Carla Jean Whitley

Richard Haddon has screwed up royally with his wife, and he’ll do anything to get her back.

Richard, a British contemporary artist, met his near-perfect French wife while enrolled at the Rhode Island School of Design. From the moment he spotted Anne-Laure de Bourigeaud, Richard was convinced that she was the woman for him. Shortly after they married, Anne became pregnant, and their relationship served as the inspiration for one of Richard’s greatest paintings, “The Blue Bear.”

But seven years have passed, and while Richard hasn’t fallen out of love with his wife, his gaze has certainly wandered. So too has his focus on art; while Richard once used his art as a statement, he has now resorted to commercial paintings—and has sold “The Blue Bear,” which once meant so much to the couple. As his first solo show opens in a Parisian gallery, the distance between Richard and Anne is noticeable, although he’s the only half of the couple who knows the full extent of his dalliance. Anne seems to be patiently waiting for her husband to return his focus to their marriage.

When she uncovers Richard’s relationship with an American, though, Anne sends her husband packing and resolves not to let her sadness show. Richard, meanwhile, is determined to demonstrate his remorse and regret in the hope of recovering what the couple once had.

The basic plotline of this story—a couple falls in love, one cheats and then they struggle to determine what comes next—isn’t unusual. But in I Am Having So Much Fun Here Without You, first-time novelist Courtney Maum has crafted the story of a relationship so believable, so realistic that readers will be left wondering until the last minute whether the couple will reunite.

Maum, whose years in France (and marriage to a Frenchman) color the book, is a brand strategist and humor columnist. But the razor-sharp writing and character insights of I Am Having So Much Fun Here Without You suggest that readers have much to look forward to from this talented storyteller.

 

This article was originally published in the June 2014 issue of BookPage. Download the entire issue for the Kindle or Nook.

Richard Haddon has screwed up royally with his wife, and he’ll do anything to get her back.

Richard, a British contemporary artist, met his near-perfect French wife while enrolled at the Rhode Island School of Design. From the moment he spotted Anne-Laure de Bourigeaud, Richard was convinced that she was the woman for him.

In Vintage, author and secondhand store enthusiast Susan Gloss weaves together the lives of three very different women in a story filled with humor and heart.

Violet Turner, the 30-something proprietor of Hourglass Vintage, has a passion for making something out of the hand life has dealt. Growing up in small-town Wisconsin, she was always a bit offbeat but found safety in dating a popular boy. With dogged determination, Violet continued to live the life she thought she should live. But when she realized that she wanted more from life and that her husband was a good-for-nothing alcoholic, Violet took off for the state capital and a new life.

That’s exactly what she’s found in Madison, with her vintage-focused consignment shop drawing clientele from the university and the city’s eclectic professional community alike. It also draws in 18-year-old high-school graduate April Morgan, who is five months pregnant and is selling the vintage wedding dress she won’t need after breaking things off with her fiancé. April seems an unlikely companion for Violet, but regular customer Betsy, an elderly woman whose friendship with Violet is nearly familial, sees that the pair needs each other. Indian immigrant Amithi Singh also finds comfort in the shop and its proprietor, following a betrayal that has left her questioning her adult life.

Vintage is a sweet and comforting debut that celebrates the families we make. It will remind readers not only that they are never alone, but also that happiness often returns when it seems all hope is gone.

In Vintage, author and secondhand store enthusiast Susan Gloss weaves together the lives of three very different women in a story filled with humor and heart.

Violet Turner, the 30-something proprietor of Hourglass Vintage, has a passion for making something out of the hand life has dealt.

In the latest novel by accomplished author Jean Hanff Korelitz (Admission, A Jury of Her Peers), which shares the title of its main character’s book, relationship challenges raise questions of how often we really know what’s best, whether living the life we’ve envisioned necessarily means we’re living it right, and how we overlook our instinctive responses to the people we meet.

Grace Reinhart Sachs’ cynicism toward the wedding industry understandably follows from her work as a couples’ therapist. If there were more emphasis on marriage and less on the wedding, she postulates, 50 percent of couples wouldn’t get married at all—likely the ones who shouldn’t have been together to begin with.

That philosophy is reflected in her self-help book, You Should Have Known, in which she argues that many women would have long ago ended their relationships, had they only followed their instincts. Grace is juggling her private practice and her son’s New York City private school demands while amping up for the book’s release. The fielding press inquiries from Vogue, Cosmopolitan, “The Today Show” and “The View.”

