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Recent accounts of human suffering in Kosovo serve as a sufficient primer for a book like Crimes of War. For this is a book that examines human atrocities and tries to deepen the reader’s understanding by providing historical perspective. Crimes of War is a collection of articles written by journalists, legal scholars, and military law experts. The book is edited by two such experts: Roy Gutman, a Newsday reporter and author who won the Pulitzer Prize for international journalism; and David Rieff, a magazine writer and author of a book on the Bosnian conflict.

The book is timely, not only because of events in Yugoslavia, but also because it arrives on the 50th anniversary of the Geneva Conventions, which established principles for ethical conduct in war. It is sad and sobering, for it chronicles the many crimes against humanity in the 20th century.

Three types of articles are featured: vivid descriptions of war crimes in places such as Bosnia, Chechnya, Liberia, and Rwanda; explanations of international law on issues like collateral damage and prisoners of war; and descriptions of key terms, such as limited war and victims’ rights. The topics are arranged in alphabetical order and cross-referenced to related subjects.

Highlights include broadcaster Christiane Amanpour’s article on paramilitaries in Bosnia, the horrors of civil war in Sri Lanka by John Burns of the New York Times, and mass genocide in Cambodia by Sydney H. Schanberg, whose book on the subject led to the movie The Killing Fields. Just as engaging, and perhaps more gut-wrenching, are the photographs that illustrate each article. The art, by such well-known photographers as Robert Capa and Annie Leibovitz, tells as much about the topics as does the writing. Crimes of War may be too much an instructional text for the casual reader, and too intense a subject for bedtime reading. And the book could be updated to include the latest machinations in Yugoslavia. (Unfortunately, mankind seems eager to write new chapters about war crimes at a faster rate than any book can keep pace.) But for the reader who wants to better understand the historical factors fomenting the violence we witness in the world today, it is an important work.

John T. Slania is a journalism professor and writer in Chicago.

Recent accounts of human suffering in Kosovo serve as a sufficient primer for a book like Crimes of War. For this is a book that examines human atrocities and tries to deepen the reader's understanding by providing historical perspective. Crimes of War is a collection…

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Starry, starry night by Pat H. Broeske ‘Tis the season for show business awards shows, which, collectively, seem to honor every possible subject and category. But try as everyone might, there is no topping the granddaddy of awards shows the one that has spanned seven decades and continues to generate breathless guessing games. But if the Academy Awards are at the heart of the movie industry’s biggest, most anticipated night of the year which this year comes on March 21 they are not the driving force behind movie making. Money is.

In The Gross: The Hits, the Flops The Summer That Ate Hollywood, Peter Bart explores the hows, the whys, and the surprises of the summer 1998 box office derby. As the editor-in-chief for Variety and Daily Variety, Bart had access to the executives and filmmakers behind a disparate slate, including the effects extravaganzas Godzilla and Armageddon, the paranoid character study The Truman Show, and that goofy exercise in raunchy, There’s Something About Mary. From the genesis of the various films (inspiration for the Bruce Willis character in Armageddon was real-life firefighting legend, Red Adair), to their development (too many were written by committee ), to the final product (following a test screening, The Avengers went through a major reworking), and on through their journey at the box office, The Gross looks at the way big business has impacted the industry, which has itself become a big business.

Along the way, Bart delivers some enticing cameo appearances. In fact, given its roster of names stars, filmmakers, power-brokers and more it is curious that this book does not have an index, for some of its liveliest material concerns the names behind the titles. In recalling a meeting with Steven Spielberg, a sceenwriter is quoted as saying, He’s like a Mafia boss in that he subtly flaunts his power. Indeed, while talking about a script particular, Spielberg said, We should ask the President that question. He’s my house guest next weekend. Even the rich and famous can’t resist name-dropping.

