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Anyone who has ever read Paradise Lost knows that things gone wrong make for catchier story lines than things going right. That’s why Milton’s Satan is a more memorable character than any of the good guys in his epic. Four of this month’s notable business books offer entertaining and edifying stories of failure and, in the process, they triumph over Milton’s malady and offer roadmaps to success.

In When Giants Stumble (Prentice Hall, $26, 0735200599), business historian Robert Sobel reviews the past century in American business to bring us the sad stories of companies long forgotten (discount retailer E.J. Korvette, auto maker Kaiser-Frazer and others), and of institutions that have been wounded but are still with us (the New York Stock Exchange, Schlitz and Pabst beers).

Sobel categorizes the giant blunders of these titans into a list of 15 deadly sins of corporate leadership. They range from the Blunders of Hubris, Ignorance, Nepotism, and Nonstrategic Expansion to the Blunders of Cutting Corners, Standing Pat, Isolation, and Dependency.

The author has a gift for teasing out lessons from disasters that might otherwise seem like ancient history. From pioneering Osborne Computer Corp., we learn that a company can get it all right predicting accurately that IBM-compatibility and laptop portability would become desirable features in PCs and still get it all wrong. Osborne built bug-ridden products, alienated strategic partners such as distributors, and died unmourned in 1982, before the PC revolution had taken off. The Blunder of Ineptitude, Sobel calls it.

And from Packard Motor Car Co., we learn that squandering the intangible value of a brand name can kill even a long-established company. In 1928 there was nothing on the road more stylish and status-laden than a Packard. By 1948, after misguided efforts to sell more cars to the masses, Packard was just another mid-range make, and by 1958 the company was history. Sobel labels this error the Blunder of Downward Brand Extension.

It’s impossible not to feel for these stumbling giants. Visionary entrepreneurs like James Ling of LTV Corp. and industrial dynasties like the Schwinn family of bicycle makers may have nobody to blame but themselves for what happened to their enterprises, but there is still a tragic dimension to the amount of heart and soul invested in ultimate failure.

Sobel writes with empathy for the blunderers. He could have turned out an interesting but facile book by merely narrating what went wrong at these companies. Instead he has produced a truly valuable study by analyzing why each lousy decision seemed like the right thing to do at the time.

A question you’ll keep asking yourself as you read Sobel’s book serves as the title for a volume from product development expert Robert M. McMath What Were They Thinking? Money-Saving, Time-Saving, Face-Saving Lessons You Can Learn from Products That Flopped, just released in paperback (with Thom Forbes; Random House, $13, 081293203X). McMath distills his four decades of new-product observations into a textbook on bad ideas. The Milton principle holds true once more: McMath’s vivid prose brings marketing failures to life as though they were characters in a novel.

If you had the misfortune of oily hair, would you advertise that fact in the supermarket by purchasing Gillette’s For Oily Hair Only shampoo? Have you felt the need lately to buy a 48-ounce jug of Maxwell House Brewed Coffee, so you can just pour a cup and microwave it? These what-were-they-thinking hall-of-famers have taken their places in the gallery of dead products that McMath has been collecting for nearly 30 years. He has 80,000 now, and the collection keeps growing as more than 25,000 new consumable items hit the shelves in the U.S. every year most doomed to quick extinction.

Like Sobel, though, McMath is not content merely to chronicle failure. His book is full of nuggets of wisdom. He shows us, for instance, that an errant concept is not always a dead end. What was Kimberly-Clark thinking when it saw Kleenex’s main purpose as removing cold cream? No telling, but give the company credit for shifting its marketing plans when consumers decided to use Kleenex as disposable hankies. With instructive examples like these and opinionated but astute analysis, McMath has produced a marketing bible likely to enjoy a long shelf life.

What were they thinking when they gave such a cumbersome title to one of the year’s most memorable business books? If You Want to Make God Really Laugh, Show Him Your Business Plan (Amacom, $22.95, 0814404987) is a combination of stand-up comedy and dead-serious business sense from former Burger King CEO Barry J. Gibbons. Get past the title, and you’re in for the funniest biz read since Jerry Della Femina’s From Those Wonderful Folks Who Gave You Pearl Harbor (Simon & Schuster, 1970, out of print).

Interspersed with the author’s zany asides are his 101 Universal Laws of Business, a set of precepts illustrated by episodes from a career spent managing large operations on both sides of the Atlantic and watching business plan scenarios turn to dust. Both the humor and the rules project an insider tone, as though Gibbons were addressing a closed-door gathering of fellow corporate chieftains on a golfing retreat. Gibbons is frank about his own failures as a manager.

He has clearly learned from those shortcomings, developing a refreshingly humane vision of management in the process. Imagine if his universal law of motivation caught on nationwide: Pay people till their eyes water, share with them the value they add, trust them, and avoid doing dumb things that demotivate them. Plenty of bosses would view such notions as heresy. That’s why there’s still so much misery today in our supposedly enlightened workplaces.

For a guy who admits to being rich and satisfied with himself, Barry Gibbons displays a surprising humility in this book. I don’t think he would claim it as a virtue to be humble about leading an organization; I think he’d say it’s a necessity, given the certainty that the CEO will embarrass himself or herself at some point. And when that moment comes, he or she had better be able to laugh about it.

In Right from the Start: Taking Charge in a New Leadership Role (Harvard Business School Press, $24.95, 0875847501), consultant Dan Ciampa and Harvard professor Michael Watkins have plenty to say about what can go wrong from the start. They, too, are doing a Milton, focusing the minds of aspiring executive readers by presenting examples of disasters in the careers of people just like them.

People don’t often talk on the record about why they got fired. But they do in this book (anonymously), as do many who have endured lesser career reversals and emerged from them as stronger leaders. This valuable guide to surviving at the top draws on interviews with dozens of high-level executives in business, government, and academia. Ciampa and Watkins let these managers speak for themselves in lengthy quotes that provide enough context to understand each element of leadership under discussion from securing early wins in the first weeks on the job to building coalitions and projecting self-image.

The interviewees speak with a candor rarely if ever found in statements to the press from members of the corporate elite. Equally valuable, though, are the authors’ analyses of the myriad threats sure to beset the new EVP or CEO. It’s no good for the newcomer to rail about office politics, communication gaps, or institutionalized barriers to change in the workforce. The leader needs to understand why these challenges arise, and what elements of his or her own style may be making them worse, in order to overcome them. This book can help the recently promoted cope with those frightening career moments that arise as soon as you get what you’re after.

Briefly noted: two July books try to get inside the heads of employees and employers. Workplace psychologist Leonard Felder’s well-received 1993 book Does Someone at Work Treat You Badly? is out in a new paperback edition. Felder retells the traumas endured by his counseling clients at the hands of schemers, screamers, sexual harassers, and other walking job hazards and tells of the techniques that helped victims gain the upper hand. New from British business psychologist Sandi Mann is Hiding What We Feel, Faking What We Don’t: Understanding the Role of Your Emotions at Work (Element, $16.95, 1862044643), which explores why we all wear happy, hostile, caring, or uncaring masks at work from time to time.

