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<B>A cowboy’s wry poke at the West</B> Many are familiar with Baxter Black’s homespun humor from his frequent commentary on National Public Radio, where he’s billed as a cowboy poet and former large animal veterinarian." Now Black’s funny, folksy anecdotes can be enjoyed in his new book, <B>Horseshoes, Cowsocks ∧ Duckfeet.</B> This collection of columns from NPR and print sources lampoons and celebrates rural life with dry, understated humor. Among the many yarns Black spins are comical accounts of rodeo mishaps, amusing efforts to wake a tranquilized bull before an auction and the bemused reaction of cowboys to Western catalogs aimed at urban dwellers. In fact, the culture clash between urban folk and rugged range riders is a subject Black visits more than once. He also celebrates good dogs, good dances and good doctors, and wonders if the West is vanishing.

In the tradition of great American humorists like Mark Twain and Will Rogers, Black writes with great intelligence and warm wit, choosing his words tenderly, yet efficiently. He may poke fun at economists and impulsive cowhands, but his satire is gentle, not at all harsh. Still, all is not laughter like many essayists, Black turns sober attention to the aftermath of the September 11 terrorist attacks, finding comfort in the fact that American farmers were feeding Afghanistan even as our troops were missing Christmas due to the fighting.

If some of the stories ring a bell, the reader can consult a handy reference of NPR air dates in the back. Black also thoughtfully includes a glossary of cowhand terms. The text is sprinkled with illustrations that complement his descriptions of unruly horses and dignified farmers.

<B>Horseshoes, Cowsocks ∧ Duckfeet</B> is a book that all readers will enjoy, whether city dweller or ranch hand. Black’s collection of wry anecdotes, essays and verse is thought-provoking, heartwarming and thoroughly entertaining. <I>Gregory Harris is a writer, editor and technology consultant in Indianapolis.</I>

<B>A cowboy's wry poke at the West</B> Many are familiar with Baxter Black's homespun humor from his frequent commentary on National Public Radio, where he's billed as a cowboy poet and former large animal veterinarian." Now Black's funny, folksy anecdotes can be enjoyed in his…

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In A Brilliant Solution: Inventing the American Constitution, author Carol Berkin recalls the period following the end of the Revolutionary War when the Articles of Confederation were in force as the governing code for the new United States. Designed with an eye toward decentralizing power, the Articles worked so well that the young nation soon found itself without any significant power. Its army was small and inconsequential; its credit was ruined; and the 13 states tended to conduct themselves as wholly independent political units.

Against this backdrop, Berkin, conveys the desperation and passion of the men who met in Philadelphia in the summer of 1787 to design America’s new constitution. They were men of wealth and comfort,” she says, landowners, slaveholders, lawyers, merchants, land and securities speculators, and an occasional doctor or clergyman,” who were crafty enough to know that premature leaks could scuttle their proposed ship of state. Consequently, they agreed to keep the details of their discussions secret from the public.

Although the universally revered George Washington and Ben Franklin were both active in the convention, they were less assertive than such younger colleagues as James Madison and Alexander Hamilton. From May 25, when the ground rules were laid down, until September 17, the day the document was signed, the debates surged this way and that, often creating the least expected of political allies. Relying on first-hand accounts and doling out the events as they actually occurred, Berkin adds drama and color to what might have been little more than an annotated set of minutes.

The author, a professor of American history at the City University of New York, rounds out her story with an account of the document’s ratification and of Washington’s inauguration as president. Appended to her engaging narrative are copies of the Articles of Confederation and the Constitution as initially approved, as well as thumbnail biographies of all the representatives to the convention.

In A Brilliant Solution: Inventing the American Constitution, author Carol Berkin recalls the period following the end of the Revolutionary War when the Articles of Confederation were in force as the governing code for the new United States. Designed with an eye toward decentralizing…
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<B>Reflections on the world’s oldest sport</B> When Walt Harrington first took to the woods with his father-in-law to hunt rabbits, it wasn’t by choice. A <I>Washington Post</I> reporter at the time, Harrington was a city slicker with a taste for expensive wines, tailored suits and original art. Tramping through frosty fields at dawn in blood-stained overalls was not his idea of a good time, but he felt duty-bound to try out his new shotgun, a gift from his wife’s father.