The rich and famous, as well as the artistes, have figured prominently in the saga of the Oscars. The predictably unpredictable awards race has honored both the obscure performer and the superstar, art house titles, and epics. In that respect, the lavish 70 Years of the Oscar: The Official History of the Academy Awards (Abbeville Press, $65, 0789204843) reflects society, as well as the various film years.

Written by Robert Osborne, longtime columnist for the Hollywood Reporter, this newly revised and expanded edition has as much appeal to the movie buff as to the scholar. The tone may be ultra-respectful after all, this is the authorized account of Oscar but the detailed year-by-year summations are rife with facts and juicy trivia. Just in time for this year’s Oscar night parties, Dining with the Stars (Pocket, $22, 0671017497) serves up all kinds of tasty possibilities. Here’s one possible menu: Halle Berry’s Almond-Berry Brie Appetizer, Shirley MacLaine’s Favorite Chicken Soup, Joanne Woodward’s Sole Cabernet, and, for dessert, Dolly Parton’s, uh, Stack Pie. More than one hundred celebrities share their favorite recipes, knowing that a portion of the book’s net proceeds will benefit AIDS Project Los Angeles. Whether they earn awards/money, many movies contain special gags or references some obvious, many not. Bill Givens, who has chronicled blunders via a series of books about film flubs, now goes after Reel Gags: Jokes, Sight Gags, and Directors’ Tricks from Your Favorite Films (Renaissance Books, $9.95, 1580630421). Did you know that the first one to be eaten by a T-Rex in Jurassic Park was one of the movie’s screenwriters? Now you do.

Starry, starry night by Pat H. Broeske 'Tis the season for show business awards shows, which, collectively, seem to honor every possible subject and category. But try as everyone might, there is no topping the granddaddy of awards shows the one that has spanned seven…

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After eight years as an Atlanta Falcon, Tim Green knows his football. Having earned a law degree, he knows his way around that end of the business, too. He’s witnessed criminal behavior in the NFL and, as a Fox Sports commentator, he’s still plugged into the heart and soul of the game. Now Green author of The Dark Side of the Game brings his guns to bear on several of the NFL’s unspoken bugaboos race, religion, and righteous rage. The result is an uneven but highly entertaining novel which dares to pluck aside the locker room curtain. Less a thriller than a morality play, Double Reverse follows Clark Cromwell, a born-again player on the LA expansion team Juggernauts (slyly styled after the Cowboys), as he falls in love with Annie, seemingly the girl of his dreams. Meanwhile dealing with a substantially reduced post-injury contract, he is shocked when Annie turns out quite different than expected. Enter Trane Jones and his flamboyant, videocamera-wielding agent Conrad Dobbins. Jones is the bad boy of the NFL, signed to a bloated contract with money shaved from Clark’s renegotiated salary. Dobbins is behind a huge but shady stock manipulation deal with the piratical CEO of Zeus Shoes. The beautiful lawyer/agent Madison McCall (previously in Green’s Outlaws) helps Clark with his contract, but ends up owing the Juggernauts’ owner a favor a favor which comes due when Trane Jones’s new girlfriend is murdered with his golf club. Strangely, the victim is Annie, Clark’s old girlfriend. The case takes on O.

J. Simpson overtones, and Madison soon finds suspicion shifting along with motive. That you might be able to figure out the identity of the culprit isn’t the point the point is that peek behind the curtain. While locker room dialogue often degenerates into familiar sports cliches, it’s clear Green knows his stuff. By dealing specifically with race and the new religious trend, Green explores vital issues, but he avoids lobbing the hardballs. Still, the most fun is to be had trying to spot the real names behind some of the characters. Green is at his best when describing the bone-crunching, spine-rattling full contact of the NFL, in which players ignore pain that would cripple normal people. He wears his opinion of the morality factor in professional football openly on his sleeve, flavoring this non-traditional thriller with painful realism.

William D. Gagliani is the author of Icewall in Robert Bloch’s Psycho and Other Stories.

