Deborah Hopkinson

In August 1891, a young physician named Arthur Conan Doyle made an impulsive decision to travel to Berlin to attend a much-anticipated lecture on tuberculosis by the renowned scientist Robert Koch. The two men had much in common, as author Thomas Goetz points out in his fascinating new book, The Remedy: Robert Koch, Arthur Conan Doyle, and the Quest to Cure Tuberculosis. Ambitious and frustrated by the confines of small-town medical practice, both were part of the exciting landscape of late-19th-century breakthroughs in science and medicine. Tuberculosis, that ubiquitous scourge of 19th-century life, would play a major role in the lives of both men.

Koch had already found his path from obscurity to fame, beginning with his discovery of Bacillus anthracis in 1876. He then took on wound infections and developed scientific protocols for determining infectious agents. In 1882, firmly ensconced as the head of his own lab, he triumphantly discovered the bacteria that caused tuberculosis.

Koch would eventually be awarded the Nobel Prize for Medicine in 1905, five years before his death. Conan Doyle, whose first wife succumbed to tuberculosis, was equally driven and inspired by the process of discovery, though his path took him away from medicine and into the realm of literature.

Goetz weaves together a compelling narrative, chronicling the struggle to find the causes and cures for some of the most ferocious diseases that have stalked humans (and animals) through time: cholera, smallpox, anthrax and tuberculosis. In The Remedy we meet not just Koch and Doyle, but Louis Pasteur, whose public feud with Koch about anthrax helped to energize scientific breakthroughs in both men’s labs.

Perhaps most importantly, The Remedy reminds us of how far we have come, and how much we take for granted in modern medicine. Tuberculosis is still very much with us. Just as we thought we had bested the bacterium, multi-drug-resistant TB has emerged. As Goetz reminds us, in the end, “The bacteria precede us. They outnumber us. And they will outlast us.”

In August 1891, a young physician named Arthur Conan Doyle made an impulsive decision to travel to Berlin to attend a much-anticipated lecture on tuberculosis by the renowned scientist Robert Koch. The two men had much in common, as author Thomas Goetz points out in his fascinating new book, The Remedy: Robert Koch, Arthur Conan Doyle, and the Quest to Cure Tuberculosis.

Dreaming of April in Paris? In How Paris Became Paris: The Invention of the Modern City, astute cultural observer Joan DeJean argues that Paris has been a modern, alluring city far longer than we usually imagine. Although we tend to think of 19th-century Paris as the bustling epitome of “la vie moderne,” the roots of all we know and love about Paris today actually came into being in the 17th century.

While DeJean’s depth and scope of research are impressive, this fascinating portrait is anything but a dry history. Like its subject, DeJean’s biography of Paris emanates charm and wit. She builds her argument for the 17th-century origins of modern Paris piece by piece, unraveling the stories of how the city’s architectural elements helped to shape its urban landscape to make it “the capital of the universe.”

She begins with the oldest bridge in Paris—the Pont Neuf—which served as the 17th century’s equivalent to the Eiffel Tower (which wasn’t erected until 1889). Created by Henry IV as a center for his new capital, the Pont Neuf ushered in the concept of modern street life, including a sidewalk for promenading and street vendors.

DeJean unveils fascinating details about other aspects of the emerging city, covering the Place des Vosges, the enchanted oasis of Ile Saint-Louis and the city’s great boulevards and parks. What makes DeJean’s analysis so intriguing is her capacity to weave strands of history together. She shows, for example, how the freedom women achieved by walking along the Pont Neuf and the city’s boulevards translated into other areas of social discourse. With such rich context, How Paris Became Paris is more than a history: It’s the best kind of travel guidebook.

Dreaming of April in Paris? In How Paris Became Paris: The Invention of the Modern City, astute cultural observer Joan DeJean argues that Paris has been a modern, alluring city far longer than we usually imagine. Although we tend to think of 19th-century Paris as the bustling epitome of “la vie moderne,” the roots of all we know and love about Paris today actually came into being in the 17th century.

“Your father doesn’t have any enemies. He’s an accountant.” Daniel Pratzer’s mom couldn’t be more wrong about her mild-mannered, potbellied husband.

Mr. Pratzer’s secret past begins to unravel quite by accident. Struggling freshman Daniel has joined the chess club because . . . well, he isn’t great at sports. When two popular seniors invite him to participate in a father-son chess tournament, he laughs. After all, he’s just a beginner, and his father doesn’t even play. But the seniors have done some research: Morris W. Pratzer was ranked a grandmaster of chess.

