fought for funding, battled the media and took a crash course in corporate politics. As the stock dropped to less than $1 a share, pressure mounted from co-workers and shareholders, and Paternot was forced to relinquish control as his millions evaporated. BookPage recently asked Paternot about his experience on the Internet bubble.

You were 24 and worth millions (on paper, at least). What was it like to be the poster boy of Internet mania ? It was manageable at first as mostly business press came after us, but when all the pop culture/lifestyle press came after us, things became a bit more risky. I’d often be recognized on the subway with Hey, you’re the guy from the globe, can I give you my resume? . . . Wow, you’re like a rock star now. I often didn’t know how to react [other than] be embarrassed and then duck and hide. It became much tougher as the year progressed and much of the media and investors wanted to place all the blame on us for the fall of our stock. At that point I had fought so many battles that I just wanted people to leave me alone and to crawl under a rock.

You and your partner Todd Krizelman were both very young when you started, with almost no business experience. Was that a help or a hindrance? At first our youth worked against us especially when trying to raise money. We had no experience, no prior money, no major contacts or track record to show, and we hadn’t even graduated. And Todd and I looked young (Todd like he was 15 years old). On the other hand, it made us all the more determined to prove everyone wrong and to succeed.

What do you think are the most important qualities for an entrepreneur to have? Most important is a high EQ Emotional Quotient. Any entrepreneur will know that the idea alone is just 10 percent of the value. The other 90 percent comes from sheer pushing and not giving up along the way. There will always be a million pitfalls you have to navigate around, and he or she who can keep going will make it.

What lessons did you take away from the whole experience? It taught me that anything can be achieved if you put your mind to it. You may get a few curve balls thrown at you along the way, but getting to your end goal and beyond is possible. That is the greatest measure of success in my mind. The last thing you want to do is measure your success by your net worth, or you’ll constantly have days of desperate misery.

It also taught me humility. You can be president of the United States one day, and a regular Joe the next, so don’t forget to treat people well along the way. From everything that has happened, I feel a certain strength of character within me, a greater confidence, and greater prudence and awareness.

What’s the status of the globe.com now? The company is still in business and it has now been seven years, something to be very proud of. I still own 90 percent of my stock and hope that the company will keep on surviving, even if it is as part of a bigger parent company.

What will it take for an Internet company to succeed in today’s market? They’ll need to prove that their business model can become profitable on a much smaller scale and smaller investment. No one wants to take huge financial risks right now. Otherwise, it needs to be such a powerful business model that has so much potential that everyone is ready to throw money at it (less likely).

Will you ever start another company? Ever want to go public again? I’m sure that something interesting will happen again, whether a film project or something else. I’m sure that if the timing is right, and there’s a necessity for it, then we’ll go public again. Perhaps this time I’ll opt not to be the CEO though.

With remarkable insight and honesty, Stephen Paternot has laid bare the wild ride of the Internet upstart that made him a millionaire and the even more spectacular fall as the stock market roof caved in. His candid memoir, A Very Public Offering, chronicles his six-year…

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We are horrified when a crocodile snatches and devours a baby or a dog. Determined to teach the beast a lesson for violating our sense of decency, we hunt for it with the intent of imposing the ultimate penalty. Such scenarios might someday cease thanks to what naturalists view as an equally alarming prospect: the very extinction of some of Earth’s most fearsome, carnivorous animals. In Monster of God: The Man-Eating Predator in the Jungles of History and the Mind, author David Quammen predicts the next 150 years will be critical in determining if some subspecies of flesh-eating animals are confined to zoos or other supervised habitats en route to their eventual disappearance.

“Dangerous predators, of whatever species, are more easily admired from afar,” Quammen advises. Then, disregarding his own observation, he takes the reader on trips that make most of the travel industry’s ambitious safari packages look like a Sunday picnic. His treks lead to such human-meat consumers as India’s Asiatic lions, Australia’s saltwater crocodiles and Russia’s Siberian tigers. In his previously published and widely praised The Song of the Dodo, Quammen asserts that animal preserves involve isolation and confinement, and thus render the creatures vulnerable to biological or climatic catastrophes that might lead to their annihilation. In Monster of God, he extends that reasoning and tells why he thinks humanity needs menacing, man-eating creatures and would be forever diminished by their disappearance. If you have a habit of skimming, make sure you don’t flip through the section entitled “Shadow of the Nine-Toed Bear” or you’ll miss one of the most interesting parts of the book. It deals with Romania’s brown bears, and the odds are that when you learn about the history of the grizzlies in that country and of the privileged hunting tactics of Nicolae Ceausescu, the deranged dictator executed in 1989, you’ll end up rooting for the beasts. Alan Prince lectures at the University of Miami School of Communication.

We are horrified when a crocodile snatches and devours a baby or a dog. Determined to teach the beast a lesson for violating our sense of decency, we hunt for it with the intent of imposing the ultimate penalty. Such scenarios might someday cease thanks…
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Artist Henri Matisse once observed that creativity requires courage. That insight is proved true in noted biographer Jeffrey Meyers’ refreshing quadruple portrait, Impressionist Quartet: The Intimate Genius of Manet and Morisot, Degas and Cassatt. With an acute eye, Meyers offers us an unusual glimpse into these four artists’ intertwined lives and tumultuous careers in 19th-century Paris. Both Edouard Manet and Edgar Degas, the two leading lights of the controversial Impressionist movement, cultivated close ties with two gifted women painters: Manet, with Berthe Morisot; Degas with American-born Mary Cassatt. These relationships, Meyers writes, inspired and influenced each other’s work; they shared models, patrons, dealers, and vital information on how to conduct the business of art. In a courageous departure from the norm of art criticism, Meyers’ Quartet employs his own fresh look at the art . . . [describing] exactly what I see . . . within the context of the artist’s life and time, what’s happening in the paintings, and what they mean. Though this might be an ingenuous approach one that risks a banality of language in the attempt to interpret the elusive nuances of brushstrokes and subject matter Meyers’ focus works nicely, reinforced as it is by his revelations about each artist’s life, and their thematic and relational influences upon one another.

Artist Henri Matisse once observed that creativity requires courage. That insight is proved true in noted biographer Jeffrey Meyers' refreshing quadruple portrait, Impressionist Quartet: The Intimate Genius of Manet and Morisot, Degas and Cassatt. With an acute eye, Meyers offers us an unusual glimpse…

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