Deborah Hopkinson

NonfictionMemoir

Half Broke

Review by Deborah Hopkinson

In the author’s note of this fascinating memoir, Ginger Gaffney lets readers know exactly what’s to come. The dialogue is drawn from memory, and yes, she’s made some character composites of the more than 50 residents at the alternative prison ranch where she volunteered during the year and a half the book covers. But some of the most compelling characters here don’t speak in words: They are horses. And in Gaffney’s book, they come alive.

Gaffney has been a horse trainer for more than 20 years. In 2013, she was called to help with a small herd of aggressive horses at an alternative prison ranch near where she lives in New Mexico. In Half Broke, Gaffney alternates reports of her visits to the ranch with flashbacks about her own circuitous path to fulfillment and success.

The ranch’s residents are former addicts and felons; few have any knowledge of livestock. Gaffney focuses on healing—for both humans and horses—and recounts in vivid prose many of their successes. A wary mare named Luna with a dangerous injury finally lets the team close enough to treat her. The inmates slowly gain confidence, and we cheer when troubled Eliza blossoms, or when Randy is motivated to lose enough weight to be able to ride.

Things don’t always go smoothly, and Gaffney doesn’t shy away from setbacks when trouble strikes. But the horses never disappoint—whether it’s loyal Moo, spirited Rootbeer or damaged Luna, willing to trust and give humans another chance. Let’s hope there are more horse stories to come from Gaffney’s talented pen.

In the author’s note of this fascinating memoir, Ginger Gaffney lets readers know exactly what’s to come. The dialogue is drawn from memory, and yes, she’s made some character composites of the more than 50 residents at the alternative prison ranch where she volunteered during the…

Children's & YAPicture Book

Story Boat

Review by Deborah Hopkinson

Story Boat begins very simply, with the words, “Here we are.” An unnamed young girl and her little brother have been forced to leave their home in search of safety. They travel with a group of refugees through rain and cold, in a landscape that is sometimes somber, other times hopeful. As the group journeys from place to place, “here” constantly changes. The young girl attempts to explain and comfort her little brother by pointing out what doesn’t change: the cups they hold, the blanket that keeps them cozy, a bright lamp, a flower and, of course, the stories they tell and the pictures they draw. Both solid and magical, these elements help sustain the children until their arrival in a new, promising here—a new home.

Acclaimed illustrator Rashin Kheiriyeh employs grays, blues and varyingly soft and fiery shades of coral to create their world as well as their flights of fancy. Her images have a timeless, folktale quality that illuminates Maclear’s prose, which meditates poetically on the meanings of here and home and explores the power of imagination and empathy. Luminous and thought-provoking, Story Boat contains deep layers of meaning that are sure to spark conversations from young readers.

Story Boat begins very simply, with the words, “Here we are.” An unnamed young girl and her little brother have been forced to leave their home in search of safety. They travel with a group of refugees through rain and cold, in a landscape that…

Children's & YAMiddle Grade

I, Cosmo

Review by Deborah Hopkinson

“I have always wanted to write a book from a dog’s perspective, because dogs have always been my closest friends,” writes author Carlie Sorosiak about I, Cosmo, her heartfelt new novel about a year in the life of a golden retriever named Cosmo and his family. 

As the story opens, the family prepares for Halloween, Cosmo’s least favorite holiday. Not only does Halloween involve a lot of chocolate, which he’s not allowed to eat, but Cosmo is also at the mercy of little Emmeline, who wants Cosmo to go dressed as a turtle this year. Says Cosmo, “I do not want to be a turtle.”

But 13-year-old Cosmo’s unhappiness runs deeper than being forced into an uncomfortable, embarrassing costume. His boy, Max, is sad. Sometimes Cosmo hears raised voices, family dance nights are no more, and the word “divorce” is in the air. The greatest worry of all is that Max and Cosmo might be separated.

