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The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed Murder, madness, glamour, and greed. Yep, I’d say that pretty well covers it.

“One of the first status labels” to emerge after World War II, the Gucci luxury goods company, most noted for its shoes and bags, started with a small shop opened by Guccio Gucci in Florence, Italy, in 1921. Surviving an earlier cheap “drugstore image,” the international, multimillion-dollar business “was imprinted on the American mentality as top-of-the-line chic,” in the 1970s.

Behind the scenes, however (and often more publicly), the Gucci fortunes traced an erratic course that was probably predictable, the author points out, in light of the family’s “individualistic and haughty” Tuscan character: “arrogant, self-sufficient, and closed to outsiders.” Two of Guccio’s sons, Aldo and Rodolfo, alternately fought and made up, and the family tensions escalated into the third generation when their sons, particularly Paolo and the charismatic Maurizio, intensified the conflicts among and between generations.

Often endangered by hostile takeovers and damaging business and government run-ins, the Gucci firm recovered some of its old glitz in the late 1990s. By the turn of the century, under the guidance of a foreign investment firm, it has resolidified its business base and entered into a brilliant partnership with the Yves Saint Laurent label. Its edgier “power look” seems to promise great strides under new management, and more celebrity for the Gucci name.

So much for the glamour and greed. The madness, aside from typical excesses not uncommon in the high-fashion world, is linked to the murder of Maurizio in 1995. The person convicted of instigating the murder is behind bars, and was one of some 100 persons interviewed by Forden, the former Milan bureau chief for Women’s Wear Daily. The parade of hot shot lawyers and business experts is never-ending, and they all have their say, through Forden’s pen. The successive acts of the Gucci spectacle will keep the pages turning and readers anxious to turn to the newspapers for further news of this ongoing drama.

Maude McDaniel writes from Cumberland, Maryland.

The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed Murder, madness, glamour, and greed. Yep, I'd say that pretty well covers it.

"One of the first status labels" to emerge after World War II, the Gucci luxury goods…

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The hard work of making a living The unifying theme for this month’s column is work, but the term is broadly defined. A lot of choice, opportunity, conflict, change, and just plain worry can fit under the heading of making a living. We’ll feature a book on the role of office romances in the 1990s; one on business successes on the Internet; and another on perhaps the biggest workplace pressure-cooker in the capitalist system: the rooms, floors, pits, and exchanges where stocks, bonds, and every imaginable financial instrument is traded.

A fourth book is about how we work, but it covers much broader ground than that. It’s about how we live and the impact of the lack of permanence on our lives. It’s really not a new book at all, but it is a new and interesting publishing idea. Here it is in a nutshell: take a book published 30 years ago that was forward-looking and amazingly prescient. Have the authors write a new forward and new chapter introductions. The title explains the subject matter, and like much else in this intriguing book it reads like it could have been written yesterday, rather than in 1968, when it was actually penned. It’s called The Temporary Society: What Is Happening to Business and Family Life in America Under the Impact of Accelerating Change, by Warren Bennis and Philip Slater.

If nothing else, the re-release of this book proves the value of books that gaze into the future. People in business (or those just looking out for their own careers) have a big stake in anticipating economic and social trends. Those who get in early on seismic changes in technology and social attitudes can often reap huge rewards. Of course, not all predictive tomes are as on-target as this one (which is probably why they aren’t being re-released). But predicting the future is a preoccupation of many writers, and even if all else fails, such books are usually fun to read.

Warren Bennis, an author and a professor of business administration at the University of Southern California, and Philip Slater, an author and former professor of sociology at Brandeis University, were on the money about two mega-trends that have convulsed American business and society. They are the growing impermanence of employment relationships and the democratization of the business and political world. They even wrote this 30 years ago: . . . there is considerable evidence that autocracy is beginning to decay in the Soviet Union and in Eastern Europe. It took a while, but how’s that for spotting a trend? Why is democracy breaking out in the world and in the workplace? The authors posit that in a world where change becomes the only constant, bureaucracy and autocracy break down. In 1968 they wrote: . . . democracy in industry is not an idealistic conception but a hard necessity in those areas in which change is ever-present and in which creative scientific enterprise must be nourished. For democracy is the only system of organization that is compatible with perpetual change. Slater makes the interesting case that the American family is uniquely suited for adapting to change. Where parents might find in their growing children a simple lack of respect for their elders, Slater sees a silver lining. He says young people’s general lack of commitment to the status quo and their own long-standing heritage help them in a world of technological and social change. Fewer people get tied to the past and rendered unable to go with the flow. Meanwhile, Bennis readily concedes in a forward to the final chapter that the authors didn’t get everything right 30 years ago. He says they came up short on discussing the shadowy side of change, including the human cost in sense of security and sense of worth. Nor did they foresee the problems of the underclass or predict the huge role women now play in the economy and the workplace.

