Deborah Hopkinson

As The Storm Crow opens, Princess Thia of Rhodaire is soaring over the city of Aris, perched on the back of a strong and beautiful storm crow. It’s a special day for the teenage princess. On this night she won’t be riding a borrowed crow but will get her very own.

Then tragedy strikes. Rhodaire’s enemies set fire to the rookery, destroying all the crows, and Thia’s mother and her beloved aunt are both killed in the attack. The princess plunges into months of depression, and the kingdom is at risk without the crows. 

Knowing that a full-on war would destroy Rhodaire, Thia’s older sister, now Queen Caliza, arranges a match between Thia and Prince Ericen, son of Queen Razel of Illucia, the enemy who destroyed all Thia held dear. But just when all seems hopeless, Thia makes a discovery that could change everything. A single crow’s egg has somehow survived the devastating fire, and if she can find a way to hatch the egg, and if Caliza can convince a neighboring kingdom to come to their aid, they just might stand a chance against Illucia.

Storm crows might not be as spectacular as dragons, but teen readers will nonetheless marvel as Thia soars through the sky, and as she strategizes to survive in Illucia and negotiate her relationship with her intended. Debut author Kalyn Josephson is adept at world building, and with its powerful women and diverse set of characters, The Storm Crow is sure to attract a loyal following.

As The Storm Crow opens, Princess Thia of Rhodaire is soaring over the city of Aris, perched on the back of a strong and beautiful storm crow. It’s a special day for the teenage princess. On this night she won’t be riding a borrowed crow but will get her very own.

Emily Nussbaum, the Pulitzer Prize-winning television critic for The New Yorker, explores the fascinating and ever-evolving medium of television in I Like to Watch: Arguing My Way Through the TV Revolution. This insightful, thought-provoking collection of essays includes both previously published and new work, with topics ranging from “difficult women” and exploring the legacy of “Sex and the City” to arts criticism in the age of Trump and how “Black-ish” rethinks the family sitcom.

In the author’s preface, she explains her selection process: The essays aren’t about her favorite shows or based on any sort of rating system. Instead, she writes, “These reviews are simply the ones I thought held up the best as criticism—and also the ones that most effectively made my argument about TV.” And hold up they do, as Nussbaum turns her gaze on Joan Rivers, “Jane the Virgin,” “True Detective” and product integration.

It seems fitting that Nussbaum begins her entertaining collection with a new essay entitled “The Big Picture: How Buffy the Vampire Slayer Turned Me into a TV Critic.” Here she contrasts that show with the cultural impact of “The Sopranos.” She goes on to explore the many ways in which television has changed—and revolutionized—since her own TV-watching childhood in the 1970s. And she reveals how this public square of our culture has continued to reshape and reinvent itself anew in often surprising ways.

It’s also here, in this first essay, that Nussbaum reveals her own model of criticism: “It’s about celebrating what never stops changing.” Whether you’ve long been a TV fan or you’ve recently found yourself returning to this fascinating medium for long binge-watching sessions, this is a book you won’t want to miss.

Emily Nussbaum, the Pulitzer Prize-winning television critic for The New Yorker, explores the fascinating and ever-evolving medium of television in I Like to Watch: Arguing My Way Through the TV Revolution. This insightful, thought-provoking collection of essays includes both previously published and new work, with topics ranging from “difficult women” and exploring the legacy of “Sex and the City” to arts criticism in the age of Trump and how “Black-ish” rethinks the family sitcom.

Ah, Paris! There’s no other city quite like it. And these days, when Americans are finding vacations as scarce as video rental stores, it’s hard not to look with longing at the six weeks’ getaway still in vogue across the pond.

In truth, American-born columnist John von Sothen didn’t move to France for the vacations. Fifteen years ago, as a young writer living in New York, he fell in love with a French actress. When Anais became pregnant, the couple moved to Paris. Now the father of two teens, von Sothen has penned an entertaining memoir of his life as a husband, father and constantly surprised expat.