Mr. Pratzer reluctantly agrees to attend the tournament, but as the weekend unfolds, Daniel starts to understand the complex reasons why his father left the game: Competitive chess almost killed him, and he has an enemy who understands the depth of his weaknesses.

Grandmaster is a page-turning read, full of authentic details that offer a fascinating glimpse into tournament chess. It’s also a compassionate look at the choices we make, and how difficult situations bring families closer in unexpected ways.

 

Deborah Hopkinson lives near Portland, Oregon. Her most recent book for young readers is The Great Trouble.

“Your father doesn’t have any enemies. He’s an accountant.” Daniel Pratzer’s mom couldn’t be more wrong about her mild-mannered, potbellied husband.

Madeline Landry’s role in life has always been made clear: As the eldest (and only) child in the leading gentry family in society, she must have a successful debut, marry and beget an heir. It doesn’t matter that Madeline wants a university education. Her father isn’t interested in her arguments that knowing business will make her a better owner of the Landry Park estate, that understanding science will allow her to appreciate her grandfather’s invention of the nuclear technology behind the Cherenkov lantern, or that appreciating history will give her insights into the Last War, when America lost all its land west of the Rockies to the Eastern Empire.

Madeline soon finds it almost impossible to change her father’s mind or the rules of this society where class is everything. At least her lot is better than that of a Rootless, who are condemned to poverty and early death after years of handling radioactive nuclear material in the lanterns that keep gentry homes bright. But all Madeline’s preconceptions about rules are about to be thrown into question when she meets and falls in love with a mysterious gentry boy named David Dana and gets involved in one of the most dangerous pastimes of this future America: revolution.

In Landry Park Bethany Hagen creates a fully realized dystopian setting that manages to weave together a believable nuclear future with costumes and customs reminiscent of “Downton Abbey.” Teens will be drawn to Madeline and her struggles to make sense of love, class, duty and ideals in a world where choices are never easy and actions have real consequences. In many ways, it’s a world not that different from ours.

Madeline Landry’s role in life has always been made clear: As the eldest (and only) child in the leading gentry family in society, she must have a successful debut, marry and beget an heir. It doesn’t matter that Madeline wants a university education. Her father isn’t interested in her arguments that knowing business will make her a better owner of the Landry Park estate, that understanding science will allow her to appreciate her grandfather’s invention of the nuclear technology behind the Cherenkov lantern, or that appreciating history will give her insights into the Last War, when America lost all its land west of the Rockies to the Eastern Empire.

Emma Lazar has laid claim to the title of “Emma the Good” for years. She has always been determined to be the perfect daughter to her widowed dad as he pursues his psychiatric career from city to city. Now a junior, Emma can think of nothing better than to land in sunny L.A and begin school at the prestigious Latimer Country Day. But something happens to Emma’s reliable moral compass from her first day in her new life: The more she seeks to make the transformation to the California girl of her dreams, the more she begins to lose her way.

The lies start almost immediately and soon become a way of life. Emma teams up with Siobhan, an intense, sophisticated and bored classmate who loves to skip class, party and flirt with increasingly risky behavior. Siobhan believes in pacts and lists, and she comes up with a list of experiences for Emma to check off before the infamous year-end Latimer Afterparty, guaranteed to put fear into a father’s heart: “Make out. Do shots. Get stoned. Climb out windows. Go to many many parties. Hook up. Hook up all the way. Finish and we go to Afterparty.”

But even as Emma crosses off the milestones on her list, and strays from the “Good Emma” of the past, she begins to gain confidence in setting her own course and making the decisions that are right for her. What she doesn’t anticipate is Siobhan’s violent reaction to what she perceives as Emma’s betrayal of their friendship pact.

Readers will root for Emma as she negotiates difficult choices and a first romance, and grapples with finding her moral compass. But in her heartbreaking portrayal of Siobhan, a young woman spinning out of control with no one able to catch her—not even her best friend—author Ann Redisch Stampler reminds us that losing a friendship can be just as painful as a failed romance.