Neal Lipschutz is managing editor of Dow Jones News Service.

The hard work of making a living The unifying theme for this month's column is work, but the term is broadly defined. A lot of choice, opportunity, conflict, change, and just plain worry can fit under the heading of making a living. We'll feature a…

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For your heroine Recently, much attention has been paid to the mythical heroes of the ancient world. Their representations have been primarily masculine, and if you read the ancient literature, it’s easy to see why. The timeless tales of heroes were created by men for the enjoyment of men. Women, for the most part, played minor roles.

With Women of Mythology by Kay Retzlaff, we see, at last, ancient myth from a feminine perspective women as doers. From the no-nonsense ferocity of the Amazon queen, Myrine, who captured Atlantis, to the exploits of Chinese General Mulan, women arise from myth in much the same way as their male counterparts.

Illustrated with exquisite full-color reproductions of famous depictions of art, Women of Mythology takes readers, young and old alike, on an inspiring journey of women as seen through the eye of the ages.

For your heroine Recently, much attention has been paid to the mythical heroes of the ancient world. Their representations have been primarily masculine, and if you read the ancient literature, it's easy to see why. The timeless tales of heroes were created by men for…
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Laurent de Brunhoff still reigns over his royal legacy It’s been seven years since we’ve seen a new story involving Babar, the king of the elephants. Before his untimely death in 1937, French artist Jean de Brunhoff turned a family bedtime story into an international favorite when he wrote and illustrated the original The Story of Babar in 1931 and followed it with six more Babar books. The eldest of Jean’s three sons, Laurent, carried on the adventure of Babar and has since published over 30 Babar stories which have been translated into 17 languages and sold millions of copies all over the world. The stories have influenced the imaginations of generations as they turned the colorful pages and learned more about these adventurous and fashionable elephants who walk upright, wear glasses and hats, drive cars, raise children, and exist in their own world with humans as if there were no barriers. Now Babar, his family, and the wise old Cornelius are back in a new adventure from the imagination of Laurent de Brunhoff called Babar and the Succotash Bird. The new book is about Babar’s son, Alexander, who meets a magician bird, a Succotash bird, who shows the young elephant tricks and captures his imagination. But unfortunately for Alexander, there are two types of Succotash birds, good and bad, and the story illustrates the consequences when one is confused for another during a family hiking trip to the mountains. Laurent’s signature bright watercolors and interesting mix of elephant and human characteristics are as entertaining as ever. “You know, it may happen in conversation, but when I have an idea it is so visual sometimes,” said Laurent from his part-time home in New York City. “When I travel somewhere I want to use what I’ve seen, but Babar doesn’t go there, it’s just used in the Babar world,” he explained. “This time for the new book, I really wanted to have some magic, because in all the other Babar books there is no magic really, it’s very real the life they have. That’s why I wanted a magician. And since I like birds, this magician is a bird, a Succotash bird. In fact my wife (writer, Phyllis Rose) invented it. I had only some noise for him, and she said, oh, it sounds like succotash! I thought it was very funny and thought it was a very good idea.” The release of the new book will mark several important milestones in de Brunhoff’s work and life. The man behind Babar turns 75 in August, and a switch in publishers will bring the reissuing of all Laurent’s classic Babar stories, some of which have also been turned into an animated series for HBO. Laurent admits that going seven years without another Babar story has been unusual for him, but it has given him time to concentrate on other artistic pursuits as well as traveling and hiking, particularly in the American West. “I really wanted to put the elephant a little bit on the side and spend more time with my old painting,” he said. “I like to do abstract watercolors. I like the medium of watercolors but I like to do some large paintings, which are abstract; even if they are inspired by the sea and the sky, they are abstract. I started to learn how to paint in an academy in Paris and I switched very early to abstract painting in the ’50s. I showed my paintings at that time on different occasions, but after 10 or 15 years I was so busy with the books it was too difficult to keep the two worlds together, and little by little I dropped painting. It’s hardly 10 years ago I started again to paint, and I must say I’m happy with that.” At a show for his abstract paintings a few years back at the Mary Ryan Gallery on 57th Street in New York, (where the original artwork for the new book will be exhibited this fall) Laurent said it was amusing to see the reactions of people who anticipated that his works would mirror the Babar stories. “It was well received I must say; still people are expecting me to draw elephants so they are a bit surprised when they see these abstract paintings.” Laurent said the idea for the new book came to him quickly during a time when he had been hiking and camping in the High Sierras of Yosemite National Park. “Suddenly I had an idea for this book, and it was very fast, it came very strongly in my mind, very precisely. Some pictures you will see the landscape is inspired by the American West, some of the canyon lands, and some of Yosemite,” he said.