Also of note this month: William F. Joyce’s MegaChange: How Today’s Leading Companies Have Transformed Their Workforces (Free Press, $28, 0684856255), a manifesto for a management theory based on assumptions of human capability instead of human limitations. And, from Hollywood biographer Bob Thomas, Building a Company: Roy O. Disney and the Creation of an Entertainment Empire (Hyperion, $14.95, 0786884169) tells the story of the other Disney, Walt’s brother.

Nashville journalist E. Thomas Wood is the author of Karski: How One Man Tried to Stop the Holocaust (Wiley).

Anyone who has ever read Paradise Lost knows that things gone wrong make for catchier story lines than things going right. That's why Milton's Satan is a more memorable character than any of the good guys in his epic. Four of this month's notable…

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Arthur Koestler’s novel of ideas, Darkness at Noon, was originally published in England in 1940 to great acclaim. It has been called one of those books that has ceased to be a work of literature and has instead become a monument. In 1998, the editorial board of the Modern Library named it the eighth best novel of the century.

But Darkness at Noon was just one work among many others reportage, essays, autobiography, history of science and the paranormal, as well as other novels on a wide range of subjects by its author. Koestler (1905-1983) was one of the major intellectual voices on the Cold War and other issues in the English-speaking world of his time. A native of Hungary, he was a complex, controversial activist whose life and writings bore testimony to a relentless search for identity, meaning, and community.

Biographer David Cesarani painstakingly chronicles Koestler’s life, times, and writings in his Arthur Koestler: The Homeless Mind. He points out that Koestler was the classic homeless mind: the

Arthur Koestler's novel of ideas, Darkness at Noon, was originally published in England in 1940 to great acclaim. It has been called one of those books that has ceased to be a work of literature and has instead become a monument. In 1998, the editorial…

Review by

I first came across Joe Eszterhas in the early 1970s when the Baltimore Sun asked me to review his debut book, Charlie Simpson’s Apocalypse. It was a spellbinding book and I gave it a terrific review. Shortly after that, Eszterhas dropped off the literary landscape (except for a book about the Kent State killings and a novel) and surfaced in Hollywood where he began a career as a screenwriter. In the nearly 30 years since, he has written 17 original screenplays (and doctored countless others), including the blockbuster psychological thriller Basic Instinct, which made actress Sharon Stone an overnight star.

Just when I had given up hope of ever seeing another book from Eszterhas (why should he spend his time on a 400-page book for dubious financial reward when he can easily collect a million dollars-plus for a 100-page movie script?), along comes a 415-page monster of a book titled American Rhapsody.

I won’t keep you in suspense: It is the best book I have read in 10 years, maybe even longer. Using the research skills he learned as a writer for Rolling Stone magazine, the ear for dialogue and dramatic structure he learned writing movie scripts, and the sense of right and wrong he developed during the head-busting 1960s, he has written an epic analysis of the past decade (the Bill Clinton years, for those of you who have been out of the universe) that is every bit as perverse as it is brilliant.

Writing in the tradition of Norman Mailer and Tom Wolfe, who sometimes blend fact with fiction and personal observation, Eszterhas has given us a look at the decade we thought we knew, but didn’t, if the truth be told. To his credit, he lets us know, by the use of bold typeface, whenever he delves into fiction and that is almost always to give voice to the “Twisted Little Man” who dwells deep inside his writer’s psyche.

Eszterhas’s irreverent take on the Clinton/ Monica scandal is shocking, mind-numbing and filled with explicit details that will make you squirm, as will his psychosexual explanation of Clinton’s behavior while in office. No one of importance from the past decade escapes scrutiny, and that includes James Carville, Hillary Clinton, Larry Flynt, and Sharon Stone, to name a few. Richard Nixon even makes a cameo appearance, along with his “Monica.” America has been lucky in that each decade has produced a writer who has been able to put his finger on the nation’s pulse. This time it is Joe Eszterhas.

James L. Dickerson is the author of numerous books, including Goin’ Back to Memphis and That’s Alright, Elvis, both recently re-issued in paperback.

I first came across Joe Eszterhas in the early 1970s when the Baltimore Sun asked me to review his debut book, Charlie Simpson's Apocalypse. It was a spellbinding book and I gave it a terrific review. Shortly after that, Eszterhas dropped off the literary landscape…

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Cold weather creativity for kids With shorter, colder days in winter, the joy of indoor parenting can be elusive. With a bit of help, parents can avoid hearing the cries of boredom, and children may avoid hours of television. The books featured this month are for a range of ages and offer an equal range of activities. Whether your child is a rowdy preschooler or a quiet teen, the following selections are guaranteed to keep your child’s mind and hands from frostbite.

A trip to the local art museum is always a treat. For parents of older children and teenagers, there are three new Off the Wall Museum Guides for Kids which serve to prepare and educate kids before and during such a visit. Each book in this pocket-size series offers a general introduction to museums and art to maximize your museum visit. The section on museum etiquette includes art observation, art labels, and even advice on how to dress. The books also include general explanations of color, shape, line, and perspective. In addition to an index, each book contains games, scavenger hunts, art and writing activities, and recipes for the kids to enjoy.

The first addition to this entertaining series is Impressionist Art (Davis, $8.95, 0871923858) by Ruthie Knapp and Janice Lehmberg. Following the general introduction, the book concentrates on impressionist art. With clear headings, we learn the origin and categories of impressionism, and many of our questions have been anticipated and answered by the knowledgeable authors. Pictures accompany the text, and biographies of the artists are lively and full of fun facts. Another in this series is American Art ($8.95, 0871923866), also by Ruthie Knapp and Janice Lehmberg. The introduction of this book closely follows the first, except that photos of American art have been inserted. American Art is grouped according to 17th/18th and 19th/20th centuries. The same vivid format and chatty style is used to engage the reader. The creative activities section is also included. The third book by Ruthie Knapp and Janice Lehmberg is Egyptian Art ($8.95, 087192384X). After the museum and art introduction, the authors cover topics such as archaeology, mummies, pharaohs, tombs, and sculpture; other chapters include stories from and about Egyptian culture. These topics fascinate young people, and the style used in these guides makes them all the more engaging. Pictures are clear and plentiful and fill the pages. This guide, as with the others, is helpful and entertaining, even if you are unable to visit a museum.

Expecting 100 of your closest friends for a Super Bowl party? Why not let the kids help? Learning to cook is a fine goal for winter days, and it’s an easier goal for older children if they have the right guide. Roz Denny and Fiona Watt have written the Usborne Cooking School series with this in mind.

Cooking for Beginners opens with equipment and tools labeled in the first few pages. Proper placement of pans on the stove and other cautions are given. Two pages of cooking hints prepare the cook to follow the recipes better. Under each recipe, steps are clearly written and carefully illustrated for easy understanding. A photograph of the finished recipe accompanies each entry. The tasty recipes also make a nice presentation the entire family can enjoy.

