Deborah Mason

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Reading One Hundred Saturdays: Stella Levi and the Search for a Lost World by Michael Frank is like watching an artist piece together a mosaic. A splash of blue sea here. A mother’s song over there. The smell of Purim pastries. The flash of first love. But the mosaic is never completed. Instead, a terrible wind descends, leaving the artist to pick up the pieces as best she can and begin a new image.

Here, the artist is Stella Levi, a 99-year-old Jewish woman living in New York City. The mosaic is the Juderia, the main Jewish quarter on the island of Rhodes, where Levi was born in 1923. And the wind is the Holocaust, which reached the Juderia in the last months of World War II and scattered Levi’s parents, family, friends and community. One Hundred Saturdays is the story of that time and place, but it is also much more: a story of friendship, survival, reinvention and courage.

Frank, author of The Mighty Franks and What Is Missing and a 2020 Guggenheim Fellow, met Levi by chance—or perhaps serendipity—when he rushed in late to attend a lecture, and the elegant older woman in the chair next to him struck up a conversation. The following Saturday, he found himself in Levi’s Greenwich Village apartment, the first of 100 Saturdays that he would spend with her over the following six years. Over the course of those visits, Levi became both a friend and muse as she recounted the minutest details of her life, from its rich beginning to its remarkable present.

Maira Kalman’s illustrations, heavily influenced by Matisse with their deceptive simplicity, rich colors and delicate textures, are perfect complements to Levi’s story, portraying vanished scenes from life on Rhodes before the Holocaust. Together with the text of Frank’s beautiful book, they create a sensitive portrait of an extraordinary woman. Fiercely independent, keenly intelligent and remorselessly honest, Levi refuses to be defined solely by the tragedy of her youth. Her life has been a constant evolution, and her final years are being lived with the same vitality as her earliest ones.

One Hundred Saturdays is the story of a Jewish community before the Holocaust, but it is also much more: a story of friendship, survival, reinvention and courage.
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True-crime books are frequently framed as guilty pleasures. Often sensational or even lurid, they feed our inner rubberneckers. But in the hands of a tenacious reporter, true crime can also expose devastating truths about human nature.

 We Carry Their Bones

Book jacket for We Carry Their Bones by Erin Kimmerle

We Carry Their Bones is Erin Kimmerle’s firsthand account of the discovery, exhumation and identification of 51 bodies buried in unmarked graves on the grounds of the Dozier School for Boys in Marianna, Florida. Truthfully, it is obscene to call Dozier a school. The inspiration for Colson Whitehead’s The Nickel Boys, Dozier was a prison where boys and young men were exploited, abused and often left to die from their injuries, beginning in 1900 and lasting until its closure in 2011. Kimmerle, a professor of forensic anthropology, led the team of volunteers and students who combed through layers of obstinate Florida clay to find and reclaim these lost boys, despite fierce opposition from townspeople and politicians.

Kimmerle’s commitment to finding the truth was grounded in her identity as a scientist. She didn’t fit facts to a predetermined answer but allowed the facts to lead her. Her dedication to clarity is reflected in her writing style as well. Without ever losing the thread of her story, Kimmerle outlines precisely, patiently and clearly each step of her task—including dealing with court appearances, bureaucratic battles and hostile town officials, as well as the myriad engineering and scientific difficulties she faced.

But We Carry Their Bones is not just a procedural: Kimmerle’s account of how her investigation unfolded also illuminates why it was so important. Unearthing these boys’ bodies likewise unearthed Dozier’s history, forcing onlookers everywhere to confront the racism and classism that sanctioned the crimes Dozier employees committed against so many young people. And most of all, restoring the boys’ names and returning their remains to their families brought both healing to the survivors and a measure of justice to the dead, demonstrating that something like peace is possible if amends are sincerely made.

 Trailed

Book jacket for Trailed by Kathryn Miles

In 1996, Julianne Williams and Laura Winans, two young women deeply in love, were murdered while backpacking in Shenandoah National Park. Kathryn Miles, a journalist and science writer, learned about their murder several years later while teaching at Unity College, where Laura had been a popular student. An enthusiastic backpacker herself, Miles was fascinated by the case and set out to write an article about the double murder. Instead, she ended up writing her fifth book, Trailed: One Woman’s Quest to Solve the Shenandoah Murders.