Then her life takes an unthinkable turn: Her own picture-perfect marriage is called into question. Although she cautions her patients and readers against love at first sight, that was her experience with her pediatric oncologist husband, whom she met during her senior year of college. Grace goes into a tailspin, questioning the man she’s known for more than a dozen years, as well as the relationship that defines all her interactions and her very worth as a counselor.

You Should Have Known is an insightful, compelling tale sure to provoke reflection.

In the latest novel by accomplished author Jean Hanff Korelitz (Admission, A Jury of Her Peers), which shares the title of its main character’s book, relationship challenges raise questions of how often we really know what’s best, whether living the life we’ve envisioned necessarily means we’re living it right, and how we overlook our instinctive responses to the people we meet.

If we’re all stars in the stories of our own lives, then the people we pass on the street, in the elevator or in the park are extras. And when those stories are lived out in the apartments, coffee shops and streets of New York City, there are an awful lot of extras. Although New York residents often feel anonymous among the city’s millions, proximity means their lives repeatedly brush against one another’s.

That proves to be the case in Visible City, the charming new novel by best-selling writer Tova Mirvis (The Ladies Auxiliary, The Outside World). Nina, a mother of two and a former attorney, often checks out of her own story and into those of others by observing a couple whose apartment is visible from her own Upper West Side flat. The older couple’s calm interactions enchant her—until one evening she spots a quarrelsome young couple in their place. Who are these people? How do they relate?

Nina’s curiosity is satiated after she meets the male half of the older couple at a neighborhood Starbucks. And as she continues to encounter Leon around the neighborhood, her veil of anonymity slips away. “[I]f you kept talking to strangers,” Leon realizes, “eventually they became friends.”

That friendship gradually reveals parallels between these two families on opposite sides of the street. Leon’s wife, Claudia, an art professor, has lost the motivating thirst for her work, just as Nina has. But therapist Leon and attorney Jeremy, Nina’s husband, continue to hide themselves away in their occupations. Meanwhile, Leon’s daughter Emma, who is half of the young couple Nina spotted, begins to babysit for Nina’s children.

As the neighbors’ paths continue to cross, the metaphorical walls behind which they hide fall away. “Even in this city of so many people, there was no escape from the expanding web of intersections,” Leon realizes.

In Visible City, Mirvis steps away from the Orthodox Jewish society that has populated her previous work to explore these entanglements of big-city life. As the lives of Mirvis’ three couples become increasingly intertwined, readers’ curiosity will be piqued, just as Nina’s was when these neighbors were merely strangers.

If we’re all stars in the stories of our own lives, then the people we pass on the street, in the elevator or in the park are extras. And when those stories are lived out in the apartments, coffee shops and streets of New York City, there are an awful lot of extras. Although New York residents often feel anonymous among the city’s millions, proximity means their lives repeatedly brush against one another’s.

“Rebecca Winter” remains a household name, thanks to the iconic photograph “Still Life with Bread Crumbs” that catapulted her art career into the public eye. But Rebecca Winter, the person, has changed significantly in the decades since she captured that domestic image of her kitchen counter after her husband and son retired for the evening. She’s no longer married, for one. And it’s been so long since she made a significant sale that she can no longer afford the upscale Manhattan apartment that contains the kitchen immortalized in that famous picture.

As a result, the 60-year-old Rebecca feels adrift when she sublets her home and moves into a rented cottage in rural New York. Each time a royalty check hits her bank account, the couple-hundred-dollar deposit leaves her feeling momentarily rich. Some other people in the small town are familiar with “Still Life” and consider Rebecca something of a celebrity, but she is often left to her own thoughts. That solitude gives Rebecca plenty of time to figure out whether her camera is still the best way to share what she sees with the world—and to determine who she is outside of the context of high-end art galleries and New York City.

In Still Life with Bread Crumbs, Anna Quindlen deconstructs the typical form of a novel. Chapters toggle between Rebecca’s present and the formative moments that brought her here, with each chapter title lending insight into the path Rebecca walks. The result is refreshing pacing; the story doesn’t unfold in linear fashion, but in bits and pieces at a time.

Still Life is a journey of self-exploration, of getting to know who you are rather than who others expect you to be. It’s a meditation on art, age and commercialism wrapped up in a delightful story—perhaps the best-selling author’s finest novel yet.

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Read our interview with Anna Quindlen about this book.

“Rebecca Winter” remains a household name, thanks to the iconic photograph “Still Life with Bread Crumbs” that catapulted her art career into the public eye. But Rebecca Winter, the person, has changed significantly in the decades since she captured that domestic image of her kitchen counter after her husband and son retired for the evening. She’s no longer married, for one. And it’s been so long since she made a significant sale that she can no longer afford the upscale Manhattan apartment that contains the kitchen immortalized in that famous picture.

