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George Sand: A Woman’s Life Writ Large The French writer George Sand has fascinated readers since she burst on to the literary scene in 1832 with her best-selling novel Indiana and her shocking lifestyle. Sand was the best-selling and best paid novelist of her time, but she eventually became more famous for her unconventional life than for her iconoclastic, highly personal, and immense body of work. Sand was a social and political radical, a feminist, an ardent republican and a socialist. She was also friend and lover to some of the most prominent men and women of her time. Sand was born Aurore Dupin in 1804, into an unconventional and unhappy family. Jack describes Aurore’s childhood as a tutorial in the nuances of class, inequality, and insecurity. Her father Maurice was a soldier from an aristocratic family, her mother Sophie-Victoire was “. . . a dancer, no, less than a dancer . . .” When Maurice married Sophie, his family was horrified. Maurice was often absent and in debt, so his wife and child had to rely on his mother, the formidable Madame Aurore Dupin, who despised Sophie for her lower-class, undisciplined ways. Torn between “two rival mothers,” little Aurore’s life changed dramatically when Maurice died and Mme Dupin decided to pay Sophie an income for leaving Aurore in her care. Mme Dupin made sure young Aurore received an excellent education, but she was dismayed at the girl’s active fantasy life and her failure to become a proper lady. Aurore was sent to a convent. Instead of reforming her, the solitude and time away from her family enabled her to spend time thinking and writing. Later, her unhappy marriage to Casimir Dudevant convinced her that marriage was a “primitive” institution designed to subjugate women. Aurore continued to write, to express her emotions, and explore intellectual and romantic alternatives. As she and Casimir began to lead separate lives, she required an independent income. She moved to Paris, worked for Le Figaro, collaborated on a novel with her lover Jules Sandeau, and created her own identity: George Sand the writer.

George Sand wore men’s clothing and smoked in public. She had affairs with famous men she lived eight years with Frederic Chopin, had a disastrous fling with Prosper Merimee, and a lengthy affair with prominent lawyer Michel de Bourges. A passionate affair with actress Marie Dorval brought more fame and notoriety. The author Belinda Jack proposes that Sand often expressed feelings and ideas in writing before acting. Jack uses material from Sand’s five-volume autobiography, and her extensive diaries and correspondence to create a condensed, balanced portrait of an artist exploring her own life and engaging the issues of her time.

Mary Helen Clarke is a writer and editor in Nashville.

George Sand: A Woman's Life Writ Large The French writer George Sand has fascinated readers since she burst on to the literary scene in 1832 with her best-selling novel Indiana and her shocking lifestyle. Sand was the best-selling and best paid novelist of her time,…
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Coming up with unique characters for children’s literature can be a daunting task. Certainly every possible creature, real or imaginary, has already been used or so this reviewer thought. Dee Lillegard, though, found a new one. The unlikely star of Big Bug Ball is the sow bug, better known by its unscientific but more visually correct name, roly-poly.

The bug ball that this book is referring to, though, is not the shape these bugs roll into when confronted. It is a gala event where bugs gather to dance, dance, dance. Rex Barron’s colorful illustrations of a dance floor made of playing cards and upright forks, numerous insects in human attire, and a beautiful backdrop of a star-filled night sky set the stage for Dee Lillegard’s playful rhyme. Almost song-like, the rhyme flows uninterrupted except for the sow bug’s lamentations of But I don’t know how to dance! Little by little, as the frenetic pace of the ball builds, the sow bug starts to think that, maybe, she really can dance. Wonderful things can happen even for a lowly sow bug with a little bit of confidence.

The cast of supporting characters is no less amusing: katydids, crickets, centipedes, and ants, Dragonflies and butterflies, dance, dance, dance. Even Madame Butterfly makes her debut at this ball. One of the most amusing bugs, though, is the Travolta-like cockroach strutting his unforgettable disco fever. Dressed in his white polyester-suit, he and his partner entertain the audience with their daring disco moves.