Can dance bring the family together again? When Uncle Reggio, a canine specialist, returns from a tour of duty in Afghanistan, he takes Cosmo and Max to a special dance club for dogs. There, Cosmo discovers a love for his new movements as he and Max train for a competition. Although it becomes clear that dancing will not fix Max’s parents’ marriage, by the time Halloween rolls around again, both boy and dog have come to accept that even when families change, love remains.

The inclusion of Max’s Uncle Reggio, an African American veteran, brings depth to Sorosiak’s story. Uncle Reggio clearly senses Max’s anxieties and intercedes in a positive fashion, becoming a guide and role model. When Max and Cosmo falter on the dance floor, he’s there with sage advice: “Don’t focus on anyone else but you, though. The best that you can do is more than enough.” As for the dog-dancing competition: Yes, dog freestyle dancing is apparently really a thing!

With Cosmo serving as a humorous and lovable narrator, I, Cosmo’s sensitive handling of divorce in a biracial family will appeal to readers who enjoy realistic fiction and, of course, anyone who loves stories about very good dogs. 

“I have always wanted to write a book from a dog’s perspective, because dogs have always been my closest friends,” writes author Carlie Sorosiak about I, Cosmo, her heartfelt new novel about a year in the life of a golden retriever named Cosmo and his family. 

…
NonfictionChildren's & YA

Infinite Hope

Review by Deborah Hopkinson

At 96 years old, Ashley Bryan has published numerous books for young readers, including the Newbery Honor book Freedom Over Me. Infinite Hope is the extraordinary memoir of this hugely beloved figure in children’s literature. Like many veterans, Bryan has never talked about his military service, so his story may take people by surprise.

When his draft notice arrived in 1943, Bryan was a 19-year-old art student who was already familiar with prejudice. One art school interviewer told him his portfolio was the best the school had seen, but “it would be a waste to give a scholarship to a colored person.” With his teachers’ encouragement, Bryan was accepted to Cooper Union, which judged applicants blind. Even this did not prepare Bryan for what he would experience when he joined the Army. “As a Black soldier, I found myself facing unequal treatment in a war that Blacks hoped would lead our nation closer to its professed goal of equal treatment for all.”

Infinite Hope tells the story of Bryan’s journey as a stevedore in the 502nd Port Battalion through mixed media, with large photographs interspersed with sketches, paintings and excerpts from his diary and letters. The result is both an intimate portrait of Bryan himself and a rare insight into the African American experience of World War II and the invasion of Normandy, where Bryan worked nonstop on Omaha Beach unloading cargo in the months after D-Day. Later, while guarding German prisoners of war in France after the war’s end, Bryan realized the Germans were given more respect than black American soldiers. After arriving home in early 1946, Bryan locked his WWII drawings away and rarely spoke of his experiences.

Infinite Hope makes Bryan’s incredible artwork, created in the midst of war, available for the first time. It is a must-read for young people, parents, educators and anyone interested in World War II. Most of all, it is the work of an inspiring American who truly embodies infinite grace.

At 96 years old, Ashley Bryan has published numerous books for young readers, including the Newbery Honor book Freedom Over Me. Infinite Hope is the extraordinary memoir of this hugely beloved figure in children’s literature. Like many veterans, Bryan has never talked about his…

YA FictionYA

Where the World Ends

Review by Deborah Hopkinson

A harrowing story of survival based on an actual 18th-century event is brought to life by British author Geraldine McCaughrean, winner of the Michael L. Printz Award for The White Darkness. As in that book, which was set in Antarctica, Where the World Ends takes place in a harsh, unfamiliar landscape: the St. Kilda archipelago, a cluster of islands northwest of Scotland.

The novel follows nine boys and three men who are taken, by boat, from their village and dropped off on Warrior Stac, “a rock whale pitching its whole bulk into the sky, covered in barnacles, aiming to swallow the moon,” where they will hunt birds for several weeks before being picked up and returned to the village.

Quill has been fowling on the stac before. Although he usually enjoys the challenge of hunting, this year, as the boat leaves, he strains to catch a glimpse of Murdina, the girl with whom he has fallen in love.