Reading Trailed is like taking an interesting and often treacherous hike with a friend who is not afraid to explore the side trails. The main trail in the book is, of course, the story of Julianne and Laura, their deaths and the investigation that followed. But as Miles became more immersed in their story, she discovered other trails that looped back to Julianne and Laura: similar murders in and around the National Park System, especially of young women, members of LGBTQ communities and people of color; the lack of law enforcement resources allocated to park rangers; the many flaws in the initial investigation of Julianne’s and Laura’s murders that eventually led to the prosecution and persecution of a man who was probably innocent; and the community of cold case investigators and exoneration attorneys who helped Miles hunt for the real killer.

Like Kimmerle, Miles uses a true-crime story to shed light on society’s ills. Miles believes that Laura and Julianne weren’t murder victims who happened to be lesbians; they were murder victims because they were lesbians. Similarly, the flawed investigation shows the disastrous impact that confirmation bias can have on an innocent man—while letting the guilty man remain free. Meticulously honest and lyrically written, Trailed is an elegy to two young women and an indictment of the system that failed them.

 Rogues

Book jacket for Rogues by Patrick Radden Keefe

In Rogues: True Stories of Grifters, Killers, Rebels and Crooks, a collection of 12 articles previously published in The New Yorker, author and journalist Patrick Radden Keefe undertakes a different kind of sleuthing. There is no single crime that unites these pieces; for that matter, not every piece concerns a crime. The article on Anthony Bourdain, for example, is remarkably crime-free, if you discount his use of illegal drugs. Instead, Keefe focuses on “rogues”—not the jolly scallywags that the word often evokes but rebels, outliers, rule-breakers and operators who recognize no boundaries between themselves and the objects of their obsessions.

Keefe introduces readers to a notable rogues’ gallery, including a woman who must spend her life in hiding after informing on her mobster brother, an assistant professor who went on a shooting spree after being denied tenure, an IT guy in a Swiss bank who spilled the beans on hundreds of tax evaders and a lawyer who defends only death penalty cases. “Buried Secrets,” which details the struggle between an honest Guinean president and an unscrupulous Israeli diamond merchant over the world’s richest iron ore deposit, could easily have come straight out of a John le Carré novel. “The Avenger,” on the other hand, is a heartbreaking account of a man’s search for his brother’s murderer, the Lockerbie bomber.

Keefe has written several lengthy investigative books, including Empire of Pain, the comprehensive story of the Sackler family’s complicity in the opioid crisis. By contrast, he is working within the confines of 10,000-word articles in Rogues, so there is little room for self-reflection or digression. Instead, he makes full use of journalistic tools for fact-finding: keen observation, meticulous research and insightful interviews with the rogues, their associates and their victims. As a result, each essay is a taut, highly honed yet powerful reflection on the creative and corrosive effects of obsession.

Read more: Patrick Radden Keefe narrates the audiobook for ‘Rogues.’

Scientists and journalists are on the case in three noteworthy books about unsolved murders and other long-buried secrets.
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The dystopia envisioned in singer-songwriter Janelle Monáe’s third album, Dirty Computer, provides the backdrop for her first story collection, The Memory Librarian: And Other Stories of Dirty Computer (12 hours).

New Dawn, a totalitarian regime that rules through surveillance and memory erasure, has deemed that only the “clean” are worthy. Others—particularly members of the LGBTQ community, people of color and their allies—are labeled “dirty computers” and must be reprogrammed or destroyed. The five stories of The Memory Librarian, each written in collaboration with a distinguished speculative fiction author (Alaya Dawn Johnson, Danny Lore, Eve L. Ewing, Yohanca Delgado and Sheree Renée Thomas), describe the fear of living under such a regime as well as the joy and courage that can be found in a community of resistance.

Monáe’s narration of the preface and first story is elegant and measured. Her reading of “The Memory Librarian” is particularly taut, reflecting the balancing act that the librarian Seshet must perform between her duties under New Dawn and the hidden memories and desires of her inner life. Voice actor Bahni Turpin’s performance of the remaining four tales is electrifying, particularly in the finale, “Time Box Altar(ed),” in which three children learn to dream of a better future, and then fight for it.

