Bruce Tierney

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Arnaldur Indridason, the Icelandic author best known for his popular series featuring Reykjavik’s Inspector Erlendur, returns with a stand-alone thriller, Operation Napoleon. This tale of murder and intrigue has roots in wartime Berlin, half a continent (and half a century) away from the Icelandic glacier where the main plot will commence. The backstory, explained in a few introductory pages, is this: In 1945, a German bomber hastily repainted with American markings crashes in a snowstorm. Oddly, there are both German and American soldiers aboard. The glacier swallows up all traces, and there the story remains—frozen in time—for 50-some years. Credit global warming for bringing the airplane once again to the surface, thus stirring up the ashes of perhaps the biggest scandal in history, a secret that could potentially launch World War III. Leaning decidedly toward the thriller side of the thriller/mystery continuum, Operation Napoleon will nonetheless engage suspense devotees who, I guarantee, will be surprised and moved by the final twist.

Arnaldur Indridason, the Icelandic author best known for his popular series featuring Reykjavik’s Inspector Erlendur, returns with a stand-alone thriller, Operation Napoleon. This tale of murder and intrigue has roots in wartime Berlin, half a continent (and half a century) away from the Icelandic glacier…

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Screenwriter and reluctant sleuth Billy Winnetka returns for an encore performance in Robert Weibezahl’s latest “Hollywood and Crime” mystery, The Dead Don’t Forget. Billy spins the tale in the first person, with an amused world-weariness born and nurtured in the movie industry.

Summoned to the stately Hancock Park home of faded film star Gwendolyn Barlow, Billy allows himself to be coaxed into a couple of things he typically tries to avoid: a bit of detective work (in this case, looking into the threatening phone calls Barlow claims to have received over the past several months); and reading someone else’s movie script (in this case, Barlow’s original piece, A Ladder to Paradise, penned some 50 years before).“Just what Hollywood needed. A World War II romance written during World War II. Picture trying to pitch that to a young studio executive who probably didn’t even know they made movies before Star Wars.” The script turns out not to be where Gwendolyn left it, however; in its place, in the original faded manila envelope, is a red-stained paper, on which is scrawled “Hurry Up and Die . . .”

Is this on the level, or simply the melodramatic antics of a one-time star too long out of the spotlight? Billy Winnetka will find out soon enough, but not soon enough to prevent a murder. The Dead Don’t Forget is one of those rare second books of a series that outshines its predecessor; looking forward to installment number three!

Note: As faithful BookPage readers might have recognized, Robert Weibezahl is a fellow BookPage columnist; that said, if I hadn’t thoroughly enjoyed The Dead Don’t Forget, I would have politely declined the opportunity to review it!

Screenwriter and reluctant sleuth Billy Winnetka returns for an encore performance in Robert Weibezahl’s latest “Hollywood and Crime” mystery, The Dead Don’t Forget. Billy spins the tale in the first person, with an amused world-weariness born and nurtured in the movie industry.

Summoned to the stately…

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"Some years later, in a tugboat in the Gulf of Mexico, Joe Coughlin’s feet were placed in a tub of cement.” As an opening line guaranteed to pick you up by the scruff of the neck and not let go, it doesn’t get much better than that. Live by Night is told in flashbacks, coming around full circle to that gripping beginning, which is, in its way, the end.

Ardent Dennis Lehane-ophiles will recognize the Coughlin family name from 2008’s The Given Day, the sweeping early 20th-century novel in which Aiden (Danny) Coughlin, Joe’s Boston cop father, played a pivotal role. Fast-forward 10 years or so to the heady time of Prohibition, and the younger Coughlin offers up a fine example of the apple having fallen far from the tree. While Coughlin père pursued his vision of law and order, Coughlin fils embarked early on a life of crime. He should have known better than to rob well-connected speakeasy owner Albert White, and he really should have known better than to make a play for White’s girl, but then there would have been no cement overshoes and probably no story as well. And make no mistake, there is a fine story here, more than the equal of its predecessor—one that begs for (and, according to reports, will receive) a third installment.