Today Laurent’s family consists of a son, daughter, and grandson who live in Paris, as well as his two brothers whom he is very close to, and his beloved mother, Cecile, the original creator of the character of Babar 70 years ago. Like Laurent and his brothers, his children grew up with Babar, yet as far as his children continuing the Babar legacy, Laurent says the experience has been different for them. “You know I was 12 years old when my father died, so there was this emptiness . . . we missed Babar. But I’m still alive, and they’ve already started their own lives. So I don’t think suddenly, when I am no longer on this world, they will take over.” Regardless, the release of Babar and the Succotash Bird, subsequent reissuing of the Babar backlist, HBO animated series, and other promotional campaigns currently in the works continue to share a family gift sure to endure for generations.

Laurent de Brunhoff still reigns over his royal legacy It's been seven years since we've seen a new story involving Babar, the king of the elephants. Before his untimely death in 1937, French artist Jean de Brunhoff turned a family bedtime story into an international…
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Change. It’s hard to deal with at any age, but it is especially difficult for young children. In Shadow, by Jill Newsome, Rosy and her family move to a new house, far from her friends, her school, and everything familiar. Suddenly her world is turned upside down. In fact, life becomes pretty miserable for poor Rosy. Any child in a turbulent situation can empathize: sometimes everything feels just plain wrong, which can make for a cranky existence. Fortunately this state of misery never lasts forever. For Rosy, things start to look up when she walks home from school one snowy day and finds an injured rabbit in the woods. She and her family adopt the rabbit and nurse it back to health. It quickly becomes Rosy’s first new friend, following her everywhere and earning it the name Shadow. But life is never easy, and no good story is that simple. One day Shadow disappears, and Rosy is again distraught until a girl from her new school brings Shadow home in a box. Now Rosy has a second new friend to play with, and life is a lot more, well, rosy! Shadow is extremely effective in its simplicity. In very few words, Newsome is able to communicate the pain of childhood loneliness and sadness. Her lyrical text is nicely complemented by the watercolor illustrations of her husband, Claudio Munoz, who has illustrated several children’s books including Man Mountain, Little Captain, and Come Back Grandma. Munoz’s stormy paintings deftly convey the anger and fear Rosy feels towards her strange new world, and later her pleasure in companionship. With such sparse text, Munoz’s pictures are essential to the overall mood of the book. Shadow reminds us all that change is indeed scary, but that with time and patience things ultimately work out in the end. Rosy learns that once you make new friends, life is a lot less threatening. These are simple truisms, but valuable ones that apply to children of all ages.

Lisa Horak is a freelance writer and full-time mother.

Change. It's hard to deal with at any age, but it is especially difficult for young children. In Shadow, by Jill Newsome, Rosy and her family move to a new house, far from her friends, her school, and everything familiar. Suddenly her world is turned…
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Academic authors are comfortable in their genes What do you get when two professorial Ph.

D.’s contemplate man’s place in the biological world? Quite simply, “an owner’s manual for your brain,” according to authors Terry Burnham and Jay Phelan. Some of their conclusions about how our brains work, documented in the new book, Mean Genes, are bound to stir controversy. “Faithful or not in life, human bodies are designed for infidelity,” the authors contend. And if you’re interested in sharing your inadequacies with friends, Burnham and Phelan advise against it: “Weaknesses we reveal [to friends] may be used against us in the future,” they warn.

When they wrote Mean Genes, Burnham, an economics professor at Harvard’s Kennedy School of Government, and Phelan, a biology professor at UCLA, set out to combine science and self-help by examining how our genes affect our behavior and how we can overcome our primal urges.

“What we talk about is what’s true on average for all people,” and for some other mammals as well, Burnham said in a recent interview. As they tackle issues such as debt, fat, drugs, risk, greed, gender, beauty, infidelity, family, friends, foes, business relations, and achievement, one concept emerges: “Our brain is not an obedient servant.” Phelan said he became fascinated with gene study because genes appear to have “an agenda of their own. I do feel that very often it’s not the same agenda I want to have. I think of them as maybe not mean [despite the title of the book], but not always looking in the same direction I’m looking.” But, Phelan is quick to add, “This is not another Darwin-made-me-do-it kind of book.” The authors’ intent is to point out that “human genes have not changed very much in thousands of years,” and though our instincts served us well in our natural environment, they sometimes fail us in modern industrialized society.

“Genetically, we are still cavewomen and cavemen despite our living in ultramodern homes,” the authors write in Mean Genes. Look at diets (the ones we constantly fail). “Our appetites were built in a world where plentiful food was inconceivable,” and life was much more draining. We are genetically programmed to eat as long as food is on the table; dieting goes against that. While “our nearly insatiable appetite was once a survival feature of human biology,” Burnham says it now undoes us. Phelan adds, “Each of us has fairly predictable periods of strength and weakness, so we should take preemptive steps when we are strong.” The authors offer similar suggestions throughout the book for overcoming the problems created by our genetic heritage.