After eight years as an Atlanta Falcon, Tim Green knows his football. Having earned a law degree, he knows his way around that end of the business, too. He's witnessed criminal behavior in the NFL and, as a Fox Sports commentator, he's still plugged into…

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If sensual food doesn’t help and the Feng Shui isn’t working, perhaps it is time to consult the stars and planets to help figure out how to find romance. Sydney Omarr’s Astrological Guide to Love and Romance ( is a complete guide to how love is affected by our astrological signs. Omarr, the world-renowned astrologer and syndicated columnist, suggests that love, above all else, affects every aspect of life. His introduction states, “. . . without love, there is very little else that is worthwhile.” He examines each of the 12 astrological signs and how each sign relates to the others. Fascinating reading, and it might just explain why you seem to be attracted to all those Scorpios.

If sensual food doesn't help and the Feng Shui isn't working, perhaps it is time to consult the stars and planets to help figure out how to find romance. Sydney Omarr's Astrological Guide to Love and Romance ( is a complete guide to how love…
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Focusing on four main characters two Nazi and two Russian snipers David L. Robbins takes us into the opposing trenches of embattled Stalingrad, where The thought of being hunted through a telescopic sight, of being marked unknowingly with invisible black crosshairs and then selected for a bullet in the brain and instant death, was a chilling, ugly prospect. Through vivid, incisive narration and compelling interior monologues, we live with each of these two pairs of killers as they wait for their foe to make the fatal error.

Stalingrad’s five months of horror begin on August 23, 1942, as over a million German forces advance and retreat, parry and thrust, with the 60 thousand Red Army troops within the city. In trenches and from the ruins of rat-infested buildings, the Russians’ skilled assassin, Army Chief Master Sergeant Vasily Zaitsev and his assistant Tania Chernova, kill off a daily toll of enemy victims, including many a careless German officer. Impressed by Zaitsev’s body count of Nazis, Red Army Colonel Nikolai Batyuk orders Zaitsev to recruit and train carefully selected sharpshooters for a sniper school; the members are soon making entries in their sniper journals. The Germans, aware of Zaitsev’s phenomenal marksmanship through an article written for homefront consumption, quickly import their own expert sniper, SS Colonel Heinz Throvald, a suave, sophisticated opera-loving Berliner. His specific task? To kill Zaitsev! Of the four main characters, only Corporal Nikki Mond is completely fictional ( a composite German soldier, Robbins notes in his introduction); Zaitsev, Thorvald, and Tania Chernova were actual combatants at Stalingrad. Each one, as Tania and Zaitsev fall in love, or as Nikki soliloquizes, becomes known to us in often painful depth. On the bloody canvas that was Stalingrad, we live with the characters. And despite the grim horror of their deadly work, readers will care about and remember them.

Dennis J. Hannan lives in Wappingers Falls, New York.

Focusing on four main characters two Nazi and two Russian snipers David L. Robbins takes us into the opposing trenches of embattled Stalingrad, where The thought of being hunted through a telescopic sight, of being marked unknowingly with invisible black crosshairs and then selected for…

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For Star Trek fans Attention all Trekkies and those who know and love them: The Star Trek Encyclopedia: A Reference Guide to the Future has landed. If you have a Star Trek fan on your list, this is the book. This edition, compiled by some enterprising folk, boasts 128 new pages to reflect the ever- expanding Star Trek universe and includes almost as many entries and illustrations as the Milky Way has stars. It is the most comprehensive Star Trek reference available, a mothership of a guide that no hard-core fan will want to be without.

For Star Trek fans Attention all Trekkies and those who know and love them: The Star Trek Encyclopedia: A Reference Guide to the Future has landed. If you have a Star Trek fan on your list, this is the book. This edition, compiled by some…

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Just in time for the school season, Kevin Henkes introduces a sweet mouse-child about to face the first grade in Wemberly Worried. The master of memorable mice characters, Henkes also gave us the much-loved Lilly’s Purple Plastic Purse, a children’s classic that won an ABBY Award.