Take those notions of idyllic vacations. “I learned the hard way my first few years in France that vacation wasn’t to be trifled with,” von Sothen reveals. Turns out vacations are more like expeditions, undertaken with a group of friends and requiring extensive planning. Forget long, unscheduled days of relaxation. Instead, group activities reign supreme. “On the first night of my first French vacation, I was told I’d be running a two-week workshop.”

Von Sothen also dissects dinner parties, for which guests often arrive more than an hour late. We witness him learning the ins and outs of urban parenting and shepherding his children through the French education system, where timeliness does matter. Latecomers must sit on “a bench of shame.”

But while von Sothen’s vibrant memoir is often humorous, he is also a thoughtful observer of politics and modern family life, including the pain of living far from elderly parents and the unique perspective that comes from being an outsider. As his wife, Anais, tells the author, “We critique best what we love the most.” And that is definitely true for Monsieur Mediocre.

Jonathan von Sothen has penned a hilarious, entertaining memoir of his life as a husband, father and constantly surprised American in France.

No one expected 7th-grader Jamie Bunn to be called into the principal’s office. No one thought that quiet, artistic Jamie would be the one to violate her middle school’s strict Honor Code, especially not while trying to help a cute boy named Trey cheat on a test about Jane Eyre. And to make things worse, Trey’s sister, Jamie’s long-time nemesis, posts Jamie’s revealing apology letter to Trey for everyone to see.

Now, Jamie must live the consequences, which means summer community service at the Foxfield Public Library. There, she meets three caring adults who epitomize what we love about public libraries. There’s the warm and loving Sonia, an immigrant from Puerto Rico who makes everyone feel welcome; the committed director, Beverly, battling to save her library from budget cuts; and part-time worker Lenny, who loves to bake and harbors a not-so-secret crush on Sonia. Jamie’s perspective broadens further as she is drawn into the life stories of patrons like Wally, an elderly film lover who brings a flower each week and a homeless man she calls Black Hat Guy.

Tan’s debut novel is a warm-hearted look at some of the ways in which community libraries touch lives in unexpected ways. Jamie’s growth is believable and will ring true to young readers. And it goes without saying that book lovers of all ages can always make room for another story centered in a bookstore or library, especially one that features Jane Eyre.

Tan’s debut novel is a warm-hearted look at some of the ways in which community libraries touch lives in unexpected ways.

In her debut as both illustrator and author, Madeline Kloepper depicts the story of a reluctant city kid facing the prospect of a family camping trip with a huge amount of skepticism and reluctance. The narrator, clearly attached to her diverse, urban neighborhood, can’t imagine enjoying herself without electricity, street musicians, fountains or sculptures. “It’s not like there’s anything out here,” she gripes.

The magic in The Not-So Great Outdoors is the juxtaposition of the narrator’s words against Kloepper’s richly imagined wild landscapes, replete with running streams, plants, songbirds and, of course, bears. As the story proceeds, we see the girl, who is part of a mixed-race family, beginning to open up and see the wonders before her. There may not be city lights, but there are stars. And while there are no playgrounds, there are logs to cross and caves to explore.

The Not-So Great Outdoors is also a reminder of the simple pleasures of family camping—toasting marshmallows, going for walks, cooking on a camp stove and fishing. The book is clearly a labor of love for Kloepper, and with its simple, tongue-in-cheek text and gorgeous artwork, it’s the perfect picture book to help prepare those (perhaps reluctant) future campers in your life.

In her debut as both illustrator and author, Madeline Kloepper depicts the story of a reluctant city kid facing the prospect of a family camping trip with a huge amount of skepticism and reluctance.

Blair Thornburgh’s second novel, Ordinary Girls, is a delightful, contemporary take on Jane Austen’s Sense and Sensibility with a bit of Brontë sprinkled in for fun.

Plum and her older sister, Ginny, live in an old house along with their widowed mom, an assortment of pets and a gay doctoral student in music whom they call “Almost-Doctor Andrew.” Unlike the sisters in Austen’s novel, it’s not the death of their father but a plumbing disaster—combined with a publishing demise—that precipitates their family’s financial ruin. Their mother learns that the popular children’s book series she illustrated is being reissued for its 25th anniversary with a new artist. The result? No more royalties.