Ever make promises to yourself, fail, and then rationalize it away? “We are wise to people who renege on their promises. Unfortunately, we are less savvy when it comes to our own internal promises,” the authors note. The brain has a convenient way of minimizing or hiding our own failures, a valuable tool when it comes to survival, but a nuisance when we’re aiming for self-improvement. The authors suggest following the common self-help advice of writing down our goals.

For motivation, Burnham and Phelan point out, “Positive surprises make us happy, even when they are small.” It’s like the caveman suddenly finding another bug before bedtime suddenly the day is brighter. To create daily positive experiences, on your to-do list only write things that can be accomplished on that day. That way, you can wipe items off the list and get a hormone buzz (seriously, the authors say). If the task will take two days or more to accomplish or three years, as in writing Mean Genes break it down into smaller tasks that can be accomplished on assigned days (except for my wife who can accomplish several tasks at once).

Which brings us to another question about our genes: is there a significant genetic difference between men and women? Studies show that by chemically switching hormones, a male begins to act like a female, and vice versa. Huh? Diaper changing just got easier? “Genes build men and women with different bodies, and our brains have some subtle differences” as do our life spans, Burnham and Phelan say. “The cost of keeping your testicles runs about 15 years!” Yikes. The authors go into great detail discussing our gender differences, our commonalities, our parenting proclivities (in animals, “you can be confident that the smaller sex is probably doing most of the child care”) and what qualities we value in a mate. “Beauty is as much in the gene of the beholder as the eye,” they say, offering a mathematical formula as proof. Most beautiful women (as human males see them) have a 0.7 ratio of waist measurement to hip measurement. “Scientists studying conception found that women with the 0.7 ratios were the most fertile. Men are attracted to a particular hourglass shape because it indicates fertility.” Pull out those measuring tapes.

Like any nonfiction book, Mean Genes should be read analytically. There are a few spots where conjecture replaces correlation, and others where experts may disagree with the authors’ conclusions. But on the whole, the authors deliver on the promise that their research will “allow us to predict when we will be weak and why we are vulnerable.” From sex to money to food, Burnham and Phelan present a fascinating look at our aboriginal dark side.

Clay Stafford, a former college professor, is a writer and filmmaker.

Academic authors are comfortable in their genes What do you get when two professorial Ph.

D.'s contemplate man's place in the biological world? Quite simply, "an owner's manual for your brain," according to authors Terry Burnham and Jay Phelan. Some of their…

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Though it will probably be shelved in the True Crime section, Disco Bloodbath is only ostensibly about ultrahip New York party promoter Michael Alig’s 1996 co-murder and dismemberment of his drug dealer. The gruesome act and Alig’s subsequent imprisonment bookends what is really more of a fascinating memoir by St. James, an Alig friend/foe and well-known gadfly on the city’s predominately homosexual nightclub circuit.

Chronicling the scene and all its excesses between the demise of Warhol and the rise of the Club Kids, St. James is the catty tour guide to a Felliniesque netherworld. In it, days are spent deciding which outrageous way to dress or dye your hair for the evening’s activities, Special K is a designer drug and not a breakfast cereal, and the after-party entertainment just might include a middle-aged drag queen pulling fully lit Christmas bulbs out of his (or her) anus. St. James is the epitome of the literary convention known as the unreliable narrator. His recollections (amazing that he even has them, since he admits to being drugged up during much of the period) are filled with subjectivity, petty and pithy personality shredding, and yes a flamboyant queenly bitchiness accentuated by the hefty usage of bold, italic, and all-caps typefaces. But rather than off-putting, this is actually the book’s biggest strength, as St. James’s inimitable voice in full Diva mode rings through loud and clear even if it is a bit shrill at times.

Along the way he introduces many true-life and pathetic (but unforgettable) characters, happy when they’ve schmoozed successfully or gotten a mention in The Village Voice, but desolate when their supply of coke and the latest boy toy have run out, sometimes simultaneously.

So while the title might bring to mind a bad ’70s drive-in flick and no literal carnage takes place on the dance floor populated by has-beens, wannabes, and never-wases, Disco Bloodbath is a journey into a land of strange creatures with bizarre manners. Hmm, maybe they could also put a few copies in the Science Fiction section.

Bob Ruggiero is a freelance entertainment journalist based in Houston.

Though it will probably be shelved in the True Crime section, Disco Bloodbath is only ostensibly about ultrahip New York party promoter Michael Alig's 1996 co-murder and dismemberment of his drug dealer. The gruesome act and Alig's subsequent imprisonment bookends what is really more of…

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Stephen Ambrose: a guide for appreciating our history Stephen E. Ambrose’s histories are as vivid as screenplays. One moment you’re overlooking the distant battlefield, the next you’re huddled head-to-head with the generals in the command tent. That’s how it is with Ambrose’s latest DeMillean epic, Nothing Like It In The World: The Men Who Built The Transcontinental Railroad 1863-1869. By every measure from the speed at which it was done to the exquisite coordination of effort it required the railroad was a stunning achievement.