Rachel Joyce’s masterful second novel, Perfect, explores how one event can unravel a life. Byron Hemmings is an ordinary British schoolboy in 1972. He’s not the most sociable child, but Byron has a best friend in James Lowe. Like many adolescents, he’s got a curious mind. And so, when James reads in a newspaper that two seconds will be added to time, Byron becomes fixated on how, when and what the ramifications might be.

And then one morning, as his mother drives him and his sister to school, Byron sees his watch pause. In those two seconds everything changes for Byron.

Byron has witnessed an accident that no one around him, including his mother Diana, seems to have noticed. After careful deliberation, Byron mentions the accident to his mother and releases himself from the torment of carrying the secret—only to pass that torment, and then some, along to her.

Byron’s story is juxtaposed, often in alternating chapters, with the present-day experiences of a man named Jim, a former psychiatric patient who has been forced to make his way in the world after his residential facility closes. His obsessive-compulsive disorder and an unwillingness to discuss his past make it hard for some people to understand him.

It isn’t immediately clear what ties the story of an 11-year-old boy to the parallel narrative of a 55-year-old former psychiatric patient, other than geography. But as their stories unfold, they begin to intertwine in surprising, heartbreaking ways. Thanks to Joyce’s skilled character development and storytelling, readers will find it easy to lose themselves in this emotional tale.

Rachel Joyce’s masterful second novel, Perfect, explores how one event can unravel a life. Byron Hemmings is an ordinary British schoolboy in 1972. He’s not the most sociable child, but Byron has a best friend in James Lowe. Like many adolescents, he’s got a curious…

Whatever form it takes, water is rarely still. It flows in a river, waves with the wind and ripples when its surface is broken. In his latest novel, We Are Water, best-selling author and masterful storyteller Wally Lamb (She’s Come Undone, I Know This Much Is True) uses the Oh family to illustrate how ever-changing relationships can be.

After 27 years of a mostly successful marriage, artist Annie Oh has left her husband, Dr. Orion Oh, for her female art dealer, Viveca. As the women’s wedding draws near, Orion and Annie’s three children are left to confront their feelings about their mother’s change of heart as well as their complicated familial history.

Andrew’s career has carried him from Connecticut to Fort Hood, Texas, where he found Jesus and a conservative Christian fiancée. His twin, Ariane, has been unlucky in love but is content in her work, running a San Francisco soup kitchen. Younger sister Marissa is pursuing work as a New York City actress, juggling bartending work with casting calls as she strives for success. Their father is adrift, trying to figure out his next move after a scandal causes him to resign from his university psychologist job.

When the Ohs’ children return home for their mother’s wedding, longtime hurts and frustrations come to a head. Orion speaks for them all when he reflects on the parallels between water and people: “We are like water, aren’t we? We can be fluid, flexible when we have to be. But strong and destructive, too.” And that’s the message Lamb leaves the reader with in the gentle ebb and flow of this book: Relationships may bend, but they don’t have to break.

Whatever form it takes, water is rarely still. It flows in a river, waves with the wind and ripples when its surface is broken. In his latest novel, We Are Water, best-selling author and masterful storyteller Wally Lamb (She’s Come Undone, I Know This Much…

Before Eat, Pray, Love was an international sensation and a Julia Roberts flick; before Committed was a number-one bestseller; before she was a household name (at least in the literary world), Elizabeth Gilbert was a respected novelist and journalist. Now, it’s next to impossible to discuss her work without mentioning the acclaim that has followed.

But with The Signature of All Things, it’s easy to forget the persona behind the work and focus on a compelling story, impeccably told—which is just what Gilbert has written all along. Curiosity and name recognition may lead many to pick up this novel, but it’s Gilbert’s engaging, thoroughly researched prose that will carry readers through the 500-plus pages of this sprawling story, which covers a century and much of the globe, including Amsterdam, London, Tahiti and Peru.

Henry Whittaker isn’t born with much, save for wits. But the wily botanist applies those smarts to develop a business and relationships that make him one of the wealthiest men in his adopted home of Philadelphia. So when his daughter Alma comes along in 1800, she inherits her parents’ brains, her father’s love for botany and all the advantages he never knew.

The family wealth allows Alma the freedom to indulge her curiosity about the natural world without worrying about translating that interest to profit—or about settling into marriage. Alma becomes enthralled by botany—in particular bryology, the study of moss.

“Mosses hold their beauty in elegant reserve. By comparison to mosses, everything else in the botanical world can seem so blunt and obvious,” Alma says by way of explaining her fascination. Those words could just as easily be used to describe Gilbert’s unconventional heroine; Alma is so cerebral that her gifts are rarely apparent to the untrained eye, and she struggles to connect with anyone besides her parents.