"Some years later, in a tugboat in the Gulf of Mexico, Joe Coughlin’s feet were placed in a tub of cement.” As an opening line guaranteed to pick you up by the scruff of the neck and not let go, it doesn’t get much better…

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The pre-publication hyperbole on S.J. Watson’s Before I Go to Sleep has easily matched that of any fiction debut in recent memory, with accolades from luminaries such as Dennis Lehane, Mo Hayder and Val McDermid. So what’s all the fuss about? The basic premise, that of an amnesia victim suffering from debilitating short-term memory loss, has been thoroughly mined in print (James Hilton’s Random Harvest, G.H. Ephron’s Amnesia) and cinema (50 First Dates, Memento). Where Watson diverges from the formula is in his exhaustive exploration of one woman’s spiral into paranoia. Does Christine have a happy marriage, or is it a total sham? Does she have a son, and if so, did he die in Iraq, or is that just a figment of her overworked imagination? And what’s up with her doctor, anyway? From early on, it is clear that her husband is not being entirely truthful with her, but to what end—Christine’s well-being or something darker? On the sly, Christine begins keeping a journal, documenting the inconsistencies in the stories she is told by those she thought she could trust, leading to a showdown of epic proportions.

So, what’s the verdict? Well, Before I Go to Sleep is unquestionably a suspenseful and gripping psychological thriller, relentlessly paced, but there are a couple of stumbling points that stretch taut the fabric of coincidence in the interest of furthering the plot. That said, the novel is a noteworthy debut indeed, and it’s not difficult to see why this former British NHS worker has caused such a stir in literary circles.

Read an interview with S.J. Watson about Before I Go to Sleep.

The pre-publication hyperbole on S.J. Watson’s Before I Go to Sleep has easily matched that of any fiction debut in recent memory, with accolades from luminaries such as Dennis Lehane, Mo Hayder and Val McDermid. So what’s all the fuss about? The basic premise, that of…

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It is always difficult to review a Bill Bryson book, since I’m tempted to indulge in sweeping declarations (“Bill Bryson may well be the wittiest man on the planet,” for instance) and then support such bold assertions with numerous quotes from his book. Problem is, I also want to say that he is exceptionally insightful, that he sports a keen sense of the English language and its peccadilloes, and on and on. And somehow I have to fit all that into the brief space of a review. Never has this been more the case than with his latest book, At Home.

At Home builds upon his earlier work, A Short History of Nearly Everything, this time narrowing the scope of the investigation to the everyday things found within (and about) the home: the architecture; the individual rooms; the plumbing, electrical and communications systems; the furniture. Bryson’s English countryside home is a Victorian parsonage where “nothing of any great significance has happened since the Romans decamped.” But “this old house” makes a very convenient jumping-off point for a look at topics as far-reaching as the spice trade with the Moluccas (did you know that the difference between herbs and spices is that herbs come from the leafy parts of plants and spices come from the non-leafy parts?), the Eiffel Tower (Eiffel also designed the skeleton of the Statue of Liberty, whose fragile bronze shell is a mere 1/10” thick), bat warfare (the plan was to launch up to a million bomb-laden bats over Japan at the height of WWII; when they came to roost, the bombs would go off, or so the theory went) and Samuel Pepys’ inadvertent descent into a basement afloat in human waste (“. . . which doth trouble me”).

Somehow, curiously but inevitably, all of these seemingly unconnected particulars fit together neatly within the framework of a house. As Bryson notes in the introduction, history is “masses of people doing ordinary things.” And the common house? “Houses aren’t refuges from history. They are where history ends up.”

Bill Bryson dives into the subject of shelter with his customary wit, wisdom and eye for attention-grabbing historical details.
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In the dust jacket blurb for Mark Leonard's What Does China Think? rests an important pair of sentences: "Very few things that happen in our lifetime will be remembered after we are dead. But China's rise is different, like the rise and fall of Rome or the Soviet Empire, its after-effects will reverberate for generations to come." In a scholarly (but by no means dry) treatise, Leonard explores the conundrum that is modern China, through the views of the thinkers, movers and shakers who are leading the recently backward land into a position of prominence (and perhaps dominance) in the 21st century. In one essay titled "Meritocracy vs. majority rule," Leonard quotes Beijing University's Pan Wei, who believes Westerners have it wrong in assuming that their countries are prosperous and stable because of democracy; rather, he suggests prosperity and stability spring forth from the rule of law, and law and democracy are like yin and yang, in constant conflict with one another. What Does China Think? should be on the short list for anyone who wants insight into China's idea of its rightful place in the world order.