Harrington viewed hunting as an archaic pastime, if not downright barbaric. Why hunt animals, he thought, when hunting is no longer necessary for survival? In his new book, <B>The Everlasting Stream: A True Story of Rabbits, Guns, Friendship, and Family</B>, Harrington tackles this question and others in an attempt to make sense of the age-old activity and life in general. He succeeds in writing a graceful, introspective memoir that takes a candid look at the ritual of modern-day hunting and the moral minefields that surround it. With well-researched points about hunting woven through stories of his childhood and career, Harrington debates the morality of killing animals for sport. For more than a decade, Harrington has spent every Thanksgiving holiday in the fields of rural Kentucky with his father-in-law’s tight-knit group of hunting buddies blue-collar African-American men who grew up dirt poor. In time, the award-winning white journalist finds that he has a lot to learn from these rough-edged men, some of whom have been hunting together for half a century. With a straightforward style and a practiced eye for detail, Harrington describes how hunting evolves into a life-affirming activity for him a way to experience nature, companionship and heightened acuity." <B>Everlasting Stream</B> is sure to give even the most devout anti-hunting advocates and workaholics some compelling ideas to ponder. Part memoir, part essay, the book is more than a treatise on hunting. It’s a moving tribute to four unassuming men and a stirring commentary on life. <I>Rebecca Denton is a copy editor and freelance writer in Nashville.</I>

<B>Reflections on the world's oldest sport</B> When Walt Harrington first took to the woods with his father-in-law to hunt rabbits, it wasn't by choice. A <I>Washington Post</I> reporter at the time, Harrington was a city slicker with a taste for expensive wines, tailored suits and…

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In Jesse James: Last Rebel of the Civil War, writer/historian T.J. Stiles has produced what must be considered the definitive James biography of this generation. Unlike previous authors who emphasized James as the daring train and bank robber, Stiles seeks to understand the world of rural western Missouri, into which Jesse Woodson James was born in 1847. His family lived in a section of the state later dubbed Little Dixie” where slaves constituted fully 25 percent of the population. At age three Jesse suffered the loss of his father, a Baptist preacher who died in California during the Gold Rush. Jesse’s widowed mother, the six-foot-tall Zerelda Cole James, imbued in her sons, Jesse and his brother Frank, a passionate devotion to slavery, the Southern cause and, eventually, secession.

When war came in 1861, Frank James, 18 years of age, volunteered to fight for the Confederacy. Because he was only 15, Jesse was prevented from joining his brother. As Stiles makes clear, a turning point in the life of the James family occurred in 1863, when pro-Union state militiamen, in search of Frank, stormed the family farm, took Zerelda into custody and forced her to sign an oath of loyalty to the United States. An enraged Jesse immediately joined other Confederate bushwhackers in guerrilla actions against their pro-Union neighbors. In short order they looted stores, killed an abolitionist minister and wreaked terror and mayhem in Clay County and beyond.

Outraged by such Union atrocities” as the Emancipation Proclamation, James and his comrades refused to surrender and acknowledge Confederate defeat in 1865. Chaos continued to ravage Missouri in the postwar years, when retribution hung in the air,” and neighbors persisted in settling scores with neighbors. War had torn apart the state’s political landscape, and new factions and parties sought favor. As Stiles demonstrates, Jesse James was among those who attempted to influence the course of state politics. Although ever the outlaw, robbing banks and railroads from Iowa to Kentucky, James was motivated by politics, as well as plunder. He sent intensely partisan and articulate letters to newspapers in which he condemned Republicans and deplored the Radical Reconstruction of the South. All the while, the American public devoured stories of James’ narrow escapes and epic adventures. By 1882, when he was gunned down in St. Joseph, Missouri, he was a figure as publicized as the president.” As gracefully written as a novel, and convincingly argued throughout, this is biography at its finest. Dr. Thomas Appleton is professor of history and associate director of the Center for Kentucky History and Politics at Eastern Kentucky University.

In Jesse James: Last Rebel of the Civil War, writer/historian T.J. Stiles has produced what must be considered the definitive James biography of this generation. Unlike previous authors who emphasized James as the daring train and bank robber, Stiles seeks to understand the world of…
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In the future depicted in Kelley Eskridge’s new novel, Solitaire, people grow up in a peer group known as a web. Those born on the cusp of a certain new year are known as hopes. When the hopes turn 23, they take their place in the EarthGov, symbolically leading the world into the bright and wonderful future. Jackal is the hope of Ko, a corporation that has almost achieved statehood. For the first 22 years of her life, Jackal has been aware of the thousands of people watching her, aware of their expectations; she is their hope.