Hunting birds on the cliffs is treacherous. Quill and his friends are tested from the very beginning, but then the unthinkable happens: The boat does not return for them. Weeks go by, then months. One boy has a vision that their loved ones have all gone up to heaven, while they have been overlooked, left behind on the rock.

The seasons change, the birds leave their cliff nests, and each day is fraught with peril as the members of the party struggle to stay alive and sane. There are surprises and tragedies, and while all the characters are tested (the adults fail miserably), it is Quill’s trials that will keep readers riveted. Although no one in this book escapes sorrow and heartbreak, the story ends with a glimmer of hope.

McCaughrean’s storytelling is as dramatic and harsh as the island landscape. She includes a helpful glossary, a historical note and sketches of the marvelous seabirds that appear in the book. Already a classic in the U.K., where it won the prestigious Carnegie Medal, Where the World Ends is a stunning literary achievement.

ALSO IN BOOKPAGE: Go behind the book with Where the World Ends author Geraldine McCaughrean.

A harrowing story of survival based on an actual 18th-century event is brought to life by British author Geraldine McCaughrean, winner of the Michael L. Printz Award for The White Darkness. As in that book, which was set in Antarctica, Where the World Ends takes place…

NonfictionWomen's HistoryHistory

The Season

Review by Deborah Hopkinson

When she was 17, Kristen Richardson was invited to become a debutante. The prospect of being on display held no interest for her, but as Richardson attended the ritualized “coming-out” parties of friends, she became fascinated by the enduring upper-class ritual, which has been largely overlooked by historians. In The Season: A Social History of the Debutante, Richardson argues that if we dismiss such traditions, “we miss a key part of women’s history, and of the history of marriage as well.”

Readers of Jane Austen and Regency romances are, of course, familiar with the role that “the season” played in early 19th-century England. For middle-class families with marriageable daughters, a season involved considerable preparation, expense and sacrifice: renting a house in London, scrambling for acceptance at Almack’s assembly rooms, getting a suitable wardrobe. And there was always the pressure on debutantes to make a “successful” marriage. 

What makes Richardson’s account of debutante rituals so fascinating is her exploration of how the practice was exported to the United States, with dancing masters in demand in cities like Charleston and Philadelphia in the 1740s. Blending research and vignettes, she expertly traces the practice through old New York, the antebellum South and into the Gilded Age, when girls outside the tightknit structure of New York society went abroad to seek a husband or a title. (Think Cora, the Countess of Grantham, in “Downton Abbey.”) 

Richardson brings her chronology up to modern times, revealing how presentations, sometimes organized by closed secret societies, continue in cities like Charleston, New Orleans, St. Louis and San Antonio. There’s even an explosion of debutantes in China and Russia. One chapter explores African American debutantes and social clubs, where events have often included a charitable aspect with a focus on community service and education. 

The debutante ball, it turns out, isn’t a thing of the past at all. Sometimes young women use it to create a persona or promote a personal brand. But as Richardson reminds us in this engaging and thought-provoking history, the use of daughters to cement power and wealth is very hard to give up. 

When she was 17, Kristen Richardson was invited to become a debutante. The prospect of being on display held no interest for her, but as Richardson attended the ritualized “coming-out” parties of friends, she became fascinated by the enduring upper-class ritual, which has been largely…

NonfictionMemoir

Running With Sherman

Review by Deborah Hopkinson

“Look, the most humane thing might be to put him down now.” That was the hoof expert’s verdict after one look at the traumatized, mistreated donkey Christopher McDougall and his family had just taken in. The donkey, which they named Sherman, had been rescued from a hoarder’s farm in Lancaster County, Pennsylvania. 

Since relocating from the city, McDougall and his wife, Mika, had tried their hands at keeping chickens, a stray cat and a phone-book-munching goat named Lawrence. But an ailing donkey was a whole different story. And what a story Sherman turned out to be. 

McDougall, author of Born to Run, believes that “movement is big medicine.” And if movement-as-medicine works for people, why wouldn’t it work for a donkey? So McDougall concocts the idea of training Sherman to run in a world championship burro race in Colorado. With help from family and neighbors, including a young man named Zeke who’s been struggling with depression, “Team Sherman” sets out to fulfill a quest of healing.