For high school senior Ginny, who’s caught up in the pressure of college admissions, the weight of social expectations has become nearly unbearable. Like Marianne in Austen’s novel, she loses herself and even has a frightening brush with death.

Early on, however, it’s the plumbing situation that propels Plum outside her self-imposed cocoon. A loud sophomore boy named Tate Kurokawa offers Plum the use of his family’s shower. From there, Plum ends up tutoring Tate in English (her foray into governessing), and the two seemingly mismatched teens begin to make surprising discoveries about each other and themselves.

Although Thornburgh’s intended audience is young adults, Ordinary Girls is a romantic comedy that’s perfect for adult Janeites. So if you’re looking for a gift for a sister or a friend who loves books about people who love books, pick up this humorous, heartwarming tale by a very talented novelist.

Blair Thornburgh’s second novel, Ordinary Girls, is a delightful, contemporary take on Jane Austen’s Sense and Sensibility with a bit of Brontë sprinkled in for fun.

Author Jacqueline Véissid’s debut picture book Ruby’s Sword is the kind of simple family story that sometimes gets lost in the flurry of children’s publishing. But with its resolute young heroine and gorgeous, summery illustrations, this is a perfect example of a book young readers will want to curl up with and read again and again.

Argentinean artist Paola Zakimi shows little-sister Ruby wading through tall grass as she tries to catch up with her two older brothers. When Ruby flops down to rest on her own, the wind blows her way and reveals something special—sticks in the shapes of swords.

In Ruby’s hand, her “sword” vanquishes a fearsome dragon. But fighting dragons is best with companions, and the generous Ruby races to grant swords to her siblings. Sadly, her gift is not at first appreciated, and Ruby is once again left to her own devices. But soon, the magical world she begins to create becomes irresistible, and her two brothers return to join in. Together, the three children work to build a magnificent castle from the simplest of materials: a sheet from the clothesline, sticks, rocks and flowers.

Ruby’s Sword is a reminder of the importance of imaginative and collaborative play for young children. Perhaps this story will remind parents or grandparents of their own long-ago forts and imaginary adventures. If there’s no beautiful, bucolic meadow like the one Zakimi depicts nearby, don’t worry. When you’re fighting dragons, sometimes all you need is the corner of a backyard.

Author Jacqueline Véissid’s debut picture book Ruby’s Sword is the kind of simple family story that sometimes gets lost in the flurry of children’s publishing. But with its resolute young heroine and gorgeous, summery illustrations, this is a perfect example of a book young readers will want to curl up with and read again and again.

Daniel Okrent, best known as the first public editor of the New York Times and the author of Last Call: The Rise and Fall of Prohibition, brings his considerable research and narrative talents to a neglected, disturbing aspect of America’s past: the creation of harsh anti-immigrant laws driven by eugenics.

Okrent begins his detailed, compulsively readable account with a bit of family history: He descends from Jewish immigrants from Poland and Romania. While Okrent’s ancestors slipped through the gate, strict immigration limits were imposed on many Jews, Italians, Greeks and Poles seeking new lives in the United States between 1924 and 1965. Okrent traces the rise of the supposed science of eugenics, which underscored legislation and categorized whole groups of people as having such imagined traits as “defective inheritance” or “inferior blood,” and which promoted the notion that the average intelligence of a steerage immigrant was “low, perhaps of moron grade.” Through his analysis, Okrent chronicles the forces and individuals behind the Immigration Restriction Act of 1924, which effectively made Ellis Island, once the symbol of America’s melting pot, into what one observer called “a deserted village.”

Okrent follows immigration policy through World War II, where quotas and restrictions had horrifying results for the generation of Jews desperate to escape Nazi-occupied Europe. Okrent notes: “had the immigration regulations that began to change in 1921 remained as they were before, many, many people who might otherwise have found their way to Chicago or Boston . . . perished instead.”

Okrent spent five years researching this sobering look at immigration policies based on bigotry and racism and how they shaped America in the 20th century. Now, in the 21st, The Guarded Gate: Bigotry, Eugenics, and the Law That Kept Two Generations of Jews, Italians, and Other European Immigrants Out of America is a must-read for anyone seeking a deeper understanding of the history of immigration in the United States—and how the past might be relevant to policy makers and citizens today.