Emma Lazar has laid claim to the title of “Emma the Good” for years. She has always been determined to be the perfect daughter to her widowed dad as he pursues his psychiatric career from city to city. Now a junior, Emma can think of…

During school vacation, Nell is sent to stay with her aunt Liv and her two little cousins (along with some chickens, ducks and Maggie the pig) at Lemon Cottage. On the day Nell arrives, a mysterious girl on a magnificent black and white horse nearly runs her down. The mystery girl also steals Nell’s prized possession: a mechanical music box with a carousel and 16 horses, made by her dad before he abandoned the family and ran off to the lights of Las Vegas.

According to Aunt Liv, the horse must be one of the 99 horses that used to live next door. But those horses are boarded elsewhere now and soon will be sold at auction.

Nell begins to form a tenuous friendship with the mystery girl, a runaway named Angel, and Belle, the beautiful horse Angel tries to keep and protect. While riding together on Belle in the moonlight, Angel tells Nell a magical tale of 100 horses. Is Angel spinning a fable or trying to reach out for help?

In A Hundred Horses, a lyrical story of friendship and community, author Sarah Lean has crafted a perfect story for young readers who love horses and magic.

During school vacation, Nell is sent to stay with her aunt Liv and her two little cousins (along with some chickens, ducks and Maggie the pig) at Lemon Cottage. On the day Nell arrives, a mysterious girl on a magnificent black and white horse nearly…

Will you forgive me if I tell you the ending? There’s a girl . . .”

So begins Karen Foxlee’s new young adult novel, a web of prose as lush and mysterious as the story’s Australian setting. Fifteen-year-old Rose Lovell and her alcoholic father drift into a trailer park in the beach town of Leonora. Moving to a new place is something they’ve done many times before, so Rose doesn’t expect anything to be different. Then she meets Pearl Kelly, who almost immediately begins to wear her down with unexpected kindness.

Dynamic and irresistible, Pearl sweeps Rose into her plans for the Harvest Parade, where all the girls wear beautiful dresses at the town’s celebration of the sugar cane harvest. At first Rose can’t imagine taking part. “Rose Lovell does not wear dresses. Rose Lovell does not need friends. Yet all she can smell, even with the huge sky and the evening storm clouds brewing, is coconut oil and frangipani.”

Unable to afford a dress, Rose visits the old dressmaker, Edie Baker, who is rumored to be a “dabbler in the dark arts.”  Here she falls in love with a dress, the color of midnight blue, which, under Edie’s tutelage, is painstakingly taken apart and made anew. On the night of the parade, Edie gives Rose some blue slippers, and Rose, transformed, decides, “I am someone else.”

In the end, though, this is no Cinderella tale. With rich, evocative language, Foxlee threads together a complex tale of friendship, murder and betrayal. The Midnight Dress is compelling, heartbreaking and, most of all, impossible to put down.

Will you forgive me if I tell you the ending? There’s a girl . . .”

So begins Karen Foxlee’s new young adult novel, a web of prose as lush and mysterious as the story’s Australian setting. Fifteen-year-old Rose Lovell and her alcoholic father drift into…

Victoria McKernan’s The Devil’s Paintbox told the gripping tale of 16-year-old Aiden Lynch and his struggle to survive in the post-Civil War Pacific Northwest. The sequel, Son of Fortune, carries the young hero into new territory.

Fleeing Seattle after a vicious encounter that left his opponent dead, Aiden earns passage to San Francisco by caring for polar bears bound for a zoo. Aiden then lands a job as a tutor, but adventure is always right around the corner. With a ship won in a card game, he is soon heading to an island off the coast of Peru, from where guano is exported to the U.S. as highly prized fertilizer.

On his ship, Aiden finds himself part of a complex web of relationships, as the competing ship owners vie for the favor of the island’s manager and while away the days until their ships can be loaded. But as each day goes by, Aiden’s horror increases as he learns more about the Chinese laborers and the appalling mining conditions on the island.

Using her prodigious research skills, McKernan paints a vivid picture of 19th-century life without shying away from complex subjects like race relations. Readers will find Aiden to be an engaging hero, struggling to make sense of the world and to find a code to live by.

Victoria McKernan’s The Devil’s Paintbox told the gripping tale of 16-year-old Aiden Lynch and his struggle to survive in the post-Civil War Pacific Northwest. The sequel, Son of Fortune, carries the young hero into new territory.

Fleeing Seattle after a vicious encounter that left his…

Step into any bookstore and you’ll likely see adults of all ages perusing the YA shelves. It’s not just fantasy or dystopian novels that attract this wider audience but the work of a number of incredibly talented contemporary authors. Among them is Trish Doller, whose 2012 debut novel, Something Like Normal, received numerous accolades. Doller’s new book, Where the Stars Still Shine, is an engaging, compulsive read and a thought-provoking look at a family under duress.