The opposite of the energetic, outgoing Lilly, Wemberly is Henkes’s creation of a delicate and sensitive young mouse who worries about everything. Nothing is too big or too small to escape Wemberly’s worry. Day and night she worries. In bed, on the playground, or in the car, Wemberly worries. But by far her biggest worry is starting school. With the momentous first day looming, a multitude of new worries fills Wemberly. And this time the list of “what if’s” is a mile long.

Broaching a serious topic, Henkes explains Wemberly’s fears in a way children can relate to; he finds the sensitive spots that traumatize most children and deftly relates them with a touch of humor in his text and illustrations. And it’s his humor and eye for detail that make this serious story fun, including a rollerblading Grandma who espouses, “Worry, worry, worry. Too much worry.” Finally, the big day arrives. A caring teacher introduces Wemberly to another young mouse, who also happens to be wearing stripes and holding a doll. Wemberly’s worries aren’t cured instantly, but she and her new friend can’t wait for the second day of school.

With his colorful illustrations, Henkes creates a sweet, fragile little girl in Wemberly. His artwork isn’t just pleasing to look at, it conveys just as much as the text. Henkes communicates a wealth of emotion with facial expressions in the sharp drawings. You can see the hesitation in Wemberly’s eyes and the distress in her tiny frame.

Until they create a first grader’s version of How to Stop Worrying and Start Living, stick with Wemberly to help your youngsters address their fears about starting school.

Just in time for the school season, Kevin Henkes introduces a sweet mouse-child about to face the first grade in Wemberly Worried. The master of memorable mice characters, Henkes also gave us the much-loved Lilly's Purple Plastic Purse, a children's classic that won an ABBY…
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Is your love life not quite as you’d like it? The reason could be because you are out of alignment with your environment. Richard Webster’s Feng Shui for Love and Romance applies the ancient Chinese theory of living in harmony with the environment to finding and maintaining a loving relationship. According to Webster, author of seven books on the technique, “Feng Shui can help you attract the right partner, and it can also enable you to revitalize a current relationship.” This delightful book explains how arranging an environment according to the principles of Feng Shui can bring love, happiness, hope, and well-being into life. Webster also includes a basic primer on the rich historical art of Feng Shui as well as actual stories of people he has personally helped. Any philosophy that has endured for over five thousand years must have some merit to it. And besides, what could it hurt to try?

Is your love life not quite as you'd like it? The reason could be because you are out of alignment with your environment. Richard Webster's Feng Shui for Love and Romance applies the ancient Chinese theory of living in harmony with the environment to finding…
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On the streets of a not-too-distant future Los Angeles, a mystery begins to unfold. A nightclub burns to the ground and the manager, trapped in his office during the conflagration, clings to life by the slimmest of threads. An out-of-work gumshoe, shopworn and down to his last few dollars, is hired by the nightclub owners to investigate the situation. Quickly he finds himself in over his head. A slight variation of a story you’ve read a hundred times before, right? Wrong, bucko, because this time the private investigator is a dinosaur, a velociraptor to be exact. It seems that dinosaurs did not become extinct, as science would have you believe. Any good evolutionist will tell you that a species, in order to remain viable, will adapt to its changing circumstances. Over millions of years, the dinosaurs became ever smaller with each succeeding generation; today they are of a size similar to human beings. As protective coloration, they have donned fleshlike costumes, and have been merrily posing as humans for centuries. John Fogerty, the lead singer of Creedence Clearwater, is one, as are Paul Simon, Newt Gingrich and countless others. Some studies indicate that dinosaurs account for as much as 20 percent of the population. And they have successfully hidden their continued existence from the humans. Our hapless detective, one Vincent Rubio, follows his nose (everyone knows that dinosaurs possess legendary olfactory capabilities, right?) from the Big Orange to the Big Apple in search of clues. Never suspecting that he might be the potential object of foul play, he is totally oblivious to the two gangsters tailing him in a black Lincoln limousine. (Need I point out that a dinosaur should have some experience with tails?) In no particular order, Vincent is roughed up, fired, framed, and placed in rather immediate danger of a steamy sexual liaison with (horrors!) a human female. A rather attractive human female, at that. This is perhaps the biggest no-no in the annals of reptilia, an atrocity that is judged swiftly and harshly when uncovered. Reminiscent at times of Jonathan Lethem’s Gun with Occasional Music (in which the private eye is a wisecracking kangaroo), Anonymous Rex, Eric Garcia’s first novel, is stylish, witty, and fast-paced. Protagonist Vincent Rubio is an engaging amalgam of sensitive new-age guy-osaur and, well, lounge lizard. And, of course, any detective hatched from an egg just has to bring new meaning to the term hard-boiled.