Elegantly narrated by author Janelle Monáe and voice actor Bahni Turpin, The Memory Librarian explores the joy and courage that can be found in a community of resistance.
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There are times when only a gothic novel will do, and such times call for Gallant (7.5 hours) by V. E. Schwab, author of the Shades of Magic series. Everything you could possibly want is present in Schwab’s latest standalone: a mysterious manuscript, a haunted house (the titular Gallant) and an unlikely heroine in the form of Olivia Prior, the orphan who unravels Gallant’s secrets.

Actor Julian Rhind-Tutt delivers an outstanding performance as the audiobook narrator. As a veteran film and voice actor, he brings nuance and sensitivity to his reading, with a low, husky voice that makes listening to Gallant a unique pleasure. Rhind-Tutt sounds like he’s sitting with you in a darkened room, confiding a secret so profound that only you, his listener, can be trusted with it.

Read our review of the print edition of Gallant.

The low, husky voice of actor Julian Rhind-Tutt makes listening to V. E. Schwab’s Gallant a unique pleasure.
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If you enjoy hiking up and down remote mountains while laden with excessive outdoor gear, then The Hiking Book From Hell is probably not the travelogue you’re looking for. On the other hand, if you enjoy strolling through your city, hanging out in pubs or chatting with strangers, then author Are Kalvø is your man. Kalvø, one of Norway’s most popular satirists, is a cheerful urbanite with little to no interest in nature. In his mid-40s, however, he realized that many of his friends were joining the swelling ranks of people who subject themselves to deprivation and possibly even death in pursuit of an “authentic” experience with nature. This insight brought Kalvø face to face with life’s most profound question: Is it them, or is it me?

Kalvø also had serious questions about Norwegians’ mania for nature. As a committed extrovert, he found their quest for isolation and silence disturbing. Also, nature worship can be exclusionary; the high cost of equipment and clothing ensures that nature is reserved for the well-off, while proposals to make the outdoors more accessible to disabled people are vigorously opposed. And if people went into nature to lose themselves in a transcendent experience, then why were there so many nature selfies on Instagram?

Accompanied by his wife, the “Head of Documentation,” Kalvø went on two nature treks to see what all the fuss was about—but he never really found out. Climbing steep, fog-bound mountains in the rain is as much fun as you would expect. Skiing for miles can be pretty boring. And, as he discovered, there’s something about being one with nature that changes ordinary people into boastful, unbearably smug liars who tell you with a straight face that a hike is “lovely” when they really mean “likely to kill you.”

But Kalvø tells his story with such deft humor and affectionate irony, wonderfully conveyed by Lucy Moffatt’s translation, that all you can do is laugh at his misadventures—and be grateful that you’re reading The Hiking Book From Hell in the comfort of your home.

Are Kalvø, an urbanite with no interest in nature, tells of venturing into the outdoors with such deft humor that all you can do is laugh at his misadventures.
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As we age, most of us will experience a debilitating or life-threatening illness at some point. Two nonfiction books take an unflinching look at this reality while painting a compassionate picture of how we and our health care providers could approach illness and death with more empathy, honesty and courage.

Healing

Cover of Healing by Theresa Brown

Healing: When a Nurse Becomes a Patient is Theresa Brown’s searingly honest and deeply personal account of her experiences as a breast cancer patient. Brown, a registered nurse with a Ph.D. in English literature, has written and lectured extensively about the American health care system. As a former oncology and hospice nurse, Brown knew that patients often got a raw deal, but only after her own diagnosis did she realize how needlessly cruel that deal could be.

Brown has profound gratitude for her family, friends and medical team, who all supported her as she recovered, but she is also angry. She faced a host of necessary evils during her treatment, including invasive diagnostic procedures, painful surgeries and debilitating side effects from chemotherapy. But in a series of devastating vignettes, Brown also details the many unnecessary evils she endured in a system that favors profit over the needs of the patient: Diagnoses were delayed, questions left unanswered, test results undelivered. She was even forced to negotiate byzantine regulations on her own because her health care providers were stretched too thin to ensure that these basic duties were fulfilled effectively or graciously. Even though Brown was a seasoned health professional with extensive knowledge and professional contacts, she had to fight to be treated humanely. One can only imagine the obstacles less experienced patients must face every day.