First came the dreamers and surveyors, as Ambrose recounts, then the capitalists and their political allies, and finally the hordes of laborers essential to giving substance to the dream.

Even as the Confederate army strove to split the nation apart, south from north, equally determined forces converged to bind it together, east to west by the railroad. The Central Pacific inched eastward over the mountains from Sacramento, California, while the Union Pacific crawled west across the plains and deserts from Omaha, Nebraska. Along the way, the builders had to contend with gargantuan costs and shaky financing, impassible mountains, worker shortages, devastating weather, fragile supply lines, hostile Indians, and the incessant economic pressure to lay track faster. To fathom the enormity of the undertaking, Ambrose traveled much of the railroad’s original route, inspecting both the harsh terrain and the engineering marvels that tamed it. He populates his account with figures who, if not larger than life, are made more fully alive by their great ambition and determination. Chief among these are the Central Pacific’s “Big Four” Leland Stanford, Collis Huntington, Charles Crocker, and Mark Hopkins and the Union Pacific’s wily Thomas “Doc” Durant and his point man, General Grenville Dodge. For years, Ambrose had viewed these men as ruthless opportunists.

“I thought of them as robber barons,” says the eminent historian, speaking by phone from his home in Helena, Montana. “I thought they made ungodly profits and then used them in nefarious ways, especially Huntington and Stanford. But I had been taught by men who did their graduate work in the ’30s, and they just hated big business.” While conceding that the builders did reap huge fortunes, Ambrose now concludes they deserved to. “These guys went deeply in debt,” he explains. “They didn’t really risk their lives, their fortunes, and their sacred honor, but they damn near did.” Ambrose is equally admiring of the laborers who would accomplish the seemingly impossible one day and better it the next. Chinese immigrant workers, he points out, were absolutely vital to the Central Pacific. They were called in, albeit reluctantly, after American workers kept leaving the job to search for riches in the gold and silver mines of California and Nevada. When James Strobridge, Central Pacific’s head of construction, balked at hiring the Chinese, asserting that they were too small to do such physically demanding work, Crocker reminded him that they had been strong enough to build the Great Wall of China. Before long, the company was sending recruiters to China.

Ambrose admits that most historians, like his old professors, write from a political agenda. But does he? “I used to,” he says. “It’s a different world we’re living in now. I mean, I used to care terribly about the Vietnam War. But I don’t have a political agenda anymore, other than I want young people in America, now and in the future, to understand that freedom doesn’t come free, that the blessings they’ve got by being Americans were paid for. And I want them to know who paid and how and what they did.” Warming to this subject, Ambrose continues, “For a quick example: I want them to know more about Thomas Jefferson than [his relationship with] Sally Hemmings. I want them to know that Thomas Jefferson wrote the Virginia Statute of Religious Liberty, and I want everyone else be they Muslim, Buddhist, Rainbow People, Protestant, Catholic, or whatever to know that their right to believe what they want to believe and worship as they choose to worship comes from Thomas Jefferson. I want them to know if they live in Wisconsin or Iowa or any of the other Louisiana Purchase states or any of the other states west of the Allegheny Mountains, the reason they get to vote for senators and congressmen and that their states are co-equal with the original 13 is because of the Northwest Ordinance. I want them to know that, and I want them to appreciate that.” A university history teacher until his retirement in 1995, Ambrose concedes that his views of history are now out of fashion on campus. “It’s not the way most academic historians teach history,” he says. “Most of them teach that Jefferson had a slave mistress and that George Washington was a slaveholder. I want them to know that George Washington led us in war and in peace. In war, he knew if he was captured, they were going to send him to London, they were going to put him on trial, they were going to find him guilty of treason and then they were going to draw and quarter him. I make sure those kids know what drawing and quartering means. Obviously, Washington’s being a slaveholder is an important part of his life and of history. But there’s a lot more.” For years, Ambrose wrote histories and biographies which were well received but which sold poorly. “I badly needed my income [from teaching],” he says. “I wrote books that got very nice reviews, but it used to be I’d be lucky if they sold 20,000 copies. I’d get a royalty check, and I could take the wife out to dinner or maybe pay for a summer off and do some research. But nothing to make me a rich man. And then Undaunted Courage is the one that just burst.” Undaunted Courage: Meriwether Lewis, Thomas Jefferson, and the Opening of the American West was published in 1996. “At first, my editor, Alice Mayhew, didn’t want me to do the book,” Ambrose recalls. “She said, ÔNobody wants to read about dead white males.’ I said, ÔI do, Alice.’ . . . Now the book’s at two million hardback and two million paperback. So I became a rich man. But it happened to me late in life, or relatively late. I was 58 or 59 years old, and all of a sudden I had a lot of money.” He credits Mayhew for suggesting he write his current book. Indeed, he dedicates it to her. “This is the second time Alice has done this to me,” he says, with a good-natured laugh. “The first time, it cost me a decade of my life.” It was Mayhew, he explains, who talked him into doing what became a two-volume biography of Richard Nixon.