Daniel Okrent brings his narrative talents to a neglected, disturbing aspect of America’s past: the creation of harsh anti-immigrant laws driven by eugenics.

Gail Shepherd’s colorful debut novel The True History of Lyndie B. Hawkins takes place in 1985 in the town of Love’s Forge, Tennessee. As the story opens, 11-year-old Lyndie and her parents have lost their home and have had to move in with her grandparents.

Lyndie is an outspoken, curious girl who loves research, history and getting to the bottom of things, but her quest to discover the truth about her father’s job loss and her parents’ strained relationship isn’t easy. One thing Lyndie does know is that it’s best to keep her daddy’s habit of hiding George Dickel Tennessee Whiskey in his glove box a secret from her opinionated grandma, who isn’t so sure that her son, a wounded Vietnam vet, quite knows how to raise Lyndie into a proper young lady. As for Lyndie’s mom who’s moved into a small room alone: “When she’s not at her new job at Miller’s Department she stays holed up in that room chewing on Bayer aspirins.”

In addition to Lyndie’s troubled family situation, her best friend Dawn is dealing with the outcome of her own issues; Dawn’s family is taking in a boy named D.B. who’s just come from a reform school. Eventually, both Lyndie’s father and D.B. realize they cannot outrun their past, and that they instead must undertake the long, hard work of trying to recover.

This richly voiced story explores themes of PTSD, the hope of redemption and the importance of friends and family. Full of humor and insights, The True History of Lyndie B. Hawkins will give middle school readers much to think and talk about.

Gail Shepherd’s colorful debut novel The True History of Lyndie B. Hawkins takes place in 1985 in the town of Love’s Forge, Tennessee. As the story opens, 11-year-old Lyndie and her parents have lost their home and have had to move in with her grandparents.

If you’re not familiar with the term “white shoe,” never fear. Author and retired Wall Street lawyer John Oller explains this and much more in the captivating White Shoe: How a New Breed of Wall Street Lawyers Changed Big Business and the American Century. (For the record, “white shoe” refers to the white buck shoes worn by the Ivy League college men who shaped the leading firms on Wall Street.)

If Oller once wrote dry, impenetrable legal briefs, there’s no hint of it here. His narrative sparkles with details that set this study of the legal profession’s influence on big business into a fascinating historical context. Oller begins at the turn of the 20th century, when most lawyers were willing to adopt the newly introduced paper clip—but not much else. (The profession was also slow to use telephones and typewriters.)

Enter Paul Cravath, one of several colorful figures brought to life in Oller’s book. Cravath launched an entirely new model of management for a law firm, and represented George Westinghouse in a legal battle with Thomas Edison in what has become known as the “light bulb war.” Other figures who reshaped the profession were Frank Stetson, who represented J.P. Morgan; William Nelson Cromwell, the man who “taught the robber barons how to rob”; and John Foster Dulles, who, Cravath argues, had a large hand in shaping the entire 20th century.

In an epilogue, Oller quotes attorney Paul Cravath in 1929, before the stock market crash, who opines that big business is “perhaps the most serious menace of our age in its social consequences upon American life.” Now, nearly a century later, as America continues to grapple with the role of corporations in politics and policy-making, it’s worth looking back at the men and forces that have made big business what it is today.

If you’re not familiar with the term “white shoe,” never fear. Author and retired Wall Street lawyer John Oller explains this and much more in the captivating White Shoe: How a New Breed of Wall Street Lawyers Changed Big Business and the American Century. (For the record, “white shoe” refers to the white buck shoes worn by the Ivy League college men who shaped the leading firms on Wall Street.)

Actor Thomas Lennon—who has appeared in TV’s “Reno 911!” and films such as Memento—and acclaimed illustrator John Hendrix (The Faithful Spy) have teamed up for a rollicking new fantasy adventure series.

Ronan Boyle and the Bridge of Riddles follows 14-year-old Ronan, a new recruit in a secret unit of the Irish police focused on the crimes of leprechauns. Ronan’s parents have been jailed for theft, but Ronan is convinced they were framed by the faerie folk. Overcoming his own shortcomings (severe food allergies, social awkwardness), Ronan sets out to prove his parents are indeed the innocent, bookish curators they claim to be.