Solitaire is the first novel from Eskridge, who has produced a series of sharp, well-thought-out short stories during the last decade. Her writing is sure and well-crafted, never letting the reader become complacent as the tale unfolds.

Despite Jackal’s advanced training in government work, she senses that something is wrong and her future is in jeopardy. When trouble finally comes, it is an order of magnitude higher than anything she imagined. Framed for a crime, she is sentenced to 40 years in prison and then offered a last-minute deal. There is a new form of punishment: virtual confinement. Prisoners are trapped in a virtual reality prison inside their own heads where time passes faster than in the outside world. Instead of 40 years in prison, Jackal can spend eight years in virtual confinement which will take only 10 months of real time. Not surprisingly, she accepts the deal and is stuck inside her own head for a very long time.

This is where Eskridge’s story takes off. What could have been a retread of every prison memoir, novel and film, is instead the emotional center of the book. In solitude, there is nowhere to hide, and Jackal is forced to face herself again and again, exploring her connections to the world, her family and friends.

Solitaire is a novel of our time: a story of dashed expectations and corporate manipulations. Eskridge explores what it means to really see ourselves, and what we are ultimately capable of. Jackal, a slight adolescent, matures into an adult capable of living well, no matter what her circumstances. She is a worthy role model for any reader. Gavin J. Grant reads, writes and publishes speculative fiction in Brooklyn, New York.

In the future depicted in Kelley Eskridge's new novel, Solitaire, people grow up in a peer group known as a web. Those born on the cusp of a certain new year are known as hopes. When the hopes turn 23, they take their place in…
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Former policewoman Kate McKinnon is the central character in Jonathan Santlofer’s debut thriller, The Death Artist. Ten years ago, she traded her badge, homicide cases and ill-fitting uniform for a sexy husband, a New York penthouse and a career in art history. It was a good trade. Successfully making the transition from cop to cashmere-clad socialite, Kate fills her days hosting a television art series, planning fund-raisers and sponsoring budding artists. Then the murders begin.

When one of her proteges is murdered, Kate discovers that her past and present are about to collide. A serial killer is on the loose, and before each crime, the killer sends Kate a cryptic clue. Constantly smoking, frequently cursing and occasionally wise-cracking, Kate is an independent and intelligent protagonist. Santlofer also conjures a large ensemble of supporting characters that are sharply drawn and distinctive. The author hits his stride, however, in creating escalating suspense as Kate mentally spars with the crafty killer. An internationally recognized painter, Santlofer turned to writing after a fire in an art gallery destroyed five years of his work. He skillfully uses his considerable knowledge to give readers an intriguing tour of museums, performance art, galleries and artists’ studios in New York. In The Death Artist, Santlofer has produced an engrossing debut filled with plenty of simmering secrets and a multitude of motives for murder.

Former policewoman Kate McKinnon is the central character in Jonathan Santlofer's debut thriller, The Death Artist. Ten years ago, she traded her badge, homicide cases and ill-fitting uniform for a sexy husband, a New York penthouse and a career in art history. It was…
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<B>Nick Tosches’ Middle Age rant</B> Nick Tosches’ new novel arrives amid a bit of a stir. There’s apparently some concern that <B>In the Hand of Dante</B> might be too profane or sordid (or confusing) for many readers.

While the novel is profane, it isn’t overly so. And, it does require forbearance especially given its author’s seeming faith in mysteries. The flaws lie elsewhere. Although Tosches may strive for honesty and a lack of affectation, he just can’t help showing off.

One of the novel’s two stories is set in the Middle Ages, focusing on a spiritual quest by the poet Dante. The other not as lofty occurs in the present and follows the personal travails of the aptly named Nick Tosches," a writer (and thief). Tosches joins a Mob scheme to steal and sell the reputed original manuscript of <I>The Divine Comedy.</I> These two tales alternate and, obviously, are meant to enhance one another. This they do, occasionally. Still, some sections, focusing especially on Dante or his wife, Gemma, are too remote to be accessible; reading them is like enduring a classroom lecture.

The present-day plot eventually involves murder, thefts and dishonor among thieves. Dante’s story amounts more to talk than action, as he engages in frequent dialogues with an elderly mystic. As Dante’s tutelage burrows deeper into the terrain of religious issues (including, say, the meanings of certain numbers or an explication of symbols), Tosches displays his gift for research. Readers should know these pages are replete with foreign phrases in Latin, Italian, Arabic, Hebrew and Greek. Be aware, too, that there’s little context, and no source notes, for guidance.