Callie has been on the run with her mother for 12 years. After her mother’s marriage fell apart and she kidnapped young Callie, both became survivors. Callie’s idea of “normal” includes hanging out in a Laundromat when her mother has men over, never going to school, avoiding her mother’s friends who might abuse her, pursuing casual sexual encounters and leaving one nameless town for another at a moment’s notice. All that ends when her mother is stopped for a missing taillight and is arrested.

The next day, Callie is claimed by her father and flies with him to Florida, where she suddenly finds herself thrown into a new family with a father she barely remembers, a stepmother and two younger half-brothers. Family life in close-knit Tarpon Springs, especially in the extended Greek community, comes with rules, responsibilities and expectations (like letting your dad know if you stay out until all hours). All this is a difficult adjustment for Callie, who is used to fending for herself. She also finds that forging real friendships and romantic relationships presents challenges—and rewards—she never dreamed of in her previous nomadic life.

Callie is a complex, fully drawn character struggling to make sense of who she is when everything she has learned about the world is turned upside-down. Where the Stars Still Shine is a compelling coming-of-age story and a portrait of an extended family seeking to move forward and heal. Remember Trish Doller’s name the next time you’re looking for something simply marvelous to read.

Step into any bookstore and you’ll likely see adults of all ages perusing the YA shelves. It’s not just fantasy or dystopian novels that attract this wider audience but the work of a number of incredibly talented contemporary authors. Among them is Trish Doller, whose…

Classic detective literature meets vampires and steampunk London in Colleen Gleason’s new Stoker and Holmes series, featuring budding detectives Mina Holmes (Sherlock’s niece) and Evaline Stoker (Bram’s half-sister). With love interests, time travel and murder, The Clockwork Scarab has all the elements of a must-read not just for teens but for anybody who loves any of these genres.

Mina and Evaline begin as somewhat prickly, reluctant partners, brought together by a summons to the British Museum at midnight. Their partnership is forged by the formidable Irene Adler—yes, “the woman” from the Holmes story, “A Scandal in Bohemia.” Miss Adler, working for the British Museum under royal command, calls for Mina and Evaline to place themselves at service to the Crown and help solve the mystery of why the daughters of London society are disappearing.

Murder, of course, is in the wings. Quite close, in fact. In the very midst of their briefing, the three discover the body of a young woman in the halls of the Museum. Standing over her, knife in hand, is a handsome young man dressed rather strangely. As Mina will soon discover, he is wearing the telltale footwear of any self-respecting 21st-century time traveler, “decorated with an odd swoop-like design on the sides.”

And so the fun begins. Told in alternating points of view by Mina and Evaline, The Clockwork Scarab is an exciting YA debut for Colleen Gleason, who is best known for her adult paranormal romance series. The novel is sure to be crowd-pleasing, and an Educator Guide linking the book to the new Common Core Standards is also available.

Classic detective literature meets vampires and steampunk London in Colleen Gleason’s new Stoker and Holmes series, featuring budding detectives Mina Holmes (Sherlock’s niece) and Evaline Stoker (Bram’s half-sister). With love interests, time travel and murder, The Clockwork Scarab has all the elements of a must-read…

One day, a young couple named Marta and John find a boy asleep in an old chair on their front porch. His arrival is as mysterious as can be. They didn’t hear anyone come down the dirt road to their small farm, and the boy, who looks to be about 6, doesn’t speak. There’s just one clue. Tucked in his pocket is a scribbled note that reads:

Plees taik kair of Jacob. . . . Wil be bak wen we can.”

And so they do. Marta accepts the boy’s presence immediately, while John comes slowly to his new role. “I don’t know about all this,” he admits to his wife the first day, not unlike any new father.

But as the days and weeks unfold, Marta and John discover that although he still doesn’t say a word, Jacob likes jelly beans, loves to drum on any available surface, and is happy to play with their dog, Beagle, and the family cow. Most of all, he is an amazingly eager and accomplished artist, creating whimsical and fantastical scenes, and also a landscape filled with blue trees and red paths and purple animals. Could it be a clue to where he came from?

Although the couple knows that the young boy can never be theirs, when the day comes for him to leave, Marta and John are left with an aching hole to fill. Readers of all ages will be eager to see what they choose to do next, and will wait, as they do, to see if the boy on the porch ever returns.