Humor wins out over drama here, and Hendrix’s detailed maps and full-page illustrations of Ronan’s exploits contribute to the tongue-in-cheek nature of the tale. Footnotes that define Irish terms also add to the hilarity, but along with its high spirits and high jinks, Lennon’s debut novel is clearly rooted in an authentic love and appreciation of his Irish heritage. And best of all? Ronan survives to win a promotion just in time for his next adventure, which is sure to delight fantasy fans eager for a new hero.

Actor Thomas Lennon—who has appeared in TV’s “Reno 911!” and films such as Memento—and acclaimed illustrator John Hendrix (The Faithful Spy) have teamed up for a rollicking new fantasy adventure series.

Debut author Jodie Lynn Zdrok transports readers to 1887 Paris in this fascinating YA murder mystery that follows a 16-year-old newspaper reporter named Nathalie Baudin. Nathalie finds her new beat—reporting on the unclaimed bodies that show up at the public morgue—fascinating but also a bit grisly. As the story opens, we find her waiting her turn in an incredibly long line to enter a morgue. Morgue viewing was indeed a popular pastime in fin de siècle Paris—even for families with young children.

But soon one corpse claims Nathalie’s attention: a young woman, hardly more than a girl, who was viciously stabbed. As she looks at the girl, Nathalie suddenly finds herself transported to the scene of the murder and relives the girl’s final moments. Nathalie feels shaken to her core, “as if the horror she’d witnessed was both real and not real.” The incident marks the beginning of Nathalie’s quest to understand her strange new supernatural abilities and harness them to help find the serial killer who is terrorizing the city

Zdrok holds a degree in European history, and her writing sparkles with details that evoke 19th-century Paris. Spectacle’s cliffhanger ending will leave readers eager for Nathalie’s next case. 

Debut author Jodie Lynn Zdrok transports readers to 1887 Paris in this fascinating YA murder mystery that follows a 16-year-old newspaper reporter named Nathalie Baudin.

Journalist Matti Friedman has reported from around the world, including Israel, Lebanon, Morocco and Moscow, and is the author of Pumpkinflowers: A Soldier’s Story of a Forgotten War, about Israeli soldiers in Lebanon, which was chosen as a New York Times Notable Book. In his new book, Spies of No Country, Friedman, who is now based in Jerusalem, combines his in-depth knowledge of Israel with a riveting narrative to recount the story of the Arab Section, an Israeli spy operation active from January 1948 to August 1949.

The Arab Section began with a dozen spies (several were caught), but Friedman focuses on four men here, all in their early 20s in 1948, and follows them in amazing detail. Only one, Isaac Shoshan, now in his 90s, is still living, and this book sprang from Friedman’s interviews with him over several years. Friedman notes, “I’ve learned over years as a reporter that time spent with old spies is never time wasted.” And that was especially true in this case. As Friedman reflects, “His memory was a sharp blade.”

Those memories help to illuminate a tension-filled tale of espionage during the 1948 Arab-Israeli War, with Shoshan and others operating undercover in Beirut. The spies of the Arab Section formed what would later become Mossad, Israel’s infamous intelligence agency.

Based on both interviews and archives, Friedman drops readers into the complex, shifting and dangerous landscape of the 1948 conflict. Spies of No Country is a fascinating journey into the past that reads like a spy novel—except in this case, it’s all true.

Journalist Matti Friedman has reported from around the world, including Israel, Lebanon, Morocco and Moscow, and is the author of Pumpkinflowers: A Soldier’s Story of a Forgotten War, about Israeli soldiers in Lebanon, which was chosen as a New York Times Notable Book. In his new book, Spies of No Country, Friedman, who is now based in Jerusalem, combines his in-depth knowledge of Israel with a riveting narrative to recount the story of the Arab Section, an Israeli spy operation active from January 1948 to August 1949.

Sign Up

Stay on top of new releases: Sign up for our newsletter to receive reading recommendations in your favorite genres.

Trending Features