Good fortune has not appreciably altered the way Ambrose researches and writes. “I’m a Luddite, I’m afraid. I came to the computer fairly late in my career. I like to say now because it’s true that the ability to move paragraphs around and spell-check is so good that if I’d had the computer earlier, I’d have five more books. . . . My son, who now works with me, uses the computer for research. But I have no idea how to do it. I can’t even do e-mail.” (In spite of Ambrose’s own technophobia, his son has erected a fancy and useful website on his dad’s behalf at www.stephenambrose.com.) Next up for Ambrose is a history of the 15th Air Force and their B-24 Liberator bombers. “It came about because George McGovern asked me to write about his wartime career,” Ambrose says. “That was awfully tempting because here was the world’s most famous anti-bombing advocate who was a bomber pilot. Thirty-five missions. The Distinguished Flying Cross. That part of it fascinated me.” As for the Transcontinental Railroad, Ambrose says, our fascination focuses on the mammoth and awe-inspiring construction project, but it is best appreciated at a higher level: “It tied us together,” he asserts, “east and west.” Edward Morris writes on music, politics, and fiction from Nashville.

Stephen Ambrose: a guide for appreciating our history Stephen E. Ambrose's histories are as vivid as screenplays. One moment you're overlooking the distant battlefield, the next you're huddled head-to-head with the generals in the command tent. That's how it is with Ambrose's latest DeMillean epic,…

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Ironic, isn’t it, that bookstores and libraries, where books and readers most often meet, are rarely the subjects of books themselves? One can find a few works of fiction in which bookstores play a role (try 84 Charing Cross Road), or others set in or around libraries (Dewey Death and Dewey Decimated are two of my favorite titles, and Deborah Adams’s All the Crazy Winters is set in a small public library in Tennessee). But books about bookstores and libraries are all too rare, especially books written for the general reading public.

Here’s one book on libraries that fills the bill: Fred Lerner’s The Story of Libraries, which chronicles the development of libraries from ancient Mesopotamia and Assyria to modern Europe and North America, from the sacred library of Ramses II to the computerized libraries of today and the digital libraries of tomorrow. The author, a librarian for over 30 years, holds degrees in history and library science from Columbia University.

True to its title, this is a book of stories: of the founding, the glory, and the slow death of the Alexandrian Library (four thousand bath houses of Alexandria were said to have been heated for six months with the papyrus scrolls of that great library); of how the Rule of St. Benedict helped keep libraries alive during the Dark Ages; of a Chinese bibliophile of the 15th century who wrote eloquently of the love of books; of how Lorenzo the Magnificent, the uncrowned prince of Florence, set up a lending library for Florentine humanists; of the library careers of Gottfried Wilhelm Leibniz, Casanova (yes, the Casanova), and Johann Wolfgang von Goethe; of why Lenin and his wife were such strong believers in the value of libraries; of how a young man named Melvil Dewey organized all knowledge by counting to ten.

In all cultures and all ages libraries have played a vital role, albeit in widely different ways. The tablet and scroll libraries of the ancient worlds, East and West, were often monuments to royalty and, like Shelley’s Ozymandias, king of kings, followed their leaders into dust and sand. Some, like the libraries of Alexandria and Pergamon, were repositories of culture and centers of learning. After the fall of Rome, and with it the libraries of the Caesars, monastic libraries, chains and all, became the lanterns of the Dark Ages. Private libraries sprang up across China centuries before Gutenberg; Chinese woodblock printing could produce a thousand copies of a book in a day. With the mass production of books in Europe, the Middle Ages gave way to the Renaissance and to libraries to which the general public, stirred by heady democratic notions, demanded access. Public libraries as we know them, libraries for the people, had to wait until the 20th century before coming to fruition, mainly in our own country.

If the past is prologue, then the library of the future will be an extension of the library of the late 20th century that has seen more changes than in the previous 40 centuries. In an electronic age, will the public library have a future at all? To survive, the author believes, the library will need to hold on to traditional functions such as cataloging and reading guidance both badly needed in a world awash in raw information while continuing to expand access to information in its manifold formats. This shift may parallel that experienced by libraries that made the change from papyrus and parchment to the product of movable type. The Story of Libraries provides a greater appreciation of that long journey of the world’s libraries over the centuries.

Edwin S. Gleaves is the State Librarian and Archivist of Tennessee.