Running With Sherman includes some wonderful photos of the endearing Sherman and his clan. And while you may not decide to take up burro racing yourself, McDougall’s inspiring story is not to be missed.

“Look, the most humane thing might be to put him down now.” That was the hoof expert’s verdict after one look at the traumatized, mistreated donkey Christopher McDougall and his family had just taken in. The donkey, which they named Sherman, had been rescued from…

YA FictionYAHistorical Fiction

The Fountains of Silence

Review by Deborah Hopkinson

In her stunning new novel, New York Times bestselling author Ruta Sepetys, author of Salt to the Sea and Between Shades of Gray, turns her attention to a period rarely (if ever) covered in American young adult literature: 1950s Spain under the rule of Francisco Franco.

The first part of The Fountains of Silence takes place in Madrid in 1957, as Sepetys follows four young people who are all trying to set the course for their futures through alternating chapters narrated in third person. Rafa must deal with blood every day in his job at a slaughterhouse, but blood is a part of his past as well. He is tormented by the memory of his father’s murder—which he and his sisters, Julia and Ana, witnessed firsthand—at the hands of “the Crows,” Franco’s guards.

Ana, Rafa’s sister, is now a maid in a hotel and dreams of leaving Spain. She is drawn to a guest at the hotel named Daniel, a young white man from Texas. Daniel wants to be a photojournalist, a dream his father, a Texas oilman, is sure Daniel will outgrow. The fourth and final character, Puri, works with babies at a Madrid orphanage—some of whom may have been stolen from their parents.

The novel depicts these characters’ lives, loves and often-difficult decisions as their paths intertwine. The second part of the book revisits all four characters nearly two decades later, when Daniel returns to Madrid after Franco’s death on November 20, 1975, and discovers a shocking secret.

In an author’s note, Sepetys traces her interest in Spain to a trip she took while on a book tour, where she met readers fascinated by the past—a past that was often both hidden and painful. “I discovered that Spain is a classroom for the human spirit,” she writes. A 2011 article about the Spanish Civil War and its aftermath drew her further into the country’s history. (For readers interested in learning more, the novel includes a substantial bibliography as well as a glossary.)

With The Fountains of Silence, Sepetys has once again written gripping historical fiction with great crossover appeal to adult readers, combining impeccable research with sweeping storytelling.

 

ALSO IN BOOKPAGE: Read Ruta Sepetys’ Behind the Book essay about The Fountains of Silence.

In her stunning new novel, New York Times bestselling author Ruta Sepetys, author of Salt to the Sea and Between Shades of Gray, turns her attention to a period rarely (if ever) covered in American young adult literature: 1950s Spain under the rule…

NonfictionPolitics

Antisocial

Review by Deborah Hopkinson

“To change how we talk is to change who we are,” notes Andrew Marantz toward the end of Antisocial, his breathtaking, page-turning foray into the clash between Silicon Valley entrepreneurs and online extremists. He continues, “More and more every day, how we talk is a function of how we talk on the internet.”

A staff writer for The New Yorker and contributor to “Radiolab” and “The New Yorker Radio Hour,” Marantz spent three years immersed in two different worlds. Rather like a war correspondent, he focused on both the new social media tycoons and a variety of online extremists.

And while the title might lead you to expect a dense, academic treatment, Marantz’s narrative is like going along for the ride in a foreign landscape, bouncing into the unknown on a bumpy road. The book begins, for instance, with a lively, rather humorous foray into the 2017 DeploraBall, a party in Washington, D.C., for, as one participant told Marantz, “all the big names from MAGA Twitter.”

Marantz has a keen eye for character, and Antisocial sometimes reads like a novel about people with oversize personalities. But his intentions are serious, and ultimately Antisocial is an insightful look at two powerful forces shaping American society. There are the social media entrepreneurs motivated by a vision of the internet bringing people closer together and toppling traditional media gatekeepers and outlets. And, often in direct opposition to that vision, there are extremists, conspiracy theorists, white supremacists and neo-Nazis.