Healing is both a moving memoir and a clarion call to action. When health care becomes a profit-making industry, dominated by hedge funds and corporate interests, we all lose. Instead, Brown argues, we must return to a system where meeting the patient’s needs—physical, emotional and social—is the priority.

The Day I Die

Cover of The Day I Die by Anita Hannig

In The Day I Die: The Untold Story of Assisted Dying in America, anthropologist Anita Hannig takes a different but no less passionate approach to her examination of death and dying in America. After becoming interested in how Oregon’s assisted dying law worked, Hannig embedded herself in a volunteer group that helps terminally ill patients take advantage of the law. She soon realized that the law, with its many hoops and barriers, could be like Henry Wadsworth Longfellow’s girl with the curl on her forehead. When it works, the law is very good. Hannig’s case studies of patients who have enough luck and resources to meet the demands of the statute demonstrate that assisted death can be, paradoxically, life-affirming. Autonomy can be restored to patients who have long been at the mercy of their diseases, and knowing when one will die can be an opportunity for reconciliation, reunion and gratitude.

But when things go bad, the law can be horrid. It is reasonable to have strict conditions surrounding assisted dying to ensure that the decision to end one’s life is freely made. But those conditions can have devastating effects upon patients who desperately want to die but cannot meet the requirements. Patients with ALS, for example, might lose their ability to communicate their assent before the deadline. Advanced Alzheimer’s patients are categorically denied access to assisted dying because they have lost the ability to fully understand their decision. Hannig rigorously details these and other situations in which people’s physical or mental deterioration, lack of resources or sheer bad luck result in a painfully prolonged life and terrifying death.

In her introduction, Hannig acknowledges the anthropologist’s dilemma: The act of observation is an imperfect tool for research, since it can change both the observer and the observed. However, it can also change the reader, since it is impossible to read Hannig’s book without being moved. Regardless of your stance on assisted dying, The Day I Die will make you reconsider how dying could and should be.

The personal stories in these nonfiction books set a more humane benchmark for patients and providers.
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In African Town (7 hours), co-authors Charles Waters and Irene Latham use a series of first-person narrative poems to tell the story of the Clotilda—the last American slave ship—and to reveal the fates of the enslaved passengers and their captors.

Each character’s perspective unfolds in a particular poetic structure that reflects their personality, and the audiobook cast members incorporate the cadence of these poems into their performances without ever sounding forced or contrived. Consequently, the listener experiences not only an epic story of terror, grief and heroism but also the unique humanity of each character, including the Clotilda—a ship that is infinitely more humane than her masters.

The accompanying downloadable PDF is packed with valuable information, including a glossary, timeline and additional information about the characters. African Town is an emotionally complex, searingly honest and extremely rewarding experience for teen and adult listeners alike.

Irene Latham and Charles Waters discuss ‘African Town,’ their novel in verse about the last group of Africans brought to America and enslaved.

African Town is an emotionally complex, searingly honest and extremely rewarding experience for listeners of all ages.
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In Of Blood and Sweat: Black Lives and the Making of White Power and Wealth, Clyde W. Ford confronts readers with a difficult truth about the current state of American affairs: Our politics, economy and social structure are inextricably linked to the enslavement of Black people. The freight trains and trucks that carry goods across the country follow the rail lines and roads built by enslaved people. Our insurance companies, banks and stock exchanges—in both the North and the South—are direct descendants of the institutions that financed and protected the slave trade and commodities produced with slave labor. Our Constitution is the result of compromises with slave-holding states, ensuring through the three-fifths clause, the Fugitive Slave Clause and the Electoral College that power remained in the hands of powerful white men and that slavery continued to flourish.