Ironic, isn't it, that bookstores and libraries, where books and readers most often meet, are rarely the subjects of books themselves? One can find a few works of fiction in which bookstores play a role (try 84 Charing Cross Road), or others set in or…

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The legacy of the ancient Greeks is so overwhelming in so many areas democracy, literature, philosophy, science, mathematics, mythology, drama, art, the Olympic games it is easy to idealize them. As Charles Freeman writes, A popular image of Athens has survived in which the marble is always shining, the streets are clean, and there is a lot of time for passionate philosophical discussions about art, theater, and the meaning of life. But Freeman is keenly aware of the human reality behind the reputation and the paradoxes that accompanied the towering accomplishments. His magnificent The Greek Achievement: The Foundation of the Western World offers the general reader an excellent introduction to the subject. The author uses the best of recent scholarship and excerpts from the works of many classic sources such as Homer, Plato, Aeschylus, and Sappho, in a fast-paced narrative that covers almost 2,000 years of cultural, diplomatic, and military history.

Greek society had a rich spiritual tradition that involved a complex mythology. For example, It was typical for a new city to find a protecting god, Athena at Athens, Apollo in Corinth, for instance, and sacred areas, both inside and outside of the city were set aside for temples . . . in which to worship them. After her victory in the Persian wars, for 75 years Athens became the most important force in the Greek world. Democracy was sustained by empire; drama was an essential part of democratic participation, philosophy fostered by the experience of intense debate within a city setting. The city’s pride was enhanced by the magnificent building program on the Acropolis. But Freeman notes: Athens’ democracy depended on slavery and the fruits of empire. Democratic government did not necessarily mean benign government. The Athenian assembly could order the massacre of the entire male population of another Greek island and the enslavement of its women and children. Women were segregated and marginalized in almost every area.

Freeman explains that until recently we knew virtually nothing about the Greeks as farmers. But Ninety percent of Greeks made their living on the land and it was their surpluses which underpinned city life. He discusses the close relationship between town and country. There is no sense of an urban elite who use the countryside primarily as a leisure source and look down on the more ignorant country dweller. Such an idea comes only in Hellenistic times when poems about the countryside are written by urban poets who clearly see the countryside as something to enjoy or use as a backdrop to tales of love and seduction in shady groves. There is a fascinating discussion of the intense interest in the place of the hero that began in the eighth century. Who was the hero? How limited were his powers? Alongside heroic behavior comes the idealization of the heroic male body. The search for perfection in the human form was to prove one of the driving forces of Greek art. Homer’s epics are not concerned only with glorifying the hero. The greatness of the Iliad and Odyssey as literature lies arguably in the way they illustrate the difficulties inherent in the heroic role.

The greatest glory for the hero comes from activities which court death and yet death brings nothing but a shadowy existence in the underworld. Here is the ultimate and inexplicable human tragedy. This rich overview points out the flaw of the Greek political system was that it never developed a theory of human rights. Rights and duties were assigned not on a universal basis but on the grounds of status and sex. The author also notes that a major point to remember is the resilience of the Greek culture. As he surveys the Greeks from 1550 B.

C. to A.

D. 600, from Mycenae to the Byzantine Empire, their influence spreads to other lands, other cultures.

The legacy of the ancient Greeks is so overwhelming in so many areas democracy, literature, philosophy, science, mathematics, mythology, drama, art, the Olympic games it is easy to idealize them. As Charles Freeman writes, A popular image of Athens has survived in which the marble…

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For pilgrims and seekers Over the centuries Christians have considered Rome almost as sacred as Jerusalem. Nothing proves this better than a stunning new book entitled Pilgrimage: A Chronicle of Christianity Through the Churches of Rome. The book unites a respectful but nicely gossipy text by June Hager, who has been writing about the churches of Rome for 15 years, with hundreds of beautiful photos by Grzegorz Galazka, who is one of the official papal photographers. All of the requisite stops on the tour are here, of course the Sistine ceiling, the towering dome of Saint Peter’s. But you encounter more than the top ten tourist sights. From Filippino Lippi’s amazing frescoes in Rome’s only Gothic church, S. Maria Sopra Minerva, to the S. Andrea della Valle’s Barberini Chapel, where Puccini set the first act of Tosca, the tour rambles engagingly from one unexpected stop to the next.

Pilgrimage will make you yearn to go to Rome, and you will need a guidebook worthy of your new ambition. Fortunately Fodor’s has anticipated your every wish with a new full-color guide in their Thematic Itineraries series, Holy Rome: Exploring the Eternal City: A Millennium Guide to the Christian Sights ($21, 0679004548).

Handy cross-referencing allows you to move easily between essays and site maps. Sidebars provide useful historical and cultural information. Calendars give schedules of millennial celebrations. More than 200 photos show an up-to-date Rome, after the current restorations of many monuments. Where is the only evidence of an Arian cult in the whole of Rome? Which church claims to have the chalice from which St. John drank poison? What are the best times to visit the most popular sites? The answers are all here.