While most dances are not life-changing experiences, keep in mind that these are just bugs. In their diminutive lives, this is a BIG thing. And for at least two of the bugs (guess which two?), they will leave the dance and they will never be the same . . . Children who read Big Bug Ball may not be forever changed, but they should certainly be intrigued and amused. Big Bug Ball may become a bedtime favorite.

Denise Harris teaches pre-kindergarten through 4th-grade Spanish and writes for children.

Coming up with unique characters for children's literature can be a daunting task. Certainly every possible creature, real or imaginary, has already been used or so this reviewer thought. Dee Lillegard, though, found a new one. The unlikely star of Big Bug Ball is the…
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Why does the Civil War still enthrall Americans and generate such keen interest? Why is it that people just won’t let it go, insisting on reenacting battles and clinging to any bit of personal history that connects them with the war? Perhaps because oral history is such an important part of American culture, and this terrible war was so close to home. A new book gives voice to America’s past in a unique way.

The Civil War: Unstilled Voices, by Chuck Lawliss, is a special collection of replicas of letters, memoirs, and newspaper articles that describes the war in different voices, from different perspectives. The war’s varied participants tell their stories the soldiers, spies, nurses, writers, and prisoners, to name a few, both famous and unknown. These items can be removed from their envelopes as if readers have discovered them after many years. What an ingenious way to encourage interest in American history!

Why does the Civil War still enthrall Americans and generate such keen interest? Why is it that people just won't let it go, insisting on reenacting battles and clinging to any bit of personal history that connects them with the war? Perhaps because oral history…

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An American Story “I wasn’t worth a damn until I was thirty.” Such bluntness is typical of An American Story, Debra Dickerson’s inspiring new biography. The daughter of former sharecroppers, she literally started at the bottom of life and worked her way up to become the Air Force’s chief of intelligence in Turkey and, later in her career, an award-winning journalist and commentator.

This is a rags to riches story, but it isn’t as pretty as Cinderella. By writing An American Story, Dickerson has taken a mental evolutionary trip that few will ever dare to explore.

For all she’s accomplished including a law degree from Harvard Dickerson went through much of her early life without a winner’s attitude. “My hair was only one of the many things to be ashamed of. My big, fat nigger nose. Ugly, gnarled nigger toes.” While in her 20s, she writes, “What I’d wanted most in life was not to be me: black, working class, female.” Looking at the beautifully defiant face on the cover of the book, one would never know.

Dickerson’s father, a former Marine who received no credit for his military accomplishments, ruled his St. Louis home resentfully, as if everyone present served under him in a strict military environment. She escaped the rigors of her home life through reading. “I wanted that special knowledge to which only whites had access,” Dickerson says. That knowledge inspired her, but it didn’t come without a price. Her father would beat her simply for being curious.

Dickerson floundered until she joined the Air Force (following her father’s military example), which built her self-confidence and gave her opportunities she would never have had in St. Louis. She became a Korean linguist and a distinguished Air Force intelligence officer during her 12-year career. After hitting the glass ceiling for women in the military, she applied to Harvard Law School and went on to build a successful career as a writer for such publications as the Washington Post, The New Republic, Slate, Essence, and Salon. An American Story is a fascinating chronicle of ambition; family anger; loneliness; double standards; poverty; racism; military inequity; drunkenness; rape; career burnout; sheer will; final success; and most of all, hope. For readers who can take the heat, Debra Dickerson is definitely in the kitchen.

Clay Stafford is a writer and filmmaker.

An American Story "I wasn't worth a damn until I was thirty." Such bluntness is typical of An American Story, Debra Dickerson's inspiring new biography. The daughter of former sharecroppers, she literally started at the bottom of life and worked her way up to become…

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There is an abundance of books about how to find a man, keep a man, make a man happy. But how about a book about scaring a man away? How to Lose a Guy in 10 Days: The Universal Don’ts of Dating by Michele Alexander and Jeannie Long is just that book a welcome, witty antidote to all of those special relationship guides. So how do you send a guy running scared? Well, for starters, call him constantly. Ask him if he thinks you’re fat constantly. Never refer to yourself in the first person. It’s always we. Even more hilarious than these don’ts are the stick-figure drawings that accompany them.