Fiona Watt authors the two companion books, Cakes and Cookies for Beginners (Usborne, $7.95, 0746028105) and Pasta and Pizza for Beginners ($7.95, 0746028083). These are full of good recipes; beginners will find the ease, variety, and flavor of each recipe encouraging. Preschoolers can be relentless in their demand for attention. And if there are two or more children in your care, each day requires even more creativity. Varying activities to include simple games and crafts is ideal, and that is just what author Trish Kuffner presents in The Preschooler’s Busy Book: 365 Creative Games and Activities to Keep Your 3- to-6-Year-Old Busy (Meadowbrook, $9.95, 0881663514). The print is large for quick reference, yet the book is not oversized. Kuffner’s book has 365 games and activities which are easy to do and are aimed at 3- to 6-year-olds. In addition to the games and general indoor activities, there are specific chapters on kitchen play, outdoor fun, travel play, and holiday celebrations. Most activities require no elaborate supplies merely household items or things easily obtained. This reference book includes appendices with other books and resources for parents as well as book suggestions for children. Parents, preschool teachers, and caregivers would all find this book a ready resource for each day of the year.

Children can use their hands and imaginations with the Little Puppet Theater: Little Red Riding Hood (Council Oak, $19.95, 1571780750), a sturdy stage which unfolds five feet and includes four finger puppet characters for children’s play. The vividly colored stage is two-sided, allowing room for more players to interact. On one side of the stage, the story text is printed so one person may read while the other children dramatize the story (recording the tale for your preschooler would enhance their enjoyment). The story board folds into book size and easily stores in its own case with Velcro closure.

Even adults will be impressed with Make Your Own Superballs (Scholastic Trade, $7.95, 0590635859), a kit developed and written by Ray Miller. The kit has everything children need to produce a superball in less than five minutes. Each step is simple and clearly illustrated. It is a great choice for young kids, because only water is added to the materials and no heat is used. Included in the kit are five bold colors to design balls with stripe or swirl patterns. The booklet also suggests some activities to do with your five homemade superballs.

The second kit in this series yields fast, fun products as well. The difference with Soap Making for Kids (Scholastic Trade, $7.95, 0590635050) is that grown-up assistance is needed since the materials are heated. The booklet, written by Vivian Fernandez, is simple and easy to understand. Six molds in an ocean motif are provided to create a variety of soap shapes. Three colors may be used to make solid or two-tone soaps. Even a length of rope is included to make soap on a rope.

Since kids don’t hibernate during the winter, it’s important that they stay occupied during these cold, indoor months. With the above suggestions, parents and their children shouldn’t suffer the winter blues, even when the weather isn’t cooperating.

Jana Benjamin is an indoor/outdoor mother to her two children. She lives in Tullahoma, Tennessee.

Cold weather creativity for kids With shorter, colder days in winter, the joy of indoor parenting can be elusive. With a bit of help, parents can avoid hearing the cries of boredom, and children may avoid hours of television. The books featured this month are…

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Anyone who has ever read Paradise Lost knows that things gone wrong make for catchier story lines than things going right. That’s why Milton’s Satan is a more memorable character than any of the good guys in his epic. Four of this month’s notable business books offer entertaining and edifying stories of failure and, in the process, they triumph over Milton’s malady and offer roadmaps to success.

In When Giants Stumble (Prentice Hall, $26, 0735200599), business historian Robert Sobel reviews the past century in American business to bring us the sad stories of companies long forgotten (discount retailer E.J. Korvette, auto maker Kaiser-Frazer and others), and of institutions that have been wounded but are still with us (the New York Stock Exchange, Schlitz and Pabst beers).

Sobel categorizes the giant blunders of these titans into a list of 15 deadly sins of corporate leadership. They range from the Blunders of Hubris, Ignorance, Nepotism, and Nonstrategic Expansion to the Blunders of Cutting Corners, Standing Pat, Isolation, and Dependency.

The author has a gift for teasing out lessons from disasters that might otherwise seem like ancient history. From pioneering Osborne Computer Corp., we learn that a company can get it all right predicting accurately that IBM-compatibility and laptop portability would become desirable features in PCs and still get it all wrong. Osborne built bug-ridden products, alienated strategic partners such as distributors, and died unmourned in 1982, before the PC revolution had taken off. The Blunder of Ineptitude, Sobel calls it.

And from Packard Motor Car Co., we learn that squandering the intangible value of a brand name can kill even a long-established company. In 1928 there was nothing on the road more stylish and status-laden than a Packard. By 1948, after misguided efforts to sell more cars to the masses, Packard was just another mid-range make, and by 1958 the company was history. Sobel labels this error the Blunder of Downward Brand Extension.

It’s impossible not to feel for these stumbling giants. Visionary entrepreneurs like James Ling of LTV Corp. and industrial dynasties like the Schwinn family of bicycle makers may have nobody to blame but themselves for what happened to their enterprises, but there is still a tragic dimension to the amount of heart and soul invested in ultimate failure.

Sobel writes with empathy for the blunderers. He could have turned out an interesting but facile book by merely narrating what went wrong at these companies. Instead he has produced a truly valuable study by analyzing why each lousy decision seemed like the right thing to do at the time.

A question you’ll keep asking yourself as you read Sobel’s book serves as the title for a volume from product development expert Robert M. McMath What Were They Thinking? Money-Saving, Time-Saving, Face-Saving Lessons You Can Learn from Products That Flopped, just released in paperback (with Thom Forbes; Random House, $13, 081293203X). McMath distills his four decades of new-product observations into a textbook on bad ideas. The Milton principle holds true once more: McMath’s vivid prose brings marketing failures to life as though they were characters in a novel.

If you had the misfortune of oily hair, would you advertise that fact in the supermarket by purchasing Gillette’s For Oily Hair Only shampoo? Have you felt the need lately to buy a 48-ounce jug of Maxwell House Brewed Coffee, so you can just pour a cup and microwave it? These what-were-they-thinking hall-of-famers have taken their places in the gallery of dead products that McMath has been collecting for nearly 30 years. He has 80,000 now, and the collection keeps growing as more than 25,000 new consumable items hit the shelves in the U.S. every year most doomed to quick extinction.

Like Sobel, though, McMath is not content merely to chronicle failure. His book is full of nuggets of wisdom. He shows us, for instance, that an errant concept is not always a dead end. What was Kimberly-Clark thinking when it saw Kleenex’s main purpose as removing cold cream? No telling, but give the company credit for shifting its marketing plans when consumers decided to use Kleenex as disposable hankies. With instructive examples like these and opinionated but astute analysis, McMath has produced a marketing bible likely to enjoy a long shelf life.

What were they thinking when they gave such a cumbersome title to one of the year’s most memorable business books? If You Want to Make God Really Laugh, Show Him Your Business Plan (Amacom, $22.95, 0814404987) is a combination of stand-up comedy and dead-serious business sense from former Burger King CEO Barry J. Gibbons. Get past the title, and you’re in for the funniest biz read since Jerry Della Femina’s From Those Wonderful Folks Who Gave You Pearl Harbor (Simon ∧ Schuster, 1970, out of print).