In The Signature of All Things, Gilbert turns her finely trained storytelling skills toward the whole of Alma’s life, examining the history, quirks and quiet moments that make up a person’s being, even as she traces the trajectory of a century and examines larger themes, like faith vs. science. The attention to detail and imagination Gilbert exhibits in this old-fashioned epic prove that her acclaim is truly deserved.

ALSO IN BOOKPAGE: Read a Q&A with Elizabeth Gilbert for The Signature of All Things.

Before Eat, Pray, Love was an international sensation and a Julia Roberts flick; before Committed was a number-one bestseller; before she was a household name (at least in the literary world), Elizabeth Gilbert was a respected novelist and journalist. Now, it’s next to…

Falls, North Carolina, is a mythical, mystical place. On the surface, it seems to be a charming town filled with the sort of “aw shucks” folks you would expect to populate a remote Southern area. But dive in deeper and you’ll find a complex web of lives and relationships.

Allan Gurganus returns to this setting, which he established in his 1989 bestseller The Oldest Living Confederate Widow Tells All, in Local Souls, a collection of three linked novellas. Though the characters’ paths may lead them away from Falls, they all circle back eventually.

In “Fear Not,” a teenage girl earns herself a long-lasting moniker when she bellows out a single line in the town Christmas pageant. The name sticks with her as she witnesses her father’s horrific death and as she sorts through the emotions (or, sometimes, lack thereof) that follow.

The second tale, “Saints Have Mothers,” again revolves around fascination with a teen girl. Caitlin is beloved by all in Falls. When she goes missing, the town falls apart—but her doting mother at last finds herself the center of attention. “Decoy” draws parallels between the lives and upbringing of two of Falls’ upstanding men—and there’s more than a competitive spirit at work.

These stories are often dark, but they’re rendered with a light hand. Gurganus ably brings out the joy and absurdity in all manner of life’s twists and turns.

Falls, North Carolina, is a mythical, mystical place. On the surface, it seems to be a charming town filled with the sort of “aw shucks” folks you would expect to populate a remote Southern area. But dive in deeper and you’ll find a complex web…

Sightseers once ventured deep into the Blue Ridge Mountains to gaze upon Moonrise, a house that seemed to spring from its lush gardens. But since the death of Emmet Justice’s first wife, Rosalyn, not quite a year ago, her family estate has fallen into disrepair. It’s not a place Emmet wants to visit, but his second wife, Helen—who has been obsessed with Moonrise since first hearing about it—insists.

And so the newlyweds travel from their South Florida home to Highlands, North Carolina, the mountain town where Emmet, Rosalyn and their close-knit group of friends had summered for years. Helen is immediately the odd woman out; although Emmet is crazy about his new bride, his friends—particularly the women—are skeptical. Kit and Tansy, Rosalyn’s best friends, are convinced that Helen has latched onto the handsome, wealthy TV journalist because of the lifestyle he offers, and they’re eager to make Emmet aware.

But the friends’ judgment is only one of Helen’s worries. Although she was determined to get to Moonrise, the home and the secrets it holds have left her questioning not only her insistence on visiting, but also Rosalyn’s untimely death. Rosalyn careened off a mountain road during a mysterious visit to the property. Does Emmet know more than he’s saying about his first wife’s death?

In Moonrise, the latest novel by best-selling author Cassandra King, the memories, if not the spirit, of Emmet’s late wife haunt all who knew her (and some who didn’t). Tempers flare in the summer heat, and the secrets in these mountains keep fires burning hot even on the coolest evenings. The characters and landscape will draw readers in as Helen tries to untangle the mysteries of this enchanting novel.

Sightseers once ventured deep into the Blue Ridge Mountains to gaze upon Moonrise, a house that seemed to spring from its lush gardens. But since the death of Emmet Justice’s first wife, Rosalyn, not quite a year ago, her family estate has fallen into disrepair.…

“Who’s going to love me?” Marie asks her brother Gabe in the hours after her first heartbreak. The girl has seen sad times already in her 1930s Brooklyn neighborhood: a girl who tumbles down a set of stairs to her death, a blind man left to umpire ball games for the neighborhood boys. But as her first love leaves her behind, Marie is confronted for the first time with the sorrow of an anonymous, unspectacular existence.