Now when you make him that mixed tape with all of your songs on it, and he flees the scene, you’ll know that it wasn’t just that Celine Dion tune that made him amscra.

Katherine H. Wyrick, editor of BookPage

There is an abundance of books about how to find a man, keep a man, make a man happy. But how about a book about scaring a man away? How to Lose a Guy in 10 Days: The Universal Don'ts of Dating by Michele Alexander…
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Leap for joy! Whistle and stretch, curl up and cuddle, wriggle and laugh with your favorite child. Judy Hindley’s latest book is a tickly, giggly delight for parents and preschoolers. Her text, peppered with rhyme, along with Brita Granstrom’s lively illustrations, invite readers to identify body parts and then get up and use them in play. It’s great fun for the preschool set, and will have them moving, learning, and laughing.

A crew of friendly children demonstrates some of the amusing things kids (and grown-ups) can do with their bodies. Their smiles are contagious: Feel how it makes/your belly go/when you laugh /Ha-ha! /Hee-hee! /Ho-ho! Young children will have a blast imitating the moves: counting off fingers and toes, kissing, bending, bumping, and stomping. The acting and interacting opportunities are irresistible: A mouth is to yawn;/Open wide /See all the teeth and the tongue inside? And even grown-ups will find themselves hamming it up: A tongue is to talk/and to sing La-la! /La-la, /la-la, /la-la! The words lend themselves so effortlessly to imaginative and enthusiastic readings that even a distracted, grumpy three-year-old may be persuaded to listen and join in.

Says Hindley, This is a book to play with. I hope it encourages children to express and celebrate the sheer delight of owning a body. It certainly does, and in a refreshingly uninhibited, cheerfully goofy way.

Granstrom’s good-natured children romp through rooms at home and play outside. Her scenes are full of activity, with a few quiet moments as well. Backgrounds are in a single muted color, with simple line-drawn details, which allow the bright, bouncy kids to really shine without being overwhelmed. The words themselves are visually appealing. There is plenty of variation in letter sizes and a playful disregard of margin alignment. Beginning readers will enjoy picking out letters in the super-sized words sprinkled throughout: Peek-a-boo! , Hooray! , Bump! Eyes, Nose, Fingers, and Toes is a warm book that celebrates the exuberance toddlers feel as they play. Read this book with a child you love, and get carried away together with the silliness and joy of it all.

Julie Anderson writes from Bell Buckle, Tennessee.

Leap for joy! Whistle and stretch, curl up and cuddle, wriggle and laugh with your favorite child. Judy Hindley's latest book is a tickly, giggly delight for parents and preschoolers. Her text, peppered with rhyme, along with Brita Granstrom's lively illustrations, invite readers to identify…
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For worldly ones Science writer James Trefil and the National Geographic Society have joined forces to create a gorgeous new book about the gorgeous old universe, Other Worlds: Images of the Cosmos from Earth and Space ($35, 0792274911). It does indeed contain splendid images, ranging the spectrum from an astronaut driving a Lunar Rover across the surface of the Moon to a double-page spread of galaxies distorting each other as they collide. However, there is more to this book than pictures. With his usual offhand expertise and dry wit, Trefil contributes a lucid narrative that looks at both the physics involved (the odd games gravity can play, for example) and the technological advances and international cooperation required to produce such images and the growing understanding to which they contribute.

Equally beautiful and informative, while focusing entirely on our home planet, is Forces of the Wild, the companion volume to a new BBC series about the world out there that ignores the human presence and proceeds with its own natural cycles and seasons. An example of this book’s approach: Volcanic eruptions and earthquakes are presented not in terms of damage to humans and their constructions, but as vital, dynamic natural phenomena that demonstrate the ongoing creativity of the planet.