Interspersed with the author’s zany asides are his 101 Universal Laws of Business, a set of precepts illustrated by episodes from a career spent managing large operations on both sides of the Atlantic and watching business plan scenarios turn to dust. Both the humor and the rules project an insider tone, as though Gibbons were addressing a closed-door gathering of fellow corporate chieftains on a golfing retreat. Gibbons is frank about his own failures as a manager.

He has clearly learned from those shortcomings, developing a refreshingly humane vision of management in the process. Imagine if his universal law of motivation caught on nationwide: Pay people till their eyes water, share with them the value they add, trust them, and avoid doing dumb things that demotivate them. Plenty of bosses would view such notions as heresy. That’s why there’s still so much misery today in our supposedly enlightened workplaces.

For a guy who admits to being rich and satisfied with himself, Barry Gibbons displays a surprising humility in this book. I don’t think he would claim it as a virtue to be humble about leading an organization; I think he’d say it’s a necessity, given the certainty that the CEO will embarrass himself or herself at some point. And when that moment comes, he or she had better be able to laugh about it.

In Right from the Start: Taking Charge in a New Leadership Role (Harvard Business School Press, $24.95, 0875847501), consultant Dan Ciampa and Harvard professor Michael Watkins have plenty to say about what can go wrong from the start. They, too, are doing a Milton, focusing the minds of aspiring executive readers by presenting examples of disasters in the careers of people just like them.

People don’t often talk on the record about why they got fired. But they do in this book (anonymously), as do many who have endured lesser career reversals and emerged from them as stronger leaders. This valuable guide to surviving at the top draws on interviews with dozens of high-level executives in business, government, and academia. Ciampa and Watkins let these managers speak for themselves in lengthy quotes that provide enough context to understand each element of leadership under discussion from securing early wins in the first weeks on the job to building coalitions and projecting self-image.

The interviewees speak with a candor rarely if ever found in statements to the press from members of the corporate elite. Equally valuable, though, are the authors’ analyses of the myriad threats sure to beset the new EVP or CEO. It’s no good for the newcomer to rail about office politics, communication gaps, or institutionalized barriers to change in the workforce. The leader needs to understand why these challenges arise, and what elements of his or her own style may be making them worse, in order to overcome them. This book can help the recently promoted cope with those frightening career moments that arise as soon as you get what you’re after.

Briefly noted: two July books try to get inside the heads of employees and employers. Workplace psychologist Leonard Felder’s well-received 1993 book Does Someone at Work Treat You Badly? is out in a new paperback edition (Berkley, $13, 0425165124). Felder retells the traumas endured by his counseling clients at the hands of schemers, screamers, sexual harassers, and other walking job hazards and tells of the techniques that helped victims gain the upper hand. New from British business psychologist Sandi Mann is Hiding What We Feel, Faking What We Don’t: Understanding the Role of Your Emotions at Work (Element, $16.95, 1862044643), which explores why we all wear happy, hostile, caring, or uncaring masks at work from time to time.

Also of note this month: William F. Joyce’s MegaChange: How Today’s Leading Companies Have Transformed Their Workforces (Free Press, $28, 0684856255), a manifesto for a management theory based on assumptions of human capability instead of human limitations. And, from Hollywood biographer Bob Thomas, Building a Company: Roy O. Disney and the Creation of an Entertainment Empire (Hyperion, $14.95, 0786884169) tells the story of the other Disney, Walt’s brother.

Nashville journalist E. Thomas Wood is the author of Karski: How One Man Tried to Stop the Holocaust (Wiley).

Anyone who has ever read Paradise Lost knows that things gone wrong make for catchier story lines than things going right. That's why Milton's Satan is a more memorable character than any of the good guys in his epic. Four of this month's notable…

Review by

Old fans and new readers alike will be delighted with Pulitzer Prize nominee Frederick Buechner’s latest book, The Eyes of the Heart. In this extraordinarily moving and beautifully written memoir, Buechner reflects on life, faith, friendship, and family. He speaks with the ghosts of those he has loved and lost to help make sense of his life and of whatever life may lie beyond this one. Buechner writes candidly of his privileged but troubled childhood, his lifelong search for the essence of his father who killed himself at age 38, and of his stormy relationship with his self-centered and distant mother.

Now entering his 70th year, Buechner also deals with the losses that inevitably accompany old age in his case, the deaths of his only brother and his old friend, poet James Merrill.

Among the joys of later life he counts his grandchildren, and in one touching scene, describes the first time he saw his young grandson, who was living in Switzerland. Dinah, his mother, had him in her arms as she came down the stairs to show him to us, and I went up the stairs to meet him halfway. He had flaxen hair and serene blue eyes. He looked straight at me and gave a faint smile. I thought of how, only a few months old, he was on his way down into the world and I, sixty-seven years old, on my way out of it. I thought of how when I am out of it altogether, he will carry my genes into times and places beyond my power to imagine and how he was now one of the few for whom such is the mystery of kinship I would lay down my life in ten seconds flat if it took that to save his. Though very personal, Buechner’s story is universal and his viewpoint optimistic. Even in the pain that is part of the human condition, there is an underlying joy and love and the belief that, ultimately, no one is ever lost. Nothing is lost. This poignant, insightful work is sure to resonate in the heart of every reader.

Helen Harrison writes from Little Rock, Arkansas.

Old fans and new readers alike will be delighted with Pulitzer Prize nominee Frederick Buechner's latest book, The Eyes of the Heart. In this extraordinarily moving and beautifully written memoir, Buechner reflects on life, faith, friendship, and family. He speaks with the ghosts of those…

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A journalist’s edgy enthusiasms I tend to measure all literary journalists against Joseph Mitchell, who was a literary journalist before anyone and certainly any self-respecting journalist ever thought of putting the two words together. This is no more fair than measuring a novelist against Mark Twain or Henry James, I concede, but when you find your rock in the firmament you tend to cling to it.

Ron Rosenbaum, I’m happy to say while mixing my metaphors, is more than fit to touch the hem of Mitchell’s garment. Their writing differs, of course. Mitchell sinks more completely, almost with abandon, into his subjects, and Rosenbaum, though he doubtless would deny it, sometimes writes with a sense of knowingness edging into mockery that is foreign to The Master. But all in all, Rosenbaum’s collection, The Secret Parts of Fortune: Three Decades of Intense Investigations and Edgy Enthusiasms, is a worthy bookshelf companion to Mitchell’s McSorley’s Wonderful Saloon and Joe Gould’s Secret.

Rosenbaum prefers the term “narrative nonfiction” to literary journalism, which, as he correctly says, sounds too highfalutin. In a foreword, filmmaker Errol Morris himself something of a narrative nonfictionist nails Rosenbaum pretty squarely by describing his “grand scheme . . . to squash grand schemes, to defeat our natural tendency to retreat into easy answers and bogus explanations.” Morris refers to Rosenbaum’s metaphor of “the lost safe-deposit box” a device that Rosenbaum used in his Explaining Hitler: The Search for the Origins of His Evil “a metaphor for truth that exists but may be beyond our grasp.” Well, truth, schmooth sometimes you just want to have fun. One of the book’s chief pleasures is learning about all sorts of quirky ideas and the oddball characters who believe in them.