Nick Tosches known for acclaimed biographies of Dean Martin and Jerry Lee Lewis appears to be a writer who, ironically, distrusts writing ( artful whoredom") <I>and</I> publishing (which he denounces here at length). He insists this work is <I>not</I> a book, but a testament." Simplicity is his creed.

In his latest book, unfortunately, Tosches’ ambition has seemingly gotten the better of him. His grand design glosses over a surprisingly unfulfilling narrative, and his prose polished but dense sometimes leaves the reader more confused than enlightened. <I>Harold Parker writes from Gallatin, Tennessee.</I>

<B>Nick Tosches' Middle Age rant</B> Nick Tosches' new novel arrives amid a bit of a stir. There's apparently some concern that <B>In the Hand of Dante</B> might be too profane or sordid (or confusing) for many readers.

While the novel is profane, it…

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<B>Now you see it, now you don’t</B> Thomas Moran, a former investigative journalist who now focuses on writing fiction, received critical acclaim for his first three novels. In particular, he has been praised for his ability to create memorable and effective characters. With his latest novel, Moran triumphs once again, giving readers a host of likable personalities and focusing on a problem that everyone faces: the need to put things in perspective.

<B>What Harry Saw</B> is set in Sydney, Australia, and its title character is a child delinquent-turned-newspaperman who considers himself emotionally scarred from various past experiences including losing his mother at an early age, dealing with an alcoholic father and suffering serious wounds in Vietnam. Harry struggles to come to terms with being left by his longtime girlfriend, Lucy, at the same time he faces caring for a father whose health is rapidly declining. An inherently selfish but incredibly likable man’s man," Harry loses Lucy mainly because of his inability to express his true emotions. Moran expertly exposes Harry’s shortcomings without making the narrator himself aware of them. Harry has his good qualities, but he also has two kinds of flaws: those he recognizes and those he doesn’t.

<B>What Harry Saw</B> is all about the differences between reality and our view of it. The book begins with a hard-hitting rant about blindness. If you were blind, Harry questions, Could you ever be truly sure you were anywhere real at all?" After getting to know the character, the reader is led to wonder how much Harry and the rest of us really use the sight with which we have been blessed. Harry, almost completely unable to see perspectives other than his own, misses out on much that life offers.

In Harry, Moran has created an anti-hero whose easy-going outward personality clashes with the inner turmoil he experiences. Well written and cohesive themes of sight, memory and lack thereof run throughout the novel <B>What Harry Saw</B> is another winner for Thomas Moran and a treat for any book lover. <I>Emily Zibart is a student at Columbia University, where Thomas Moran earned his master’s degree in journalism.</I>

<B>Now you see it, now you don't</B> Thomas Moran, a former investigative journalist who now focuses on writing fiction, received critical acclaim for his first three novels. In particular, he has been praised for his ability to create memorable and effective characters. With his latest…

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Sassy Sarah Jean falls for long-fingered guitar picker Bobby Lee Crenshaw and gains glory but gets the boot at the Opry. And Calvin Klein’s true ancestry is revealed at last. Kathi Kamen Goldmark has written a fast-paced, wisecracking debut novel, And My Shoes Keep Walking Back to You, that takes readers on the road and backstage for an intimate look at the country music business. This funny, touching tribute to honky-tonk music and musicians rollicks through three eventful years in the life of backup singer Sarah Jean Pixlie as she zig-zags between the iconic country music palaces of Nashville and the funky Dewdrop Inn, a northern California roadhouse she calls home.

Shoes opens against a brisk backbeat of lust, catastrophe and luck: Bobby Lee romances Sarah Jean, then jealous country diva boss Cindi-Lu Bender fires her. And all because Sarah Jean is nominated for a coveted Patsy” award for her chart-climbing song, Heartaches for a Guy.” Jobless and blue, but hoping for fame, Sarah Jean heads home to hide out at the Dewdrop. Seclusion, though, is not to be. Sarah Jean and her loving, eccentric family of blood kin and friends must face the challenges of cheating hearts, unexpected motherhood, sudden fame and crooked music producers.