Encyclopedia Sinologica

Every now and then one's radar is blipped by someone or something that should have been taught in school, but somehow wasn't. Such is the case with Englishman Joseph Needham, who went to China in the 1930s and embarked on a lifelong project to catalog all of the inventions for which the Chinese were responsible. Big deal, you say. That's what I thought as well, until I had the opportunity to read Simon Winchester's The Man Who Loved China. This unforgettable (and unputdownable) book is a major revelation both about Chinese ingenuity and the remarkable man who spent his life unearthing and cataloging it. Among the notable inventions credited to the Chinese: paper, the compass, gunpowder, chopsticks (OK, that was probably a given), the toothbrush, toilet paper, the abacus, the bellows, the cannon, canal locks (as in the Panama Canal), paper money, grenades, the suspension bridge, vaccinations and the wheelbarrow, to mention but a handful. Whew! In the end, Needham produced 17 exhaustive volumes, rendering him a legend in the annals of encyclopedia. The Man Who Loved China should appeal strongly to fans of John McPhee or Michael Sims, or anyone interested in the history of China as seen through the eyes of an inquisitive Westerner.

The land in pictures

If a single picture is worth a thousand words, then Yann Layma's China should be worth at least 210,000 descriptors. The pictures are first-rate, of National Geographic quality. Each rates a two-page spread, without margins or captions to distract from the images (the pictures are all reproduced in thumbnail size in the back of the book, along with descriptive captions). Layma displays a rare sensitivity and humor in depicting daily life in China. One picture shows stately houseboats wending their way down a misty canal; another depicts the elaborate geometric pattern of a rice paddy. Still others offer glimpses into the daily lives of such diverse groups as falconers, runway models, fishermen, factory workers, religious figures and martial arts practitioners. Also included are essays by five noted Chinese writers: one section deals with the teachings of Lao Tzu and Confucius, another with famous Chinese inventions; a third covers Chinese calligraphy, a fourth gives a brief look at milestones in Chinese history. The other books in this article each illustrate a facet of the modern miracle that is China, but this is the one that will make you long to pay a visit to the Middle Kingdom.

What's on the menu

No report on modern-day China would be complete without at least a look at Chinese cuisine. Of course, everyone in the West is familiar with the staples: egg rolls, sweet and sour pork, General Tso's chicken and egg foo young. Less known are such culinary delights as red-braised bear paw, dried orangutan lips (I am not making this up), camel hump and the ovarian fat of the Chinese forest frog. For a historical (and often hysterical) glimpse at these and other fascinating facets of Chinese cooking, look no further than Fuchsia Dunlop's Shark's Fin and Sichuan Pepper, a tale of travel in modern China, with appended recipes for meals that tend more toward the delicious end of Chinese cuisine spectrum, rather than, say, the aforementioned orangutan lips. Dunlop's writing style is conversational and engaging, and she poses several perplexing questions (for instance, when she inadvertently cooks a caterpillar along with some homegrown veggies in England, should she eat it, as she has done many times in China, or shiver in revulsion, as befits her upbringing?).

This could happen to you

And now for the fun part, the book that made me laugh out loud more times than I can remember, J. Maarten Troost's Lost on Planet China. After spending too long in Sacramento ("a little corner of Oklahoma that got lost and found itself on the other side of the Sierra Nevada. . ."), Troost decided a new place to live was in order. "I'm thinking China," he suggested to his wife, Sylvia. "I'm thinking Monterey," Sylvia countered. Clearly a compromise was required, and so it came to pass that Troost set forth on a solo exploratory mission to Old Cathay. After learning some vital Chinese phrases ("I am not proficient at squatting; is there another toilet option?," "Are you sure that's chicken?"), Troost found himself waving goodbye to his family. He would soon be saying hello again, though, as he had forgotten his backpack containing his passport, plane ticket and traveler's checks: " 'I'm trying to envision you in China,' Sylvia said, 'and I can't decide whether to laugh or weep.' I empathized. It's a thin line that separates tragedy from farce." As you might imagine, it only gets more frenetic and exponentially more humorous from this point forward. Troost is already being lauded as the new generation's answer to Bill Bryson; in my view, his writing is markedly different, but it will definitely find an appreciative audience among Bryson fans.