There is, for instance, the Rev. Willard Fuller, a dental faith healer with the inspiring message, “The Lord’s out there fillin’ teeth!” Indeed he is, and the good news is that he doesn’t require an actual laying on of hands to fill cavities, straighten crooked teeth, or grow new ones. It seems the Lord also works through the U.

S. mail.

Then there’s Robin Leach of Lifestyles of the Rich and Famous, much more high-profile and prosperous than the Rev. Fuller but, in his own way, no less deranged. Asserting that he documents what he calls, without a scintilla of irony, the “passion for privacy” of the rich and famous, Leach grows indignant when Rosenbaum suggests that Lifestyles could be considered “porn for the wealth-obsessed.” Not deranged, but certainly monomaniacal, is Ralph Waldo Emerson III in his quest to unseat Charlie Douglass, the King of Canned Laughter, with “real” canned laughter. Trouble is, he’s too good. His canned laughter does sound more natural than Douglass’s, but the networks don’t like it because it’s too different from Douglass’s more artificial-sounding laughs, which audiences have grown used to.

And deranged on an empyrean scale are the scholars of the Dead Sea Scrolls, or at least many of them. In fact, there appears to have been some sort of Curse of the Scrolls that has driven a disproportionate number of scholars to drink, depression, or religious dementia. Those who weren’t crazy were consumed by ambition or a Fred C. Dobbs-like passion for secrecy. “The Riddle of the Scrolls” is one of the best pieces in the book. In it, Rosenbaum gives a brief rundown of the loony crusades to find the Ark of the Covenant and thereby forcibly bring on the Messiah, Judgment Day, or some other calamitous cosmic event satisfying to the souls of moonstruck religionists of various stripes. But in the course of his research, I wish he had learned that it is the Book of Revelation, not Revelations.

This is not just a litany of wackos, far from it. All sorts of people and topics are covered, from Mr. Whipple of “don’t squeeze the Charmin” fame to Yale’s Skull and Bones society. He gives a nice appreciation of Ben Hecht, one of the first Americans to raise his voice about the Holocaust when it was happening, and one of Murray Kempton, “our Gibbon.” “The Catcher in the Driveway” is another superior piece that stands out from an excellent bunch. It is about not just his attempt to find J.

D. Salinger’s home, and Salinger himself, if possible, but about explaining the meaning of Salinger’s isolation and silence and “the compelling seductiveness of the silence.” In the latter goal, at least, he succeeds.

Roger K. Miller is a freelance writer in Wisconsin.

A journalist's edgy enthusiasms I tend to measure all literary journalists against Joseph Mitchell, who was a literary journalist before anyone and certainly any self-respecting journalist ever thought of putting the two words together. This is no more fair than measuring a novelist against Mark…

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Cold weather creativity for kids With shorter, colder days in winter, the joy of indoor parenting can be elusive. With a bit of help, parents can avoid hearing the cries of boredom, and children may avoid hours of television. The books featured this month are for a range of ages and offer an equal range of activities. Whether your child is a rowdy preschooler or a quiet teen, the following selections are guaranteed to keep your child’s mind and hands from frostbite.

A trip to the local art museum is always a treat. For parents of older children and teenagers, there are three new Off the Wall Museum Guides for Kids which serve to prepare and educate kids before and during such a visit. Each book in this pocket-size series offers a general introduction to museums and art to maximize your museum visit. The section on museum etiquette includes art observation, art labels, and even advice on how to dress. The books also include general explanations of color, shape, line, and perspective. In addition to an index, each book contains games, scavenger hunts, art and writing activities, and recipes for the kids to enjoy.

The first addition to this entertaining series is Impressionist Art (Davis, $8.95, 0871923858) by Ruthie Knapp and Janice Lehmberg. Following the general introduction, the book concentrates on impressionist art. With clear headings, we learn the origin and categories of impressionism, and many of our questions have been anticipated and answered by the knowledgeable authors. Pictures accompany the text, and biographies of the artists are lively and full of fun facts. Another in this series is American Art ($8.95, 0871923866), also by Ruthie Knapp and Janice Lehmberg. The introduction of this book closely follows the first, except that photos of American art have been inserted. American Art is grouped according to 17th/18th and 19th/20th centuries. The same vivid format and chatty style is used to engage the reader. The creative activities section is also included. The third book by Ruthie Knapp and Janice Lehmberg is Egyptian Art. After the museum and art introduction, the authors cover topics such as archaeology, mummies, pharaohs, tombs, and sculpture; other chapters include stories from and about Egyptian culture. These topics fascinate young people, and the style used in these guides makes them all the more engaging. Pictures are clear and plentiful and fill the pages. This guide, as with the others, is helpful and entertaining, even if you are unable to visit a museum.

Expecting 100 of your closest friends for a Super Bowl party? Why not let the kids help? Learning to cook is a fine goal for winter days, and it’s an easier goal for older children if they have the right guide. Roz Denny and Fiona Watt have written the Usborne Cooking School series with this in mind.

Cooking for Beginners (Usborne, $7.95, 0746030363) opens with equipment and tools labeled in the first few pages. Proper placement of pans on the stove and other cautions are given. Two pages of cooking hints prepare the cook to follow the recipes better. Under each recipe, steps are clearly written and carefully illustrated for easy understanding. A photograph of the finished recipe accompanies each entry. The tasty recipes also make a nice presentation the entire family can enjoy.

Fiona Watt authors the two companion books, Cakes and Cookies for Beginners (Usborne, $7.95, 0746028105) and Pasta and Pizza for Beginners ($7.95, 0746028083). These are full of good recipes; beginners will find the ease, variety, and flavor of each recipe encouraging. Preschoolers can be relentless in their demand for attention. And if there are two or more children in your care, each day requires even more creativity. Varying activities to include simple games and crafts is ideal, and that is just what author Trish Kuffner presents in The Preschooler’s Busy Book: 365 Creative Games and Activities to Keep Your 3- to-6-Year-Old Busy (Meadowbrook, $9.95, 0881663514). The print is large for quick reference, yet the book is not oversized. Kuffner’s book has 365 games and activities which are easy to do and are aimed at 3- to 6-year-olds. In addition to the games and general indoor activities, there are specific chapters on kitchen play, outdoor fun, travel play, and holiday celebrations. Most activities require no elaborate supplies merely household items or things easily obtained. This reference book includes appendices with other books and resources for parents as well as book suggestions for children. Parents, preschool teachers, and caregivers would all find this book a ready resource for each day of the year.

Children can use their hands and imaginations with the Little Puppet Theater: Little Red Riding Hood (Council Oak, $19.95, 1571780750), a sturdy stage which unfolds five feet and includes four finger puppet characters for children’s play. The vividly colored stage is two-sided, allowing room for more players to interact. On one side of the stage, the story text is printed so one person may read while the other children dramatize the story (recording the tale for your preschooler would enhance their enjoyment). The story board folds into book size and easily stores in its own case with Velcro closure.