Like most such companion books, Forces of the Wild surpasses its televised inspiration in both depth and subtlety.

For worldly ones Science writer James Trefil and the National Geographic Society have joined forces to create a gorgeous new book about the gorgeous old universe, Other Worlds: Images of the Cosmos from Earth and Space ($35, 0792274911). It does indeed contain splendid images, ranging…

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Eyewitness to Power: The Essence of Leadership: Nixon to Clinton Just in time for the presidential election comes a new book designed to help the informed reader determine the best qualities for our next leader. In Eyewitness to Power, Washington insider David Gergen weaves personal memoirs and observations about presidential leadership into an interesting narrative of White House politics since 1970.

Gergen is a former speechwriter for Nixon and Ford, a former communications director for Reagan, and a special advisor to Clinton. He is most famous as the originator of political “spin” during his time in the Reagan White House, where he was responsible for orchestrating events such as the D-Day address at Normandy. Gergen’s positions afforded him a first-hand opportunity to observe the inner workings of four different White Houses, both Republican and Democrat.

While in many cases Eyewitness to Power is more memoir than analysis, Gergen seeks to position the book as a study of presidential leadership. He describes the qualities of an ideal president: the leader should be secure, self confident, focused on goals, well read in history, persuasive, and knowledgeable about how to use power. Yet candidates and presidents rarely live up to these ideals.

Through Gergen’s eyes, the reader gets a behind-the-scenes look at the leadership styles of four recent presidents. Nixon is a brilliant strategist battling the forces of darkness and good; Ford is a decent person seeking to understand how to operate the levers of power; Reagan has a temperament well-suited to his job and knows how to play the leader; Clinton has a brilliant mind and is a superb politician, but lacks the discipline and maturity for the job.

Clearly, Reagan emerges as the president who comes closest to representing the ideal. He is praised for his security of self, his natural instincts, and for sticking with a few, clearly defined goals. Reagan is the most like FDR, Gergen’s model president.

For a thoughtful consideration of presidential leadership, read this book before casting your ballot.

John Green is a business consultant based in Nashville.

Eyewitness to Power: The Essence of Leadership: Nixon to Clinton Just in time for the presidential election comes a new book designed to help the informed reader determine the best qualities for our next leader. In Eyewitness to Power, Washington insider David Gergen weaves personal…

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For worldly ones Science writer James Trefil and the National Geographic Society have joined forces to create a gorgeous new book about the gorgeous old universe, Other Worlds: Images of the Cosmos from Earth and Space. It does indeed contain splendid images, ranging the spectrum from an astronaut driving a Lunar Rover across the surface of the Moon to a double-page spread of galaxies distorting each other as they collide. However, there is more to this book than pictures. With his usual offhand expertise and dry wit, Trefil contributes a lucid narrative that looks at both the physics involved (the odd games gravity can play, for example) and the technological advances and international cooperation required to produce such images and the growing understanding to which they contribute.

Equally beautiful and informative, while focusing entirely on our home planet, is Forces of the Wild (Sterling/Blandford, $29.95, 0713727454), the companion volume to a new BBC series about the world out there that ignores the human presence and proceeds with its own natural cycles and seasons. An example of this book’s approach: Volcanic eruptions and earthquakes are presented not in terms of damage to humans and their constructions, but as vital, dynamic natural phenomena that demonstrate the ongoing creativity of the planet.

Like most such companion books, Forces of the Wild surpasses its televised inspiration in both depth and subtlety.

For worldly ones Science writer James Trefil and the National Geographic Society have joined forces to create a gorgeous new book about the gorgeous old universe, Other Worlds: Images of the Cosmos from Earth and Space. It does indeed contain splendid images, ranging the spectrum…

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The Gentleman From New York : Daniel Patrick Moynihan Daniel Patrick Moynihan describes his extraordinary career as public servant, academician, and public intellectual as a series of "chance encounters and random walks." He has been called "the best thinker among politicians since Lincoln and the best politician among thinkers since Jefferson." For over 40 years, in various roles both inside and outside of government, including 24 years as a U.S. senator from New York, Myonihan has addressed a wide range of domestic and foreign policy concerns. Before he was elected to the Senate, he was the only person in American history to serve in the cabinet or subcabinet of four successive presidents.