In the dust jacket blurb for Mark Leonard's What Does China Think? rests an important pair of sentences: "Very few things that happen in our lifetime will be remembered after we are dead. But China's rise is different, like the rise and fall of…

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Novelist Martina Cole, has rarely been off U.K. bestseller lists for some 17 years now. I had the opportunity to talk on the phone with Cole recently, and her quick wit and street smarts were evident in every response. When her first book, Dangerous Lady, was published, she received the requisite large check from her publisher. I asked her what she did for a first-time splurge: "Well, my accountant told me if I wanted to buy a new car, I needed to do it quickly; it had something to do with English tax law and saving buckets of money. I was painting my bedroom, and had paint all over me, and I went to the BMW dealer that way. The salesman couldn't be bothered with me until I told him that I wanted to buy a new BMW and pay cash for it. I think he nearly fainted!" With the royalties from successive books she has bought a country home that dates back to Elizabethan times ("It has a resident ghost") a garage full of lovely automobiles and a motorboat ("No sailboats for me; I'm a power boat girl.").

It was not always the high life for Martina Cole. She grew up in a working-class family; at times she had to hold down three jobs at once just to make ends meet. Nowadays, that's not a problem, of course, as her books have hit the bestseller lists all over the world, and she is poised to do just that stateside as well with her newly released American debut, Close. Like Cole's previous books, Close is a tale of the London underground, gritty and harsh, not for the weak of heart (or stomach). It is a milieu with which Cole is very familiar, the hardscrabble turf of a poor urban neighborhood, where "the Wall of Silence" prevailed, and folks turned a blind eye to the violent crimes happening all around them with startling regularity. This ambitious novel spans a 40-year period in the life of Clan Brodie, a notorious London crime family, starting in the swinging '60s and moving forward to the present. Think "The Sopranos" with a Cockney accent, and you would not be far off. And like "The Sopranos," it is brutally hard-hitting, superbly crafted and deserving of a rabid fan base in America, as well as the rest of the world.

 

Novelist Martina Cole, has rarely been off U.K. bestseller lists for some 17 years now. I had the opportunity to talk on the phone with Cole recently, and her quick wit and street smarts were evident in every response. When her first book, Dangerous…

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Shortly after being offered the assignment of reviewing Meg Gardiner's latest book, The Dirty Secrets Club, I was visiting an American friend in Tokyo and discovered the first Gardiner book, China Lake, on his bookshelf. The novel was a veritable roller coaster ride from page one. The protagonist, Evan Delaney, neatly splits the difference between Sue Grafton's feisty Kinsey Millhone and Robert Eversz's edgy Nina Zero. I finished it in short order, and was left eager to read The Dirty Secrets Club. Although her novels are set in her native California, Gardiner makes her home in England, and until now her books have been largely unavailable stateside. As Gardiner explained in our email interview, "The novels have been out in the rest of the English-speaking world since 2002, but weren't on sale in the USA. Then luck intervened, loudly" – Stephen King wrote a column praising Gardiner's books in Entertainment Weekly. The next week, "10 American publishers wanted to publish the Evan Delaney series, along with The Dirty Secrets Club," says Gardiner. "I was blown away." American readers will now have the chance to experience one of the finest contemporary writers in the genre.

The streets of San Francisco provide the backdrop for the fast-paced The Dirty Secrets Club. Membership is limited to the rich, famous and influential, to ensure that each person would have lots to lose if their secret were to be exposed. The problem is that one by one, the dirty secrets are coming to light, and the ensuing rash of high-profile suicides plagues the City by the Bay: first a highly regarded prosecutor launches her BMW off a freeway ramp; then a 49ers football star takes a flying dive off the Golden Gate Bridge. Enter Jo Beckett, forensic psychiatrist, and Amy Tang, hard-bitten SFPD policewoman, to try to make sense of it all. The interplay between Beckett and Tang is at once tentative and aggressive, neither one entirely trusting the motivations of the other. And Beckett has a secret of her own that she desperately wants to keep to herself.

Gardiner's characters are tough, but always sympathetic. "I figure that if I'm going to spend a year with these people while I write a novel, I'd better be able to stand their company. Even the awful characters had better have some redeeming features," she says. For my part, I will add a small amount to Gardiner's coffers by buying all of the Delaney books as soon as they are available – China Lake and Mission Canyon are already on sale, and the sequels will be released over the next three months.