Even adults will be impressed with Make Your Own Superballs (Scholastic Trade, $7.95, 0590635859), a kit developed and written by Ray Miller. The kit has everything children need to produce a superball in less than five minutes. Each step is simple and clearly illustrated. It is a great choice for young kids, because only water is added to the materials and no heat is used. Included in the kit are five bold colors to design balls with stripe or swirl patterns. The booklet also suggests some activities to do with your five homemade superballs.

The second kit in this series yields fast, fun products as well. The difference with Soap Making for Kids (Scholastic Trade, $7.95, 0590635050) is that grown-up assistance is needed since the materials are heated. The booklet, written by Vivian Fernandez, is simple and easy to understand. Six molds in an ocean motif are provided to create a variety of soap shapes. Three colors may be used to make solid or two-tone soaps. Even a length of rope is included to make soap on a rope.

Since kids don’t hibernate during the winter, it’s important that they stay occupied during these cold, indoor months. With the above suggestions, parents and their children shouldn’t suffer the winter blues, even when the weather isn’t cooperating.

Jana Benjamin is an indoor/outdoor mother to her two children. She lives in Tullahoma, Tennessee.

Cold weather creativity for kids With shorter, colder days in winter, the joy of indoor parenting can be elusive. With a bit of help, parents can avoid hearing the cries of boredom, and children may avoid hours of television. The books featured this month are…

Review by

Anyone who has ever read Paradise Lost knows that things gone wrong make for catchier story lines than things going right. That’s why Milton’s Satan is a more memorable character than any of the good guys in his epic. Four of this month’s notable business books offer entertaining and edifying stories of failure and, in the process, they triumph over Milton’s malady and offer roadmaps to success.

In When Giants Stumble (Prentice Hall, $26, 0735200599), business historian Robert Sobel reviews the past century in American business to bring us the sad stories of companies long forgotten (discount retailer E.J. Korvette, auto maker Kaiser-Frazer and others), and of institutions that have been wounded but are still with us (the New York Stock Exchange, Schlitz and Pabst beers).

Sobel categorizes the giant blunders of these titans into a list of 15 deadly sins of corporate leadership. They range from the Blunders of Hubris, Ignorance, Nepotism, and Nonstrategic Expansion to the Blunders of Cutting Corners, Standing Pat, Isolation, and Dependency.

The author has a gift for teasing out lessons from disasters that might otherwise seem like ancient history. From pioneering Osborne Computer Corp., we learn that a company can get it all right predicting accurately that IBM-compatibility and laptop portability would become desirable features in PCs and still get it all wrong. Osborne built bug-ridden products, alienated strategic partners such as distributors, and died unmourned in 1982, before the PC revolution had taken off. The Blunder of Ineptitude, Sobel calls it.

And from Packard Motor Car Co., we learn that squandering the intangible value of a brand name can kill even a long-established company. In 1928 there was nothing on the road more stylish and status-laden than a Packard. By 1948, after misguided efforts to sell more cars to the masses, Packard was just another mid-range make, and by 1958 the company was history. Sobel labels this error the Blunder of Downward Brand Extension.

It’s impossible not to feel for these stumbling giants. Visionary entrepreneurs like James Ling of LTV Corp. and industrial dynasties like the Schwinn family of bicycle makers may have nobody to blame but themselves for what happened to their enterprises, but there is still a tragic dimension to the amount of heart and soul invested in ultimate failure.

Sobel writes with empathy for the blunderers. He could have turned out an interesting but facile book by merely narrating what went wrong at these companies. Instead he has produced a truly valuable study by analyzing why each lousy decision seemed like the right thing to do at the time.

A question you’ll keep asking yourself as you read Sobel’s book serves as the title for a volume from product development expert Robert M. McMath What Were They Thinking? Money-Saving, Time-Saving, Face-Saving Lessons You Can Learn from Products That Flopped, just released in paperback (with Thom Forbes; Random House, $13, 081293203X). McMath distills his four decades of new-product observations into a textbook on bad ideas. The Milton principle holds true once more: McMath’s vivid prose brings marketing failures to life as though they were characters in a novel.

If you had the misfortune of oily hair, would you advertise that fact in the supermarket by purchasing Gillette’s For Oily Hair Only shampoo? Have you felt the need lately to buy a 48-ounce jug of Maxwell House Brewed Coffee, so you can just pour a cup and microwave it? These what-were-they-thinking hall-of-famers have taken their places in the gallery of dead products that McMath has been collecting for nearly 30 years. He has 80,000 now, and the collection keeps growing as more than 25,000 new consumable items hit the shelves in the U.S. every year most doomed to quick extinction.

Like Sobel, though, McMath is not content merely to chronicle failure. His book is full of nuggets of wisdom. He shows us, for instance, that an errant concept is not always a dead end. What was Kimberly-Clark thinking when it saw Kleenex’s main purpose as removing cold cream? No telling, but give the company credit for shifting its marketing plans when consumers decided to use Kleenex as disposable hankies. With instructive examples like these and opinionated but astute analysis, McMath has produced a marketing bible likely to enjoy a long shelf life.

What were they thinking when they gave such a cumbersome title to one of the year’s most memorable business books? If You Want to Make God Really Laugh, Show Him Your Business Plan is a combination of stand-up comedy and dead-serious business sense from former Burger King CEO Barry J. Gibbons. Get past the title, and you’re in for the funniest biz read since Jerry Della Femina’s From Those Wonderful Folks Who Gave You Pearl Harbor (Simon ∧ Schuster, 1970, out of print).

Interspersed with the author’s zany asides are his 101 Universal Laws of Business, a set of precepts illustrated by episodes from a career spent managing large operations on both sides of the Atlantic and watching business plan scenarios turn to dust. Both the humor and the rules project an insider tone, as though Gibbons were addressing a closed-door gathering of fellow corporate chieftains on a golfing retreat. Gibbons is frank about his own failures as a manager.

He has clearly learned from those shortcomings, developing a refreshingly humane vision of management in the process. Imagine if his universal law of motivation caught on nationwide: Pay people till their eyes water, share with them the value they add, trust them, and avoid doing dumb things that demotivate them. Plenty of bosses would view such notions as heresy. That’s why there’s still so much misery today in our supposedly enlightened workplaces.

For a guy who admits to being rich and satisfied with himself, Barry Gibbons displays a surprising humility in this book. I don’t think he would claim it as a virtue to be humble about leading an organization; I think he’d say it’s a necessity, given the certainty that the CEO will embarrass himself or herself at some point. And when that moment comes, he or she had better be able to laugh about it.

In Right from the Start: Taking Charge in a New Leadership Role (Harvard Business School Press, $24.95, 0875847501), consultant Dan Ciampa and Harvard professor Michael Watkins have plenty to say about what can go wrong from the start. They, too, are doing a Milton, focusing the minds of aspiring executive readers by presenting examples of disasters in the careers of people just like them.