Before you go, you may want to read up on Christianity and other beliefs in the newest contribution to Merriam-Webster’s lineup of world-class reference books the fat, gorgeous Encyclopedia of World Religions ($49.95, 0877790442). These 1,181 pages literally range from the African Methodist Episcopal Church to Zen, with stopovers in between for Halloween and the Qabbalah. You will find the dietary restrictions of the Jains and the Sermon on the Mount, Joan of Arc and the apocryphal Pope Joan, the concept of Limbo and a biography of spiritualist Madame Blavatsky. Whether you seek information on the Twelve Tribes of Israel or the Five Pillars of Islam, on Odin or Billy Graham, this impressive, exhaustive work will provide the answer.

For pilgrims and seekers Over the centuries Christians have considered Rome almost as sacred as Jerusalem. Nothing proves this better than a stunning new book entitled Pilgrimage: A Chronicle of Christianity Through the Churches of Rome. The book unites a respectful but nicely gossipy text…

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Eye of the beholder Editor’s note: Each month we see lots of books. Some of the curious arrivals are featured in this space.

The word “supercilious,” from two Latin words meaning above the eyelid, refers to the disdainful raising of an eyebrow to express contempt. That must be the expression I had on my face when I first encountered The Eyebrow, by Hollywood makeup artist Robyn Cosio and fashion writer Cynthia Robins. Yes, as Ecclesiastes noted long ago, of the making of books there is no end, but there are limits. What’s left after this? The Book of Moles? Or perhaps What Your Perspiration Patterns Say About You? However, as I flipped through this photo-stuffed compendium of folklore and fashion victims, I came perilously near being converted to its theme. If shamelessly useless trivia and new perspectives appeal to you as much as they do to me, you must own this book. Besides, any tome with Myrna Loy and Lauren Bacall can’t be all bad. There’s even a chapter on the male eyebrow, including those of Clark Gable and Yul Brynner.

By now you are no doubt asking yourself in despair, “Is there hope for the unkempt awnings over my own unfamous eyes?” Take heart, aspiring browbeaters: You too can tweeze your way to beauty and prevent the demon brow from taking over your entire face (which is precisely what happened to Cousin It on The Addams Family), for among the historical anecdotes you will find a lot of how-to advice. Most of it sounds painful, but hey, nobody ever said beauty is pretty.

Eye of the beholder Editor's note: Each month we see lots of books. Some of the curious arrivals are featured in this space.

The word "supercilious," from two Latin words meaning above the eyelid, refers to the disdainful raising of an eyebrow…

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One hour after learning that his father had died of a heart attack at age 57, Rory Quirk was flying out of Vietnam with five fellow soldiers. Those five lay stacked, dead, in body bags at his feet. Quirk’s Wars and Peace begins there. He little expects, as he flies toward home, that he is going, not just to bury his father, but to begin a fascinating journey back in time, on which he may unearth the meaning of his dad’s legacy.

Quirk’s father, James, was a lifelong soldier who, almost daily, wrote letters home to his wife Mary, detailing his presence and perspective at turning points in world history. He served under General George Patton during World War II, rubbed shoulders with General Douglas MacArthur during the Korean war, and played absentee father for the good of this nation.

With breathtaking description, James’s correspondence speaks of the heady era in which he lived and fought. There are battle vignettes, proclamations of affection, and profound thoughts on war, love, and life. At times the events feel surreal, even for the man who is witnessing them. The whole drama of this thing is so intense, begins one note James wrote from Normandy, in July of 1944. Because it is so real and because the actors in the thing are so completely unconscious of the heroic role they play. Mary’s letters back are equally poignant as she writes of joining her fellow war wives to work, raise children, and hold down the fort at the homefront. The enormity of it was dreadfully hard to take, she says of the D-Day invasion. I was so keyed up that I never went to bed at all . . . went to church to offer my own little aimless prayer for all the guys most especially my own. The touchstone of each letter is the underlying hope for a peaceful future when the couple will live a simple life raising their child together. That never really happened. By the time his father was no longer soldiering, Quirk was fighting battles of his own. Part intimate dialogue, part guided tour, Wars and Peace is an American treasure. By adding family photos and personal narrative to his parents’ riveting letters, Quirk freezes moments and icons in time, creating the ultimate living history and nearing, if not achieving, his personal goal of an elusive inner peace. Emily Abedon is a freelance writer in Charleston, South Carolina.

One hour after learning that his father had died of a heart attack at age 57, Rory Quirk was flying out of Vietnam with five fellow soldiers. Those five lay stacked, dead, in body bags at his feet. Quirk's Wars and Peace begins there. He…

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