Goldmark, a singer-songwriter who founded the all-author band, the Rock Bottom Remainders, infuses her novel with zest for a good country song. She has cleverly woven her own songs (and some by fellow Rock Bottom bandmates) into the book, disguised as her characters’ original compositions. There’s the spiritually litigious Jesus Is My Lawyer Now,” and the slyly prosaic Tupperware Blues” (lyrics by Dave Barry), which poses an eminently practical posthumous alternative to cryogenics.

This book will beguile those with a passion to sing softly in the secondary spotlight or strum guitar to a hard-drivin’ tune. But those who hanker merely for the inside scoop on Calvin Klein’s real antecedents will have to, as they say in the publishing business, Buy the book!” Alison Hood is a freelance writer in San Rafael, California.

Sassy Sarah Jean falls for long-fingered guitar picker Bobby Lee Crenshaw and gains glory but gets the boot at the Opry. And Calvin Klein's true ancestry is revealed at last. Kathi Kamen Goldmark has written a fast-paced, wisecracking debut novel, And My Shoes Keep Walking…
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In Paul Auster’s new novel, The Book of Illusions, the figure at the center of the story a promising slapstick comedian named Hector Mann literally disappeared without trace in 1929. But when a fragmentary film clip of the white-suited Mann appears on a TV documentary, it reanimates depressed professor David Zimmer, who recently lost his wife and two sons in a plane accident.

From the depths of his "alcoholic grief and self-pity," Zimmer laughs at Mann’s nuanced physical comedy. He becomes fascinated with the actor’s slapstick technique and travels to six museums where Mann’s two-reel movies mysteriously reappeared several years back. After Zimmer’s scholarly appreciation of the comedian’s work is published, he receives a note from Mann’s wife inviting him to meet the actor in New Mexico. Dubious, the still-depressed Zimmer stays to himself, moves to a mountain in Vermont and tellingly begins a translation of Chateaubriand’s Memoirs of a Dead Man. It is only late one rainy night that a mysterious woman appears at his door with a gun and the promise of a sit-down-and-listen tale. Zimmer agrees to make the long trip into the past, to meet a man who cannot be.

Auster’s extraordinarily well-written and smartly plotted 10th novel is his third book with a filmic theme, and follows his latest novel, the best-selling Timbuktu. The reader is skillfully driven forward by a Depression-era tale of Mann’s past, while Zimmer races against time to meet the critically ill former actor. Given Zimmer’s mental state and the illusory nature of reality in Hollywood, readers can never be quite sure whether they’re standing on firm ground. The Book of Illusions takes readers into a memorable film-like setting of vivid images and examines our ever-needful desire to read ourselves into the moving images on a blank white screen. Richard Carter is a writer in North Texas who cherishes the films and writings of the silent screen actress Louise Brooks.

 

In Paul Auster's new novel, The Book of Illusions, the figure at the center of the story a promising slapstick comedian named Hector Mann literally disappeared without trace in 1929. But when a fragmentary film clip of the white-suited Mann appears on a TV…

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Cassandra King’s new novel, The Sunday Wife, a tale of a woman who doesn’t belong in the place where she finds herself and the like-minded misfits she befriends, is one of those books that keeps you up till three in the morning and makes you wake up three hours later to pick up where you left off.

Dean (Willodean) Lynch is the wife of Ben, pastor of the Methodist church in Crystal Springs, Florida. Uneasy in both Crystal Springs and her marriage, the mousy, middle-aged and endlessly self-deprecating Dean is still determined, like the foster child she was, to make the best of things. But the world she struggles to make tidy is upended forever when she meets the Holderfields the handsome Maddox and his madcap wife Augusta, a woman who is as out of place in Crystal Springs as Dean is, but gets away with it because of the position her husband’s wealthy and powerful family holds in the town.

Dean is immediately smitten, first by Augusta’s beauty and then by her sheer bad-girl recklessness. One of the funniest scenes in this frequently funny book is when she and Dean rush down to a marina to warn Augusta’s two-timing friend of the imminent arrival of his wife and son, and end up spending the night on his boat. Augusta makes Dean see that her own horizons can open up, despite Crystal Springs and the appalling Ben, who is so priggish, self-centered and utterly lacking in empathy the reader may wonder, first, how Dean could have stood being married to this hateful creep for 20 years and, second, when he’s going to meet the horrible death he deserves. Unfortunately, Ben isn’t the one who buys it, and the novel’s central tragedy throws Dean’s life, and the lives of her friends, onto paths they couldn’t have foreseen.