People don’t often talk on the record about why they got fired. But they do in this book (anonymously), as do many who have endured lesser career reversals and emerged from them as stronger leaders. This valuable guide to surviving at the top draws on interviews with dozens of high-level executives in business, government, and academia. Ciampa and Watkins let these managers speak for themselves in lengthy quotes that provide enough context to understand each element of leadership under discussion from securing early wins in the first weeks on the job to building coalitions and projecting self-image.

The interviewees speak with a candor rarely if ever found in statements to the press from members of the corporate elite. Equally valuable, though, are the authors’ analyses of the myriad threats sure to beset the new EVP or CEO. It’s no good for the newcomer to rail about office politics, communication gaps, or institutionalized barriers to change in the workforce. The leader needs to understand why these challenges arise, and what elements of his or her own style may be making them worse, in order to overcome them. This book can help the recently promoted cope with those frightening career moments that arise as soon as you get what you’re after.

Briefly noted: two July books try to get inside the heads of employees and employers. Workplace psychologist Leonard Felder’s well-received 1993 book Does Someone at Work Treat You Badly? is out in a new paperback edition (Berkley, $13, 0425165124). Felder retells the traumas endured by his counseling clients at the hands of schemers, screamers, sexual harassers, and other walking job hazards and tells of the techniques that helped victims gain the upper hand. New from British business psychologist Sandi Mann is Hiding What We Feel, Faking What We Don’t: Understanding the Role of Your Emotions at Work (Element, $16.95, 1862044643), which explores why we all wear happy, hostile, caring, or uncaring masks at work from time to time.

Also of note this month: William F. Joyce’s MegaChange: How Today’s Leading Companies Have Transformed Their Workforces (Free Press, $28, 0684856255), a manifesto for a management theory based on assumptions of human capability instead of human limitations. And, from Hollywood biographer Bob Thomas, Building a Company: Roy O. Disney and the Creation of an Entertainment Empire (Hyperion, $14.95, 0786884169) tells the story of the other Disney, Walt’s brother.

Nashville journalist E. Thomas Wood is the author of Karski: How One Man Tried to Stop the Holocaust (Wiley).

Anyone who has ever read Paradise Lost knows that things gone wrong make for catchier story lines than things going right. That's why Milton's Satan is a more memorable character than any of the good guys in his epic. Four of this month's notable…

Review by

A single mother trying to raise a teenage son; a past affair she cannot forget; a resolute belief in justice despite the death of her husband and the threats issued by his killer. These are the elements that have defined Lake Tahoe lawyer Nina Reilly’s life in the earlier bestselling legal thrillers written by sisters Pamela and Mary O’Shaughnessy under their common pen name, Perri O’Shaughnessy. These terms also dominate their latest work, Move to Strike, in which Reilly struggles to prove the innocence of a 16-year-old girl accused of murdering her wealthy uncle, a prominent Lake Tahoe plastic surgeon.

Reilly is drawn into the case at the urging of her son, only to learn that the case is considered a slam dunk by a district attorney who easily establishes her client’s means, motive, and opportunity. Nina finds herself trying to picture the crime based on the widely divergent accounts offered by an array of suspects. Her adolescent client does not help with a series of misguided attempts to mislead the police and withhold vital information.

Nina turns to a former lover and private detective, Paul Van Wagoner, to help piece together the conflicting details surrounding the sensational case. Like Nina, Paul brings his own problems: his agency is about to fold; he never fully recovered from his earlier affair with Nina, and he carries a deadly secret that could end their relationship forever. There is no shortage of suspects: the mother of a teenage patient who died on the surgeon’s operating table and has sworn vengeance; a local burglar observed at the scene; a bearded foreigner seen arguing with the victim shortly before the murder; Nina’s client, a juvenile delinquent who was seen at the crime scene and acknowledges an intent to rob the victim; and, finally, the client’s mother, a ditsy, aspiring actress whose car was spotted at the scene of the crime.

O’Shaughnessy’s solution to this vexing puzzle comes as a sudden and violent surprise proving that the Irish sisters have not lost their touch for providing suspenseful, entertaining reading.

John Messer writes from Ludington, Michigan.

A single mother trying to raise a teenage son; a past affair she cannot forget; a resolute belief in justice despite the death of her husband and the threats issued by his killer. These are the elements that have defined Lake Tahoe lawyer Nina Reilly's…
Review by

Cold weather creativity for kids With shorter, colder days in winter, the joy of indoor parenting can be elusive. With a bit of help, parents can avoid hearing the cries of boredom, and children may avoid hours of television. The books featured this month are for a range of ages and offer an equal range of activities. Whether your child is a rowdy preschooler or a quiet teen, the following selections are guaranteed to keep your child’s mind and hands from frostbite.

A trip to the local art museum is always a treat. For parents of older children and teenagers, there are three new Off the Wall Museum Guides for Kids which serve to prepare and educate kids before and during such a visit. Each book in this pocket-size series offers a general introduction to museums and art to maximize your museum visit. The section on museum etiquette includes art observation, art labels, and even advice on how to dress. The books also include general explanations of color, shape, line, and perspective. In addition to an index, each book contains games, scavenger hunts, art and writing activities, and recipes for the kids to enjoy.

The first addition to this entertaining series is Impressionist Art (Davis, $8.95, 0871923858) by Ruthie Knapp and Janice Lehmberg. Following the general introduction, the book concentrates on impressionist art. With clear headings, we learn the origin and categories of impressionism, and many of our questions have been anticipated and answered by the knowledgeable authors. Pictures accompany the text, and biographies of the artists are lively and full of fun facts. Another in this series is American Art, also by Ruthie Knapp and Janice Lehmberg. The introduction of this book closely follows the first, except that photos of American art have been inserted. American Art is grouped according to 17th/18th and 19th/20th centuries. The same vivid format and chatty style is used to engage the reader. The creative activities section is also included. The third book by Ruthie Knapp and Janice Lehmberg is Egyptian Art ($8.95, 087192384X). After the museum and art introduction, the authors cover topics such as archaeology, mummies, pharaohs, tombs, and sculpture; other chapters include stories from and about Egyptian culture. These topics fascinate young people, and the style used in these guides makes them all the more engaging. Pictures are clear and plentiful and fill the pages. This guide, as with the others, is helpful and entertaining, even if you are unable to visit a museum.

Expecting 100 of your closest friends for a Super Bowl party? Why not let the kids help? Learning to cook is a fine goal for winter days, and it’s an easier goal for older children if they have the right guide. Roz Denny and Fiona Watt have written the Usborne Cooking School series with this in mind.

Cooking for Beginners (Usborne, $7.95, 0746030363) opens with equipment and tools labeled in the first few pages. Proper placement of pans on the stove and other cautions are given. Two pages of cooking hints prepare the cook to follow the recipes better. Under each recipe, steps are clearly written and carefully illustrated for easy understanding. A photograph of the finished recipe accompanies each entry. The tasty recipes also make a nice presentation the entire family can enjoy.