Shortly after being offered the assignment of reviewing Meg Gardiner's latest book, The Dirty Secrets Club, I was visiting an American friend in Tokyo and discovered the first Gardiner book, China Lake, on his bookshelf. The novel was a veritable roller coaster ride from…

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The Renaissance city of Firenze (Florence to English speakers) figures strongly in this issue of BookPage; in my Whodunit column, I reviewed Magdalen Nabb's Vita Nuova, a contemporary mystery set in the Tuscan capital. This book, Douglas Preston and Mario Spezi's The Monster of Florence, is perhaps even more chilling, since it is a nonfiction account of a series of murders that happened over the course of 20 years, by a killer who, to date, has never been caught.

In 2000, American novelist Douglas Preston moved to Florence, with the notion of writing a thriller set in 1960s Tuscany in the wake of an epic flood; it was to be a short-lived notion. Shortly after his arrival, he met Italian author and journalist Spezi, who regaled him with the tale of the Monster of Florence, who killed only courting couples, only on Saturday nights of a new moon. Preston was hooked: the scene of one grisly double homicide was literally just outside his door, a peaceful olive grove with a sweeping view of the Florentine hills. In short order, Preston and Spezi collaborated on an article about the Monster for an American magazine. Their ongoing research led them on a strange journey through the palace halls and lowlife dives of Florence, in search of an elusive, almost mythical villain. It would be a perilous journey, to say the least: before they were finished, Preston would be forcibly expelled from Italy, and Spezi would be incarcerated as a potential accessory to the Monster murders. Clearly, they were stepping on some important toes! The Monster of Florence reads like fast-paced fiction, no surprise really, since Preston is a first-rate novelist (The Codex, Blasphemy), and Spezi is a well-respected journalist. That the story is true lends an edge to it that is rarely achieved in fiction.

Note: The Monster of Florence is not the first book devoted to this subject – one of the prosecutors wrote a lengthy tome on the subject and Thomas Harris reputedly used the story as inspiration for his best-selling Hannibal, in which everyone's favorite carnivorous villain relocated to Florence to continue his malevolent career. Even the aforementioned Magdalen Nabb penned a novel also titled The Monster of Florence, in which Marshal Guarnaccia of the Florence Carabinieri attempts to show that the man accused of the crimes could not be the real perpetrator. Next comes Academy-Award winning screenwriter Christopher McQuarrie's (The Usual Suspects) take on the Monster; he purchased the film rights to Preston and Spezi's novel this spring.

The Renaissance city of Firenze (Florence to English speakers) figures strongly in this issue of BookPage; in my Whodunit column, I reviewed Magdalen Nabb's Vita Nuova, a contemporary mystery set in the Tuscan capital. This book, Douglas Preston and Mario Spezi's The Monster of Florence,…

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Canadians have long been regarded as country cousins by their counterparts in the States: Molson-swilling, hockey-watching roughnecks who go inexplicably dewy-eyed at the first acoustic guitar notes of a Gordon Lightfoot ballad. As is often the case, the truth is somewhat more complex. Vancouver novelist and Renaissance man Douglas Coupland explores what makes Canada, Canada in the aptly titled Souvenir of Canada, a book of essays and photographs of our neighbo(u)r to the north. Bit by bit, Coupland reveals a Canada that, rather than being a lackluster imitation of the U.S., is instead a somewhat bizarre parallel universe where folks routinely breakfast on Capitaine Crounch, season their French fries with vinegar (white vinegar at that), and drive with their headlights on at all hours of the day.

In a comical vignette about a Canadian staple, Coupland observes: "Cheese, in fact, plays a weirdly large dietary role in the lives of Canadians, who have a more intimate and intense relationship with Kraft food products than the citizens of any other country. . . . In particular, Kraft macaroni and cheese, known simply as Kraft Dinner, is the biggie, probably because it so precisely laser-targets the favoured Canadian food groups: fat, sugar, starch and salt." (Having grown up in Canada, this reviewer can attest to these preferences. In fact, my mother's first attempt at making spaghetti utilized Kraft Dinner and ketchup; it was about as heinous as it sounds.)

Souvenir of Canada is a clever and engaging book, a treat for Canadian and outlander alike. Stay tuned for Souvenir of Canada 2, coming soon to a bookseller near you, eh?