On the streets of a not-too-distant future Los Angeles, a mystery begins to unfold. A nightclub burns to the ground and the manager, trapped in his office during the conflagration, clings to life by the slimmest of threads. An out-of-work gumshoe, shopworn and down to…

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For new moms and dads It would take a very cold heart indeed to not at some time have been touched, amused, or fascinated by the precious, highly creative baby portraits of famed photographer Anne Geddes. Her unique art can be seen on greeting cards and novelty items everywhere, and is beloved the world over.

To the delight of her many fans and admirers, Geddes has hand-selected a sizable new collection of some of her favorite shots from 1991 to 1997 and compiled them into a large volume entitled Until Now . In addition to over 100 enchanting color and black-and-white photographs, Geddes includes short explanations on how each photo was taken, the circumstances surrounding the photo session, and, in some cases, how the children have grown up since the shoot.

Until Now is guaranteed to bring a sentimental tear to the eye of even the most teenager-jaded parent.

For new moms and dads It would take a very cold heart indeed to not at some time have been touched, amused, or fascinated by the precious, highly creative baby portraits of famed photographer Anne Geddes. Her unique art can be seen on greeting cards…

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The sun comes up over New York City, silhouetting the ambitious bridges, casting a golden glow on the familiar yet fabled towers of Baghdad-on-the-Hudson. And this is just Barry Root’s illustration for the title page of Messenger, Messenger, a beautiful and savvy new picture book by Robert Burleigh. It sets the scene like the opening shot behind the credits in a film.

Turn the page and fade in on the modest apartment of a man called (or at least a man who calls himself) Calvin Curbhopper. A young black man with a Beat Revival mustache and beard, Calvin is yawning and stretching, awaking on his futon on the floor. Nearby are a portable phone, a mug with dangling tea-tag, a snack from last night, and piles of books. Stereo speakers face the futon, and a museum poster is on the wall. This is the contemporary world, Manhattan subspecies. Only the books are unusual: stacks of them cover the stove and fill the sink.

Calvin is a messenger, member of a profession that survives despite fax and email and FedEx. This splendid picture book follows a day in his life in the city. Burleigh’s language is colloquial and friendly; Barry Root’s illustrations captures the city the posture of escalator riders, the way that people on elevators avoid each others’ gaze. There are inside jokes: One dedicatee’s name appears on a building’s wall; an elegant office building belongs to a firm of “agricultural consultants”; and cubist-looking statues mimic the taxi-hailing postures of busy urbanites. Calvin delivers to the office of a magazine called (a la Orwell) Newspeak. The strangest joke is surprising: while Calvin leans against a street sign to use his cell phone in a millennial tableau vivant, the Batmobile roars down the street behind him. And Root’s portrayal of Calvin himself is perfect red sneakers, biker pants, helmet and backpack, Walkman, flip-up sunshades on his glasses.