Ford wants readers to realize the lasting and severe harm that slavery has done to our country on both an intellectual level and a visceral, emotional one. There is no lack of evidence to support his argument, and his book is very well researched and documented. But unlike histories that are so loaded with documents, statistics and official accounts of proceedings that they numb the reader, transforming the tragedy of the past into mere abstraction, Of Blood and Sweat adroitly avoids these pitfalls. Instead, Ford weaves the stories of real people who lived through these times into his narrative, making the information feel immediate and alive. The author of 13 fiction and nonfiction books, including the memoir Think Black, Ford brings to life Antoney and Isabell, an Angolan couple who were among the first enslaved Africans brought to Virginia in 1619; Briton Hammon, an enslaved man whose New England owner permitted him to become a sailor; S.G.W. Dill, a white former Confederate soldier who became a passionate advocate for equality—and was murdered for it by white supremacists; and countless others, the sinners and the sinned against, whose lives illuminate not only what happened but why.

More importantly, Ford makes a clear case that the past is never over. The wounds inflicted by slavery have never healed, and he argues that they will continue to harm our country until we deal with them honestly. For many Americans, reading Of Blood and Sweat will be an excellent first step in that process.

Some histories are so loaded with documents and statistics that they numb the reader, but Clyde W. Ford’s Of Blood and Sweat feels immediate and alive.
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In 2019, the New York Times Magazine published 10 articles written by a team headed by Pulitzer Prize winner Nikole Hannah-Jones. Collectively known as the 1619 Project, these essays argue that the arrival of the first enslaved Africans in Virginia in 1619 ​​was a defining event for our nation, one that has affected basically every aspect of life in the centuries since. The 1619 Project: A New Origin Story (19 hours) expands on this original work with additional essays and literary works.

The essays alone would have made compelling listening, but the pairing of historical analysis with artistic interpretation makes the audiobook especially moving. Some pieces are read with great passion, such as Hannah-Jones’ “Democracy.” Others, like Khalil Muhammed’s reading of “The Sugar Trade,” have a determined objectivity that underscores the human misery behind the historical fact. But nothing compares to the gut punches delivered by ZZ Packer’s short story “An Absolute Massacre” or Rita Dove’s poem “Youth Sunday.”

The audiobook’s variety of voices and styles allows the listener to understand American history on a profoundly human level. The result is a powerful lesson not only about what our history is but also how it feels.

Read our starred review of the print edition of ‘The 1619 Project.’

The variety of voices and styles in The 1619 Project audiobook allows the listener to understand American history on a profoundly human level.
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We all have one. That friend or relative who cannot hold a conversation without bringing up their pet conspiracy theory. The one who believes COVID-19 is a hoax or that a certain former secretary of state actually wore a mask made from the face of a dead child. The one who frightens and confuses you in equal measure, leaving you to wonder what happened to your dear friend or favorite uncle. The one you might be thinking about cutting off, because the mere thought of listening to one more lecture about the faked moon landing sends you around the bend.

Before you do, however, you really should read Off the Edge: Flat Earthers, Conspiracy Culture, and Why People Will Believe Anything by Daily Beast reporter Kelly Weill. Since starting at The Daily Beast in 2016, Weill has focused on how conspiracy theories flourish on social media. In Off the Edge, Weill uses flat-eartherism as a case study, documenting its surprising roots in a 19th-century socialist utopian commune, its truly astonishing endurance and popularity, and its links to other conspiracy theories, including QAnon. In addition to conducting meticulous research for her debut book, Weill had searching and substantive conversations with flat-earth believers that informed her understanding of how conspiracy theories evolve, grow and converge. She is especially critical of the role YouTube and Facebook have played in this history, but she is equally clear that the mainstream media, including some of her own articles, are also at fault.

Weill’s investigation of flat-eartherism makes clear that adherence to a conspiracy theory is not intellectual but emotional. Fear and uncertainty about the world and one’s place in it fuel a desperate desire for clarity—even if that clarity is rooted in a nonsensical worldview that drives a wedge between the believer and their loved ones. But there’s still hope for these broken relationships. Weill shows that people can and do recover from their fever dreams, but not through intellectual argumentation alone. If the exploitation of fear can divide us, only compassion and openheartedness can lay the groundwork to draw us together again.