 

Canadians have long been regarded as country cousins by their counterparts in the States: Molson-swilling, hockey-watching roughnecks who go inexplicably dewy-eyed at the first acoustic guitar notes of a Gordon Lightfoot ballad. As is often the case, the truth is somewhat more complex. Vancouver novelist…

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You never know what to expect when you pick up the latest T.C. Boyle novel. The book might be populated with displaced Samurai, itinerant illegal aliens or even a larger-than-life figure like John Harvey Kellogg (of Corn Flakes fame). Boyle is fiction's counterpart to John McPhee, a man of widely varied interests and the talent to write about them all with insight and originality. His newest, Drop City, begins in a Sonoma commune of the same name, circa 1970. For those of you too young (or too old, or too stoned at the time) to remember, the late '60s and early '70s were times of great social upheaval, and northern California was arguably the epicenter. It would be a comparatively simple task to write a book about the culture clash between the normal folks and the hippies, or even a Cyra McFadden-style send-up about life on a commune, but T.C. Boyle has never been one for taking the easy road. Rather, Drop City is a tale of a utopian community riven from within by many of the problems that have plagued "straight" society for ages: drugs, sexism, racism and jealousy.

Meanwhile, in remote Boynton, Alaska, a union takes place between a hermit-like fur trapper and a mail-order bride. The wedding goes superbly (one is tempted to say "without a hitch") until late in the day, when it is crashed by the sworn enemy of the groom, the only person in Boynton who was not invited to the ceremony. Hijinks ensue, and the upshot of the skirmish leaves a team of sled dogs dead, and a pristine 1965 Shelby Mustang GT-350 coupe submerged in the cold deep waters of Birch Creek.

Back in California, the law is breathing down the necks of Drop City's resident revelers. A dead horse, a hit-and-run car accident, and several issues with the building codes department have conspired to draw the utopian experiment to a close. It is time to move on, but where to? You guessed it, Boynton, Alaska, to establish Drop City North. A weedy caravan of vehicles (a dusty Lincoln, a rusty Studebaker, and an elderly school bus) gingerly makes its way across the Canadian border, up the Alaska Highway. It will be a clash of a different sort, as the welfare/food-stamp/peace/love/dope crowd comes into contact with perhaps the most fiercely self-sufficient people the country has ever known.

Boyle's characters, with names like Mendocino Bill, Pan, Star and Sky Dog, are exceptionally well drawn, and the dialogue is eerily evocative of its time. Drop City is a book to be read slowly and savored; it is not about reaching the end, it is about the journey. For best effect, read Drop City in a beanbag chair. A drop or two of patchouli oil and Janis on the stereo couldn't hurt, either.

You never know what to expect when you pick up the latest T.C. Boyle novel. The book might be populated with displaced Samurai, itinerant illegal aliens or even a larger-than-life figure like John Harvey Kellogg (of Corn Flakes fame). Boyle is fiction's counterpart to John…

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Pulitzer Prize-winning author John McPhee is a man of many and varied interests. Be it the common orange, Russian dissident paintings or portable nuclear bombs, his fascination with items exotic and commonplace leads the reader into corners of the world he or she might never otherwise explore. In his latest work, The Founding Fish, McPhee lures his readers into the world of Alosa sapidissima, the shad, a fish that has entranced and confounded anglers (McPhee included) for years. As is the case with most of McPhee's work, his subject is studied from many angles. Thus, he presents us with a history of the shad through the ages, the role of the shad in American history (there is anecdotal evidence that Washington's troops had shad and precious little else to eat at Valley Forge), catching, or more precisely, trying to catch shad, and last but not least, cooking the shad. An appendix offers several baking suggestions for the fish, a couple of which sound delectable.

McPhee spends time with ichthyologists, anatomists and fish behaviorists in locations as disparate as Pennsylvania and Bosnia-Herzegovina. He also learns the art of making the complex darts used to catch the fish. More than any time in recent memory, McPhee has imbued his writing with humor, much of it self-deprecating. His lack of proficiency at landing shad does little to cool his ardor. He regularly fishes from shore, from his Kevlar canoe and from the boats of friends and acquaintances as absorbed with the fish as he is. As usual, McPhee does a marvelous job of populating his tale. There are numerous forays into the lives of the people connected with his quest, as well as short side trips into the motivations that attract otherwise normal folks to the clan of the shad.