King, the wife of novelist Pat Conroy, is a graceful writer, and her descriptions of people, places and things range from delicate to deadly; the seafood meals depicted in the book made this reviewer go out and buy oysters for bisque, and the scenes of beaches in moonlight and sunlight are achingly beautiful. King also excels at keeping the plot cooking, page after page. The Sunday Wife is a tasty and irresistible treat. Arlene McKanic writes from Jamaica, New York.

Cassandra King's new novel, The Sunday Wife, a tale of a woman who doesn't belong in the place where she finds herself and the like-minded misfits she befriends, is one of those books that keeps you up till three in the morning and makes you…
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A nervous teenaged couple dumps a newborn in a box at the door of an elegant-looking country house. It’s a strange way to begin a book called <B>Blessings</B>, but the story that follows is stranger still, though entirely mesmerizing.

The driver was in such a hurry that he abandoned the baby in front of the garage instead of the house proper, and the young handyman recently out of jail was the one to discover the baby, still alive.

So far, so good. Now, do you think the handyman, Skip Cuddy, would decide to take care of the baby? Can you see him studying a baby book, buying diapers and formula? Carrying her around in a chest-pack while he works, and naming her Faith? Me neither. But author Anna Quindlen can, and she has a talent for getting readers to view life on her terms. Perhaps it comes from her years as a columnist, first for <I>The New York Times</I> and now for <I>Newsweek</I>. She puts Skip into the nurturing role of caregiver and writes with such feeling that readers cannot easily dismiss him.

Most people turn out the way you would expect," Skip muses near the end of the novel. But not all. Not by a long shot." Readers who believe in Skip will be rewarded by a story they cannot put down. It reaches back into the past and involves much more than one baby’s lot, though on the surface that propels the plot. The tension between appearance and reality and the lasting influence of childhood experience are underlying themes.

At the center of the book is the sprawling white country house called Blessings, where Skip lives over the garage, and the very demanding Lydia Blessings, 80, lives alone in the house. The abandoned baby becomes a welcome responsibility. Faith’s innocent presence helps Lydia to see life clearly, for once, and to realize that doing good can be more rewarding than doing what looks right to the rest of the world. But don’t listen too hard for a swelling of violins. This is Quindlen; the ending is bittersweet. <I>Anne Morris writes in Austin, Texas.</I>

A nervous teenaged couple dumps a newborn in a box at the door of an elegant-looking country house. It's a strange way to begin a book called <B>Blessings</B>, but the story that follows is stranger still, though entirely mesmerizing.

The driver…

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Management consultants Larry Elliott and Richard J. Schroth deserve some kind of award (such as Timeliest Book of the Year) for their foresight in deciding to write a book on corporate ethics. Their compelling new exposŽ, How Companies Lie: Why Enron is Just the Tip of the Iceberg (Crown, $18.95, 200 pages, ISBN 0609610813), arrived on bookstore shelves in July, soon after news broke of the WorldCom accounting scandal the latest in a string of corporate fraud cases that have rattled investors, regulators and employees. Since they’re the first to publish a book on the topic, Elliott and Schroth have quickly become media darlings, appearing widely on television and radio in recent weeks to spread the word about corporate misdeeds.

The authors call their book an “investor’s guide to corporate smoke and mirrors,” and the gory details make for scary reading, indeed. All the tricks, all the scams and all the ways corporations “cook the books” are here. The culture of dishonesty is so pervasive that financial statements and earnings projections can no longer be trusted. Elliott and Schroth say they actually started writing the book in early 2001, well before Enron began to unravel. They found that numerous corporations possibly as many as 10 percent of the nation’s 14,000 public companies have serious accounting problems. What can investors do to sort through the maze? As outlined in How Companies Lie, they must begin to ask tough questions of corporations, analysts and financial planners. They should avoid hot stocks and search for companies with trustworthy leadership. Elliott and Schroth also recommend several broader reforms to address the corporate cheating that is threatening the integrity of America’s capital markets. One of these reforms is an “executive escrow” system that would require insiders to get approval from the SEC before selling their stock. But the authors note ominously that it won’t be easy to correct the current web of deceit and double-dealing that has been decades in the making.

Management consultants Larry Elliott and Richard J. Schroth deserve some kind of award (such as Timeliest Book of the Year) for their foresight in deciding to write a book on corporate ethics. Their compelling new exposŽ, How Companies Lie: Why Enron is Just the…

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