Before you cut off a loved one who won’t shut up about their pet conspiracy theory, you really should read Kelly Weill’s extraordinary debut book, Off the Edge.
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Oliver Roeder is very serious about games. With a Ph.D. in economics with a focus on game theory, the author of Seven Games: A Human History argues that games—those activities that force us to suspend the normal rules of life in order to overcome self-imposed obstacles in the name of fun—are what make us human. Rather than homo sapiens, we are, he says, “homo ludens”: the humans who play. To make his case, Roeder takes a fascinating look at seven enduring games: checkers, chess, Go, backgammon, poker, Scrabble and bridge.

Roeder chose these games because, despite being easy to learn (with the exception of bridge), they all require strategic skills that can take years to acquire. In fact, they call for many human qualities: forethought, the ability to see both the big picture and small details, and even, in the case of bridge, the ability to communicate efficiently but obliquely with a partner.

For Roeder’s purposes, however, the main thing that unites these games is that they have all been conquered by artificial intelligence. A great deal of each chapter details how computer scientists seeking to make computers more “human” have taught them to play these games. Initially clumsy, the computers became more skilled as their programmers exploited the computers’ ability to make astronomical calculations in a matter of seconds. This advantage eventually crushed human masters of these games, including former World Chess Champion Garry Kasparov and professional Go player Lee Sedol.

It would seem that AI’s triumphs have made games for humans meaningless, but Roeder argues that they haven’t. Instead, the masters of these games have harnessed the computer’s power, using it to improve their skills and bring their expertise to new levels. However, the progress of human and automated intellect is not where games’ salvation lies. Instead, it’s the strivers—the players among us who love the challenge of overcoming those self-imposed obstacles—who will ensure that games continue to enrich our humanity.

Seven Games is a fascinating look at how humans fare against artificial intelligence and asserts that games are what make us human.
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We appear to be living in a golden age of crime stories, with podcasts and series galore, but this popular fascination is truly timeless, everlasting and ever evolving. L.R. Dorn’s debut novel, The Anatomy of Desire (8 hours), updates Theodore Dreiser’s classic 1925 crime drama, An American Tragedy, by using the documentary format to explore whether Instagram influencer Cleo Ray murdered her ex-girlfriend in the middle of a lake.

Dorn uses interview transcripts, director commentary and courtroom clips to strip away Cleo’s “all-American girl” social media personality and expose the traumas fueling her relentless ambition. This narrative structure is perfect for the audiobook format, and it’s compellingly and convincingly performed by a fine ensemble cast. Tony Award winner Santino Fontana stands out as the documentary director Duncan McMillan, and Marin Ireland portrays a formidable defense attorney, but Shelby Young absolutely shines as Cleo. From Cleo’s chirpy pretrial Instagram posts to her gut-wrenching testimony, Young delivers a performance that is as vulnerable as it is ruthless, as loving as it is spiteful.

Make some popcorn, settle in, and get ready to devour an extremely enjoyable story.

The unique documentary format of L.R. Dorn’s crime novel makes for a winning audiobook, compellingly performed by a fine ensemble cast.
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Filled with humor, misadventures, triumphs and sorrow, Amor Towles’ novel The Lincoln Highway (16.5 hours) follows Emmet Watson, his kid brother, Billy, and their friends Duchess and Woolly on an epic road trip from Nebraska to New York.

Each chapter is told from a different point of view, and Edoardo Ballerini narrates as all but two of the characters. He brings nuance to each voice, but his reading of Billy’s perspective is especially convincing. Billy, the precocious child who inspires much of the novel’s action, runs the risk of becoming more symbol than character, but Ballerini captures the wistfulness and vulnerability of a young boy far from home. Marin Ireland is gloriously brassy and brittle as Sally, a sassy Penelope figure who refuses to stay home, and Dion Graham imbues Ulysses, a homeless African American veteran doomed to crisscross America, with weary dignity and courage.

Sometimes, audiobooks merely narrate the original text. In this case, the performances by Ballerini, Ireland and Graham augment it, giving The Lincoln Highway increased complexity and humanity.

Read our starred review of the print edition of ‘The Lincoln Highway.

Narration by Edoardo Ballerini, Marin Ireland and Dion Graham augment Amor Towles’ text, giving The Lincoln Highway increased complexity and humanity.

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