It is to McPhee's credit that he can take such an arcane topic and make it interesting, even compelling, to the casual reader. He provides sufficient data to suit the scientists among his readers, while writing in an easy conversational style that makes the rest of us want to sit at his feet and say, Tell me a story.

 

Pulitzer Prize-winning author John McPhee is a man of many and varied interests. Be it the common orange, Russian dissident paintings or portable nuclear bombs, his fascination with items exotic and commonplace leads the reader into corners of the world he or she might never…
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It is only recently that Hispanic fiction has touched the mainstream American reader. Certainly there are exceptions Gabriel Garcia Marquez and Mario Vargas Llosa jump to mind but they are the exceptions that prove the rule. In the past few years, however, names such as Laura Esquivel, Isabel Allende and Jose Raul Bernardo have breathed new life into a genre of literature long overlooked by the American book-buying public. At this point, few publishers have stepped up to the plate to offer books by Hispanic authors, but this is bound to change, as Hispanics represent the fastest-growing segment of the U.S. population. And for the moment, at least, some of the richest fiction to come out of the Americas can be attributed to a handful of superb Hispanic authors.

Stella Pope Duarte's Let Their Spirits Dance tells the poignant story of a mother's wish to touch her son's name on the Vietnam Veterans Memorial Wall in Washington, D.C., before she dies. Told from the perspective of daughter Teresa, the story begins in small-town Arizona in 1968. Teresa's brother Jesse is saying his goodbyes to friends and family as he leaves for Vietnam: Then he leans over to me and says, I don't think I'm coming back, Teresa. Take care of Mom. . . . Yes you will, I insist. But I know what he wants. This is a secret I have to keep. Fast forward to the present. Teresa's mother is very ill, and she has become fixated on the idea of the Veterans Memorial. Teresa, ever practical, tells her mother that a) the doctor will never permit it and b) they can't afford the airfare anyway: My mother stares at me, then starts laughing. Oh, no mija, we're not going by plane. We're going by car! And so begins a strange and powerful road trip of memories, healing and closure. Let Their Spirits Dance is Duarte's second book; her first, Fragile Night, won her critical acclaim and a fellowship from the Arizona Arts Commission, as well as a nomination for the Pushcart Prize in Literature.

Another appealing new book from Rayo, the Latino imprint of publisher HarperCollins, is The Republic of East L.A., a collection of barrio vignettes by master storyteller Luis J. Rodriguez. The author is well known in the Hispanic community for his autobiographical Always Running: La Vida Loca, Gang Days in L.A., which won numerous awards including a New York Times Notable Book for 1993. The Republic of East L.A. continues in this tradition, offering brief entrŽe into the lives of a rapper, a trio of gangbanger girls, a homeless man, a pair of ex-cons and several other colorful characters of the East Los Angeles neighborhoods. There are no punches pulled, yet amid the rawness and brutality, glimpses of hope and beauty are found at every turn. Rodriguez has published three volumes of poetry, and his lyricism blossoms on every page. A maroon '63 Impala lowrider graces the cover, and its spirit imbues the book. Who says you can't judge a book by its cover?

Mexican writer Carlos Fuentes is possessed of one of the most resonant voices in literature, Hispanic or otherwise. Through novels such as The Death of Artemio Cruz (1962), The Old Gringo (1985) and The Years with Laura Diaz (2000), Fuentes has won critical acclaim and an international readership. His latest work, Inez, due out in English translation this month, tells two oddly concurrent love stories: one of an orchestra conductor and a singer in wartime Europe, the other of a pair of humans from the distant past, perhaps the first two humans to ever have contact with one another. The two narratives are joined together by the device of a magical crystal seal that allows its holder (and the reader) to traverse between these worlds. This may sound like a science fiction novel, but nothing could be further from the truth. It reads rather more like a grown-up version of C.S. Lewis' The Chronicles of Narnia, in which a supernatural armoire provided the doorway between the real world and an alternate fantasy world (and left the reader to decide which was which). Inez is a short novel, just over 100 pages, but so rich and filling that it can only be devoured in pieces, allowing time to digest between courses; it is profound and poetic, a love story for the ages.

 

It is only recently that Hispanic fiction has touched the mainstream American reader. Certainly there are exceptions Gabriel Garcia Marquez and Mario Vargas Llosa jump to mind but they are the exceptions that prove the rule. In the past few years, however, names such as…

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