While Burleigh’s and Root’s vision of Gotham City is bright and colorful, it also includes glimpses of the darker side of urban life. Curled razorwire guards the top of a wall. When Calvin has to pick up a package in a neighborhood of trash-littered streets and smashed windshields, he thinks, “No place to be, this street, not at all, / But messenger man’s gotta answer each call.” Calvin’s commitment to his work and pride in a job well done mirror the approach of the author and illustrator. Messenger, Messenger is a fine accomplishment, and Robert Burleigh and Barry Root should be proud.

The sun comes up over New York City, silhouetting the ambitious bridges, casting a golden glow on the familiar yet fabled towers of Baghdad-on-the-Hudson. And this is just Barry Root's illustration for the title page of Messenger, Messenger, a beautiful and savvy new picture book…
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In Perlman’s Ordeal Brooks Hansen entertains some truly esoteric guests. His book engages a hypnotist, Dr. August Perlman; a schizophrenic, Sylvie Blum; and an heiress, Helena Barrett. Set in London in 1906, this beguiling historical novel celebrates many surprising personalities. Though both Gustav Mahler and George Bernard Shaw make small appearances in this imaginative work, it’s an invisible creature named Oona who really steals the show. With plotting as suspenseful as a murder mystery, Hansen’s novel makes much better reading than your average cop-and-thug whodunit.

Told through Perlman’s eyes, the story’s focus is one extremely difficult week in this peculiar doctor’s career. Just before he closes his clinic one night, an emergency case is rushed to his care. Perlman is a clinical hypnotist a psychologist of sorts who uses hypnotic suggestion to alleviate physical or psychological distress. His new patient, the aforementioned Sylvie Blum, suffers from dehydration. Her illness is the outward manifestation of inner turmoil. Sylvie’s mind is at war with itself, her identity in crisis. After a day of convalescence at the clinic, Sylvie recovers her health but not her well-being. A new personality has won consciousness. She who once was Sylvie now calls herself Nina.

To complicate matters, the new identity, Nina, is in constant touch with Oona, an imaginary friend. Nina answers to Oona and Oona alone, leaving little room for anyone to communicate with Sylvie. Perlman’s unenviable job is to break this psychological stranglehold and bring Sylvie out of this schizophrenic possession.

As if all this wasn’t harrowing enough, Perlman’s professional ordeal is further compromised by Helena Barrett. Introduced early in the novel as a possible love interest, Barrett’s position in relation to Perlman turns tenuous when she begins to meddle in Nina’s treatment.

All this leads to even stranger occurrences. Perlman and Barrett quiz Nina about Oona. In the process they uncover a strange myth about the lost civilization of Atlantis. Needless to say, this novel takes some very bold turns.

In the end it is a boldness of vision that saves this curious narrative. Hansen takes some big risks with this enigmatic cast, and his risks pay off.

Charles Wyrick is a writer and musician in Nashville.

In Perlman's Ordeal Brooks Hansen entertains some truly esoteric guests. His book engages a hypnotist, Dr. August Perlman; a schizophrenic, Sylvie Blum; and an heiress, Helena Barrett. Set in London in 1906, this beguiling historical novel celebrates many surprising personalities. Though both Gustav Mahler and…
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John F. Kennedy used to say that every mother wants her child to be president, but without becoming a politician. Here is a nifty little book deftly written and laced with light humor that introduces very young readers to the 42 politicians who have become president of the United States. (Readers ignore the references on page 42 and on the dust jacket that reduce the number of presidents by one.) So You Want To Be President? is loaded with many other facts (that are, in fact, factual), most of them notable, others fascinating, if obscure. The pages are filled with charming anecdotes and art about the lives, administrations, families, likes, dislikes, and even the pets of our national chief executives.

In the past Judith St. George has given us numerous children’s books of both fiction and non-fiction. Here once again she has the good judgment not to “write down” to her youthful readers. She helps them (and possibly their cynical elders) understand that while many of our leaders deserve to be considered heroes, all of them were human, and some had character flaws. She answers the titled question with balance and without a trace of partisanship. And she wisely leaves to serious historians all the stories and rumors about marital infidelity.