Traveling with Marantz is indeed a dizzying and often disturbing ride. Depending on what readers know about social media, the characters Marantz encounters may or may not be familiar names. But some of the ideas and positions they espouse are increasingly impossible to ignore.

Whether you use social media or not, Antisocial is an important look at groups that are molding the nation. “We like to assume that the arc of history will bend inexorably toward justice,” Marantz notes in his prologue, “but this is wishful thinking.”

“To change how we talk is to change who we are,” notes Andrew Marantz toward the end of Antisocial, his breathtaking, page-turning foray into the clash between Silicon Valley entrepreneurs and online extremists. He continues, “More and more every day, how we talk is a…

NonfictionHistory

Crusaders

Review by Deborah Hopkinson

Dan Jones, author of The Templars, returns to dazzle readers with a fascinating look at the Crusades. And lest you hesitate because events that took place a thousand years ago appear irrelevant, rest assured: This is no dry, boring tome. Entering the world of Crusaders: The Epic History of the Wars for the Holy Lands is a bit like plunging into the political machinations of the fight for the Iron Throne of Westeros, only in this case all the players and events are real.

Like “Game of Thrones,” this epic tale is peopled with a large cast. Helpfully, Jones begins with a chart of major characters (17 pages’ worth). The book also boasts several maps, copious source notes, lists of major rulers in the appendix and, of course, an extensive bibliography. In other words, even neophytes will feel well armed to appreciate the journey.

And what a journey (or rather journeys) it is. The book is organized into three parts, with the first section devoted to the personalities and events that birthed the crusader movement from the 1060s forward; the second takes place in the 12th century and focuses on crusader states in Syria and Palestine; and the third covers the events that precipitated the Second and Third Crusades in 1144 and 1187.

Jones’ focus on human characters and his strength as a storyteller are what make Crusaders a success. Vivid descriptions and the use of primary source quotes help readers span the centuries. The book begins, for instance, with a colorful scene between a Norman count reacting to advice from his courtiers: “Count Roger of Sicily lifted his leg and farted. ‘By the truth of my religion,’ he exclaimed, ‘there is more use in that than in what you have to say!’ ”

In a thought-provoking epilogue, Jones brings his narrative into the present day. For while the Crusades are part of history, violent conflicts between Christians and Muslims continue to shadow the 21st century. “The Crusades are over,” Jones notes in a final thought. “But as long as there are crusaders—real or imaginary—in the world, the war goes on and on.”

Dan Jones, author of The Templars, returns to dazzle readers with a fascinating look at the Crusades. And lest you hesitate because events that took place a thousand years ago appear irrelevant, rest assured: This is no dry, boring tome. Entering the world of…

Children's & YAMiddle Grade

Oh, Rats!

Review by Deborah Hopkinson

Tor Seidler, acclaimed author of A Rat’s Tale, revisits the theme of community in this New York City adventure of a hapless squirrel named Phoenix.

Snatched from his wooded New Jersey home by a hawk named Walter, Phoenix is dropped onto the hot tar of a Manhattan construction site, where he escapes with his life but loses most of his fur—including his beautiful bushy tail. Phoenix has always despised the “naked worm-tail” of the rat, along with the creatures sporting them, but now finds himself forced to look anew at his prejudices. As the days pass, Phoenix comes to appreciate the highly organized community of wharf rats that comes together to nurse him back to health. There’s P. Pandora Pack-Rat, the wise matriarch healer, as well as the kind and friendly Lucy and her literary brother, the aptly named Beckett, who’s teaching himself to read (and write) from the various newspapers and past issues of The New Yorker the rats collect for winter heating.

Phoenix’s climbing abilities and Beckett’s communication skills come in handy when the community is threatened by a developer intent on demolishing the pier. Phoenix and his new friends hatch a daring protest and attempt to dismantle the nearby electric substation. Can the community be saved? Can it rally support among humans? And when the opportunity arises, will Phoenix return to his own kind or decide to make his home on the Hudson River?