Geoffrey Hodgson, a keen observer of the American political scene and author of several fine books on our political thought and personalities, including a superb biography of statesman Henry Stimson, has known Moynihan for four decades. In his enlightening and insightful new book, The Gentleman From New York: Daniel Patrick Moynihan, Hodgson masterfully focuses on the interplay between "ideas and action" in his subject’s career. Those ideas and actions such as helping to prepare legislation for the War on Poverty in the 1960s and being a key player in Congressional reform of welfare policy in 1987 have earned him the respect and admiration even of those who disagreed with him. At other times, he has been misunderstood or ahead of conventional thinking on an issue. In the latter category is the frequently misrepresented Moynihan Report, about which Hodgson writes: "What was truly original, and remarkably courageous, is that Moynihan was willing to come out for affirmative action." But, "no episode in Moynihan’s life, perhaps . . . has been so misunderstood as his crossover to the Nixon White House." As Hodgson explains, however, Moynihan believed certain things needed to be done, and "it seemed logical to see what other alliances might be available." The biographer also explores Moynihan’s reaction to the Watergate scandal and his thoughts about Richard Nixon.

Hodgon’s carefully researched book probes Moynihan’s writings and interviews with his friends and colleagues to help identify his core principles. John Kenneth Galbraith, for example, points out that "You will never understand Pat in terms of commitment to Left or Right. He has a mind wholly free of ideological commitments. His long-term commitment is to the cities, to the poor, and especially to poor children." James Q. Wilson notes that "Pat has always been a Democrat. He always believes that the job of politics is to help those who can’t help themselves. But he has a scholar’s reluctance to accept the proposition that the government knows very much about how to help people who can’t help themselves." Hodgson thinks a 1967 Phi Beta Kappa address at Harvard comes as close as Moynihan ever has to defining his political philosophy. The speech, Hodgson writes, reveals "a complex, subtle attempt at reconciling freedom and order, the public and the individual, pessimism and pride, in the effort to build an inhabitable society on foundations of truth." It has been a long journey since Moynihan’s father abandoned his mother and three young children. Hodgson shows how the three years his subject spent in England at the London School of Economics were crucial to his development. He details Moynihan’s tenure as ambassador to India and gives the background of Moynihan’s eloquent speech at the United Nations where he spoke against a resolution equating Zionism with racism.

We learn of the key role played in Moynihan’s life and career by his wife, Liz, who, among many other duties, has served as her husband’s campaign manager in his last three Senate races.

This finely wrought biography vividly illuminates the rich life and thought of a unique and influential American.

Roger Bishop is a regular contributor to BookPage.

The Gentleman From New York : Daniel Patrick Moynihan Daniel Patrick Moynihan describes his extraordinary career as public servant, academician, and public intellectual as a series of "chance encounters and random walks." He has been called "the best thinker among politicians since Lincoln and the…

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Men and women do now work together in every conceivable setting, from office to factory floor to cops walking the beat. One deplorable result of this increased co-existence has been the rise in sexual harassment, which women have suffered in all sorts of occupations and workplace settings. Most companies now have policies in place to combat harassment, and they investigate specific allegations. You might think that all the attention paid to this problem would put a damper on even consensual romantic involvements that start at work. Not so says Dennis M. Powers, author of The Office Romance: Playing with Fire Without Getting Burned. In this thorough and common-sense look at office romance, Powers writes: It is basic that opposite sexes attract naturally and they’ve been doing this since history was recorded. The office romance is here to stay, and businesses must accept this fact in a positive way. Powers, a lawyer who also holds an MBA from Harvard University, cites some stunning statistics on the prevalence of workplace romance. He says studies show 25% to 33% of respondents say they at one time or another were in an office romance. Half those romances wind up in marriage or a long-term relationship. Besides the fact of male-female attraction, Powers says office romances so frequently flourish because working side by side lets people with often similar interests get to know each other over a long period of time. Compare working in the same division as someone for a year to a blind date. Also, more people are putting in a tremendous number of hours on the job, leaving them little time to socialize anywhere but the office.