Sharon Creech’s lovely, lyrical story is accessible to young readers and at the same time will be treasured by adults who know that what our children give us is always far greater than what we provide in return.

One day, a young couple named Marta and John find a boy asleep in an old chair on their front porch. His arrival is as mysterious as can be. They didn’t hear anyone come down the dirt road to their small farm, and the boy,…

Readers have come to expect the unexpected from David Almond, the acclaimed winner of the 2010 Hans Christian Andersen Award. His latest book—the story of a boy whose uncle turns their home into a fish factory—is no exception.

Stanley Potts is happy enough to live with his Uncle Ernie and Aunt Annie after his parents die, that is, until Uncle Ernie begins making more and more machines for his fish canning operation. There are “machines for chopping the heads off, cutting the tails off, getting the guts out; machines for cleaning them and boiling them.” (Not to mention machines for squashing them into cans.) The machines not only take over their house, but their lives. Forget school. Stan must be up at 6 a.m. each day to start work.

Even then, things aren’t so bad until the day Uncle Ernie’s fish obsession crosses the line, and he takes from Stan something bright and precious and scaly (to say more would spoil the suspense). Stan has no choice: he runs away, determined to join the circus, or in this case, the local fair. He signs on to help Mr. Wilfred Dostoyevsky, who runs the Hook-a-duck game with his daughter, Natasha.

Stan’s new life is full of adventure, peril and, as he soon comes to find out, teeth. For Stanley Potts is destined to discover his true destiny: swimming with deadly piranhas.

Will Stanley survive? Will Uncle Ernie see the error of his ways?

To learn the answer, we may just have to consult the fair’s fortune teller, Gypsy Rose. With its quirky humor, fantastical plot and delightful illustrations by Oliver Jeffers, The Boy Who Swam with Piranhas is a perfect book for end-of-summer reading—and a reminder that maybe going to school won’t be as bad as canning fish or swimming with piranhas.

Deborah Hopkinson has written many acclaimed books for children, including The Great Trouble, a novel about London's deadly cholera epidemic, to be published in September.

Readers have come to expect the unexpected from David Almond, the acclaimed winner of the 2010 Hans Christian Andersen Award. His latest book—the story of a boy whose uncle turns their home into a fish factory—is no exception.

Stanley Potts is happy enough to live…

Elizabeth Wein’s previous WWII novel, Code Name Verity—which garnered multiple awards, including a 2013 Michael L. Printz Honor—is a singular reading experience. The story of Verity, a spy caught behind enemy lines, is intense, suspenseful and authentic. In this companion novel, Wein revisits the topic of women pilots in the war, and readers who loved Code Name Verity won’t be disappointed: Rose Under Fire is equally good. It might even be better.

Eighteen-year-old American pilot and amateur poet Rose Justice has pulled some strings to land a spot with Great Britain’s Air Transport Auxiliary (ATA). As the daughter of a flight school director, she has been flying since she was 12, and after three months with ATA, she can deliver new and repaired Spitfire fighter planes to airfields without batting an eyelash. But even Rose is surprised to learn that the death of a fellow ATA pilot might have been the result of an attempt to “tip” or ram a German V-1 flying bomb out of the sky. However, when given the chance, she can’t resist trying the same thing—an incident with disastrous consequences. Rose is captured in enemy territory and imprisoned in Ravensbrück, a Nazi concentration camp for women that holds many political prisoners and “Rabbits,” victims of heinous medical experiments.

Although the harrowing story of what happens to Rose and the other Ravensbrück women is fictionalized, Wein says in her author’s note, “I didn’t make up Ravensbrück. I didn’t make up anything about Ravensbrück.” But we, as readers, already sense this. It is impossible to read Wein and not understand that paying witness to the truth is essential to what she does.

Wein, an avid flyer herself, is a powerful, compelling storyteller whose work, like that of Suzanne Collins, will no doubt fly off the young adult shelves and find an eager general audience. As we near the 75th anniversary of the start of World War II in 2014, the timing couldn’t be better to remind ourselves that there are still hard aspects left to tell and to learn.

Elizabeth Wein’s previous WWII novel, Code Name Verity—which garnered multiple awards, including a 2013 Michael L. Printz Honor—is a singular reading experience. The story of Verity, a spy caught behind enemy lines, is intense, suspenseful and authentic. In this companion novel, Wein revisits the…

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