Fiona Watt authors the two companion books, Cakes and Cookies for Beginners (Usborne, $7.95, 0746028105) and Pasta and Pizza for Beginners ($7.95, 0746028083). These are full of good recipes; beginners will find the ease, variety, and flavor of each recipe encouraging. Preschoolers can be relentless in their demand for attention. And if there are two or more children in your care, each day requires even more creativity. Varying activities to include simple games and crafts is ideal, and that is just what author Trish Kuffner presents in The Preschooler’s Busy Book: 365 Creative Games and Activities to Keep Your 3- to-6-Year-Old Busy (Meadowbrook, $9.95, 0881663514). The print is large for quick reference, yet the book is not oversized. Kuffner’s book has 365 games and activities which are easy to do and are aimed at 3- to 6-year-olds. In addition to the games and general indoor activities, there are specific chapters on kitchen play, outdoor fun, travel play, and holiday celebrations. Most activities require no elaborate supplies merely household items or things easily obtained. This reference book includes appendices with other books and resources for parents as well as book suggestions for children. Parents, preschool teachers, and caregivers would all find this book a ready resource for each day of the year.

Children can use their hands and imaginations with the Little Puppet Theater: Little Red Riding Hood (Council Oak, $19.95, 1571780750), a sturdy stage which unfolds five feet and includes four finger puppet characters for children’s play. The vividly colored stage is two-sided, allowing room for more players to interact. On one side of the stage, the story text is printed so one person may read while the other children dramatize the story (recording the tale for your preschooler would enhance their enjoyment). The story board folds into book size and easily stores in its own case with Velcro closure.

Even adults will be impressed with Make Your Own Superballs (Scholastic Trade, $7.95, 0590635859), a kit developed and written by Ray Miller. The kit has everything children need to produce a superball in less than five minutes. Each step is simple and clearly illustrated. It is a great choice for young kids, because only water is added to the materials and no heat is used. Included in the kit are five bold colors to design balls with stripe or swirl patterns. The booklet also suggests some activities to do with your five homemade superballs.

The second kit in this series yields fast, fun products as well. The difference with Soap Making for Kids (Scholastic Trade, $7.95, 0590635050) is that grown-up assistance is needed since the materials are heated. The booklet, written by Vivian Fernandez, is simple and easy to understand. Six molds in an ocean motif are provided to create a variety of soap shapes. Three colors may be used to make solid or two-tone soaps. Even a length of rope is included to make soap on a rope.

Since kids don’t hibernate during the winter, it’s important that they stay occupied during these cold, indoor months. With the above suggestions, parents and their children shouldn’t suffer the winter blues, even when the weather isn’t cooperating.

Jana Benjamin is an indoor/outdoor mother to her two children. She lives in Tullahoma, Tennessee.

Cold weather creativity for kids With shorter, colder days in winter, the joy of indoor parenting can be elusive. With a bit of help, parents can avoid hearing the cries of boredom, and children may avoid hours of television. The books featured this month are…

Review by

GŸnter Grass, on receiving the news that he had been awarded the 1999 Nobel Prize of Literature and on being asked how he was going to celebrate the big event, answered humbly that he had a dentist’s appointment that day and was planning on keeping it. The reader encounters that same spirit in My Century. We do not hear fanfare and stories of epic proportion, but rather the humble narratives of many, all giving their take on the events big and small of the century. Grass gives us 100 stories, one for each year, and in most cases a different voice to tell that story. Grass’s narrators chat about the 1954 soccer world championship and the Berlin Love Parade. In 1947, they grumble about the lack of food and coal, in 1993, about the influx of asylum seekers into Germany. They describe eloquently the miraculous effects of the new currency introduced to West Germany in 1948, and the much-awaited arrival of real money in East Germany after the fall of the Wall. Grass’s Germans recall advances in technology: the first trans-Atlantic flight of the blimp, listening to their first radio show, the building of the Autobahn, their thoughts on first hearing about Dolly the cloned sheep. But Grass’s Germans do not remember much of German history between 1933 and 1945, and their eagerness to speak about celebrating the first Cologne carnival after WWII contrasts starkly with their silence regarding National Socialism and the Holocaust. Grass is not afraid to include these silences and to let memory and recognition bubble up only in the ’50s, ’60s, and ’70s, slowly cracking the veneer of denial and normalcy that was endemic to a miraculously prosperous post-war Germany. Many of Grass’s stories are quite comical, and his humor is most poignant when he describes the political absurdities caused by German-German division.

ÊGrass’s magnitude as a writer lies in the way he combines an acute historical and political consciousness with great poetic sensitivity, and this ability of his is abundantly displayed in his latest work. My Century is a great book that stirs the senses, challenges the intellect, and reminds the reader that personal and political history are inextricably interwoven.

Katharina Altpeter-Jones is a Ph.

D. student in the German Studies Program at Duke University.

GŸnter Grass, on receiving the news that he had been awarded the 1999 Nobel Prize of Literature and on being asked how he was going to celebrate the big event, answered humbly that he had a dentist's appointment that day and was planning on keeping…

Review by

Edward Rollins is worth something in the neighborhood of $2 million dollars. He works at an investment firm in Boston in a dead end job, and he has no aspirations to move higher. He was once a reporter but he got burned out when he took a certain story too far. He is also a voyeur. Following people and watching their mundane lives is the one thing he enjoys no one in particular, just a random car here or there. He details each “pursuit” on a tape recorder, and through this hobby, he comes alive.

One night he follows an Audi chosen for no particular reason. As he tails the car north out of Boston, it proceeds as a normal pursuit for Rollins. However, following a number of quick, unsignaled turns, the Audi pulls into a quiet residential neighborhood and parks in front of an unassuming house. The driver quickly heads to the door, unlocks it, and slips inside. Rollins is perplexed and a little unnerved though, when no lights are turned on. Fearing that he was spotted and wanting to avoid confrontation, Rollins heads off into the night.

That experience rattles and unnerves him to the point that he breaks one of his own rules; he shares some personal information with someone. That lucky person is a younger co-worker named Marj. She is eager to learn more and actively pumps Rollins for further details. And that’s when the troubles begin.

The Dark House is a tense and intriguing debut novel from author John Sedgwick. He has created a complex and troubled hero in Edward Rollins, and a spunky, if somewhat less fleshed out, heroine in Marj. Both characters behave in a realistic fashion. There are no unbelievable heroics, no Einsteinian leaps of logic, simply basic human reaction. Granted, Rollins has his problems, and his family is certainly dysfunctional, but the characters are the heart of this story, and they do not disappoint.

Sedgwick has a way with words as well. He has created a multi-layered mystery, which does not immediately surrender its secrets.

While readers may begin to intuit the direction the mystery is heading, Sedgwick is able to throw them off the trail with unexplained twists. Each time the plot appears to be sorting itself out another surprise is added, keeping his reader in suspense until the very end.

Wes Breazeale is a freelance writer living in the Pacific Northwest. The fact that he grew up in an unassuming house north of Boston is purely coincidence. Really.

Edward Rollins is worth something in the neighborhood of $2 million dollars. He works at an investment firm in Boston in a dead end job, and he has no aspirations to move higher. He was once a reporter but he got burned out when he…

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