Youngsters (and oldsters) will find the collection of incidental intelligence about our presidents engaging: good things and bad things about sitting in the Oval Office; how different presidents felt about the job; the number born in log cabins; the coincidence of some presidential first names; the ages and sizes of others.

Beyond the alluring trivia, the hidden value of such a book is that the collection of selected data artfully related inevitably will prompt questions of parents: Mom, what is an impeachment? Dad, why was Warren G. Harding one of the worst presidents? Grandpa, why was Abraham Lincoln one of the best? Grandma, when will we have a woman or African-American president? Or vice president? Why was no Catholic elected for more than 170 years? The saddest and most puzzling question of all: Why were four of our presidents shot to death by assassins? Questions predictably will create family conversations, perhaps even research, about how those who have held the highest office in the land came to win it and serve in it. For children, parents, and politicians, that sort of discourse offers a worthwhile win-win-win learning experience.

The collection of humorous anecdotes enriches that experience: William Henry Harrison walking to market with a shopping basket over his arm; the disgruntled voter hurling a head of cabbage at William Howard Taft; Abraham Lincoln’s cryptic answer to critics who said he was two-faced (“If I am two-faced would I wear the face I have now?”); the horse upstairs in Teddy Roosevelt’s White House; John Quincy Adams, while swimming, losing his clothes to a woman journalist who wanted an interview; William McKinley, mortally wounded, trying to stop a mob from harming his assassin.

From cover to cover the story line is graphically enhanced by the imaginative illustrations of David Small. His versatile caricatures of the presidents in diverse and unlikely settings make the book all the more fun.

His enchanting depictions range from comic to melancholic: There is an obese President Taft hoisted naked above his gigantic bathtub. There is a jigging President Wilson, dancing solo to the music of an orchestra that includes an unlikely piano duet of Richard Nixon and Harry Truman (with Thomas Jefferson on the violin), Chester Arthur on the banjo, and Bill Clinton on his saxophone. There is an angry President John Quincy Adams trapped in his swimming hole. There is the former tailor, Andrew Johnson, fitting the former actor, Ronald Reagan, for a suit of clothes.

But there also is the stooped profile of a profoundly contemplative Lincoln, perhaps pondering the war or emancipation. And another of an unhappy, impeached Clinton trailing an unhappier, resigned Nixon down the shadowed steps from the Lincoln Memorial.

In the back of the book there is a chronological listing of all the presidents (42, count ’em) with brief, interesting thumbnail profiles of each one.

Nitpickers may question some of St. George’s generalizations: Did FDR really provide soup for the depression hungry; should she have said that presidents always “dress up” when there are photographs of President Carter delivering television chats in a sweater and many other of pictures Presidents Clinton, Ford, Eisenhower, and Taft in golfing attire? Should she have given kids the impression that citizens named James or people born in log cabins have better chances than other Americans to become president? If there are blanks between the lines (and there must be in children’s small books on large subjects) let history books or better still, parents fill them in.

In the end St. George appropriately recites the 35-word presidential oath for her readers, then quotes Lincoln’s line, “I must do the best I can and bear responsibility of taking the course I feel I ought to take.” Our best presidents, she tells us, have tried to do just that and the best also asked more of themselves than they thought they could give.

She concludes with a drum-rolling endorsement of them: “They had the courage, spirit and will to do what they knew was right. Most of all, their first priority has always been the people and the country they served.” Young readers will come away from So You Want To Be President? with the clear perception that the presidency is a tremendously important and challenging office, well worth seeking. In an age of cynicism about politicians and presidents that is a message that needs to resonate with the very young and those not so young.

John L. Seigenthaler is the founder of the First Amendment Center and has hosted the PBS-TV book show A Word on Words for 30 years.

John F. Kennedy used to say that every mother wants her child to be president, but without becoming a politician. Here is a nifty little book deftly written and laced with light humor that introduces very young readers to the 42 politicians who have become…

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