Powers tackles the office romance from every conceivable angle. Indeed, he sometimes gets repetitive. He discusses the legal definitions of sexual harassment, the impact of office romances on co-workers, what happens when such romances break up, instances of adultery, and much more in clear, non-judgmental language. He peppers the book with short, specific vignettes to bring life to the text.

Neal Lipschutz is managing editor of Dow Jones News Service.

Men and women do now work together in every conceivable setting, from office to factory floor to cops walking the beat. One deplorable result of this increased co-existence has been the rise in sexual harassment, which women have suffered in all sorts of occupations and…

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What did the flower say to the bees? (Stop bugging me!) How can you tell there is a bug in your sandwich? (It crunches!) Where can you find the funniest bug jokes around? (In David A. Carter’s new book, Giggle Bugs.) Popular children’s author and illustrator David A. Carter must have loved to play with bugs as a child. His obvious delight in the insect world can be seen through his clever pop-up and board book creations, the latest of which is Giggle Bugs. Giggle Bugs contains 58 of the silliest, craziest bug jokes that have ever been told. Children will have a ball reading the riddles and lifting the flaps to find the answers. Accompanying these zany jokes are a wide variety of silly, crazy bugs, fresh from the imagination of Carter himself. And these are not your normal, everyday bugs either. Instead they are baker-bugs, clock-bugs, banana-bugs, cow bugs and more. And if the illustrations themselves aren’t enough fun, a hilarious sound chip features a goofy laugh that will set off gales of laughter in even the most timid, bug-wary child. David A. Carter’s first venture into the world of bug books was with his counting/novelty book, How Many Bugs in a Box? Children delighted at lifting flaps to find colorful bug-eyed (naturally) creatures, or watching them pop up off the pages. Learning to count had never been so much fun. That book was such a hit it launched a whole bug empire. Subsequent bug books have included Jingle Bugs, a holiday title with lights and music, introducing Santa Bug and Ornament Bug; Feely Bugs, a touch-and-feel volume including feathery, glittery, and fluffy bugs; and Alpha Bugs, a silly trip from A-to-Z, starring such imaginative creatures as Pink Powder Puff Bug. Now, many years and hundreds of bugs later, Carter is still busy as a bee, bringing us bigger and better bug books. I just hope no one tells him to bug off anytime soon! Sharon Galligar Chance is the senior book reviewer at the Times Record News in Wichita Falls, Texas.

What did the flower say to the bees? (Stop bugging me!) How can you tell there is a bug in your sandwich? (It crunches!) Where can you find the funniest bug jokes around? (In David A. Carter's new book, Giggle Bugs.) Popular children's author and…
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Long live the letter The dirge for the demise of letter writing in the age of e-mail usually has an undertone of nostalgia for a certain literary mode the piercing love note, the minutely detailed, sunburnt vacation letter. Typically, published collections of letters play to this tune, reprinting the letters in uniform type, editing them for clarity and to literary effect. But what we really miss about letters is showcased beautifully in Illustrated Letters: Artists and Writers Correspond, which presents letters as visual and tactile artifacts. Reprinting facsimiles of letters from scores of French artists and writers, the book demonstrates that what makes letters wonderful is the expressiveness of all their elements the stationery, the handwriting, the ink. Each of the letters comes with an English translation and contextual notes, but even readers who don’t know French will want to linger over the reproductions of letters from Delacroix, Picasso, Baudelaire, and others.

Long live the letter The dirge for the demise of letter writing in the age of e-mail usually has an undertone of nostalgia for a certain literary mode the piercing love note, the minutely detailed, sunburnt vacation letter. Typically, published collections of letters play to…

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