While young readers will be enthralled by Phoenix’s adventures, which are enhanced by Gabriel Evans’ delightful illustrations, Oh, Rats!, also offers lots of opportunities for discussion about being part of a community and how neighbors come together in times of crisis.

Tor Seidler, acclaimed author of A Rat’s Tale, revisits the theme of community in this New York City adventure of a hapless squirrel named Phoenix.

Snatched from his wooded New Jersey home by a hawk named Walter, Phoenix is dropped onto the hot tar of…

Children's & YAMiddle Grade

Some Places More Than Others

Review by Deborah Hopkinson

A new book by Renée Watson, Newbery Honor and Coretta Scott King Award winner, is always a cause for celebration. In Some Places More Than Others, the Oregon-born Watson has penned a love letter to her adopted home of New York City where, in addition to writing, she serves as founder and executive director of I, Too, Arts Collective, a nonprofit dedicated to nurturing underrepresented voices in the creative arts.

Eleven-year-old Amara lives in Beaverton, Oregon, with her parents and a baby sister on the away. Amara is also eagerly anticipating her upcoming birthday and knows exactly what she wants: to accompany her father, a Nike executive, on a business trip to New York City. Amara wants to get to know her father’s family in Harlem. Her dad hasn’t talked to Grandpa Earl in 12 years, though he is close with his sister, Aunt Tracey. Amara has never even met her teenage cousins.

At first, Amara’s mother is against the trip, which isn’t the only point of tension between the two. Amara balks at the dresses her designer mom makes her wear. She’d much rather wear the new shoes her sports marketing dad can get. Her mother agrees to the trip when Amara begins a school assignment called the Suitcase Project, in which she must fill a suitcase with poems, objects and essays about her family. Amara’s mother also gives her a special task: to make sure that her dad and grandpa have some time alone to reconnect.

Amara’s first-hand discovery of black culture in Harlem is a revelation, as is the news that her father loved to write poetry in high school, something Grandpa Earl didn’t understand. Amara realizes that just as she is feeling pressure from her mother to be something she’s not, her own dad was pressured by Grandpa Earl to be someone he wasn’t. As Amara gets to know her family and the city, Watson expertly balances her heroine’s outward adventures with her inner exploration of identity, family heritage, black history and independence.

With an appealing narrator and a celebration of family and community, Some Places More Than Others is a story for all readers.

A new book by Renée Watson, Newbery Honor and Coretta Scott King Award winner, is always a cause for celebration. In Some Places More Than Others, the Oregon-born Watson has penned a love letter to her adopted home of New York City where, in addition…

Children's & YAPicture Book

You Are My Friend

Review by Deborah Hopkinson

Canadian author Aimee Reid and the incomparable illustrator Matt Phelan team up for an accessible introduction to the life of Fred Rogers for young readers. Although it is fictionalized, the book incorporates a factual biography of Rogers in the back, as well as notes from the author and illustrator and a select bibliography.

The story begins with an aspect of Fred Rogers’ life that many adult readers may not know: He was a sickly child who suffered from allergies and spent a lot of time inside and alone. In his own neighborhood, Rogers was bullied. Thanks to helpers, including his grandfather, Rogers gained confidence and a strong sense of values that became the underpinning of his groundbreaking television series, “Mister Rogers’ Neighborhood.” As the book tells us, “His grandpa told Fred that he liked him just the way he was. He said Fred was special and that, just by being himself, Fred made the day special, too.”

The book includes scenes of Rogers reaching out to other helpers in the community. Although one scene shows Rogers surrounded by a gathering of diverse children, this aspect of the book might have been strengthened by mentioning, for instance, African American police officer Officer Clemmons, who appeared on “Mister Rogers’ Neighborhood.”

Overall, however, Reid’s simple text and Phelan’s soft pencil and watercolor illustrations come together to capture the gentle force of nature that was Mister Rogers himself.

Canadian author Aimee Reid and the incomparable illustrator Matt Phelan team up for an accessible introduction to the life of Fred Rogers for young readers.

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