As Alice McDermott’s Someone skips across Marie’s life, the reader peers into such intimate moments as her first kiss, her first boyfriend, her first day working at a funeral home, the first time she meets her husband in the bedroom—moments that shape Marie into the woman she will become. The nonlinear story unfolds much like life itself: rambling in different directions, not always making it clear where you’re headed or why you’re along for the ride.

The Brooklyn neighborhood is nearly as much a character in Marie’s life as are its inhabitants. As a young woman, she refuses to even seek work outside of its boundaries. But as the neighborhood falls into disrepair, Gabe proves to be the child who is reluctant to leave.

McDermott is a three-time Pulitzer finalist and winner of a National Book Award. This, her first novel in seven years, is sure to be a welcome escape for those who have missed her lyrical voice and fine attention to detail. Marie and Gabe’s relationship echoes the closeness, contentiousness and theological discussions of the namesake siblings in J.D. Salinger’s Franny and Zooey. Much like those in that beloved novel, McDermott’s characters are more concerned with the daily, ordinary act of living. The result is a thoughtful, heartfelt tale that prompts the reader to take a closer look at his or her own days.

“Who’s going to love me?” Marie asks her brother Gabe in the hours after her first heartbreak. The girl has seen sad times already in her 1930s Brooklyn neighborhood: a girl who tumbles down a set of stairs to her death, a blind man left…

Dr. Robert Heller understands cats. And dogs. Heck, and snails—whatever animal you call your own, “Dr. Bob” can take care of it. In fact, his veterinary skills are so cherished that Dr. Bob is truly living his dream: He works in a small, New York City-based veterinary practice where his patients’ owners have come to trust him, reports to a vet whom he has long admired, writes an advice column in one of the city’s newspapers and has married a woman who is nearly too good to be true.

Just don’t turn to him with people problems. Those aren’t his forte. Maybe it’s because of Bob’s family—his brother Ted, for example, is driven by appearances and willing to step on anyone to get what he wants. It’s behavior that Bob’s parents enable. “In truth, most humans were complete ciphers to me,” Bob explains. “But I could pet the head of a horse, look into its eyes, and absolutely understand what he wanted, what was pulsing through that insanely strong body.”

After they’ve married, Bob’s wife Anna asks him why, of all the people out there, he decided to trust her. That’s a question Bob can’t quite answer; all he knows is that when he found her, he found a piece of himself.

But Bob can’t live his life in communication with only animals, and when tragedy strikes, he’s forced to cope with the consequences. Although Ask Bob appears at first to be a story about a man who understands animals at the expense of human relationships, it’s actually a story about family—human, feline, canine and otherwise. And as Bob explores the similarities between humans and animals, he realizes that familial relationships can affect who you become, but a person can also triumph over his or her past. In Ask Bob, author Peter Gethers (The Cat Who Went to Paris) has created a story with immense heart.

ALSO IN BOOKPAGE: Read a Q&A with Peter Gethers for Ask Bob.

Dr. Robert Heller understands cats. And dogs. Heck, and snails—whatever animal you call your own, “Dr. Bob” can take care of it. In fact, his veterinary skills are so cherished that Dr. Bob is truly living his dream: He works in a small, New York…

Love has many forms. It’s the bond between a parent and a child. It shows up in sibling relationships. It’s the connective tissue that unites sweethearts. It’s a lasting friendship.

And all too often, love is a complex web of emotion, commitment and uncertainty. That’s certainly the case for the characters in Ten Things I’ve Learnt About Love, a debut novel by Londoner Sarah Butler.

At nearly 30, Alice is the youngest of three daughters, and she has always felt as though her parents should have stopped with just two children. Her mother died in a car wreck en route to pick up 4-year-old Alice from ballet. Ever since, Alice thinks it has been difficult for her father to look at her. That paranoia has resulted in difficult relationships with him and her sisters. Alice has spent most of her adulthood as a globetrotting nomad.

Daniel is similarly adrift, wandering the streets of London in search of the daughter he never knew. Both of his parents have died, and the woman he loved was never his to begin with. Life has dealt him a difficult hand, leaving him homeless and, save for finding his child, without purpose. “You can’t miss someone you’ve never met. But I miss you,” he says to her.

As Butler shifts between—and eventually links—Alice’s and Daniel’s stories, the novel explores the intricacies of familial relationships and what an individual is willing to sacrifice to preserve the relationships and the people in his or her life. Combining detailed storytelling with character-revealing lists of 10 things her protagonists have learned to treasure, Butler establishes herself as a talent to watch.

Love has many forms. It’s the bond between a parent and a child. It shows up in sibling relationships. It’s the connective tissue that unites sweethearts. It’s a lasting friendship.

And all too often, love is a complex web of emotion, commitment and uncertainty. That’s…

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